#THISBOOKCLUB

THE BRILLIANT
WOMAN’S
GUIDE
TO A VERY
MODERN
BOOK CLUB
FOREWORD BY
KATE MOSSE
 THIS BOOK IS FOR

FROM

WOMENSPRIZEFORFICTION.CO.UK
 #THISBOOKCLUB

THE BRILLIANT WOMAN’S

GUIDE TO A VERY
MODERN BOOK CLUB

FOREWORD BY
KATE MOSSE

Illustrations by Charlotte Trounce

Published by
 FOREWORD

Novelist and co-founder of the Baileys Women’s

Prize for Fiction Kate Mosse on the ambitions
and achievements of this very special prize
 # TH ISBOOKCLUB

Before we start, here’s a little background to the

Baileys Women’s Prize for Fiction (previously
the Orange Prize). Set up in 1996 by a group of
friends and colleagues, after a few glasses of wine, our
aim was to celebrate imaginative, beautiful, original,
accessible, excellent writing in English by women – of
any nationality, any ethnicity, any country of residence,
any age, any genre of fiction – and to put these novels
into the hands of readers who’d appreciate them.
In the shabby, time-worn phrase, the rest is history.

The Prize is about bringing readers and writers

together to share stories, to share enthusiasms, to share
their – our – passion for words. It has funded research
initiatives, set up an archive, empowered education

‘It’s about celebrating imaginative,

original, accessible, excellent
writing in English by women’
@katemosse

and literacy projects and facilitated book sharing

schemes in shops, offices and libraries. It’s also about
celebrating women’s achievements and friendships,
which is why Baileys is such a great partner. We come
together with a joy of reading and a commitment
to honour inspirational women and talent.

Now, as the Prize reaches the grand old age of 20, this
seems the perfect moment both to pay tribute to our
past winners and the 2015 shortlist, and to celebrate
the rise of book clubs and how they’ve changed.
Stories are the bridge that link us and what better way
to honour that than to gather with friends to raise
a toast to the power of storytelling. So on behalf of the
organisers, the judges past and present, the authors
and readers, here’s to us!
CELEBRATING 20 YEARS – THE BAILEYS WOMEN’S PRIZE
FOR FICTION LIBRARY OF SHORTLISTED AUTHORS
Chimamanda Ngozi Adichie · Rosie Alison · Kate Atkinson
Margaret Atwood · Kirsten Bakis · Suzanne Berne
Julia Blackburn · Marilyn Bowering · Judy Budnitz
Anna Burns · Rachel Cusk · Jill Dawson · Joolz Denby
Kiran Desai · Emma Donoghue · Anne Donovan
Helen Dunmore · Esi Edugyan · Anne Enright
Ellen Feldman · Aminatta Forna · Jane Gardam
Maggie Gee · Linda Grant · Kate Grenville · Xiaolu Guo
Jane Hamilton · Georgina Harding · Jane Harris
Samantha Harvey · Shirley Hazzard · Emma Henderson
Sheri Holman · A.M. Homes · Chloe Hooper
Samantha Hunt · Nancy Huston · Sadie Jones
Pagan Kennedy · Hannah Kent · Barbara Kingsolver
Nicole Krauss · Jhumpa Lahiri · Andrea Levy
Marina Lewycka · Rosina Lippi · Attica Locke
Shena Mackay · Deirdre Madden · Audrey Magee
Hilary Mantel · Valerie Martin · Eimear McBride
Maile Meloy · Pauline Melville · Jane Mendelsohn
Charlotte Mendelson · Anne Michaels · Madeline Miller
Lorrie Moore · Toni Morrison · Éilís Ní Dhuibhne
Heather O’Neill · Téa Obreht · Cynthia Ozick
Ann Patchett · Laline Paull · Annie Proulx · Deirdre Purcell
Marilynne Robinson · Monique Roffey · Manda Scott
Maria Semple · Kamila Shamsie · Carol Shields
Anita Shreve · Lionel Shriver · Gillian Slovo · Jane Smiley
Ali Smith · Zadie Smith · Elizabeth Strout · Amy Tan
Donna Tartt · Carrie Tiffany · Rose Tremain · Anne Tyler
Sarah Waters · Rebecca Wells · Marianne Wiggins
Kathleen Winter · Patricia Wood
 CONTENTS

CHAPTER ONE
THE JOY OF BOOK CLUBS
by Grace Dent

CHAPTER TWO
FOUR BOOK CLUBS TO TRY
by Francesca Brown

CHAPTER THREE
MEET THE MODERN BOOK CLUBBERS
by Jessica Brinton

CHAPTER FOUR
BAILEYS WOMEN’S PRIZE FOR FICTION
THE 2015 SHORTLIST
by Erica Wagner

CHAPTER FIVE
HOW TO PICK A WINNER
by Joanna Trollope

CHAPTER SIX
THE POWER OF THE PRIZE
by Helen Dunmore
PLUS, 20 BOOKS EVERYONE SHOULD READ

CHAPTER SEVEN
THE LITERARY COMPANION
by Rachel Ward
PLUS, 10 BARS FOR BOOK CLUBBING
 CHAPTER ONE

THE JOY OF
BOOK CLUBS

Broadcaster, writer, columnist and 2015

Baileys Prize judge Grace Dent on the importance
of rowdy discussions and new discoveries
 # TH ISBOOKCLUB

For me, the best book clubs are rarely the same two
times in a row. One month, we’re a light-hearted
love-in over the latest Anne Tyler, the next I’m centre
stage at a pithy bun-fight over the merits of Jane Austen.
A sea of anecdotes and shared secrets will be followed
by a stirring chat on zombie survival techniques.
The modern book club is bold, bracing, never boring
and, to my mind, more important than ever.

There’s nothing quite like a crowd of literary lovers

gathered around one table, the chance to look each
other in the eye, to cogitate, bicker, giggle and
celebrate the joy of words. Books unite us. I always
find it wonderful how the mere mention of Adrian
Mole or Enid Blyton’s The Magic Faraway Tree can
dissolve a crowd of earnest grown-ups into a gleeful
rabble. It’s sad how so many of us forget, somewhere
along the way, about the joy of diving headlong into
a book, shutting out the real world, jumping into the
skin of another person entirely.

‘The modern book club is bold,

bracing, never boring and, to my
mind, more important than ever’
@gracedent

And when we do read, we forget that the best books

simply demand to be discussed. They deserve musing
over, their lines picked out and recited and long
discussions over why that amazing character, whom
we all adored, fizzled out in chapter four. Closing
a brilliant book shouldn’t be the end, it should be the
beginning of our chance to share and shout about
those wild, fluttery feelings that great writing brings.
Without book clubs – and their noisy members –
I would have never known the splendour of Barbara
Pym, Jonathan Coe or Edith Wharton. Turning
someone on to a brilliant new author is one of the
greatest gifts one can give. ‘I really think you might
like Nancy Mitford,’ one book club friend once
offered. ‘Having met you, she’s exactly up your
street. Start with The Pursuit of Love.’ My life has
never been the same since.

When I was asked to join the Baileys Women’s Prize

for Fiction team as a judge, I was thrilled even though
I knew the reading schedule would be, at times,
overwhelming. A book club with bells on, as it were.
And what a responsibility to the writers involved? I’ve
written several novels so I know the sacrifice required,
the hermit lifestyle, the wilted pot plants, the 3am
angst sessions. The times when you simply decide you
must give up. All books that are finished and handed
to the publisher are an achievement in my eyes.
 # TH ISBOOKCLUB

But then I couldn’t quite resist the thought of box

upon box of books being delivered to my home
– by breathless delivery drivers – and having no choice
but to consume them. British winters are cruel and
drab, so the opportunity to make a den on my sofa
and live in a wholly fictional world was too tempting.
It’s been a wonderful experience. I hope more than
anything that our results will get people talking.

‘Without book clubs – and their noisy

members – I’d have never known
the splendour of Barbara Pym,
Jonathan Coe or Edith Wharton’
The 2015 Baileys Women’s Prize for Fiction panel is chaired by
Shami Chakrabarti, Director of Liberty, and judged by Grace Dent
along with Laura Bates, writer and founder of The Everyday Sexism
Project, Helen Dunmore, novelist, poet and winner of the first Women’s
Prize for Fiction, and Cathy Newman, presenter of Channel 4 News
 CHAPTER T WO

FOUR BOOK
CLUBS TO TRY
Inspired to start a club – or even pep up
an existing one? Writer Francesca Brown
presents the four contemporary reading groups
every book lover should try (at least once)

THE FRIENDLY BOOK CLUB

Possibly one of the best presents you can ever give
a friend is the joy of a really good book – that’s the
founding principle of this type of club. Whether it’s two
of you or more, just add food and a flat white martini

3 INGENIOUS WAYS TO CONNECT

WITH FRIENDS OVER BOOKS

Host a literary dinner party Good food, good drinks

and great conversations. This also applies to picnics,
barbecues and buffets.
Ask some insightful questions Test your knowledge of
authors, novels and famous first lines by hosting a quiz.
It’s the perfect way to mix socialising with book chat.
Make the most of your connections Have any friends
in the literary world? Get your hands on a yet-to-be
-published novel and get a head start – it’s exactly what
Sarah Jessica Parker does with her book club.
 # TH ISBOOKCLUB

3 ESSENTIAL BOOKS ABOUT FRIENDSHIP

The Group by Mary McCarthy

Small Island by Andrea Levy
The Color Purple by Alice Walker

‘FRIENDS TELL ME, “YOU HAVE GOT TO READ

THIS BOOK”. I MIGHT NOT EVEN KNOW WHAT
IT’S ABOUT, I JUST LOVE TO TAKE GOOD
RECOMMENDATIONS FROM GOOD FRIENDS’
Edith Bowman, broadcaster and #ThisBook contributor
THE DIGITAL BOOK CLUB
The digital landscape has revolutionised the modern
book club. From tweet-up to meet-up, if you’ve got
a book and a wireless connection, you’ve got a club.
Which is really rather exciting…

3 WAYS TO MAKE YOUR BOOK CLUB SPECIAL

USING THE MAGIC OF THE INTERNET

Tweet the author, they may well get involved.

Tweet live from your book club, especially the
one-liners from heated debates.
Join Tumblr’s Reblog Book Club. Post anything
from a GIF to a Vine, using #ReblogBookClub.

‘WE HAVEN’T REALLY SEEN THE

BEGINNING OF WHAT TECHNOLOGY
CAN DO TO THE READING EXPERIENCE’
Martha Lane Fox, entrepreneur, member
of the Women’s Prize board and 2009 judge

3 AUTHORS WHO HAVE THIS

TWITTER THING COVERED

@MargaretAtwood Political, aware and witty.

@bellhooks Lightning-quick quips to inspire action.
@jojomoyes Amusing musings on daily life.
 # TH ISBOOKCLUB

@BaileysPrize
facebook.com/womensprize
womensprizeforfiction.co.uk

3 INFLUENTIAL ONLINE BOOK GROUPS

#3WordReview Launched by the Baileys

Women’s Prize for Fiction, it invites readers to
review their favourite book written by a woman
– in just three words. They’re also encouraged
to nominate friends to do the same.
#MashReads Each month, mashable.com selects
a book and publishes discussion points. At the
end of the month, they carry out a virtual Q&A
with the author. Beware, it’s addictive…
Oyster The biggest book club app in the world
features 500,000 books and lets you follow the
reading habits of interesting people.

How do you connect over books digitally?

Tell us @BaileysPrize #ThisBookClub
 THE INSPIRED
BOOK CLUB
Walking, politics, cooking, climate change…
There’s been an explosion of themed book clubs
in the last few years – all you have to do
is pinpoint what you want to read about

3 BOOKS TO MATCH YOUR INTERESTS

Outdoor lovers Wuthering Heights by Emily Brontë

Travel and exploration Minaret by Leila Aboulela
Foodie fans Like Water for Chocolate by Laura Esquivel
 # TH ISBOOKCLUB

3 UTTERLY INSPIRATIONAL BOOK CLUBS

Future Cities Readers’ Group Tackling modern

issues with books covering everything from politics
and economics to architecture and anthropology
(futurecities.org.uk).
Cook the Books Four friends take turns to host
a bi-monthly book club that focuses on a different
food-centric title each time, and then they blog
about it (cookthebooksclub.blogspot.co.uk).
One City, One Book Set up in 1998, this movement
has popped up everywhere from Boston to London
and encourages cities to read books as one. Dublin
is currently reading Roddy Doyle’s The Barrytown
Trilogy as a result.

‘A BOOK CAN RESONATE WITH YOU IN

SUCH A WAY, IT SHIFTS YOU FOREVER’
Emily Blunt, actress and #ThisBookClub contributor
 THE WORKING
BOOK CLUB

We’re all working longer hours than ever before,

so it’s even more important to take a step back
occasionally – and encourage your colleagues to do
the same. From setting up office book swaps, reading
corners or company-wide book clubs, you’ve got
a captive audience just waiting to be inspired

3 REASONS YOUR OFFICE

NEEDS A BOOK CLUB

It ups your presentation skills According to the

charity The Reader Organisation, book clubs
help to improve their members’ confidence and
public speaking, so no more worrying over that
Powerpoint presentation.
You’ll all get along better In a 2013 study New
York’s New School for Social Research found
that reading books such as The Tiger’s Wife
by Téa Obreht improves empathy and our
understanding of the people around us (team
bonding anyone?).
You’ll all boost your career The New York
Times bestseller Influencer states that the people
who are the most successful in their fields tend
to socialise with their colleagues.
 # TH ISBOOKCLUB

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‘SHARING BOOKS WITH COLLEAGUES

IS A GREAT WAY TO GET TO KNOW EACH
OTHER. HOW A PERSON RESPONDS TO
A STORY CAN GIVE A REAL INSIGHT INTO
THEIR VALUES AND BELIEFS’
Jane Shepherdson, CEO of Whistles

Check out the new Baileys Prize Reading Corners

showcasing the 2015 shortlist, in selected Whistles stores
 ‘You can be
anywhere in the
world, in a different
kind of world,
meet new people
and have new
friends in your life,
by just holding
on to a book’
Katherine Grainger
Olympian and #ThisBook contributor
 CHAPTER THREE

From The High-Flyer to The Connector,

writer Jessica Brinton introduces us to
the members who make a reading group
something very special indeed

Want to know what is the most wonderful thing about a modern

book club? It’s that you never know who you might meet.
Because there you are at work that day, wondering if you’re even
going to make it, and wouldn’t it be better to have an early night?
But you do go and you’re sat there, talking about this great book
that you all read, wondering whether to pick up on that last
point or to just let it go.

And then, the woman sat opposite you drops a comment grenade
so earth-shatteringly perceptive, so impeccably timed, you know
immediately that you’re in the company of greatness. Or at least
somebody who also grew up in a cul-de-sac in a small Midlands
town in the late 1980s and fell in love with Oranges are not the
Only Fruit, even when their schoolmates thought it was weird.

Book clubs are about cutting through the nonsense and getting
to the heart of it all. They are about finding your literary soul
mates, and keeping them for life. It’s a crazy world, but a notch
less crazy with book clubs, and book club friends, in it.
 THE THE
HIGH-FLYER DREAMER

Her job as CEO of an international Oh, gosh – how is it the last

online media platform takes up Thursday of the month already?
almost every waking moment, but The Dreamer is hiding on the sofa
she wouldn’t give up book club for again this evening, wondering how
love nor money. Book club is time long she has before confessing to
with the girls! The High-Flyer, not quite finishing this month’s
who devoured The Chronicles title, despite lugging the 752-
of Narnia sitting in her mother’s page masterpiece around in her
wardrobe when she was seven, handbag every day. Fortunately, an
loves books so much that last year, enthralling observation about the
packing for a trip to Verbier, she main character (harvested from
left behind her ski suit in favour The Times Literary Supplement)
of taking Wolf Hall. Everyone saves her. Next month will be
laughed, except the girls. different, she swears to herself.
 # TH ISBOOKCLUB

THE THE
HOSTESS CONNECTOR

‘Ignore the mess!’ says The Tap, tap, tap. In The Connector’s
Hostess in mock despair, offering mind, #BestBookClubEver is
her guests a selection of delicious much more than a monthly
raw amuse-bouches, followed by gathering of book-loving cyber
an Ottolenghi tagine. When the friends; it’s a synapse in the global
affable Mr Hostess pops down hive mind. Live tweeting begins on
to fetch his supper, he can tell the bus and by the time book club
that the conversation is electric. is underway, there are 262 Toni
He doesn’t think he’s ever seen Morrison superfans watching
his wife – book on lap, hands avidly from Sydney to Caracas.
gesticulating, flourless orange and Yesterday, after six months of love
pomegranate cake a mere memory bombing, she finally got a follow
– looking more fulfilled than she from Linda Grant. After that, it’s
does right now. a clear road to Kate Mosse herself.
 ‘Every time you
read a book,
it’s like you’re eating
someone’s life – the
more books you
read the more lives
you’ve absorbed and,
theoretically, the
wiser you should be’
Caitlin Moran
broadcaster, columnist and #ThisBook contributor
 CHAPTER FOUR

THE 2015
SHORTLIST
Introducing the six Baileys Women’s Prize
for Fiction shortlisted books. Author and critic
Erica Wagner compiles a series of discussion
guides to get your book club talking

This year’s shortlist for the Baileys Prize showcases the range and
depth of fiction by women being published today: here are six
novels that are both adventurous and accessible. From the vision
of early-20th-century Peshawar in Kamila Shamsie’s A God in
Every Stone through to Anne Tyler’s consoling-but-complex
portrait of family life in Baltimore in A Spool of Blue Thread,
there’s something for every reader’s taste – and plenty to discuss.
Laline Paull’s The Bees and Sarah Waters’ The Paying Guests
have the pace of thrillers, yet both Outline by Rachel Cusk and
How to be Both by Ali Smith were shortlisted for The Goldsmiths
Prize 2015, which rewards experimental writing. This is a list
you can’t pin down: there’s no choice but to read it yourself!

Think you can write a #3WordReview for each of the shortlisted books?
Give it a try, then nominate friends to do the same @BaileysPrize
 OUTLINE
BY RACHEL CUSK

The narrator is a writer travelling to Athens

to teach a course; but her story fades into the
background – or does it? – as she becomes a vehicle
for the lives and voices of those around her

DISCUSSION POINTS
THE IMPORTANCE OF PLOT – OR NOT
What moves this novel forward? It isn’t plotted
in a conventional sense; it isn’t driven by action
and conflict. What makes it compelling?

WHEN A MAIN CHARACTER HANGS BACK

Other people tell their stories to the narrator in
this novel; we hardly hear hers. How does that
affect how the reader thinks about her? How can
the reader form an opinion of her?

THE VOICE OF A WRITER

The language the narrator uses to tell her
story is extremely clear and apparently
straightforward. What lies behind that clarity
and simplicity? Why does Cusk use this kind
of language, and what does she achieve by it?
 #3WordReview
# TH ISBOOKCLUB

‘Outline inverts and questions the constructs

of fiction, character and plot: here, human
beings are the writers of their own stories’
#RachelCusk
 THE BEES
BY LALINE PAULL

Flora 717 is born to a life of servitude, fated to live

in a rigid society. But Flora isn’t human – she’s a bee.
This thriller ensures you will never see a jar of honey
in the same way again

DISCUSSION POINTS
HUMAN VERSUS INSECT SOCIETY
How much do you think The Bees is meant to make us
evaluate our society by creating a parallel society in the
hive? How does it compare to George Orwell’s Animal
Farm or Richard Adams’ Watership Down?

WHAT A MATRIARCHY MEANS

Drones (male bees) have a role to play in this novel, but
the hive’s motto, ‘Accept, Obey and Serve’, comes from
the female bees who assist the Queen. How might that
make readers think about those orders, and the price
ordinary bees pay to follow them?

SCIENTIFIC FICTION, FICTIONAL SCIENCE

How important do you think it is that the portrayal of
life inside the hive is scientifically accurate? Such fiction
can hardly avoid taking liberties with science, but what
larger purpose might those liberties serve?
 #3WordReview
# TH ISBOOKCLUB

‘Mother love was a revelation to me,

and I know its power is greater than
any law. This is the heart of The Bees’
@LalinePaull
 A GOD IN EVERY STONE
BY KAMILA SHAMSIE

Vivian is an archaeologist in Turkey before becoming

a voluntary aid detachment nurse; Qayyum Gul fights with
the 40th Pathans in Flanders. This sweeping novel offers an
unusual vantage point on the stories of the First World War

DISCUSSION POINTS
AN ARCHAEOLOGIST’S IMAGINATION
What does Vivian’s profession add to the texture of the
novel? She is searching for a relic from a vanished past,
that of the Persian Empire – what might that say about
our understanding of history much closer to our own
time, like that of the British Empire and First World War?

A COLONIAL PAST RE-EXAMINED

How does this novel offer a different perspective
on Britain’s connection to its former colonies when
compared to earlier works, such as those by Kipling and
Conrad? How do Vivian’s encounters with Tahsin Bey
and with Qayyum Gul and his brother Najeeb shed light
on the relationship between ‘colonised’ and ‘colonisers’?

A WOMAN IN WARTIME
How do you think the character of Vivian fits with the
era in which the novel takes place? In what ways does
she seem to fit the stereotype of a woman in the early
20th century? How does she contradict that stereotype?
 #3WordReview
# TH ISBOOKCLUB

‘It still bothers me that, in writing

the book, I found myself so much more
resistant to Viv’s imperial attitudes than
to Qayyum’s patriarchal attitudes’
@kamilashamsie
 HOW TO BE BOTH
BY ALI SMITH

A novel with two Part Ones – one set in the

present, George’s story; the other in the Italian
Renaissance, Francesco’s story. A dazzling dual
narrative and a gripping tale

DISCUSSION POINTS
BEGINNER’S LUCK?
Some editions of this novel begin with
Francesco’s story; some with George’s. It’s the
luck of the draw which version you get. How did
you begin? How did that affect your impressions
of the novel, as an individual or as a group?

AN AUTHENTIC HISTORICAL VOICE

How does the narrative tone in Francesco’s section
challenge the conventions of the ‘historical novel’?
Why do you think Smith uses the technique that
she does? How does her tone and voice connect
this section to George’s section?

LOVE, LOSS AND THE POWER OF IDENTITY

George’s mother has died before the novel begins:
how does the mother’s absence, and the mysteries
connected to that absence, work in the context
of the novel – both as far as George’s story
is concerned and in the book as a whole?
 #3WordReview
# TH ISBOOKCLUB

‘Since stories don’t always reach people in the

same order, there are two versions of How to
be Both – a nod towards our relationship with
fiction, and fiction’s relationship with time,
chronology, consequence and us’
#AliSmith
A SPOOL OF BLUE THREAD
BY ANNE TYLER

‘There was nothing remarkable about the

Whitshanks,’ Anne Tyler says about the family
in her 20th novel; but this great author’s skill
makes the ordinary extraordinary once again

DISCUSSION POINTS
A FAMILY UNDER THE MICROSCOPE
Tyler shows us the Whitshank family in the present day,
and then goes back to a previous generation: what kind
of ‘ordinary’ details bring her characters to life? How
does her authorial insistence that there’s nothing special
about them affect the reader and the story itself?

AMERICAN PRIVILEGE, AMERICAN POVERTY

Red and Abby Whitshank and their children lead
a comfortable life; late in the novel, Red’s father, Junior,
is shown to have had a much harder start during the Great
Depression. What light does that cast on Red and Abby’s
lives, and their children’s lives? Why do you think Tyler
might have kept this story for the novel’s second half?

COMFORT VERSUS UNCERTAINTY

How secure do you think the Whitshanks are, really,
in their familial identity? Consider what that identity
is based on – and how the events in the novel, and the
development of the relationships between its characters,
affect the stability of the family unit.
 #3WordReview
# TH ISBOOKCLUB

‘Several readers have expressed dismay that

Abby never told Stem who his mother was,
but I thought it was the kindest and most
sensible decision’
#AnneTyler
 THE PAYING GUESTS
BY SARAH WATERS

The Barbers take lodgings in the south London

home of Mrs Wray and her daughter, Frances.
Love, loss, murder… all the twists and turns you
would expect from Sarah Waters are here

DISCUSSION POINTS
NEW WORLD, OLD WORLD
Lilian and Leonard Barber bring newfangled
possessions into Mrs Wray and Frances’s home:
a gramophone, a bronze ashtray; Lilian Barber
wears fancy stockings. How is the contrast
between the Barbers’ lives and Frances and her
mother’s lives further heightened in the novel?

A BLUSH OF ROMANCE, THE HEAT OF SEX

The author writes powerfully of the force
of sexual attraction. What effect does this have
in a novel set in 1922? What effect does it have
that the lovers are women?

THE CONVENTIONS OF GENRE

How does the author use the conventions of the
crime novel? How is the resolution of this novel
different from one you think you might find on
a bookshop shelf labelled ‘crime’?
 #3WordReview
# TH ISBOOKCLUB

‘It’s a very moral book, but it’s also, I hope,

forgiving. It’s about the difficulty of doing
the right thing in a complicated world’
#SarahWaters
 ‘I think that
books have the power
to really make us
think… To consider
things we might
not have considered
before, to really
open up the spaces
of our mind’
Valerie Amos
UN Under-Secretary-General for Humanitarian
Affairs and Emergency Relief Coordinator and
#ThisBook contributor
 CHAPTER FIVE

HOW TO PICK
A WINNER
Why not turn your book club into the
panel and choose your 2015 Baileys Prize
winner? Novelist and 2012 chair of judges
Joanna Trollope shares her how-tos

Let’s start with the criteria for judging a fiction prize. I don’t think
you can do much better than those set out by the Women’s Prize
for Fiction. They are: excellence, originality and accessibility.
In other words, the winning novel has to be seriously good in
terms of the writing and the theme. The voice of the writer and
the subject matter really have to grab you as refreshingly new
or different. And the style, however intellectual or wacky, must
always make the writing more – not less! – comprehensible.

Speaking personally, I find that it’s far more instructive to ask

a panel endlessly what they think, and how they would defend
their choices, rather than ever tell them anything. If chairing
a panel, I see the job as one of guidance to a united conclusion
rather than the imposition of any opinion of my own, because
a truly worthy winner may not actually be much to one’s personal
taste even if one can appreciate all its merits. A prize is not about
you. It is about the book.

In fact, the less personal and self-involved one can be, especially
as chair, the better the outcome. Meetings will be less fractious
and judgement less clouded by the need for personal victory.
This process is, after all, a supremely pleasurable and privileged
task, and nobody wants to blight it with any lack of generosity!

Which is your winner? Join the debate

by tweeting @BaileysPrize #ThisBookClub
 CHAPTER SIX

THE POWER
OF THE PRIZE
Novelist, poet, winner of the inaugural
Women’s Prize for Fiction and 2015
judge Helen Dunmore reveals what the
award means to female authors

I have a 1945 Penguin edition of Orlando by Virginia Woolf.

On the back jacket the author note begins: ‘Virginia Woolf,
who died in 1941, was the daughter of Sir Leslie Stephen KCB,
and the wife of Leonard Woolf.’ That edition was printed less than
a decade before my birth, and so to me it isn’t ancient history,
but a reminder of quite recent times when people would describe
a female writer as a ‘poetess’ or ‘lady novelist’.

The Prize is important to me personally because it has

championed women’s fiction with energy, wit and professionalism.
It has brought millions of readers to the longlisted, shortlisted
and winning books. Through the Prize, I’ve discovered so many
authors whose work I’ve enjoyed, argued about, criticised, loved.

There was a lot of controversy over the Prize in its first year. Some
critics really didn’t like the idea of it, while others were passionately
in favour of it. I don’t think that any of the shortlisted authors
had anticipated the amount of media attention there would be.
A Spell of Winter was my third novel and it was wonderful to me
to know that it was now out in the world, being read and discussed.

When I won the Prize in 1996, I had been teaching as well as

writing for years. The prize money enabled me to give up most
of my teaching and the fact of winning gave a great boost to my
profile as a novelist and to my subsequent career.
20 BOOKS EVERYONE
SHOULD READ
In need of a brilliant read for your book club?
Lose yourself in the past winners of the Baileys
Women’s Prize for Fiction, and see what the
previous chairs of judges have to say about
the books they crowned winners

1996 A Spell of Winter by Helen Dunmore

‘A beautiful and lyrical novel about the death of Edwardian England’
Kate Mosse

1997 Fugitive Pieces by Anne Michaels

‘An exquisite elegiac, poetic work of immense depth and suffering’
Lisa Jardine
1998 Larry’s Party by Carol Shields
‘A wise and witty, poignant and true novel about one man’s life
and its impact on many others’
Sheena McDonald
1999 A Crime in the Neighbourhood by Suzanne Berne
‘An elegant, subtle and thoughtful novel – a clever hybrid of form
and genre, characterisation and atmosphere’
Lola Young
2000 When I Lived In Modern Times by Linda Grant
‘Linda Grant weaves a grand theme out of a host of minute observations
of sharp-eyed precision. Unforgettable’
Polly Toynbee
2001 The Idea of Perfection by Kate Grenville
‘As readers we are captivated by this last chance at love… It has enduring
appeal as the story belongs to us all’
Rosie Boycott
2002 Bel Canto by Ann Patchett
‘A tender contemporary love story in a harsh setting’
Sue MacGregor
2003 Property by Valerie Martin
‘An intense, spare and gripping work’
Ahdaf Soueif

2004 Small Island by Andrea Levy

‘This funny, haunting, historically epic novel is the story of our island race’
Sandi Toksvig
 # TH ISBOOKCLUB

2005 We Need To Talk About Kevin by Lionel Shriver

‘ One of the most stunning books I’ve ever read... No other writer has the
courage to examine so forensically the ambivalence felt by so many mothers’
Jenni Murray

2006 On Beauty by Zadie Smith

‘ With each reading On Beauty reveals new subtleties and virtuoso
flourishes of the imagination’
Martha Kearney
2007 Half of a Yellow Sun by Chimamanda Ngozi Adichie
‘ Hugely readable, engaging, gripping and heart-stoppingly moving’
Muriel Gray
2008 The Road Home by Rose Tremain
‘ A very important book because economic migration is one of the great
phenomena of the 21st century’
Kirsty Lang
2009 Home by Marilynne Robinson
‘ A powerful book that reminds us of some of the fundamental things in life…
Not everything can be tied up in a positive-thinking-life-coaching ribbon’
Fi Glover
2010 The Lacuna by Barbara Kingsolver
‘ It’s a book that resonates across the years. Mysterious, tender and compelling’
Daisy Goodwin
2011 The Tiger’s Wife by Téa Obreht
‘ The brilliance of this book – written by the youngest-ever winner
of the Prize – is that it reminds us all that stories never cease to matter’
Bettany Hughes

2012 The Song of Achilles by Madeline Miller

‘ Original, passionate, inventive and uplifting. Homer would be proud of her’
Joanna Trollope

2013 May We Be Forgiven by A.M. Homes

‘ A wildly funny descent into purgatory and maybe out again – an American
Dream for our time’
Miranda Richardson

2014 A Girl is a Half-Formed Thing by Eimear McBride

‘ An unforgettable novel, exhilarating as well as painful...
Its language and emotional energy is extraordinary’
Helen Fraser

2015 To be announced…
The 20th winner will be revealed on June 3. Sign up to the newsletter
at womensprizeforfiction.co.uk or follow @BaileysPrize on Twitter to
be among the first to know
 ‘It’s an update
on the espresso
martini. Sweeter
in the beginning but
finishing with the
same richness
of the coffee, it
results in a more
complex drink’
Keila Urzaiz
bartender
 CHAPTER SEVEN

The flat white martini is fast becoming

the drink to serve at modern book clubs.
Writer Rachel Ward charts its rise

Cocktails and book clubs go together like Charlie and

chocolate, Heathcliff and Cathy, Thelma and Louise…
But deciding what to serve can sometimes prove as difficult
as choosing what to read. One way to toast the occasion
and complement flowing conversation is with another classic
combination: coffee and liqueur.
People have been mixing these two drinks together since
as early as the 1800s. The Swedes added vodka to coffee,
creating kaffekask, while the Italians opted for grappa
and called it caffè corretto. But it wasn’t until the 1940s
that this pairing achieved cult status on a global scale.
That’s when Joe Sheridan, a chef at Ireland’s Shannon
Airport, first added whiskey to coffee to warm up the
passengers disembarking from a Pan Am flying boat one cold
evening. When asked what it was, he replied ‘Irish coffee’ and
a classic was born.

The next incarnation of this double act came in the 1980s.

Word has it that while tending the bar at London’s Soho
Brasserie, cocktail guru Dick Bradsell gave a famous model
something new to try – a double shot of vodka with very
strong coffee. This soon morphed into the espresso martini
and became the drink of the decade.
 # TH ISBOOKCLUB

The latest contender for the coffee/liqueur crown was

imagined in 2014 at The Blind Pig in London’s Soho.
While out for dinner with colleagues, Caroline Pay,
a creative director, wanted a drink that was similar
to an espresso martini, only smoother. She asked the
bartender to pair Baileys Original Irish Cream with
Smirnoff vodka and a shot of espresso. An instant hit
with the table, she christened it the Baileys Flat White
Martini. The modern woman’s cocktail of choice, it’s
the perfect accompaniment to any literary gathering.
Want to know how to make it? Find out overleaf.
Join the club
Tweet @Baileys_GB
a picture of your
#FlatWhiteMartini
or tag @BaileysOfficial
on Instagram
 THE BAILEYS
FLAT WHITE
MARTINI RECIPE

INGREDIENTS PER PERSON TIP

1.8 units of alcohol per serve To create an Alpine version,
50ml Baileys® Original Irish Cream make the cocktail, freeze
25ml Smirnoff No 21® vodka it, then blend. Et voilà,
25ml espresso coffee the frozen flat white martini
3 coffee beans (for the garnish)
HOW TO MAKE IT
Fill a cocktail shaker with
ice and pour in the ingredients
Give it a good shake and
strain into a martini glass
Garnish with the coffee beans

The Baileys word and associated logos are trademarks © R&A Bailey & Co 2015
 10 BARS FOR
BOOK CLUBBING
In need of a venue? Here are 10 cocktail bars
worthy of a modern book club. Plus, they serve
flat white martinis – all you have to do is ask

AETHER & ECHO BELFAST THE BUREAU BIRMINGHAM

Transport your book club back Housed in a beautiful historic
to La Belle Époque and get deep building, this is the perfect venue
and existential amongst this bar’s for those who want to give their
thought-provoking surroundings. book club a hint of vintage glamour.
aetherandecho.com thebureaubar.co.uk

THE ALCHEMIST LEEDS THE DEVIL’S ADVOCATE

Renowned for its impeccable EDINBURGH
service and lively atmosphere, this There’s no better place to discuss
experimental cocktail bar will lend the newest Kate Atkinson or Attica
an element of chic to your meet-up. Locke than in this old Victorian
thealchemist.uk.com pump house, hidden away in the
city’s atmospheric Old Town.
ALL BAR ONE NATIONWIDE devilsadvocateedinburgh.co.uk
These stylish bars are dotted up
and down the country. Each offers DUSK TIL PAWN MANCHESTER
a relaxed vibe and an abundance An insalubrious-looking pawn
of space, making them perfect for broker’s on the outside, a modern-day
gathering even the largest book club. speakeasy on the inside – this venue
allbarone.co.uk really is a story of two halves.
twitter.com/dusktilpawn
THE BLIND PIG LONDON
Always prefer the original? Head THE MILK THISTLE BRISTOL
to the Soho birthplace of the Baileys Featuring dark wood panelling,
Flat White Martini and book club leather club chairs and elements
together under an antique-mirrored of taxidermy, this speakeasy-style
ceiling – just one of its many design lounge oozes atmosphere.
twists. socialeatinghouse.com milkthistlebristol.com

BUFFALO CARDIFF THE TEMPEST INN BRIGHTON

Full of comfy sofas perfect for cold A dozen caves make up this
winter nights, and leafy outdoor subterranean sea-front bar. Grab
tables for balmy summer evenings, one of the snug hideaways or head
this bar is open late so you can up to the open-plan first floor and
discuss and debate the night away. enjoy dramatic coastal views.
buffalocardiff.co.uk drinkinbrighton.co.uk/tempest
 THE BOOK LOVER’S
MUST READ

Taking inspiration from the Baileys Women’s

Prize for Fiction shortlist, The Brilliant Woman’s
Guide to a Very Modern Book Club is here to
help you navigate the world of contemporary
reading groups. From titles that inspire to
insider tips from literary voices, this manual is
for anyone who loves a good book – especially
those who like talking about them with friends.

‘Shortlisting for the 2015 Baileys Prize was

the fantasy book club of a lifetime. Great fiction
can be the match that lights the touchpaper that
starts a revolution that changes the world, so it’s
essential we find ways to amplify our most gutsy
and engaging women’s voices as widely as we can.
The Baileys Women’s Prize for Fiction does just that’

Shami Chakrabarti, Director of Liberty and the

2015 Baileys Women’s Prize for Fiction chair of judges

@ BAILEYSPRIZE
FACEBOOK.COM/WOMENS PRIZE
WOMENSPRIZEFORFICTION.CO.UK