Fundamental of Textile and Their Care Book
Fundamental of Textile and Their Care Book
Fundamental of Textile and Their Care Book
Fourth Edition
Susheela Dantyagi
Orient Longman
Internatlo,,~1 Book Distr'butl
ChamaD f . ! " I,: "'t'. 2nd. fi'),
OIUENT,LONGMAN LIMITED
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To
Late Rajkumari Amrit Kaur
Acknowledgements
The author gratefully thanks the following organisations for their kind
and generous permission to use and reproduce tbe various photographs
and diagrams.
,
~ Jr~:!y~ New Delhi
The Delhi Cloth and General Mills Limited, Delhi
The Millowners' Association, Bombay
Mpdella Woollens Limited, Bombay
Modella Knitwear, Ludhiana, Punjab
Calico Mills, Ahmedabad
Bombay Dyeing and Manufacturing Co., Bombay
Hindustan L~e! Limited, 110m bay
Handloom Board, New Delhi
. .
Silk and Artsilk Research Association, Bombay
Foreword
Any publication that will prove of use to Indian house wives and to
Home Science institutions is a welcome addition to the somewhat
meagre literature that is now available. Apart from this consideration,
Mrs Dantyagi's book has an intrinsic value that gives it an added
significance. I hope that this effort of hers to present to the Indian
public a vital aspect of an important subject will be followed by other
similarly useful contributions.
If the Indian home is to play its true role in modern life, the Indian
housewife must be kept abreast of all new trends and developments.
Indeed the home must be always responsive to the changing environ-
ment and to the changing needs, if it is to survive as an active agent
of progress. t;..
I am glad tbat the book is dedicated to Rajkumari Amrit Kaur, a
founder member of the Governing Body of the Lady Irwin College,
the pioneer and still the premier institution in India for Home Science
studies. Rajkumariji's keen and continued interest in the furtherance
of knowledge and in the promotion of the welfare of women is well
deserving of the tribute paid to her by Mrs Dantyagi. I have pleasure
in recommending Mrs Dantyagi's book to all schools and colleges
engaged in raising the status of Home Science courses and to all
individuals who desire to import into their homes an atmosphere of
bappiness, harmony and security.
Due to popular demand, both from students and consumers, the fourth
edition of the book h~s ben suitably revised and expanded.
In response to a demand from students, particular topics as: the
scope of textiles, high tenacity viscose rayon, permanent press in
fabrics, 'Home-dyeing-the Batik way' have been added.
Admittedly, our textile industry is scaling new heights and entering
bew horizons. Our manmade fibres/fabrics are not used to satisfy
apparel needs of the country alone. They have industrial household
and defence uses also. While it is not only. necessary to buy these
textiles wiseII' it is equaIJy.,necessary to care for them suitably. The right
choice and lise of cleaning supplies and detergents is a must. Realising
a need, a chapter on synthetic or soapless detergents has been added .
. The to~ics include: the plac1r of detergents today; the advantages
offered by soapless detergents; the manufacture of soapless detergents,
>soapless detergent powders, liquid soapless detergents and their use.
The author is gre~tly indebted '~o the Research Department of the
Hindustan Lever .Limited; Dr 0 P Singh, Professor and Head, Depart- ,
ment of Textiles, Punjab Agricultural University, Ludhiana, Punjab;
and to Miss B Daftary, Head orDepartment of Textile and Clothing
Construction, S.N.D. T. University, BO!,ibay, for tlIeir kind association
and revision of the book. -
SUSHEELA 'DANTYAGI
S.D.
S.D.
Preface to the First Edition
,
The material presented in this volume is the result of years of work
in developing a practical course for Textiles and Laundry Work in
the Lady Irwin College for Home Science.
In 1948, the book was made availahle in cyclostyled form to my
students. With more experience the book was revised and enlarged
and is now printed in response to pressing requests from several
friends, and colleges and schools.
In India, the one serious mistake which every Indian housewife
makes is the amount of soiling that she allows to accumulate on linen
before sending it to the dhobi. Perhaps the idea is to squeeze a little
more value out of the cost 'of laundering. But in doing that the house-
wife is only cheating herself; for though she may gain a little through
a slight extension of each wearing period she is indirectly shortening
the life of the fabric. The dhobi's crude method of laundering is (he
llistress of all housewives. His bhatti not only ruins precious fabrics
but is also a carrier of many a disease.
The aim of this volume is to create an interest in, and impart some
knowledge 'if, the funda!llentals of textiles, dyeing and laundering
processes. I\s the country is planning for more and more electricity at
cheaper cost, a chapter has been added to deal with electrical equip-
- ment fcit laundry work.
The l;>ook is intended mairl'l'y for the use of students taking training
, in Home Science, butdt is hoped it will also proye helpful to the
vigilant housewife who is anxious to be thrifty and know something of
the why and how of the textiles now in the market and of their
appropriate treatment in the home without drudgery. J
I wish to acknowledge mygrateful thanks to (Late) Mrs Hannah
Sen, the first Directress of the Lady -Irwin College, who has kindly
written a foreword to this book.
My indebtedness is also due to Mrs B Tara Hai, B.A., L.T., B.Sc.,
London, the Ex-Directress of the Lady Irwin College and to my
friends Dr (Mrs) M B Kagal and Dr M Baliga for their valuable
suggestions and kind help in the preparation of the book in its various
stages.
Last but not least my sincere thanks go to my husband for his
never-failing guidance_.'!lJ.d encou'ragement.
Acknowledgement IS also made to the authors and publishers who
have so kindly given permission for the use of their materials. The
names,are given in the Bibliography,
S.D.
~~~--..,-.
~- , .. ,( ~
~
qi/7
Contents
7 WATER/179-184
C.HA PTE R 1
Textile Fibres
From ancient days India has been famous for her beautiful fabrics.
The art of her gold brocades and filmy muslins 'comely as the curtains
of Solomon' is older than the Puranas. The Puranas tell us that spin-
ning and weaving were important handicrafts and that Vedic Indians
were fond of Suvasas or beautiful garments. Vedic hymns sang of
Ushas, the daughter of Heaven, 'clothed with radiance' .. .'Day and
night spreading light and darkness over the earth like two female
weavers weaving a garment'. From the Arthashastra we learn that the
materials employed for spinning then were wool (urna), cotton
(karpasa), hemp (tula) and flax (kshauma). The work of weaving in
those days was entrusted only to women, and their wages depended
upon the fineness of the yarn which they spun.
Textile fabrics originally took their names from the piace where they
first acquired excellence and retained them long. after the local manu-
facture had been transferred elsewhere. Thus we have dam ask from
Damascus, satin from Zaytown in China, sindon, sandalin from Sindh,
calico from Calicut, worstcd from Worsted in England, and muslin
from Mosul (in Asiatic Turkey). Chintz is derived from chint, or chote,
which in Hindi means 'spotted'. whence cnitta; cramoisy from kermes,
which means 'insect'.
SCOPE OF TEXTILES
The scope of textiles is vast and ever expanding. We are all aware
that the prime needs of man are food. clothing, shelter and fuel.
Textiles serve the indiVidual (man, woman and child), the home and
the country. They add to our comfort, appearance and to our every
happiness in several ways by their exceptional versatility. In the home,
and in interior decoration textiles help enhance their beauty. In a
larger sphere, they help serve our country in the army, navy, aeronau!!
tics and in our manifold industries. In recent years, there has been ati!
ever increasing demand forI
our textiles and clothing, both at home,l
and abroad. !I
Almost every state in India has its own exclusive textiles. Kashmir', ',a
popularly called 'The Touchstone of Beauty' is noted for its differeni',
exquisite embroidered fabrics. Kashmir carpets are famous all over'l
the world for their elegance, exquisite designs, workmanship, with
appropriate colour schemes and fine texture. They make our homeliving'
more graceful. Yet another of Kashmir's unsurpassed
,
handmade textile I
treasures are the Pashmina shawls. As Charles Dickens said: 'If an,
article of dress could be immutable it would be the Kashmir shawl"
designed for Eternity in the unchanging East, copied from pattern; I
which are heirlooms '~f the Orient'. For untold ages, Banaras has
been the home of Brocades and other select ,fabrics. We have the
exquisite Patolas from Patan, the silky muslin saris from Chanderi,'
delicate fabrics from Bengal, the Phulkaris from Punjab and so on. I
r, Natural
Cotton-Seed Hair
Flax-Stem
Cellulose Ramie-Stem
i"
I
Jute-Stem
l'emp-Stem
Sunn-Stem
I
,L
Sesal
Coir
,r Manufaclured
E_ayon-Pure cellulose
Cellulose I Viscose _
(Regenerated) ~
I Cuprammonium
L High-tenacity Rayons
,r
Natural
Wool-Sheep
Mohair-Angora Goat
I Cashmere and other speciality
I
I wool~
Protein
y-
,
Silk-silkworm
Manufactured
Ardil-Peanut fibre
I
I Vicara--:Zein of Corn
L Caslen-Casein of milk
4
Every citizen of modern India owes it to itself and to the nation at
large to strive and to become strong and dynamic. Such strength is the
product of faith in oneself and in one's country and heritage, re-
inforced by the assimilation of all available knowledge-national and
international. The growth of a new and dynamic India effecting
revolutionary changes within her body politic consistent with her
vision of human excellence and exerting her distinctive influence On
the rest of the world is the vision that should inspire all our life,
education, politics and religion. If this is the vision of Modern
Renaissance, who are the agents to work it Ollt? The instruments of
social change in our modern society are the educated folk of Ihal
sodety'.
An infinite variety of fabrics arc available today. In order to under-
stand how different materials must be laundered, one should know
something of their origin, manufacture, and properties, and their
reactions to thc different processes.
The common textile fibres may be classified as tollows:
r Natural
I Cotton-Seed Hair
I Flax-Stem
Ramie-Stem
~
Cellulose
~ Jute-Stem
,,' II Hemp-Stem
Sunn-Stem
Segal
I
l
" Coir
r Manufactured
1 Rayon-Pure cellnlose
Cellulose I Viscose
(Regenerated) ~
I Cuprammonium
L High-tenacity Rayons
r Natl/ral
I Wool-Sheep
I Mohair-Angora Goat
Cashmere and other speciality
~I
wools
Protein Silk-silkworm
Manufactured
- i Ardil-Peanut fibre
I
I Vicara-Zein of Corn
L Caslen-Casein of milk
4 /
Tbermoplastic ~
r Acetate- Cellulose Ester
Nylon- Polya mide
Dacron- Polyester
! Orion-Acrylic
I
L Vinyon
( Natural
I Asbestos
I
Manufactured
I Fibreglass
I
Mineral ~ Metallics
I Other common fibres
Rubber
} Alginates
l Paper
VEGETABLE FIBRES
COTTON
Antiquity
Cotton is the fabric for every home and is the most widely produced
of textile fabrics today. It has now been proved that India was the
. Origin
., The fibre '
comes from
,
the fruit of
the collpn plant .which grows in the
'tropical regions of the w<lfld. It is ..,
the downy 'boll' that surrounds the
sceqs ofthe plant. The cotton fibre
is alSt, called a 'seed hair' because
it is the fluffy fibrous material
which envelopes the seeds of the
plant, as distinguished from stem
or bast fibres such as flax or hemp.
The priucipal cotton producing
regions are Egypt, Southern United
States, India, Brazil, the western
and ,outhern coasts of Africa and
the East Indies. The U.S.A. pro-
duces more than 40 per cent of
/ the world's cotton. India ranks
second to the United States as/,,-
producer and exporter of cotton. FIG. 1.6 The cotton 'boll'
10
Manufacture of handmade cotton in India
The tools and appliances used by cotton weavers consist of a spinning
wheel (charka) and a spindle (takli). The cotton is first separated, and
carding follows. A bow-shaped beater known as a dhun is used for
the purpose. The string of the bow is placed on the cotton and is
made (0 vibrate by means of a wooden hammer. These vibrations
disentangle the fibres and cleanse these of all foreign matter such as
seeds and leaves, and soft fine cotton is left behind. This fine cotton
is next rolled on a stick in the form of a cylinder, about half a cubit
long and half an inch in diameter. This is fastened to the spindle or
takli. The wheel is turned again and again and the thread is gently
and carefully drawn out, until the thread is about three hundred
yards long. It is then taken out of the wheel and rolled on the charka.
When a quantity of thread has been spun and collected, it is wound
on a bamboo reel.
"When this is done the threads about IOOO-2400-according to the
stuff required-are worked on the mill. The length of the warps are
generally 50-1000 yards long. It is now set ready for weaving on the
handloom.
On finishing the weaving, the cloth is calendered with a blunt beater
to give it a gloss and to soften it.
It is finally p;!ssed to the hand folders to give the cloth the final
(04'
fold. The clotn IS then stamped, ticketed, and made ready for sale.
In recent years there has been a rapid development in the Handloom
Sector to meet the demand for bringing about technical and asthetic
betterment.
Realizing the socia-economic importance of the hand loom sector a
number of development programmes have been taken up recenHy.
Some of the highlights of the development programme inclUde
(1) Modernisation of looms
(2) Training weavers in improved techniques
(3) Development of cooperatives for production and marketing
(4) Diversifying production and increasing usc of multifibres
(5) Promoting consumer preference for handloom products, includ-
ing fairs and exhibitions, and exports. Steps are being taken to
bring into operation new spindlage so as to modernise equip-
ment to meet the full demands of the hand loom sector for
yarn-both for the home and export market.
Manufacture of cotton by machinery
PREPARATION. The fibres arc first removed from the seeds which are
used for the production of seed oil, hydrogenated fats, soaps and
cosmetics. The cotton mass is then compressed into bales for shipment
to the spinning mills.
11
Flo. J.7 Tatli
PJo. l.9 B ....,.
JIINISIIINO. Tho cotton cloth is .ow ready for 8niabiq whicJa iacIudes
stardIiDa. calellderiq. .....oriziac. IChreineriDag, ~ or
other finishes 88 is necessary for the particular 1180 for which the doth
is iGtended. 1'heae fiDish~ be applied to the yaros, but are usually
applied to tJA fabric. The fabrics may be given these special luishes
befOftl or after dyeiu,. SoJDe of theIe finishes are durable, othon semi-
4arab1e. ~entists, are improvi. on them everyday.
.
sa II eel."
The cottoA fibre is shOJt (I" to 2- loag) aud cylinclrkAll or tubular as
it ..... After ripeaiD& the sap inside the fibre drlcs lip It) tIJat the ,
fibre 8atteBs aad twists. This QaturaI twist ia of areat im~ u
it helps to keep the yarD firm aDlt Mrog aad mates it euier to tpiD
it mto 10111 tbleads. These twists are ctlled coDvolotioas. TIle Ibns
vary in the Dumber of coavolutions per iac:b.....-e coaoa ...
haW. as may as 300 per inch. Immatme cottoa 'Ilea .. JectitI8
in coavolutioDS. LoDJ JeaaPl and many coovolutioAl help fa the apia-
aiaJ 01 the ftbres. The fibre Of the yam when uatwistecl appell'S straicht
and inelastic
.......... ,,1III'8IIte
'Bx8JDinccl1Ulclcr the JDiaOsCope, tbe fibre is seen to be a narrow,
.tteoed structure with a spiral twist, with thick ir.npJar ectaea.
"
COTTON FABRICS
Kapok
It is a cotton fibre from" tree in India and the East Indies, called silk
floss. It is unsuitable for spinj1ing as it has no natural twist but is
useful for lifebuoys, belts 'and mattresses. Kapok is resistant to
vermiu, moisture, drying quikly when' wet. It is adaptable for articles
that are constantly exposed \0 moisture. Kapok is used for sound
proofing on airplanes and for insulating material. Under the micro-
scope, kapok is ea;ily distinguisbed from cotton as it appears to be a
hollow circular tube with very thin walls. It has no twists.
Composition of the fibre
The colton fibre i. essentially cellulose, consisting of carbon, hydrogen
and oxygen in the proportion of C.HIOO,. Bleached cattail is almost
.pure cellulose. Raw cotton contains about 5 per cent of impurities,
.
.,. seed oil, pectic acid, colouring matter,
consisting principallY of cotton
albumen, and wax. The wax acts as a protective coating to the fibre.
making it water-repellant. -
Flannelette and Flannel
Asoft napped cotton fabric, its warmth in wear being due to the fact
that the nap entangles a layer of air between the warm body and the
cold outside. In composition it is the same as ordinary cotton, but
treatment in weaving makes it very inflammable. For this reas,:,n
attempts ha~ been made'to.make it fireproof by saturating the fibre
with metallic'salt, but in general the fire-proofing'does not withstand
washing.,Flannelette is napped on one side only a~d flannel is napped
~n both sides. "
9rgandie
\.. A thin light fabric in the plain weave with a very stiff finish. It is
made from good quality combed yarn. Yarn is made from long staple,
cotton and is spun with many twists. This, along with the finishing
process produces its characteristiC"transparent' crispness. The aim is
to give a permanent finish. The fabric i~ ~sed for summer and evening
wear.
Muslin
It is a cool, very light, plain weave cloth also used for summer wear .
The name is derived from the city of Mosul (Asiatic Turkey), where
the fabric was first made. Muslins were not always plain, but had
silk and even gold stripes woven in, when made in Mosul, but as
cotton grew plentifully around, the town, and the women could spin
yarns of great fineness, the cotton yarns gradually superseded silk.
18
During the first century A.D., Indian muslins and jamdanis became
farnous in Rome under such names as nebula, gangetika and venti
textiles (woven winds). This translates the technical name of a special
type of Dacca muslin current in Bengal, which industry was ruined
by Lancashire products.
Chemical reactions
Mild alkaline substances such as ammonia, borax, and silicate of
soda, are not harmful to the cotton fibre. But it may affect the colour
of dyed cotton. Prolonged boiling, however, in the presence of air is
likely to tender it.
Dilute caustic alkali can be used with safety in the absence of air,
but concentrated caustic solutions change the nature of the fibre.
Dilute acids, such as sulphuric and hydrochloric acids, have little or
no effect on cotton, but if they are allowed to remain in the fabrics
for long the acid will become concentrated during drying and the
fabric will be weakened. Concentrated mineral acids destory the fibre.
All bleaches can be used with safety, but the use of oxidizing agents
demands great care, since they tend to weaken the fibre. Hence
thorough rinsing is necessary to ensure the removal of all traces of
acid from the fabric.
Other reactions'
Long exposure to water or moisture has no harmful effect on cotton'
fabrics. The tensile strength of cotton is greater when wet than when
dry. The strength of cotton increases about 25 per cent when wet. This
is important in washing and ironing. Fabrics which are stronger when
wet can be handled with less care. Hardness of water has no action on
the fibre but discoloration may result from the deposit of insoluble
soaps, produced by the action of soap on the hardening substances in
the water.
Friction can be applied and the fabric can be stretched without any
harmful effect, but fineness of fabric and looseness of weave have to
be taken into consideration, otherwise shrinkage and undue wear may
result.
Heat isnot harmful unless scorching takes place. The fibre can be
safely exposed to moist heat at boiling point. It scorches readily when
heat is applied by an over-heated iron. Prolonged steaming at 99C
to 100C has a tendering effect.
Exposure to light tends to weaken the fabric.
Cotton absorbs'moisture as well as wool or silk. Thus if worn next
to the skin, it absorbs perspiration readily and soon gives a sense of
chill.
19
An 'I,) fer .,.
COItOJI does not dye as readily u wool ot silk, but ita aihity for
colGan iI considerably ~ wIleR ... Abre is naercoriIed.
DiNot cottoB dyes haw . , . .-..y
for cottoa and can be appIie(I
from their aqueous solu~ without tho help of a 1IlOl'daL Similarly
azoic dyes, sulphur and rit dyes _ve aftinity for cottaa. CoUoD baa
DO dbaity for acid dyes wNda ~ used for dyeinl wool and silk.
Cotton is : t to molhs bpt is attaclced by miJdew and 1ilvedis1f.
Mildew and oc:eur UDder most warm conditioas. Tho miero
orpDiSllll aced t moisture anel food to crow. Hence it is advisable
that cottoD fabrb be stored unstardled in a dry place aDd care lhouW
be taken to see that soiled clothes are dry before beina put into tho
dirty-cJothes box or Jinen bag.
& '1
In 81IIIUIIUY, it may be qFiJy said that despite the prapwsiYeIy more
rapid inroads beiaa made into its market areas by dao .,athetic ftbres,
cotton contiauea to be the world's major textiJe ftbtt.,..
It it one of the oldest and most versatile of aU Abres and is able t~
contn"ute aD of its lood properties to blend with other fabrics. Some
of the main re&SODI for the use of cotton are its lood weavinl qualities,
low cost, high absorption, excellent abrasion and pilIiDc-re:aistancca
stability to repeated bJeadaess and excellent if preshrunk. aafe iroa.iDa
~mr, at ewa 42S711Ki colour fastaeu, excellent washaad wear
ad wriDkI teaiatance also lood if resin trea~.
III
LINEN
AIIdIt*,
TIle art of matinlliaen from ftu is andeDt indaatry. The history
lineD ... beea closely ideatiW with the umaIa of Egypt. Aceorctillldl
to EaJptian mythology, &ax wal1heJlrst tbiDg created for theJ. . . ..
by the lods before appearinl on earth. A series of graphic piiCtw. .
depictin. the eatire proceas of flu culture were ditcoYered ill 1881
one of the tombs of the P.baraoII&. datiaa aboUl2,500 Y" Wi
amst. TIais is pd of the early liaen weaYing in d&e MIe valley.
if Baypt was not the birthplace of Iiaea 'it was, at least its cradle. as
was in this country tUt Iiaea l'CIIlCW'a perAclioIt MIIdom equalled
of Israel, teUa us
were or Au
Aaron the hiah
the holy pIKe. bf
coat aa4 p-
his head was a lineD
dlowa tile U1Iique
hea in the history
Warden writes,
lliatca:m.bl:ic Ot tiaea. of
loob coane be-
,,)iDleDS of EaYPtiaJa
or Pharaohs'
pread. lineD
8p1'8DI up in other
PhoeDicians with
Ieet opened up
of com8letee to the
Mecfitenaacan, aDd
arowiDI and lined
into Ireland before
of 0Irist. Ho......
" l IlISii0D5 preveotod the
iDdustry, aDd it was
twcJfth century that
was OIIiIed into
By 1685, Irelaad
c:eatre for the 1II8IMI-
.liDca. The word liaea'
the CeitW word, Ilia'.
early 1800',
linen weaven ~
w_
iDdDatry iD the U.s.A.
COUDtry.
lineD was collUllOllly
tile time. of ......
_~ Dllntiou ...,..
of au GI' iIba.....
... ",,*t r.bsiG
. , . oIlA111d PuddIII
2t
It was particuJarly &eJected ad used for ... robes of tho 'Ruddbist
moab or bbibhus.
0rIPt
The tiDea fibre .. obtaiMd~ Item of the au plat, whicll &tOWS
tbroqboat ... temperate te wIaere theIe is suIIdeDt moiItare.
TIle ...... 1aItic StateI, t PJuce,B~ NortIlem JreIaa4.
CeatraI Ala ...... .,.111
A.meftb ato the COUDtries wben au
islfOWll~
TIle boIUricaI fot COIUIOIl . . plant is u.... WI"'''''''''
'I'Ilere are two type8t of Sa JIOWIl. tibre au aDd aeecl iIIIx. TJae f01'lllOl'
is IfOWIl maiDIy for fibre purpoea,
with the eeed crop aecoaduy; the
ok is IfOWIl _ its seed, ...
the fibre quaIidcs are aecoadary.
The is aD. aaual pIut If01riDI
to maximum htiPt of .boat
4O.iDches. 'l1Ie steal is ..... aacI
stl8ipt; the
blue colour.
&oWen'" of a pale
..............
of the Ike iD a cleft or a
a ICtIIIdD&
lildiDla 81'0
on the
poet .....
DOW"" wIIIch
IUIe .......
PIG. US ~ en..-:doa
orlu ItaIk ...... the cIiItrilJudoa
or u-.......
tile butldIe
or die TadIt ......)
(Col"''''
. . , ___ -.oc6, IDe . . ...,. ft8dy lot ......... 11lt
~. . boWll as "ow' are aIIo used in the manufld1lt'e of
,...,..
_ _ - . materials. ...... fibrce . . tIleD nady for .".,... into
,.,.. or.,
......,. The IGIII"';' )VII is . . _po wet to aM very lee
IOIt.,..at.......
Ie lanD ~ ,.... MWtIle fabric ... a.en we-. it
may be bIe..... ."......
fabric, bid . . . . . . _......
to die cJteaper wrietie8 of
..... a......... ., . . . .
or ~ eIaIRd .. a but"', is"" 1'OUIId, IIaoodI and
i-tnaDlllerelllt. Untwisted (mID tIao yanalt ... tile _ ..........
cottoa fibre. The IiDea or but ftbre is COIDpOIed of Jup
----Ii
_rical 'om
or tiny ceBa compadecl topther to form a . . . . . . .
12-36 iodIea in ..,_, ... die . " ..... fII
tuh with a _ .... dtaDDeJ ..... die CIDtIe. TIIit .....
_10 narrow dIat it is haNIy . . . to ClllIIIIIIed eye. 1"Jw taIIe,
is DOt continuout, bot .."..atecI by diete =t joiIIb or
wIIich appcat tIuouPo1at the . . . . of tile . . at lire. Ii
'I'Ilate DOdeI ....... by .......... powtIa or .......
martiqs-Yisible UDder the microecope serve aa a positlto
_ate
of ideatifyina the 8u fibre. Apin each 8u fibre is .u~
8hri1a iDYiaibJe to tile D8bd eye.
eompositioa is the same aa tMt C'A cottoa, aImoIt pare ce1IaloIe
. . . . . .iIc . . . . . . . .
under the microacope, the fibre is cyliaclrbl., ft.IaiIIat. firm,
rouad and tIaD8pUeDt, with aotdaea or aodea at . . . . .
alw it the appearaace Q{ batDIK>o. LiD . ...., ia ......
it eapable of bdoa split both leqtJa-wiae aad acrou.
It ipited the fibre 8&. . up and .,... Jib cottoa.
PIa 1_
_ _ tile mkmIeape (CourteIy. die U-......., --=
Pia ataJt (crOll etNa)
A8n:iad0G)
LiMa rabrica ate .-oda. oooJ. url criap to ... toa and .... a
without btcakina or atretoIaina aad do DOt 1010 their _po
natural sloss or abeea. They are resiataat to teariD& 1ab . . .....
01' ao limp.
LiDea material is hard-wearioa, ...... yay well 6a ,_ it iI 20X
stroIIpr wilen wel).1t never.., . . Jd IOil _ _ ad IloIda
WIlY .... It iI .110 IlOI:IIIIIf .,...-
....b_.,. ;t;
ne
to,__aterial caa crease
tIIiI at if tile
if tie fibre is aoI miDd willa 0*- ftbtea
. it DOt treatecI to dIed~. It c:aa
. . . be IUbject to IIIiIdewr It ~ if ItOred ia cupboard wida
.kot __ pipa ~ tIaMup it or in wood-lillOcl _ _ or c.IaIIU.
n. sf nat . . . . ita wid..... easily. however. (To NIIlOM
coIoatioa waab .. the aonaal _ , uad try in the IUD to bIeada.)
u-
Ta,* aad bed .... .,.... . . lit.clIea ad,.. iIItJia.
r60lll
iDa ad dothiq iacludiq protective cIotJaiDa ..... radioacthity.
ha.adbrdliefs, mail bap, hoeepipe coven and iasulatioa fa telephones
ad teIepIIoae switdl~, puachute "rneuea, IIaJdweiIlt aaik:uel
for air tla1'el ad ftsbins lillll.
TIle t1anad is uaed for stitc:IUn8 aimaft aDd ........,.carriI.Je
up.-
"'.a,.
haUl.
carpeII. SIitcues. Iife..heItI. tarpauIinI. foot.... &ad criebt-
..,.._..............
a cardboard cyJiIIdet or Itift' jJlper. 0tIler . . . . . . . . be
t1attecl aJaelvea to allow air to cimIIate.
JUTB
is the secoad most widely 1IMICI . . . .ble fibR, exceeded ~ by
The DaIIle of this plaDt is cIcIive4 ftom die IDdiaD word "that'
meaDS 'to be entaqIod', probably reterriDa to ~.....,
which readiIr . . &opther.
cge....,rramo.
Md JDIIde into 1001 rouad stivers. The&c slivers are drawn out by
a.umber of sJivcn iato ODe. It is thea cleJivered to the
.....
roviDI where it is drawa OJIt to about eisht tiJDei its leoJfh
ad is. . . . a sliPt twist !Wwouad on bo~ It is now ready for
21
material is luatroUi ad eaa .,. _ _. ,
dJed. late i. UIed mostly for _ . . . . . ._
aad clap pile fabrics. B1eacbe4 jute is alto . . . ..
"'*"" warp ia the so-carled JideIt.tonlJint. 01 late ,....,
t. 'JlOIVeltv fabrics for dress goods have alto bcea .... from
ia conjunction with woollea or cotteil )IUDL It is allO
ill tho ID8IUlfadare of twine, rope aad carpet matiq.
HEMP
was very much in vogue aIDODI the tmdeat Aaiatics long before
birth of Christ. It was used for carpets, tapestry, ropes, ..lea of
and even trying their letters which were carved on wood. for
was Dot blown tIleD. Some of tIaese antiquities were brovPI
IDdia by Sir ADriel SteiB duriIla his expedition to the Ileart or Asia
are DOW exhibited ia the ArchaeolOlical M _ in DeW.
Hemp is grown chiely in the Pbilippine Islands, ChD, Maieo,
I lt.ussiia. the West Indies and India. The Manila variety is white.
In India, Deccan hemp is Jl"own both as a crop and as a w,e
.....u..
~, h is cultivated largely ia Mabarashtra-Deccan and CarDa-
1LK7"'_IJIU Madras. It grows best in the alluvial soils of North Gujarat
ill medium black soils.
'fte like
The Abre is IUltroQS and Us the microscopic nodes aad jointa of
linea, but the central canal is wider; the cells are blunt eaded.
M, ,....
'l1Ie ....uf'adure procesa of Hemp it j1llt the .... as that of 8u.
(See page 22)
String. of hem,
-=t!:.:
--=
-- _4_
-:- ..,-
m
PIG. 1.22 Doa~ . . . tableca Ute thae . . . aeneraJIy 1IIOd for oIicIaI
CCJIftIIIODdeac in Ccatral AlIa (where Sir Aariel Stein foaacl
dda oumpIe) add in Nonhem IDcUa in tile first to tbe third
of....,
ceatadei. 'Ibe tablets are about IS inc:bes lon, and fasteaed
.,...... with ......
u..
'BeiDa ItrQDpI' ..... linea or j..
it is ideal for makiq twine, ropes.
cables, carpets. amvas, ship corda. and sailclodl, as it is not
wcateaed Of rotted by water. Today, even fine fabrics are made from
hemp.
...... will
10
sti6a"""
. . . . . 01 pill ia dto . . . . . . . . RardIia. unnoelS.ry as die
if iro1Ied damp.
......., oflUliDtbIt _ _ 1& . . . . . . . . . . . . . . . ill
wIaea ia CCIdaCt with water...... II __ . .dJa
:'.4I0Il..,.. IlGIdiaI water to. .
of 28 pel' coat of ita dry
...... OOUeDJaoWs water
uteIIt f:6 26 peroea Yore-
r,=illlIfIIIad of todai ICIIBaIdl
_do ...,. IInI,ramie
to fO per oeat stroapr wIleD
_ _ dry. h drie8 more
tbaa doea tax or cottoa.
... the additioaaI achant
of beins UDSbrfabbie and o(
bigbJy resiltaat to mildew aa
as to the attack of micro-
IaaiIDll that cause rot.
SONN
ABACA OR MANILA
SISAL
Sisal is 'grown on large plantations in East and West Africa, the East
India, Java and Mexico. The plant is triennial. The leaves grow from
the base of the plant, and each leaf is cut by hand close to the ground.
The leaves arc beaten by hand and fibres removed. The fibres are
washed simultaneously with scraping. It contains 72 per cent cellulose
and 14 to 15 per cent lignin. It rots readily in salt water. Its principal
use is in the manufacture of commercial tying twines, ropes and cords.
It can be admixed with cotton to alter the quality and price of the
rope.
COIR
Coil' is obtained from the shell of the cocoanut. The fibres are about
10 inches long. Kerala and Ceylon are the home and centres of coir
32
coeouut Imab are SGfteeed . . .. ,... ~ia ....water
is separated from the t .... " ....... wta. atoM,
IJ.W41JUU
with a steel comb and tbea dried. Pi... an claaapct iato
wbidl eordap and coane c10tbs are ~ . . fnIm
briatlea for bJ:us1Ia are . . .
baa a ..taraI dIDity tow......... Coir . . . a
tbre. shOWI mote . . . . . . . . . . t.owar. . . . coloun; av.d
ldIiIDt coknIn .-e obtai_ wheD.1IIre it d,.t wida . .
Basic eoIoan are DOt .bIe tID taDIiPt. Bw:a . . . dIoy c:aa
PIltied to coif ibre bauae . . use of d)1Id c:oir . . wiD
CODfiaed to indoor purposea or houIes &lid bunpknn.
tbe varieties of rayon are of vCletabJe origin and are derived from
ceBulose base. There arc four main proccdurea by which celJuIoIe is
IaJUfoniDed into nayoD. These are :
(a) the nitro-coUuIoIo method;.
(It) the cupram.oailllP mtlhod;
(0) the ~l method;
(4) tile GClIuIoae . . . . ___
The pnefal principles of rayua yUa piOd_ _ iIlMlve .......
Ikpdcf and . . forciDs it ...... tile . . hOIeI of.jet. a.e
53
.................
ue.1aowYer. certain ~ ad . . Pte eacJa type of yam
."..,...,. ctistiae:t from . . odaen.
eop1l1e techaicI8e
.... hote _ . .
=.n..
AD proe .._ for pr~ ra,OIII IIaw thiI ill coaM'OIl dIM tilly
of fon:iDJ. stictJ laid tbIODah a
... dfread to obtaiD fDa...... We_y
say, therefore,~"'of tile IdIponaat ........ ia.,.,.. caa be
acooaatrld fot tile metlaocI of treatiaB tile ce1I8Ioee raw _ ......
The 'fiIcoIe COIMIIa tile eeIluIOM by tile . . . . 01.......
bHuJpWe, wIl4nas it II copper t1dpJIate aacI amIDOIlia &bat are tile
dIImical aaeata used ill the cuprammooiuJD method. Ia the acetate
medaod tile purified cellulose is treated witJl a mixture of acetic acid
aad the acetic _ydride.
. , . HI'J'ItOCBU.DLO I8l11IOO was the ftrst to be used few the pro-
daetioD of rayon tabrbt Thil .... stutecl by Coal HiJja~ Cbanton-
net ia 1184 Ja Frace. 'lie fibre j, Pl'ocJuced fJ'Olll 00UQa Jiaaen (Illort
IIapW oettoe). wIricb tMMed willa. mixtImt of JIllpIuIdc ... aiIric
adds, procIace~OIe. The iDlammabie . . . . . . . . produced
is dis8oIed in sp{rita, ancI the solution is (0I'QId thnMIatt tiI9,... iat.o
tile air. 1he sow. napoqtea lea.... iDe tInuI. Ja t1Iia fona dle
fibre is hiPIY illflammable, 10 it is dalitratod aad nacIenICI DOIl-
-'mBNlbJe. This method is little UBeCI today owiaa to the expease.
T8BCDftAIMMOII ftOCIIS8 was fint . . . ill Germaay iB 1891.
Cottoa ....,. or wood". are _ted with..me I8da ~oOud
Iteeped ia cold saturatea copper IIIIpbate soIufioa. It is Iq.... __
da.. diIIOIved in Itroq' aqaeou alDlDOllia to am capIUI1DODi1I\D
8Ohado8. The ~ ia fOl6d throuaIa ftae jets iato dil_ adcI to
Jive tIinIdI wIaich _, ." IIt1'dICIIed mto fiDe . . . Tbia IaJGO "0Ie1y
RICJ8bIII silt. ThI Americaa Bembe,. CorporatJon is a epocia8st in
tile ~ of theae rayoas.
MaM6acWe., ..... ,..
11ae IICCOmpuyiaa dmwilla (FII. 1.24) depicts the molt importaat
&tepa in the IDaIl1Ifacture of C1lprUIIDOIlium ceJluloae yams by the
. . . . . . JlretcJHpiuina process.
1. Raw material used for the produdi01l
IintetI or wood pulp. COtton IiIIteft fotmerIJ
or,.,.JDat be cotton
tappIiecI the chief source
of ceDuJoee 1IIecI in tile prodactiOa ofOlPf....8MJ8Nm celInIose yams
_w
by the ....... atntcIHpiaiII& ~ G4toa URn are tJae6De,
. . . . . . . . . totlaecottaa,.d .... tIae . . . . . . beeD
. . . . . . . . . . . .Sfr.-;;2\:111l/ . . . . . . . . . . . , . . tile tOUon
.... "171ft "'~".t"'''''.. t. . . . . . Iato..,.,...
54
." diIIoI..,
_1lOIal1Ul eeIIaIMo .,....., IIIIIDdoa ia MD ' I I. . . . ill a
die GdIII.... II .............. fa
8011111. . . . . . . . . . . . . .. .
_ ....... tIIea ....... ba a ..... titer. TIle pm,
....... ofa clam.,...
coIoar aad tltec ..,.et
lin ,
Uat.H.ied f ..om tile yarn. ~ rayon fibre appears heavier, stift'er and
... . . , tJtaD dbaad ..... more _Jy.
WheIl iJllitetf. rayon burns quickly with a &are lib cottoa, melts
and ruaa into a black homy bead. It gives out an odour Ute that 0
barnt strina or paper and leaves a little are)' ash.
I.a..............
see.. throuah a microacope the fibre is smooth and rouaded. It lias
cJutracteristic martiDp, whida vary accordiDt to tile fJ'OCeS8.
Cll ......... efdleiln
.....
IWereDQO to die mandlctariDa proceu baa shown dlat the fibre COD-
aiata ~ ~ except ill the caao ofacetate rayon whoa it is cellulose
OII.In' _tl. I
. . . 81 thoae of cotton. The followiDa poiatl
" . , aN pacnIIy .,....,
JIlU8t, howowr, 110 temeIlbend.
38
MydrolPi.
(I)
. ._ rayOD to sucIt .. atat tJaat peat cafe II _I a ,.,
.,.
d,...
rayou are easily dyed in a wide mae of CIDttoD dytetdi,
die lin
fabrics are composed of a mixture of textile fibt'ea. Oftea it is
to distinaa'" between the various typea of rayOlllo Ia QI'dor
the c:ompolitioa, quicW method it to bum. piece of it
dueads, if a miJ.ture. This will help to Jhow whedter the 8bna
are animal fibrea or cellulose fibres.
leaath.l......
li.
to pOIIIeII the . . . . .~
.. "*- ... reaardiIIa _ . . , or
size, poteudaI . . . . . aloaa witIl . . . . .
dfmensioaal .......,. 0WJd wetskeqth. criaper ad loftier IIaIldIe
n_ _ tIIat ,,__ ....
Pu,"'fII ~ZI lin
TIle JlI9*8l ....... of polYJlQSK:a cloee1y resemble tIaoae fI/ cottoa
. . . . . . ~ 01_ streactJa dote to tboee or ~ aft
aIbIi trfatQae.llit. They do not have dofects of vi8coae -JOB aa4 do
not become roup even after repeated washiDa ud . - cottoa , . ,
do DOt tum yellow after prolonaed usqe. ~ ...... Jaave a
round ctqII sectioa aDd silty lustre.
PoIyJIOIic fi.". ate uteasiYeJy used for bJeadiBg wida 0GU0It, wool,
silt IDd with all other~ fibres. The bIeQds of . . . . . am
luxurious haDd comfi the weak and easy proceuiq ia . . mWs.
Because of tIle&e .advaataaes they are beioa i~ .-l in
apparel, home t)niahinI fabrics aDd ill Jmitted fabrictu w.u.1Iiah
tIIIICitJ .yoa ,.,a is usecl fOl' the produccioe or tyN COld, ......,.
belts, fan belts, ~ fiIhiDs line&f sewiq threads, ,.,. cordap.
They are allO used for coated fabrics for ramwear, iDIata.Ne rafts,
tarpauliu, flexible resenoin. The IDdiaD aea-fislIiq iDduItry DOW
. . . . . of hiP teIiacitY fAyOB aad ~ Drea wbJda ate much
stroaaertlata the tmltioDaI type ektiaa ~ oeoammes
wIthia the . . . . iDdu6trt. 'MaDmade ibres a )'8lDI ha" Jadutrial.
hoaIeIIoIct _ ctereace UIIeS"" Q ill paracImte r.btb. atdibaJtistic
cloth for body'arJDOUf in ~e ael oth* itemI.
DeVelop..-. in ...... rayon exports haw beea CODSidorabit sigDi-
Iamt. Ray-. . .. . , embroidered and other spedality velwts, rayon
pile ad . . . fabrics an hdiDa a ,004 adret abroacl
A wicJc variety of rayon rabrica are beiDa aported from India. 1'0
meetioD a few: 'J'My are:
p;I.meot ~ Brocade, crepe.:perpt.te. satin. sbirtiDl. suitiq,
....., taretta. tapestry, twiJ,l wlvetr
SpuD rayoo: Shirting. s'hMtiq, 81JitiDa, _p.
Mixed rayGll fabrics: SpuD rayon eottoamixed ~ rayon nylon
auitiD& mixed ahirtiDJ and sareo material.
.....
Fat!dca ...
.PIIJrb
cool'. __
wdatIe..._
.... ........._ow,.-
AtIIIor1'JI
:
..,. fell
..........
........._ ....
_ '. . . . . . . . 01 . . . . .
.... .. ..... wtda ......, IIot
_<ml)
Pabrb .................. ......
...........
. . . . ..,.. DOt . . . . , ....... b1
............ '
Pnit ........ _ . . . . . '
A. . . , . . . . . , .........
.......
...,
Y- CI8 be.....
*-14. . . . . . _ ....... . .
. . . . . . .1.......... . . , , . . . . , . . .
, -
~HAPTBR2
Animal Fibres
alia.
iDI iato its OWII.~ the popuiar woollen . . . are dlo ,........
both embroidered aDd WOWIl (puhm is the UDder Ieeco of the
cuJuncn pat). the 'shahtus. die 'pw.' (a tiad ofemIJroidertd carpet
l1li). the woo. . . . . . . aDd 1obis. ad the . . . . . . (~
red IeIt low rull). Tbowaads of ........ from ICt.. ... drut-
sets from Mysore are ezpprted to the U.S.A............. fONip
excbaae .,
At present the chief wool manufacturina ~.~ Australia.
New Zeala'" ... Briria Islet, SaatIa AJDerica ~~ A~ Not
omy wool'"
makiaa wooDea Mdc&. 80_ breeds of"
~Jaair ftoamd.e camel. 10M "'1~ is used (or
~ wool that is
abort ad . . ._ . . . . . ,we 10q-srapJe ....... has a smooth,
silky, appe8IHlOI.
V. . . . . . . . . . . . . . . . ......
All wools are c'. sailed UDder foar aeaeral ~ or Inc. medium.
Ioq .... carpet wooIL
111MB WOOlS. fte ariDo."" it tile oats....., example wJlich
suppliei this ('Jpe ofwoot. Piae wools my 'Y8I'J fit ...... from Ii to
5 inches. IkIIIIaj wocft Doted for its qulity ad ....... it lot from
moriaosheep.
It is intereldat to Dote that the 8nt .mao sIleep tIaat were taba
to Australia . . . ft'om tile SIa~ Bibaer in IDcIia.
MIORJII 'WOCU TIaeto are turaiiJIed by . . Inedt as OIford,
SbropshiIe, Rampeltire. SdoIt aacI-ooaat. " . . .... are valued
for mattOD u . . q for _Iiea\'y Ieece.
fIDeaess~ " 21 to 6 . . . . 1....
TIle" are ofmedlum
1'IE VlCUMA.
CUleIidao. It yields w_
The vievoa is the .maIIest species of tile South Amcric=aa baIIda of
is tho_t to be 1UINIt . . . . . . . fabric
blown to maD. Tho hoato of dle vicuaa iain . . . . . . . . . . .1Ilt
tho Andel, mostly ill Pem. SiIMo dl:iJ smaIl..-... ja very wiJ4, it
to be llunted to death in order w Gbtaia__ .... The", was
1aIet~1Kl with emuctioa tb.rouah -.atoll lilliea 'GIWl ... Pen. .
~mUI'" toot IM8SUrU for dle ~ Qf, tIMee DUe . . . . .
ODly . . . . . . . . .ber or .... ui-lecaa bID IdJJed "..,.,,ja
to keep . , the 1lVIIIericaI _ _ ~tIae........... . . . .
whidl may require forty . . . . isOQ)ltJy a1I4 ...........,......
",
u'
small tJru die llama. Ita Ieece, taU and rort. ,rows
leaph or 12 or more iDCW. Ita cldef Uie )I tOt pile-
GOAT
Al1Iota a4t bait is known &1 mobatr. ThiI goat was oriaiaall1
m m
Al\pm Asia-Mieor. bat DOW the aaiIIlII is bred drieIy iD
and California. It sives the IODS. lustroaa. ... clean . . .
PIG. 2.."""""
which are so valuable in pile-fabrics lor blending. Moflail'is somowftat
slippery beauIse the fibre tiu no deep ..-ratio.... It also **'
the two
quatities of wool. viz, the ututaI crimp and the ability to felt. Mohair
fibre dyes readily .... reta;n~ them well.
ANGOI.A~
This breed or domestica~ed ratpbits bas soft, silky bair, which is ex-
tensively m~.~ wool to give novelty effects, or with ,...... which
are used for ~ baby clothes, etc.
The sheep ~ in the tropical countries is less scaly curly and
more rigid thut that of temperate countries aDd becomes in fact hardly
comparable from tile hair of geats.
TIle ....... teaqe ....... , . . . .
The ,reat bult of In.' wooDen yarn is baDd-apun. In the yiUages
is done by peasants wbp" duiag the dry season when they are
to work on the land. . . . to spinni1lc ucl weaviq to prtWide C101:.Iles.
blaDteta and rap for their own use aDd for ... in the market
supplement their small iDeQmes. 1bc demand fcfr -.1 cloth is &eallOIMdj
Wool is used all the year t'01ind in the extreme north, and for most
the year in the billy country or Assam and Bengal. Further south
in Central India, wool is use4 mainly as a coverina at night.
About 75% of the woollen handloom industry is concentrated
Uttar .Pradesh, Punjab. :Kashmir and Rajasthan. In the plaias of
West. SfUth and ast\ tho local wool is used foe maida, bJanVb
kumblies drugets and coarse carpets. The blankets are frequeatly
in the. loom state. As they CODtain a certain amount of ,re&Se
they
used as water-proof ca~ the rainy season. In Madras and
sJopts of the Western Ghats where the WO()J is coarso and baitY.
finished clotlt resembles hessian. but in Uttar Pradesh, Punjab
AND SOItTING
with wool .. amded and sorted. Sortiq fa the proce88 of
up the fteece into disdllCt quaJitiea. Tbia wry ~ WOIt
macIliDes ill tho weatem c:ountriel. Ia tbo ID6ia
the . . . ato opened out 0II1Ol'1iq ..w.:
cotta.
It ..... 18cf
ill aoc:ordance with tile purpose for wIdcIa . , are to be
for carpets, blaubts aa4 aood wooIIaa aIc6.
ANDCMDING
_d.
.. IICII blended aod c:atded.
or c:aae, the
..,w.....
Canlioa iJ doae . . .
of wIticb are eoa~ wJda ..... :n.
c:arden are called Piojaria.
aDd clwb are used for the work of drawiAg aDd twiatiDa
. . .",WOO1 sJiver.
AND WEAVING
preparJ'fbe warp yarn a board with a series of upright pegs
.in 1J..sbape is frequently used. The yam II wouad OIl to
pep. 8CQOl'dina to the leDath requited and this is repeated
the de&ired number or warp ends is obtaiaed. In tIio c:aae of
(bmblies). there are usually 10 to 12 to aa inch. Whea die
muoft!d ftom tile .,.. tile tIuads aro arraagecI to .... the
width and are thea placed 011 a trestIe. After they haft beeD
tiaht. theJ are brushed with _ made from crashed tamariad
_tet.
'boiled ira
ANDa.uMIMG
wool is ftrst of an sorted accordiDa to quality. aad the dirt is
by. machiHbowa as . . . . .
MADlIrMaIK'IBI ~ _WOOL
1M baA (BAIe~
WASHING AND SCOVIUNO
The ~ then movld ~ washed in a series or four ~1lJ
.anae--
tub. each coataiDias Warm soapy water and "eat a1tali. nus wool
perspiration are remowd. The fibres'are waahecI in the first
taak ad rinsed-in the othenfThe wool as it comes from the Jut
, is softaad white. If the wool is to be fibre-dyed it is seat to the
machine. If 1104 it is dried by forcin& hot air through the ibm. " ..u ......
,J'
,.Ied
....... 'r. . . direCtions. It is, therefore, blended. opened out aad
iato a sOft, tJiiu, gauze-like band. This preparation of' wool
c:anIiq.
PMIIl'di1ta procesa iDtrodw:ea the da&Sificatiou of woollea y&J'DI
..,.aed yams. Manufaduriaa proenac:a from thia poia& cIiICr,
. . . . .. 011 wIacthet the wool fi~ is to be made jnto a woo... or
WOII8ed product.
01.....,
1ff-t1lc JllUafacture of wooJJea)'llml. the MeIItiaI purpoae
to 6entangle the fibres by pasaiaa the wool ibRa betweeD loDcn
IMMnd with thousands of fine wire teeth.lDcidentaUy. this actioa also
~Il_ some dirt aad foreign matter from the fibres; as tho wool
ate brushocJ and diseDtaD&lcld by tbeso wires, \hey teac:l to lie
.IJIdIQel, wItich would make wooDen )arns too smooth. SInce wooIea
the fibres"""y
"uld be ICIIIWWhat ro8lh or fur:zy, it is DOt detIrabIo to ....
parallel. By the ue ofan GSCiIIatins deYke, oae drill
film or stiver of wool is plaoed cHqoaally aDd owrJappiDg aaothIr
_ace
entaaaJed and somewhat puaJJeJ and et the aame time prOidIs. faay
to the yarn. After tbis cardi1lg procell, the woollen sIiytII 10
dileCtly to the spinniDg operation.
In the manufacture of wonted yarns, the essential purpose of card-
inI is also to diKntaqle the ftbrea by passina the wool fibres betwfen
roUm covered with fine wire teeth. Siacc worsted yams, hoWever,
should be smooth, the Abres are made to lie as puaIlel as this process
wiD permit. Fonowing this operation, the wool goes to the PfinI and
combing processes.
(a)
(b)
....
q~ from tho yam it .... L.Poky appearaoce. Its le~ ftriea
bltw.. It ... lS, tile Ioq 1InI]Miaa paeraIJy coarser dum the
60rt ..... TIIe . . . . . . for ......... ......n, 3 to 8 iDdIea is
............ thole . . . for wooIIeM . . from Lto 2 iacheI.
Jf'. . . . _ . . . . . . OI' ......... ,...~ . .bwniDshair
or r....,..,leMiIIta ~a lid '*'4
"'1111111",-,
.....................
_ _ ~.' .11 _ _ tile ~ the I8Iface flltIle" .. ...
"-'.Jf.N!r
to C01IIIIIJ
FlO. 2.20 How die 8... or. wool ~ worn DOlt to the stm eotaaale
air. fOllDilll an IosuIatioa Ia,. (Proal lD.....tioaal Wool Sec..,.
tariat ....... "'Wool in die Home")
ita . . OIl duty ia the far DOdIatm IDOUtIia ~ .....
in IeVerallayen of wool ill ont.r 110 keep'" .,._. . . . . fir
&om the body as pouiblo.
Wool is tile ideal protective Ibre. It protects witIl ....
because it insulates. MillioD1 of tiay cells of air are tapped ""
fibres and form aD iuulatiDa layer betweeD ..... aad
Por this reason, wool is the fJest ptotectiOJl apiolt bodt cold
.........,....,..,ed
,.if
caN it tIIba toflGleI'VO..,od ..... ." tbo additioB ~ . . . 8GapI
_:JiWY .to be
IIaId _ _ .1IM4 r. riaaiq. iBsolDbie " p i
DB die fabdc .80 it. daportaat to . . . .
__ 11."'"
IPIIIIIIUI. . . . . . . . . ~ from OdaftteDile . . . . neD uder
is .,.. ~ hell.. Iward AI dry . . .
, . ",. . . . . chat are MriDftd to us.
tIIri.,
of eacJt threai by the tecbeique ef ~ or .......
..... cottaaecnft appeua ., llaw beea
two thomaad yean. well.."ndated lit . . . . . . .
ill GajIad f
,..,...1Od
for ita colour . . . . aad ricIl coo..u_ _. . . 0Il8lCO_
loaa time taba ia wea'fiq. its 1Iiah prhe, aDd tile . . .. . .
wcmn fabrica, the patot. YfIt111M1'1y dill..,..... frOJD till
market of yesterday. pOl't1lllately, with tile nmDl of tile
art vety receatly. the patoIu is DOt Iuch a rate IIlli as it wu
and one . . the patola tedaaique ateaded on otber
such as curtains. table coven, blouae-piecea, cushion COIIR
other houaehokI tatilea. They are chidy "._. in Benaru,
Hyderabad (Deccan), SambaJpur (Ora.) aad some towas of
State.
O"MIBEK is another very superior c1us of dIaoti ofhiatoricel iDttnat.
pure silt throqhout, it is aeneraJIy of a piDt, yeUow or lUll-
..u-,l;Dl011Ir and is worn on festival days or at meal by lllaDy HiDdua.
(Koaa 01' Kausbik vastra) it indipnouely Dowa throuaboat
k is perhaps one of the oldeR natural aiRs of occupation to a
of people. K.c.a clotIlstill torves the parpoae of silk cloths
use as patta...... 'l1ltir lubdaod l1IIII'e ad zidl colour
c:om~ with aold _beUishmenta make tIlem ideally suited
tenllDOlliai occasions. Saria WOftIl with aceIleat deaJpa auch as
elepllants, "'us, I'IICIa-blla, .., aad other deaips are in
today.
IattoDised. in the main, ." die Royal courts, IDdian ser.iculture .bas
a Ioas &ad cIlequered caner. IBatory teUs 1JI that Muhammac:l
(A.D. 1325-1350) was a sr-t patron of the industry. Abul
Ahmad, a Damucua tIa~, who came to IDdia from Egypt
this time records as follows :
Saltaa _ a manufactory. in wJaich 400 silt weavers are
BDDloyed. and where they make silba ..... of all kinds for
of honour. Every year the 80Itaa clilrributes 200.000
..,1II1P1e1tedrellses.l00,OOO in sprilll .... 100,000 in autumn.
sprina dresses are made of loods imported from Alexandria
thOle of tum. are made or dk aau(actnrecl in Delhi.
Sultan keeps in IUs service 500 manulactuten of aokIeo
"... ....
who wea..- sold broca4el worn by the wiwa of the
or fot preaeIlts to be 8iYeD to tile AllIin and tIaeir wiwe.
"
FIG.2.25 SDtIadultrJ Ja lDdIa (CoIb1eI7 : _ Board 01 JadJa)
0riJIa
Silk is tile _iIIiOa 01. tiItworm ad die fibre IIICId by dao
to .mate the pupal cue.
70
oI.~
of tile . . WonD are1l1aeed ilrWIiIlte4- ~
to JJatcb. At tile tad of about ....... . , . tiae _ 'I\tb
These ue fed on mulberry.__ WMe the caterpillar is
weeks oW, it secretes a YiIcouIIuid flODl two ..... in
'l'hia 18~, cal1ecl 'throia'it.r..- throuah two IDiIIDte
IDto.,-, ait aear itl mouda. ~ . . . time two other
aecrete ...-y a JdDcl of )iqQI(C11Ji4 ' ...... wbieh .....
.. __ em. T.be fibroiJI. 11ft ...... l'ro1II the Ilead of
worm, &etI Ol' coaaulates formiDl a ale... coated with
"ith dais thread die c:aterpUIar . .,. itaoIf aMID4 to fOl'lll.
ne oooooa COIItaias 2.000 to 4.000 ,... or lilt, bat ~
01 to can be ne1ed;.
J / CCICOODIare ..~ yellow or IOIIllti. . . . . . . iB colour, the
. . . . due to the piJlDeDt that oceun IImoat . . . ., II the
Tho areater part or Japaaeae ... aaiDC8e sili aIl4 wbite,
siJb yellow.
.........
............
,.......
f ......
1puII.
to ........,. dcJicate mates it i~bJe 10 wiIld oI'tIao
cottOD.
1_ 1ie1t Buropeaa ncorcl of tide lilt is A.D. 1676 thew_
Post St. Geoqe wrote dIIC . . . .,.edfies were ptOduced ill
!iaoI. . . . . .ry silt iDdustry, duiYiDa ia Aseam. Bitar, Madhya
ad om., den cmpioymeat opportUllitics to thoasaads of
~7f't?'-
iaduatry CO""ista of two main divisioas, ......,., the produc-
aterial made from (a) coatiDuous ftla1llelit or Belt aUt, _
or waite or IPDD lit that cauot be eceaomicaDy roe1ed
. .. .1110118 ftlameat thread or yanaa.
productioa of nett ailt, the OOCOODI are eoIIocted aad tboae
UDJUitabJe for reeliq or thole . . .ded for IIIWI7iDa tbo
of ega are removed.
CotOODS are atiIed by stea1l\ oc hot air ill order to till tile
witlrinit.
COCOODi are thea sorted for the fiJatuteI or CIIIIabJiMmeata
9{. large Dumber of reeIIaa buiu. Here tbey are tftate4
~ aDd mechaaic:aIIy bruIbecI and thus the OQteI'
IillkJVed aed the worker is _bled to fiDeI the sinJle ad of
thread.
Three to eight of these cocooa filaments are reeled toIeChert the
thread paIIIiDf up, dOWD aad tIIea up . , . , 10 . . tJte
--diaa tor the secmad timetwiatl tOIIJId the ........GrIId
tJae .... This arraaaement does DOt ~ aDl actual twJIt.
the tJuead .ibeIf', but serves to smooth, compnu ad c:eIDIIlt
t_ IIICIl1t8. A fresh ead is added to the composite tbread . . .
OM breaks or nma out from the cocooa.
thread DOW JI8IteI to a swift &IKI II wouacl iD die fona of
DuriDs its , . . . to the .witt, tile thread is dried eidIer
or by artificial meaDS. The yams made of reeW silk t!areads
toJefhor are caW throwu sDk. TheIe ,arDI ate wound _
or sbins for the weavers.
BLBAaDNG 1bo alit is tnated will 1ly~ or
" OIdIOltide. It is JIlOl'e dHIIcult to RtlDOYe an tile pm " - tbi
hea(O tile finisbed I.bre . . alightly diWereDt proper. . ftoal
silt 0wiD& to tile fact tftat pm ia atill preaeat.
D'IIIMO Ub wool. IiJt . . ail . . . . atIInit1 for cIyeI, speci-
dyw. wbIch procJace brIIat . . . on aD. AI a If08P,
. , . haw a aood t'utliellto ...... - ......
_ ,._ ",.oatbetw................ A...,'" eded
...
put in. A spiDDiq frame, which wiDell aad mRDda . . ,.,.
puts in the twisU. Spa requirIe . . . . . . twist diu
. .,..
heat wiB ca1llO . . . . . . to . . . . . bat c6enriII aD4
c...... of tempetatare IIave DO . . . . . . . . . . . . WIaite . .
. . . yellow with the DIe of too ho& .. iron.
.
CAS!IN FIB'RB OR LANlTAL
the modem fabrics is ODe tht it prodaced from _It proteiD:
fibre of this type was cteveloped fa Italy by a cheMiIt aamed
in 1935. Casein Fibres are ftrious1y umed aocordiD,. 10
of maaufacture, 88 Laital (ItaI1). ~ (Oermaay). :NIa
LactofiJ (Holland) aDd 0mrCaaId.. 0ueiD fibre (BaaJa8ll).
is precipitated from mit by beJq tteatecJ witJl dilate
acid. It is thea dissomd iD a aoIation of caastic soda. TIie
forced through jets iDto a coaptada, ba6 of salpb1lric acid
then~. The filameats are cut into short Jeaatbs lite
SPUD into threads.
fibre is soft and feels somewhat lite wooL Under the micro-
it presents a smooth surface lib rayons as contrasted will the
f8rlrlCe ofwool.
fibre is used as a substitute Cpr wooLlt baa similar . . . . aacI
~"JUlalting properties to wool. ISa areaa aclmrtap over ,,001 is
has DO feltina properties. It readily absorbs albli fro. warm
l.,.utionl and becomes plastic. It tabs dyes more rapidly and at
temperature than wool but fades easily. It is DOn-shriDtable
not attacked by insecta. Howem:, caseiD fibre Iacb elasticity
r1IUe:Dgtb and stretch much more than wool. especially when ...
are used primarily 88 blending fibres ill order to capitalise OB
soft texture and appealing hand.
Just prior to the Second World War in Barope the l.e.l. Ltd. intro-
duced a new fibre c:aUed ArdiL It is DOW available in bulk produced
at Dumfries in South Scotland. It is maauf&etured from peaDut or
JI'OUIl4aut protciDs iD a ID8I1DCI' similar to that uaedfor the productioD
or other protein fibres. Ardil is a crcaJD-COloured fibre with a moderate
more usually mixed witll _8,
Iuatre. It closely resembles wool. Altho. it can be UJecl alone, it iI
wool. or rayoa. The iDveaton claim
tbat it is strOBl, mothaad mildew-proof BDd docs DOt ahdDt. Tbe ti.m
bas a high resistance to attack by acids, but. lite wool,'" &eDSitive to
alkalies. It is soft aDd silky to touch and although ptOre expeasive
~ cotto... it is clleapcr thaa wool. ArdiI can be dyed with direct
cotton dyes.
~
(1) VICaIa is reeiHeat, very flaible and .... adequate toDaiIo ItIeDJIh.
(2) Lite aU protei&ar:~:- not aapport comlJastioa.
(3) It is DOt IaanDecJ ." as wool.
(4) It teSiIta ~ * ..... wrmtfiDa.
(5) It pftS softDeIs and e...ucity to cotton and rayon..
From 20 to 80 Pf ceIlt vicaL'a is uaed in blends with other flbrea.
l~ 101M CDIuaw,
82
CBAPTsa3
The acetates are one of the oldest and least expensive of all man-made
fibres.
Acetate is the second of the 'man-made' fibres produced by Du
Pont, which like rayon, is dependent on cellulose for its basic material.
Acetate was originally classified with the rayons. Later, however,
the Federal Trade Commission of U.S.A. classed acetate with the
thermoplastic fibres, as it has properties that arc so unlike thc rayons
and because it is a chemically different material.
Manufacture of Acetate
Acetate is an ester of cellulose produced by treating purified cellulose
with acetic acid. The cellulose is changed both physically and chemi-,
cally by the following procedurc.
Purified cellulose in the form of cotton linters or wood pulp is mix-
ed with glacial acetic acid, acetic acid and sulfuric acid, for a period
of 5 to 8 hours until a clear solution of the desired viscosity is formed.
The cellulose changes to cellulose triacetate. The solution is then aged
for IO to 24 hours and during the time it hydrolyzes to a secondary
acetate.
The solution is aged for 10 to 24 hours to make the cellulose acetate
soluble in acetone. Water is added and the cellulose acetate precipi-
tates to form cellulose acetate flakes which are dried and then several
batches of flakes are blended
together.
The flakes arc dissolved in acetone and spun out into a column of
warm air:Delustering agents or jolour may be added to the spinning
solution b~fore spinning. The filaments are collected and wound onto
bobbies rcady for shipping to the mills for weaving or knitting.
Staple fibres are cut, crimped, lubricated, dried and baled for
shipment.
Physical appearance
The acetate fibre, as seen under the microscope, has length-WIse slrIa-
tions, but they are fewer in number than those in viscose. Cros;>..
sections resemble 3 to 5-petallcd flower.
Chemical properties
Acetate is a cellulose ester composed of carbon, hydrogen and oxygen.
It contains chemically reactive hydroxyl (OR) groups and many acetyl
groups. Oxidising agents seldom need to be used on acetate. If bleach-
ing is necessary, a mild hydrogen peroxide or a weak chlorine bleach
should be used.
Acetate is resistant to moth, mildew and soil.
84
._ble.
tho fabric is wuIaabIe. Always dJ.ect the taa for thiI mr. . . .oa. If
acetIIto Iakica aWd ..".. tIY iD mild, IubwenIl
sucla, riDaed, and . ." , to ddp dry CIt blotted to remove tile 0. . . . .
moistare. WIaea...., damp, 'fOIl OD" wroaa lido with a .....
li8Ilt touch (ao.,. preas ~ YOIt do Dot Jaave to itoa oat aU tile
moiatare. Just lIIlOotll out tilt twriDliel, filliah on the riPt aide with
a pr-. doth ..... DlCenlry, .... 011 haDpr. aDd let the air IDiIh
tlaejob.
...."c....-
Acetate wid dil801ve in acetone, aDd other orpnic solvents such u
aaiI polish remover and perfumes cootaiDiDa such solvents.
..,.11.
....... a1Mnat
melt at . . . . . . . . OYer P. . . tJpe of fibre uted fer tatiIII
~ mto wIIidl.,taa 00IIIp08" _y be
.... IIi'MII" riP4pJatio1. to""" to . . . . .
of n1lon fibre. ~ DJIoa"'''
.-1Iarama
th 7.5per deaier.
aeveral types
of dIDier, ad repIar .,.. ftbro
pull pet
are produced ia dine
NylOD . . .
. )fi]aJDellt, multifilameDt, aDd staple.
takes place
_liII~ In the undrawn
chain-lib mole-
_1tJIII~ helter-sb1ter,
in a haystack. But
the molecules into
places them
another. and briDas
to,ether. Fibre dia- Flo. 3.1
reduced in size.
mustrates this; the molecules are represented by short
JtJlon is cold-drawn, it becomes very mODI. toaah ad
die yam devolops traDIlucency _luster. After drawilla.
yams are carefully inspected and I**ed fot lbippina to
miD.
Flo. 3.2
1,',_ UHe
~_it into
is made by crimpiaa conttlaoas
mort
.,loa
fUameat tow
1IDifonn feDItbs. It ia dipped in Jarae
"
fl'
pacta much lib bales of cottoD. Some nJloa _ ,.. is
by reprooesaiDl .ylOll ~. ayIteID siIDiIat to tMt . .for wool.
...Wdu. . . . . , , . . . . .
is a round smooth fibre dial. UDder the microacope. rcaembIe&
_IIlODiDm rayon and dacroD. Siaco .ylon is round. ill cross
and amal1 in diameter, it pacta topther Jcavi... little dead
ia the 78J1l or fabric. For tbia IIUOD DYloD has lea bu'kbaa
than the acrylic Jbree. NyloD fibres have aaturaJ tIaD81uceaq;
[llqllODtJ!y, filament DYloa can be . . . into very .... t1'aIIIp8leDt
The traaapaRmcy of the fibre has made it di8icult to produce
that are Iiafat ill weiaht aDd yet are not 100 &beer. TIle first
It OIlIaQ\ae nylon fabric:a were made by priDtiIla them with a rcabl
a white piameDt. .Receatlyopaque nylon bas beea developtcl.
...... 10........,
is very durable bec:aase it is ft1'y 8UOIII. elastic and resiat8at
Its strenath varies from.. to 1 arams per denier. It is
to have very sheer fabrics with aood weariaa properties.
of nylon are seldom diacarcled because or WorD places ia
but rather because seam failure, 1011 of colour or a &raY
~AI-.ltIJ61I fibres are so stIODg ad cblrabte that they .omea
'shear off' or cut throqh odaer kinds of fibre duriDl wear.
and ctippen need frequent resIwpenina if used on _yloll.
offilameDt yara fabrics are problems resuttiDJ from ayJcm'.
1tteaJtb. Whea saaaina oc:cun. DYIoa fib.ra do Dot break aa
fibres do. but puB and cause tho fabric to pucker.
is one of our most elastic fibres. Hi8h elasticity has also
problems for both manufacturer and COIISQIDet ia the packer-
_ . ..... _. sewn with oyloa thread.
has aood resiIieDcy. bat it win wrinkle unless made ill
_ *OIDS ncb aa Imits, crepes. or pucbrecl fabrics.
low abloJ:bency of DY. it an advaatqo ill quick-dryiDa fabriR.
a disacluataae in eomfort ill clotIaiDa- This problem is beiDa
by the use of open,.wort or lacy deaipa and by tile use or
NyJowiziq (4) is such a fiaiah. It OODIists of an emuIaiIed
DyJoa IOlatiOJl applied to the fiDisbed article aad - cIuriDI
. . . .d ... heat1Ottia& plOOlllS. 1&8 maiD fUlll:tioa is to nduoe tho
water repeUaacy of DYIoa 10 JIlOisnue spreads qaictly aad
. . ...uaa is speeded ap. Nyloaiziaa aJso iacreasea tile softDMa.
and warmth of die fabric.
,.,.ells
contaial carboa. hydropa, OZ)'llD; aacI Jlitro8ea. NyIon _ _
a,
have the ability to 'bond' or cross-link (heat-set) very tightly together
when a yarn or fabric is exposed to hot water, steam, or high tem-
perature for the first time. This bonding gives nylon a shape and size
that can only be changed by exposing it to a higher temperature.
Nylon must be heat-set and this is usually done as a separate opera-
tion. The consumer can wash properly heat-set nylon in warm or hot
water (below boiling) without danger of excessive shrinkage or change
in shape. Very hot water sometimes causes 'set' wrinkles. Nylon fabrics
that have not been heat-set will acquire permanent wrinkles during
storage or finishing processes.
Nylon is less heat-sensitive than either Orlon or Dacron. It is
harder to iron creases in nylon and harder to get them out again.
Raised design fabrics, such as the new nylon damasque (sculptured
nylon) are made by shrinkage with chemicals. The raised areas are
created by printing ,phenol on that part of the fabric which is to be
the background. The phenol causes the nylon to shrink, thus the
untreated areas pucker. The background is usually printed with a
metallic pigment of either copper or aluminium colour. These fabrics
are washable.
Nylon is resistant to most chemicals but is damaged by strong
oxidizing bleaches and concentrated acids. Hydrochloric and sulfuric
acid of concentrations as low as 3.0 per cent will damage nylon. Soot
from smoke in industrial cities contains sulfur which, on damp days,
combines with atmospheric moisture to form sulfuric acid.
Resistance to perspiration
Nylon fabrics are resistant to perspiration. The colour, however, may
be affected.
Care of Nylon
Nylon is classed under the easy care fabric-as it is easy to launder
and needs no pressing. Nylon melts with a hot iron and forms a hard
ton-coloured bead. Strong bleaches should not be used on nylon. One
disadvantage of nylon cotton blends for garments as overalls has
been the fact that nylon is not resistant to the chlorine bleach needed
to keep overalls clean. When it is necessary to bleach nylon, use a
mild bleach.
When sewing with nylon, use nylon thread, because it will last as
long as the garment. It may be necessary to change the needle often
as nylon dulls needles and scissors very readily.
Types of Nylon textile fibre
MULTIFILAMENT yarn is made up of a number of tiny, almost
endless strands twisted together into one yarn. The size and number
90
of these minute strands can be varied as well as the amount of twists.
Most nylon fabrics arc made from this versatile type of yarn. In
lingerie, blouses, bathing suits, and upholstery, multifilament yarns
give you pleasant surface texture, softness, and luxurious drape.
MONOFILAMENT yarn is single, solid strand of continuous length.
Very sheer hosiery is a glamorous example of its use. Monofilaments
are also used to make sheer blouses, veils and gowns.
STAPLE consists of many short, wavy strands of nylon cut lengths
varying from one and one-half to five inches. The wave or 'crimp' in
these strands adds springiness to yarn spun from it, giving you light,
soft fabrics that are pleasant to the touch. Its convenient washability
and durability has made this form of nylon fibre especially popular in
sweaters and socks.
In this combination, the silk improves the hand and provides mois-
ture absorption. The nylon improves the stability or shape retention,
as well as the elasticity and strength.
NYLON AND RAYON
In this blend, the nylon gives wrinkle resistance and strength, and
the rayon gives suppleness, drape, and moisture absorption. Such a
combination makes possible a fine quality fabric of extremely light
weight. As with cotton if the combination is not properly balanced,
the rayon may shrink causing the fabric to pucker. Also an improper,
blend of nylon and rayon may result in the nylon fibres cutting the
rayon fibres. Like cotton, rayon staple blended with high-tenacity Du
pont 420 nylon staple can produce fabrics with 70% longer wear than
all-rayon fabrics if the nylon is blended in a proportion of at least 17
per cent. This blend is desirable for such garments as classed as wash
and wear type. '
NYLON ACETATE
The acetate in such a blend provides a luxurious hand and the nylon
gives light weight and strength. As with cotton or rayon, improper
blending may result in the nylon cutting the acetate fibre and in some
fabrics puckering may occur. Also neither nylon nor acetate absorbs
much moisture. Such fabrics feel clammy and uncomfortable in warm
and humid atmosphere.
,.. ....
bas a fairly 800d affinity for dyes, and can be dyed in a
ranse of colOUR.
N
Ie cant.l ~ t1Inl aU . . . . . ~ 'I'JIiI will _ace
B;' 8lfo . . . ... bJadiRJ Jihre jD c:ertaiIl kiads of paper. It ia
IOIDedmca woven wfdI ether fttn"ea ill carpets to mate embo cI dIIip
when W,"OIl or tafrcd carpet ij treated with heat, the .y08 abriDb,
thus producia. tle cleaip.
.
Staple is .... ' "put:tiDa a crimp. or "permaneot waw'. iDto
the . . . . . . _ tILeu CQttina thotn iato 1eaatba raaainI from Ii to
4I1ac1aea.
MIcnMopJe .,peuuce
The cross-teCtion of Orion ~ a distinctive do, bone or dumb beD
shape.
PropertIes of 'Orloa'
"OrIon' is well knoW1l for ~ SO~UdOUI hand. It is warm and
pIeasiq to the touch. Staple Able of 'OrIon' adds a feelina and
appearance of luxu1 to ~t8 a relatively low cost.
..... ., . . hi
Orion burns lite cotton, rayon and acetate, leaving a residue similar
to that of acetate. It does not faDite easily, however, some orIon
fabrics sputter as they bum, the ftame almost dies out momentarily
then ftares up and resumes bumina witJl COIItmuous alternate dying
down and Oaring up. 'I1lis manner of burning can be danaerous if one
is unaware of this possibi1~ The safe ironina temperature is 300- F.
aid tllfaltt
Odoo ... outstandiog resistarx:e to the eft'ect of Jight. I~ to
s1ICh degradation makes it especially useful for such outdoor purposes
~awnings, curtains, draperies aad uniforms
.
Medla fp aIbJIes ... HIlls
Orion baa fair to aood resistaaoltto weak. alkalies. Orlon ia exceedingly
raiataDt tb strong mineral adds as weJJ as orpnic acids.
~ to penplra...
Orlon fabrics are not readily deteriorated perspiration but the colour
may be aft'ected.
AIIIItJ for . .
OrIon can be dyed in a wide range 01 cOlours and "es.
u..
OrIon has taken over a large part of the sweater lIlIi!ket and is being
used aloae or in bIeDda in many types of knitted .~. Printing of
sweater and ,;e.., fabrics has been SDGIIIIf'a. It is used in dresses as
is..
blooa, aaits aad coats. W~ fteec:e coating material has been
made from orion becaUlOJ(.- bulk warmth and 1iPt weiaht. Orion
100
1IIe4 in makina simulated for coats. Permanently pleateel
_ _ bile skirts of orion aDd wool bl. . . . ..,. . . . . to bt ...,
.y
ironed while dry.
li'IIIreB....
Ita
_ ~ I f1.?;
deairable properties that . ., be iIapertod to .......
IilliDtlainiJlI fibres other than Orion, depencliDJ on die _tift amauat
each fibre used.
ORLON ANI) COn'ON
In combination with cotton, orIon adds Jiaht weight and body. The
contributes strensth and ablorbency. The fabric is 1IIiKJo.
. .ant, retaiDa its shape well, and provides easy care. A ~ of
per cont or more of orIon with cotton win provide tho ,,:la1
IanlCtensucs of a wash and wear fabric, such a it UMcI for IpOI1B
0II0a ...
he _ _ _ dIiIa .. aIf..WOeI
s.oJa
to tile........
.-."..."., ~"""'''''''''''''lDackIItiDIi
anIIllr,rtiOD an- JoDa WIU'. Tho 0d0D
__
comiIl.11 . . . . .
.... ......,....
~oa...
CIWJII ~ ~YON
.
. . .....,. ntatioa; die _~
the Mdc II _, reeiIiiIlt aIIld.., 1Je
__ AMo.arrATI
A comlJiutioa of Odoa aacI acetate ia a fabric provides &oft,
Iuurioas feel aad aceUeat drapability. It also ... aceIlebt IIIape
........ ad .... _hire...... faladc ....... euilywitllmUt
,.,aa4 __ ...., MIa napidlJ, UcI.CIUJ to iron. The 0rIDD
..., . . . . . . . . ~ to aunfiaht. Neither orIoaaor ......
howe. ., II parIioDIad1 ahIorbeot, which prdfeata. cIia4. .tIIp iD
~ taQlllict weather. Sada bloada wit be wanD aDd clam.,.
_ _ AlII) IIYI.OM
De ItftDIIIa ........... ,....,._ of ayloD c:oalJiaecl with tile
....Iuiia lad ...eo..... , . . or 011_ prodace attIaciCtfe, ....,
..................... 488Iitiea or odOll_ IIJIoD. lucia II ~
..ill. . . CIe8II teteatioa. ad easy care, In iacrcued wbea . . .
. . ate CGIDbIaed. But . - fIbticurOI DOt be wry abIorbeat.
Odoa _0_
_ _ ARDPCIL~
tM baad or. fabdo ..... COIIIIiDecI widl. ,..,.
. . lin, . . . . . . . . bOdy comfort W WItiiil1i. ne
poIJ .t.f
. . . . . . . . . . . . . . . wrtraIIe ...... _ ..,.,...., .....
. . . . ......... W5Dl501IIIIII .................... . .
rODD is diIeoi\rocI by
IiUitable solvent and passed throuah ~ aDd 1JDlib otJoo
fibre (which is emuded jato air where it JIardou), AcrIaD
is formed in a coapJatiDa bat1a to produce oolMi.QOQI fUInaeNI.
tibres, produc::ed in a semi-d1ll1, briaht, or lOlutioIHyecl varietiIt,
then washed, stretched aad crimped.
......
4. KDita do DOt aoed
S. I!.mboIM c1esipa.
t.a. wriatIoa easily.
~aftIr
I\Sllatt)S bas been famed for centuriet; for its non-humin. qualities.
earliest times it has been regarded as a textile fibre. Bady leaeads
of the lamps of the temples to the vestal virsins of ancient Greece
kept ever burning and wbose wicks of carpasian liDen were BOt
ilUUlIl\l1lIIIiN by fire. This carpasian linen is supposed to laave beee mD
.-estos dyes easily but the colour is likely to be spotty and have
fastness. The fibres are coarse and have little streoatll. Short
of high temperature (over 60Cr F) will further decreaae its
rreD.8tIl. It is absorbent and it baa wictiDa ability. .
G~SFJBRES
Glass fibJ'ea are outstandiq a~ODJ textile fibres, both natural aad
synthetic, as they have very biah tensile strenJtb in the neiahbourhood
of 213,000 lb. per sqpre inch, immunity to micro-orpnisma c:ausina
mildew and deteriotltion, very hiah resistance to chemic:als and com-
plete fire..proofneas. ~e drawbeck of the 11ass fibres is their lack of
resiliency and ability to stretch. They are not soft to the touch, and
break if bent to a areat extent, and hence are not poerally suitable
... cJotJUas commodity.
Come fibles were first prepared in 1893 by drawin, the heated ends
of .... rods. In 1900 a number of patents were issued in Germany
and Boatand, but till 1931 ntlsuccess was achieved to have fine fibres
which could be easily wovelimto fabrics. In 1936, fibres were prepared
which were pliable enouah to be woven into aU....... fUrlc:a which
creased and folded. Owens-Cornina Pibrealus Corporation started the
maaaf'aeture of &lass fibre materials.
~."lcdoIIv
.-..-re. mitIDa aad _tiD, of,."
0 .....1ns"1IIited to . . . . . pDfpOIet are .,.....,.. by . . . .
~ by ....,., .
ud their proportiollt. by ........ tile . .,..... ad ..,
......
Marble. remelted
ConttnuoUI ftlam.nt..
\ SIZing appU.d
MBTALLICS
is a manufactarod are composed oC metal, plude CCIUecl
metal coated plastic or a core compIotety ccmnd by .....
111
AIItIllits .
MetaUk yams have heea tnowa for hundreds of years. They were in
tact. the first maa.made threads. Civilizations for thoUl8Dds of years
eapaed in hand weaving with patterns of silver and goM threads.
TIle use of the tesa precious . I s such as alumiDium and copper are
of relativeiy recoat origin.
To a majority of persoD8 .m the West, the expresaion '1ndiu
embroidery- invanvly sugeats gold and silver wort. Marco Polo
spealcing of India wIta, 'Here are elaborate diverse cloths in ,old
and silver of great ,ravery'. The rich stuJrs of Babylon broupt from
India in the good .Id days of King Solomon were, in all probability,
gold brocades from Ahmedabad, Benaras 8.Ild Murshidabad. Bven to-
day, Benaras- 'lcinkhabs' or gold brocades are world famous. Here
gold and silver wires are used lavishly to work out deticate patterns.
TIley are indeed the most gorgeous and highly omamented of Indian
textiles. Some of the Cavotfite motif. on brocades are 'sacred aeese'
aDd aaimal patterns in band1. The art of brocade-weaviDa bas survived
the ravages of time. and maay varieties are prod""',b)th for the
home and Coreign markets.
Metal thread is also worked OD 'jamdanj' of figured musUns.
St*king of these, Watson has rightly said: 'With all our machinery
and wondrous appliances, we have hitherto been unable to produce a
fabric which, for ftneDell and utility. can equal the woven mustins of
Da~'.
Any of till ductile -Is, ,ucla as gold, silver, copper or even the
cheaper alloys, can be drawn out into fine filaments.
Today,' metal threads are usually made with a core of cotton yam
wrapped within a tibon ofmJ. Gold thread ('J{uIJabuttoon') and
silver wire is used for rkher fabrics.
Imitation gold and silver wires are also prevalent, but they get
'tarnished easily.
Pure and iGlitation metal threads aro used on jamdanis. These
fabrics may be called loom tapes1Cios. 1be pattel'DS are inserted by
hand as the waving proceeds, which itWs the embroidered effect. A
tiny bobbin witla colour of gold or silver thread is passed through and
round the warp or threads in the manner of tapestries. 'Panna-hazara'
or a thousand jewels, 'dorakata' or a stripe, patterns 'tomar' with
sprays of lowen, chevrons, and geometrioal patterns are some of the
favourite designs in jamdanis.
Modem metallic yarns in the United States are generally made of
coloured aluminium ribbons sand~ between two layers of trans-
pareat pJutic. Aluminiam_,tlw basiC metal used, is softer, tiPtoe ia
wa,ht cJaeaper tbaii the JDOIO pnlfiquI metaJt and .iI aot 10 ..,.
ua
tarnish or cause discolooratfoa. Gold, sIIYer IIICl copper ooJoaa of
are availabJo .. weD as a rainbow ~ of ...... . , oaIoaed
to ICI'VO many purpoeea IUCh ., , . . . . apparel. ~
",~p, car upholcstery aacI ~ PIChsfna .....
M.dallb are not Area bat Baht weiaJat aoa-tarniIIIab1iD _ nJati
iBeJ.pensi~ yams. All are briaht. Tbo Itreqth ftdei the
~ of film and the width of yam. Acetate and acetate butyrate
:~DDlier than acetate .films aad caa be used aaaupported for wee. .,
'1:Di1_ and processing eftll on power looms aad kDiUiDl mldUos.
also lie and bot more readily. They bale conaIde.rabJe~.
t_i1imcy and e1onption. AU metana are eeaaitive to abraion _
,.10...... Heat ~ of amate 11m \$ lo-w. thm:fotO, 1Udl,ama
be processed at low temperatures and fabrics containiDl tIaem
be washed and ironed at low temperatures. The pol,.. type
metallic yarDS can 10 throush repIar processina. iIlcIucIiDs wet
dry-finishina and dyeinl without harm. Polyester AJm-decorated
caD withstand vuJcaDizinl without harm to tIie metaDio yam.
yarn can withstand bleachinl bIlt dry cleaners are ad'Visecl to tarn
artides and garments with metallic yarns inside out whell cJcanina
processig.
Metallics E e insect, moth, mildew and rot resistant and ~mp1etely
_tallies haft been used in carpets and rap, upholstery aacI drapery
:A"riMt slip covers, tablecloths, and placements, towels, aDd curtaiD
.brb, bed-spreads shower curtains aad pillow eases.
III die apparel field there are few items in wIIich metallic yaras ha~
DOt appeared.
A 1arle amount ot metallic yam has IODO into automotive uphol-
They also appear in radio and tele"sion set anUs. theatre
CD11ains and eye staas frames. The 1IdlitaJy uses them for tadar
CJgJ:amllNlllg, braid for uniforms aad tow tarsets.
A whole new &eld of 'exotic' malerials has lrilllll to meet the
ri.l~rnlll. requirements associated with IpMe esploratiOD and other
developments of tho &Ie. BxperiIDeldal wort is gains ahead on
fron1&. The IJus and ceramic fibres aDd metal ano,s are bebIa
lincludcMl in the experiments.
...J
RUBBER
Rubber is a manufactured 4bre in wJlich the fibre f011lliq substaace
is comprited of natural and syuthetic rubber. Although rubber is not
a true dIormopJastlc fiber it is heat aeasitive and requirn .much tho
same c::are as the thermop1a~ fibres. The fibres are commonly called
elastic .fibres or yams.
III 1925 scientists at the U.S. Rubber Company discovered that raw
rubber liquid could be emuded as a round thread of almost any
desired fiDeoess aodfhen cured to maintain this shape. Latex is a
CODstttJCtod rubber ;am around which are wound filaments of rayoD,
silk, wool, cotton Or synthetics. The yams are woven or knitted into
fabrica in which elasticity and close conformance to the body is desired.
The distinctive properties of latex are as fol1ows:
1. The fabrics stretch in III directions.
2. The latex core will retain its elasticity throughout the useful life
of the prment.
3. The yarn can be macki fine eoouah to be woven iDto deUcate
fabric8 as laces, nets, voiles and batistes.
ai. Latex conforms to the body contours which ens1ltes smoothly
.fiJJiD. ptJDeDts.
5,\ The rubber is not noticeable to the eye and no odour is discernible.
6. Latex i, not a.fl'ected by washing and can be pressed with a
moderately warm iron. Chlorine bleach turns the yarn yellow.
Latex is milky laid obtained from the Rubber tree by cutting the
bart and co1llctiDg the fluid from the wound. Ammonia and some
other type of preservative are added and the latex is packed for export.
The priJl9ipal soun:es of the lictuid material an: Malaya and the
~ Dutch East Indies.. t#
The round filalDe.t of latex can be extruded as fine as human hair.
The fiIaIneat is c-aalated in an acid bath and then vulcanized or
liven a permanent set by means of heat aided by this catalyst. Latex
owes its superior 1enath of life to this vulc:anisatiOD.
A thin coatiD& of lata to the backs of rup and carpets serves to
~t alippiDa and biDda the yarDS to 4e base. It is also nsed to
cemeat garment seams, reinfon:e seaJU of fur coats, close food con-
tainen and wator-proof paper aod fabric. Rubber slippers, rain coats
and similar water-proof articles are made from latex.
U_ for latex aIIo include foundation garments, elastic hose tops
of men', socks, sUflical biadiDp, swim auits, stretchable trimmiDgS.
THE ALGINATBS
The UDited K.iqdom is tJ-. 0DJy couatry produciug the fibre-ca1clum
1:14 -
wJnch is made ftom tile __ of the _weaL 0.
coDStitueata of all seaweecJs is ..... add. Siace tIaiI is a
it is a potetltial 80UIW of 8bre. AJaiaic add was tnt floWed
1883 by a British chemist UIDCId s.ford whea Iae dieoownd
the Yiacous material of certain . .WIICl coaJcl be ~ ad
IwiJpitated. But tho flnt pateat for a proc:esa to aIIape . . . . . . .
a filament form was issued to Saruoa (Oermay) ia 1!n2.
mnJVel'. eft'orts to develop alaiaate fibres llave beea CODGeDtratecI; in
Alainato fibm are produced in tho followina steps: (I) collcctiD&
and milliDg the seaweed; (2) tRatiD, tho material witll IOdium
llid)ooate to produce a thick pIatiaous mas. of aodiuIIl aJainete;
filtering the mass; (4) bJeachiag it with sodJ1pa hypochlorite;
spinning the lIament on a ~ apinDing system; and (6) coaau-
it in a bath COIltaining IIIIIa1f amounts of calciwa c.bIori4e.
iYdr,ochiloJic acid and cationic &pIlt to prevent filament adllesioa.
,_tant
t:aIc:ium algiDate Abtea have two aotabl. properdDa: They are S.
and dissolve quietly in very weak sotutiou or aIbUs. 0'WlIl
washiD. with ordiaary soap. It is this n. .tive t.ctor wbidl hal
the alginate fibres particularly useful in Great BritaiD. They are
with wool or other fibres or used as core )'UDI, .own or bIttm
fabrics ~ dissolved out in the ftnishiDl process. Jemq aheeI;w
which would be impmcticable to make otberwiIe. When alai-
fibres are used in background fabrics for Jacea, embroideries, etc.,
are washed out after the processes have been completed, JeniaI
open mesh lace and embroidery stnIctule. TIle ...... yarDI .-e
used as spacin. yarns in open patterned fabric ad washed opt
the finishing process. Alginate yams are also beina used as a carry-
yam in hosiery and fabric milia and as IIDJ1ical dressiDp. It bas
found that alginate acts as an agent which arrests bleediDg aDd
an absorbable film over the wound, ac:celeratina the ""'ina.
fJ)e:nwltS sometimes use it to fill the cavities after extractins teeth. 'Ibis
the bleeding and the fibres may be left in place and e'elltuaDy
disslolvc into the blood stream. With the present abundance of other
there seems little reason to expect that much more wiD be done
alginate fibres in the field of textiles. unless some new discovety
~hlaD~es the picture.
PAPER YARNS
!
J
116
ia 1 iii
.r i
j.. t~ 11 Ji
""';I
.. 1
j
8
-0
II It Ii
~ts
117
furaiahiag and apparel purpo8eI ia 4cwc1oped COOIltries. These ate
aeaeraJly non-weMII fabric:8 aacJ soun:eB for semi-disposal artieles.
Today. many tadle IIIiIIa . . ...... in research on paper textiles
for the producticMa.of ~ .04 dotlae. Por many years we
have used wovea paJet ,.ra tabdca of open construction in brighdy
coloured strOBl_ .... u" for transporting fruits and garden pro-
duce to mar., atrcl J'IIII, ."omobile seat covers and seat cushions,
hats and IuuKl .....
Paper may be 4Iilt into atrips wet aDd twisted to form yams and
woven or bitted other yarns.
Th_ paper yada fabrics take dyes readily and generally have good
colour fastness. Tliey are dimeDSioDally stable. Their softness is largely
controlled by the addition of wetting agents. Paper yarns cost less
than half as much as cotton yams of the same size. They will be used
mainly in dispoeable articles.
,.
1
til"
UI
CHAPTER. ..
Structure of Fabrics
. ,~,
_.
Pro. U Spiaaiq and w.... in the AacieDt BIJpt. (n.1ooaa 8PJIIUI co .,.
Wdic:aI owioa to leek of perapecthe 10 the drawiq). (PIIoto: ~
M-.,lIa4aII.),
-~a~nd copper. The spinning wheels and other implements for spmning
and weaving that have been excavated in this old site are very much
like those used to-day. All this indicates that finely-spun yarns must
have been manufactured during those days.
The mummy doths that have been unearthed in the Pyramids bear
witness to the fact that Egypt was another country where the art of
weaving reached a high standard at a very early age.
I. YARN CONSTRVCTIONS
Textile fibres
The raw materials for the weaving or knitting of fabrics and garments
are yarns Dr threads, suitable for the articie to be produced. A yarn
is a strand of fibres laid or twisted together by a process calleospin-
-ning. Yarns may be made from anyone or a mixture of the many
different natural and man-made textile fibres, now available in the
world. Each of these fibres bas its own characteristic properties and
each is therefore best suited for the particuhr end use of the woven
cloth. Cotton is known for its absorbency, wool for warmth, silk for
feel and appearance. In the range of man-made fibres, cellulosic rayon
yarns are nearest to the natural fibres, although they cannot fully
replace them. They have a silky feel and appearance. Similarly, the
synthetic fibres have each their own intrinsic properties such as
strength, lustre, crease resistance, handle and draping properties. Mix-
tnres of these llIItural and mlln-made fibres have enabled the spinner
to produce a stilI wider variety of yarns and fabrics for domestic and
industrial uses of today.
When a weaver selects a yarn folta fahric, he looks for such charac-
teristic properties as thickness of the yarns, its evenness and cleanli-
ness, its strength and elasticity, its twist, etc. Each of these properties
may add to or impair the quality of the fabric which is required to
be woven. In short, the first requirement for quality fabrics is the use
of quality yarn.
Yam making
Yarns nsed for weaving or knitting, may either be in the form of
continuous filaments or in the form of staple-short fibres twisted
together.
FILAMENTS The continuous filaments of pure silk are extruded
from the mouth of the silk worm and wound round a cocoon. Simi-
larly, viscous liquids are made to squirt out of small jets or orifices to
obtain filaments of rayon and synthetics. These filaments are smoother
and more regular and lustrous .than the twisted yarns.
120
YAItNS Looae and eataoaled fibres of vary. . . . . . . . . . .
...._ are am sepaaUed,
aDd Dod for uaifomity.
IbreI are thoa.ltIafahtcaed cnat.
fllllDidM~ drawn out into. repe- _ _iii"
form, aad thea iato. t1daDer
- -------~L
Flo. 4.5 A sbuttJe
UBI) is a frame (Fi,. 4.6) which is located directly iD. front of tile
harness. nus frame pushes forward eadl time the shuttle passes in
bct~~D the ~ yams, and presses back the filling thread in
poRtion.
123
Flo. 4.1 'lbrowbaa tile sbuttle darouab the abed
3. Tho filliD& yarn is PusIfd back and pressed against the previous
filliq by meaaf of tbo.agL
4. TJae warp tbreacl ilaeleaaoct from the warp ~ and tho fiDisb.
ed cloth it ~ rouad OIl ~~ ill Croat ra the
'l1teIe o,patiOlU ~ tiD dMInd leD,th 01 doth is DbIaiMd.
"'VBDOIIS. . . most of1ho matetiala, the edpa, which are blown
~ 8e1VC1d1es, are made With heavier ud more cloeely placccl warp
yarns, 80 that tbeIe do aot IIDlBva . , . fie 1Ifkb1i Of thO IOJVedjei
. . . .Uy about gpe-fourth of an tach, except where it is atiIiaed
in. r.ordet', e.g., ill saris. 'l1le wup.J8Dl11lll paraUeI to the ..~
D. I'ADlC CONS'l'JlucnON
Pabrics or
lcltiag.
ptJIIOJJts are IJIIDu&ctured eitb by ..a.m., brittiy or
-- WEAVING
AI woven fabrb are made ,!l:of twO loti of ~ mo_ M 'am'
;: '. uiIiiDY tabiB are woven in lOBI leustba, i.e., 40 to 100
!E2 threads are broupt :side
side just as they would bOLl thO fabric and theD wound on te a
or toUer. The length of these threads must, of course, be approli-
_miiiiTiiple of the 1eDath of tile pieces. The ftlIiDa thread is wouild
JLU-'__ Imm_!!l!. Since tho 1iIJiug thread has to be moved
tbe warp threads in weaviDa. it is Dot possIble to make these
Jarae. So a large Dumber of these have to be used one after the
.in maldDJ a Jon, length of fabric.
beam of warp threads is placed at the back of loom. aDd the
are drawn from it across the loom from back to front to be
on a roUer. For the weaving of plaiD cloch, the threads are
tbrouah the eyes of two sets or beddles.
The filling threads pass over and under altonate warp threads.
are lifted and lowered by the corresponcIiq heddlel.
weavia&. the of COlltained ia a
o. l ideaf
125
For tile wee.. of fabrb with compticatccl daips and Iiftia&
order of warp tIanads, mechaiaal .......ta bowa u 'bpbbieI. or
'jacquarda' are UICCI.
a.c..CI__ w...
no _pleat or all weaves is it:M beep M tile ~ 'YtMYJ. The
weave can be '98riecI for the ~ of ftrioua rabrica by tile selec-
tion of the ,.,.. to be usecI as ~ ... ftUiq ad by tM gmber or
thrud,
wldch in
per=::tmetre. TIle simplest plain cloth . .y be Olle
is esaentIally square or balaDced with !Qual
threads ad COUJlts Ot}anu in the ~ad IJIjpr as ip a , . . cloth.
Ii poptiD. on the other Iud. has JIIOte .....~ thaa 'picks- In order to
pnsauce n"bbed eJl'ect. Use of coaner yams in the Mias mab the
riIJs even more proaounced.
A plaia fabric may be -mie4 to live stripes 0( areater density of
warp ends and alternately by the addition of tbicker threads. usually
termed 'corda..
A _weave may also be oven with very ftDo. medium or coarse
yams as required. each fabric beiDa ctisdacdy clUreat,
A '90iJ0 fabric, for aampIe, i, aD opeD puze-lib fabric"'made with
1Iae. spedalJy SpuD and prepared yam. aDd has a hazy appearance aucJ
is aIW a mulin.
There are many weaves of aD elemeatary aatare each haviDa its
own distinctive value. Some of the weaves are used to better adV8ll-
taae fiae fabrics; others on coarse fabrics, each weave heina depen-
deut on the riaft -selectio1l ofl*1icuJars.
It is very difticolt to cIassil'y the vaat number of weaves, with their
maey combiutions which pro4oce the dift'erent woven fabrics of to-
day. Bot a few fODdameatal ...'6 coo1d be duslfted as foDowa:
",'VIIS: 1. 'PJaiD: <a> PlaiD aad tabby; <b) Rib; (0) Baa1aet
2. Floetina: <a> Twill; (b) Satin; (c> HucbblcJc weave;
(d) Honqcomb; (e) Bird', eye; (0 Crepe, (I) Corduroy;
(h) VelveteeQ.
3. Fabrics with woven-in-pi!e: <a> Cut; (b) Uncut; (0) Looped
orterrypile
4. lacquard patterned
5. Leno
1. PWa Wea..
:rho plain weave is sometimes called cottoa, ta&ta or tabby .eave.
1bia is the simpleec weave. The ftllias yam is altemately paued over
aad ODder ODe filIiaa yam. See Fla. 4.8.
PWa "...,. rabrb _ve ao wrOlll aide. They are cheap aad have
. . . utility '98Iue. e.a........... '9DiJe. c:aJico, JDUJJiD, ......
126
,
x
Flo."" P.........
are ~o other "..,. DUUIe with tIIf warp,.,.. equally
.act are. therefore, rqardecI ......tiODI or tIae plaia weave.
are 'rib' aad ..stet' weayes. 'I1Iese mate pJaiD-wca" fabrics
attractive.
"WBAVB
_y ",oven leqthwise or croIS1f'iaI or tile t'abdc. 1'be
ktII,'Itisa ribs ill the 4itectioD of dto warp are fGrIIIId .. ... IBIinI
pa-I aJtcmateiy over aDd aader IfOUP of warp yaI'D8. is
ftlJiDl rib weave, ..... rep.
eromriae ribs, ia the dilwctioa or the ftIIiDI. aN r~" die
yarJJI passing aJtematcl, over &ad.ader sroap orIDiDa yaras.
is called. warp no weave, eI, PoPfiIa.
~1Wa:rWBAW
_Iket treaYe is made up of two or more SUiDl yams passiDc OWl'
UDder two or more warp yams. The basket weave may be three
or (our by four or many other -~ ~
4.9). Very atttactive fabricl may ~ ~ ill the plain buDt
by the Ute of coloured yam&. B"t this weave prodacos radler
fabrie. which is Rot ctUite suitable for hard...., e.... moak'a
materials suitable for sports coats or . . . . duooti.
Wean
iDclade wide raace of wcavca ad an the aOIt dalaWe of
127
1'WILL WQ.'VB
n.e Iao1D a wiele r-.. 01 wea'YeS aad are die . . . 4urable 0/
aU ........
la die twill 1JII8Ve, die tJIbtt ,.,.. ... .".. . - -.. ,.."
yuBI ill repJar ~ to fonD diapul JiDeI. VariatiOlll of tile
twII . .ve aN tile ~ twill weaft, the brobtl twill 'ftlne,
.......... twiI . . . . ~ oftwiJl ..... fabricaift Cotton:
....... jeu,driD;1dUi,. . .
I.
M"IDIWMVI
Tho oIJject of .db weaw fa to proa. IOBd lue on ODe side
UJ
or the cloth
(Me. If
10
IIlO1'8 warp,..
a.topve it SIDOOtIl ad pacnIly lustloaa IGt'
allow ,. . . ..r.. it it called waap
I ............ SIda fa tile
__ rl .....w.wIIt .. or
... fabric ..,.. fa dill _w.
.......
Satia .... .........., of lilt Mdc
witIl the _ , ,..,......... on
raIIdcL Both
theee C01IIb'1Idioas produce uaooth. lustlvus. rich-lootiDa fabrics
which stand a 800d deal or barnear.
Satin weaves are ute4 for many fabrb. SUb, rayoIII aDd wools
wovea with the warp satia weave to prod8ce IastroIas faIri:a. Wool
satia-*eave fabric. ..-e often upped. Cotton fabrics are more tie-
queatJy woyen with the .teeD wea'fC.
IDX.UACIt WBAVI
'I1da wene is ehItneted wIba warp yal'lllioatilla 4HI the face of
the fabric. A typic81 hucb1Iack ..w may have in * repeat of the
,
I
t I 3
Plct.4.12 H1ICbback~
130
tho lilt ad IICOII4
fa thetollowiDl hPcb. tIIe ......
ewer" .....1ILt:a'
waap,.... ....tbda...,,... ....
1I1iaa,.,.. ne .......... at . . tabrit it _ _ ~ ".
weave. TIle ....... ptOCIace IIaort, ............ ...... . . .
.w-DI"!O_ WIAVB
die boaeycoanb weave eeII-lib appealUClil . .d . - bY
:IoatiDayams wJaioh fOOl ridaeL ID dais . . of .... .... ....
aad tile IIIiDa yanII aoat OIl botIa sidee or ............. .....
a atractare aahble COl' towels.
vertical Jiacs are fOl'lDCd by the . .,.. warp ,...... aad JJ~
IiDes are formed by the fIoatiq fiIIins yadII.
___"'1M! WllAVB
weave is constructed with fllliDa ,ana "tina OR tile _ace
a IDIUlDer that they produce amaIl dJuIoDcI..eIaap deti...
1Iect of the fabric &bows the warp yamsowr which dae In....
loat.
v
J)J II
"
.
"
..
!!II
.6
OOllDUltOY WEAve
The Jl'Ound Mini ,.,. ...,. ha a plaia weave with the warp
yaru to form the IlO1JDCI faIidc. ..... pile fiDfIII yams interlace
0_. two. or tine . " , . . &Ilea . ....DYer due 01' JIl(n
yarDI loan interJaee apia . . . . two pr thno warp yams foBo
. by ftoatiq over 'W&I'P ,..ad II) tortIl.
After the fabric is woven the ftoatiDl Uiq yams are cut miclwa
between the iaterlaeiaa. n.e fabrics are tID 8aiaW so that the
forms cords or ridps. Vses: SuIts, sportswear. dIapery, bedlq,readttl
upholstery. -
'll!LV811!IN WlAlJS
Tbit is similar to the corduroy weave. The around _, be
132
......,IIUI
a tal. . are a If01JP iD wJIicIao. . . . . . . . .~ railed
UIO of wiIa, e..., turkish towelJiDa. AI the fabricia WOftIl,
UIUIlDIE JUDI are JIekt bact aacl are DOt ..... in ., reed. 'frJth
o! the am pict, all are beatea ilL n. pile warp yams,
over ud UDder the bact fiUiaa JUDI, are al80 beatea iD ad
of,....,._..'. .
Tho pile loops may be OIl the bIct oaIy, OD tJae r....."
fiIUq.,..
tile IicIes. In some . . the taftt
the ....... oftbe warp ad daia_~
tMod
INWovea.
..
Ta 1IcqaatcIlOODl is atremoly complicated. h is ver, apeDIive
... teIlWirea .. teODl 1ritIa. a(aidy iPah ceiIfaa. Several weeks are
aeecJed to prepare a loom for a .9' complicated pettcm. aacf tile
wemaa opntioo is com~ly slow.
In a Jacq1Iatd .".ve the fabric may be tat ........t . . . or
it _ , 11M a cat pile or au aacat pile. 'l1las variOll8 ...._ ca be
..... iDtO" ftIIItic. E-..... of do*
De.... tapestry, bnJtade aad terry . .
JUde ia lacqaard weave:
Df
weaft
".~ atada in . . . by
It cr__ .. lacy effect and
tile .ppearanco of. figure
Tbia etrect is aecured by
IIltachmMt bncO it it caW
die'" ,...
weave. Jf
ikIrIL_ oat 01 fabric--
t
LACE
, .
Quite another method of making fabrics out of yarn is in the lace-
making industry, It is more restricted in volume than weaving and
knitting. The machines used are ing~nious and complicated.
It lace-making the basic principle is that of having a large number
of warp threads, as in weaving; and then running filling threads, not
straight across and over and under these warp threads as in weaving,
but twisted round these threads and moved across the fabric in a
diagonal direction, The same principle is utilised in making lace
curtain fabrics.
Ornamental lace of the best quality is made with real silk threads
as the ground-work and with effect threads of rayon or cotton. This
material may then be dyed with contrasting colours.
FELT
....,e. tf.
p.riDciple underIyina the ICOUriDa aa4 bIeIcbiR8 of all tGtiIe
is simple. MethocIs aDd purifj........... are used which
the coadi1ioII8 employed 18ft a . . . . . . lw.rmful e&ct oa the
material, yet are able, by doatmctioa or solubitiaatioB, to
01.,. _0.1
tho impurities preeeat. Iiace di&nat . .
_Iillilitiel to tIae
"YO . . .
purif)iaa ........ JII1IIt tile 4iI'enat
materials be treated......,.
madUnery ued for amyiaa 011& the purify., procew, .. iIl-
aIIo for aU adler IdDcIa of WIt prOClllin11ll1llt be . . . . to eait
13t
die ...sariIl ill . , form f1l pna, faIIdc GI' ,.-:s ~ .......
aery .., aI80 be lOCIuincl 8OCGI,~ wbedwr ... fabric it .....
or bitted.
hi'"
Ja tIIItiIo materialI, the imPlltda "... are nDlOWCI dariDa ICOlIriDa
............. comprise . . . . . fatty ad oBy .batucea, aatunl
Dltropoou bocUeI. pm&. and miDeral impurida. In additioa. the
_tuIal coIouriaa matten, prellllt ia . . . . . . . . . . . . , . . . . .
tile ...... III8tedIl iI to be left a pure wbite or to be coloured in
brJaht dear Ibades.
or the wrlO1IIIbn1. the myoaa aacI qathttic fibRIl ere ...u, tbe
".elt ad IDOIt pare; dIeir ~ is . ...., easy. CoUoa Is
a taidy pare, oIeaD fibre. But wool 'Idle IDOIt impure. It COIdaIDa a
IaJp proportiOll or wool fat (wbea this is nmoved ad puriIed it
IOID die . . . of tIIat lIId'w akiD laIyo: 'IIIIoliDe') ucl plbphatioa
RIIcJuea from the sheep. Flu coataiaa a luae proportioa ~ woody
impariti.. wbilst raw sDk hal 20 to 30" CODteIlt or lilt pm. StaIda
ad oil imparities are iDtroduced into aB testiles to t'adJitate 1DIIl1l-
fldariDa opaatioaa-to It1'eIJ&theIl and 11Ibrk:ate the yams as they pus
throvsh . .viDa and bittina lIIIo1daes.
11ae 1taIdly. ~ aDd . . . procIucta c:aa be Jaqely removed
&y treatiDa t1ae IDIlterill with aJbU. Jiquors or with ~ or baIiaI
water. Pats, . . aud oils nspoDd to _bMDt with hot alhlillc
... IObitioas ... theJ ~ emuJ.... and wuh out. TheDat1lla1
colo1ll'iq matters . . usuaUy resiataat to tIao tnatmeDta aDd JIl1IIt
lie d~ by osidisiql1lbltaacea, espcdaUy QdroaeD peroDIe ud
~orite or other ._DCe8 contaiaiQa dYe cblodinc.
Acid Iiquon usia to IeIDOl'e IDiDetal sub8taaoes . . . as caIchuD
and . . . .mm compouads.
. . . . . . tr... It.
TIle ceIaJoIe .... aN NIiIIaat to aIbUs . . . . tbereforo at.. a
pod ad tborouah boiI1rida solutio.. of sodium ~ or neD
CUIItic 1Oda. OD die other IIaDd, wool Md sit . . Mn . . . to ......
... to It ...... to _ tile,..." aIbIi.me ...
a.l1i1k ia __ naiRa. to aIbliI tIIaa woat. ad 10 it is 0CJ'M"'ft
,...,. to boB raw silt ia ......, a'bli.. ..., ....... to1'e801lll
, . . . . . . (..a.).
WI
ia...,...........
.., iIIpadt) ........., . . . . oat.
.Mid JIIIIIIeatioa Lwe . . . . . . . if .... at
___tIatioa are Mated. Ja ........... _ ......... toWOCll
..... boDed ill low COIIfMitJIItioD.
IaJOU ad .,.... .... are _ . , IIroa ..t ... .....
GOIotIr . . . . . . ......,., ........",.,.". ....... ...
of IIbdc. II dl1II ..,., to . . , . . cIirt, ., va I liD . .
01 . . . . . or tDittIDa. 'I'hey are 8IOIe ........ to . . . . . .
thaa ftl*bIe and animal flbreL
_ _ _. I h
.. _to cIeaIt with 1OOIIIiaa. Ja mOlt . . . . . . dIia'l P 1_
__iaI will be whit tbaa bafore owiq to fir , _ 01 . ,...
But tIIiI it DOt 10 ia III eaI& CoUoa aoodI.., ..... .....
tie imparities, aad the ..taraI
fl'OdacIaaood white coIow.
coa....
~ after 1COUm.,. ........ it . . . . I1".31.t ... . .
1_ lilt .. .
141
........
Prom plaiD dyebw it .... become ~ DOW to tum to ~
.. a _ _ of produciaa more coloUrful etroc:ta on fUrica and aIIo 011
,.ma, aJthoqh to a Jesser ateJIt.
aocE ftDn'DIO
TIle simplest metbod or priatiaa a pattem on a fabric is by uaina
woodea bIoc:b. mock ;n.tiDa was ImowD to tile adDell aDd fndient
. . . two thoulUld yean aao. It ~ 01 caniDa a tbkt blool: 01
wood JO tIIat a .......... out in reJiet. nu. block is tmeand wJdI
a colour paD ad tIleD pressed upon die tabric 80 that the colonred
..ttera it baDtIenwd to it.
Block printiDa can be made wry tlne . . . . . ad tile ..,.. It
aIICI toda, where aclushe paCtcnII .... teqIIind. Bat it _1IqpeJy
.,_ way to nw:Iriae pliDtiDa. whida is used all cner" workl
for produciDa printed fabrics in quantity collUllOllly 1IIed u roller
priDtIfI.
aor , . PaDn'INO
RoUer primm, waa developed in J785, aboat tho time aU temJe ope-
ratio1I8 ..,ere bocomiDa medumiIed. R.oUer priatiaa tuma out 00lo8I'-
.11..... rabrics h l'8It qu . . , ., tho Jate of ~ of yards
anhour.
ne ....., puts of the roller pdatiaa mechiae - . . _ a .....
caatral cyJiDder ara.ad which p6ea the fabric to be priDtecl. Tbis
cyfbador rotates with the IDOYiDt ~ Apiaa tile faInic . . this
~ cyIiDder, .... a Duaber 01 colour-priDtiDa IOIlen. Each ron.
coatn'b1ltes ODe colour. 'DUll if there are h coIoaa ill tile ......
tbIre are lYe co1oar..printiac IOIIen. BIda of tMIe roUen is made of
copper UlCI enaraved on it is that portion or the paUem. which it
eoatributes.
Wartiq witIa . .ooIour-pdatiaa roIledIa co1our-furaisbiDI roUer
. . . . rotat. ia a ...u troqh contaiaiIaa the prIatiq coIoar
pule. Alto tona IDe 'doctor' or .....bIade . . . . . ._ OBI of
tbe~ roDen.
BIMlIa ron. coatiDaoaaly 1m,.... itt part 0I*' .... _ tile
fUric ., IODI" tile JD'ddne is ia openaIaD. Gnat aaae hu to be
. . . . to . .j1Ist tile roIIen 10 that tHy nPtK the cIeIIp aorrectIy.
die.
patteraed", with dart '**aroeDdl. ". ..., tIIat . .
teDda to "lItea tile falldo ill tile ana 01 till . . . . It
DOIalllllDer WI1ltI IeI'YioeIYity be IIIoulcl.Ol bu1 fabriat p:Iattd
clidarse ,PIiutiq.
ftIN'I1NG
priDtiaa. the wWte ta1Iric is lilt priato4 with
IIlbl1aace which wiD pteveat IatioD of certaiD dyeI ~
a,..
COIdaIa-
.or................,. ...
PIlIMTDIO
FINISBJNG
.........................
........Mdo .......101& ......
,.... . . . . . . . . tLdlDto.~or . . .tDbe ... ~ .......
=. . . -!!Jiwac
RaJOB fabrica are DOt caleDdencllO.a~IS cottoa or ....
fabrica ofta IIaw fairly Iaawr .....
orca~801M,~'" ...... 10. .
::=
....... additioato die ~ fIA~~ PI.1n bow1I.
~ . . . . eM . . . . . . . _ _ . . to
81.......
::::~:::=' Da IaWl 6:,
.,
h cJdaIy
Ally textile fabric is made ap of danacJs wbicIl are ill a state of defor
-uoa tor die teUOO that they are iDterIicod with each otJaer.1a tile
_ . . or iPittiJII 01 tbit '-brio it iI ilB.pOllibie co aYOid fI!at dae
. . . . are ItnIiaed or IItIeIdIecI.IO dial a CnaIa)J .... rabric is DOt
....... It is Iupr dIM it ~ be if die ltIaios were reUo(ed.
WJaea 1M'" 1M cloth Is ob~to pIA tbm1IP caleaderiaa or
otJacr ....... to bdDa it iato a IIIIOOtb coadition. the fabric is
ftJrdIer 1tIached. Ia __ cues t'IIraiaZMn Jaaadoaally Itretda ~
witIa a . . to prod\1Ciaa10. Of 'Wider ra.brici tbaa it ~ by
their 1tnIctGre.
. . . " . , 110 _w
WltIa die IDOdeni molt apiatt turic:I .... prmtatt. wWell in die
&oenam _ bu& wJdcIl after the first waab are
, . . . ICItady to wlDUClsma!lert _ . . . . it . . . called apoa ..
~ . . . . . fII ..... -aDd ..., ...... widaoat __ 'rill. the
~ III r.ct .. is c:a111c11IpoIl1O CidIIIfbra to a specificatiQa dlat tile
......... wmaet, OD ........ thtiat..,_ certaia ...0....
oI"'~ ~ ......
Iim'ia. 1be result is that today It is poJIIiWe to pardIue a wide vadItJ
tIN;""
tlIIt
,.._ . . nqair_eats . . . ~ die . . of . . ....,..aery
Mriat ........
10
*' tIIe~ f'abric eaa becloaed 1Ipwithoat..,.... tile ......
SaatoriaiDIIa OM of tile procaaes ia wIaida tIae ..... oontnM:tiod is
ibrCJalllt about "" , . . . . ......... doUa botwI_a bJaabt ad
flIe iiJrIac:e of alarp ateamheated metal cy'lllldtr.. AI the fabric "...
.......
aa;;:
.
. . . . tIIiI eyIiader . , . . pnI8IId ...;_ It '" tile bI8aket, it is . .
. . . . . . . . . fD.f.. ~
'
w...........
The production of water-proof fabrics is an importaDt SfdIoa of the
textile trade both for prmeat and industrial uses. For thefougher
heavier types of water-ptoof fabrics, such as tarpaulins, .etc, it is
t,
usual empJoy a coatiDa compositioa which compri. . tar products,
since these are cheap and can be thicl1y applied. ApPearance or handle
of such fabrics is not of much importance. But with fabrics to be
used as prments, rain coats, etc., a soft handle is necessary
.Itt maDl _.prQaf........ it is moat satisf~ 10 MIlt.,
side with a Jayer of rubbet...But aow-a-days rubber is hin& replased
. bJl'iiitliCtiC msiaa. A cbaracteristic of such proofed"fabrics is that
1IIhiJst beina resistaDtto,water they _ also impenious to air. They
are also adversely aft'ected by grease or oil.
~or' n.incoata it is DeC*8I11'Y that the fabrics should be permeable
to ala and yet be able to withstand faidy heavy showers of rain. Air
permeability is important since it allows moist air from the body to
pass throuah the fabric.
In the earlier days. water-proof ramcoat..fabrics were made by
treatiDa it with a solution in such a way that JUl insoluble, somewhat
greasy aluminium soap was deposited on the fabric. This made the
fabric readily permeable to aJr, but Dot to water.
Later improvements have led to the production of emulsions of
this.alumioium soap. which caD be more cuiIy applied and dried
=_
iDtoit.
Tho terms water-proof and water,.npellant are often used intot-
~, bat- they have . dUroIebt IDeIUIiap.
A wa_-)Woof fabric it water can peMtrate. A water-
148
cleaning. (For home-methods of moth-prevention see Chapter
'Storage'.)
There is only one certain preventive against moth attack. It is to
have substances present in the wool material, which either render the
wool fibres absolutely uneatable by the grubs or which actually poison
them when eaten. Moth-proofing substances are known and are avail-
able. The most satisfactory solution of the moth damage problem is
to have these applied during the dyeing and finishing of wool materials.
Mildew-proofing
The use of sizing in finishing makes a fabric susceptible to mildew if
ifTslater exposed to moisture and warmth.
To prevent mildew inorganic salts, such as magnesium chloride,
calcium chloride and zinc chloride, are used as warp sizing. In recent
developments, turpentine and formaldehyde are being used as preven-
tives. The following household recipe gives good results:
Mix It ounces of cadmium chloride (poison) and I galion of hot
water. Wash the article in a neutral soap. Do not rinse out the soap.
Apply the solution to the fabric. This finish will withstand several
launderings.
Antiseptics, such as boric acid and carbolic acid, aiso prevent rapid
growth of the mildew fungus.
Flame-proofing,
Fabrics cannot be made absolutely fire-proof, but they can be chemi-
cally treated to retard inflammability. Flame-proofing is a practical
form of fire protection where a ilfe-resistant quality is desirable, as in
fabrics used in awnings, matresses, work clothes or draperies.
Textile fabrics may be given a fire-resistant quality by a simple
home method of immersing them in a solution of 7 oz. of b.orax-.arui _
3 oz. boric acid in 2 quarts ofhot_w'!ter. Wring and dry. Press with
a cool iron. (Heat reduces the effectiveness of the finish). This method
does not alter the appearance of the fabric, but the treatment must
be repeated after each washing.
Durable fire-retardant finishes either react chemically and pre-
cipitate on and in the fibre or react chemically with the fibre to add
fire-retardant properties. Most of them tend to stiffen the fabric.
Material
1. HANDLE-The cloth should be pleasing to the touch.
150
IlDlllIUI"Y d a fakic . . . . . OR tlleJad aM ....., of the
teaIile streaat' of tIIe,ana. die . . . . . or. . ill ... ,....
of CODItnIcdoa.-'Compu.... fa OM fI...... ......
the ead of the Jut ceatury the aaturalfibNl .... CIIIe oaI)' 01IIII
CombJutioD of fikea Ja . . . . had warp , . , . . . . . ,
offtbre and fiIIiag yaraa fJI aaother. Willa the ootaiIl in of
fibres, a Iarp . . .ber ef DOW . . . . . . . boa _ _ TIle
combJDe two or more fibrel ill oaefakic is arowbIa 1BPidIJ.
II .,., done mmeud more ............,. BJcadtADd ___
......aUy 1I8Cd ia all typa of fabrD 10 . . to make tIMID I8itaWe
.. .der-pn_ta, ,. .ten, bulb. ahida. sai1B, drapery fabdce.
wedel..... raiD-wIar. oIIiIcIml'1 wear. . . . welt. . .
lUlOlIJIl tIlo term 'mixtanet ad .,._.. ....... . . , ......
tedmically then it a cIitftInce ia tMir . . . . .
JrADICI_ . . madt up of two or mole . . . . Idoda
each of wIIicIi is C08IJI aga' fit . . tiM of fiba TIle
be CMIpOsC'Jd oflla8"Il"IIII!ilijIiilIladl1"
151
BLBNDIID PABRJCB ate made up of)'alllS.iII whida two or mo.re .....
ent kinds of filna are spall toaetJIer. In Iddition, varioua typoI or
mOllOfiJameDU OJ' ftJamept yaru may be combinod OJ'twiIted topdaer
to form a combiDatioD filamept yam.
There are a ho.t of raI8Oas.for mDiq aDd bJemtiD,. (1) They obtaiD
a larpr number of desirable cbuacteristics tbau co be achieVed by
uaiDB ODe fibre aloae IUCb as iIIcreum abaorbeDcy, comfort, faatDess
to light, areater rtf8taDce to abruioa., wriDtle reaistaDce. streqth,
elasticity, resilieD<;y..CJimeDaioDal stability, fabric attractiveneas, better
texture. drape and softness, reduced tendency to pil1iog. JDildew,
bacterial JfOWlh ana static electricity accumulation, posaibilities of
creating newer mixtures of colours and desips. permanent pleatiDl,
embollin& priDtiDJ and other special etrects. Thus, in short the fabric
improves in appearance, behaviour and utility; it becomes cheaper and
easier to care for.
CeU1Il08ic fibres are o~luded in the mixtures or blends to pve
increased abaorbency aDd comfort, decreased static electricity accu-
mulation and PilliD&, increased washability and gredIer'86rity for dye
stuffs and chemic:aJs in finishi .... Thermoplastic fibres are used to im
prove crease resistance, abape retention, ablamon ~, strength
elODption, dryina ~ ease in iroDinJ, pleating, etc. Rayon and
cottoa on blends help to keep costa low and to increase absorbency
and washability. Nylon serves to improve touaJmess and abrasion
lCIistaIM:e; tet'lene to im.ove wrinkle resistance; acetate to imprOye
drape texture and also resistaacc to wrinkles.
In every civilisation ftom remoto aaes to the preaeat. *l' the art of
dyUa has played an import8lll part in '"'_ beauty 10 rho world.
IncIia was the coloUr-boll of die ancient world. She was the aomce r:l
tl1e eartiest aat\UaI dye-stdi known to maD. lDdiao. the :tiDa of d,.,'
for Woe; madder, lac, sdlDwer aad sandalwood for redIi cutdl for
browD; ~ and saI'Io1a for yellow, ud . .y otbtr ind;,e.o.
dyea wae her sole monopoly. TheM were not 0D.Iy used itt decoratiDa
dle briahtladiaD tam,.. but were a1Io made afti1ablc to tho Watern
wodd in laqer qUUltities whenasco da GaIDa discovered tile sea-
rpute rouhd the Cape of Oood Hope. For Wltold ase&, our 'ranar
and 'dlipipn' (priBten) have tried to preserve the colourful beauty
'or tho COUDUy's milIioDs in their haacfa; so that eVeD now. to our
Western friends all India with.out the aoracous saris or the women, and
the briPt turbans aDd hmgl8 of the men, lVouJd be uthiDbbJe.
<lour ill aacieat times was ~ a. 'Piritaal necessity of equal
importaace to the physical aeod 0( food. Every colour.bad its . . .
caace. and the ..,., whether mytholQlica.l or ~ baman or
IoraI, bid itt hidcIea ,.nina. To cite a few : Blue.... a symbol of
vitality and COIlVC1ed .. attitude of admiration an4 a __ of lhiDina
apltadGlUf. lled ~ joy. happJneet, iii., truth, \'irtue ad IiDce-
~upidoaa tor tile bride. &080 ... the aDblem of divine wisc1om.
GreeD to aM Mustim cIo1lOted ..,rtaJity. aad 80 OIL
Each aeuoa baa ita own favourite coIour-lime sreen, for imtaace..
is _colour ..-or,
tor early
d,..__
"oa for Basaat. whoa die mustard
it ia full bloom. BvCIl today, every airl1atoa .. pride ill
. . cIupaUa in ,.,now, tor the Buant fCItiyaL Yellow to . , &DCieatl
iD4icatt4 nasbine &Jld aprm,.
IDIOllJl1l11 RajpldaDa, tile tecbaique 01 daDIIIe
coIoun omcr... oa ..... side. fte . . . . colo.
J:dUliRDt artiJdc IWDeS, lib tIP'" pat_.
. . . . . fa
.1
tIDe1
it f If
i!
I~ i D
~
~J J II
:.
CIS
9
J!I fl
91
s1
JJ JIi19 Ia
~i ~ ~
lit8! DiJi_ tJ
IH~ JJlg a"1
i
ill
l
11 f
dl in
:=
II
i~
oi
;
RI ~I
~
.. J!
J ,!
If ~ ..
'" 10 ... Ii
are ftDdin, other aad less aesthetic.... lDveItiptioos have reveaIiDd
tty.,
that the colouriDJ matter of ,.._' c:an be suitably employed. for
tom
textiles. Colours obtained hem1a are moderately fast and
can stand, to a,..t extent, ~ ch10riDe bleach., aDd fiIht. Its
p-eatelt adVIDtaae is its economy. A povnci of 'henna' leaves, C08tiDa
as little as sh paise can yield a ~Iy substantial quantity of coIolIIiDa
matter. The dyeiag salmon is obtained by soaIcin, crushed 'henna'
leaves ill water, ~t rJuouah a piece of cloth, .mixiDs it with a
sman quantity of dilute-acetic acid and hcatin, the mixture 80 obtained.
A larp variety of colours could be obtaiDed hom tIUs process, l'1UlIinI
from reddish-brown to mildly brownish-yeDow. Some of the cbarac-
teristics of did"erent dyes in voaue today are liven below:--
ArOdaI.,.
Today appr~ coal-tar ctyGI are available for every sort of article.
Dyes may be fast for example to sualiabt, to artitlcaI u,ht, to water,
to perspiration. to friction, to washin, processes. TLe ~ dye,
artie.
which is totany fast, bas yet to be produced. The treatment of coloured
reasons:
in the laundry, therefore, demands 8TC8t care for three maio
."
with vat dyea. u . " witlallud bI.,.... (widl 0Jddiziaa b't. . .>.
but fJoiIiaa ia a IOIatioa of' soda may caue tile dye to -m GIl to
white portions. It it DOW poaIJJe to apply 'tat ct,es to all types of'
fibres. (For simple hOmo-dyeiD, . . Chapter 21)-
DIFFBR.BNCBS ~ DYI!B AND PlGMBN'n
s.. .........._
BleediD. is a common colonf problem. Dye that bas Dot combiDed
chemically with the tibre will come oft'is water, 'nere salt or viacpr
wW 'set' the colour. blat there is DO information to support this belief.
fa dyeiDJ ~ fabria at ~me, salt is added to tho dye bath to
ahaIut tho coIout-to aet betW dye peaetratioD.
If' colour if. to be permaaeot to waabiaa. it must be 'set' ia tIae
factOry dyeio. process,. Colour ~ DIiaIU DOt bIcecI under ordinary
IIaaderiaa ceaditioas may bIeN WIaea kept wet too 1ODJ. It is Dot a
~ idea to roU wet rabrics ia a tow) aDd leeve diem for Ioaa'
J*iocIs or to wash cotOUl'ed fabrics on a damp clay when they will Dot
dry quietly. Bleedin. OCCUR with rayon and acetate more often than
with cotton.
IC.nit fabrics (jeneys) are usually ICNeD priatecI aad they stretch 10
much Ia rolled printiq that the deaipa are blurred. Screea prints an
not aauIIy fut coloured. aDd jeneya sIIoalcl be dty-cleaaed or tbe
coIo1IIIlD&J bleed and rua.
PIP fibres do not ablorb or hold colour u well as ether celluloee
. . . CoaIeqaeady, tile colour in liaea rabJb 1adeI.
The .."..ace of Iia, etc., applied before d1eiDI or improperJy
.IeI8DWCl Wore dyeiq. may result ia DDeveD wau or .nice fro. a
colour
.....,.
1. fabrioI"~. JII'U -y develop Uaht atnab
__Willa WIiDkl. boc_ tile colour ..... ,~ the JIIIIl
,
SECI'ION B , CONStJMDSt PJlOIILDf8 AND SELBCTION
01' I'ABJUCS
CHAPTBIl ,
SUMMARY
m_ true...,....-uan
JI"OO"'inIIaeIpI to Jive ....... iatpIwioa ad IIaiI4
toIIdkletlCO. Bat OM DOt forpt ...
real; aot a mere physical tact. but aD expre.Joa fII
.. __
beiaa 10, beauty call lad its way iIl_ ... cbuDbon of _
throaaIa dift'creDt ways.
r.
IWIrJOIIlIt of 111 is eoasamer w..... we an produclert or hayert.
worda of eo.. 'A. 0CIIIIIIIDeD we )!Ia.,e . . iDtenat - ' Jllal
ia our economic OIJIUIisatioD aot 0IIly because we Aft Go uId-
. . . of its pIOdaetI bat becnIe we aJIo play . . . . .
ODe of the maiD problema tkt faces the Iudiaa. consumer in the &Jtd
of textiles is that he has to faD bact on a mass of locally IDIDIIf'actIInId
IGOds some of which are or d4NWaI qaaHty. Each day brio.. in its
wake newer fabrics with ne,rer blenda. Even the most thoughtfol
consumer cannot keep himIeIt fuDy-iDf'ormed, because the variety is
too Jarae and too rapid, the composition and construction of loods
too complex.
A Jaqe bulk 01 people Jive in dire poverty, finding it difticult to
keep body and soq1 topther. Many are uninterested iD their problema
as buyers. 0nIt a h have so_ tnowledp of teDiIes or oCher COB-
1lllDel"8 pds to be able to Jet their money's worth of looda. There
is much ia wbat Coles states: 'TI:te COD8Umer"s lack fIl skill in buyiDa
is .ometimea COJIfDled witJl .Iadr of inteJlip.noe. But it stemI from a
lack of ObaeItatiOD and fr~ tho fact that most of them have had no
formal tniniDa as buyers'.4
At pnaeot because of a lack of critical. comJ18nble consumer
information, the cdnsumer has to waste much time waDderiDl from
shop to shop or chabsina from one brand to another when doiDJ hi.
tqtile buyinl. Sometimes he bas to depend an what an 'uninformed'
seller c.hooses to teD him. The COIISUDIeI' C8DIlOt teat goods for him-
self or aft'ord to have them done. His situation is quite diJf'erent from
laqe c:ollUllel'dal firms which have their teatiDa laboratories to lad
out blfonnati,... about the soocIs they buy.
Modem life is becomiDa full of stress and strain. T_ is an impor-
tant r.ct~ which every indi'Vid1l81 must use wisely. The consumer
. . be helped to mate q~leaa-cut buyiDJ deci.... _viq his
energy for-better and more enjoyable purposes. 'Performance in ute,
.. in other CODS1IIDCl' 8QOds, is very important in textiles and clothing.
~tiel tII.eir composition and COIl8tructioD to performauce preJeDts
dilleuJt problema which must be solved before we haw- wides~
uae of ttaDdards and labels for clothin. sad Ilousehold tutib'.
Very often the consumer's choice is iduenced by misleading an4
fraacfuJent advatisements, by temptatiOJll such. as bonuses or lift
lriP'iPted. Low..,..
.,..... Half truths and unimportant cIIaracteriItie are sometimes
goods .may be pac:bd in attnIaiwe OI.'IDbIi....
911_ _ UIO all dle tricb of the trade, temptiq the buyer ill .",.,
pOlli1lle way. Much 0( advertiainJ today is ~.
AaotMr problem of the Indian coasalDer ariIeI from Iaia cIioainI
to ... ap-old, baDeful ad aImoat ruiaous custom of preaeDtIq tile
bride I8Cl the 8lOIIlbeD of ~ famifJ 01 the briclearoca with ......
... of c:IodIiDJ. TJds , . . , . ..., have 0I'iai.-0cI with the ida.
gMag the YOUDI Jaome..mabr a feeJia. of aecurltr and .........
""
................
QIIIoa
,_it.., .... it a
iseme . . . . .
of ,.ctlli.,.., ... fIl .... . , . , . . . ...
JAoaaoIc( utidee witt _ _ ,.... to a tGt&I ~ pia.
ofteD "ve we aot __ IIefOIS _ 'poor ..,.' or 10111""'.
IIIacbd away ill tho dotlliDa . . widloat , . . .... UIId
cmce?
India', fut -DIinI paUma of life aad . . . . tread towarda
family uaita. it it IlOCU.ry tbat overy ~ .... her
well aDd bayt iatelliaeDtly.
tD 101ft . . . "..IIZI
said above, tile CODIUmer 8nda his "Iindbuyina' iaeIlc:ieat ....
It sometimes leads to frictioa betweea the buyer aad tile
How c:an these problems be remediec1'1
of the way. of improvilla the situation are by
.....~,
depend .,.. die cIIu"IIctIr ............rd of ...... ,_ ita
lCJ
~~~ . ~~.M;l""~.~"".~~"~
of.
......llOeI ...... IaeIp .................;IJI_ .....',.,t.
. .lIfaiIibIe ..... today wIaea . . ,. . . . -i__. . . . . . .
1iIb1ll are"'" of. It it tie ftllClMIbiIl&)t OHIO_
cout for most of us. .Ria1at clothes are aeceasary for -1tIt,
aDd self-respect. An iDdmdui who Uves witIdD a p1aaaed
is uaually happier. more coateDted, thaa one who apeada his
u he eama it. It is tnJe. our . . . or wata are IUIUmited.
aeods are COIDpU'Il1hdy few. While adjutmeat for . . . are
..,.Itial ...,...t
_d impottant m family life, caterJDa to mere ...." laa-
lIirlabie fot of penoaality. There is. dift'emlce betw. .
we"" ..... _ Deed. A aood clotbio, pia _y iDeIa4e
~-
0BNIaAL
.... .1 ....
(1) ODe of tile tint thiqa is to &ad out wIlat yoar . . .
to..to &pla for ...... os d ..... LIt dUa be
to your family budget. Study each members's list of clothing needs,
and decide how to spread purchases through the year. Give 'essentials'
a priority. The less necessary items may be bought later.
(2) The next step is to put your plan into action. Consider the
purpose for which the fabric is to be used-for instance whether for
'work-a-day' wear or for a special occasion. Buy only the item you set
out to buy. Do not be lured by a pretty pair of chappals when you
have to buy a sari. Avoid buying on impulse. Choose the right quality
for your purpose. Compare prices and values at different stores.
(3) As far as possible buy good quality; cheap things are rarely an
economy. Consider the merits of the fabric and what care it will require.
(4) Try to keep up to date on trends.
(5) Discover ways and means of renovating old garments and deve-
lop skills in stitching simple streamlined qamizes, cholis, dresses and
other garments at home. Remember taste is the ability to discern or
appreciate what is beautiful or appropriate.
Women~s attire
(I) SUlTABrUTY
In buying saris or dress materials bear in mind the suitability of the
fabric to the occasion, the age of the person, the personality and
season. Both qualitY-and attracti1eness are essential features.
FOR EVERYDAY WEAR If the fabric is to be subjected to hard Wear-
choose.sturdy material with a firm weave where the yarns are packed
tightly together. This i9 some meas~e of insurance against holes
duc to friction, pulling and fraying at the seams, sagging at the elbows
and knees. Handloom cottons are practical for use during the entire
year. They arc durable, easily laundered, and permit circulation of air
and are suitable for the Indian climate.
If you are choosing a garment to wear frequently over a long
period of time, it may be wiser (0 select quality fabrics with a plain
colour or an inconspicuolls-patterned material.
FOR SPECIAL OCCASIONS A more delicate fabric may be selected for
its effect, such as a Chanderi sari. Consider the upkeep. Sheer
Chanderis or Jamdanis may need frequent dry cleaning, which is
expensive. It may also withdraw your sari from wear for a long period.
Handloom silk saris (such as Shahpuri, Cdnjeevaram or Kollegal hand-
loom variety) speak quality. They arc practical and elegant. They can
be washed at home, arc durable and do not lose their freshness. Most
silks catch the fabulous in fabrics.
(2) CHOICE OF COLOUR
(a) Ensure that the colour becomes you and the design is effective
170
. . . . .' 00J0na. . " .....w p.fMIitiet. . . III .....
aiIIIoaette iDto .... ..,..
Aba,. . . _ . . ..... colo1aa . . ., toaetJ-. ".., ...
.lIarllDOlioas aacI bo ............ _,. Nature ill . . eM,.,
r.dto_
ia . . . . . _ . . . . . . . . . . . . . . . . . . . . .
1&
c..., ....
aea. ... ~ ... lddto~ .............. cue eI
. . ..-tbemJut . . . . . . . . . . to. . . . 'I.......
Allow" to tat . . dry - . . . . . . . . . . . . . AUelMlto ......
prompdJ. Watch eM .......... 01,., . . . . . . . " . . .
,.bb
It wile to Jet;}"-";
lost dIeir sbapea.PoIWlu4 ..... to ............ ad
. . . , aWIity ia Ifdi. , . ad .. ~ or . . . . . . . .
wWcIa ace ...... attntctive aad ltMIDliMcl. W ......_ ill . . .
Dnpite the wriou. new synthetic IhirtiDa fa1mca tUt haft been
iDtroduced in receat yean. white-cottoa broad dotIa coadnaa to be
die moat popular fot leaeral 0101 WJu1e none of tile new maceriala
... . . .
wIdtet,'.
. . . . . . . . . Oftl'~ shirts. TIley are stU(' aact caa be
. . wuIaocWJy llaDCI ad Jauaa Up to dry
. . tIIIrtI . . allo aftflable fa , tDrfo WOl'eD of bJeaded ~
IJIIIQII ..... ad '5% cottoa: hie __ to haw: IOIDe of the
~ of cotton and lie not nported eclammy' in 0001
Wildlet or ....rona.,., ............
('IOMIDUC'IWlM JlMl1JUS
u..tIj. . . . eouat is ___ted with ~-Iootiaa ad
. . . elpIIlSive ai" but 00UD.t illlOt by beJf .. __ or _1JiIity.
Yana twkt, the number or straadt ia tile ,........ . , ROdriq
..., bave an importut e&ct. AItkogp modaer-of-peul . . . . . are
. . ._ _ .....tto iadicatc laI&Il1aa1ity _ _ a.oockudlJ .....
battoIu. however. have oftoll proved to be superior to pearl.
oRea dIip or yellow durina IaIIDcIerina-
"Id.
0.........
CDII_
wep'SGa4 . .'dIy1llplliet . . .1Oft
_ _ 01 sWrta of die .... IDCMW. bat . . . . . . . CCIOua-...s
poCII' NIIiItaace to . . . ..
1'M
.II......,
e~ .-t lao _40 It!...,. .. "'..,." .....' ............
tho NdcSea ....... ~ MOCI_ ~ tile ......_
price di6reaceI . . . . di6roat ... ottlw ...... __ ~ . . .
are a lew poiDta oIaoocl iIUIodaa~ wortapmilaip.. ~.....
any C08JWDeI' CIa cIaedt tor NmeeIA
Fabric a1aoaId be amGOth, . . . 1*. . . . a10Da JIIe ..... or
rippJlaa at tile ...... or ellewilen.
If the Iabric II pa. . . . it ~ be IIIIIItdICd at the ..-a,
...... collar, Itc.
~: .
Try botll jacket and trousers, aod check tile CoDowiq poiaU GIl
I. TIle ooaa aIMRIId .... atraia from die ...... to the lower
........... troat. with 80 wriUIII or.,.....
....... oon. ahuId ftt-lDqly at tWlJIct ad .... fIl tbe Met.
""m
5........ ...., lie CIbraI)'''' ....rI&lr. ." " . c:6e&
coat . . . be .......... __ tilt . . ottheCroalen,
I.,... ...........
. . . . . . . . . . . . . . to .... bodyatfllDllt ... ....
pra8t a ........... JiBe, . . . no
"''''''' _ _ the ..... If OM oltlp . . . . . . . . . . . . . . the
..... tIao.... _, be . .cd net ..........,. bJ ned .... tile
.....r ef tile - t , . .t.aotpnlll.., ... ll . . . . . . . . . . . the
0IMia& fJltM oatIicJe _10 ........ GI' . . . . . cdIIra
. ......, ... ,. rai.ya...... , '...."1IIId
. .- ..
" ....... 1IIlouJd be oomf'GrtabIJ ~ . . . . . . . .
1II. . . . lIloaIdnot ........... " . .. . . . . . . . , fJI
ii,
10. . . ..., _ _
AIel tip.t willa 108 .... bead-o{ilt. ..,., . . . . . . . . "'Ita e! '
. .iBl._W ....II...... . . . . .
191
11'1 . . 8,
'.DcrdC'. . . O" ....... I.. ID _ft ......
T....... .e_
1. u..: C-) 1'aItiIIl ~ (I) ............ _ to.':
(c) lM ....... .-...; (4) ....... dotIII ....,._
2. Domeeab: ( . r ) " aDd",,, (&)
(Dosati).
'IVKBI'lOWJU " . . . an ~ ." looped pile ......
1'IIia pile COIIItIuctica IacteueI tM .~. n. __ ~ fila
are. tile 1DOJ'O absOtboaC die &oweL
.. it IJeIt to ct.ooee towels iD ...... die foopa lie , . _ _ . . , c1GM
___, 10ft ad not too tIabdJ twisted. Ia Itdped or ~ toweIi
"aida tile sCripe ot cheet ill pJaia -Ws .bIorMacJ II . . . . .
ro"t~
To eu__ 1M 1I1ldenNa.... hold tJao towel to the upt. If' widI
tpaces or liaht come tbrou.ah the ........ or poRI . . . _
"Yet, the towel is poem, lUde. 0aIy pJapo.iatI or 1i&bt will . . .
thro1IIh a weD-made toweL
TIae . . . . . Uotdd be Irm u4 .....
a.xz...-MCS TOWILl Bact........ towIII ..........., . . . .,..,
of oottoa. 'DIe 1ad..bIct -1IoaeJOOmb ".18 II lOIII: " . . . . .
the dia. . . . wea. If the towel .. to be ....... tile ..... _ I.e
dose ad ... CCJIPlIDUIt be balanced. tIaat it, 6o,.. IIl8IIt . . 01.
bulk 01 tJae """-diImetet i. warp .... ....
Appearaace: The attrac:tiwoea of ........ tile waaw ... die
....."'-=
.............. today ill beIIIdftd _doom .IQMIdal both wIaIte
. . cdaaIed. ne ....,. _,. jlcqllUd 1atIa, . . ., twiJI or otJaer
....
tIaeD the 'spellt lye' below is draft oft', 'lad ",,*iDe nccmrcd from
it. TIle soap is then boiled with water or ataDi to 1Mb it into a puto
mIP 11IU8 The soapy layer will COIItUa a certaiIl aDlO1IDt of 1IJl-
.poaiW fat, 10 it is boiled apia with more sOda to .u certain of
complete sapoGificatioo. The mixture is allowed to aetde ad the half
'apeat .,e' aiDb to the bottom. ~ ClOIltaias excesa aUld 1ridl a IIII8Il
amout of aJycerioe aodJll1t1eft ftoal tile Jut pr-. 1'hi8 is uted
widl freth aIbIi ill the am aoap-......
. . I00I. Soap is apia boiled _1Il0l'8 __ Ud ItAIII, ad,
leu del'"
lOaf tJae cost is reduced. The chW.~ of . . _ ... it lias
power thaD soap aad IS to . . . ~
ia wJtJte atdcles, eapeclaUy wbeD comlIIMd with taJdDJD from .bud
water
... Tho cbici alkalies uaOcI in soap -wt'aeturo are QIIItio IocIa aDd
caustic potash.
5. Water is pIIslllt in all soaps-the porceataae miea . . . dIkeal
aoapa.
'" Other IUhetaDcca iDckJde disinfcctatl, I1ICh as carboIIQ, 1IDl....
.. .... 10&,..
sm.w_ aad ~.- for . . . . lUCh .. aodiam
feel_
contaia impuritieI.
1be soap _wei when pressed with ~ 1Dpr. U . .
or.
II soRer thaD it aJaould be.. it may CODt8iD an Ucelf "*'-..
c:uo it wiD be a wute ill UIO.
Mtay hat4 soaps, ~1 e!leap _ _ owe daefr ~
"'90 ....
aDlltaDc.. nd1 u sodi1llll sDfca~ witJl wJaicla ttae:r
fIIRI... dIe tow perceDtaJe of soap, which othenrile "paW
10ft.
OIl stoaae, ,oocl 1aadry IO&p drieI with a ftrm UIPIIctfD1
_ .., dneIo,. wJaiW CQltaIa oa tke aurfaoo. ~1tOt
or ___
..... aIrqwI tba pl'OIeDCO ve aUtaU. wWr6 .., 'be
to"'~
lO1IM 1Jut", illcIcUiYo .... 9f &ood ojJ ..., is . . ~
bat ~~ ~ ...... tire f'ractuA" ~,...It.
..... aJa0aJ4."..r. _ . . . . aa4 it~ . . . .
................... .ud.
~1iIU . . . . . . . . . _I. . .
iAIII...dI . . . . . . . . ttl .... are ......... .., . . ~D."
1M
1.104..,. ............................. .....
ba.lace I1Ida .. La IIbt.
2. fAUpalpoWlO8pI .... a~T~ot . . . or free
aJb)i, lOCh U Rlaso by HindUltlil Lewr ad Deep '" OocIrej.
""n
nu.ow
"' ....
aut SOAPS
Yellow bar IOapI coataiw. a mini. . . . of Sly' lelia. muimum of
" " ....... a SIIIIlJ UIOUDt or he aIbli (IS, ......rcr specift__
doaI).
IWlIOd'l
-
die ............ 4* A. In ~ ........ ..
............. _, c.,- Tbefndtlol.... tnII ......
IRIKAUI
Another of Nature's aift for cleansing fabrics is ahibbi. It is a
soap pod from Aeacltl COIfillll, a prickly bush fouad I1lIOdlIadia.
........... 18Ia.e ~ to reef&. It is aceIIeDt (or
lOIIlO'\'iq . . . . aad waahbIa eoI0uM cottoDa a 1Iilta. TIle lustre
oId1bJlIDMiaed aDd die fAric . . back their . . . " " ' _
A I8iDare or powdered reeta_ ad ahibbi. ...,. ill WIIl'IIl
..... makelu ___ Iaair-ahalllpoo.
TIle pod (dart chocolate brOWDla colour) is dried is the aaa, ud
powdered fipe. A tablespooa of powder is added to a piat of water,
.atlloiled to. ~ ....
Dfbtai is ftea combiaIcl widl reeIaat powder to wasil oae-S
. . . u4 also to cIeaa ailvelwre ad aoJd. ,
~ DBTDGBNT Pa.ODUCJI (NSD)
'l'beee DOIHOap ~ PJoa1ldl are bccomiq popoSar today &fld
... u814 .. soap .au"_'tutes. Bump1es of NIDI &to aodium salta Of
\pIphoatod ratty alcohol
112
,
,.
TAU
R
"_d~
eooMa
0....,..t
Wet.,
IIM"_
diet whea we riaae away the soap we carry ctiR ._, wIda It.
8lON . .aIctJIy, ...., fila. tile .... of . . . . .
caIe II 'Iayclropbo1aic' (wbidl JIle&1I1 . . . .lepEr .... ad _ ......
tha..., aaoIIcG1e is "',*opIdlic' .............. ttI. . ..
*'
4. Sodium silicate is used to protect aluminium pots and pans
(when used for dish-wa;hing by hand) and aluminium washer parts
such as agitators, fans, tubs, etc. from pitting or attack by inorganic
builders.
5. Brightener or optical bleach for white effect.
6. Corrosion inhibitor to prevent silverware from becoming stained
in use for dish-washing by hand.
There is a greater and wider horizon for detergents. It is generally
felt that detergents are better than soaps because they:
1. can be used in hard or soft water. _j
2. le.ave no soap scum .or sud on tub or clothes.. ..
3. dIssolve freely even rn cool water, nnse freely even 10 hard water.
4. greatly increase soil removal. (In hard water, this is especially
true where only 1/4 to 1/2 the amount of detergent is required as
compared with soap).
5. contain superior built-in optical bleach or brightner which elimi-
nates the need for excessive use of chlorine bleach or for blueing.
6. are active emulsifiers of motor grease.
7. do an effective and safe job keeping even synthetic fabrics
brighter and whiter.
8. are 'one-package' products containing not only detergent but
also builders, optical bleach and water-softener all 'built-in' to do a
superior soil-remo"1"al job.
t
SUMMARY Fats, such as cocount oil or fatty acids are treated with
hydrogen in the presen~e of a eataWst to form alcohols which on
treMment with sulphuric acid form sulphonated fatty alcohOls. The I
acid group then reacts with alkali to form the soapless detergent.
How to get the most out of your soapless detergents
DO'S: I. Follow the instructions on the detergent pack.
2. Use hot water for white cottons.
3. Soak clothes in the detergent liquid for half an hour and
longer if possible
4. Knead the fabric inside the soapless detergent
5. Rinse well
5. Check colour for fastness before washing
DON'TS I. Don't pack in too many clothes. They should be able to
move freely in the water.
2. Don't beat the clothes.
3. Don't use soap together with soapless detergents.
200 /
I .,
1
=
peroDde. I -
To ,.....60 ....
.taot ....., I
die.... ...
4.1d . . . . . . tor wIdte ...,
r~ abcne till ...... is
II t i l Pat of. . . _
.iIf--........
...
~~..,..,. AcId .'.iIOiIII to ..a:ra1Ia
~~__ ildl6ODld . . . . . . . . bY the
10 . . . . . .- . to fallrics.
.... :~. . . . . . . _ . . . . . . WOOJot . . . '* _.. blown
_ _ at too......
........ _,. ... _,... a.._ ................... .
,. . . . . . . . . . IWI') ...... rid .. _ . -
. . . tn. PI . . . . . . . . . _
..... ,,1 ... "oodIa..,.._ .............
. . . . .1 . . . . . . . . . . , _ 1 1 _ .... -.,
.,~Z2'I ....
. . . . . . . . COOII COOK
A ccapoaiI of' poa.... oalate ud oaJD add. ca8ecI
..... of'SomL
Ita . . ia . . . . to dIIt oi ouJic Iid ... 11 spIoJed .. dIi ....
. . _ . . . . 111M prOpodIoa ...... poieIlt llaoaJcftre taIe1Ied
.. " 'W...,
...... m.coos
WIJr. wob4ea. . . .
..
~ ....;Wei is t ........ p1II'IIt. '1'IIe aeIcI thoaW . . be
u.t ia . . . , _ . . 011), in ...... _mel or eardleawue .....
-
So ..... add . . . . . _ cenecII. GINs'" fa... OIl
ceIItaIeH acetIde. It c:ea.to. acetate II .....ed at tao .... .
BOL'YBNTI
1JGIJ'-lOIveat1 eaa" applied to the __ 4elieMe .........
'dry deu'. ..,., do DDt ..... die . . .
01' to
Iabrict.
_'iQIe for 11M ill tM home. are compandheIJ . . .
. . veey ccoDOlDical. The folio... toIventa sbouhl ....
~. . . . dIe.alaod of .... die.. as .,.tiaa
25 "Dty-Cleani......
,1
f .....
I_e. . . ....
OIaiDecl f'tom dittil..... of ..... oil or petroleum. It it ....,
................. III . . or .... i8doon is., ....
ad _ _ be - . _ i n - 0 _1iIioo. .... ,
-
.,. ddc:ate clotheI attome u WooIIeat, aUb, po)JeIter ad ,Jlous.
0.-
Il ca. be ased lor removiq aeaJi1Ia wp, silver nitrate _ other
ail... stain< bat it is DOt a very tfective solveDt.lt caD be "mPIOJeCl
-.r.hrica.
...,., with.lOap. A1cohol 4. . . . .-atebut it CD be a _ _ aU.
_ _ QB. TO C.,RN
..
IWIt 01 die supply
petroItDatD
or ..dD now comes from the rehfaa of
Pu is ...,to)edfor reIDO\'iDl ......... peIiIt ttaias OIIftiMJer
. . . . Ia Jaudry apJIIiaea. For Fa. . . Weth _ ~
~ of Cotton and Linea Pabrics"
.... c..a.
pt,.. ia __ .,..sM thIIl ~....... disti. . . . . . .
...
illlrmm,bIo'" 'fOIIIIe.
OXIDIZING BLBAOIES
,. ..
Do . . _ OD silk or . . . ~ theM ~ . .
De DOt . . od ~ . . . . as IIIMV'" ..
di8iiOI";
DOt f'a8t to
W.cIlea.
J)o DOt boil IabriQI ia" ......_
Ii _, ~ u.~.
\
...
\1'
-- ... "
.. - - ... ..
Laundry Equipment/
..
4 . . . . . ..
oI . . ~ . . . . .e. . .
............ ... . . .
FIlL J!.JJ(IJ)
Tbe ........... . . . . . . . .....
Drying equipment
OUTDOOR DRYING: Clothes cord.
Cotton, hemp or cocoanut rope or galvanised wire, either solid or
twisted, may be used as clothes lines. The lines should be kept clean by
washing oGj'asionally w>th soap and water. The wire lines are more
permanent; they must he wiped off with damp cloth before being used
and must be free from rust. The best place to dry clothes is out of
doors in clean air and sunshi~. .I
INDOOR DRIERS
\
When outdoor drying is out of question, (as in flats in Bombay) or
" during the long monsoon, some provision must be made for indoor
drying.
(a) A good drying rack for a small horne is a wooden frame equip-
ped with rope and pulleys that will hoist it up to the ceiling easily.
Long thin bamboos are often used in most homes (Fig. 15.12).
(b) A fold up rack which can be easily made will be useful:
1. Place one of the two side-frames on the Boor as shown.
2. Select the seven rungs that are uncloured on the ends, and insert
them into the holes in the open side frame as shown tap all seven into
place with a wooden mallet or similar tool, so that they fit solidly in
the frame.
3. Open the other side-frame, position over the rungs in the same
relative position as the bottom frame, and tap down to locate rungs
in holes. Seat rungs solidly oy tapping on top of frame.
228
I
4. Nat IIIIICt the nddpped raap dID .................... ud . .
two hoobd IIido-raiJI, and _ _bit fa ....... 1I&owL
tipped nma into the top holes is ODe .... or the _bIy and taJ(
oCtile . . .
toaetJaer
I~
~
- ~r(. '_
I (b)
230
7. 'l1Mt1Ml .... II .. pre__ 1M S..... ...... nil JatO die
..................... .a...: tip tD'" .. _,.tiQ.
A IIeated .,.......,... II a . . boaa tor.,.............
the IIIOII8OGD "r titer oet4oor .,... .. ~
With IDOIt c:abiaeIItM'" ........ ucI ...... eIec:aic . .
..
lIlONS
(I) a.uo.I (Pia. 1.5.16)
(2) JIII& (FJa U.17)
(3) . . . .
(4) .......... (oanecI fIIced)
Alto awhbIe are:
}
(I) PlaiD iroas.
(2) 'I'1ImaoItaticaI, coatroDed u.s
(Fia. 15.22).
(3) PIaIIII iroaa.
(4) Staat electric i~.... 15.25 aad 26).
(5) Blectric Iroaen.
... ,,...
.. .....
tl*tpld ....... wi. . . . . . _ .....
,
-1ftIJ ............. ., "U.A .......a..t ...
... . . . . . . . . . _1111., tolfl. iIIII1 dorc ............. .,
-
.... 1."- '''' OIMII' r .............. n. ......
TWO MAIN TYPES OF 1It0000000USID
1JeC,,_
TIllS IlOf.u.y'J'YIIII ill wflicll materlfl ia puaed padded roll cad
a coacave metal a1loo bcMed by _ or more eleetrical elolllents. Either
shoe or ron may JDOft to coetact Ole other. Material is fed over the
roller 08 some JDOCJeb. _dot ob othen. StuMlard aize and UDder
portable rotary iroaen to available for use on IDY suitable table top.
Flo. 15.24 Ca) 1bo rotuy type Flo. J!-24 (b) Frat pa.a
TID JI14T PIlISS that has two padded, fiat surfaces. 'l1Ie 9PJ)er sur-
face i Ileatecl metal shoe with one or two electrical beatina elaaeDta.
MMetiIJ to be iroDed is pIIced between shoe and lower padclecll8rl'ace
caIlecl tile buck. The two surfaces then come tosether to press material
betweeD them. Most models have enamelled-table type coven.
F&\TURES OF THE MODERN IRONER' AND
WHAT THiY MEAN
\1-tetuJtne
'l'DaoLL On most models. roD is 26 indles wide, altboaP moc1ds
are awilable with 18- or 3O-inch roll. Roll should be well padded and
have riaid support to maintain preasure. RoD cover should be teJIIOy..
able fdr cJeaniag.
11IB SIIOB If shoe is healed with two ot. more separate electrical
eIemarb. heat can be CODCCIlttatecl OIl ODe _ of the ron when sail
articles are iroaec:l. th. sa'" heat IDd pIeVtDtia;& acorChiaa of other
end of the roll. Heat should )Je thennostaIk:aII CODtroUedsome
mecleJs have fabric dials similar to hand iroaJ. 1'1le bact of the shoe
IhoaId be insulated to plevent IGa of Wt. lrqJaiaa lUlface of shoe
_GUId be smoothly 8aished, rustpoQt JDOfaI. The shoe should be eelf-
. . . . . to maiattio even ~
VA1UBI'Y CBI ACl10Ml MOIHIrOcJeru rotary konen have a pressina
aatioo .. additioa to IiaIpIe rotary acdoa.. fte pnsaiaa actioa ItopI
tllelOD ..........", 10 that vary damp padiou of the utide . . .
"..
Lib the roD of. ratary iroaor, tile bacII ahOllld be well
and tile cover ahoakl be 1'eIIIO'V8IIle for euy . . . . . Shape
ofdt.e J,Uct may '&I'Y, bat, for speed ad Iaibftfty. it ..
to haw it OpeD at botIa eodI.
'."ble;
IBOB 'I1ImDostatic C08tl'9l of Ma\ is
D' DOllS
or the use of a damp preaiq cloth boca_ it _cs ....
The steam iroD usuaDy elimiDates the ueed ror cJua-
............t..
s. llPt WIiaIIIt ud.Jlot bIIIty.
4. SolI plate wida alopi.. llidelaad V....ped poiat
--ae
by eoMtIIIIt tippq 0( iroa. TIle . .11 _ ..., to ran (rom
-_... ..
a tipped poIitioa wIaidl NIUhI ill
GO 1011 plate.
S. . , . . . . . . . . . . . . . . , . r.t NlUJtt.
'-
241
..,
to laDdIe, tbenDoItat
..._...........................-.
it ....... _ ....... to . . . . . . . . . . IIIea.:. .Jewnt
pRII .... 'DIeIo Iewn . . . . . witIda., . . . of. . opIIItDr.
iroaiaa Ik1ar4 of ~ . _ . I . . . , . .Nod to ......
JQfIDt to ..ryiDa tllicbellil . . aovered widl a tJdct peel
teallOVllbie musIiIl clmr.
or
(c) Never ... aa a~ on a JUaber fOltaae, oufa1de tile
_ted. III'"
for whiclt it is -.do; nor on too IOwa vol..... 1a the IAIIIIlII'ftllJIiI
an iroa for example. wiD DOt be idequateJy
cue it will be over-heaJed. with tbo result tile wort may
SCOIdaed, the plate of iron Dl'ay be damapd. _ sooner or
tile ilea.t wiD ___ ouL
CLEANSING
The important point to bear in mind is the treatment of dirt and the
kind of rubbing a fabric ought to receive so as to make it last the full
span of life. Wash clothes as soon as possible after you wear them.
Otherwise the dirt becomes 'fixed' and it is harder to remove. Soak
pnDeDtrorUout3to4Jaoan.~ :"E"""""'''''''
if tJae coJoun . . lilt. ThIn .............. .-_,. . .
aoiW cIodaeL . . . . . . die ct ' powder is . . . . ..
iIaohIed ia .......... ,it worb . . . . dIat WJ. Do . . . .
tiPtIJ. It II better ....... c1otbe1 . , . . water WOIf _ _
in tile dIterpat **.Wetdaa . . . . Woro .........'"
.pat powder. The appopriate motIaoda are pvoa boJ.ow.
-
~ . . . adI it is fally c_M4. (4) aiase _
_ _~.ua
IJIII
water.
all IQIP ~
C8APTBil II
2. Mead pnneata and ~ .... <_ Qaapter 16: &ealota1
ofStaias).
Itlrdl
or CIIrboIic acid to OlIO qaart of water.
Oapte.r 11: Stifreaioa A,eats).
D, a, a' ,
WriDI clothes from the steepiDa water. ~ . . .pDldicallIIetIlod of
" ''11 will depead tile typo of f'abIoa aDd tile .aaoaat of dirt.
hi.
OD
(See Oaa*" 17 : Prfaciplel or Wahiq aDd daeir A.ppIIcpJIa.)
All . . . . 01 _ 11'0 . . . . . . far ............ ad
..... w.. lDftaed .... -1004 1OItp . . . . _wed. Tempma-
____-..cIed lor ...... cottoaI anr:
............... 1_tol....
CoIoate.I..... lofO fP l. .P.
W. . .,1IIJDaticaIIy OM ~ . . . . . . , . . putiDIIu aua
. . to ,....., . . . . . . . . . . . . dID .... ad . . . ofa sIIirt.
.,
hat ad .... fA pocbD, CIDtre 01 pillow . . .
...... eIothea, diaotna any pIOfIIiaclepodta, ........ _ow
putiaIIy diliDfecta.
dodIeI an atIIllOlt;. prepue tile boi1or as tollOWt:
Haw tile boiler Iaalt fall of cokl __
If"'.at is ..... it IIaaaI4 .. tafteM4 . . . . . . . .
of IOIp, bat wIaea dim Is . . . . to be ....wW . _ tIao
... qaatit)' fllCIap'" be iMn.4 ........ . . . .
ftIqUIre4 for tlw two parpoIII . . . troa ....... ....
to eacII pIIoa 01 __ .............. .,. . II ....
be,..............
. . . I11III& be lidded....... tile ...........u ..... .
...
after ~ tilt cop'tCt . . &Ie
. . . . . . . pmea.t pe,.... ill fafxictL
-.. ..-.
caa be titdlea jIIaraDs, dusten ad pe's"", . . .
ia a . . . place. If die
. . . . etnipt "...
it wiD requite little ironiDa.
All that is necee.ry will be
steam pre88iDa on the bact
the material..... a damp
to afvo tho ateaID. and
a moderately Hi iron
it without snowing the
of the iroD to rest 011 the
and 8atteIl the pile.
caoAlmm This is a fiDe quality
dt8Dd~Loq
cotton is 1180d for ita yarn,
is Ip1ID with maay twiats.
Jiplldie is wasIaed lite coloured PIG. 11.5 1Ddoor", 01 _ _ _
and paeralIy does not
any stift'eoing, as it becomes atifI' wIIca ironed damp. When
"HUll is found nec:caaary. dilate boiIm, water starch is aacd.
tplld&e dries quietly aDd ahould be iroaed after tlpll ' . fro .. the
due .~ in a towel. S1arched orpncIie aboaId be dried
redampJa for flDishins.
lILAJriNBtBTl'B is .....hed ill the aame manner as knitted cotton.
thorou,h1y as it holds much moUtute. P'miIh when almolt dry
a moderately hot iron.
RRE-n.OOJIINO the material may be doDo as foUo_
DiIsohe 1 oz. of boric acid aDd 4 oz. of bora. In a quart of warm
Immene the material in it from 15 minutes to ll10ar ~
the ease with which it peaetratea tho fabric. WriDl ad dIJ the
...tent. Tho mimIre forms a oon-crystalline al.OIt in'filible layer
tho IDfface or the fabric wldoh meJo on .beatiq to form a . . ,
lweJliu which does not catch are.
_Mel
Wasbiq remowe G.prooq. Hence the tlatmont bu to be
after every wash.
Wash as for cottoD. UIO thia
..
A boUle with a ~A -y be 1I8Od for sprint. . . Warm
__ . . . . . the cloIIM1a IDOl'e quic11J ad eftaIy fila dokI .....
no _ it paI_, lifted aad repJued, bat not aowd _ the
JIIo.1U PaW~ . . . . 1PdJ aad wrap .... ill
........... _ , ..... damp
...............
L . . . . . . . . . . . . . . . p .... _ . . . _ .........
dP& to ilia ad is ItmiaId ... (tel PIa- lU). DneIop tilt IIaIIk 01
I. .....hroiII.,. - . . ....., ttutiIIa &owl ,,_ die
..... ThiI . . .o tile pIUIra .......
,
Fringes may be damped and straightened to shape either with a
metal comb or a stiff nail brush.
Leave tray-cloth flat or roll from end to end. (See Fig. 18.10.)
ROUND MATS
Lay on table, iron on right side from the centre outwards to the
edge. Keep the threads of the material straight.
DOYLEYS WITH LINEN CENTRE ANO LACE EDGE
1. Starch lace edge only.
Selvedge Selvedge
E
~
:r 11
1 3
<.-. -2
Right side~4
_2
3
L1
,
E
~
:r:
Right side
Fold Fold
1 --2 1
Wrong Side
1--!-------1-,-~
I I
oJ. Right side ~
~~2
Selvedge Selvedge
Selve'dge
" Right side
Selvedge
Iron as above
E E
~
~
Wrong side
:r Wrong side :r
Fold FOld
:I:
~-----------
E
~
:r
- --~ - -
Wrong side Wrong Side
Selvedge Selvedge
JW'D'D
DaIIIp, 'IUetcIa aad fold ~ iato a three ICftlIIl fold
hems in each Jaaad. rla1ltaicJe uppen8Olt. J(oll dowa for IIalf' aa
P'JIIt iron tae top t1Unl (rlabt tide), atcaowt . . . . tile tat.
Relaid. 1roD.Iia:IIdY at . . . . . . . more _ . to 1Dish.
Fold iD a1hree-tcreeD (old aGrOI8 aad , . . ...... - toP lor
(leO Pia. 18.11)'
(a) Be caref\Jl not to mate naptias too rdff ot .hey will IIip
tile be& at table. (b) Qaup folds 0ClaIIi0aally or.time: tllo
wiIl_ at tho fold.
"'t'" ....
8V\/
A
Right .,de
t 4
Flo. 18.13 Screen fold of four for a plaia tab~
.........end ... oCIIer lucy"
~ may be of dift'erent kinds. Some may have drawn-tbnad work
aDd some embroidered while others may have crochet or lace ~ps.
1. Damp and roU down for 30 minutes to allow moistnre to
penetrate evenly through.
2. Stretch the ~ into shape.
3. 011 the right side iron from the centre to edge, keeping the warp
aad filling thpds straiJht.
4.-Iron the embr~red part or . .wn thread work on the wrong
aido over 8anneI pad. Give special care to the comen of the cloth.
S. 'R.oll or fold lightly in balf and half a,ain to form a square.
"Ole: U embroidered aU over, iron wholly on wrona side.
4. Re-fold, thus making eight fOlds. Press on the opposite Side.1
Arrange the borders in place where necessary. Ensure that every part
is well pressed. Fold and press-thus making sixteen layers.
5. Fold the sari breadthwise to make it rectangular in shape.
Press lightly on top to give the finishing touch.
Note: The sari should have no creases. It should be one long stretcb~
of ironed materiaL
FINE QUALITY SARIS may be damped, stretched to shape and ironed..
on single thickness.
Fold as above-and give a last press on top of folded rectangle to
give a good finish. A heavy iron is a great help in pressing and gives a~
better finish.
SARI PETTICOA.T
METHOD I (a) These are not starched, hence start to iron when the
garment is evenly damp. ~
(b) Iron double parts and seams on wrong side.
(c) Place petticoat flat on table, seam to seam with hem of the
garment to the right and the waist band to the left. Use the left hand
to smooth work and stretch where ncccssary. Work from hem to
waist making the iron travel in straight lines. Iron each panel on bothl
sides.
METHOD 2 Use sJoirt board if a.vailable, as this enables the house-
wife to iron over single material, thus avoiding creases and giving a
better finish to the garment. 01
(a) Iron double parts and seams onJhe wrong side. "'!
(b) Slip the potticoat on the skirt board-with hem to the right and
waist band on the left. Iron.
(c) Roll petticoat over until every part is ironed. ,
TO FOLD 1. Place fiat on table with placket opening on the right-
hand side.
2. Fold the sides towards the centre so that the petticoat forms
rectangle.
3. Fold over into two.
Or
I. Fold in centre, bringing two side seams together.
2. Turn over the lower ends of the panels at the hem,
rectangle.
3. Fold the width into two.
BLOUSE
I. Iron double parts and seams on wrong side. Use left hand to
stretch the darts and hold them in position for the iron. ContinUej
ironing until quite dry. With light material, press quickly.
274
","'aD ........... ir.........."' .." .....
~ . . . . oa ....... I0 . . . . . . . . . . . . . . . .
... tJPt'" 'It. . . . . . . . . . . , , . . , . .. , . . , it.
wodiata ftaa die ft:OIIt . . . . ,.. ......
. . lid liM
1Iir.........., _
......
T__ .p ucI a ..... Won fo16a DIIIIy
.... shoskllJe.....-.s ....... I ......... tba ..., ~
~-
. If sleeve baIIIIs are . . a'll8i1llllt. . . . . . fJltIae ttirt .....
Of. ddat PId _, lie . . . . . . .W ...
_ .......... __ ............... rroa ..,....
poiDt.
3. La, siena _ tap mtide ..... PCllld . . . .., two, to . .
fona a fiIht Beat eqaare.
SALyAa
,.#
, I
,I a
......... .,.11....,........... ....
,.. ..... rona ..... r.1I .................
.,.,..n, he do BOt r.......
tIlo . . . . . . . . . . . . ~....r...............
Delltsqare(seeF,..18.17).
........ ,..,..,._ace
ad . . . .
..
II'''P'IIOII,. . . . . . . . . . . . . 1IRI8HIl ad IIMICW
~tM...,
olthe b..,..
pedI."
........... 3. PIIIOI.Jower _ or aIeee OIl . . . . , Iaoud
aadJ . . dI)'. W1tl 'oaa .....
cuIJi ad,.,.., ...
.... ..... tile too_die m. well jato die ~
~ aIeo1e. Iroa sfaoal4er ad u tar do_ iato . . rlCHd 8Dd
G'" Job .. poaaIb\t.
poiDtecl_ of the siirt ~ 01' a peddcJ corM' fJae table
d pad . . . . pod I8bItit1Ite for sleeve bou4.
or
Jr_ coDIr, if aay, lilt ......WI'GItI ......... _ . . tipt.
atila JOOClIoia1l it obtaiMl
ha top 01 ....- DO . . . . . &It ad", _hOllt.
PiItWl_-..rJaaJlolCW"",_ ~,.., hem to
tW*"""""'dlo ..... ....,aln,...
~. . . to . .
-a._flit ftdbovad
D1IC2IU
trOll-I. TriMm_iDa
2. Double parts.
3. Pront aM back Of leas.
2. FoIdia ..................._foIcIwitII ....... .......
top (lie . . . IL2O).
COATOVIMLL
~(oA"" '
OIl ~ -081-"'"
ON 1'IIB WIlOJfG SlOB .1. 1'Iwa ~ out. Iron the d01lble puts
proceed to tie top centre of tho cap aDcI fcal a
...
~
~Tona cap to tile riPt side, told fa tho craue.
OM 'nIB uurr IIDB 3. IrOD with "."."e to . . tM necessary
- adld6.
. . . tJI ...
OIl tbo
_,,-w .... t
riPt ...... tile . . tIIIll:l
Wlt .......... tolroa
..
TANOmAMM
....... ,Jilnll-~- .......... ad
. . . . .1 I I ............. 'n ') r.,.,. ina
2. La, OM 1. _ .... table . . . eoadDve it. . . lIP the _ _
Ieqth of the ................... _ .... woatiDa .....
to the fold. Mate c:eatn CI'IIM r..,.. .. to wilt bud.
3. Tum tJae pyjama oftr, deallHtII die beet .ill the tame _yo
Nole: Wort OIl oae lea at a time itoaias 1eqthwile. IIIld then
across ... widda. Complete ODe III u far as pouiIM before pmoeed-
iDa to dae aext. TIle .....t beiaa IIi&cbecI on croIIWaJ piece IIeIda
canIIIllroJdDa.
TO JIOID 1. Place ieP Wore.
2. Mate tho 3 8Cl'CIIII fold u for saIwar (see FII. 18.23).
Fold pael1 cmr panel 2, and 2 over paaeI 3. Fold the IeDath into
two.
-_ ..'---
I
. . . . . . . . .T
CIII TBa waONO IIDB 1. Iroa ......... 4Qpble parta placiDa the
yoke flat OIl the table for iroaiq.
ON '1'IIIl1UORl' IIDB 2. Iroa ,ob 1IIdil dry.
S. . . fbi collar.
4. IroIlcda .... siena.
$. fold beet ID W; tide MUIlI toptber. . . iIOA bact wIda fold
don U. ceatn, iroaiaa JaaIt' bact. tmlina" iroaiaa to U. otMr
bait OD the irGDId put (101 Pia- 1I.25c)..
6. Place witIl froIat ~ foJcl aa4 ..... ia the pleat,'**
wort:iIIa fto8I ......
1. ..... tIaiIt ftoBt _1IEk ................. dletroat pili&,
10 tbat t1lefIODl1iel"" - . . . . . ( - fIa. ll.bl).
_tbet
and . . . . . . lleattaapplied. " . _ t . . . . Gil rot:'"
ia aach a way dial ........ II _ . . . ." ..
lllbial aad iroam,. 8ach ....... 1DUIt be iroaed _ _ wry . . .
'Ie,._
_ pod neaIta.
2U
. ..
, .
f ....
;--'\
,,I J
I
I
I
BUSRssmT
I. Iron the collar, tbe yoke, the j~ck aod the sleeves in turD in
the same way as a shirt. While irGDiDg sleeves see tbat the link holes
are carefully closed before setting taJm place.
2. Iron front. first lightly to shrioJr and then heavily to set-iron
up and down the front to smoothen all creases. Fold as for shirt.
s.a-te4 froaIIIa roathles that bYe ,nmd helpfal
CHlIJ)'S Pf1l1Fl!D SUlIiVE
.
OWB-SIWf SteM! WITH cR&uE
1. FoW sleeve fiat with seam 00 one crease.
2. ~ at seam crease and work iron outward.
3. TUrn aDd iron OD opposite side. Touch up cuft' and shoulder.
JIOa 'EI."rBNDI!I> SB01.JLDER l!JIIIBCI'
1. Iron sleeve first. Fold top of sleeve at shoulder in crescent shape.
2. Place hand through neckJine and hold body of garment away
from crescent area.
3. .Press HghtJy.
TWO-SEAM lACD!r SU!EVE
..
Treatment of Woollens
beoo... _,
5. It ia wcU to wash before it has sot ftI'J dirty. If'It
it may be impossible to wash it COIIIPIde.1J" wit.baat
clamap to die wool.
4"
die "... Is curled _
ftEPARA110N
~
Ot!.tI,........... on
plain ,.,.,
Flo.19.1 'fI..........
in
1. Shake oil all ctaat from ..~
2. Immerse the article water. a,ame by beading and aqueeziDg,
bepiDg the prment uader water .. !;r ~ J)pIIib1e. SoiIecI padI - ,
be placed on the palm of the left ItPd add extra soap sohation may
be patted pad1 over them til the dirt is 100IeDed. A 10ft aalt braala
IIUIIt be 1IIICI to reIDOYO~ dirt. Do . . _ aayfricdoD.
3. 1Jft ... 8I1icIe out of tile ftnt wuhiaII-ter, IIIf'POd it with the
...., aqaeezioa out the ..." water.
4. Wart ill timiJar III8DDOr iD the . . . . . . . . water.
,. Riaae tIIoroaPIJ ia tho .arioa _ten to .redIOfe aU ....,.
6. Squeeze aU water by hand, lay it OR a c1eaD turtish toWel lialatly,
pull it into -po, wrap it
moiatore. 'ibis will remove a
in,:. turkish towel and press out excess
deal of tho water without any
vfaorou - ....
It. wriapr is good tor wriqiq oot water (if OM is availablO fIom
_vier ..... Set die wriqer OD loose toDsiOD 10 t1aat the f.bric
does 1lO\_t.
_YING OJ! WOOLLBNS
"-:r.
SJaab, Itretdl iato _po and ..... up to dry on a haDaer ill dry
mcmna air"
_po
moisture.uJ . . . , . . quickIJ. FiDe 4elicate
~ *' ..
afticlel tbat an to Ibtch d8t of caD be drIod tarOR
01 a chair or a cue 'aaoodIII' to eaabJe (reo
~ Of air (leo Pip. 19.2. a, ."., d). Dry in shade.
Lift. ........ &una occu1oDaUy
~."W_I
1. NeYer boil or twist.
IU1I, . . . . .
_bleat.
_t
2. Never . . . wool prmeatI near heated radiators or in tho hot
cfriea up tfle wool1lbfe cauaig it to hecome brittle
woon...,....
lnIIlOl' . . . . . . . . .
aJao1JId be ~ Wore .........
,.
Crepe
IIIetdled . . . cbJ'brI, - _ ...... to pomct 1IIaPI- . .
Fro. 19.2(c) IDCloot dryin. by means of a coat-banaef
on a sdct OD a hot'le
8/j}w.~_. .
(1) Tailor', Pad the "'O\Ilder of. coat
(4)
Fla. I'JA
._,._atICI ..........raa .............._* ...
...... daetopof* . . .=t u4". . . . . . .
to ... Jato tile COIMI)K1Iftioa . . , . , 1l1li
_"1 .'"
,.,D._.
lido.
Preu tJle -w. witIL . . . . . . . f " ia rr.t ottMfeniU4
Pre. the UIIdeak1e ~ tilt .... tnt. . . the odler.
Ia . . . . . . . . . . . . . oItJao . . . . . . . . rau4 . . . . .
table or iroaiaa fMIu:d. ...........,. taiIor's ........
_ pnu.1f JOB doDO&:"" a ..... ,... roI '" a tIIattiIb
sad sip it _ _ die . . .......
PIac. strip ollllaYJ .........
&.
_ _ die _ _ pocbII, .,., .... or
oop ..... TIIia Wpa to . . .
bIt"_'"
__"'_'1IIIrliII:1III ar a . . . fII ..,..at
Ia prtIIIiDa tro....worse"
NotIaiIII Joob
tile dittI . .ellily iI to 8ftIcI 40aMe
'tral 1fDIIt.
6. . . . .- ill the beeI aDd . . . . . . . . . . . . . . ...... eoIJat,
. . &ad . . are dao ..... to .. ~ia . . . . ..
'I'bIDy are all remocIied, to albaitMl ~ by upt ".,.. or
...... tIarouaIt a moiIt cIoCIa _ _ . . _ ..... stil fuap'.
1. Tho ~ wily wool t.bri::8 oftIIl1Mcoaao ....,., coatlaued
is tbat tile aap is WOlD 011 Of II.... ;rit1a ..... It dat _, Is
IatteDed the sIdae CIa be RIIlOWd, It least . . . . .u,. Place
JIU'IIIIIlt l'fIIat lido ." .. ,.... . . . . bftI. a".wJdla woaIleD
a4 thea with die . . . . . . . . . .., CIodIt. . . . ~ ...
with a atift'bristled ...... __ ........... The 1JraI1aiq
......" _, hoe to .. ,......
8. This method of baviaa felt ...... of die f&bdc ..... pr_d
ftrY .tiItactory naaltl for }1IftIIIiDa all t1aIck IPafN'i*ls, aacl is a
method tor aJariatiD8 wooJJm fabrica Won beiq made iDto
C1II... ".,,,
.....,............. (leo a.r
. . . . . . . . . . . . . . . ., .. . . . . . . . . . . . . . . .15 . . . . . .
20 - " " . l l t ()f CO"'_'
,...ID,.
ArtkteI).
_n.
\tarlno ...... or . . . . . . .iIIs wool.
oottaa," or.,.
od.ar ..... 1'Ilo . . . . . . , ..
u. .... or.........,..
.......or.-*
"'2.
wIleR
'-O'
wool ........
1IIIiaal....
to . . . . . . .10 .......... ~ . . . . . 2
"..tIiliatD tID.' . . . PIOP- .,.tatIl ... ., SIIIIL . . ,
....................
1IIIIIIII1 ...... .., welL All . . . . . 01 . . . .. . . . . . . . " G
, . . . . ' t'I ...... to..........~...-..... _ _ II
HAPTBR 20
Science has &Chanced 10 much. today that we have a very wide se1ec-
tion or abades and colours-iome 'fast' and some 'Joose.
~ ilATERIALS are manufactured in tw8 dift'ereDt waYl!
1. Fabrics made of thread in which the dye is produced within the
fibre itself. These materials are fast to washing, bleaching. and light.
c.,. shirti..... ginghams. zephyrs, household materials lite casement.
2. Printed materialt are those ~n which patterns are stamped by
IDaddnery. These caDnot be washed by ordinary methods without
T"' ___
considerable risk. ~ the colour is likely to nan to or from b8ck&round.
f~e. '
1#
All coloured and printed fabrics can be tested in the foUowing way.
W. a smaU piece on the fabric in lukewarm water. Place this
betweeB two layera of white cloth. Press with a hot iron. An watable
dye, if any will be marked oft' on the white cloth.
304
,
CRIAPTBR 22
hpd awl.
_ wJaea the fabric 11 to W'JifteclOIIt of"~ tappGf'l it WIth U.
DOt puB it oat by catddq"hoIcI olthe oomen. TIle",
IDUIt be tJlorouIh.
ftirtIIor reJDOYal of ft_
As ill tM case of silt, twiafiDa IIlCl wriDaiaI must be awided. If
is DeCCary, place the article . . . . . two
~ tarkIah toweIa aDd apia prell the water out. ID QI8e of a pdated
fabric, a piece of m1ll1iD iDIerte4 betweea the folda will prneDt the
!Mdi,.. off of tile coloun wbea dIQ. tad to hIoe4.
WaD OAUlDrl'l lib ftncliap -..ad be patty eued ad
amoodIed to abapo aacl allowed to dry..IIt beeause they .... liable to
_..,
Iadder.ad to JeDathea it Jasaa up wet.
beiroaed . . . _
........
usto
~
,....M,. l_
.... ..
. . _ _ _ .......... _ . . ....
atoWl
Ute a cool iroD. ~ W iroa Inr . . . . . . . . . . . . _ die
--.......,08_...... __ __ ..
. . . . . ., . , ....l1li . . . ... . . . . . . . . . . . . . . .
to . . iroa"'lMDJ .... _ dill.., GOCIIf . . . . . . . . apIit
"
an
..... sa ....
1. It" 6n is_ iIIIIet IiIdI$ . . it .., pJue.
2. Waab as for .........III. . . .
3. Add I tc8IpoOda1 t* pm __ ,_ . . WI pilat of Jut . . .
....,iBorderto . . . .
4. Place 8at oa a toweL ...ea oat _ ... PIll .... iDto ~
WIOIII-........., ......... _.
an4 iron bo8t
5. WheD aIIDoIt dry, ....,..,.. tIao ..........111.
'.Air~.
N_ :-11 it tater to spot IDd CdeIa del witll _ ..........
prell" above to ....
a.... ............
!Care of Carpets
::.:-aD. ......
...... ..... NetI c:upeta aOilletfmc:!a ,..,. 1'IIia . . . aot Ql_
0_"""'"
fIl8hort
yam it W\WtID fa tile looIa, it .. - and
ftbre8 are met oaty putiaUy acIIaeriq to
t1te . . . IUa1l4. Nt it .... that pea _, whal the c:atpet is
cleaaed dun.; tho _ , da,.
of wear. Carpeet IIavo aatar8I teadeaey
.........
to '101" tMy~ don . . dais should Ret . . cliatarbocl bx liard
:::..:-tor .......
A...a.bon .......... w~haatlaetripla _ _ 01.,...,
_ . del ..........
....... tIIat 'f8OIIII
kiDd.ofclilt.
aer is ....... -to aJyo . . . . .
. . . ey wida slow IIDwaat. TIle CUpet,.weapK . . be ....
328
is going to do with the batik piece. The material sbould be free of
starch and ironed properly.
Using wax as a resist
When the material is ready for the work the selected design needs to
be drawn on the fabric and then start working. The type of wax is
selected according to the particular design on which one is working.
A standard combination contains equal quantities of bees wax and
paraffin wax. If the quantity of paraffin wax is increased then the
cracks would be much more for, the higher the paraffin content the
more friable the wax.
The mixture of the wax is heated. It should be uniformly heated
and must not smoke or over-boil. Tbis melted wax is applied on the
fabric with the help of the brush or T-janting. For better effect the
waxing should be done twice on either side of the material. The
portions that arc required blank (white) should be waxed.
The dyebath
Most commonly used dyes for 'Batik' work are the 'Naphthol dyes'.
They are also known as cold dyes Or ice dyes.
METHOD
A. Take one teaspoonful of naphthol colour in a bowl and mix
thoroughly witlJ'two teaspoonful of turkey-red oil. Then add 50 m of
boiling water, stir well and then add 2-3 pallets of caustic soda, heat
it and stir it properly till the solution becomes transparent.
B. Take two teaspoonful of napitthol salt in another bowl and add
to it 3-4 teaspoonful of common salt, mix well and add to it 50 m!.
of water.
o Now take two basins and take in them enough water to dip the
waxed fabric. In first basin add the solution from bowl A and in
second add the solution from the bowl B. Next soak the waxed fabric
in water, squeeze out excess water, open the fabric and dip it in a
naphthol colour solution (first basin). Work for 10 minutes in the
above solution, squeeze out the excess dye, open the fabric and then
dip it in naphthol salt solntion (second basin). Again work for 10
minutes, remove it, wash it, and soap it. First always start with a
lighther colour and then proceed with the darker colour.
Removal of wax
The wax can be removed by boiling the fabric in a soap solution con-
taining a little of caustic soda. But before that it is better that the
excess of wax is removed by rubbing. The wax can also be removed
by petrol bnt it is an expensive process.
334
....
Ih . . . . . . . . . . . . . . . . . . . . . ..twol. . .....,. .
.. r....
J. Soda Vat
2. . . . Vat
then in the cooling bath. When the bath becomes cold it is taken out
and washed thoroughly to remove all superfluous particles. The mate-
rial is then raedy for dyeing.
Mordanting (cbromium salts)
Wool can be mordanted with chromium floride from a 2% solution
of the same and also containing an equivalent quanity of acetic acid.
Mordanting is started in cold and then the temperature is gradually
raised to boil, the wool is then mordanted within one hour. The
chromium floride bath can be re-used after replenishing. The acid
concentration should not. however, be allowed to increase.
Addition of a little tin-chloride crystals in the mordanting bath
brightens the shade. .
In dyeing wool, temperature of the bath is best found to be 80C
than 100C.
::r:;'l..
L ~..,... tIaoJo1Iably and oftoa .keep tliem flee from clast.
...., . . ~ Shake we11..-ore bnJabiaa. Sun aad air tiD the
........... dlo motU ._".
\ ~.: ~ 0.--* ....... biea WOlD ahoalcl DOt be put ._, 1IIidl
. . . . ..,. . . . . . . . . . . . aired. Capbouda, boua, ad . . . .
........ boaia4~.
a........ .... ... IauacJencI frequeatly. Wooq.
qIIIIs,_,'" ......_ ~
tMIui4 ~ ... pra..... ~
..... _ _ ,,~ llaoa1d bIt_~ OO"leioaallJ U.
BOt . . . . . . .u . . . . .., before ..... it ... ~ drJ-dt.....
4. . . . . ~ aMaIcl be ......,.. ................
",,1".'3
.... pi 1(. . .' " . . . . . . . . . IIIiCl .......... daey . .
M......... _ . . . . . . . . sit propertJ GIl
~~ ott.. lades tJae c:oIGur oIlWlrb, Jaonoe procetI them ...
Xeep ...
. . . . . . . . tor tluItpllJ'pOle. ,.nnentl ill . . . . . .
...... '*f'nMIaeadJ...-r
I. Do ... pat ...,..,.... ia a...,
CODdItioa. M* . . .
. . _ _ Iddew. wIaich peaetaa... iIdo tile fttIre. elwqeI ita _ _
II . ._,..... _ _ it to ran to piec& 'I'biI CIIl . . . . . , pewa1fId
by brushing the garment each time after wearing, and hanging and
storing it away in a dry place in a perfectly dry condition,
7. Protect textiles from destructive insects. The moth grubs feed
upon wool fabrics, carpets, furs, and feathers. The moth is gray iu
colour. These pests can be prevented as follows:
(a) Spraying: Wool and its storage place may be sprayed with a
fluid or dust insecticide in which D.D.T. is incorporated to give
it a measure of permament protection obtained.
(b) Repellants such as tobacco, dried ueem leaves, cedar chips,
camphor, and moth balls which are sometimes recommended
are of doubtful value and cannot be relied on. These repellants,
however, will not have any effect upon the eggs or larvae in the
g,ument. Moth balls are effective only so long as a sufficient
concentration of vapour is maintained. Naphthalene flakes are
more efficient than the traditional moth balls. Paradichlorben-
zene is the best repellant, but it is not so cheap.
(c) Packing: Pack away all woollens and furs wrapped in news-
papers, as the moth dislikes printer's ink. The box may be lined
and covered with tarred paper. Cedar chips, sandal wood dust,
dry eucalyptus and neem leaves are good as long as their odour
lasts.
(d) Fumigation with a poisonous gas, e.g., hydrocyanic acid. It
destroys grubs and moths, but it is dangerous to use.and calls
for specialist,jlandling.
(e) Addition of an insecticide to the wool: This entails adding a
substance to the wool which either poisons the larvae or
penders the wool indigestible.';" German chemist, Mcckbach,
carried OlJt cxtcn~ive experiments to investigate it. Further
researches are being cantin ued by scientists.
To sum up, it may be said that although there is no perfect and
completely moth-proofing agent, there are many varieties and a
reasonably satisfactory one can be selected for any particular purpose.
340
apparent that all these impediments would have to be corrected, and
as a result this process came into being. Deferred curing or fixing
occurs after the flat fabric there is now a 'memory' to the shape of
the garment in its made-up form. The shape is looked in and wrinkl-
es are locked out. There are flat seams, no puckering, and a smooth
fabric without flaws becomes apparent. No ironing is necessary in this
type of garment, a condition that is not fully possible, generally
speaking with even the hest of wash-and-wear articles.
Advantages of permanent press include ease of care, wash-and-wear
properties, thus doing away with drudgery and saving time for the
person involved, while at the same time the treated fabric will retain
its soft, pliable, resilient qualities to the satisfaction of the wearer .
-
,
343
,
BIBLIOGRAPHY
I
l Ali, A. Yusuf, A Monograph of Silk Fabrics in N. W. Province &
I
,
Oudh.
2 Bray, Helen A., Textile Fibre.'), Yarns and Fabrics.
3 Bendure, Zelam, Gladys pfeiffer, America's Fabrics.
4 Botter, Max, it10dern Bleaching Agents and Detergents, Scott,
Greenwood anson.
5 Brown, William, What's Wrong and Why with Laundry Work,
Heywood & Company Ltd; London, and The National Trade
Press, London.
6, Conveyrs, Frank, Cleaning and Dyeing Proficiency, Heywood &
Company Ltd; London, 1947.
7 Chandra, Moti, The History of Indian COSfllme from I-VlI c.
8 Evans, Mary and E.B. McGowan, A Guide to Textiles, The
National Trade Press, London, 1950.
9 Fletcher, Kathleen, Laundry work, Sir Isaac Pitman and Sons,
London, 1945.
10 Gulati, A.N., The Patoiu of GlIjarat, Museums Association of
India.
11 Henney, E. and J.D. Byett, Modern Home Laundry work, J.M.
Dent & Sons Ltd; London, 1948.
12 Hall A.J., The Standard Handbook of Textiles, The Appleton
Century Company, London.
13 Hess, K.i>hcrine P., Textile Fibres and Their Use, J.B. Lippin
Cott Company.
14 Indian Indigenous Dyesfor Use in Dyeing, Internalional Wool
Secretariat, London.
15 Jackman A. and B. Rogers, The Principles of Domestic and
Institutional Laundry work, Edward Arnold and Co., London,
1946.
t 16 Kershaw, S., Wool, The Burke Publishing Co, Ltd., London.
17 Laundry Work-Principles and Practice, Sir Isaac Pitman &
Sons Ltd., London, 1947.
18 Marshall, John, Moltenjodaro and the Indus Civilization, Volume
I, II.
19 Mathews, John Irwin Watt, Textiles and the Minor Arts House
Craft.
May, Arthur Y., The Story of Wool, Sir Pitman and Sons,
l" London.
--. . ..
,.... ........
Z ..
Mtl4I1I._-
II IjIMm8
2J2