Redbox Disney
Redbox Disney
Redbox Disney
11 [email protected]
90 State House Square
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12 Hartford, CT 06103
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1 TABLE OF CONTENTS
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I. INTRODUCTION ............................................................................................ 1
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II. STATEMENT OF FACTS............................................................................... 3
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6 A. Redbox rents and sells movies to a unique and loyal customer
base. ........................................................................................................ 3
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B. Redbox’s business model benefits Plaintiffs and retailers. ................... 3
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9 C. Consumers have no complaints about Redbox’s digital code
sales. ....................................................................................................... 4
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D. Redbox will be harmed by a Preliminary Injunction. ............................ 5
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12 E. Disney’s copyright misuse has already interfered with Redbox. .......... 5
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1 TABLE OF AUTHORITIES
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Page(s)
3
Cases
4
A&M Records, Inc. v. Napster, Inc.,
5
239 F.3d 1004 (9th Cir. 2001) ....................................................................... 13, 14
6
ActiveVideo Networks, Inc. v. Verizon Commc’ns, Inc.,
7 694 F.3d 1312 (Fed. Cir. 2012) ........................................................................... 24
8
Adobe Sys. v. Christenson,
9 809 F.3d 1071 (9th Cir. 2015) ............................................................................... 6
10 Alcatel USA, Inc. v. DGI Techs., Inc.,
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3 UMG v. Augusto,
628 F. 3d 1175 (9th Cir. 2011) ............................................................ 6, 7, 8, 9, 10
4
5 Van Ness v. Blue Cross,
87 Cal.App.4th 364 (2001) .................................................................................. 22
6
Vernor v. Autodesk, Inc.
7
621 F. 2d 1102 (9th Cir. 2010) .............................................................................. 7
8
Walker v. USAA Cas. Ins. Co.,
9 474 F. Supp. 2d 1168 (E.D. Cal. 2007) ............................................................... 19
10
White v. Western Title Ins. Co.
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19 17 U.S.C. § 106......................................................................................................... 18
20 17 U.S.C. § 106(1) .................................................................................................... 17
21 17 U.S.C. § 106(3) .................................................................................................... 17
22
17 U.S.C. § 109......................................................................................................... 13
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17 U.S.C. § 109(a) ...................................................................................... 6, 9, 10, 13
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25 17 U.S.C. § 301......................................................................................................... 18
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1 I. INTRODUCTION
2 Just as it has done for years with DVD rentals, Redbox recently started
3 selling codes for digital movies from its automated kiosks. Redbox’s customers like
4 that. Disney and its subsidiaries don’t. By this motion, Plaintiffs seek to stifle
5 competition to more smoothly launch Disney’s own digital content streaming
6 service, maximize the price other services like iTunes and Amazon (and their
7 customers) pay for Disney movies, and secure a greater market share for Hulu—the
8 viewing service Disney will control as part of its $52 billion acquisition of 21st
9 Century Fox. These anti-consumer and anti-competitive ends do not support a
10 preliminary injunction, and neither do the Plaintiffs’ evidence or applicable law.
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11 Plaintiffs ask this court to wholly rewrite seven cryptic and ambiguous
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13 license in violation of basic principles of contract law, the first sale doctrine and
14 Ninth Circuit precedent. But even in their nearly illegible form, and although
15 Plaintiffs imply the packaging for all of them is the same, these words appear on
16 only 5 of the Combo Packs listed in the Complaint’s Exhibit A. Other language
17 appears elsewhere, and in varied forms, but none of it voids the first sale of the
18 digital movies, and none forms a binding contract.
19 Many facts here are undisputed. Plaintiffs sold codes for digital movies as
20 part of Combo Packs to authorized retailers. These codes allow purchasers to
21 redeem digital movies online. And Redbox has the right to transfer the code if it is
22 transferred along with a rest of the Combo Pack. Plaintiffs’ sole complaint is that
23 Redbox should be preliminarily enjoined from separately selling the codes Redbox
24 lawfully purchases, and thus the digital movie corresponding to it, at a lower cost
25 than what Plaintiffs would like.
26 Under clear lines of authority concerning this type of copyrighted work (film
27 and performing arts), no restrictive license is created by the sale, and Plaintiffs’
28 after-the-fact attempt to restrain trade is unsupported in law and fact. The
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1 presentation of terms on websites that deliver the digital movies Plaintiffs sold
2 creates no license or other contract with Redbox or any of its customers, nor does it
3 create a limitation on customers obtaining the movies Plaintiffs previously sold.
4 Without after-the-fact licenses being formed or a defense against the first sale
5 doctrine, all of Plaintiffs’ claims fail. So Plaintiffs ask this court to find that
6 accessing the digital movies they sold is somehow an act of infringement. This
7 argument ignores the fact that the digital movies were sold in the first instance, not
8 licensed, and that no copy is created other than that which Plaintiffs obligated
9 themselves to deliver by selling a code, and that the first sale doctrine squarely
10 applies and prevents any claim of contributory infringement against Redbox.
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11 Plaintiffs’ authorities on this point address the very different situation where a copy
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12 is made that was not purchased. Here, reproduction is not an issue. By selling the
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12 Without a Disney vendor agreement (like the ones it has with the other major
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13 studios), Redbox’s 1,000-member field staff must purchase Disney, Marvel, and
14 Lucasfilm titles through normal retail channels in the same way other consumers
15 do—at grocery stores, convenience stores, department stores and electronics stores.
16 Chamberlain Decl. ¶¶ 2–5. Field staff members are not asked to, and do not, accept
17 terms and conditions of any kind as a part of their transactions. Id. at ¶ 5. Redbox
18 pays retail prices for Disney Combo Packs and helps retailers sell the Disney
19 inventory they purchase. Smith Decl. ¶ 8. Doing so helps retailers and Plaintiffs
20 fulfill their revenue goals, while Redbox’s sale of digital codes defrays the higher
21 cost of Combo Packs. Id. at ¶ 9.
22 Redbox’s sale of digital copies serves Disney’s goal of introducing viewers
23 to digital movies and migrating them away from physical discs. Id. at ¶ 10.
24 Moreover, when Redbox customers use Disney movie websites, the sites acquire
25 valuable Redbox customer information that they could not otherwise get. Id. at
26 ¶ 10. That information can be used to market Disney products and services, save
27 substantial customer acquisition costs, and develop direct-to-customer relationships
28 that cut out revenue shares currently paid to licensees (e.g. Amazon, iTunes, and
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1 Vudu). Id. at ¶¶ 10–11. The lower price of content also discourages piracy, and
2 reduces the likelihood (and number) of sales of the same content through bazaar-
3 type websites like eBay and Craig’s List. Id. at ¶¶ 12–13.
4 Plaintiffs’ speculation that they will lose sales from Redbox selling digital
5 codes is unsubstantiated. Id. at ¶ 14. Just as when DVDs began being rented years
6 ago, the increased availability of movies through digital downloads will make
7 movies more accessible to a broader audience who the studios do not effectively
8 reach, and who are more cost-conscious and potentially less tech-savvy than those
9 who already use subscription-based and view-based digital services. Id.
10 The exaggeration of Plaintiffs’ harm hypothesis is shown by the one film
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11 released since Redbox began selling codes that Plaintiffs’ declarant characterized as
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13 Smith Decl. ¶ 15. The majority of Redbox’s sales occurred at the same price—
14 $14.99—Disney licensees charged, and Redbox only managed to sell about 350
15 total codes. Id. And licensees commenced sales of downloads more than two weeks
16 before consumers became aware Redbox sold digital codes for that movie. Id. If
17 anything, viewers have been trained to wait a short while for a new release to
18 appear on Netflix; for example, Cars 3 becomes accessible on January 31, 2018. Id.
19 at ¶ 16. So Redbox’s sale of Cars 3 digital codes could not have caused any harm.
20 C. Consumers have no complaints about Redbox’s digital code sales.
21 When merchandising digital codes, Redbox takes great care to ensure all the
22 materials that originally accompany the original inserts containing digital codes are
23 included in its jewel cases. Chamberlain Decl. ¶¶ 7–8. Contrary to Plaintiffs’
24 concerns, digital codes usually have expiration dates years after their initial release;
25 Redbox does not sell digital movies that are near or past their codes’ stated
26 expiration date. Id. at ¶ 9. Thus, Redbox has not had complaints about the content,
27 process, terms, purchasing, or accessing of digital movies using digital movie
28 download codes. Id. at ¶ 10.
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11 following notice: “The price of this book at retail is $1 net. No dealer is licensed to
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12 sell it at a less price, and a sale at less price will be treated as an infringement of the
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13 copyright.” Id. The Court noted that the statutory grant to a copyright owner of the
14 “sole right of vending” the work did not continue after the first sale of a given copy.
15 Id. 349–50. “The purchaser of a book, once sold by authority of the owner of the
16 copyright, may sell it again, although he could not publish a new edition of it.” Id.
17 at 350. “The rule of Bobbs-Merrill remains in full force, enshrined as it is in §
18 109(a) of the Act: a copyright owner who transfers title in a particular copy to a
19 purchaser cannot prevent resale of that particular copy.” UMG v. Augusto, 628 F.
20 3d 1175, 1180 (9th Cir. 2011).
21 When a copyrighted work is sold, there is a presumption that the transaction
22 transferred title to a copy of the work that is subject to the first sale doctrine. See
23 Adobe Sys. v. Christenson, 809 F.3d 1071, 1080 (9th Cir. 2015). Where, as here, a
24 copyright holder claims that an alleged infringer possesses only a license and not a
25 copy of its work, the plaintiff bears the burden of showing that only a license was
26 created. Id. Plaintiffs cannot meet this burden.
27 Here, Plaintiffs admit that they sold Combo Packs to retailers. Yet, there’s no
28 evidence before the Court of agreements imposing licenses or other terms on those
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1 sales. Marinelli Dep. 113:17–115:18. And the “Combo Packs” contain three
2 versions of the same film: a Blu-Ray disc, a DVD disc, and a code for a digital
3 copy. The code authenticates the delivery of a single digital copy of the movie. Id.
4 at 155:1–3. Plaintiffs concede that Redbox may rent or resell the Blu-Rays and
5 DVDs pursuant to the first sale doctrine, but absurdly assert that the code cannot be
6 transferred unless it is transferred with the DVD and Blu-Ray disc. They
7 erroneously contend that the digital copy should be treated differently because the
8 phrase “Codes are not for sale or transfer” appears on some of the asserted
9 packages. However, this phrase, which is often printed so small that it is barely
10 readable, actually only appears on five of the twenty titles cited in the Complaint.
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11 The other fifteen have no such restriction.1 Plaintiffs’ chief declarant also admitted
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12 that the same Disney titles are sold inside different packaging versions that contain
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1 Here, the facts surrounding the sale of Disney’s movies do not satisfy the
2 above test. First, Plaintiffs did not specify that a user is granted a license.
3 (Plaintiffs’ motion does not even argue that it is selling a license.) Second,
4 Plaintiffs do not significantly restrict the user’s ability to transfer the digital movie.
5 For example, the digital movie code is freely sold by retailers, and Plaintiffs have
6 produced no evidence that a separate license agreement was entered with those
7 retailers to transfer the movie. Moreover, Plaintiffs’ declarant admits that
8 consumers may purchase and transfer the entire combo pack—including the digital
9 copy—as a gift. Third, the copyright owners impose no use restrictions other than
10 the standard geographic limitation that is asserted on all media sold in the United
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11 States. Moreover, the phrase, “Codes are not for sale or transfer,” plainly does not
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12 mean that a user cannot use the code to obtain the movie it purchased. As such, no
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11 sensibly considered the owner” of the digital copies. Id. at 1183 (citing Krause v.
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12 Titleserv. Inc., 402 F.3d 119, 124 (2d Cir. 2005)). Plaintiffs’ primary witness
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13 admitted that she does not know how many codes have been sold, how many codes
14 have been redeemed, or whether Plaintiffs do anything to track the codes that are
15 included in the Combo Packs. Marinelli Dep. at 88:10–25; 89:1–25; 90:1–4.
16 Here, Plaintiffs’ real complaint is that Redbox unbundles the three items
17 contained in the Combo Packs and sells the code separately. It does not suggest that
18 Redbox is prohibited from reselling the entire combo pack, for example. But there
19 is no stated prohibition against, or enforceable contract or license prohibiting,
20 unbundling the products that Redbox purchases from retailers. Even if, contrary to
21 fact, such a license existed, it would not vitiate Redbox’s rights under Section
22 109(a). For example, in Burke & Van Heusen, Inc. v. Arrow Drug, Inc., 233 F.
23 Supp. 881, 884 (E.D. Pa. 1964), the court found that, even in the face of a written
24 agreement to not to sell copyrighted records unless they were sold as a bundle with
25 another product, the sale of the copyrighted work separate from another product did
26 not constitute copyright infringement. In Burke & Van Heusen, the copyright holder
27 granted to a third party, Beecham Products, Inc., “a restrictive license for the use of
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1 the compositions on long playing records which were to be used only as a premium
2 in connection with the sale of certain shampoo.” Beecham sold the records with the
3 shampoo to the defendant who resold the record separately from the shampoo. Id.
4 The plaintiff sued for copyright infringement. The court held that, notwithstanding
5 a restrictive written license signed by the copyright holder and the intermediary
6 owner of the copyrighted music, the subsequent purchaser was not liable for
7 copyright infringement. Id. As in Van Heusen, title to the copies transfers from
8 Plaintiffs when it sells Combo Packs to authorized distributors. When Redbox
9 lawfully purchases these products, Plaintiffs’ rights are exhausted and Redbox has
10 the full and complete right to sell the items.
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12 Recognizing that it cannot meet the standard for a license, Plaintiffs next
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13 argue that there is a contract prohibiting transferring the codes separately from the
14 discs. However, Plaintiffs have not identified any cases that suggest a copyright
15 owner may overcome the restriction of Section 109(a) by way of a contractual
16 agreement that fails to meet the requirements of a license. Indeed, the standards set
17 out in UMG would be meaningless if this were the case.
18 But even if Plaintiffs could somehow bypass the first sale doctrine, Plaintiffs
19 have not offered evidence suggesting that such a contract was formed in this case.
20 As an initial matter, the only alleged terms that are proposed at the time of sale are
21 those on the outside of a handful of the asserted packages. Yet under California
22 law, such hypothetical “shrink wrap” terms do not form a valid contract without an
23 express notification to the customer that opening the package constitutes acceptance
24 of the terms and conditions. Norcia v. Samsung Telcoms. Am., LLC, 845 F.3d 1279,
25 1287 (9th Cir. 2017). “Under these circumstances, California’s general rule that
26 silence or inaction does not constitute acceptance is binding.” Id. Plaintiffs have not
27 shown the law is otherwise elsewhere either. Likewise, nothing on the packaging
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1 indicates that the contract would be with plaintiff Buena Vista Home
2 Entertainment, Inc, which is identified only as the distributor.
3 Moreover, the phrase “codes are not for sale or transfer” does not impose the
4 restrictions Plaintiffs seek in this case. Plaintiffs interpret those seven words to
5 somehow result in a complex decision-tree of when and how a customer may
6 dispose of the goods sold in the Combo Packs. For example, Plaintiffs’ declarant
7 testified that a customer does not violate the seven magic words, “Codes are not for
8 sale or transfer,” when giving the Combo Packs as a gift, even though the codes are
9 transferred in doing so. Marinelli Dep. 135:11–17. But Plaintiffs absurdly conclude
10 that a customer would violate that phrase by giving away the DVD and Blu-Ray but
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11 retaining the code for himself, even though the code is never sold or transferred. Id.
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12 at 136:6–17. She also claimed that downloading the movie first and then selling the
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13 DVD later would violate the purported contract. Id. at 135:21–136:5. Plainly,
14 neither retail customers nor Redbox agreed to these undisclosed and unimaginable
15 interpretations of the seven words when purchasing Combo Packs.
16 Plaintiffs also argue that there are contract terms imposed after-the-fact by
17 the terms and conditions found on the two websites where users download the
18 digital copy. However, Plaintiffs’ declarant admitted that these terms are not found
19 on the packaging when the Combo Packs are purchased, but are allegedly
20 incorporated by reference to websites on the package in language printed so small
21 that even she could not read it at her deposition. Id. at 197:21–198:8. Even worse,
22 consumers who by Combo Packs online never see the back side of the packaging
23 where the alleged terms are stated, causing Ms. Marinelli to concede that “perhaps
24 we need to do a better job.” Id. at 212–217. This falls woefully short of the
25 requirements a for shrink-wrap license. See Norcia, 845 F.3d at 1287; see also
26 Fagerstrom v. Amazon.com, Inc., 141 F. Supp. 3d 1051, 1069 (S.D. Cal. 2015)
27 (terms of service not binding unless customer given “reasonable notice”).
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1 Even if the websites could impose additional terms, the websites here do not.
2 On the first website, RedeemDigitalMovie.com, the website claims users must own
3 the “physical product” when they redeem a code. However, nothing on that website
4 explains what constitutes the “physical product,” and elsewhere on the website,
5 Disney advises customers: “Note—Redeem Digital Movie titles do NOT require a
6 disc for Digital Movie redemption.” See Geibelson Decl. Ex. E (emphasis in
7 original). Moreover, Ms. Marinelli testified that the card on which the digital code
8 is printed is considered part of the “physical product.” Marinelli Dep. at 62:23:25;
9 63:1–5. That’s the same insert that Redbox removes from the Combo Pack and
10 resells to its customers. Chamberlain Decl. ¶¶ 7–8. Thus, even if this vague
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11 condition were enforceable, a customer who obtains the card insert from Redbox
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1 Co. 40 Cal.3d 870, 881–882, fn. 4 (1985) (holding principle applies to contact
2 interpretation). In any event, Plaintiffs offered no evidence that they are intended
3 beneficiaries. Thus, Plaintiffs lack standing to assert a breach of contract.
4 C. There is No Contributory Infringement
5 Next, Plaintiffs argue that the two websites’ terms of service constitute a
6 “condition precedent” to downloading the already-purchased movie, the violation
7 of which constitutes contributory infringement of copyright. Based on this theory,
8 Plaintiffs attempt to transform downloading the movie they already promised to
9 deliver into a “reproduction” and argue that their reproduction rights, not their
10 distribution rights, are violated. They cite MDY Indus., LLC v. Blizzard Entm’t,
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11 Inc., 629 F.3d 928, 939 (9th Cir. 2010) as “explaining that violation of a condition
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12 precedent exceeds the scope of the license.” As discussed above, however, there is
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13 no license and even Plaintiffs do not claim that one was created. But even—
14 contrary to fact—had a license been created here, MDY Indus. itself states that not
15 all violations of a contract or license result in copyright infringement. Rather, the
16 Ninth Circuit explained that “the potential for infringement exists only where the
17 licensee’s action (1) exceeds the license’s scope (2) in a manner that implicates one
18 of the licensor’s exclusive statutory rights.” Id. at 940. Here, Plaintiffs sold their
19 digital movies with the full knowledge and expectation that that copy would be
20 delivered by electronic download. No second copy is being created. As such, there
21 is no unlawful “reproduction,” only a lawful distribution subject to Section 109.
22 Plaintiffs’ case rests on the mistaken belief that the first sale doctrine never
23 applies to digital copies. Marinelli Dep. 128:15–129:7. As Plaintiffs’ own authority
24 notes, however, the first sale doctrine applies to digital copies so long as the resale
25 is of the “particular copy” that was sold by the copyright owner and not a new,
26 unauthorized digital (second) copy created by the consumer. See Capitol Records,
27 LLC v. ReDigi Inc., 934 F. Supp. 2d 640, 656 (S.D.N.Y. 2013) (“Section 109(a)
28 still protects a lawful owner's sale of her ‘particular’ phonorecord, be it a computer
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1 hard disc, iPod, or other memory device onto which the file was originally
2 downloaded.”). Here, Redbox selling the code before the digital copy is
3 downloaded is no different from Redbox using the code to download the digital
4 copy onto a portable memory device and reselling that device itself. See id. It is the
5 “particular copy” that Plaintiffs agreed to sell and is not and cannot be contributory
6 infringement. Marinelli Dep. 155:1–4 (each code can only be used once).
7 None of Plaintiffs’ cases on contributory infringement are relevant because
8 all of those cases involve a user creating a new, unauthorized digital copy. For
9 example, A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 (9th Cir. 2001),
10 involved a peer-to-peer file sharing system that allowed users to make unlimited
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11 copies of a single MP3 music file, which were then distributed to other users.3 Here,
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12 there is no new copy being made by either Redbox or the consumer. Plaintiffs and
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13 their websites are only delivering the “particular” digital copies that they agreed to
14 sell as part of their Combo Packs.
15 D. Plaintiffs Are Engaged In Copyright Misuse
16 By attempting to overextend their copyrights’ reach to control prices and
17 limit how their products are sold in the downstream market, in violation of the first
18 sale doctrine, Plaintiffs have committed copyright misuse. The copyrights are thus
19 unenforceable. Omega S.A. v. Costco Wholesale Corp., 776 F.3d 692, 695 (9th Cir.
20 2015) (Wardlaw, J., concurring); Practice Mgmt. Info. Corp. v. AMA, 121 F.3d 516,
21 520 (9th Cir. 1997); DSC Communications Corp. v. DGI Techs., Inc., 81 F.3d 597,
22 601 (5th Cir. 1996); Lasercomb Am., Inc. v. Reynolds, 911 F.2d 970, 977–79 (4th
23 Cir. 1990). Copyrights confer limited monopoly power, but “the granted monopoly
24
25 3
See also Fonovisa, Inc. v. Cherry Auction, Inc., 76 F.3d 259, 264 (9th Cir. 1996)
26 (sale of counterfeit copies of recordings at a swap meet); Capital Records LLC v.
ReDigi Inc. 934 F. Supp. 2d 640, 658 (S.D.N.Y. 2013) (similar to Napster, sale of
27 new digital copies of previously sold MP3s); Sega Enters. Ltd. v. MAPHIA, 948 F.
Supp. 923 (N.D. Cal. 1996) (sale of pirated versions of video games).
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1 power does not extend to property not covered by the patent or copyright.”
2 Lasercomb Am., Inc., 911 F.2d at 976 (citations omitted). Copyright misuse
3 involves the impermissible expansion of monopoly, but “need not be a violation of
4 antitrust law in order to comprise an equitable defense to an infringement action.”
5 Lasercomb Am., Inc., 911 F.2d at 978 (4th Cir. 1990). Thus, it is an “abuse of
6 process” where a copyright owner [uses] an infringement suit to obtain property
7 protection that [] copyright law clearly does not confer ….” Omega, 776 F.3d at
8 700 (Wardlaw, J., concurring). Consequently, “[t]he defense is often applied when
9 a defendant can prove either: (1) a violation of the antitrust laws; (2) that the
10 copyright owner otherwise illegally extended its monopoly; or (3) that the
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11 copyright owner violated the public policies underlying the copyright laws.” Id. The
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13 violate public policy and constitute copyright misuse. See, e.g., Practice Mgmt.
14 Info. Corp., 121 F.3d at 521; Lasercomb Am., Inc., 911 F.2d at 978; Alcatel USA,
15 Inc. v. DGI Techs., Inc., 166 F.3d 772, 793 (5th Cir. 1999) (Alcatel USA, Inc., was
16 formerly DSC Communications Corp.).
17 Here, Plaintiffs admit they do not sell digital movie codes as “freestanding”
18 products. Marinelli Decl. ¶ 22. Instead, consumers are required to buy Combo
19 Packs to obtain a digital movie code. Id. They contend that, when consumers are
20 allowed to buy codes sold from Redbox, they will sell fewer Combo Packs.
21 Marinelli Decl. ¶16. This plainly demonstrates, and Plaintiffs admit, that they are
22 attempting to prohibit downstream resale or transfer of their products. They are
23 attempting to limit resale of physical DVD and Blu-ray discs, by requiring
24 consumers to retain them to access digital movies. And they admit that they are
25 attempting to restrain competition because Redbox is competing downstream and
26 offering lower prices. Marinelli Decl. ¶ 11. All of these misuse the limited
27 monopoly in copyright.
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1 Here, Plaintiffs seek to enforce what they contend are two separate
2 agreements that restrain how their products are sold and the price at which they are
3 sold. One is at the point of sale and one is at the online distributors. While, as
4 discussed supra, Redbox disagrees and does not concede that any agreement exists,
5 assuming, arguendo, that such restrictions were present in the marketplace, it would
6 be anticompetitive and against public policy under the rule established in the
7 foundational cases that recognize the copyright misuse defense in the Ninth Circuit,
8 Practice Mgmt. Info. Corp., and in the Fourth Circuit, Lasercomb.
9 In Practice Mgmt. Info. Corp., the American Medical Association (AMA)
10 developed and published a coding system called the CPT for medical procedures
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11 and asserted copyright over that publication. Practice Mgmt. Info. Corp., 121 F.3d
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12 at 516–17. The AMA then licensed the CPT to the government, but the license
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13 restricted the government from using other coding systems offered by competitors.
14 Id. The court concluded that “the AMA misused its copyright” by using the
15 exclusivity provision in the license to effectively exclude the competition. Id. at
16 520. In other words, the license terms “gave the AMA a substantial and unfair
17 advantage over its competitors.” Id. at 521. In Lasercomb, which the Ninth Circuit
18 adopted in Practice Mgmt., a licensing agreement with an embedded non-compete
19 clause was at issue. 911 F.2d at 973. The court reasoned that the while “Lasercomb
20 undoubtedly has the right to protect against copying of [its] code,” the licensing
21 went “much further” than it needed to and restricted competition. Id. at 978.
22 Both Practice Mgmt. Info. Corp. and Lasercomb found that, while not
23 necessarily antitrust violations, the unduly restrictive licenses were copyright
24 misuse that violated public policy. Practice Mgmt. Info. Corp., 121 F.3d at 521
25 (“By agreeing to license the CPT in this manner, the AMA used its copyright ‘in a
26 manner violative of the public policy embodied in the grant of a copyright’”)
27 (quoting Lasercomb Am., Inc., 911 F.2d at 977). The copyright holders in Practice
28 Mgmt. Info. Corp. and Lasercomb attempted to use licensing agreements to restrict
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1 competition. In each case, it was deemed copyright misuse to use unduly restrictive
2 licensing terms to restrain competition. Such is the case here, where Plaintiffs are
3 attempting to assert purported agreements to fix prices and prevent Redbox from
4 offering lower prices to consumers. Marinelli Decl. ¶ 11.
5 Moreover, the policy considerations behind the first sale doctrine strongly
6 support applying the copyright misuse doctrine here. Like the publisher in Bobbs-
7 Merrill, Plaintiffs hold copyrights to creative works. They then affixed purported
8 resale restrictions on the rear-facing portion of the combo pack, the same page that
9 bears the copyright. In Bobbs-Merrill, the resale restriction was intended to prevent
10 resale from occurring at a price that the copyright holder determined was too low,
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11 rather than the market price set at retail. 210 U.S. at 341. This is exactly what
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1 the first sale doctrine authorizes this behavior, the transactions are protected by the
2 UCL and FAL’s safe harbor doctrine, and the claims are preempted.
3 “A business practice cannot be unfair if it is permitted by law.” Lazar v.
4 Hertz Corp., 69 Cal. App. 4th 1494, 1505 (1999). As the California Supreme Court
5 explained in Cel-Tech Communications, Inc. v. Los Angeles Cellular Telephone
6 Co., 20 Cal.4th 163, 182 (1999): “Although the unfair competition law’s scope is
7 sweeping, it is not unlimited. … When specific legislation provides a ‘safe harbor,’
8 plaintiffs may not use the general unfair competition law to assault that harbor.”
9 The same principle applies to, and bars, Plaintiffs’ FAL claim. See Ebner v. Fresh
10 Inc., 2013 U.S. Dist. LEXIS 188889, at *8–14 (C.D. Cal. Sep. 11, 2013)
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12 The safe harbor doctrine mirrors the Copyright Act’s preemption provision,
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13 17 U.S.C. § 301. It “explicitly preempts state laws that regulate in the area of
14 copyright, stating that ‘all legal or equitable rights that are equivalent to any of the
15 exclusive rights within the general scope of copyright as specified by section 106
16 … are governed exclusively by this title.’” Sybersound Records, Inc. v. UAV Corp.,
17 517 F.3d 1137, 1150 (9th Cir. 2008) (quoting 17 U.S.C. § 301(a)). If Redbox is
18 permitted to sell the digital copies it purchased, that right would dispose of every
19 state cause of action pled. Thus, the claims asserted under state law are equivalent
20 to those protected by the Copyright Act. For example, when Xerox claimed an
21 unauthorized copy of its copyrighted work was being incorporated into an Apple
22 product, Xerox’s unfair competition claim alleging confusion was preempted.
23 Xerox Corp. v. Apple Comput., Inc., 734 F. Supp. 1542, 1543 (N.D. Cal. 1990).
24 And when Motown claimed that Hormel’s use of an image and the music of the
25 Supremes in a “Dinty Moore” commercial infringed its copyright, its unfair
26 competition claim alleging confusion was preempted. Motown Record Corp. v.
27 George A. Hormel & Co., 657 F. Supp. 1236 (C.D. Cal. 1987). Here, Plaintiffs
28
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11 licensees for future license agreements,” none of which is ripe to cause harm any
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12 time soon, and future relationships with potential consumers. Marinelli Dep. 41:14–
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13 43:16, Marinelli Decl. ¶ 14. At best, the claimed harm concerns a “contingent
14 expectancy of payment from a third party” that is not recoverable under the UCL
15 and FAL, and does not support standing in the first instance. See Korea Supply Co.
16 v. Lockheed Martin Corp., 29 Cal. 4th 1134, 1150 (2003); see also Walker v. USAA
17 Cas. Ins. Co., 474 F. Supp. 2d 1168, 1172 (E.D. Cal. 2007) (requiring “prior
18 possession or a vested legal interest in the money or property allegedly lost.”).
19 The evidence shows only that Plaintiffs sold an unspecified number of
20 Combo Packs into the stream of commerce. Redbox bought some of them and
21 resold a small fraction of their digital movie codes, then meticulously repackaged
22 and sold the original codes to customers, and never to more than one person each.
23 Chamberlain Decl. ¶¶ 7–8. Plaintiffs have not shown they lost a single sale, or a
24 single dollar, from Redbox’s resale of a small fraction of the digital movie copies
25 Plaintiffs themselves put into the stream of commerce for resale to consumers and
26 that they fail to track thereafter. Without such a showing, an unrealized potential for
27 future harm is insufficient to show the present injury and loss of money or property
28 required for standing under Sections 17204 and 17535.
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1 Cal. 4th 1191, 1207 (2011). Neither statute provides any basis for an injunction
2 controlling conduct outside California of a company operating from Illinois and
3 Washington. Chamberlain Decl. ¶ 2.
4 5. Plaintiffs have not established tortious interference
5 Plaintiffs are not entitled to an injunction on the claim for tortious
6 interference. Putting aside that Plaintiffs’ motion only addresses California law
7 (ignoring the 49 other states in which Redbox and Plaintiffs do business),
8 California does not recognize a general claim for “tortious interference.” Rather,
9 California recognizes the distinct claims of “intentional interference with
10 contractual relations” and “intentional interference with prospective economic
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11 advantage.” See Quelimane Co. v. Stewart Title Guaranty Co., 19 Cal. 4th 26, 55
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1 interference with a prospective contract, the plaintiff must prove that it actually lost
2 a customer and that it is “reasonably probable” that he would have gained that
3 customer but for the defendant’s conduct. Youst v. Longo, 43 Cal. 3d 64, 71 (1987);
4 see also Fisher v. San Pedro Peninsula Hospital, 214 Cal. App. 3d 590, 620 (1989)
5 (holding plaintiff-doctor failed to state an interference claim where he failed to
6 allege he lost patients as a result of defendant’s conduct). Here, Plaintiffs do not
7 offer any evidence that Redbox prevented Plaintiffs from gaining any customers. If
8 anything, Redbox has apparently caused Disney to gain customers it does not want
9 (i.e. Redbox’s customers), which does not satisfy the elements of this claim.
10 In addition, the tort of interference with a prospective contract also requires
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11 that Plaintiffs allege and prove that Redbox’s conduct was “independently
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12 wrongful.” Korea Supply Co. v. Lockheed Martin Corp., 29 Cal. 4th 1134, 1158
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13 (2003). Moreover, the California Supreme Court has emphasized that mere
14 competition in the open market does not satisfy the wrongfulness element. Id.
15 Plaintiffs ignore their burden of proving both these additional elements.
16 6. Plaintiffs will fail on their 17200 claim
17 To prove a 17200 violation for unlawfulness, Plaintiffs must show a violation
18 of another law. Farmers Ins. Exchange v. Superior Court, 2 Cal.4th 377, 383
19 (1992). Here, Plaintiffs claim tortious interference and a violation of 17500
20 violation. However, where, as here, there is no merit to the underlying violation,
21 there is no violation of the unfair competition law either. Renick v. Dun &
22 Bradstreet Receivable Management Services, 290 F.3d 1055, 1057–1058 (9th Cir.
23 2002). As discussed above, there is no merit to the claims for tortious interference
24 or false advertising under Section 17500. Additionally, claims of tortious
25 interference cannot support a UCL claim.4 California courts have explicitly and
26
4
27 An action under the UCL “is not an all-purpose substitute for a tort or contract
action.” Cortez v. Purolator Air Filtration Products Co., 23 Cal.4th 163, 173
28 (2000). While recognizing the cited comment in CRST Van Expedited, Inc. v.
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1 implicitly rejected the interpretation of the term “unlawful” as including torts not
2 based upon express law. See Kenneth Klein v. Earth Elements, Inc., 59 Cal. App.
3 4th 965 (1997) (rejecting 17200 unlawfulness claim based upon strict products
4 liability and breach of implied warranty); Isaiah Khoury v. Maly’s of California,
5 Inc., 14 Cal. App. 4th 612 (1993) (rejecting UCL claim while allowing breach of
6 contract claim).
7 V. THE BALANCE OF HARMS SHARPLY FAVORS REDBOX
8 The extraordinary remedy of a preliminary injunction can be justified only if
9 Redbox’s continued operation poses an imminent risk of irreparable injury—that is,
10 injury will occur before this litigation is resolved that cannot be remedied with
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12 Plaintiffs bear the burden of establishing their irreparable harm. Plaintiffs must
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1 by Redbox’s digital movie sales. It does not even acknowledge that the market
2 segment Redbox serves, and its unique mode of delivery, are markedly different
3 from the market segments served by Plaintiffs’ licensees. Smith Decl. ¶ 6. Plaintiffs
4 also fail to balance the claimed prospective harm against the benefit of acquiring
5 new customers (and new customer data) from Redbox’s customer base. See Amylin
6 Pharm., Inc. v. Eli Lilly & Co., 456 F. App’x 676, 679 (9th Cir. 2011)
7 (“[E]stablishing a threat of irreparable harm in the indefinite future is not
8 enough.”). Further, the record lacks any evidence that monetary relief would be
9 inadequate. Between Plaintiffs’ indubitably meticulous records, and knowledge of
10 their licensing fees, monetary damages may readily be calculated and paid if
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12 Commc’ns, Inc., 694 F.3d 1312, 1339–40 (Fed. Cir. 2012) (no irreparable harm
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13 because the plaintiff “broadly and extensively” pursued license fees for its
14 technology and “no fact finder could reasonably conclude that [plaintiff] would be
15 irreparably harmed by the payment of a royalty (a licensing fee)”).
16 In addition, Plaintiffs have been unable to offer evidence of any actual
17 complaints from their licensees concerning Redbox’s sales. In response to a
18 discovery request for communications representing complaints from licensees,
19 Plaintiffs only produced two written questions—not complaints—from their
20 licensees asking about Disney’s position concerning Redbox. See Appendix of
21 Sealed Documents Exs. B, C. And Ms. Marinelli testified at her deposition that
22 Disney’s negotiations with its licensees have not been affected by Redbox’s
23 behavior, that conversations about Redbox have been brief at most, and that after
24 Plaintiffs commenced this lawsuit, the licensees have not brought the issue up
25 again. Marinelli Dep. at 23:24–27:15; 34:6–36:16; 171:10–22. Thus, a preliminary
26 injunction is not necessary to preserve Plaintiffs’ relationships with their licensees.
27 In sum, Plaintiffs have failed to meet their burden of establishing irreparable
28 harm and are therefore not entitled to a preliminary injunction. In contrast, the harm
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1 to Redbox would be clear and substantial. Redbox has invested considerable time
2 and resources in launching the digital code product line at a cost to Redbox of over
3 $700,000. Smith Decl. ¶ 15. An injunction would deprive Redbox from realizing
4 any return on that investment and would deprive Redbox of any potential profits.
5 An injunction would also delay Redbox’s entry into the market for digital
6 downloads while this case is pending.
7 The public interest is also not in favor of an injunction. Plaintiffs admit that
8 the goal of this lawsuit is to increase the prices that customers must pay for digital
9 copies. Marinelli Decl. ¶ 19. But the public has an interest in affordable
10 entertainment unaffected by Plaintiffs’ abuse of their limited monopoly rights. See
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11 Bobbs-Merrill Co., 210 U.S. at 341; Omega S.A. v. Costco Wholesale Corp., 776
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12 F.3d 692, 695 (9th Cir. 2015) (“copyright holders cannot use their rights to fix
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13 resale prices in the downstream market”); McGuire v. Times Mirror Co., 405 F.
14 Supp. 57, 65 (C.D. Cal. 1975) (“[T]he public interest … is best served by providing
15 quality goods at the lowest possible price.”). Because Plaintiffs admit that
16 consumers would be harmed, the Court should decline to grant an injunction.
17 DATED: January 16, 2018 ROBINS KAPLAN LLP
18
By: /s/ Michael A. Geibelson
19 Michael A. Geibelson
20 ATTORNEYS FOR DEFENDANT
REDBOX AUTOMATED RETAIL, LLC
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