Bram Stoker

Abraham "Bram" Stoker (8 November 1847 20 April 1912) was an Irish author, best
known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known
as the personal assistant of actor Henry Irving and business manager of the Lyceum
Theatre in London, which Irving owned.

Early life
Stoker was born on 8 November 1847 at 15 Marino Crescent, Clontarf, on the northside
of Dublin, Ireland.[1] His parents were Abraham Stoker (17991876) from Dublin and
Charlotte Mathilda Blake Thornley (18181901), who was raised in County
Sligo.[2]Stoker was the third of seven children, the eldest of whom was Sir Thornley
Stoker, 1st Bt.[3] Abraham and Charlotte were members of the Church of Ireland Parish
of Clontarf and attended the parish church with their children, who were baptised there.[4]
Stoker was bedridden with an unknown illness until he started school at the age of seven,
when he made a complete recovery. Of this time, Stoker wrote, "I was naturally
thoughtful, and the leisure of long illness gave opportunity for many thoughts which were
fruitful according to their kind in later years." He was educated in a private school run by
the Rev. William Woods.[5]
After his recovery, he grew up without further serious illnesses, even excelling as an
athlete (he was named University Athlete) at Trinity College, Dublin, which he attended
from 1864 to 1870. He graduated with honours as a B.A. in Mathematics. He was auditor
of the College Historical Society (the Hist) and president of the University Philosophical
Society, where his first paper was on Sensationalism in Fiction and Society.

Early career
Stoker became interested in the theatre while a student through his friend Dr. Maunsell.
He became the theatre critic for the Dublin Evening Mail, co-owned by the author of
Gothic tales Sheridan Le Fanu. Theatre critics were held in low esteem, but he attracted
notice by the quality of his reviews. In December 1876, he gave a favourable review of
Henry Irving's Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at
the Shelbourne Hotel where he was staying, and they became friends. Stoker also wrote
stories, and "The Crystal Cup" was published by the London Society in 1872, followed
by "The Chain of Destiny" in four parts in The Shamrock. In 1876 while a civil servant in
Dublin, Stoker wrote the non-fiction book The Duties of Clerks of Petty Sessions in
Ireland (published 1879) which remained a standard work.[5] Furthermore, he possessed
an interest in art, and was a founder of the Dublin Sketching Club in 1879.

Lyceum Theatre
In 1878 Stoker married Florence Balcombe, daughter of Lieutenant-Colonel James
Balcombe of 1 Marino Crescent. She was a celebrated beauty whose former suitor
was Oscar Wilde.[6] Stoker had known Wilde from his student days, having proposed him
for membership of the universitys Philosophical Society while he was president. Wilde
was upset at Florence's decision, but Stoker later resumed the acquaintanceship, and
after Wilde's fall visited him on the Continent.[7]
The Stokers moved to London, where Stoker became acting manager and then business
manager of Irving's Lyceum Theatre, London, a post he held for 27 years. On 31
December 1879, Bram and Florence's only child was born, a son whom they christened
Irving Noel Thornley Stoker. The collaboration with Henry Irving was important for Stoker
and through him he became involved in London's high society, where he met James
Abbott McNeill Whistler and Sir Arthur Conan Doyle (to whom he was distantly related).
Working for Irving, the most famous actor of his time, and managing one of the most
successful theatres in London made Stoker a notable if busy man. He was dedicated to
Irving and his memoirs show he idolised him. In London Stoker also met Hall Caine, who
became one of his closest friends he dedicated Dracula to him.
In the course of Irving's tours, Stoker travelled the world, although he never
visited Eastern Europe, a setting for his most famous novel. Stoker enjoyed the United
States, where Irving was popular. With Irving he was invited twice to the White House,
and knew William McKinley and Theodore Roosevelt. Stoker set two of his novels there,
using Americans as characters, the most notable being Quincey Morris. He also met one
of his literary idols, Walt Whitman.

Writings
Stoker visited the English coastal town of Whitby in 1890, and that visit is said to be part
of the inspiration for Dracula. He began writing novels while manager for Henry
Irving and secretary and director of London's Lyceum Theatre, beginning with The
Snake's Pass in 1890 and Dracula in 1897. During this period, Stoker was part of the
literary staff of the The Daily Telegraph in London, and he wrote other fiction, including
the horror novels The Lady of the Shroud (1909) and The Lair of the White
Worm (1911).[8] He published his Personal Reminiscences of Henry Irving in 1906, after
Irving's death, which proved successful,[5] and managed productions at the Prince of
Wales Theatre.
Before writing Dracula, Stoker met rmin Vmbry, a Hungarian writer and traveller.
Dracula likely emerged from Vmbry's dark stories of the Carpathian
mountains.[9] Stoker then spent several years researching European folklore and
mythological stories of vampires.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional
diary entries, telegrams, letters, ship's logs, and newspaper clippings, all of which added
a level of detailed realism to the story, a skill which Stoker had developed as a newspaper
writer. At the time of its publication, Dracula was considered a "straightforward horror
novel" based on imaginary creations of supernatural life.[8]"It gave form to a universal
fantasy . . . and became a part of popular culture."[8]
Stoker was a deeply private man, but his almost sexless marriage, intense adoration
of Walt Whitman, Henry Irving and Hall Caine, and shared interests with Oscar Wilde, as
well as the homoerotic aspects of Dracula have led to scholarly speculation that he was
a repressed homosexual who used his fiction as a outlet for his sexual frustrations.[10] In
1912, he demanded imprisonment of all homosexual authors in Britain: it has been
suggested that this was due to self-loathing and to disguise his own vulnerability.[11] A
friend of Wilde, Stoker commenced writing Dracula only weeks after his conviction,
possibly fearful and inspired by the monstrous image and threat of otherness that the
press coverage of the Wilde trials generated.[12][13]
According to the Encyclopedia of World Biography, Stoker's stories are today included
in the categories of "horror fiction", "romanticized Gothic" stories, and
"melodrama."[8] They are classified alongside other "works of popular fiction" such
as Mary Shelley's Frankenstein,[14]:394 which also used the "myth-making" and story-
telling method of having multiple narrators telling the same tale from different
perspectives, according to historian Jules Zanger. "'They can't all be lying,' thinks the
reader."[15]
The original 541-page typescript of Dracula was believed to have been lost until it was
found in a barn in northwestern Pennsylvania in the early 1980s.[16] It consisted of typed
sheets with many emendations, plus handwritten on the title page was "THE UN-DEAD."
The author's name was shown at the bottom as Bram Stoker. Author Robert Latham
remarked: "the most famous horror novel ever published, its title changed at the last
minute."[14] The typescript was purchased by Microsoft co-founder Paul Allen.
Stoker's inspirations for the story, in addition to Whitby, may have included a visit
to Slains Castle in Aberdeenshire, a visit to the crypts of St. Michan's Church in Dublin,
and the novella Carmilla by Sheridan Le Fanu.[17]
Stoker's original research notes for the novel are kept by the Rosenbach Museum and
Library in Philadelphia. A facsimile edition of the notes was created by Elizabeth
Miller and Robert Eighteen-Bisang in 1998.

Death
After suffering a number of strokes, Stoker died at No. 26 St George's Square, London
on 20 April 1912.[18] Some biographers attribute the cause of death to tertiary
syphilis,[19] others to overwork.[20] He was cremated, and his ashes were placed in a
display urn at Golders Green Crematorium in north London. After the death of Stoker's
son, Irving Noel Stoker in 1961, Irving's ashes were added to that urn. The original plan
had been to keep his parents' ashes together, but after Florence Stoker's death, her
ashes were scattered at the Gardens of Rest.

Beliefs and philosophy

Stoker was raised a Protestant in the Church of Ireland. He was a strong supporter of
the Liberal Party and took a keen interest in Irish affairs.[5] As a "philosophical home
ruler," he supported Home Rule for Ireland brought about by peaceful means. He
remained an ardent monarchist who believed that Ireland should remain within the British
Empire, an entity that he saw as a force for good. He was an admirer of Prime
Minister William Ewart Gladstone, whom he knew personally, and supported his plans
for Ireland.[21]
Stoker believed in progress and took a keen interest in science and science-
based medicine. Some Stoker novels represent early examples of science fiction, such
as The Lady of the Shroud (1909). He had a writer's interest in the occult,
notably mesmerism, but despised fraud and believed in the superiority of the scientific
method over superstition. Stoker counted among his friends J. W. Brodie-Innis, a
member of the Hermetic Order of the Golden Dawn, and hired member Pamela Colman
Smith as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever
joined the Order himself.[22][23][24]

Posthumous
The short story collection Dracula's Guest and Other Weird Stories was published in
1914 by Stoker's widow, Florence Stoker, who was also his literary executrix. The first
film adaptation of Dracula was F. W. Murnau's Nosferatu, released in 1922, with Max
Schreck starring as Count Orlock. Florence Stoker eventually sued the filmmakers, and
was represented by the attorneys of the British Incorporated Society of Authors. Her chief
legal complaint was that she had neither been asked for permission for the adaptation
nor paid any royalty. The case dragged on for some years, with Mrs. Stoker demanding
the destruction of the negative and all prints of the film. The suit was finally resolved in
the widow's favour in July 1925. A single print of the film survived, however, and it has
become well known. The first authorised film version of Dracula did not come about until
almost a decade later when Universal Studios released Tod
Browning's Dracula starring Bela Lugosi.
Canadian writer Dacre Stoker, a great-grandnephew of Bram Stoker, decided to write "a
sequel that bore the Stoker name" to "reestablish creative control over" the original novel,
with encouragement from screenwriter Ian Holt, because of the Stokers' frustrating
history with Dracula's copyright. In 2009, Dracula: The Un-Dead was released, written
by Dacre Stoker and Ian Holt. Both writers "based [their work] on Bram Stoker's own
handwritten notes for characters and plot threads excised from the original edition" along
with their own research for the sequel. This also marked Dacre Stoker's writing
debut.[25][26]
In Spring 2012, Dacre Stoker (in collaboration with Prof. Elizabeth Miller) presented the
"lost" Dublin Journal written by Bram Stoker, which had been kept by his great-grandson
Noel Dobbs. Stoker's diary entries shed a light on the issues that concerned him before
his London years. A remark about a boy who caught flies in a bottle might be a clue for
the later development of the Renfield character in Dracula.[27]
On 8 November 2012, Stoker was honoured with a Google Doodle on Google's
homepage commemorating his 165th birthday.[28][29]
An annual festival takes place in Dublin, the birthplace of Bram Stoker, in honour of his
literary achievements. The 2014 Bram Stoker Festival encompassed literary, film, family,
street, and outdoor events, and ran from 2427 October in and around Dublin
City.[30][31] The festival is supported by the Bram Stoker Estate[32] and funded by Dublin
City Council and Filte Ireland.

Bibliography[
Novels[

The Snake's Pass (1890)

Seven Golden Buttons (1891)
The Watter's Mou' (1895)
The Shoulder of Shasta (1895)
Dracula (1897)
Miss Betty (1898)
The Mystery of the Sea (1902)
The Jewel of Seven Stars (1903)
The Man (a.k.a. The Gates of Life) (1905)
Lady Athlyne (1908)
The Lady of the Shroud (1909)
The Lair of the White Worm (a.k.a. The Garden of Evil) (1911)
Short story collections[edit]

Under the Sunset (1881), comprising eight fairy tales for children.
Snowbound: The Record of a Theatrical Touring Party (1908)
Dracula's Guest and Other Weird Stories (1914)
Uncollected stories

Date of
Title earliest Earliest appearance Novelisation
appearance

"The Crystal
xx/09/1872 London Society (London)
Cup"
 13 March
"Buried
1875 and 20 The Shamrock (Dublin)
Treasures"
March 1875

1 May 1875
"The Chain of
and 22 May The Shamrock (Dublin)
Destiny"
1875

"Our New 20 December

Boston Herald (Boston)
House" 1895

"The
Dualitists; or,
The Theatre
The Death xx/xx/1887
Annual (London)
Doom of the
Double Born"

"The
xx/xx/1889 Chapter 3 of The
Gombeen The People (London)
xx/xx/1890 Snake's Pass
Man"

Current Literature: A
"The Night of
Magazine of Record and
the Shifting xx/01/1891
Review Vol. VI. No. 1. (New
Bog"
York)

Chapter 10 of The Fate

"Lord The Gentlewoman: The
30 January of
Castleton Illustrated Weekly Journal
1892 Fenella (Hutchinson,
Explains" for Gentlewomen (London)
1892)

"Old Hogen: A
xx/xx/1893
Mystery"

"The Man from The Pall Mall

xx/02/1894
Shorrox'" Magazine (London)

The Cosmopolitan: An
"The Red
xx/09/1894 Illustrated Monthly
Stockade"
Magazine (London)
"When the Sky
xx/xx/1894
Rains Gold"

Current Literature: A
"At the Magazine of Record and
xx/11/1895
Watter's Mou'" Review Vol. XVIII. No.
5. (New York)

"Bengal
xx/xx/1898
Roses"

"A Yellow Lloyd's Weekly

7 May 1899
Duster" Newspaper (London)

"A Young
xx/xx/1899
Widow"

"A Baby
xx/xx/1899
Passenger"

"Lucky
Escapes of Sir xx/xx/1890
Henry Irving"

The Mystery of the Chapters 1 and 2

"The Seer" xx/xx/1902 Sea (New York: of The Mystery of the
Doubleday, Page & Co) Sea

The Jewel of the Seven Alternate ending

"The Bridal of
xx/xx/1903 Stars (London: William to The Jewel of Seven
Death"
Heinemann) Stars

"What They
Confessed: A
Low xx/xx/1908
Comedian's
Story"
 "The Way of Everybody's Story
xx/xx/1909
Peace" Magazine (London)

"The 'Eroes of The Royal

xx/10/1908
the Thames" Magazine (London)

The London
"Greater Love" xx/10/1914
Magazine (London)

Non-fiction

The Duties of Clerks of Petty Sessions in Ireland (1879)

A Glimpse of America (1886)
Personal Reminiscences of Henry Irving (1906)
Famous Impostors (1910)
Bram Stoker's Notes for Dracula: A Facsimile Edition (2008) Bram Stoker Annotated
and Transcribed by Robert Eighteen-Bisang and Elizabeth Miller, Foreword by
Michael Barsanti. Jefferson NC & London: McFarland. ISBN 978-0-7864-3410-7
Articles[edit]

"The Question of a National Theatre" The Nineteenth Century and After, Vol. LXIII,
January/June 1908.
"Mr. De Morgan's Habits of Work" The World's Work, Vol. XVI, May/October 1908.
"The Censorship of Fiction" The Nineteenth Century and After, Vol. LXIV,
July/December 1908.
"The Censorship of Stage Plays" The Nineteenth Century and After, Vol. LXVI,
July/December 1909.
"Irving and Stage Lightning" The Nineteenth Century and After, Vol. LXIX,
January/June 1911.
Critical works on Stoker[edit]

William Hughes, Beyond Dracula (Palgrave, 2000) ISBN 0-312-23136-9[33]

Belford, Barbara. Bram Stoker: A Biography of the Author of Dracula. London:
Weidenfeld and Nicolson, 1996.
Senf, Carol. Science and Social Science in Bram Stoker's Fiction (Greenwood,
2002).
Senf, Carol. Dracula: Between Tradition and Modernism (Twayne, 1998).
Senf, Carol A. Bram Stoker (University of Wales Press, 2010).
Skal, David J. Something in the Blood: The Untold Story of Bram Stoker (Liveright,
2016)
Bibliographies[edit]

William Hughes Bram Stoker Victorian Fiction Research Guide