Joanne Harris
Joanne Harris
Joanne Harris
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Recorded December 2011 from the BBC
Radio 4 programme Woman's Hour
Biography
Harris was born in Barnsley in Yorkshire, to an English father and a
French mother. Her parents were both academics, teaching modern
languages and literature at a local grammar school. Her first
language was French which caused divisions between her English
family, where no-one spoke French, and her French family, where no-
one spoke English. Both families had turbulent histories and a
tradition of strong women, kitchen gardening, storytelling, folklore
and cookery.
Early life
Harris began writing at an early age. She was strongly influenced by
Grimms' Fairy Tales and Charles Perrault's work, as well as local
folklore and Norse mythology.[1] She was educated at Wakefield Girls'
High School, Barnsley Sixth Form College, and St Catharine's College,
Cambridge, where she studied modern and medieval languages.
The Evil Seed, Sleep, Pale Sister and Chocolat were published before
she retired from teaching to become an author full-time. [3]
Books
Her first novel, The Evil Seed, was published in 1989, with only
limited success. A second novel, Sleep, Pale Sister, shows the way in
which her style developed from horror-pastiche to literary ghost
story. In 1999, her third novel, Chocolat, a darkly magical modern
folk-tale, thematically based on food and set in the Gers region of
France, reached No. 1 in the Sunday Times' bestseller list. The book
won the Creative Freedom Award in 1999 and was shortlisted for the
1999 Whitbread Novel of the Year Award. The film rights were sold to
David Brown and developed by Miramax Pictures. The success of the
motion picture, starring Juliette Binoche and Johnny Depp, brought
Harris worldwide recognition, and in 2012 she became one of only
four female members of the "Millionaires' Club," the elite group of
authors who have achieved a million sales of one book in the UK
since records began.[4]
Recurrent themes
Some of Harris's recurrent themes are: issues of identity;
mother/child relationships; the emotional resonance of food; the
magic and horror of everyday things; the outsider in the community;
faith and superstition; the joy of small pleasures. She has spoken out
against entrenched sexism in the literary field, and she has discussed
how she weaves a critique of sexist attitudes into her fiction:
For too long, women have been judged primarily on
“ their looks rather than their abilities, and, even now – in
a world in which we can hardly move for political
correctness – men and women are still viewed slightly
differently in the world of music, literature and the
creative arts. There is a patronizing smirk from the
world of literature when a woman writes a romantic
novel; but when a man does the same thing, he is being
sensitive and insightful, making a valuable statement on
the nature of relationships. In Runemarks, the same
thing happens; a boy who reads is intelligent and will go
a long way; a girl who reads is “clever,” which is useless
in a girl – even potentially dangerous. ”
— The Norse Mythology Blog's interview with Joanne Harris
Her writing style focuses on the senses, especially those of taste and
smell. This may be due to the fact that Harris has a form of
synaesthesia, in which she experiences colours as scents.[5] Her
novels are often much darker than the film adaptation of Chocolat
would lead us to suppose, and characters are often emotionally
damaged or morally ambivalent. Father-figures are frequently absent,
and mothers are often portrayed as controlling, harsh or even
abusive, as in Blueeyedboy and Five Quarters of the Orange. Harris
favours a first-person, dual-narrator narrative structure, often
revisiting past events to cast light on current developments. This
generally makes for complex characterization, and even minor
characters are often unusually well-developed. Her books have a very
strong sense of place, with settings that play as significant a role as
do the characters themselves. The fictional French village of
Lansquenet-sous-Tannes, the setting of Chocolat and Peaches for
Monsieur le Curé, also features in Blackberry Wine, and the fictional
Yorkshire village of Malbry is the setting for both Blueeyedboy and
Gentlemen and Players, as well as numerous short stories. Malbry is
also the name of Maddy's home in the Rune books, and seems to
bear a certain resemblance to Harris' home village of Almondbury.[6]
In 2013 she was on the judging panel of the Royal Society Winton
Prize for Science Books[12] and chaired the Desmond Elliott Prize.[13]
In 2016, 2017 and 2018, she was on the judging panel of the Betty
Trask Prize. In 2016, 2017 and 2018 she was a judge for the
Fragrance Foundation Awards. Harris is the holder of honorary
doctorates in literature from the University of Huddersfield and the
University of Sheffield, and is an Honorary Fellow of St Catharine's
College, Cambridge. She is also an elected member of the
Management Committee of the Society of Authors.
Harris works from a shed in her back garden [15] and is active on
Twitter, where she is known as @joannechocolat, and tumblr, (
http://joannechocolat.tumblr.com/ ) which she uses, along with her
website's message board, to answer questions from her fans. She is
married, and lives in Yorkshire with her husband Kevin and daughter
Anouchka.
Bibliography
The Evil Seed (1989)
Sleep, Pale Sister (1993)
Chocolat (1999)
Blackberry Wine (2000)
Five Quarters of the Orange (2001)
The French Kitchen, A Cook Book (2002)
Coastliners (2002)
Holy Fools (2003)
Jigs & Reels (2004)
Gentlemen & Players (2005)
The French Market (2005)
The Lollipop Shoes (2007) (US title: The Girl With No Shadow,
April 2008)
Runemarks (2007 in the UK, 2008 in the US)
Blueeyedboy (1 April 2010 in the UK)
Runelight (September 2011 in the UK)
Peaches for Monsieur le Curé (May 2012) (US title: Peaches for
Father Francis, October 2012)
A Cat, a Hat and a Piece of String (October 2012)
The Gospel of Loki (February 2014), as Joanne M. Harris
The Little Book of Chocolat (March 2014), with Fran Warde
The Loneliness of the Long-Distance Time Traveller (October
2014) Dr Who novella.
Different Class (2016)
The Testament of Loki (2018)
References
1.