Editorial
I consider Northern Shadows concluded at this point, though perhaps not in the traditional sense.

I apologise for the fact that much of the content within this issue is quite severely dated, and may not reflect the current
on-goings of the bands in question.

Many thanks to every single band featured not only within these very pages, but those of previous issues, as well as
everyone who has helped, from the writers to those who’ve offered praise as well as denunciations. Many thanks have
been forgotten in the past and I regret that I cannot name everyone individually.

Contents
Stargazer 3

Reverend Bizarre 6

Elysian Blaze 11

Mourning Beloveth 14

Dawn of Azazel 17

Immolation 20

Internecine Excoriation 23

Loss 26

Noltem 29

Spiculum Iratus 31

The Dead 34

Rev. Kriss Hades 37

Glorior Belli 40

Reviews 44

Staff & Contributors

Publishing & design: N. Liengme
Reviews: D. Sharrock, A. Maybury, Ferdibirdi, Talie Helene, swizzlenuts
Interviews: A. Maybury, N. Liengme, Skin Coffin, Tristian Templeton
Cover photo: N. Liengme (South Brisbane Cemetery, Dutton Park, QLD)
Logo: Nick Mather

Additional thanks to: Adam Lloyd-Taylor, Andrew, Royal Carnage, Dave & Asphyxiate, Liam & Fallout ‘zine,
Mike & Goran & HailMetal, Pyro & Stygmatyr, Jason & Internecine Excoriation, Anders & Nocturnal Horde and
the Gaudets.

No contributions were ever accepted from towards the ongoing cost of publishing this ‘zine, and all advertising has
been granted free of charge.

This publication is freely available under Creative Commons Attribution-No Derivative Works 3.0 Unported Licence.
Some Rights Reserved.

Portions of this publication may be reproduced without permission from the author, so long as full acknowledgements
of the credited author is included.

All enquiries: [email protected]

S t a r g a z e r
Harbingers of Olde Magick
The release of “The Scream that Tore the Sky”, 10 years in the making, has effectively unleashed a formidable force
in Australian death metal. Stargazer defy convention without pretensions.

Interview & live photos by N. Liengme, orb image provided by Stargazer

G
reetings Damon, how are things with Though Stargazer have existed since 95/96, it
yourself and Stargazer? Back in April wasn’t until last year that you finally managed
06 at the ANZAC Day Celebration, you to release a full length album, though you’ve had
performed live for the first time in quite a while a few EP’s and splits. What was it that convinced
as I understand. As far as I’m aware, it’d been the you that this was the time to record an album?
Nunslaughter tour back in 03 that you’d last
performed prior to that. Was this long delay in GRD: In the early days we simply did not have money to
public appearances only record a full length the way we
wanted. All of the recordings
to work on the album, or
were there other things
“I consider that we are up until this album were done
involved? impatient listeners of by myself as I had access to a
studio. I think 8 years for any
GRD: Ave! Yes, there were music to some extent in band will convince them that
other things involved. In fact
it was all due to the line-up.
that we seek ‘freshness’ it is time to do an album......
though the album songs were
Because we were offered the and originality even in the written and the whole scheme
Nunslaughter Australian most old style and basic of the album was well planned
tour we decided to initiate a out prior to its production, we
session guitarist into the folds abominations, and thus we never had a label to fund it.
(Arganoth from Misery’s seek constant aural delights In hindsight this helped it to
Omen to be exact) which
meant that The Serpent and we deliver this simply to become a much better album
than it would have if recorded
Inquisitor had to crawl behind appease ourselves.” at any other time.
the shadowy drum kit instead
of taking centre stage with guitar in hand where he would What can you tell us about “The Scream that
normally reside. So this arrangement was only exacted Tore the Sky” now, having had time to gauge the
for the purpose of that tour alone. As you well know, fans and media responses, and reflect upon the
TSI also performed drums on the album, which was also recording process?
mainly out of necessity, though he is a competent and
GRD: It seems to be considered a rather ‘fresh’ and
working drummer anyway. But we had been seeking a
well composed album according to reviews. We really
full time drummer since 2000, and he finally came in
couldn’t have made this album any better I feel. As far
2005. And so it came to pass that the Stargazer trinity
as the recording process goes - it will be different next
was once more complete. So it was only this year that we
time as we will be a 3 piece as opposed to a 2 piece for a
could finally resume where we last left off performance-
start. Apart from this we will strive for a darker more
wise.
natural timbre in terms of sound, especially the drum
You’ve recently returned from a tour of Japan, sound. By darker I mean more wooden and antient. Our
which seems to have been quite successful. instruments are made of wood and we want to hear that
Was this your first trip playing live outside of wood in our sound.
Australia, and were the live experiences like over
Since much of the material from “The Scream...”
there?
was written in the decade preceding its release,
GRD: I myself had previously been to Europe to perform how different is it from the material you’ve been
session bass for Zemial on their 2001 tour. But as far as writing more recently?
Stargazer goes, this was our first performance outside of
GRD: The next albums’ songs are written and mapped
Australia. We played 6 shows in as many days basically
out already. They have been for quite some time. We
which was bloody hectic considering the distances we
have close to another albums’ worth of material after
traversed. But the glimpse of the cities, customs, life-
that also. This is what happens when it takes so long to
styles and music scene that we saw was illuminating. To
produce the FIRST album. So when speaking of recent
sum up the live experiences I would have to say that each
writings, we are talking of a gap of perhaps 8-10 years.
and every band we played with put in their ALL. They
While we strive to maintain all the original elements of
are extremely focused on their music.

 
 How much of your influence is purely musical, and what other sources of
our earlier style and sound, we have progressed in the improve ourselves musically to keep our hyper-active
inspiration do you gain from? In what ways do the Eastern artworks portrayed
way of further interaction between all instruments, minds at ease. All the music we write collectively and
in your albums represent you individually and creatively?
further bizarre tonal concoctions, further rhythmic individually does not fit into the Stargazer mould,
excesses, further timbral variants and examinations therefore we are forced to express it through different GRD: It is safe to say all of our artistic, lyrical and symbological make up is of a non-
into modes, rhythms and even sounds not yet named. I mediums. I must say that this does have its draw-backs musical influence, and all of our music is of a musical influence, though it must somehow
consider that we are impatient listeners of music to some in that it is hard to find the time of day to do each project intergrade at certain points, adding in our own personality. So while some bands
extent in that we seek ‘freshness’ and originality even its justice, but it works out over time somehow. obviously have relatively dead personal interests, it becomes obvious we pursue other
in the most old style and basic abominations, avenues of interest that are unique to us and which shine forth in our exterior motifs.
and thus we seek constant aural Just briefly, tell us about the This is not to say we are TRYING to be ‘original’.......these are genuinely our interests
delights and we deliver this simply name “Stargazer”. Who came and I really wish more metalheads would seek these avenues and contact us regarding
to appease ourselves. But of up with this moniker and such interests, which actually rarely happens! The Eastern artwork portrayed is relevant
course never forgetting what what significance does it to us in that it represents the outward chaos and demonical nature of life itself, and
befits any given song/ hold? the outward brilliance of artistic patience, but also the profound inner nature of life
riff. Each song tells its and thought, and this is how I would percieve our musical constructs in the form of
GRD: It came through
own tale musically and painted matter. But this association with Eastern art may only represent this era of
The Serpent Inquisitor’s
lyrically and we rarely Stargazer......there are many aspects of great art aside from the Eastern format that
brain. The significance
repeat ourselves...... we could and will utilize in forthcoming works.
is quite evident
for our own benefit
considering our whole
and yours! Name a few of the albums that you’ve held in the highest regard throughout
outlook.
your life.
“Occidentale
In your time in the GRD: Celtic Frost - Into The Pandemonium, To Mega Therion, Morbid Tales
Magick” was a
Australian scene, Watchtower - Control And Resistance
bit of a rarities/
and the extreme Iron Maiden - First 7 studio albums
best-of release
metal underground Judas Priest - Stained Class
that you put out
in general, how do you King Crimson - In The Court Of The Crimson King, Red, Lizard, Lark’s Tongues In
to commemorate the
perceive the changes Aspic
Japanese tour. Though
that have occurred in Candlemass - Epicus Doomicus Metallicus
it won’t appease the
the past decade, both in King Diamond - Abigail, Them, Conspiracy
diehard collectors, it
terms of music and fanbase? Frank Zappa - Too many to mention
seems beneficial that you’ve
Where do you see the future Megadeth - Peace Sells...But Who’s Buying?
made available some of that
heading? Accept - Breaker, Restless And Wild
painfully hard to find material.
Morbid Angel - Blessed Are The Sick
But the first four tracks are taken GRD: I percieve the changes like anyone else
Cathedral - Forest Of Equlibrium
directly from the album. Wouldn’t it have been I guess, I mostly dislike the way the scene has gone,
Thergothon - Stream From The Heavens
more interesting to put older or demo versions of and back in the earlier days I never expected things
Disembowelment - Transcendence Into The Peripheral
these tracks on there? would go this way. I thought the underground was
Weather Report - Black Market, Heavy Weather
rising and becoming stronger. When I first discovered
GRD: We never thought of that! Maybe it would have, Gong - Gazuese
‘underground’ bands in the early 90’s I was listening
we do in fact have some early 4-track versions of these Nocturnus - The Key, Thresholds
to alot of the great bands and most of them died out or
songs on hand. But it was initially made available so that Deicide - Deicide
changed style, especially most of the Australian ones,
beings who do not own the album can get a scope of what Jaco Pastorius - Self Titled
and for me this was very disappointing. I think seeing
we sound like, and to miss out on the album tracks is to
all this made my views stronger and I vowed never to
be living in the past only. Will your enigmatic nature continue in the foreseeable future, with live
let down these ideals.....and here I am. Here we are.
performances few and far between, and releases infrequent and obscure?
The artwork on and in all your releases is What can I say? For some people maybe they are just
remarkable, in its eye-catching quality, superbly discovering the underground scene and maybe there still GRD: Our enigmatic nature is just that, our nature, but in regards to live performance,
intricate detail and obscurity, and there are many is integrity and ‘freshness’ there to them? I would hope releases etc, it is more to do with label support. And at this point there seems to be a
mythological and spiritual references. In what so. very dark grey veil veiling any sort of foresight.
ways would you say this represent Stargazer -
Modern death metal doesn’t hold much interest What plans do Stargazer have now? I’ve read in places that you’re working on
musically and philosophically?
for me personally, but Stargazer are one in a a new album, but one would hope another decade won’t have passed before it
GRD: The manifold aspects of these paintings are handful of bands that keeping to the high ideals sees the light. Are there any definite plans for future releases, or will it all
phenomenal and they easily represent the manifold of old school death metal while innovating and just happen when it’s ready?
aspects of Stargazer, our music, our lyrics, our beliefs, moving forward the genre in unknown directions.
GRD: We are indeed working on our next album, and I cannot see why it would not be
our whole fibre. Taken on face value they are already
GRD: Exactly. able to be recorded in 2007. There will also be some more live performances sporadically
brilliant, but would you look further they are even
spread throughout the rest of this year, but no more tour plans as yet. It has already
more brilliant. And our whole symbological make up What are your thoughts on the state of death been 3 years since we actually began recording the last album.
is important beyond words.......the very reason we use metal today, and are there any bands (of any
such symbology. A symbol speaks a thousand words. genre) you can name that hold these same ideals Many thanks for your time in answering these questions. I wish you luck in
today? your future endeavors, musical or otherwise. Please feel free to leave any
All members of Stargazer seem to be quite
final comments.
musically prolific, being involved in a multitude GRD: This was answered in question 10, but bands that
of different bands. What can you tell us of the still uphold the ideals? There are in fact many I could GRD: The conversion of a savage to religion only means the conversion of that religion
bands you’re involved in, and in writing, how is mention, but I think most people can discover them for to savagery.
that you decide which bands to focus on? themselves. It’s really not hard to find the good bands if
you are looking.
GRD: We constantly seek to appease ourselves and

 
 Albert: It has been the first record of ours that actually music, like Human League, Of course those that were

R e v e r e n d got bit more mixed response. Some people were openly

dissatisfied. I was very happy with the thing when we
were in the studio, but I am not totally happy with the
mixing and because of some trouble with bass tracks the
important to RB were always Heavy Metal bands, but I
am sure these non-Metal influences can be heard also in
little details. We all listen to music very widely, but we
all have our own slightly different favourites outside of
sound had to be made bit too smooth. It is not as heavy the Metal field.

B i z a r r e
as I wanted it to be. Still all the songs are good and I
am proud of them. This album is probably the best of all I have read you and your band mates have set a
things we have done when it comes to the vocals. Even date for the end of Reverend Bizarre; a time for
when some people have criticised them too. I am never you last album and last live show. However, I
totally happy with anything I do. have also heard that regardless of these plans

Dooming t he World Your approach to II: Crush the Insects was

somewhat different to some of you past releases.
you have split up. My sources are questionable and
I’m not really up to date on the news of the metal
world. Can you please fill me in on the details for
Although the band is now dead and gone following the release of the two hour long opus “III: So Long Suckers!”, The tempo and speed had increased in comparison these plans and your current situation?
Reverend Bizarre left behind a legacy of heavy metal that anyone with a taste for beer and doom can appreciate. to you debut album “In the Rectory” and it seems
a bit more... laid back. Was the writing and Albert: We just did our last ever tour abroad and now
Interview by Skin Coffin, photos provided by Spinefarm Records the last gigs here in Finland have started. We will play
recording process different from past instances on
your first album or you later EP’s? our last gig as an active band abroad in Estonia. All the
other gigs take place here in Finland. The last gig is at
Albert: When it comes to writing process, no it was TVO, Turku, 30th of December. In Feb-March we do
not, and there is one obvious reason. Half of the songs our last ever studio recordings. Then it is more or less

H
ail, Witchfinder Albert and greetings and ideas were there when we did the debut album. We over,some promotional work and putting some releases
have been rolling. Lots of trouble has been on our way had so much material already back then that we just together etc,Year 2007 will mean the end for Reverend
from myself and Northern Shadows.
but also amazing moments. decided what shall be on the second album and there Bizarre.
First off, let me congratulate you and
your fellow band mates on one of last years’ most was still enough material for our other full lengths. The
When Reverend Bizarre first formed you were a working in the studio was more laid back. I had nervous What is your relationship like with you band
crushing and powerful doom metal albums. Could
cover band for you favourite doom acts. How did breakdown and ended up in psychosis after Harbinger mates at the present stage?
you tell us a bit about the band’s history?
you eventually evolve and begin to write your sessions so I knew I HAD TO work in easier ways. This
Albert: Thanks!!! We started around 1995 after I felt it own material and to be where you are today? Albert: It is much better now. Not so many fights as
I did too. I focused in keeping my mind bit more light
is time for me to dig deeper into Doom Metal fanaticism we have had earlier. I think the consciousness of the
Albert: This disinformation can be found on some sites even when it was hard. Crush is happier album than
and actually try to play this kind of music. Before that I end calms us down and makes us take things bit more
in the internet. I don´t know where it came from. We anything we have done and will do. The last album will
had been doing bit more experimental things and noise lightly. Still, we will never be really close friends. We
were never a cover band. I have always been in the first be much darker. Life is getting darker all the time too.
and also some bit more ordinary rock and punk music. never were. We all have our own very different lives.
place writer of my own music. In the beginning we were Again.
The first line up was me and Peter and guy called Juippi After RB is gone I don´t think I will see the other guys
also so poor musicians that the only way was to play our too often. I will also walk away from many other things
on drums. He was a hard hitter. We weren´t that great Aside from your obvious reverence for bands
own stuff or just jam as we could not have been playing that surround me right now.
back then but the seeds were sown. After a year and like St Vitus, Pentagram, Black Sabbath and
songs of others. Songs like In the Rectory, Sodoma
half the band disappeared, but never really died. When Witchfinder General, what have been some of
Sunrise and Apocalyptic Riders date back to those early In you native country of Finland, the single ‘Slave
I moved to Turku where Peter was already living we your influences while growing up and now, as a
days. Actually The Hour of Death is even older but it of Satan’ hit the top of the charts, landing in at
decided to put some life in RB. I asked my band mate musician?
was originally made for other band, KLV, with Finnish number three. Did the reaction to this single and
from some other circles, Void, to join us. At first he was
lyrics. Void was in KLV. Albert: Too many to mention as I have done several kinds your album surprise you, or would it be relatively
meant to be just temporary drummer. I had in my mind
to get Juippi behind the set, but after our one and only of music. To name but a few, Iron Maiden, Deep Purple, normal to sit down to watch TV and see a band
How happy are you with the outcome of your last Venom, Godflesh, Arvo Pärt, Christian Death, Joy such as Beherit on the Finnish equivalent of Top
demo was made in 1999 it was clear THIS is the line up. album? What has the response been like so far?
Bit later we did our first album and since then things Division, Burzum, Boyd Rice, some of the best 80´s pop of the Pops?

 
 What do you still have to achieve through
Albert: Number two actually, then number three. It comment things that I really don´t know thoroughly. I when saying this I also know that I am pretty sure that
Reverend Bizarre as a musician?
was surreal but also partially planned thing. I mean we don´t know about Peter´s motivations either. I will never stop playing some Heavy Metal riffs. They
knew that we could get to the charts as we had a single have place in my musical works until the end. And I am Albert: Nothing. I got everything I wanted that this
with exclusive material included in. Still that position Could you tell me a little about the cover of II: sure I will one day again do a pure Metal album too. So band could bring me and even more. But there is lots to
made history of Finnish extreme Metal music as real Crush the Insects and why you chose it? probably there will be a long break in my Metal career achieve as a musician on other areas.
Doom Metal has never been there before. We have this but I will return as it is inside of me. And I am quite
It was meant to be a cover of our second demo,which was
nerd Metal on charts all the time, but more underground sure that my work with this new band will be labelled as What plans to you currently have for Reverend
also already had the title Crush the Insects in my plans.
bands rarely are on so high positions. It was great and Metal too. Of course it will be. I just think of things in Bizarre’s future? I believe you had three more
I think it fits the whole idea perfectly. I had to work hard
funny but did not have any lasting impact in our career. bit different way. For me Heavy Metal is Heavy Metal albums planned, but now only have intent to do
and there are certain ways how to do it. one before ending the band. How does this change
your own greater intentions?
Name your five favourite albums of all time:
Albert: I guess I told you all the necessary details
Albert: Quite impossible task, but I tell you five albums already,but to answer the last part: This all gives me at
that mean a lot to me, Iron Maiden: Piece of Mind, last the possibility to go further and feel bit more free.
Black Sabbath: Black Sabbath, Joy Division: Substance, I have had so many ideas that have been waiting for too
Godflesh: Streetcleaner and Vesa-Matti Loiri: Loiri/ many years. Even when I have been doing other things
Leino, I could go on! Lately I have listening mostly to all the time it has been impossible to totally focus in
Boris, Virgin Prunes, Sigh, Gallhammer etc, other things when RB has been growing and demanding
more and more time. All the other guys have new and
You and the band seem to be one of the few purists old things waiting for them too so in the end this is just
left in the doom genre, do you think you are re- a good thing for all of us even when we will miss these
defining the genre or carrying the flame of old? days in future. That is for sure. Right now Reverend
Bizarre is on a position where it actually could become
Albert: Both if I really think about it. I wanted to say
a bit more bigger and well known so I guess this is the
we just carry the flame, but it is not true. With our first
perfect and same time most foolish time to end it all, but
album we practised sort of a total cleansing. We tried to
we have always done what is TRUE and RIGHT instead
do as pure Doom Metal as possible. In some ways even
of thinking about what would be reasonable and best
the bands that were our influences were not so pure as
when thinking of “career”.
they probably did not all even think about themselves as
“Doom Metal”. I mean bands like Trouble etc. With our
What can we expect from this next release?
later works we re-defined the scene even more clearly as
and for many years to finally find this picture. I mean
I was even interviewed in tv´s chart program. That was we sometimes became almost impure and broke our own Albert: Everything that has been there before and also
find the owner of its rights! There is this controversial
funny thing to happen. I mean I really don´t belong to laws. I dare to say now that even when I know what few surprises. I really don´t know how people will take
vibe in this picture and the title. I like it. People can
that scene. would be pure Doom Metal to me, it is very rarely when it and I don´t even want to think about any expectations
try to guess on which side we stand. I am very proud of
you really hear that kind of material. For me it would and as I said we have now so many new fans when
this cover even when in some sense aesthetically it is bit
Could you tell us a little about the way you write be combination of certain elements of Sabbath, Vitus, compared to all our earlier records that if I would think
clumsy. But it was all intentional. Sometimes ugliness
and processes your music compared to the other Witchfinder General and Trouble. of these people it would be impossible to enter the studio.
members of the band? How do the arrangements is beauty!
We will do these songs now and if the audience thinks it
and music come together? Your live shows are rare but from what I hear sucks it is their problem. Then again I am sure there will
What are the main lyrical themes in your music?
they are also phenomenal. What makes an be moments that at least some people will love.
Albert: I feel that all the material sort of comes to me. And where do you get your inspiration from?
intense live set in your experiences and opinion?
I don’t know how it is to Peter, or Void who sadly never Do you have any shows planned for the near
Albert: The darker sides of life generally,They can have Upon ending Reverend Bizarre, do you have any
got any of his songs recorded with RB. When it comes future?
many forms and many origins. When we really started immediate musical plans?
to arrangements I usually have very clear ideas in my
our thing I did not want to write about personal things,
mind before we start rehearsing the songs. I hear the Albert: Rare in what sense? We have just played ten gigs Albert: Plan is not the right word when the first record,
and I was able to stay away from them as my life was
whole thing in my mind. Now when we enter the studio in row abroad and six in Finland. Tomorrow we play in 12” MLP, of my new band is already released. This
happier. I had gotten married etc. I felt real Doom
for the last time I will give more room to others as I have estonai and then we have three more here at Finland. band, The Puritan will be my main thing now. Things
should not be too “serious” and “deep”. Then when my
been not too well lately and I just can´t carry the burden But yes,We never played so often. That is true. Still we work pretty well. We are already continuing working
life became very tortured I could not write about just
of saying how everything should be. I will take it easier have done plenty of gigs in last few years. What makes on our first CD soon. The drums have been recorded
occult or what ever,I had to write my demons out so to
and not worry so much. Still I am a perfectionist and I an intense live set,.Good sounds, enough, but not TOO already. Other guys have interesting things coming
speak. After that I have mostly written about my own
HAVE to take care of everything in the END. much intoxication and audience that really gives you the soon too. Check out Orne´s first album and wait for
things even when in metaphorical way. Peter likes to
power. Lord Vicar and you will hear about Void too!!!!
One of the more interesting songs on your last write about history and religions etc. That is good. It
album: ‘Cromwell’ blew me away and seemed to keeps our things in balance. Some of my songs are very What have been your best and worst live Well that pretty much wraps it up, so thanks for
fit in with the rest of the album, yet it somehow dark. experiences? your time, any final comments?
struck me as a bit odd to hear a song about a
historical figure like Oliver Cromwell. Could
Do you think you will ever stop playing metal? Albert: Some of the best have been Washington D.C., Albert: Thank you very much! Take care and control and
Dublin, London, Paris, Nürnberg, Turku at Klubi, please don´t breed! There are too many of us already!
you tell me a little of how this song came about, Albert: It depends on what you call Metal. In some
Vantaa, oh and Hannover. Worst experiences have been Instead of giving life to another new human being you
the inspiration behind it and why you think it sense I will stop playing Metal after RB as for me Metal
first gig at our hometown Lohja, where Peter totally can adopt children who have been cursed by bastard
suited the last album and your style of music? is something so pure and sacred as it has its roots in
fucked it up because of being too drunk and Helsinki parents or poverty in places you don´t want to even hear
my life in my childhood that I can´t call my new music
Albert: I actually can’t as it is not written by me but at Semifinal where I was in totally fucked up mental about but which still exist! And before I go too far in
Heavy Metal,.and modern Metal music is mostly shit so
Peter. Why it suits the album? Because it is a good condition. That was horror! There are some other bad these rambling keep the flame pure and burning!!!!
I can´t use any fancy subgenres either. I really am not
song. It is fun to play live as it is in a way so easy! Peter experiences of course where the bad memories are
SO much into Metal after all. I love the old stuff and
is historian so these kind of things are familiar to him. caused by fights instead of the gigs, but there are also
some of more obscure Black Metal, Death Metal etc, but
I have read something too in my lifetime but I won´t poor gigs were the feeling is still great.
still most of the music called Metal is useless to me, But

 
Elysian Blaze A personal criticism of mine, but also of a number
of others, is the exhaustive nature of your
albums. It’s always a heavy-going and intense
experience to put on an Elysian Blaze album,
recordings?
Mutatiis: I manage to write, record, produce, mix and
create master copies all by myself. The advantages of

Fractal Invocations and personally, if I don’t have the time to pay doing everything by yourself are very great. It is a
attention, it’s not very rewarding. To remain true self-enlightening experience. You are by yourself,
attentive and focused for the duration of an with your own thoughts and will to create. It caters for
Introspection and suffocating, abyssic darkness. These are the key elements from which Mutatiis, sole member of album can be draining, and with Blood Geometry a very strong evolution of the self, and it strengthens
Elysian Blaze, manifests his music to explore the edge of consciousness. slated to be a double CD, have you considered that the alignment of focus. It can also be very hard and
you may be increasing the number of people who negatively isolating. I tend to experience moments of
Interview by N. Liengme don’t have the required attention span? extreme self-doubt and lose all faith in what I am doing.
But this is all apart of the experience, and every mistake
Mutatiis: I have noticed that people either become I make, I learn from. Even so, I am getting much better
easily bored with my albums or are extremely at my own system of work when it comes to creating an
enthralled with their depth. Even so, one of the main album. Each album has been approached completely

I
t’s safe to say that Levitating the Carnal aims with my creations is to never compromise the different. I tend to write and compose the majority of
“Beneath Silent Faces” demo re-release was a bit limitless depth of creation with easily digestible, my material behind a piano. It’s a very effective method
was a significant expansion of the sound that
unnecessary, but at the same token, many people ‘user friendly’ mediocrity. If people want to truly for me, and I would like to think that it mirrors how the
you introduced on Cold Walls, but seemed to
requested it, so it was more about pleasing others than appreciate what I do within Elysian Blaze, then great composers of past times developed their lifework.
contain more abstract and arcane concepts. With
myself, which is something I am not going to do again. they are going to have to dedicate a small portion With “Levitating the Carnal” I did all the string
the announcement of your forthcoming double
I do not like revisiting the past that much, especially of their life to the listening and absorption of instruments (guitars, piano, synth, etc) first and then the
album Blood Geometry, it sounds as if there’s a
when my focus is so much more vital nowadays when the art form presented within. This is gnosis, drums at the very end with a click track. A strange way
thematic continuation from Carnal, which seems
it comes to the energy of my current work. Even so, I not entertainment. If “Levitating the Carnal” is to approach a recording, but it best suited the flow
more obvious than the one from Cold Walls. Was
would not do anything differently. The evolution has exhausting, then “Blood Geometry” will reap your of the album and played a huge part in creating
Carnal an immediate follow-up? Or are there
been as natural as possible, and it has paved the path soul. It shall consume everything around you, until the atmosphere and textures that album possesses.
detached concepts running through each album?
in which I seek. There is no time for regret now, and no you find yourself within its spectrum of influence, and With “Blood Geometry” on the other hand, the drums
Mutatiis: Within the contextual makeup of my albums, turning back. if/when that does happen to a listener, they will surely were the very first thing recorded, without a click track.
I do believe that “Cold Walls view music in a different manner. This is something I This in turn has given this album a very individual feel
& Apparitions” signified the Both Carnal and Cold take very seriously. In a world of stagnation and de- in itself. I did a lot of compositional and body work for
end of a ‘teething’ era as Walls have similarly cold, evolution, I create to reinvoke, to reflect, and to refocus the new album while behind the drum kit. This caters
such, whilst “Levitating the lethargic atmospheres, but the alignments of those whom seek higher form! This for a FAR more intricate flow of composition in the
Carnal” represented a far the music carries different new opus shall divide the masses, and for the very few songs. Songs will range from 22 minutes to 36 minutes
more focused and in-depth feelings on the separate whom are willing to submit, they shall reap the rewards in length on this new album and has broken many
skeletal and muscular system releases. Cold Walls seemed that I offer. boundaries within normal music convention. Yet funnily
to my art form. My body of more inwardly focused, enough may I say that it completely abides by the best
work is representative of an dwelling in the darkness of Do you think that you’ve currently found musical rules out there.
evolutionary system, mirroring solitude, while Levitating your own style of writing at this point? Have
both my internal microcosm of seems to be more abstract you reached the point at which your music is “The geometry and shape of my spirit will grow
focus, and how that interacts and explorative of aspects achieving exactly what you hope for it to do, or is as an absolute abstract” are some of the very few
with the way I view the beyond the physical. Can there still room for improvement? words found within the artwork of Levitating
outer macrocosm, which thus you explain how the the Carnal. The language you use fits well with
manifests in the form of Elysian releases differ from your Mutatiis: I do feel that I have crafted a certain the music, as there’s certainly some geometric
Blaze. Saying this, “Blood own perspective, taking into soundscape that is unique to Elysian Blaze. “Blood aspects, and I might even go so far as to describe
Geometry” represents the next consideration the mindset Geometry” will be the representation of something the music as “fractal” for the abstract patterns
stage of evolution, the logical each was written within? that I have been working towards to ever since I found within. Are these metaphysical references?
step from the shedding skin of started out back in 2003. Even so, there is always room Or am I imagining the whole thing?
Mutatiis: I’ll try and answer this for growth and improvement. There is no reason to
“Levitating the Carnal”.
as concisely as possible, as I could stagnate and become comfortable. I find inspiration in Mutatiis: You are very much correct in saying those
easily write pages and pages in approaching music from opposite spectrums if needed. things. To work as a sole entity with the vision of
How do you feel about
regards to these matters. “Cold My music is slowly but very surely evolving to a very achieving things that might take 2 or 3 people, you
your existing releases at
Walls” was very introverted, as vital point where its initial focus is being realized and have no other choice but to look inwards to the fractal
this point? Are there many
all my releases are I guess, but materialized. But even so, I am an extremely harsh properties of the inner being. The deeper you look,
things you would have done
the difference lies within the judge on myself. I mustn’t be afraid to be honest with the more infinite and complex do things become. This
differently in different
scope of vision in the albums. my own intentions when it comes to creating. I can is symbolic of evolution. To look beyond what is placed
circumstances?
“Cold Walls,” merely started to touch on subjects that never envision exactly how things will evolve, but when in front of you, and towards the more obscure and
Mutatiis: Looking back, I feel quite satisfied with I would later completely dissect on in “Levitating the moment arrives, it always ends up being the best- esoteric, does the truth in which you seek reveal itself.
how everything has turned out. Even so, “Levitating the Carnal”. If “Cold Walls,” was a window, then imagined way possible. These are rewards you receive Within these processes you may encounter truths
the Carnal” was the first release in which I was 100 “Levitating the Carnal” is an open door, allowing access when you dedicate your lifework to THE path you that are corruptive of your being. These corruptions
percent satisfied with. It was such a natural album to that in which I sought after. The amount of personal were MEANT to follow. And for this I am eternally within the geometrical system of inner self are the
to create and compose, and its results spoke louder growth I experience between each album is priceless, grateful. objects that aim to increase illusion and mediocrity.
volumes than I could ever have imagined. When and is a result of my studies within remembrance, self- If one can accept this, then they will do anything
“Cold Walls,” was released, I hated it for a long time, assessment, will power and vulnerability. To take this At this point, have you developed a system that they can to destroy, and kill away such corruptions.
and stopped listening to black metal for a few months. a little further, during “Cold Walls,” I was a human; best works for you in taking an album from its But if the corruptions are embedded in that person’s
I became very depressed during the recording process during “Levitating the Carnal” I was a higher form foetal stages through to completion, including personality/being, then to destroy them would mean
with that album, and it symbolizes a lot of personal attempting to mutate the human into something else. recording and mixing? Do you do all of this destroying everything they thought they had to
weaknesses for me, but I have learned very much yourself? Has it been advantageous to you to live for. This is the virtue of suffering. By killing
from it, so it has its rightful place. I think that the have total control over every aspect of your off parts of you inner being which at one stage

10 11
provided you comfort is extremely painful. I us imagine an individual. This certain individual
consider these actions as FRACTAL SUICIDE. A has recently awakened to the fact that the current
concept which plays a big part within the lyrical and manifestation of ‘life’ is nothing but a falsity.
thematic concept of the new album “Blood Geometry”. Upon realising this, he looks within the self, and
destroys the influence and concepts of modern day
Are audiences more receptive to your music religion, ideals and influence. He is then thus a self-
locally or abroad? Do you find there to be a created being. Even so, he must delve even further than
typical mindset among those who appreciate what the simple concept of self-creation. It is also through
you do? self-destruction that he will be able to reach the fate
that is bestowed before him. Through the act of self-
Mutatiis: I tend to find that people abroad are more
sacrifice, he gives up his body, but submits his soul
receptive to Elysian Blaze. Russia, Germany and France
to the all destroyer. Satan. Through this act, he may
to name a select few. The re-occurring mindsets that
resurrect as the Cold Son, in order to cleanse the earth,
I come across are those of an introverted significance.
and release the souls of those trapped within mortal
They are people who look within towards the darkness,
flesh. This album is about rebirth and cyclic function.
and who are of individual capacity with the passion of
It is about understanding and noticing the patterns and
creation. They create their own paradigm and path,
influences that appear before the individual of the left
while at the same token appreciating what I do as a
hand path, and how geometric symbolism and functions
mirror of their own evolution. These are people I do not
further enhance and translate such powers. The aspect
take for granted. I am very grateful to talk to anyone
of Blood is highly involved due to the fact that I believe
anytime if they wish.
that such awakening lies within the blood itself. If the
How significant is Elysian Blaze for you as a blood is the life, then the blood will reveal the true life
creative outlet? And how necessary? If you were that one seeks. In this case, the individual seeks ultimate
not so musically inclined, would you have found truth through apocalypse: a time of great cleansing.
another creative outlet?
Lastly, I get the best enjoyment from your
Mutatiis: The significance of Elysian Blaze for me is music while reading. Could you recommend an
almost beyond life itself. I say this because everything appropriate book or author that will suitably
that I learn and experience in life I translate into musical complement your forthcoming album?
format within Elysian Blaze. I say that it’s almost beyond
Mutatiis: Great question! Okay, let me suggest a few
life because Elysian Blaze also represents the functions
books that I have found much influence within leading
that are beyond life! It is my main conduit. My main
up to and within the creation of “Blood Geometry”.
portal and messenger. It is absolutely necessary for me
First of all, may I recommend the author Graham
to create such art forms by myself in order to share what
Hancock. The books “Supernatural” and “Fingerprints
I’ve learnt, and to receive the gift of knowledge from
of the Gods” namely. Both books are highly critical
others. If the quest of truth were not available to me
and informative within the evolution of man, and
through music, then I would either be an author, artist
the influences of ancient practice, both magickal and
or an actor. Regardless, I do plan to write in the future,
practical. May I also suggest “Chariots of the God’s” by
but only until I feel I have something important to share
Erich Von Daniken? Basically the concept of a totally
other than just inflating the illusionary ego. The power
re-written and supernatural pre-existence of so-called
of creation rules all. But until one truly learns the
‘modern’ man is truly inspiring for me. I have never
benefit of destruction, they will never realise the scope
felt 100 percent satisfied in this flesh and realm. I have
of creation itself. These cyclic functions are infinite and
always felt I’ve been abused and pushed down from
without compromise. Hail to these ancient words!
certain unseen and unknown powers that we could
Would you ever like to work with with other behold. Not to mention the mere fact that I believe
individuals in the creation of music? Who would “man” to be a very lesser power and icon of evolution
be your preference, if anyone? than we ought to think we are. Blood of Ancients!

Mutatiis: I’ll answer this as honestly as possible. Many thanks for your time Mutatiis. Good luck
Within a more ‘mainstream’ sense, I would find in your continuing artistic pursuits.
every benefit working with an artist such as Trent
Mutatiis: Many thanks for the interview. It has been
Reznor. I say this because I mirror a lot of myself
an absolute pleasure. I shall pursue my artistic visions
with him, not in a worship sense, but in a very
with the upmost dedication and honour. It is the support
practical and ‘nature’ driven element. If I were to delve
delivered by individuals such as you that make the quest
within the underground, Diabolous from Vrolok comes
so much more invigorating and inspired. My goodwill
to mind frequently. Vrolok are very highly underrated.
goes out to you my comrade and to all those who follow
Total elitism within the manifestation of darkness. May I
the same path.
urge anyone who reads this to obtain “Soul Amputation”
and their latest opus “Void”, It is us against the world.
Hail the Blood of Ancient times!
Could you possibly delve into some of the lyrical
matter of Blood Geometry?
Mutatiis: I shall explain some of the main aspects
within the lyrical composition of the album. Let

12 13
MourningBeloveth creative process behind the music?
Darren: In the beginning we used piano but never with
the songs more as separate pieces of music but we always
sleep but it’s soon all forgotten over a few pints and a
gig.

In Glow Autumnal Fires

felt that Mourning Beloveth are a metal band and that A Murderous Circus seems to have less of a
the of means guitar, bass drums and vocals and nothing
else. We do not associate ourselves with the so called
personal theme and seems to be focused more
so around people as whole group rather then
romantic goth doom death bands we like to concentrate individuals? Is this so? Would you care to tell
Crushing waves of inconsolable doom wash over, leaving desolation and sorrow in wake. This is how listening to
more on the harsher side of life. We find ourselves more us a little about the theme or general message
Mourning Beloveth feels. Although this interview should have been published in our previous issue, it finally makes
comfortable trawling through the sewers of eternity than behind?
an appearance.
skipping through a flowery garden.
Darren: A Murderous Circus? I don’t agree with you as
Interview by T. Templeton, photos provided by Mourning Beloveth Inspiration can come from anywhere. We listen to metal the lyrics on this album are probably the most personal
mostly from AC/DC to Vitus to Skepticism to Priest to to date, they are not wrapped up in a lot of words or
WASP to Esoteric,the list is endless. Inspiration can beautiful language. However I wrote personally and
come from anywhere, from a book to a riff to a word. universally, personally about the hell we go through
When we rehearse we just start jamming riffs and it after a time of excess and the depression that follows,
goes from there. The arrangement is the killer part, we how I feel that everything around me is dead or
have a lot of riffs but trying to tie them to a song is the perhaps it is the fact that I am dead to the world. It
hard part and that’s where the lyrics come in. we might

T
he songs on The Sullen Sulcus are is also a statement on the world in general and how so
Darren: Well since the releases of the album we have discuss what I am trying to get across in the lyrics or many people live such vacuous lives forced upon us by
very similar, being more like one epic,
played some one off shows in Portugal and Germany. how the vocal patterns will come out and we develop this uncaring, unfeeling world of mass commercialism
mournful song. The songs on a murderous
We have just finished the Heathen Crusade tour with from there, and globalisation. The two topics are intertwined as we
circus, however, have more variation and are a lot
Primordial, Moonsorrow and Gardens of Gehnnah question is it because the world is like this that I follow
more distinguishable from each other. Was this
around Europe for 2 weeks and the crowds and the I ask every band I interview this in the hope that the path of excess to block out the mundane existence
a conscious effort? Did you feel the need to move
reaction on this tour showed us that the underground is one of them will answer “yes”. But, any plans to around and by creating my own world through excess
away from the sullen Sulcus’s feel of one epic
alive and well. It seems people are sick and tired of the come to Australia in the near future? We have a does it eventually lead to an existence parallel with what
song?
same old metal by numbers that the labels are releasing great doom scene. we are trying to escape from?” Most of us in the band
Darren: It is probably the first time we made a conscious and are digging in to the underground to find bands over a number of years have been leading lives that are
Darren: Yeah I know the mighty Mournful Congregation,
decision about what we had to do with a recording. We that play with passion and feeling and the turnouts and not exactly healthy, pushing ourselves to the limit on
howya Damon, and also Virgin Black and Chalice as for
felt we had taken the Sulcus style as far as we could at that reactions at those shows really showed that. many occasions and the past two years has seen this
our plans to come to Australia, we are just waiting for
time with its thick layered sound and almost suffocating very focused. This album musically and lyrically is
The name Mourning Beloveth just bleeds sorrow. an offer.
production and so with the new album we went for a dealing with this and it is a very diverse album as two
colder, harsher and rawer sound than on Sulcus. Where exactly did the name come from? Did things pull against each other creating a grey vastness
You have toured with some brilliant bands
anything in particular inspire it or was it more or between, musically we have written some of the softest
(Primordial, Cathedral, Arcane Sun to name a
A Murderous Circus is a lot rawer, both of less just stumbled upon? pieces yet and also some of the most brutal and cold. It
few) to name a few. What was it like touring
your vocalists have developed their voices more. is a reflection of our own world and the world we live
Darren: The name came from our original bass player with these bands, has it had any adverse affects
Again a lot more varied then say Dust or Sullen in that we have to try to create our own chaos to escape
when the band was formed. It is basically a collective on the band and/or the music in good or bad ways?
Sulcus. And the use of clean vocals has been more from banality and by trying to escape we are slowly
thought on what we try to release through the music
sparingly. Could you tell us why you decided do Darren: Well we have toured with Primordial, Morgion, killing ourselves.
the fact that we are all touched by feelings of loss,
this? The Prophecy, While Heaven Wept, Pantheist, TPOG
desperation and fear.
and Moonsorrow. Every tour is a positive as it is a chance You have done a split with Lunar Gate I believe.
Darren: Yeah we felt this album needed to be different
Can you tell us a little about the history of MB? for us to meet people whom we have been emailing or The track that was chosen to feature on it was
and the songs were coming out a lot darker this time
Did you always intend to be a doom band? talking to on forums and it is also a chance to play the “Part 1””, why is this so? What was the selective
round so therefore we used the clean vocals a lot less.
songs we have in a different environment. The advantage process behind this? Is there a reason it never
I also developed my voice to suit the mood of the music
Darren: Well if you want our history go to our website, of touring with different bands is that you get to play made it onto one of the full lengths?
as again we felt we had taken the deep growls as far as
as for us being a doom band well that is open to to a wider audience and we have seen that the strength
we could. It is funny coz when we released the album Darren: Yeah we wrote a new song when Brian from
interpretation. We play slow, dark and heavy ,metal and of our music and live performance has turned many a
people were split on the “new” direction but since touring sentinel asked us to do a split 7” as par of the sentinel 7”
always will. It is up to people who listen to our music to pagan or black metal fan along the way. Touring is such
and the album being out for some time people have series. Originally the song was 12 minutes but we had
label us as they see fit. Mourning Beloveth for us is a fun that even the negative points are good, the lack of
gotten used to it and most people reckon it is our best to cut it back to 7 minutes. It helped us focus on what
release of all of our negative emotions that we encounter sleep, constant driving, having no money but these are
album. When you listen closely you will notice it is still was really needed in the song and I feel all the MB
through life and to do that we must play slow, there is far outweighed by playing a gig every night to people
MB, playing slow and dark just with some new elements characteristics are there. A re-recording of it appears
no point in singing about misery if you play in a power you have never seen before, the joy of someone coming
added, and the length of the songs increasing haha. on our new album, only on the bonus disc though.
metal band. up to you afterwards and shaking your hand for giving
What lies ahead in the near future for MB? them a great night,
Your style of doom has that rawer edge to it Well that about sums it up for now. I would
Touring? A well deserved break? I hear that you just like to say thank you greatly for taking
then most, which helps to make you one of the You have had the same line up for a long time
have started writing material for the new CD the time to do an interview and the best of luck
more unique bands in the scene. Which makes one now. Does it help that you all know each other
already? If so could you tell us a little about the to you all in the future. We hope to see you in
curious, what styles of music/bands etc. does the so well when writing music? Does it tend to just
material written thus far? Australia one day soon and please, keep the doom
band listen to? What inspires the thoughts and flow more because of this?
coming! You’re welcome to put any last thoughts
Darren: Yeah definitely, we know each other so well, or comments here. Cheers!
especially after touring, that when we rehearse we almost
know what each other is going to do when we jam a new Darren: As the vicar said to the tart,. hope to see you
song or riff and this just helps the creative process flow, down under.
same as our music. We fight, especially on tour when we
are cramped up in the same van for 2 weeks with little

14 15
Dawn of Azazel
On t he Road to Babylon
New Zealand isn’t well known for its contribution to metal, but Dawn of Azazel aim to change that. Tours across
the US, Europe and Australia supporting names like Immolation, Incantation and Behemoth has given their
homeland a place on the map. Rigel seems to enjoy it.

Interview by A. Maybury & N. Liengme, photos by N. Liengme

G
reetings Rigel, and congratulations on
far as the number of shows and the amount of money
the release of your second album Sedition.
from punters goes. However, on the other hand they
How does it feel to be the first New
are really very spoiled for choice over there, you have to
Zealand extreme metal band to achieve such
really shine to impress there, and I certainly believe that
international recognition?
it doesn’t take just a couple of tours to get a good thing
Rigel: Hey mate. First off thanks very much. Its great, going there either. Asia is really going to be a big market
when we started out there was really no scene here what- in the future as soon as they can figure out to afford
so-ever for metal, only really one other metal band active to get more bands over there I believe, the crowds there
in our city and not that much going on elsewhere, so it is are really fucking crazy, extremely enthusiastic, and
quite an accomplishment in my mind to have gone from really show up the rest of the world in my opinion. So
that to what we have now, both with Dawn of Azazel far on this record we have played just under 100 shows in
and the NZ metal scene in general. I would like to think NZ, Australia, USA, Germany, Netherlands, Belgium,
our accomplishments can have their own little part to Austria, England, Scotland, Ireland, Czech Republic,
play in getting the scene as a whole here in NZ a little Denmark, France, Spain, Portugal, Switzerland,
more recognition worldwide. Indonesia and Thailand, and I definitely thought the best
5 were Australia, Indonesia, Thailand, USA and Spain.
Are you happy with how Sedition turned out? Is
there anything you would change in hindsight? How about at home? Have you had much feedback
from the locals? What’s an average turnout for a
Rigel: Yes I think so, maybe we were a little rushed in the DoA gig in NZ?
rehearsal process, Martin [drums] joined only 5 months
before we recorded and we had a three-week thirteen- Rigel: Well things have been really good here in some
date New Zealand tour a week before we entered the regards, I mean we have had some crazy opportunities
studio. But I still think the end result was pretty much like opening for Korn and another very big metal
what we were aiming for at that point in time. Obviously band later in the year which hopefully will be public
things have progressed musically, but I think the main knowledge by the time this is printed. On top of that
two differences that we will implement with our third we have had a lot of T.V. coverage and of course the
album will be to take a little more time to embellish and controversy in relation to my occupation [as a police
develop the songs in the rehearsal room, and to record officer] and my lyrics around the time of the albums
with an engineer with strong credentials and experience release. On the other hand its such a small place you
with metal. Although Dave Holmes did a stellar job, have to be very carefull not to over-play here, especially
especially considering it was his first metal project, when you have been giging here for 7 years. On top of
there were alot of issues throughout the recording and that being a small place, where everyone knows each
particularly the mastering process that could have been other and where isolation makes it quite frustrating and
avoided if there was someone experienced who actually difficult for bands to become succesfull, we also have a
understood this music in the country. At this point in lot of tall poppy syndrome and backstabbing going on
time there really isn’t anyone. compared with other parts of the world, a lot of stupid
vendettas and grudges for a place which is really to small
How have overseas audiences (not counting for things to work when people don’t look for what they
Australians) responded to Sedition? I imagine the can support as opposed to what they can knock down.
US would be quite welcoming to your sound, but As far as turnouts go, if the show is on a weekend and
how about Europe? properly promoted we could expect over 200.
Rigel: Yes, the US as far as the average audience You’ve recently returned from a tour of the US
response goes is better I would say, but it is really one of with the death metal heavyweights Incantation
the hardest places in the world to tour as far as the way and Vital Remains. What was this experience like,
you are treated by promoters and what you have to take playing with such highly respected mainstays of
care of yourself. Europe is always the hardest market to the US scene? Any interesting stories to tell from
break in my experience, and according to alot of other your time on the road?
people I talk to on tour also. On the one hand it is really
the best place on the planet for metal at the moment, as Rigel: Yeah, and more recently also in Europe with

16 17
 What are your plans for the near future? Any
Krisiun, Immolation and Grave also. Well, the US is tough, in Europe if that is to the individual and the outside world. In short
more overseas tours in the works?
you are touring with anyone half decent you will be on a nightliner, with physically, mentally, spirtually etc. I believe a successull
crew, backline, food and alcohol supplied so all you really have to worry life is one where one strives to make the most of the lot
about it is playing. In the US its a lot more ‘everyman for himself’, you they are given. Rigel: We will be back your way in December
drive yourself, you rent your own vehicle, your own sound guy, merch guy supporting another killer band, then most likely
and crew if you can afford the luxury, accommodation, food etc. Almost Which bands have influenced you musically the we will be knuckling down to recording album 3.
all the bands in the death metal scene, far more than you would expect, most?
opperate this way and have been through their whole carrier. So, basically Thanks for your time and best of luck for the
Rigel: That’s a very difficult question, and one that future. Hope to see you guys back here soon! Any
it was 4 weeks of driving an average of 6 1/2 hours a day, on 3 hours sleep
every member of the band would answer differently. last words?
to make it to the show early afternoon so that you could set up, sound check
For me however it would be Blasphemy, Morbid Angel,
play and squeeze in some sleep before you did it all over again. On top of
Sarcofago, Immolation, Incantation, Conqueror, Rigel: Thanks for the interview and your support.
this I filled in on bass for Incantation for 2 1/2 weeks. So you can get an idea
Order from Chaos, Diamanda Galas, Swans, Krisiun, Check us out at:
of why people say that touring Europe is like a holiday and touring the US
Emperor, Non. www.dawnofazazel.com
is hard work, haha. However the shows were killer and the audiences there
were really enthusiastic. The scene there is much harder to break into than What is the New Zealand metal scene like? I’ve myspace.com/dawnofazazel
Europe, so the number of extreme metal bands that tour their regularly are noticed a growing number of black metal bands, 666!
actually not all that many, so people really appreciate something new and but I’m still yet to check them out. Any bands
exotic there I think. worth mentioning?
Sedition was released in New Zealand a few months before the Rigel: There isn’t really alot of black metal here, more
international release came out on Ibex Moon. What was the death metal really. Some bands that are worth checking
reason for the separate releases? out are Ulcerate, Relentless Attrition, Sinate, Skuldom,
Asphixiate, Odiusembowel, Select and Dissect,
Rigel: Oh just to do with money and different release time lines. As you
Necroternal and Slave Cadaver
could probably imagine, not many labels are very well set up down here
in NZ so we have the rights so that it is done right and consequently make How did you feel about supporting Korn in New
a little more from the CD sales. Ibex just ended up releasing the CD a Zealand?
little later than they originally planned, whereas we stuck to the original
timeline. Rigel: That was a really great show. We were really
lucky to be given that opportunity to play to around
How did the recording process of Sedition compare to your previous 10,000 kids who wouldnt have heard our music
album, The Law of the Strong? How do you feel about the musical otherwise. I really didnt know what to expect when we
progress between the two? walked on stage, I expected 50% would dig it at best,
but the response was really really good. To have that
Rigel: Well it wasn’t easy, we had one week and as I mentioned earlier Dave
many people cheering in front of you is a big rush.
Holmes had never worked on something like this so we had to bring him up
to speed with the aesthetics of this music rather quickly. We had to remix
and remaster a few times, however I think we are all quite happy with the
end product. As far as the progress goes, Sedition is definitely much more
stripped back structurally, and to a lesser degree compositionally also. We
wanted to create something that was a little more to the point and in your
face, it was always our objective long before the recording to tour as much
as possible for this album so the end product was definetly created with that
in mind, something that would translate a little better to the live setting.
Production-wise we also wanted something a little clearer but to retain the
raw edge. We definitely got the raw sound we were aiming for on the first
album, however I think alot of the detail was lost in the chaos and that was
reflected in some of the interpretations of what the aim of the music was in
my opinon.

Your lyrics deal heavily with natural selection, the will to power
and much of the philosophical premises that Nietzsche was famed
for writing about. Do these lyrics reflect your own philosophies
and life code?
Rigel: Yes, undoubtedly so. Grasp life by the horns and become the master
of your own destiny, rather than wait for it to land in your lap. Living in an
isolated place like this certainly teaches you that.

Do these beliefs come into play in your daily life? If so, how?
Rigel: Yes, personally I think that at the base of these philosophies are the
premise that your destiny is your own responsibility. Rather than blame
your personal circumstances or your social or physical environment people
should hold themselves personally accountable for their lot in life to a much
larger degree than what is currently fashionable. Particularly with my line
of work I see a lot of people with the opposite mentality and how damaging

18
I m m o l a t i o n Bob: Listenable
came up with
the idea, so we
Do you think
any one song or
album really
summarises

Harnessing the Everlasting Fire

did the 3 songs
Immolation
and the DVD
best of all?
with it. It was
As far Death Metal veterans go, Immolation are among the few in managing to hold together a respectable attitude cool to finally do Bob: I’d say
whilst still producing high-quality music many years after they made their mark. Guitarist Bob Vigna talks a bit something like Shadows and
that. I’m sure Harnessing , as
about the new album and life on the road year after year.
we’ll do another they are the most
Interview by N. Liengme, photos provided by Metastazis.com one in the future. reflective of what
It gives you space we are about and
to try some the most mature
different kind of records we’ve

G
reetings Bob, many thanks for your time. Speaking in all aspects (creatively, stuff,...yet I have done
To begin with, how are things going for compositionally, lyrically, thematically, etc.), do to say we didn’t
yourself and Immolation at the current you think there is a logical progression between really pick which songs were going on the EP until they Beyond your obvious anti-Christian subject
moment? each of your albums? Do you believe that Shadows we all recorded. It was a hard decision. Of course the matter, do you personally aspire towards
in the Light is a point you’ve come to as a result instrumental was really cool to work on, a lot of fun and higher ideals, or follow any sort of path of self
Bob: Very good, we are on the road with Skinless and of all your previous work over the years? I think it really came out great for our first ever. enlightenment?
Suffocation now and the shows are going great!
Bob: Yeah we definitely improve and progress with each In all the time you’ve been together as a band, Bob: No we just like music and enjoy creating it. We’ve
This year already, since releasing a new EP record and “Shadows” brings things further but at the have there been many points in which you’ve been fans for years of metal and this is something we
and full length album, you’ve done an extensive same time is more aggressive and probably one of the been pushed beyond your capacity as an artist just love to do. We just look at things and write about
European tour with heaviest records we’ve and performer? Points where you’ve just wanted them. Like “World Agony” is about how the world is
Krisiun and Dawn of done. We always try new to throw it all in? How do you deal with such destroying itself and how we are all responsible for it.
Azazel, and before the things and extra twists. It moments? We just like to bring things to attention and let everyone
year is out you’ll be keeps it interesting for us get their own thing out of it.
touring North America and the fans. Bob: Yeah, it takes its toll sometimes and we say “Why
with Suffocation are we here? What are we doing? Why didn’t I become The uniqueness of Immolation among the scene
and Skinless. So I’m Being considered a a lawyer or doctor?” But then we realise that we are seems to have always been a point of pride for
wondering how it is that cornerstone of death driven by music and its our passion. all of you, and rightly so. Has it always been a
you find time to live metal, as well as one conscious intent for you to separate yourselves
anything resembling a of the longest serving The whole band seem to lead something of a from precedents and create your art from a wholy
normal life? Do you ever and most consistent “straightedge” lifestyle without alcohol or original angle?
feel yourself getting bands within the genre, drugs. Given the expected behavior of bands on
tour, I suspect your lifestyle is not something you Bob: Just like anyone else we just do what comes natural
jaded? how do you perceive the and work hard to create the best music we can. I think
current (modern) death would preach onto others, but does it cause any
Bob: No not at all, we love friction with other bands and the friendships you we have created a pretty unique sound over the years
metal scene? Are there and continue to expand on it, while still keeping it well
doing this and the fact that many bands you find have with them? Has it always been this way for
we are able to get to hit the Immolation - a unifying code of conduct, of sorts? rooted and keeping our style intact.
to be of interest? Do
road so much on this album international tours and
is awesome! We have plenty Bob: Well thats just me and Ross... Steve and Bill like How do you feel about Celtic Frost and Possessed
festivals open you up to to burn a few. It doesn’t matter really, we all are 100% reforming and playing live once again after so
of time when we are home, a significant number of
so being out for a month when it comes to the music, none of us are smashed each many years?
new bands? night, etc. Everyone knows their limitations, so its good,
here and there is not bad Bob: Hey man, people are digging it, more power to
at all, its always cool to see Bob: There are some good as being a bunch of drunks on the road can really lead
them. It shows the younger kids where the roots of all
all the different places and bands out there... but they to a lot of lemons along the way! Haha.
this music came from!
countries. We actually have are few and far between.
Of your range of influences, what proportion of
another tour planned in the I think it takes a lot to Once or twice a year for the past 3-4 years
creative inspiration is derived from non-musical
US for Feb and another in impress us these days as running there has been rumour of an Aussie
areas? In particular the lyrics, which make use
March for Europe. there are so many bands all tour, which causes untold premature ejaculation
of many biblical references, as well as other
trying to do the same thing among the southern hordes. So what we’d all
Immolation are often literature. Richard Bach’s “Illusions”, for
and they all start sounding really like to know is - what’s it going to take to
perceived to be one of example, seems to have on some level inspired
the same to me. But there get you here? What are the odds?
the more sophisticated Reluctant Messiah.
are some out there and the
bands within death metal, something of a scene itself seems to be doing really well,...especially Bob: We’re trying! Haha, hopefully it will happen
Bob: No not really, I’ve never heard of that before. We
“thinking man’s” death. Do you take pride in any in Europe , it was killer over there during the summer soon. This is the most touring we’ve done in a while so
just write about what we see in the world... most of the
such evaluation? Does it mean anything to you to fests! hopefully things will work out and we’ll be able to make
new stuff on the last two albums is really more about the
be seen as standing above the average perception it happen.
war and the terrorism... we do it in such a way where
of death metal? You released an EP called Hope and Horror a you really have to look into the words. I’ve seen many
month or so before Shadows in the Light. Since Lastly, I’d just like to thank you for your time
Bob: We just do the best we can and its cool to see that people review the record’s lyrics as anti-Christian, but
this was the first EP you’ve released, what and your continuing devotion to your art. Best of
people appreciate it. We are really into the music so we almost 95% of it deals with personal issues, somewhat
led to its conception? Do you think it would be luck with what may come.
try and make things as interesting as we can and as political themes and what is relevant to today’s climate.
something you’d do again? If you really look at the words you’ll see what I mean. Bob: Thanks a lot for the interview, we appreciate the
dark and heavy as we can at the same time.
support! All the best!

20 21
I n t e r n e c i n e progenerate into something that we aspire to be recognized as our own. Near five years the
direction of the band has changed dramatically, and is something we are still yet to harness
or perfect ourselves. Far from it. We still question ourselves and our overriding objective. I
imagine and hope it will constantly evolve, however, our demo; Prognosticate the Decrepitude

E x c o r i a t i o n
(“to foretell the demise”, for the layman) really sums up where we wish to take our music and
our doctrine. Whilst receiving compliments like “you karnts are so fucking heavy and brutal”
is somewhat flattering, this is not what we wish to be depicted or known for. We want to
create something that is dark, unsettling, vomit-inducing and questioning.

E x ec r a b l e D ec r e p t i t u d e It’s a year since Prognosticate the Decrepitude came out. Do people dig it? Does
anyone care? I know mine has made a fantastic drink coaster and dart board.
Internecine Excoriation use bigger words than most people, which clearly makes them better people. But for all the Jason: Reactions are mixed, however, the majority is favorable from what we receive. A lot
syllables exchanged, it didn’t take much to prove that my dictionary was bigger than theirs. of time was put into the promotion and exposure of PTD and from outside circles it has been
hard at times to gain much feedback, which has been disappointing. Yet, it still trickles in. It
Interview & photos by N. Liengme was sent to various sources for critique and dissection. Few were kind enough to send back
their honest appraisals, yet considering the volume of music that is distributed and circulating
these days, all wanting immediate opinion, I guess it isn’t to be taken personally. The most
pleasing aspect however, has been the feedback and support from our immediate peers, which
we respect the most and those which reside in Australian icons such as Astriaal, Excruciate,

A
bhorrent greetings Jason. Whence has At what point did you come to the realization Portal, Funerary Pit, Ignivimous, DarkLord and the like, who have been nothing short of
this deplorable horde congealed, and to that modern death metal needed some fixin’? praise and guidance. These are the greatest compliments of all. Further, once our music
what ends? has then been shifted into the live arena, the reactions are different again, but generally a
Jason: I certainly think death metal stagnated with
Jason: Hails Nico. The initial conceiving of IE took the dawning of the new millennium, and it has only more prominent reaction of vile horror and disgust, which is most pleasing. When people can
place in the cold, concreted been the last 2-3 years experience the emotion and horror through their veins and ears whilst being displayed before
womb of Matthews garage that a fresh re-emergence them visually, it seems to garner more reaction than that of CD. You should try the inlay for
around April ‘03. At that of sound, production and toilet paper. The texture is so so smooth. Beats 3 ply!
time, Matthew (Drums), writing skills has began to
Dave (guitar) and myself formulate a neoteric tide. It’s safe to say you’re heavily influenced by Immolation and Incantation, and
(vocals) were united as Many of the newer wave probably Crimson Massacre for namedrop’s sake, but who else tweaks your nipples
friends and the embryonic of American styled Death and awakens your guitars from their flaccid state?
founders of Internecine metal bands which seemed Jason: Sound wise, correct in part. As a whole package, shift your influence calls towards
Excoriation. After two to have proliferated the something like PoRTaL. Baring in mind three people write the music with an eclectic range
months Brad was scraped ‘scene’, tried to encompass of influences amongst all three, to name influences would be too space consuming and
off the streets of Eagleby technical writing patterns, varied amongst your pages and also too limiting towards ourselves and what inspires us as
and ordained. The search which is fantastic to individuals.
for another guitarist listen too, and watch to a
remained, so David could certain point, but lacked As I understand, Antti Boman from Demilich eventually became incredibly sick of
resume his most effusive feeling and the power to being asked about his guttural vocals in countless interviews. Doubtless, you’ll be
work on the bass. Due to invoke emotive. To say the same in time, so let me get in before you’re jaded - how and why do you use such
a prior association with we decided to ‘fix it’ is an brutal vocals? Ever thought about mixing it up a bit?
Brad, we then enlisted overstatement. As your
the services of our final questions down the page Jason: Of course. But it must all be contextual. Originally my vocals were based on a
combatant Kevin, at which indicate, we are influenced ‘CorpseGrinder’ sound. After many months of practice, I didn’t feel I was achieving enough
time the lineup became in part by some founding within the space of time granted, and was also listening to a lot of lower pitched vocals such
solidified to this point and death metal bands who as Disgorge, Wormed and Pustulated. The music, with the addition of the two guitarists also
beyond. embraced what we shifted, along with the tuning. Therefore it was necessary for me to make the shift down an
believe death metal was octave or three, otherwise the vocals would sound too high, too outdated and non fitting.
Obfuscate and arcane created for. Music which Nonetheless, the older school death metal vocals are still exercised, alongside agonizing
linguistics predicate depicts DEATH, horror, screams and will be placed were it is appropriate. The goal is to execute these older vocals
inextricable aural uncertainty and fear. eventually to my personal degree of perfection. The entire vocal perspective must match the
abhorrence. Is the We wish to pick out these music, as well as the emotion of the music and lyrics.
discomposure of certain elements of Death How? Through extreme personal manipulation of ones vocal chords. It’s extremely
your assemblage Metal’s foundations and insalubrious and un appropriate. But that’s my love of this vocal style, to push and challenge
indispensable for the disfigure and contort them ones self beyond their limits. It must go LOWER!
personification of your into something that is
cumulative auricular form, or do you just talk a darker and more foreboding. You’ve done some solid supports in a fairly short time, featuring on local shows
lot of shit for a laugh? with Suffocation, Deicide, Napalm Death, Disgorge, Blood Duster and probably
What is the IE ethos? other important ones I’m forgetting. Who’s left on your wish list of bands to play
Jason: To converse in everyday life as such, would with?
obviously be far too complexing for the vast majority, Jason: Based on the elements of the founding ethos of
yet the scriptures we wish to transpire seem to carry ‘Death Metal’ is what certainly forms our sound and Jason: Suffocation, no, I made guest appearance on vokills with Excruciate. However 5 souls
over in a more vivid and somewhat distressing state with ‘image’. Conventional yet unconventional, we also wish will give you 5 different answers. For me personally, and weather IE would fit the bill, I would
the language we choose. It will alter none, if only to to steer clear of the orthodox elements of death metal. love to either see the following defile Australian soil, or support: Morbid Angel, Dying Fetus,
become more exacerbating. We wish to formulate something that draws inspiration Retch, Goreopsy, Defeated Sanity, Wormed, Decrepit Birth, Pustulated, Primordial and I
and influence from original concepts of death metal, but would love to have another crack at supporting Disgorge (US). Australian luminaries such

22 23
 Lastly, what future emanations do you have
as PoRTaL, Funerary Pit, Beyond Mortal Dreams and
planned for IE? A full length album? Another
reformed Miscreation and Misery outfits would be most
EP or demo? Perhaps a “best of both worlds” DVD
appeasing.
repackaged with your logo on the front? When?
What’s the scoop?
Evil Speaks Records are re-releasing Prognosticate
on tape, as well as a live performance of your Currently IE has been on a hiatus of sorts. A self
support slot with Deicide. Who the fuck listens induced break was sought after our last show and
to tape these days? But more importantly, how did also garnered an opportunity for several members to
this deal come about, and do you have any future concentrate on their various side projects. Feb ’08 the
plans for the magnetic medium? I imagine a few IE horde reconvened in full motion were the whole
tapes unwound would suffice as a strong bind in IE package was put under the microscope, dissected,
lieu of rope or duct tape during a night out on reviewed, reassembled and the future 6-8 months were
the town. strictly outlayed. At this time of writing, we have parted
ways with our percussionist Matthew, due to concealed
You listen to tape on your Sony walkman, whilst
reasons. He remains a close ally regardless. Over the
strolling along the Sunny Coast beaches every morning
months of May and June we will be trialing several
in your budgie smugglers you little bastard – FACT!
applicants for the position. Currently six new songs,
Unfortunately do to reasons outside of both Internecine
minus lyrics, have been written and a further two are
and ESR’s control; the tape release has been shelved
verging on complete, for an album. Lately, we have been
indefinitely. It is a shame as grand artworks and
discussing another prospective demo, before delving into
outlays where made by Dave and Kev for the ‘Live’
a full-length. We foresee perhaps one Brisbane show
tape which was recorded upon our support of Deicide
for 2008 at most, which will be visually far different to
– Dec 06. Whilst it has been shelved, Tape is a medium
anything we have done before, and more targeting the
that I certainly enjoy listening too and collecting
ethos discussed earlier. All details will be closely veiled
and I certainly do not think that this will be the last
until concrete. Our main priority amongst all points of
opportunity for IE to pursue using tape as a form of
discussion will be the writing of a full-length, which we
documentation. We also take this time to apologize to
will push beyond previous boundaries. A late 2008 to
those who we had made mention and promise too of
early 2009 release is expected.
these particular releases, they didn’t eventuate – yet! It
will surface at some point thou, whether it is through
our own finance or the assistance of a label!

24 25
 L o s s it must’ve been quite an honour to have a release
included in such a cult series.
Mike: Yes absolutely. I was shocked when we were asked
Imperial from Krieg did vocals on your live
rendition of Katatonia’s “Brave” which was
released as a bonus track on various re-releases
of Life Without Hope. First, why Imperial (for

C o n ce p t u a l F u n e r a l i s m
by both The Doom-monger and Fred from Painiac. They a doom cover), and second, why was Brave your
both seem to believe in us and that is an honor indeed. choice? Have you played any other covers?
I was in contact with Fred/Painiac for years before and
The doomed walk among us... when he got in touch it was very exciting as I was in Mike: Imperial is an old friend of mine from the early
touch with Max from Worship before he died and this 90’s. He was coming for a visit for that show (it was
Interview by N. Liengme, photos provided by Loss was a chance to kind of honor him. The song we wrote our first) and we decided to ask him to do live vocals. It
for that split is one of my favorite Loss songs and it will be was fucking great sharing the stage with an old friend
reworked for the debut I believe as so many people seek and doing a killer song like Brave. We chose Brave
this and its long sold out. The song also encapsulates the because we were asked to participate on the Katatonia
same feelings that Worship gives me and it was basically tribute album December Songs and originally were
written for Max. covering Nowhere but another band had taken it so we
chose Brave. Katatonia is a huge influence for us so
Is it important for you to feel and experience the any of their songs would do.as for other covers,well we
emotions you write about, as you write them? Or did a Goatlord cover for the split with Necros Christos
do you write retrospectively, when the proverbial but the future holds a couple more. We will be on the
(and physical) wounds have healed? Thergothon tribute album covering Everlasting and also
we have Saint Vitus and Nick Cave covers coming soon
Mike: I do both really (I’m speaking for myself here as
on a MCD.
I write the lyrics). The emotions and lyrics in Loss are
very real and are things we have all experienced. We How does metal stand to develop in the coming
write during and after the pain. The demo for example years, both in the general “scene” (fans
was written in a very hard time in my life as well as and attitudes, both in the underground and
Tims (guitar). We were both going through massive mainstream) and in terms of music and stylistic
depressions and various other downtrodden emotions approach? Is there much ground left to be broken,
and it was a difficult time for everyone but the music is a and could you think of any examples of current
reflection of that and those songs serve as scars for the bands doing just that?
wounds that have healed. Newer songs written were done

T
he “Life Without Hope... Death Without
Metal thus the Goatlord covers from both bands. Both in a similar mental state or a reflection there of. Mike: Everything has been done. It’s all left to improve
Reason” demo has made quite an enormous
bands wrote an original in the same old vein in praise of upon. Bands doing something new... hmm... I could
impact, having been re-released about
the style that we were all influenced by. Obviously it was How important to you is the format of your list 100 bands here that in my eyes are fucking amazing
5 times now in various formats. I read that this
a departure from the style Loss normally plays but we releases? Each of your recordings have now had and have made an impact on me but you asked for
demo was simply meant to be a precursor to your
cannot deny our past. I love our song on that split (The vinyl releases, some of which were exclusive to newer bands breaking ground, currently I guess
debut album, so you couldn’t have expected the
Bare-backed Burial Of A Torn Angel) its fucking great the wax medium. Is it important for the method the only bands that come to mind are Rope, Rome,
kind of response you’ve had from it, surely?
to play live as well. of delivery to remain true to the spirit of the Oxbow, Nachtmystium, Manes, Kinder Totenlieder ,
Mike: We made an impact? That’s unexpected,Actually Goatmolestor I don’t care for and Proclamation is ok music? Are underground values better retained in Boris, Rwake, Om, Asunder, SunnO))), Crippled Black
it was released in 4 different ways. Our original CDR but I’d rather listen to the actual version of Blasphemy’s a format that’s less ‘accessible’ to the majority of Phoenix, Orthodox, Mournful Congregation, Oren
versions,the official Weird Truth cassette release,the Fallen Angel Of Doom instead of a carbon copy. people? Ambarchi, Moss, Monarch, Otesanek, March Into The
Deathgasm CD release with bonus tracks and the next Sea, Oak, The Body and I’m sure theres nore.
Necros Christos is an amazing band. Their new record Mike: The underground is dead. Its been bought and
will be the vinyl version via Parastic Records.
is by far the best release this year in the Black Death sold on ebay its lost its spirit for the most part. As for Ultimately, do you believe doom is a reflection
Yes people seem to really like those songs and that’s realm as well as the debut from Negative Plane, medium I like CD’s and LP’s equally. As long as our of inner torment or the frustration-gone-
great. We appreciate the positive response weve gotten message is heard I don’t really care. Whats the point of despondency caused by external forces? Do these
with basically 2 songs and yes it was originally meant to Doom metal, at least within the extreme metal working so hard on songs literally putting blood sweat approaches offer obvious differences in music?
be a precursor to our debut but it grew into something spectrum, has never really “suffered” from the and tears into it just to keep it a secret. Those old days of Does it really matter anyway?
else I suppose. Those songs will both see themselves popularity of the other main genres of metal - the underground are gone for me, I don’t feel the magic
transformed and reworked for the debut full length. thrash metal in the late 80’s, death metal in the so to speak but I hold them in my fondest memories. The Mike: Yes. Nothing really matters. Nothing.
early 90’s, and black metal in the mid 90’s. As a REAL underground does exist I suppose just in a newer
It was a bit surprising to see you release a split result, the genre never became as flooded with form. Remember what I said about cycles. Lastly, what fate do you think mankind deserve?
12” with Necros Christos, who are far more in the such a number of weak imitations, and to this day
old death metal vein than yourselves. I’m curious You must surely have some influence from outside Mike: To be silenced.
it remains comparatively exclusive in terms of
about how you ended up working with NC for both fans and artists. Why do you believe this is? of the metal spectrum. Who would they be? Suffer as much as I have and try to breathe tomorrow
this release. Further, what are your thoughts or even get out of bed. Until then don’t talk about pain.
on other bands in this style of old death worship, Mike: No, there are plenty of clones that will remain Mike: Oh absolutely. All of us in Loss do. From power This shit isn’t a joke.We don’t talk about depression to be
such as Goat Molestor and Proclamation? nameless. Just open your ears. I will admit that there is electronics, dark ambient and old gothic/darkwave and cool. It isn’t cool.It fucking sucks but we have to either
much more originality and interesting things going on in industrial to deathrock, the blues and even film scores. hang from a rope or keep going.Loss is us keeping going
Mike: I used to run a record label called War Hammer the current Doom scene though. Its fucking great. As for names... hmm... some non-metal bands that I guess.
Records. This is how I first got in contact with Necros have had an impact on me: Joy Division, Interpol, The
Christos. Mors Dalos Ra sent me a demo and I was to a Do you think it will remain this way? Cure, Oren Ambarchi, Earth, Nick Cave, Stalaggh, Off yourself and Doom your life.
release for them but the label went under. We remained The Grey Wolves, Genocide Organ, Boyd Rice/NON,
in contact as a lot of our views were very similar and we Mike: No, all metal scenes move in cycles.
Der Blutharsch, Death In June, The Moon Lay Hidden
became friends etc. When we formed Loss I sent him Beneath A Cloud, Johnny Cash, Dernier Volante, Rome,
some rehearsals and the demo and he was into it so we A split release between you an Worship was
Diary Of Dreams, Mz. 412, Goblin, SWANS, Skinny
started discussing a split. That idea then turned into more released as part of Paniac’s infamous “Suicidal
Puppy and Sunn O))) are some but the list goes on.
of a “concept” split in honor of the old ways of Death Doom” series. Being such a relatively new band,

26 27
 N o l t e m
T he W o o d l a n d R u n e d a n ce
This old interview does little to convey the current direction and ambition of Noltem. Here it is anyway, with some
light edits to reflect current developments.

Interview by N. Liengme, photos by MFJ

G
reetings MFJ, I thank you for joining us.
MFJ: As of now, I have postponed the release of
How are things for you?
Runedance for an indefinite amount of time. Instead of
MFJ: Good, thanks. I just moved to Vermont searching for someone to host the album, I have decided
in August, and I’ve gathered some very interesting to record another demo that will be a proper bridge
inspiration from this area. between “Hymn of the Wood” and an officially-released
EP.
How did Noltem get started? Did you ever have
any different intentions initially than what Have you had much response from Hymn of
resulted? the Wood from your own country? Do you find
Europeans more receptive to your musical style?
MFJ: I had been playing in a two different black metal
bands at the time, and I didn’t feel that I was using my MFJ: I think I’ve had pretty equal response from
full potential with either group. While there were some Europeans and Americans. My inspiration is split
good songs, we weren’t doing anything new. I quit both between domestic and European influence, so I suppose
bands and started Noltem as a project that focused on that makes sense. Out of the 50 “Hymn of the Wood”
melodic and natural themes. Initially, the songs had tapes, I believe I sent most of them to Europe.
more of a pagan/doom feeling, but they gradually
progressed into what you hear now. Though Noltem is a solitary musical vessel
of yours, Erik Grahn from Nasheim will be
Tell us about the meaning of the word “Noltem”, providing vocals for Mannaz. What was the
and why you chose it as a band name. reason you decided to use another vocalist? Has
it been difficult to collaborate with him being in
MFJ: Noltem, to me, is the culmination of inspiration Sweden?
that I have gathered from nature. The word has no
actual meaning; I created it. How it came to mind I am MFJ: One day I suddenly realized that I had this
not exactly sure, but I knew immediately that it fit. excellent opportunity to have Erik do vocals for Noltem.
If you have heard my demo, you might agree that the
The forthcoming EP “Mannaz” has been in the vocals are the weakest aspect. My “style” has progressed
works for quite a while now, having been delayed since then, but I feel that Erik could simply do the job
for years at a time. What sort of issues have you far better than I could. He is still on board after all of
had to overcome thus far in its writing? these delays and problems, and for that I am thankful.
He’s a very talented musician. Once we actually get
MFJ: There have actually been several drafts of
down to recording with each other, I don’t believe it will
Mannaz. When I record a song, I need to make sure
be that difficult because we are both pretty experienced
that it is absolutely perfect. While I am not as concerned
with digital recording. I’ll take care of the guitars, Ellis
with the quality of my performance, I need to make sure
Whitson from Eternal Winter (a newer addition to the
that I am 100% confident with my compositions. I am
band) will take care of the drums, and Erik will polish
trying to do something new and innovative with Noltem.
things up in the end.
I don’t know if I have done that, or if I will ever do that,
but the last thing the world needs is another “black/folk Will you still be writing the lyrics?
metal” clone band. The first songs I had written for
the EP weren’t necessarily bad, but they didn’t really MFJ: Definitely. Even though I will have other people
have anything new to offer. Each time I would finish a performing with me, the music and lyrics will still be of
song, I would begin to rewrite its structure after careful my own creation.
thought. Because of this, I never officially made it to the
studio before Ashes Records was shut down. Both your music and lyrics are of a style not
generally associated with bands from the US.
You were signed to Ashes Records for the release Do you think the lack of naturalistic/spiritual/
of Runedance, but with the release delayed and pagan themed metal bands from your country
the label owner’s tragic accident, they’ve since is a result of American culture and overly
closed. Where does that leave you now? materialistic social conditioning?

28 29
MFJ: That’s a very dense question. Most people only look
so far for music, and it is not a very important aspect of
their lives. The limit is pretty much what can be seen on
hear that song with real drums and clean vocals,

For a brief period you were involved in running a

Spiculum Iratus
Wrath Flagellants
television or listened to on the radio. Once the inspiration small label/distro. What happened to it?
to search for new music develops, it’s very possible that
people will find more personal musical interests. All they
MFJ: My business-partner and I simply began to run of
out of money. Our operation was so small that we
need is that initial inspiration to find something new and Who knew that there were bands playing with conviction the us US? Other than just about anyone who bothered to
never really became sustainable, but we did have two
unique, something that can apply to them. dig deeper than a bunch of scene bullshit, that is. Some terrible questions get some thoughtful answers.
full releases. The tapes were successful, so I’m honestly
Do you believe this is changing? satisfied with what we did.
Interview by N. Liengme, photos provided by Spiculum Iratus
MFJ: I have exposed some very open-minded people Many would comment on your age, being that you
to folk metal and folk music in general. Pretty much wrote Hymn of the Wood at age 15/16, while most
everyone that’s heard this stuff has enjoyed it. They just “musicians” of that age would be doing a high
need the exposure. school thrash band or shitty bedroom black metal

A
project. Are many people surprised by this? ve Entity Savnok, Os Miserum, Impious. What kind of musical background do you and your
You’ve labeled your main influences as being Start by telling me why Spiculum Iratus band mates come from? What was your first record
early Ulver (mainly Bergtatt) and Vintersorg. MFJ: I’ve surprised a few people since the release! I exists, and what you hope to achieve (metal or otherwise), first metal record and first
How have each of these bands influenced and started playing guitar about 10 years ago, so perhaps through your music? black metal record?
affected you, both in your own music and in that is why I was writing songs like this by such a young
age. I’m glad that there has been such a positive response Entity Savnok: Personally for Entity Savnok: I don’t exactly
your life? And what are your thoughts on the
to the demo; it has helped to build my confidence as a me it is an outlet to unleash remember what the first album
significant stylistic progression that each band
composer and performer. my views/ideals along with I had was. I do remember
has undergone?
creating audial substance. I probably the first metal record
MFJ: I first got Vintersorg’s album “Till Fjalls” when I Do you ever find that people don’t take this type think we aim more to appease I had was Slayer’s Reign
was a freshman in high school. It was pretty much my of folkish/pagan metal seriously, on account of ourselves with the music we In Blood. The first black
initial exposure to European folk themes, and I fell in the themes being too “hippie-ish”? make rather than trying to metal record was Emperor’s
love with them. All of the melodies and natural themes please certain crowds. Anthems To The Welkin At
MFJ: I’ve personally found that people don’t take the Dusk. I picked up a guitar
really inspired me to create my own project. “Bergtatt”
genre seriously because the folk melodies sound goofy to Black Metal in the States when I was pretty young, at
was an album that showed me these ideas with a more
them, or it sounds “too soft”. I view my songs as serious get a fair amount of shit around 12 years of age. I just
somber approach. I’d say that my music is inspired by
music, and I try to present my ideas in such a way. from the international recently took up bass about 2-3
both of the artist’s styles; some of it is majestic, and
some of it is more romantic and dark. As for the stylistic crowd, though this is years ago.
Do you have any plans post-Mannaz? less the case these days
progression of these bands, I support their progression Impious: I have always been a
entirely. While I don’t necessarily enjoy Vintersorg’s MFJ: I’m sure there might be another release, but it won’t compared with 3-4 years dedicated musician. My first
new albums as much as the older ones, I still recognize be for a few years. Being at college really limits the time ago, I think. Do you think Guitar was given to me at the
his unique compositions. They are well done, but it’s not I have for writing and recording. If I do put something this is because USBM is age of 16 and since then I have
exactly what I’m interested in. else out, it will probably focus more on acoustics - who improving in quality, or always been trying to improve
knows? just that people have my skill. As for records,
You had planned to record a short promo for stopped paying attention? I was first introduced to
limited CDR release before the Mannaz release. Much thanks for your time MFJ. May your travels Darkthrone’s “Transilvanian
Entity Savnok: I think it is
Is this still planned? Would the material be go well. Feel free to leave any last comments. Hunger” and Burzum’s “Det
ridiculous to put so much emphasis on where a band is
otherwise-unreleased, or Mannaz material? Som En Gang Var”.
MFJ: Thank you for the interview. Keep an eye open for from. The reason why the rest of the world has stop giving
MFJ: I’m planning to record this during January and a new CD-R demo in 2008! I may be working slowly, but Americans shit is because the newer wave of bands have Os Miserum: I have studied piano since a child, so I’ve
February (although it may happen later). There will Noltem is still alive! stopped trying to imitate the early Norwegian bands. In more or less had a musical background for a majority
most likely be 2-3 brand new songs that are exclusive to my opinion that is a good thing. We get a different more of my life. First metal record I listened to was “Master
this demo. Also, there will be a re-recorded version of original sound out of these bands. of Puppets” in my pre-teen years, and first black metal
the song “Hymn of the Wood”. I’ve always wanted to record was Arcturus “Aspera Hiems Symfonia” and

30 31
 funeral doom projected you’re involved in. Similar What are your thoughts on the romantic
Sacramentum “The Coming of Chaos.” band, and we strive to somehow be a spear in the side of
projects seem to be popping up all over the place, revivalism in black metal - trying to “bring back
Christianity and Religion In general.
so I’m curious to see if you think it’s a good time the true spirit” and so forth, a decade and a
Are you in any way interested in any “scene”
for doom, or the beginning of the end? half too late? Is it hopeless idealism, or a simple
over in the US? I know you’re each involved in a Do you think black metal requires certain
attempt at credibility?
few bands, but anything more than just solitary attributes to “be” black metal? Praise of Satan? Entity Savnok: It’s a great time for Doom. Not only is the
pursuits? Misanthropy? Anti-religion? Anti-humanity? genre going beyond the traditional “woe is me attitude”, Entity Savnok: The fact of the matter is that very few
but music wise its been evolving. I think different individuals actually translate their ideals into concrete
Entity Savnok: There isn’t much of a scene here. There Entity Savnok: Well some things are pretty much
lyrical themes certainly contribute towards that. There actions. I think it will remain this way.
are some notable mentions such as Ashdautas, Bestial traditionally a given in black metal. What you mentioned
are many bands out there pushing the envelope like
Inca r nation, is, but I do not
Asunder, Mournful Congregation, Dolorian, and Loss. Many of the classics of old have been dug up and
Nos Vrolok, and see a problem
As for Dona Eis Requiem we will be recording our Full proclaimed for their underrated status, but I’m
Vatican. with different
Length soon which will be out through Baneful Genesis curious about what you think might be some of
trains of thought,
Records. the underrated classics of today, or at least the
The Myspace As long as those
past 4-5 years?
revolution ideals do not
You’ve had your “Procession of Flagellants” demo
seems to have interfere with the Entity Savnok: Not much comes to mind...Ved Buens
recorded for a while now, yet still no official
impacted the basic attributes Ende-Written In Waters, also The Abyss(SWE)-The
release. Surely a fully recorded demo needn’t
US hardest of of black metal. Other Side is a pretty good black metal album. Although
be subject to delays? When will it be made
all, with untold For instance I not black metal October Tides’ Albums. Archgoat,They
available?
thousands do not see life Always seemed to be in Beherit’s Shadow and never
of worthless loving or God Entity Savnok: Its been delayed by numerous reasons, really taken in until recently.
black metal loving to ever be it was re recorded several times, we realize a demo
bands popping a part of black shouldn’t be so well produced but we decided the first What’s next on the cards for Spiculum Iratus?
up on a near- metal. That is a batches did not properly depict the sound we wanted. At Have you been working on new material? Will
daily basis. It problem I have this point it’s really to late to put out a “demo” per say. you have anything available at any time soon?
is concerning with NS metal We are focused on recording something more concrete. Will the “Procession” demo see release finally?
for you to be that it advocates Some of the tracks that were to be used for that demo
entering such Entity Savnok: Our split CD with Bestial Incarnation
extermination of will be used for a 2nd full length.
an obscenely has been out for quite some time. Initial songs have
certain races yet
saturated begun to take shape for the Full Length album.. We
also promulgates The intro on your demo differs in production
scene? Do you will probably be dormant for at least a year due to some
the well being quite dramatically from the later songs, with a
think it’ll get circumstances. If we can get the album recorded before
of a “race”. Im much more noisy, abrasive and prominent guitar
worse before it this hiatus then it will be released otherwise it will have
not against it tone. What was the reason for this?
gets better? to wait. The procession demo has been scratched entirely
I just believe
Entity Savnok: The intro/demo has been scratched as mentioned before and will become a separate possible
it shouldn’t be
Entity Savnok: entirely, it was a different recording from the actual 2nd full length, as for a release date for this there simply
considered “Black
It is a pretty guitar tracks you hear on the rest of the demo hence the isn’t one.
Metal”.
big plague, and sound.
probably another Spiculum Iratus
Thanks for your responses, we can hope to hear
reason foreigners have done a
What sort of influence and inspiration drives from you soon. Closing statements are yours...
will have to split release
you to write your music and lyrics? Is it primarily
Savnok: Visit www.banefulgenesis.com for any news
hate the US with Bestial
other black metal, or do you take influence from
concerning us. And we hope to one day invoke a live
bands. Certainly Incarnation, of
other areas, outside of metal or even music?
Manifestation for all you dedicated Australian and Anti-
there are great which you are Entity Savnok: My lyrical themes basically stem from Christ individuals.
bands that have also a member. Anti-Biblical thoughts, but I also do draw allot of
myspace accounts Though the inspiration from Philosophy, and History. Obviously we
but most of styles are a are really inspired by other black metal bands, and it
them established bit different, is very natural to imitate that which you put in highest
themselves as a is band member regard, we try not to do that so much. I try to really
band well before inbreeding ever inspire some deeper thought within my lyrics. I am not
they made an an issue? for this “dumb down the lyrics” recent trend that some
account or had one made for them. Is it a good method
bands have taken in order to take black metal to a more
of spreading music? Sure, but its also a very lazy method Entity Savnok: I am currently not a band member, I did
broad audience. In my opinion if you are not capable of
of spreading it. This is the reason why you don’t see a session bass for them for their demo tape, and Impious is
abstract thoughts you have simply not developed well
Spiculum Iratus Myspace page, and I hope nobody ever now an ex-member of Bestial Incarnation so there is no
as a human being, therefore should have no business
makes one in our name. I don’t see things changing real issue there.
listening to certain types of black metal. Does it
anytime soon, unless myspace becomes a pay site or Os Miserum: As far as music styles weaving into each ostracize or shun away certain people from listening to
something of that sort. other due to band member inbreeding, it doesn’t seem our music? Sure it does but then again I wouldn’t want
much like an issue. I think what is most concerned with just anyone listening to our works.
What exactly does Spiculum Iratus mean? Does it the band is level of commitment and if they are able to
relate to any sort of band-concept? put 100%. I’m currently in 4 bands (including Spiculum
Entity Savnok: The band is formed from Latin words, Iratus) and am able to put 100% into each band. Give
spiculum means spear, Iratus is a form of Ira which it all or nothing. I don’t think any band would want to
means Wrath/Anger. So in essence it is a form of “Spear carry dead weight around.
of Wrath/Anger”. You can relate it to the spear of
Longinvs. We are for the most part an Anti-Christian Quick question about Dona Eis Requiem; the

32 33
T h e D e a d to be getting much bigger than it ever was.

How do you find the Aussie scene to be faring

Stalking Doomsayer
at the moment? What other notable acts do you
t he think are worth mentioning?
Chris: There are a lot of good bands around doing
Slowly rising from the earth, The Dead make their vibrations heard. With more shows planned across Australia something unique in their style... off the top of my head
and a full-length album now out, it probably won’t be long before you hear the heavy groove of the deceased... I would say Portal and Beijing Tank are two Brisbane
bands that I really like.
Interview & photos by N. Liengme Much thanks for your time and answers Chris, I
The logo used on your first demo was never seen wish you and The Dead great luck in the future
again. The logo seen on your first gig flyer was and look forward to hearing future releases and
also never again used. There were a few gigs with seeing more live shows. The final comments are
bizarre and slightly alternating logos, one of yours...

G
reetings Chris, how’s yourself and The Scott, your guitarist, has played for many which ended up on your 7”, and now you’ve got one
Dead currently? First thing would be to years in Misery, who’re quite a staple of Aussie Chris: Thanks Nico.
you’re using on your upcoming demo. Will this be
take us through the short but eventful death metal, so he quite clearly has a strong the end of the logo saga?
history of The Dead and who you all are. background. But what about the rest of you? I’ve
heard mentioned that one of you once played for Chris: Haha... is that the one with the cross? That was a
Chris: Good thanks. The Dead started in March (I Obfuscate Mass, a band I’m entirely unfamiliar last minute “need a logo” thing. Both Scotty and Mike
think) of 2005. Myself (drums) and Adam (bass) decided with. Anything else? are artists so we end up with an abundance of artwork.
to put a new band together as our previous one had I kinda like the idea of having a different style logo for
fallen apart. That was more of a rock kind of thing, Chris: Mike used to be the singer in Obfuscate Mass... each release but it does get confusing having a different
so we were both keen to do something a lot heavier. they were a Death Metal band from Brisbane in the one for every gig.
Around the same time Misery was winding up as early to mid ninetees. Craig, the original drummer from
Damon (Misery vox/bass player) was heading off to the Hollow was in it as well. They were great... I used to go If there were one band, past or present, with
USA to live. So I asked Scotty (guitar) if he wanted to see them at Metropolis ‘back in the day’. which you could release a split, what would it
have a jam with Adam and myself. We worked on some be?
ideas for about a month or so and talked about getting a Do you have plans in the pipelines to do a full
singer but never did anything about it, as the thought of length album at any point in the nearish future? Chris: Metallica... imagine the royalties!?
auditioning singers wasn’t something we looked forward Would any of the songs from your demo(s) be
making their way on to such a release? The second track from your first demo, “The
to. Then I think at the ANZAC Day gig Scotty ran into
Doomsayer”, is an utterly devastating affair of
Mike (vox)... he told him what he was doing with us and
Chris: We definately want to do an album around mid- classic mid-paced death metal. I often tire of bands
asked if he wanted to come and check it out. At that first
year. The idea was to have a set of songs that we wanted who’s sole aim is to play as fast as possible, since a
jam we wrote Doomsayer and that was it.
to release as an album, not just pile all our songs together slower tempo has the ability to really drive home
You’ve got a new demo just around the corner. as soon as you have enough and call it an album. A few the crushing heaviness of a brutal riff. What do
Tell us what to expect from this new offering, of the demo songs will be on there for sure. you think? Will any of your upcoming material
and how/where it’ll be available. be in any way like The Doomsayer?
Was the idea of a 7” your idea, or that of Obsidian
Chris: We are recording in mid Feb, 4 songs. Demo style Recs? Do you hold any favourable feelings Chris: To us the idea is to come up with songs not just a
like the first one all of us playing live in the same room. towards the vinyl format? style. It gets boring to play only fast or only slow...
I like that way of recording a lot... it’s more honest.
Chris: The 7” was James from Obsidians’ idea... both When and what was your first experience with
At the time of writing, your releases were limited he and Geeks from Obsidian have been great. The two death metal, and how did you respond to it at the
to the self produced “Demo I” and the “Armoured tracks on it are from our first demo. I like vinyl because time? Did it grip you from the beginning?
Assassin” 7” released on Obsidian Records. thats what I used to buy when I first started buying
music. Chris: ...I think the first true death metal I heard was
From what has been heard, you’re more than the band Death probably 1990 or so. I remember buying
comfortable playing death metal in some brutal Sepultura ‘Beneath the Remains’ vinyl secondhand
Your live presence has certainly been felt within
and interesting ways, with more than a touch of around the same time because the cover looked evil... up
Brisbane, but what about elsewhere? Do you have
groove from time to time. Did you just fall into until then I was listening to Metallica, Maiden, Sabbat..
plans to travel south any time soon? Have you
this style, or was it a conscious intention from that kind of stuff.
had much interest from the rest of the country
the beginning?
based on your existing releases?
Between the band name, various logos and
Chris: We got told at a gig we sound like Deicide
Chris: We have had interest about playing down in artwork, one could assume The Dead to have
meets Primus... that guy was pretty drunk though.
Melbourne, but there isn’t much point until we have an something of a comical quality. Is it intentional?
There has never been a concious decision to play that way,
album... especially since local gigs have been getting Do you think a grain of salt is a necessary part
I think it’s just what happened with our influences.
300+ people attending. The Brisbane metal scene seems of being a fan of extreme metal?
Chris: Ha ha... no it’s not intentional... I never really
thought about it like that. It just seems to go hand in
hand with the genre... I mean if the first time you heard
Obituary or Cannibal Corpse and it didn’t make you
laugh and you took it seriously...something is wrong
with you.

35
 Rev. Kriss Hades
Unorthodox Meditations
Black, twisted visions of the void and beyond — both in music and in art — are the specialties of Kriss Hades.
Though Sadistik Exekution may never play again, the continuing work of said maniacal axeman may surpass his
past.

Interview by A. Maybury, photos by N. Liengme, artwork by RKH

T
here has been a trilogy of albums in the
contact with was prepared to finance my projects so I
works for some time now, beginning with
have decided to keep them frozen rather than producing
Damascus Orthodox, then The Astral
an inferior quality recording.
Orthodox of Ouija and fininishing with Orthodox
of Infinitus. What is the concept behind the
A demo by the name of “Meditation of the Midnight
trilogy, and what is the state of progress on it
Candle” was released in 1991. How was this demo
overall?”
recieved, and how does it compare to your modern
RKH: The concepts for the trilogy were black magic, work? Why was nothing further recorded under
communication with the dead, and mathematics. The your name until the Wind of Orion release?
original idea for a black
RKH: I was received very
mass was to cause damage
well internationally and
to an enemy through
still sustains interest in
mystic or occult powers.
underground circles. There
The three ideas were what
are multitudes of recordings
I was surrounding myself
in pre-production form.
with at that time, quite a
Endless.
while ago it seems now.
They are separate pieces as What has been holding
they sound vastly different, you back in terms of
however progress logically releases? Have you
from a musical viewpoint. had trouble financing
They are finished as far as them, or getting label
the writing is concerned. support?
The opening track on RKH: This seems to be
‘The Wind of Orion’ the situation. When I
is noted as being finance things myself,
from the ‘Damascus events Art exhibitions,
Orthodox’ album, which live shows (Necrokult
I understand was due to I + II) and releases
be released on Decuis such as “PAGANINI,
back in 2003. What has BLOODLUST, STATIC
happened to this album? AGE” they go very well,
Will it ever see the people go to the shows
light of day? and the CD’s and shirts
sell. I live off my art so it
RKH: Damascus
is difficult to generate the
Orthodox is the first in
type of money needed to
the trilogy series. The
build my own recording
cost of the recording was
studio or to make a feature
too high for Decius at the
film. I signed a deal with
time to go ahead with a
real production. By normal “The visions inside my Modern Invasion Music
about a year ago for a
recording standards not
very much, about $20,000
imagination are the driving small amount of money
AUD. Around that time force behind the compositions, and a computer system
which would enable me to
Alchemist and Bestial all combined with the strange produce and engineer my
Warlust were rumoured to
have spent $30,000 AUD and twisted emotions they own productions. They
have yet to come through
supplied by their record create.” with the computer system,
companies. No one I was in

36 37
 You have a reputation for very bizarre and Are you playing many live shows at the moment,
which would be cheaper than paying a studio for a as HR Geiger, Rodger Dean, Chris Foss, Tim White
extreme live shows, both with Sadistik Exekution or have any planned for the near future?
recording. I feel very angry frustrated and ripped off. I and Rodney Mathews as well as writers like Michael
and your solo performances. What are some of the
have a new cd recording waiting to be recorded and a full Morecock, Asimov. There is a certain unique aspect to RKH: At the current stage I must reinvent my show as
strangest things that have happened at a show?
music video with live and animation just siting around this era that appeals to me. Comparisons usually say well as rebuilding my Kramer after my last performance
next to all the other projects. Ultimately I will burn more about the critic than the artist. RKH: There were many bizarre strange activities at in Brisbane at Her Majesty’s Basement. I plan to present
everything and take it all to the grave. I will balance out Sadistik Exekution shows. The audience would get so that to the public as soon as possible. Lately some artists
the equation with these others first of course. What is your opinion on the current metal scene hyped up and a lunatic atmosphere could be felt. A weird have been claiming that they are the fastest guitarist
in Australia? Do you have any favorites among event for the RKH performances was on 06 06 06 which in Australia. I will be proving at these next series of
What are you trying to convey to the listener the bands that are thriving at the moment? was held at Club 77. There were lesbian orgies in the shows that they are wrong. I am the fastest. I earned
and viewer, both in audience and flares being that title in 1995 at the
your recorded material RKH: Australian metal
let off. I was electrocuted Hell Club (Now Hi-Fi Bar
and live shows? How is usually disregarded in
and blacked everything out Melbourne) at a capacity
effective do you think the international media
for a while. People were crowd with Sadistik
your methods are, creating a false sense
going very mental indeed. Exekution before touring
compared with other of value. I believe that
The manager came down Europe.
bands? Australia produces the best
and closed the venue down
metal acts in the world.
due to excessive excitement, What was the extent
RKH: I am communicating
violence and alcoholic of your involvement
on a psychic level through What are your sources
debauchery. with Nazxul? Did
the various mediums of inspiration while
you contribute to the
and styles I gravitate making your visual art?
Could you describe a creation of the yet to
toward. The forms are
RKH: I will concentrate typical Rev. Kriss Hades be released Iconoclast?
often misinterpreted
with the current artistic show?
and a paradigm shift is RKH: I was one of the
issue. HP Lovecraft =
usually necessary for most RKH: An insane dark main songwriters and
writing.
individuals to get anything surrealist nightmare idealists for the band. I
out of them. I only recently noticed vision. Mesmerizing for worked on and inspired
that you’d done the the psychic magi to dream many of the new songs yet
At one point you were horrific thoughts while to be released.
cover for Hobbs Satan’s
working in Nazxul, the invisible vampire christ
Crusade. What other
SadEx and your own plays faster than god over What was the story
bands/albums have you
solo project. How were nephelim’s woe. behind your departure
done art for?
you able to separate and from Nazxul? Are you
identify the material RKH: Death Sentence You play live to pre- still on good terms with
you were writing for – Needle Park (Melbourne recorded drumtrack the band?
each individual band? hardcore), Cruciform with other effects
RKH: After 13 shows my
Did you rely on seperate – Atavism, Massive and guitars on it. Have
chapter in Nazxul had
mindframes to write for Appendage – The Severed you ever considered
ended. I keep in contact
each of them? Erection, Abortus attaining other
with the members when
(unused), Grenade members to aid you
RKH: The separation is possible. I will have more
(single), Baltak, Toe to instrumentally in a
necessary. There were artwork on display at
Toe, Massapeal – The live performance, or
gaps in the time frames, Adrian Henderson’s store
Mechanic do you think you work
they rarely coincided. in Newtown on Enmore
In am currently working on better alone?
Road.
Where are your main the cover for “Possession”, RKH: I built new stage for
sources of inspiration which is supposed to be myself, no Sad X, no other Do you intend to
whilst making your Modern Invasion Music’s band. I imagined a throne continue Sadistik
music? Are you inspired second release. The that I would build. It was Exekution in the
by any artists in imagery for this is written purely and necessarily a future? Recent
particular? in the text of the Modern selfish ideal. I gradually interviews with Dave
Invasion Music re-release added other members when it was appropriate (Morte, Slave have indicated that the band has broken
RKH: The visions inside my imagination are the driving of ‘WINDS OF ORION” Laz). I may eventually have a full line up of brilliant up, but he has said that in the past.
force behind the compositions, all combined with the
musicians, drums, guitarists, keyboards, singers, lights
strange and twisted emotions they create. I am primarily Considering your obvious talent for visual RKH: I wrote the music for “Total Fukking Kunt”
,camera, action. Alone I can survive to create a dark
interested in writers such as HP Lovecraft for this next art, what was the reasoning behind using the which is what I call Sadistik Exekution’s next recording.
world of sights and sounds for the audience, however
phase of artwork. silhouette photos of yourself on the covers rather Dave Slave as usual refuses to be part of this. I think we
with an army I will obliterate.
than some of your infamous artwork? Do you could kill him and just put his rotting corpse on stage,
I’ve been honestly surprised to see you compared think these photos suit the mood of the albums or maybe a naked female bass player with a Dave Slave
Earlier this year, there were some issues with
with Pink Floyd and King Crimson, which I’d guess better than your artworks? mask. All very horrifying indeed.
you being listed for gigs you were unconfirmed or
was mainly due to your experimentation. How do
RKH: Rok used artwork exclusively for Sadistik unable to play at, including the ‘No Sign of Light’
you feel about such comparisons? Lastly, how important would you say “artistic
Exekution. I wanted the audience to move to my way of festival. Can you explain how the confusion over
expression” is for you?
RKH: Excellent. Syd Barret, Adrian Barlow, Robert thinking and used images that would associate the cds your ability to play these shows came about?
Fripp, you could include Richard Wagner from Alice with an instrumentalist of the dark surrealist extreme RKH: ‘Art’ may come across as idle amusement for the
RKH: There were promoters very keen to have RKH
Cooper, Ritchie Blackmore, Toni Iommi. Science fiction metal. The separation is established immediately dominating elite ,or it is the ultimate vehicle where one
play, as they believed that more people would go to the
was making a fresh impact on the world with artist such can arise and usurp the enemy.
show if I were advertised. They don’t think about the
trouble it causes me and the confusion for the audience.

38 39
G l o r i o r B e l l i don’t see any reason to adopt this prefixe since I consider
my path sincere and real. Why the fuck would I need to
justify it to the whole world with one stupid adjective?
Do you believe Satanism and anti-Christianity are
rudimentary aspects of black metal? Can music
that contains neither of these elements still be
considered black metal?

Reverie T o r me n t
This is a waste of time to try to understand what people
in call trendy or not - It doesn’t affect me at all. Basically, black metal was rising like a fist in the face of
nice and stupid marketing music, borrowing the image
Do you think it’s necessary to sub-categorize of Satan as all that is forbidden/feared. The message was
France and black metal. It’s a bit like fire and ice, in some respects. With the already legendary French self-
these Orthodox bands? quite simple at this time, almost deriving from the punk
righteousness, you can begin to see that things were going to get out of hand somewhere along the line...
scene. But it was justified and it generated many bands.
Absolutely. Then we will re-sub -categorized the sub-
Interview by N. Liengme, photos provided by Southern Lord Only few were able to understand the real message
categories,. come on, be serious! Who the fuck cares
entirely and only few are still carrying it. You can call
about that? I don’t.
“black metal” whatever you want but it doesn’t make
On your website, you describe within your music any difference when the judgment comes, most people
there to be an “...almost indie-rock feeling just don’t have what it takes!

A
s I understand it, the rough translation other members a part of the creative process, or to the melodies...”, so I think it would not be
of the band’s name would be “to bask in were they just live/session members? What kind of importance does your music hold to
presumptuous to say that you’re influenced by a
pride during war”. Can you explain how you as a personally creative output? Without it,
lot of music outside of the black metal spectrum?
this relates to your music and concepts? I tried for a while to have a full line-up but it didn’t work. do you think you would be doing something else to
How important is it to integrate outside influence
I am and will remain the main compositor/mastermind. express similar ideas?
into black metal?
Our name has several meanings but Glorior Belli has On the first album I was playing with Antarès (drums)
to be understood as audio “violence” as well as spiritual & Nefastvs (2nd guitar). On “Manifesting,” I played Music holds a great place in my life, as you can guess
It is important for me to go over the limitations, especially
retribution. It’s not about physical contacts but more like with M:A FOG (drums) & Dispater (bass). The rest is for a so called musician like me. I think I would be an
when it comes to music. I feel sorry for those who clearly
a psycho-revolution. We are the challengers of the grand pure nonsense, I don’t even consider the others as session author if I wasn’t able to play music since I was really
can’t detect any originality in our sound, they are wrong
Demiurge, sparks of rebellion and knowledge! members. Many obstacles were crossed and I don’t need attracted by letters at school.
and lost in a cycle of established boundaries. I listen to
any feeble minds by my various kind of music and it would be a shame to restrict
Your recent album side. The traditional black metal image seems to be
my creativity. I stand out of the common mindset
Manifesting the gladly adopted by yourselves. Do you perceive
enclosure and it’s normal if my music reflects the same
Raging Beast seems to Southern Lord seems this as another aspect to the greater feel and
attitude.
have a more unique, an unusual choice of atmosphere, unifying the music with appearances?
definitive sound than label for a band such Is accessibility something you value highly in Image can be provocative, attractive, vulgar, ugly,
its predecessor O as yourself (or maybe, your music? funny, and so on. Some people think we could drop
Laudate Dominus, would have seemed the corpse-paint and the usual accessories already but I
which was seen by many unusual 3 years ago). If you mean – do I care about being accessible when
don’t. At least I’m not ready to... it’s kinda weird but as
to be following in the Tell us how this deal I compose – the answer is NO, I don’t. I only follow
much as I usually like to break the “cliché” I still need
footsteps of Watain came about and what my feelings. Our message is for the few. I know that
those things badly! A disguise can deceive but it can also
and Ondskapt. Was it sort of release plans many won’t be able to understand entirely since some
reveal your true face since it inhibits all the bounds.
a natural and logical you have under them. efforts have to be made and most of the audience is quite
progression for you to apathetic.
We got a great deal with Most of your members participate in various other
develop and mature underground bands. What can you tell us about
your sound? Or was Southern Lord. Greg You’ve used a classical piece of Gregorian chanting
asked us right after we these, as well as any other non-musical projects
it a conscious choice as the introduction to OLD. Various other and
left E.A.R. if we would you may be involved with?
to move away from a similar bands have used such pieces within their
comparative sound? be interested to join his music, such as Ondskapt and Deathspell Omega, I wanted to skip that one, so I’ll make it short and simple:
label. We signed for 2 full- among others. Was it really necessary to have it Bands we’re involved in (m:A Fog and I) are Black
Honestly the first album lengths, “Manifesting,” there? Flame/Wolfe/Sangraal/Obscurus Advocam. No “non-
had quite a shitty sound. is the first one. There musical” projects at the moment.
It was totally self-produced are some great bands on No it wasn’t. It pissed me off already 2 or 3 months later.
so we didn’t really have Southern Lord and we’re That’s why I avoided this kind of shit in the new album.
Many of the second wave black metal bands have
the choice... it wasn’t proud to dwell there. So Question of personal tastes I guess, some people still
changed sounds quite dramatically and turned
intentional. “Manifesting far, we have nothing to enjoy it anyway.
away from their ideological roots. Some say that
the Raging Beast” has complain about. black metal died with Euronymous, but would it
I haven’t had the fortune of hearing your demo
been recorded in a real be any different if he’d survived? Is it justified
You’re undoubtedly release, but what kind of progress do you think
studio and we had total putting the appeasement of diehard fans over
well aware that the was made between that demo and OLD? How do you
control of the sound. It’s musical progression?
Orthodox Satanic black feel about the progress from OLD to Manifesting
simply a natural and logical
metal movement has the Raging Beast? Once again, F-U-C-K this shit! Some say/some don’t/
“progression”. When I
record in a studio I’m not trying to sound like “x” or gained a huge amount of momentum in recent some think, you cannot change history unless I missed
The progression was quite extraordinary. This feeling
“y”, but to seek the best tones for our music. years, and some have begun to regard it as becoming something? Leave Euronymous and the gossips alone.
is almost due to the sound quality rather than the
the next trend in black metal. What are your Diehard fans are not better than newbies when it comes
composition itself, but anyway a lot of things changed
Though there are three credited members of thoughts on this? to the bullshits contest.
in 5 years. I’m glad I was able to keep going with Glorior
Glorior Belli on both O Laudate Dominus and Belli through all these years. I improved a lot my
Manifesting the Raging Beast, your website for Orthodox means: conforming to the approved form of Much thanks for your time in answering these
any doctrine, philosophy, ideology. What is an Orthodox creativity by listening to many different musical styles
some time listed 5 members. I found it surprising questions.
BM band then? I guess it’s a band conforming to the and wasn’t scared to blend new ingredients in the recipe.
you had expanded your legion so dramatically, Conceptually speaking, Glorior Belli also evolved a lot, O Death! From the eye of Satan upon that star.
considering the music heard on the albums seemed approved black metal doctrine. So in fact it’s just another
damned word for “true” which was used in the past. I following the path of Lucifer alongside few people who
more than competent as a 3 piece. Were these share the same ideology too.

40 41
 Akitsa album continues to blow me away about leads like Pagan Altar, but amoung of energy, and ace It’s not specifically dark nor bad gnomic epic poetry. ‘,Is A
La Grande Infamie each time I listen to it, yet I always more of switching the style the riff musicianship. light... sort of a middle ground Scary Place’ is crap keyboard
2006 Christhunt Productions struggle to quantify exactly why is played and the sound, similar to Nico where the obscure and macarbe sequencing. ‘Deer Hunting’
Akitsa is a band from Quebec this is, on a tangible level. The what heavy metal bands do (Fear meets the fun-loving and relaxed. is more crap sequencing, with
that plays rather ugly Black Metal music is fucking sinister, dark Itself is a good example of this). Creeping When the occasion strikes me to annoying vocals. ‘The Island Of
with influences ranging from Oi! and grotesque black metal, akin After a good chunk of riffs are listen to it, I find myself skipping The Dead’ just proves that no
Funeral Crawl
to Pink Floyd. They are one of in some ways to the bestial bands thrown at you, a solo, which in to certain songs or sections, amount of delay on vocals can
2007 Asphyxiate Recordings
the most original bands around of old such Beherit, Necrovore gives me chills most of the time, many of which are excelent and make up for having no idea, and
these days and have never failed and Von, but with far more rips through the riff. To get Creeping plays swamp/black memorable. But as a whole, it atonality is not the same thing
to impress me. With the terrific finesse. The songs and riffs are another perspective to this, think metal, says the press release. doesn’t capture me. as picking notes out randomly.
‘Aube De La Misanthropie’ re- constructed with a great level of of a rope as being a riff, and then Well, sure. And why not? ‘Ruby Jade’ is more wanking on
Nico
release the mood was certainly detail and perfection, and never the solo being the strands of the Though it’s not the most obvious over nonsense motifs. ‘Storchy
set for a new Akitsa full length. display any of the amatureism rope as you gradually unwind it, progression of the genre, nor Weather’ features the following
Diable Amoreux
that the aforementioned bands then weaving it perfectly back is it terribly revolutionary, it’s stirring anthem: ‘Necro Clouds,
The album starts out with the Horns Used For Butting
were notable for. It seems to me together (Dream of Armageddon certainly different to hear black Necro Clouds, I want to be
typical sombre, gloomy intro
that this sits in a very careful and and Ironclad do this very well). metal infused with sludgy, 2006 Self released
under Necro Clouds’ repeated ad
which is not a bad thing of course,
precarious position, between an The drumming on this album stonery groovy doom. But the It’s not every day I open my mail infinitum. ‘In Van Diemen’s Land’
it sets the mood for the rest of the
intelligent and conscious construct, is obviously fed from the riffs; band seem to be treading the and find I’ve been sent a promo is more pretentious bad keyboard
album. ‘Magie Et Verites’ is the
and a primal and morbid beast. moreover they do not use the water a little with what they’re from a “Gnomic Folk” band nonsense. ‘It’s German’ is an
first song, and it is a good one.
This is true evolution of the best typical thrash beat, but they do doing, and not really embracing from Tasmania. I wasn’t aware unaccompanied crazy person’s
The only way to describe the music
kind. accomplish the same goal to let what could be an excelent variant Tasmania had a gnomic folk monologue. ‘Poltergeist Girls’
is something like Darkthrone
the guitars take over. From start on two established styles. tradition – but according to the is gothic in its awfulness. ‘Mr
meeting Brainbombs whilst being Nico
to finish the album throws riffs at Many of the riffs on this 8 press release, Diable Amoreux’s Eternity’ is a kind of shoegazer
raped by Throbbing Gristle, it is
you, never becoming tedious or track debut album from these ‘Horns Used For Butting’ is their interlude about Sydney graffiti.
of course great stuff and a perfect Ares Kingdom
making you think you’ve heard New Zealand-based swamp seventh album. The true horror ‘Goodbye Emma’ is more gothic
way to open the album. Other Return to Dust
it many times before; moreover, dwellers are somewhat exclusive of the six preceding releases pretension with no redeeming
highlights would be tracks such as 2006 Nuclear War Now!
this is one of the better releases in to either black metal or some being ‘out there’ is something I features. Finally, the title track
the melancholy ‘Cthonos’ and the
Ares Kingdom from Kansas City, 2006, and it will get many more variant of groovy sludgy doom. am still coming to terms with. ‘Horns Used For Butting’
20 minute black/doom epic ‘Foret
Missouri kicks our arse with their plays from me. Only occasionally are the two A solo project for someone who segues from brain-damaged
Disparue’.
debut of intense death/thrash. styles combined properly. It’s identifies themselves only as piano interlude to drum machine
Sternpe Ndobra
At the end of the day, this is a I know what you are thinking “7” – this ‘apocalyptic folk’ has
understandable... the styles are blackened folk metal, I feel bad
great album when in the correct when you hear death thrash, been evolving since 1998. Plenty
Craven Idol fairly polarised to one another that I cannot give the gnome a
mood. It is perhaps Akitsa’s something in the vein of Vader, of brilliant bands cannot boast
and many riffs would cease to be nice review. I like gnomes, I really
finest work to date, although it the lovable Gojira, or any of the Demo I such a vintage – but now they
black metal if they were played do. In books with pixies, and cute
may not be accessibly to everyone. new polished stuff, but this is 2007 Self released have nothing to be ashamed
palm-muted, with catchy grooves woodland animals, gnomes are
Recommended to fans of the completely different and similar Craven Idol are the English answer of. Diable Amoreux’s ‘Horns
and hooks. But in no way to I always thoroughly decent folk.
‘strange’ strain of Black Metal to the late 80s early 90s death/ to the black thrash movement, Used For Butting’ is the only
mean for this criticism to detract The hospitality and kindliness
that seems to be going around thrash slowed down(at times) and although they don’t compare well recording in my collection to
from what this is. Regardless of of gnomes is well documented in
these days. better production. It has loads of to staples such as D666, GOTH outshine Slug’s ‘You May As
the noticable stylistic variations, fairy tales. But trust me – gnomes
Dane Sharrock mid-paced thrash riffs that chug and Toxic Holocaust. This demo the songs themselves are very well Well Kill Yourself Now’ for sheer and spoken word, gnomes with
along moving to doomier parts is more speed-metal influenced, crafted, with many of the changes unbridled annoyingness. There sequencers – avoid. Arguably the
Altar of Perversion or more aggressive parts, and with a raw black edge akin to from one style to another taking are moments where it almost most originally awful project in
From Dead Temples using gaseous vocal onslaught of Megiddo or Countess. Though this place smoothly and coherantly, starts to sound good (the album Australia. The bio states Diable
2003 Drakkar
Alex Blume to keep moving. The 3 track demo only spans about 10 instead of being simply for the features a long list of session Amoreux have ‘only performed
vocals, which are my favourite minutes, the emphasis on speed sake of it. The leads and solos players), but never fails to return once’ – I’m astonished “7” got out
It must have been Mr.
style, deep, gaseous, and lenghty, means quite a lot of ground is highlight the combination of to utter shit form. ‘Horns Of The of the venue alive.
Northwind’s utterly convincing
are used perfectly to accentuate covered. The thin, abraisive guitar genres well, and are often very Great Inverted Goat’ - vocally,
review of Altar of Perversion Talie Helene
the riffing. This release will keep tone isn’t the most conductive clever in their execution. think PeeWee Herman in the role
in The Sinister Flame 1 that got
you head banging all the way for this style, and unfortunately of Reagan in The Exorcist. ‘The
me on the hunt for a release by Though it can be said this is an
through, and a closer inspection neither is the somewhat eratic Contemplation Of Gnomes’ is like
this band. Obtaining their sole intriguing album of high quality,
shows the great lead work, and underdeveloped songwriting. a bad mushroom busker trip in
full length album was a bit of an it’s not something I find myself
specially over top of the main What these guys definitely have the market area at Earthcore.
endeavor in itself, but thankfully, coming back to often, probably
riffs; however, I’m not talking on their side though is a huge ‘Those Newfangled Towers’ is
rewarding in its own right. This because it’s a bit too borderline.

44 45
 Dimensional Psychosis dark, sinister and melodic black This shouldn’t be overlooked, Locus of Bone’, ‘ Ivory Artery’, calls upon all of his warriors take ‘psychotic’ edge to an already
Magical Matrix of Dimensional metal people were expecting. since Jon considered Dissection a ‘ Epoch of Cyclosure’, and the back their land. diverse album.
Continuum This was some bastard child of In propaganda vehicle for the Chaos- mindraping acoustic track ‘The Songs should not be listened to My only quibble with this album
2005 Asphyxiate Recordings Flames and Dark Tranquility as Gnostic cult, the Misanthropic Flow Of Seething Visions’. singularly, but in the context of is that some of the tracks seem to
This debut release has been a while some claimed, with melodies too Luciferian Order. Perhaps I’m Highly recommended. the full album. Nothing cheesy drag on a little (the opening track,
in the making, since the band has happy and harmless, and even the alone in this belief, but I think Dane Sharrock nor over the top, thus continues Poisonous Eye in particular).
reportedly existed in some form vocals lacking the sinister edge that the two-tiers of music found the legacy of DoomSword, and Other than this, Elend have
or another since 97 (formerly as people were familiar with. Even on this album is indeed reflective DoomSword keeping true to metal. mastered the art of composing
Goatlord), and this album having though it was recorded in jail, of both the profound idealogic for this style of music. Elend must
My Name Will Live On swizzlenuts
been recorded and self released Dissection fans feared the worst. devotion of Nödtveidt and of his be commended here, for their
2007 Dragonheart
in 2003. So thankfully in late 05, I’m not sure whether or not it desire to expand the horizons of extensive use of instrumentation
it finally got a deserving label more people. His will be done. The production of this album is Elend
was on account of people having gelling together seamlessly. In
release, and some new artwork. clean and exactly what one would Winds Devouring Men
such dire expectations, but when Nico terms of dark, sombre music,
Contained within is a chaotic, want in an epic album, thick 2003 Holy Records
Reinkaos was released, it copped Winds Devouring Men absolutely
brutal, technical, fast and hateful guitars, yet keeping the vocals I have been meaning to buy an
a torrent of shit. Too happy, Dolorian hits the spot.
mix of black metal and death high in the mix. The vocalist album from this unique French
too catchy, too easy listening, Voidwards
metal, with neither genre really shines in this album; he’s lost his band for quite some time and
Ferdibirdi
too simple. The only one of the
taking dominance. Instead, it’s a
2006 Wounded Love Records Hansi Kürsch sound, and replaced earlier this year I was happy to
complaints I find justified is that Elysian Blaze
really slick and unique style, each It has been a long 5 years since it with more of the strained epic finally get a hold of their last two
of the staccato nature of the riffs,
of the riffs are well developed Dolorian’s last full length. Their Italian vocals. Every lyric is sung albums. Elend have been noted Cold Walls and Apparitions
which stop/start too often and
and the songs maturely written, self titled album was a masterpiece with oozing emotion, over top for their evil and violent take 2005 Northern Silence Productions
sound like it was written by ADD
though the inherent chaos might that seemed to transcend and riffs to compliment the vocals and on atmospheric, Neo-classical Following two painfully obscure
kids. But that aside, a great many
make you think otherwise on recreate many different genres set an epic battlefield. The album music; yet this particular album demos, Elysian Blaze took the
people seem to be over-sighting
first listen. But it’s that chaos at once, the result being and does have a slow tempo at times, it has been noted by fans as a much ambitious step of recording a
the true power that this album
that really gives this release the incredibly bleak dirge. After the doesn’t have doom riffing nor the calmer take on the said style. That full length album, which became
holds, which is a great shame.
unique edge, and suits the cosmic long wait, Voidwards is finally usual Viking metal sound. The being said, there still is a sinister known as “Cold Walls and
The complaints of catchiness
themes that the album and song here and we shall see if it was slow paced epic riffs that evolve presence throughout the album, Apparitions”. Though apparently
or simplicity are superficial.
titles portray. Ultimately, it’s a worth the wait. into a speed up at the perfect and Elend will occasionally break just another solo Aussie black
Indeed, it’s pretty easy to think
fucking lot to take in, but if you The album starts off with the times make this a great album. into their signature chaotic parts. metal band among the dozens
that about the album on first or
can get past the brain-imploding second listen, because it doesn’t track ‘Dual - Void - Trident’. From the start of the album Don’t expect any metal, what that seem to pop up every year,
aspect of it, there’s a heap of seem as challenging as previous At first it seems to be a steady DoomSword shows the theme we have here is dark, brooding, Elysian Blaze seem to have
fantastic material on this album. Dissection albums. What I’ve progression from the last full of this specific album, which is symphonic music. made quite an impression with
Nico found from repeated listening length, so we have a rather quiet Viking. Though the songs are Winds Devouring Men is the their demos, ending up signed to
though, is that the apparent music with a whispered or spoken mostly epic battles, never does the first chapter in a five-part series the German “Northern Silence
Dissection simplicity is a facade, under vocals, guitar with a large amount album become dull and focus on of albums, based on a poem by Productions” for the release of
which there’s a surprising level of of echo and an incredibly dark how epic they can make the music Iskandar Hasnawi. The first thing this album. A great thing too,
Reinkaos
complexity and power. bass sound. The result is very nor do they need huge hooks in that grabbed my attention was as Northern Silence has given
2006 Black Horizon
bleak, the guitar echoing into each song for one to become the stunning use of percussion, Elysian Blaze the proverbial “foot
From the early moments of The production can be off-
nothing seems to evoke feelings intrigued. The album starts with which really adds variety, depth in the door” that many bands don’t
Dissection’s “rebirth”, following putting for a black metal record,
of emptiness. Then it begins to a warrior conquering various and dynamics to the already get, particularly at such an early
Jon Nodtveidt’s release from with its razor sharp guitar
get much heavier, reminding lands in the name of his gods. grand and atmospheric sound. point. Now it’s not uncommon
prison, things were going to tone and clarity, but given the
one of the debut ‘When all the The music follows along the lyrics The vocals on this record are to see Elysian Blaze mentioned
be pretty uncertain. The band nature of the music, I see no
Laughter has Gone’. Essentially and sets the mood perfectly. mostly sung in a very sullen alongside such contemporaries as
made their intentions clear to wrongdoing. The melodies are
‘Voidwards’ is the perfect mixture When reading along to the music tenor voice, though female Xasthur, Shining and Nortt.
leave Nuclear Blast and release indeed catchy, and the vocals
of the first 2 albums although through the ups and downs of our soprano are present throughout Such comparisons are fair enough,
any future material on their own quite clear and understandable,
much, much darker. hero, the music becomes more epic most of the album as well as the since parallels can be drawn
label, “Black Horizon”. When though dry and raspy. Each riff,
The artwork is also spectacular, in the battle scenes, and gradually occasional evil sounding whisper. inspirationally, stylistically and
the “Maha Kali” single surfaced a and furthermore, the structure
visually stimulating and perfectly builds up through other parts. Extensive use of violin adds an atmospherically. The lethargic
couple of months after his release, of the songs, seems to have been
fitting given the content of the The progress of all the battles almost tragic feel to their already gloom that Cold Walls emits
with the claim that it had been very intentionally weaved to
album. Ultimately, this is one of throughout the album creates immense sound, while subtle use throughout its entirety is not
recorded in prison, most, if not all appeal on a basic aesthetic level,
the best albums of the year and is tension for the epic monster of of white noise and slight industrial unlike the plodding doomscapes
previous fans, were thoroughly while providing a more subtle,
the darkest album in many years. a The Great Horn, where the undertones are placed cunningly of Nortt, and the rough,
unimpressed. This was not the and vastly more profound musical
Highlights would include ‘ In The tension is released, and the hero through the album giving a more hypnotic riffs have their roots in
experience on an underlying level.

46 47
such founders as Burzum and of Diamondhead courtesy of
Eyes of Ligeia Dante’s doom/death roots, as this be appropriate dubbed over the vocal chords just to listen to.
Forgotten Tomb. But as always, Dave Mustaine, if you know A Fever Which Would Cling to is practically heritage repertoire footage of mountains, clouds The lyrics are all written in the
it’s unfair to say that Elysian what I mean. ‘Highgate’ evokes Thee Forever from the early 90’s. Redolent and running streams. The music band’s native tongue of Dutch, so
Blaze is simply the result of a+b+c. a spooky horror movie western 2006 Paragon Records with brooding bluesy riffing, itself consists of epic, layered I can’t go into much detail of the
The slow and winding riffs provide atmosphere, with twanging The swansong final release for although again let down with keyboards playingfolky, dark exacting stories told, but I’ve in
the desolate, cold atmosphere guitar and percussion – original Eyes Of Ligeia – and the only messy drumming – no Protools and haunting melodies. This is places that the main lyrical topics
that the title of this album owes – before roughing things up. release to feature a full band, as Beat Detective at work here, very the second release by Fruit ov include classic mythical stories of
thanks, and the production Bit more of a nasty insistent previous to this Eyes Of Ligeia much a live drum sound. Awful Guile, and contains the two tracks heroes and trolls, as well as some
gives it the perfect brooding, Destruction influence here. operated as a solo project for under-represented bass guitar of the previous promo CDR , simpler drinking stories.
yet distant characteristics. It ‘The End Of All’ is inexplicably Dante (AKA Toby Chappell, sound. Some nice layering, bringing the total running time Again, this album works best
certainly sounds as if it’s being louder than the preceding track. also with Without a Shadow despite the poor production, that to 22 minutes. This is music best if you’ve had a few beers
played in a cold, damp, dark (Naughty mastering engineer.) and Amphigory). Opening with flows out to fill a solitary room enjoyed in a solitary environment, beforehand, as it allows the music
cellar. Aside from the difficulty Black metal influence pervades undulating synths and dank with despair. The title track in cold and preferably rainy to pierce you in a way that’s near-
of staying focused on this album this one, punctuated by panned processed vocal ambiences, ‘A Fever Which Would Cling weather, eitherwilst reading or impossible to do sober. And if
for its 54 minute duration, there’s thashy riffs. ‘Broken Pendulum’ ‘The Stillness Fades’ bleeds into To Thee Forever’ alludes to the deep in thought. The only trouble you’re fond of any of the other
nothing to stop you enjoying just flows through with a blackened ‘The Shadow Out Of Time’, Edgar Allan Poe poem ‘Spirits I can see for those who take an bands I mentioned in this review,
how perfectly this album achieves influence; in a rocky way. of course referencing a short of the Dead’ – the lyrics are an interest in such music would be you’re more than likely to get a
what it sets out to do. Interesting phrases with vocals story by master of horror HP adaptation. Harmonically, this is obtaining this release, as there’s kick or two out of Grimm.
Nico locked in with guitars. ‘Aberrant Lovecraft. Repetitive blackened the most ambitious song – moving absolutely no information about
Nico
Shadows’ picks up the pace; doom riffing, following each idea from bittersweet melodic riffing, them anywhere. Fruitovguile@
Epoch of Unlight straight ahead, kinda sea-shanty- out to a plodding conclusion – to sinuous black riffing with an yahoo.com.au will certainly be
esque – death in the ‘melodic’ expect no rhythmic or structural interesting and unpredictable the only source.
Ibex Throne
The Continuum Hypothesis Total Inversion
sense, not the uber-death metal surprises. Like a lot of bands in contour – if only this originality Nico
2005 The End Records
of yore – think At The Gates or the blackened doom vein, Eyes of purveyed all the riffing, this band 2006 GoatowaRex
Hailing from Memphis Tennessee Witchery. ‘Quicksilver To Ash’ is Ligeia bank on ambience, and the might have risen above obscurity. There’s certainly no way
Grimm
and boasting a long history in really thrashy, and pushes slightly listener’s emotional containment Closing track ‘As The Ravens anyone could call this band
the trenches – since 1990. Epoch Dark Medieval Folklore
through into a tech metal vibe within it. ‘”The darkness draws Descend From The Tower’ takes “misrepresentative”. The
Of Unlight offer eleven songs – but that equates to deliberately me into the abyss where eternity a drone approach to black metal
2006 GoatowaRex
artwork adorned with demons
on this third full-length album, unexpected shapes, rather than awaits beyond, Time only has tonality – freely circling the Grimm feature a lineup of some sacrificing virgins, bullet belts
with nothing over six and a serving the song first. The whole the order we give it, The mind tritone in lazy ambient circles, a of the individuals often featured and assorted satanic imagery
half minutes. Usually bracketed thing settles into a total meat reaches across all eternity” – the wash of noise suffusing the mix in GoatowaRex releases, coming is not going to lead you in the
as melodic death, but there’s a and potatoes riff after that – lyrics are painted musically with odd textures and shadows. from other bands as Gauhaert, wrong direction here. The band
strong thrash influence in the kinda bipolar song. ‘Denubrum’ as ‘The Shadow Out Of Time’ Comparisons to both Dolorian Zwartketterij and Urfaust. If play a very straightforward,
riffing and vocals; you can thank is one of the more interesting stretches on for eight minutes and Burzum should ensure Eyes you’re familiar with any of these very aggressive form of raw
producer Erin Farley for that and memorable songs, with an that feel much longer – obsessive Of Ligeia will have a minor place bands, you’ll have at least a rough militant black metal, complete
guitar tone and oldschool sizzle instantly recognizable riff. Gets worrying of one riff after in the cult pantheon. idea of what to expect from with apocalyptic themes (though
on the vocals, unsurprising since lost along the way in a chromatic another, with no clear theme. ‘A Grimm. Raw, gritty folk heavy lyrics aren’t included) and “fuck
Talie Helene
he also engineered Agnostic progression – meh, didn’t do Strange & Fitfull Presence’ enters metal with a lot of black metal off” attitude. Many riffs and even
Front, Sick Of It All, Madball, it for me. ‘The Scarlet Thread’ with a brooding slow black metal influence thrown in for good entire songs are hellthrashing in
Fruit ov Guile
M.O.C. and Overkill. Title track comes on with full melodic death rock riffs, eventually giving way measure. The guitars are driven the utmost, which essentially
‘The Continuum Hypothesis’ lays ...and the Moon Sank to Rest in by powerful folk melodies played
assault – cool drums in this one, to an oddly major stoner rock riff, means that this album works best
the Wilderness of Waters
down some tight drumming from and the harmonic progression brightening like sunlight through in the way Otyg or Isengard after a few beers.
2006 Self released
Tino LoSicco – great name! Also builds tension simply but a filthy window. ‘What The would play, which leaves you
First thing worth knowing here This is not any sort of progression
a great sound. ‘Under Starside effectively. Hah – galloping old Moon Brings, Part 2’ picks up wanting to jump up onto a table
is that Fruit ov Guile aren’t within the genre of black metal,
Skies’ reveals more of a European ‘Four Horsemen’ rhythm in the from ‘What The Moon Brings’ in a dank basement bar with
a metal band. If you’re at all so people looking for that should
death influence, although that transition from verse to bridge. [Unsung Heroes Records, 2004] a full stein of mead or ale and
familiar with the ambient work look elsewhere. This is devoted
80s US thrashcore heart never What a cuddly old metal teddy a very rare pro-CDR release in a dance with a stupid grin on your
of Ildjarn or Wongraven, or even raw black metal, as was seen in
stops beating. ‘Argentum Era bear that sound is. All up, not limited edition of 81 copies. More face until you’re too exhausted
the quieter side of Summoning, days of yore. The straightforward
Secui Duos’ slows things down, staggering in terms of originality textural, with a folky flavour to move. The influence of alcohol
you’ve got some grasp on what approach may make some
simple riffing, nice bass sound, – or anything – but you could do – although marred by messy is strongly obvious in the vocals,
Fruit ov Guile are doing. If think that there’s nothing
spoken word vocals breaking worse. volume on the drums revealing which are erratically clean sung,
not, the basic premise is synth- original enough here to make it
things up; really oldschool riffs. how low budget the production is. but with sporadic segments of
Talie Helene
driven soundscapes which would worthwhile, but a band of this
‘Cardinality’ bears the stamp ‘Watcher In The Water’ reveals howling screeches, which hurt
nature doesn’t need originality to

48 49
competently write quality black death in it, Prognosticate the that’s not to say the songs aren’t synths. Every now and then a with some black metal influence, work is superb, the bass is
metal. I’d recommend this to Decreptitude is something most well crafted. The riffs buzz in clearly idiomatic doom riff will and heavily laced with anti- prominent and the drumming is
anyone who doesn’t seek strong definitely worth possessing. hypnotic patterns while quiet enter, bluesy and brooding – but Christian lyrics and blasphemous fantastic. The vocals are unique
atmosphere in their black metal, Nico keyboards wind haunting melodies this is best taken as a soundscape aesthetics. This recording only and perhaps some of the more
and desires just straight up raw underneath. I can appreciate to play in the background, really features 3 original tracks, original vocals recorded lately.
hateful fury. Mandatory that this demo falls short of 20 when you don’t need to focus on each of which is spaced out with The riffs are fantastic, alot
Nico minutes for the fact alone that music. Might be totally cool for short pieces of morbid ambiance. of the time they are perfectly
...Where They Bleed
it doesn’t wear out its welcome, stoner gatherings, but I’d avoid There’s also a cover of Goatlord’s structured, though at other times
2007 Asphyxiate Recordings
Internecine Excoriation and indeed if I were to put this in more outgoing situations. “Acid Orgy” to finish it off. Even they are very unconventional.
Mandatory have been around in on without a definite craving for Would be ideal for reading to, including the cover, this recording This works very well though and
Prognosticate the Decreptitude some form for five or six years, but this style of music, I might even particularly horror of the cosmic spans less than 20 minutes, and in the band deserves credit for being
2006 Self Released Where They Bleed is the official find the relatively short length variety. The lyrics are a stream my opinion the material contained able to pull it off so well.
It’s not wise for bands to make non-demo release (ignoring a arduous to sit through. That’s of consciousness poetry, a kind within it is weaker and more by- Perhaps ‘Et In Saecula
claims about themselves. It split from the same year) of this the real catch for this genre in of surreal astral monologue, the-numbers than the “Black Saeculorum’ is overhyped to an
devides those who agree with German crew of death metal general though; it’s only possible delivered in a doom spoken- Mass Desecration”. However, extent, it is a terrific, unique
those who don’t, and plants aficionados. Unfortunately to really enjoy it when you’re in word style owing a great deal now that Necros Christos have and dark album though and is
expectation in potential fans. thisMCD only essentially contains the perfect mood for it, which to Darren White (Anathema.) released their full length “Triune recommended to all who feel the
Seemingly with that in mind, three original tracks, though may be quite infrequently for Obviously minimalism and Impurity Rites”, I’d say this is need for Black METAL.
Internecine Excoriation make no an acoustic intro and a cover of the many of us who find it hard ambience are defining features, mostly redundant.
claim with which to either invite Razor’s “Cross Me Fool” have to maintain a constantly self- but needless repetition is not, and
Dane Sharrock
Nico
or deter listeners, simply letting been tacked on for good measure destructive attitude. that lifts this far beyond drone
the music speak for itself. Besides to flesh out the running time to mediocrity. A lengthy review is
Niroth
Nico Negative Plane
the obvious Death Metal-ish a modest 17 minutes. But of the actually unnecessary - to call this Niroth
bandname and logo, the artwork three originals, strong promise Et In Saecula Saeculorum
Monolithe epic is an understatement. If you 2006 Bad Head Records
and title of this demo/EP make is shown.Mandatory’s preferred dig funeral doom, and also enjoy
2006 Ajna Offensive
Finally, a full length from the
it abundantly clear that death style is sick and crushing Monolithe II Negative Plane’s debut has
Pink Floyd and space rock – the mighty Pommy hordes. It has
metal is at hand. And not merely European death metal that 2005 Appease Me / Candlelight
Monolithe recordings are a must received a lot of attention over been a long time in waiting for
death metal, either. Metal of the takes notes from Entombed and A single track – 50 minutes have. the months since it was released. those like myself, who saw huge
most unholy death; a tremor of Dismember, showcasing brutal and 25 seconds – literally a It’s common place these days, potential in their 2003 demo
Talie Helene
the unearthly rumbling from the riffs and a production to suit, ‘monolithe’. The second concept especially in the ‘Black Metal “Iconoclasm”, and the various
bowels of hell. IE use a barrage of but ensuring that there’s still album from Monolithe – single scene’, that alot of the most hyped unreleased demos that followed.
Necros Christos
technical yet upsetingly crushing room for some darkened melodies song CD’s, telling a continuing albums are, in reality the most This full length surpasses my
riffs, so the generally mid-paced and leads which give the songs a story. The brainchild of Sylvain Grave Damnation weak. Fortunately this is not the expectations though, managing
tempo nods towards some of the grimy unwholesomeness. Due to Begot (guitars and devices), this 2005 Worship Him case with Negative Plane’s debut to sum-up and expand upon the
established sounds of Incantation the short length of thisMCD , it’s is drone doom and space rock This is the re-released demo record. sound they explored through
and Immolation, but with a nod nothing essential, but the quality taken to a filmscoring extreme – from the ever-impressive Necros ‘Et In Saecula Saeculorum’ previous recordings in a big way,
towards the vile approach of of the material is solid, and a the concept is to musically convey Christos, and as such is their only is a unique and killer album, which is nothing but a great thing
early Gorguts, Demilich and forthcoming full-length album the beginnings of the universe (as really “available” release, in the reminding one of some type of to me.
Asphyx. The production provides would definitely be something to in SPACE). Monolithe shape the broadest sense of the word. With Mercyful Fate, Furze, Mortuary The style of black metal on
a muddy, obscuring sound that keep an ear out for. space they’ve given themselves, previous demos being very limited Drape hybrid with some dashes this album is the furious sort,
kindly suggests that anyone to sculpt an epic, undulating and heavily sought after, it’s a pain of vintage Pentagram. The
Nico for lack of a better phrase. It’s
looking for clinical, clean death journey. It’s not terribly schooled trying to get hold of any official production works wonders for all quite fast tempo, although
metal would do well to fuck Misanthropia or technical composition, but it releases. My introduction to this the record, in the same way the the occasional slowdown or
off. Vocally, the uniquely low possesses musicality and a sense band was with their split with production on Mortuary Drape’s
The Suffering Within interlude(ish) segment parses the
utterances suggest daemonic of drama – it is progressive. The Goat Molestor, which for both ‘Into The Drape’ worked for it. I
2007 Inner Voice tracks nicely, which provides a
bowel-rot as their inspiration, or sense of free floating anxiety bands was just demo material re- suppose a valid description would
As the name might imply, suicidal necessary dynamic to the lengthy
perhaps their source. In the live powerfully sweeps the listener released on CD. be ‘necromantic’, conjuring
black metal is Misanthropia’s tracks. The vocals are growled
setting IE provide an imposing along, through swells of timbre, If you’re familiar with any images of fog filled cemeteries,
(now known as Paroxysmal in a level, aggressive tone for the
sound, but this demo is crushing and finally coherence enters in a material from the various demos incense billowing in rooms filled
Descent) preferred style on this most of it, though a few variations
from all angles, making it slightly guitar riff like light catching on of Necros Christos, you won’t with shady characters, corpses
two-track-plus-outro demo. The are present in the occasional
difficult to walk after listening the contour of an indescribable find any surprises here. This is and the like.
largely Filosofem-derived music Burzumic howl of despair. The
to it at volume. If you like your stellar object. Some interesting evil, brooding, mid paced death
is breaking no new ground, but All of the musicianship on this riffs are nothing short of epic,
death metal with some actual tones extracted from analogue metal played in the vein of old, album is top notch, the guitar with sinister melodies taking

50 51
their time to take form, which female. These tracks are a good album. The clarity that this more than a musical page from the unsettling and unwholesome known in some songs more than
provides a sense of grandiose to example of the darkened form recording introduces is beneficial the books of Mayhem in this nature of this music, which is others. This is a near-flawless
the music. The sometimes brutal, of beauty the CD has to offer, as to the presentation of such music, respect, producing an album that stylistically both death and black album, for what it actually is,
sometimes doomy, sometimes well as the more “avant-garde” which is quite traditional in its is aesthetically horrendous and at metal for the intended purposes but one I fear I’ll seldom have the
utterly stark atmospheres present quality scattered throughout the approach. There’s a merciless times almost painful to listen to. of each genre towards the goal rigidity of will for. None the less,
in each song reminds me at times album. catchiness to many of the riffs, This can be a real treat if you’re ofSA’s music. My only gripe is the it goes highly recommended.
of Weakling, which as far as Lyrical matter is genuinely which for the most part are fast in a suitable mood for music as inconsistent production between Nico
I’m concerned, elevates them to obscure and reflects the dark and paced and brutal, and when the dark and abhorrent as this, but songs. Otherwise, there’s greatly
the upper levels of current-day artistic views of the band. Most of music slows down, this really unfortunately, there’s little to distressing enjoyment to be had Tenhi
black metal. Unfortunately, this these lyrics are in French, but the shines. Splitting the album down gain from it otherwise. from this release.
Maaäet
album may prove difficult to booklet does include translations, the middle, The Black Eucharist “Repugnant” might be a word Nico 2006
aquire due to poor distribution which definitely helped me is an orchestral track which to use to describe the overall
(at the time of writing, at least). provides an intermission from the Following their interesting, yet
appreciate the album more. feel of the album. It’s a fucking Spearhead
This is an album worth hunting black assault, as well as both an slightly disappointing album
If you wish Isis and co were marvelous example of just how Deathless Steel Command
down though, it’s one of the best epilogue to the first half and a Väre, Tenhi have returned in full
somewhat more extreme, this dark and obscene black metal
releases this year. preface to the second half. I can
2006 Invictus Productions swing with an absolute winner.
is the band you must check out, can be without blasting your ears
safely say that this album was Though I’ve been known to have While Väre was predominantly
Nico though don’t expect to fully off. It has a quality that smells
crafted by minds who have tapped a whinge in the past about the filled with utterly beautiful
grasp the music in the first few of vomit and blood, but it takes
into a pure source of negativity, “war” death metal sub-subgenre, songs, I found the flow of the
Overmars listening sessions. Atmospheric, a strong stomach and perverse
and adeptly translate those forces I’ve always been open to the album was hindered by a few
Affliction, Endocrine... Vertigo mind-boggling, intense and mindset to appreciate it in all its
into music. idea that it could be done in a upbeat and ‘bouncy’ songs,
artistic, this is definitely one of glory.
2005 Appease Me / Alchimia way that doesn’t cause as much which resulted in the listening
Hailing from Lyon, France, my favourites from ’05. Nico Nico brain injury. Complaining about experience being mere fractions
Overmars have seemed to capture Note: My release came with a the fact that it’s too fast and too off perfection. With Maaäet,
Sangraal Sepulchral Aura
a unique and signature sound bonus DVD which really has a heavy doesn’t bode well with Tenhi have eradicated this
right on their debut full-length, lot to offer. Content includes live Unearthly Night Demonstrational CD MMVII most people, who’ll just laugh at problem and settled for a more
which in many cases, is a rarity, shows, remixes of tracks, totally 2006 GoatowaRex 2007 Ahdistuksen Aihio such a concept. But for me, I get consistent, sombre and less folk-
especially in the (now), almost warped artwork, and some First thoughts upon listening This band just came out of no enjoyment out of the absurd oriented sound.
crowded “Post-Neurosis” scene. obscure short films. Nice little to this CD was how fucking fucking nowhere. Somewhat. J. speed and brutality of many of For those who don’t know, Tenhi
The moods and emotions depicted bonus indeed! morbid it sounds. Next thing was Partanen, the solitary Finnish these bands, mainly on account are a Finish folk band, whose
on the disk are extremely varied Ferdibirdi the surprise to find out they’re architect behind Sepulchral of having no fucking idea what’s songs are fragile, moody and
to say the least, which also seem to actually from the US. This kind Aura, appears to be in a few going on in the music at any point somewhat progressive. The band
be somewhat darker and sinister Pestilential Shadows of grotesque perversion in music other bands, none of which I’ve in time. combine acoustic guitar, flute,
when compared to the rest of the seems far more likely to come from ever heard of. But none of that For which Spearhead may be my violin piano, unusual percussion
Cursed
bands in this genre. What is also a place like Finland or France. It’s particularly matters because this saviour! Deathless Steel Command and various vocal styles to create
2006 GoatowaRex
varied here, are the styles which quite possible that Sangraal stand demo (which is actually more is strongly war themed, with serene musical backdrops. As
Following up on what was an against the culture of moral Alas,
are incorporated into their sound. akin to a professional recording in lyrics and artwork all alluding to with the previous Tenhi releases,
impressive debut was clearly what’s sick is sick, no matter where
Expect to hear heavy apocalyptic presentation) is such a tremendous the cold brutality of warfare. But the opulent packaging is the first
not going to be a problem for its from, and so I won’t hold their
industrial overtones; similar to piece of work. these UK chaps have been kind thing that draws you in, and
Pestilential Shadows, who released nationality against them.
Red Harvest, sickening dark According to the written enough to slow it down a notch reflects the music perfectly (as all
a limited tape of new material
ambience depicted in an almost The album opens with a Mayhem statements in the booklet, from what might be expected, album artwork should).
shortly after the Embrace After
funeral-doom-like manner cover, “Voice of a Tortured Sepulchral Aura is dedicated to and utilize a fair amount of The music found on Maaäet is
Death album which had many
(not dissimilar to The Axis of Skull”, which isn’t so much a the aesthetics of death, lunacy mid paced segments to break possibly the darkest and most
people itching for the next album.
Perdition’s last full-length), Eerie song as it is a grotesque ambient and possession. Certainly up the monotony, which acts as dismal the band has composed,
While Embrace After Death was
avant-garde leanings, as well as piece. Upon the closure of that J.Partanen has outdone himself an intensifier for the moments redolent of a thick, black,
a remarkable album for a variety
skull crushing, doom riffs. track, the whispered words in his capacity to capture these of insane bestial carnage. This atmosphere. Here, Tenhi’s music
of reasons, Cursed surpasses it for
There are a number of short “silence, silence” are uttered, forces in his music, with multiple is actually a really good idea, is more piano driven than before,
an even larger variety of reasons
acoustic interludes scattered and the album launches into its listens opening up the music to particularly for those like me and the vocals are deeper, and
(not least of all the production).
throughout the album titled full attack. The music is chaotic the exploratory among listeners, who have difficulty digesting an more haunting than ever. One
But there’s no need to get into and morbid, and heavily lacking album of nonstop blasting. The
“Destroy All Dreamers”, providing a rewarding experience could describe the album’s sound
an album comparison. Cursed in the kind of melody that would music itself leans towards death
which feature Xavier’s clean which first impressions might as a mixture of the lush ambience
stands very well on its own two make it “enjoyable” to listen to. metal, but with a definite black
(and somewhat varied vocals), not reflect. Indeed, cacophony of Väre, with the stark, gloomy
feet as a violent and tormenting Indeed, the band seem to take metal influence which makes itself
sometimes accompanied by a and dissonance are the keys to tone of their debut.

52 53
Definitely recommended to fans However, there are also a lot of footsteps of neoclassical double ‘In Infamy’ follows through the
Vorkuta I guess it saved them paying for
of their past two albums, and elements that detract from the guitar leads of Hank Sherman warmetal simplicity, and then Into the Chasms of Lunacy studio time. Gets boring fast.
people captivated by truly organic quality of the music. First of all, and Michael Denner (Mercyful the band make me very happy 2007 Paragon Records ‘Vorkuta’ opens with more of that
sounding music. Easily my pick there are the spoken samples, Fate). This colourful classic metal with the final track – an unlikely Vorkuta are a Hungarian black Joy Divisiony vibe (it’s uncanny!)
of ‘06 and easily the bands most used as occasional intros and groove is layered over ferocious cover – a much heavier version of metal band, originally called Clean guitars, simple two-chord
cohesive effort to date. outros, which seem to be ripped blastbeats, and contrasted with Yngwie Malmsteen’s ‘Disciples of the overly Norwegian Fjord. progression, leading into an
Firdibirdi from various films, and feature limited and ugly death riffing. Hell’ from ‘Marching Out.’ The Intro by name of ‘Warriors Of almost grungy riff. The bass line
simple, stupid quotes about the Of course the icing on the cake bridge over the keyboard section, Past’ consists of gloopy Viking is really post-punk new romantic.
The Uncreation farce of God and Jesus. Then is vocals from the undeniably with Benton delivering the spoken synthpads and gongs – your Amusing. Finally stretches out to
you’ve got your song names and charismatic Glen Benton. word bit in a voice worthy of you- usual metal keyboard tribute some epic slow rocky black metal,
Dreaming in R’lyeh
lyrical content, which is mostly Doubled vocals, with a harmony know-who – cheeseball, but fully to Basil Poledouris (Conan The with nice layering. Interesting
2006 Self released
anti-Christian, with titles such as in the ‘black metal range’ is a rocking and very entertaining. Barbarian filmscore composer.) drum sounds. That live sound
Whatever your take on the “At War with God”, “The Fall of change for Benton, and works Vital Remains have followed their First song proper ‘Gargoyle’ clocks is growing on me. ‘Within The
multitude of classifications for the Jehova” and “Hypocritical, Lies, quite well. ‘Scorned’ moves on to formula - Tony Lazaro writes all in at almost eight minutes. Rain Fortress Of Melancholia’ is
different styles of metal, it can be Divine”. It really comes across more ornate lead riffing – more the songs, and plays bass and samples, more synth pads – very another unforgivably boring
a beneficial thing for a reviewer. as very juvenile, and makes this in the vein of Andy La Roque rhythm guitar; Dave Suzuki simplistic keys player. Attempt ambient instrumental that helps
Being able to slot a band into an album feel a lot less serious than with King Diamond - yes, these tracks all lead guitars and drums. at timpani programming. bump the track listing up to
established niche helps establish it should be. To top it off, the guys love the Kings work. It Mr Benton is brought in to weave Minor thirds and seconds ahoy. full-length, without the costly
the base of a review. It doesn’t artwork is quite awful, featuring opens out into a really lovely epic his dark magic at the last. The Doomy black riffing, a hint of studio rental. Seven and a half
always work, particularly when the already over-used drawing guitar bridge, fluid, descending result is extremely integrated DarkThrone, a dash of early My minutes! Those cheap, lazy
you get a band that challenges of Cthulhu, which, judging by arpeggios with spoken word death, that stands up to repeat Dying Bride. Drums are clear, if buggers! I wouldn’t be critical
conventional genres, but for the the pixelation, looks to have been from Benton. Great short groovy listening – there’s a lot of detail very raw – kinda nice to hear live if it was breathtaking synth
most part, it’s pretty handy. But ripped directly from a Google riffing through the choruses. here. I guess the real question is (no drum replacement), but too programming, but it ain’t. The
I’ve found that the term black- image search. Such a montage of eras! ‘Born – when are Vital Remains going much tops on the cymbals. Needs verdict: I can’t tell you what a die-
death, which is often used to To Rape The World’ is denser, to invite King Diamond in to sing a savage EQ. Some strange hard BM aficionado would think,
There are lots of great things
describe bands like Dissection, rockier in a modern black metal along with Glen Benton? C’mon! harmonic progressions. Am I because I’m not one. Check it out
about this album, but the band
Dawn and early Sacramentum, way – with flowing, unmusical alone in hearing this massive Joy if you have to own everything.
shoot themselves in the foot by Talie Helene
isn’t at all suiting, because there’s technique oriented riffs inserted Division influence in black metal?
having an unserious approach. Talie Helene
very little death metal influence like a cadenza. ‘Reborn,The It might not be an influence. It
It’s a real shame, because while Valkyrie
outside of some rhythmical Upheaval of Nihility’ is closer to might just be a common musical
this isn’t the most original band Valkyrie
similarities. thrash, with a punchy golden-era ignorance giving rise to lumbering
in the world, musically speaking, 2006 Twin Earth
The Uncreation actually lives their merits far outweigh their Kreator and Coroner vibe, minus progressions, and inebriated
up to the “death” part of the the midrange vocal assault; the Valkyrie’s self titled debut is rubato sloshing the cross-rhythms
faults.
name, with a far more tangible death range vocals actually sound primarily a doom metal album about. You know, I prefer Joy
death metal influence than other
Nico
too muffled inside the throat in that fuses the established Division songs when someone
bands under this banner. Bands this context. ‘Hammer Down heavyness of Black Sabbath but else plays them. No disrespect to
Vital Remains The Nails’ moves into grindcore, fuses a melodic groove element the dead, but Ian Curtis had the
such as Incantation and Asphyx
could be compared with some of Icons of Evil with total drum porn blastbeats. which at times is reminiscent of intonation of a dead donkey. (Just
the slower, brutal passages found 2007 Century Media ‘Shrapnel Embedded Flesh’ is Iron Maiden. Together this gives one of the many reasons why it’s
on this album, between the more Opening with a short sonic more on the technical death side, off an almost stoner-type feel, safer for me not to get drunk in
black metal oriented sections, montage – ‘Where Is Your with shredding riffs punctuating but without any of the lethargy, goth clubs.) But I digress. ‘My
with haunting and occasionally God Now?’ - slathers of violent traditional death sonorities. instead replaced with energetic Flaming Soul’ is constructed
rich melodies and leads scattered Foley Art, a processed snatch With ‘‘Til Death’ Vital Remains composition and fun, catchy riffs. around some pretty ordinary
throughout, as well as the of Carmina Burana, and sound jump the fence, and walk black Simply a fun album, a perfect semitone riffing, but does boast
occasional acoustic interlude. design ambience. The arty frame metal territory as though it is compliment to a night of heavy a great strangled-Muppet (as in
It’s worth noting that the songs gives way to straight up death, their own. Very minimal riffing, drinking. Jim Henson et al) “Wraaagh!”
are written extremely well, and with the title track ‘Icons of Evil’ bleak and chiming – moving to a swizzlenuts from vocalist Blizzard. Thin,
don’t succumb to the directionless working the harmonic minor, Sodom-on-steroids warmetal vibe reedy, and somehow puppet-
randomness of other bands that lots of pace and texture changes, when the blastbeats go full-pelt like. ‘Stardust’ is a five minute
have tried putting death and opening out to bold simplistic riffs – and just when you think you plus ambient instrumental; relies
black metal riffs together into the as a support structure for quite know where you are stylistically, on bell-tree synth presets for
same song. melodic harmony guitar parts they slip in a guitar interlude ambience perhaps overmuch.
– very much following in the that is pure bay area thrash. Sounds like a real bedroom effort;

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