Syncopation (Ted Reed)

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The document contains numerous repetitions of number sequences and rhythmic patterns, focusing on syncopation, triplets, and accented notes.

Number sequences like '16 BAR EXERCISE' and rhythmic patterns using triplets and accented notes are repeated on many pages.

Triplets divide the beat into three equal subdivisions and are notated with a 3 above or below the notes. They allow for rhythmic variations by stressing different notes in the triplet group.

NUMERO 1

2
16 BAR EXERCISE

NUMERO 2

16 BAR EXERCISE

NUMERO 3

16 BAR EXERCISE



NUMERO 4 5

20 BAR EXERCISE

NUMERO 5



8
20 BAR EXERCISE

NUMERO 6
3 3 3 3 3

3 3 3 3 3

3 3 3 3 3

3 3 3 3 3 3 3


3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3


9
3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3


10
16 BAR EXERCISE
3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3

NUMERO 7
3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3


11
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3

3 3 3 3 3 3


12
16 BAR EXERCISE
3 3 3 3 3 3

3

3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3

NUMERO 8
3 3 3 3


3 3 3 3


3 3 3 3


3 3 3 3


3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3


13
3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3


14
16BAR EXERCISE
3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3

NUMERO 9



15



16
20 BAR EXERCISE

NUMERO 10



17



18

20 BAR EXERCISE



NUMERO 11 19



20



21



22



23
40 BAR EXERCISE



24

48 BAR EXERCISE



25

NUMERO 12



26

NUMERO 13



27

48 BAR EXERCISE



28

SYNCOPATION

4
1 + 2 + 3 4 1 + 2 + 3 4 1 +2 + 3 1 2 +3 + 4 1 2 + 3 + 4


A B C

1 2 3 + 4 + 1 2 3 + 4 + 1 + 2 + 3 + 4 +
1 2 +3 + 4 1 2 3 + 4 +

1 + 2 +

3 + 4 +

3 +4 +
1 +2 +

1 + 2 + 3 + 4 +
1 + 2 + 3 + 4 +

29


4 + 4
1 +2 +3 + 4 +
1 + 2 + 3 4 1 + 2 + 3 4 1 +2 + 3 1 2 + 3

+ 1 2 3 + 4 + 1 2 3 +4 +
1 2 + 3 + 4 1 2 +3 + 4 1 2 3 + 4


1 + 2 3 + 4 1 + 2 + 3 + 4 1 +2 + 3 + 4 + 1 + 2 + 3 + 4

1
+

2 + 3 + 4 + 1 +2 +3 + 4 +

1 + 2

3 4 1

+ 2 3 4

1 +2 +

3 4 1 2
3 + 4 1 2
3 + 4 + 1 2 3 +4 +

NUMERO 14




30

NUMERO 15



31

NUMERO 16



32

NUMERO 17



33




34
EXERCISE 1 SYNCOPATION











EXERCISE 2 SYNCOPATION 35





36
EXERCISE 3 SYNCOPATION




EXERCISE 4 SYNCOPATION 37




38 EXERCISE 5 SYNCOPATION







EXERCISE 6 SYNCOPATION 39




40
EXERCISE 7 SYNCOPATION




SYNCOPATION 41


EXERCISE 8




42
SYNCOPATION

EXERCISE 9
3
3


3 3 3 3


3 3 3


3 3 3 3



3 3 3 3

3 3 3 3 3 3 3 3 3


3 3


3


3 3


3 3 3 3

3 3 3




43





NUMERO 18




44





45


28 BAR EXERCISE





46














(NUMERO 19) ACCENTED DOTTED EIGHTH AND SIXTEENTH NOTES




















47





48





28
BAR EXERCISE

49




















(NUMERO 20) ACCENTED EIGHTH NOTE TRIPLETS


3 3 3 3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3 3 3 3


3
3 3 3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3 3 3 3


50
3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 33 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3


51
3
3
3 3 3
3
3 3 3 3
3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 33 3 3 3 3 3 3 3 3 3

3 3 3 3
3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3 3 3 3 3

3 3
3 3 3 3 3 3 3 3 3 3

3 3 3
3 3 3 3 3 3 3 3 3

3 3 3 3
3 3 3 3 3 3 3 3

3 3 3 3 3 3
3 3 3 3 3 3


52
3 3
3 3 3 3 3 3 3 3 3 3

3 3 3
3 3 3 3 3 3 3 3 3

3 3 3 3
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3
3 3 3 3 3

3 3 3
3 3 3 3 3 3 3 3 3

3 3 3 3
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3
3

3 3 3 3
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3
3 3 3 3 3 3 3 3 3 3


53
3
3 3 3 3
3 3
3 3
3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3
3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3
3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3
3 3 3 3 3 3 3 3 3 3 3

3
3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3


54
3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3


3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3


55

3 3
3 3 3
3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

36 BAR EXERCISE
3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3
3 3 3 3 3 3 3 3 3

33 3 3 3 3 3 3 3 3 3 3

33 3 3 3 3 3 3 3 3 3 3


56
3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 3
3 3 3 3 3 3 3 3

3 3
3 3 3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3
3 3 3 3

3 3 3 3 3 3 3 3 3
3

(NUMERO 21) TRIPLETS WITH MIXED STICKING

3 3 3 3 3 3 3 3

R L R R L R R L R R L R R L R R L R R L R R L R

3 3 3 3 3 3 3 3

L R L L R L L R L L R L L R L L R L L R L L R L
3 3 3 3 3 3 3 3

R L R R L R L R L L R L R L R R L R L R L L R L
3 3 3 3 3 3 3 3

R L R L R R L R L R L L R L R L R R L R L R L L
57

3
3
3
3
3
3
3
3

R L L R L L R L L R L L R L L R L L R L L R L L

3 3 3 3 3 3 3 3

L R R L R R L R R L R R L R R L R R L R R L R R

3 3 3 3 3 3 3 3

R R L R R L R R L R R L R R L R R L R R L R R L

3 3 3 3 3 3 3 3


L L R L L R
L L R L L R L L R L L R L L R L L R

3 3 3 3 3 3 3 3

R L L R R L L R R L L R R L L R R L L R R L L R

3 3 3 3 3 3 3 3

R R L L R R L L R R L L R R L L R R L L R R L L

3 3 3 3 3 3 3 3

R L R R L R L L R L R R L R L L R L R R L R L L

3 3 3 3 3 3 3 3

R R R L L L R R R L L L R R R L L L R R R L L L
58
(NUMERO 22) ACCENTED SIXTEENTH NOTES


































59





60





61





PROGRESIVE STEPS TO

SYNCOPATION

FOR THE MODERN DRUMMER

Publshed By

TED REED

TRANSCRIPCION A SIBELIUS :
HAROLD JULIAN VILLAMIZAR RAMIREZ
PAMPLONA
2007

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