Nid, Haryana: by Hassan Jaseem KM S9, B.Arch. MKANEBCO17 14-12-2017
Nid, Haryana: by Hassan Jaseem KM S9, B.Arch. MKANEBCO17 14-12-2017
Nid, Haryana: by Hassan Jaseem KM S9, B.Arch. MKANEBCO17 14-12-2017
BY HASSAN JASEEM KM
14-12-2017
CHAPTER 1
1.1 Introduction
National Design policy, 2011 recognized the strategic role of design in national and industrial
competitiveness and value addition in service and manufacturing industries. Policy
envisages integrating India’s rich tradition with contemporary innovative process. National
Design Policy is guided by a multipronged framework, one aspect of which is; “raising Indian
design education to global standards of excellence”
Four more National Institutes of Design on pattern of NID are intended to be set up in
different regions, during the 11th five year plan, “Spreading quality education in design to all
regions of India” those are at: Kurukshetra (Haryana), Bhopal (Madhya Pradesh), Jorhat
(Assam) and Vijayawada (Andhra Pradesh).
India has a vibrant design industry and an ever-increasing number of design users backed by
a strong platform of design education. Indian designers are an eclectic mix of talent, insight
and experience. Design in India has matured over the years and continues to grow from
strength to strength.
While there is demand for skilled designers within the industry, there is also constant
increase in number of applicants to design institutes since 2010. The present size of the
design industry is estimated to be INR 21 billion with a potential of INR 116.81 billion and
future potential of INR 188.32 billion by 2020. Under the present circumstances, against a
potential of INR 116.81 billion, the realised market is only INR 21 billion meaning only one
fifth of the potential is yet realised
NID is the only institute of its kind in India. And only few talented students get the
opportunity to study here due to the restrictions in intake. Hence the advent of its kind can
help to fulfil at least a few more. The feasibility of design of a new campus stems primarily
from the a=main concern of the institute which is to implement inputs from design,
education into all areas of professional and industrial design. Apart from this other main
objectives also include:
1.4 Aim
1.5 Objectives
To design a campus that is integrated with the traditions and inherent knowledge of
the Indian society, thus inspiring innovation in the right direction
To develop a site layout that promotes the integration of the nature and built space
alike in day-to-day activities of user groups
To design an environment which can allow the students, teachers and clients to
adopt to the modern trends in design industry in all the disciplines; industrial,
communication and textile and apparels
1.6 Methodology
1.7 Scope and limitation
Scope of the project lies in the development of a concept which gives way to a master plan
that integrates built and un-built spatial requirements of design aspirants, embedded in an
environment rich in the traditional knowledge and culture. Various blocks of the master
plan will be detailed.
The project will be limited to the design and detailing of academic and administrative
blocks, since the time frame does not allow the detailing of residential blocks and landscape
design
1.8 Site
The site for NID Haryana, is located at Umri village, near Kurukshetra town.
Site has an Area of 20.6 acres out of which 6 acres of site is in Green belt region along NH
44.
NID Kurukshetra is intended to cater the aspiring designers in north zone. It’s known as the
setting of the Hindu epic poem the “Mahabharata. “
In 2008, regional engineering college of Kurukshetra was accredited National standard; NIT
Kurukshetra
The state is famous for many unique Haryana crafts, which are exported all over the world
and most famous is Surajkund crafts fair held in February every year.
CHPATER 2
Govt of India invited American industrial designer couple Charles and Ray Eames invited to
India for recommendations on a programme of training in design that would serve as an aid
to the small industries. Eames Report recommendation was:
“…an institute of design, research and service which would also be an advanced
training medium.”
“It would be connected with the Ministry of Commerce and Industry but it should
retain enough autonomy to protect its prime objective from bureaucratic disintegration.”
Foundation Year
The one-year Foundation Program introduces students to the fundamentals of design and
helps develop their, faculties perception, aesthetic sensitivity and material understanding.
The multi-disciplinary nature of design and the relationship of design with human senses
and emotions, culture, environment and ecology is sought to be-communicated to them
through the various courses they do.
Industrial Design
Industrial design is concerned primarily with the relationship between industries, systems
and those who use them. This faculty inculcates user centric approach and processes.
Responsibility and concern towards the social, physical and ecological environments is
emphasized in the process of developing innovative ideas.
Communication design
The Communication Design Faculty prepares students to face the new challenges and
technological advancements in the field of traditional and digital media
The Textile and Apparel Design Faculty strives to develop innovative and synergetic
approaches to design for diverse sectors of the textile and apparel industry, markets, the
social sector, informed by an appreciation of the cultural heritage, socio-economic, ethical
and environmental concerns that are developed through fieldwork and research.
2.3 Students intake
2.4 Spatial Requirements
a) Academic area
b) Administrative area
c) Amenities area
A small department library may be developed to cater to the special needs of the design
students. Similarly the resource centre could be provided with equipment according to the
needs of students.
OAT, Exhibition, could be shared with whatever special provision that may be required by
the students of design.
1) OAT
2) Gymnasium
3) Sports ground
Campus should have an appropriate image of its own making, an amalgam of buildings and
landscape that communicates a distinctive sense of place, functionality suitable for the
institutions particular purposes. Campus design methods and concepts will have to be
flexible and responsible to balancing continuity and change in the physical environment.
"A campus should grow like a baby in all directions" - Eero Saarinen.
Campus design must anticipate, as nearly as possible, the nature of probable growth and
change. Providing flexibility and indeterminacy, is perhaps the greatest challenge to the
Architect. There are three major aspects to growth and change.
(i) First is the overall growth or expansion of facilities caused by increasing
enrolment.
(ii) Second is the differential growth that occurs in various areas of the campus
along with overall growth.
(iii) The third aspect is the internal flexibility required for changing uses of spaces
and services. A coherence and sense of identity for all parts must be
maintained in the design as a whole while certain parts remain incomplete. To
do so demands a discipline, a kind of pre- designed matrix or systems fabric
that will insure order in future development, without being too restrictive.
There are various types and pattern of growth, which can be identified. Four basic patterns
that might encompass most of the types in use are the:
This project was selected for studying the modern approach towards campus design, here
design institute; as an important landmark to the city.
CONCEPT
Necessary blocks are vertically zoned, based on Le
Corbusier’s concept of “Legs of education”
Amenities, grounds are provided in the ground floor. Library,
Administrative offices are provided on the “common
resources” floor.
GENERAL ZONING
PUBLIC INTEGRATION
Public integration is made possible through providing public plazas, wtih public access from
all sides of the building
This ensures activity around the campus, and
improves social interactional skills of students.
CROSS VENTILATION
Quality air is essential for the human comfort.Here cross ventilation is made possible by
providing sufficient space between different blocks. Vertical stack effect is made possible by
giving a shaft open to sky at top and to plaza below
NATURAL LIGHTING
Trees that were present in the site during construction were conserved, and were used to
improve the quality of public life that are concentrated around the green spaces
Furthermore, Landscaping is promoted in all levels; Slope garden to street, street level
gardens, Podium gardens at open spaces at 7, 8 floors and roof garden on top
This project to study quality of spaces and relation between essential spaces in campus
CENTRAL COURT IS Studio Hall, a large flexible
space that provides for informal occupation over
all times of the day
Space distribution diagram shows that all spaces are connected to the central court
Services are nearby working area: stair case toilet etc