Schubert d4h

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The document describes an arrangement of 24 dances by Franz Schubert for piano four hands, including waltzes, ländlers and écossaises drawn from Schubert's works.

Two dances are arranged from each of the twelve key signatures - one in triple time and one in duple time. Pieces are drawn from Schubert's works numbered D.145, D.146, D.158, etc.

For four hands, most of the pieces become technically very easy and could serve as first pieces, while remaining musically rewarding. The arrangements aim to preserve Schubert's intentions where possible.

Twenty-Four Schubert Dances

by Franz Schubert

From D.145, D.146, D. 158, D.299, D.365, D.366,


D.420, D.421, D.643, D.734, D.735 and D.781

Arranged for Piano Four Hands by Peter Billam

Peter J Billam, 2003

This score is offered under the


Creative Commons Attribution 4.0 International
licence; see creativecommons.org

This edition 15 February 2014.

www.pjb.com.au
Twenty-Four Schubert Dances,
arranged for Piano Four Hands

These well-loved pieces are offered here in new arrangements for Piano Four
Hands, for teaching or social piano playing. The originals for piano (two hands)
are available from Dover, who in 1989 reprinted the editions by Breitkopf &
Hrtel of 1889 and 1897.

Two dances have been chosen in each of the twelve key signatures, one in triple
time (a Waltz, Lndler or Deutscher) and one in duple time (an cossaise). For
four hands, most of these pieces become technically very easy, in fact some of the
cossaises could serve as first pieces. Musically they remain extremely
rewarding, and in a teaching situation offer a solid rhythm, a variety of moods and
key-signatures, and a joy of music-making which are hard to match.

With the cossaises it was possible to preserve several sequences intended by


Schubert, but the order of these Waltzes is very arbitrary, determined largely by
the desire to fit two dances onto each page.

Schubert writes the cossaises in two different ways; some move in crochets and
quavers and have eight bars per line, others in quavers and semiquavers and have
four bars per line. The former should move at doppio movimiento, taking the
same time overall; a good cossaise tempo would be about 108 or 112 beats
(minims or chrochets) per minute. As to the nuances in tempo and expression
between Waltzes, Lndler and Deutscher, I would welcome feedback from people
who know these things . . .

Peter J Billam

www.pjb.com.au
4 Franz Schubert

Lndler from Hommage aux Belles Viennoises, Op.67 D.734 No. 1

3
4
p

3
4

f ff

Atzenbrugg German Dance No. 6 Op.9 D.365 No. 31

3
4
p fz fz fz

3
4

f p fz

________ ________
1a 2a
Juli 1821

fz fz f

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 5

Lndler from Hommage aux Belles Viennoises, Op.67 D.734 No. 1

3
4
p

3
4

. . . . . . . . . .
8va

. . . . . .
f ff 8va p

Atzenbrugg German Dance No. 6 Op 9, D. 365 No. 31

3
4
p fz fz fz

3
4

f p fz

________ ________
1a 2a
Juli 1821

fz fz f

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
6 Franz Schubert

Waltz Op.9 D.365 No. 36

3
4
mf

3
4

8 Mrz 1821

fz

Waltz from "First Waltzes", Op.9 D.365 No. 14

3
4
mf

3
4

______ ______
1a 2a

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 7

Waltz Op 9, D. 365 No. 36

3
4
mf

3
4

8 Mrz 1821

fz

Waltz from "First Waltzes", Op.9 D.365 No. 14

3
4
p

3
4

______ ______
1a 2a

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
8 Franz Schubert

Atzenbrugg German Dance No. 4 Op.18 D.145 No. 4

3
4
p
3
4

_____ ____
1a 2a
Juli 1821

Waltzer Op.18 D.145 No. 8

3
4
p fp
3
4

______ ______
1a 2a

cresc . . . dim . . .

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 9

Atzenbrugg German Dance No. 4 Op.18 D.145 No. 4

3
4
p
3
4

cresc . . . dim . . .

____ ____
1a 2a
Juli 1821

Waltzer Op.18 D.145 No. 8

3
4
p fp
3
4

______ ______
1a 2a

cresc . . . dim . . .

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
10 Franz Schubert

Lndler D.366 "17 Lndler" No. 17


3 3

3
4
p dim . . . dim . . .

3
4

Componirt im Juli 1824 in Zelz, Ungarn

mf dim . . . dim . . . p cresc . . . dim . . .

German Dance D.420 "12 German Dances" No. 12

3
4

3
4

Componirt 1817

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 11

Lndler D.366 "17 Lndler" No. 17

3 3
3
4
p dim . . . dim . . .

3
4

Componirt im Juli 1824 in Zelz, Ungarn

mf dim . . . dim . . . p cresc . . . dim . . .

German Dance D.420 "12 German Dances" No. 12


fp fp fp fp fp
3
4
1 1
2 4 1
5 3

3
4

fp fp 5
4

3 1 3
3 1

2 1 1

Componirt 1817

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
12 Franz Schubert
TrauerWalzer Op.9 D.365 No. 2

3
4
p

3
4

1816

German Dance D.420 No. 1

3
4
p fp fp

3
4

fp fp

Componiert 1817

ff p cresc . . . dim . . .

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 13
TrauerWalzer Op.9 D.365 No. 2

3
4
p

3
4

1816

German Dance D.420 No. 1

3
4
p fp fp

3
4

fp fp

Componiert 1817

ff p cresc . . . dim . . .

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
14 Franz Schubert
Atzenbrugg German Dance No. 1 Op.18 D.145 No. 1

3
4
ff

3
4

ff

Waltz Op.127 D.146 "Last Waltzes" No. 18

3
4
pp

3
4

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 15
Atzenbrugg German Dance No. 1 Op.18 D.145 No. 1

3
4
ff p

3
4

. . . .
8va

p
ff . . . .
8va

. . . . . . . . . . . . . . . . . . . . .
8va |

. . . . . . . . . . . . . . . . . . . . . |
8va

Waltz Op.127 D.146 "Last Waltzes" No. 18

3
4
pp

3
4

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
16 Franz Schubert
cossaise D. 145 no. 7

2
4
fp fp ff

2
4

pp fz ff

No. 8
2
4
p mf fz

2
4

p fz p

No. 9
2
4
p

2
4

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 17
cossaise D. 145 no. 7
2
4
fp fp ff
2
4

pp fz
ff

No. 8
2
4
mf fz
p

2
4

p fz p

No. 9
tr tr
2
4
p

2
4

tr tr

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
18 Franz Schubert
cossaise D.735 no. 4

2
4
p cresc . . . dim . . .

2
4

f p f

No. 5

2
4
f

2
4

p ff

cossaise D.421 no. 2

2
4
f p

2
4

Mai 1816

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 19
cossaise D.735 No. 4
2
4
p cresc . . . dim . . .

2
4

f p f

No. 5

2
4
f

2
4

p ff

cossaise D.421 No. 2

2
4
f p

2
4

Mai 1816

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
20 Franz Schubert
cossaise D.643

2
4

2
4

1819

cossaise D.781 No.2

2
4
p

2
4

Januar 1823

f ffz

cossaise D.299 No.3

2
4
pp staccato . . .

2
4

Oktober 1815

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 21
cossaise D.643
2
4

2
4

1819

cossaise D.781 No.2

2
4
p

2
4

Januar 1823

f ffz

cossaise D.299 No.3

2
4
pp staccato . . .

2
4

tr Oktober 1815

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
22 Franz Schubert
cossaise D.734 No. 1 from Hommage aux Belles Viennoises, Op.67

2
4
f fz

2
4

2
4

2
4

No. 2

2
4
fp

2
4

fz fz
fz

cossaise D.158

2
4
p

2
4

21 Februar 1815

ff

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Franz Schubert 23

cossaise D.734 No. 1 from Hommage aux Belles Viennoises, Op.67

2
4
f fz

2
4

2
4
fz fz fz

2
4

No. 2
1 4 2 4 1 4
1 3 4
1 4 1
1 1
2
4
1 2 3 2 2 5 1 5 2 5 1
fp 3 2 2
3 3

1 8va . . . . . . . . . . . .
2 5
1 1
1 3 2 1 1

1 3 2 1
fz 1
2 3 1 1
3 fz fz
2 5
1

cossaise D.158

2
4
p

2
4

21 Februar 1815

ff

Arranged for piano four hands by Peter Billam 2003 Free from www.pjb.com.au !
Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to
1983, where he studied composition, classical guitar, flute and voice, worked as Musical Director
of the Thtre Populaire Romand, and as recording engineer, record producer and computer
programmer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,
conducted recorder ensembles and choirs, studied recorder, voice and harpsichord. He founded
www.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,
taking scores from Composer to Performer in one immediate step. Www.pjb.com.au offers a new
approach to music publishing. These pieces are written to be read, made to be played !

Compositions at www.pjb.com.au include: Five Short Pieces, guitar, 1979; Divisions on an Italian
Ground, flute and guitar, 1980; De Profundis and Nacht, on poems by Lama Anagarika Govinda, voice and
piano, 1980; Fnf Bagatellen, piano, 1980; Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986;
Three Violin Duets, 1987; Fable, for piano, 1987; To Erich Jantsch, SAATTB recorders, 1988; A Suite of
Curves, trombone (or horn) and piano, 1990; Two Recorder Duets, alto recorders, or other melody
instruments, 1991; Trombone Quintet, trombone, flute, piano, bass, and percussion, 1994; Three Songs, on
poems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these are
available), 1994; Piano Study, piano, 1994; Four Dances, various ensembles including recorder quartet,
string quartet, 1995; The Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 1995; Tres Casidas
del Divn del Tamarit, on poems by Federico Garca Lorca, voice and piano, 1997; Three Suites, for the
solo line, piano, and piano and a solo line, 2000; Die Zeiten, on poems by Kstner, Bachman and Jnger,
choir (only the second and third of these are available), 2000; Three Duets for flutes, 2001; For Four Hands for
piano four hands, 2002; Three Preludes for piano, 2003; Second Solo Suite for flute, violin, viola or cello,
2003; Guitar Duet for two guitars, 2006; We Who Mourn for choir, 2007; Trio With Guitar for guitar and
two clarinets or two recorders or two violas, 2008; Canons for two- and four-hand piano, 2009; Flute Trio,
2012; Keyboard Studies, 2013.
Arrangements include: By J. S. Bach: Trio BWV 655, piano and flute; Vor deinen Thron BWV 668,
piano; Fugue in F minor BWV 689, SATB recorders; Four Duets BWV 802-5, keyboard; Flute Sonata BWV
1031 transposed into G major for alto recorder and keyboard; Flute Sonata BWV 1032 completed by Peter
Billam for flute and keyboard, also in C major for alto recorder, and in G major for descant; Ricercare a 3,
from the Musikalisches Opfer for keyboard; Ricercare a 6, for sSATBG recorders, or strings, or two
keyboards; Fuga Canonica in Epidiapente for keyboard and melody instrument; from the Art of Fugue:
Contrapuncti 1, 4 and 9 for keyboard, and Contrapunctus 14 as completed by D. F. Tovey, for keyboard, or
for SATB recorders, or for strings; Passacaglia and Fugue in c for piano four hands; Chorales with Descant
for melody instrument and piano; Cello Suites I, II and III for flute or alto recorder, Forty Chorales for
piano, Der Geist hilft for SATB-SATB recorders. By Johannes Brahms: Fugue in Ab minor for organ, for
SATB recorders and gamba, in A minor; Choralvorspiele for organ plus settings by Isaac, Bach, Praetorius,
recorders. John Carr, Divisions on an Italian Ground, flute or recorder and guitar. By G. F. Hndel:
Concerto Grosso in A minor op 6 no 4, harpsichord and recorders; Recorder Sonata in Bb no 5, in G for
tenor recorder and keyboard. Claudio Monteverdi, Ecco Mormorar lOnde, SSATB recorders. By Arnold
Schoenberg: Verklrte Nacht for piano. By Franz Schubert: Four Songs, voice and guitar; Dances,
recorders and guitar, Dances, piano 4 hands. Scriabin, Two Preludes op.67; Five Preludes op.74, piano.
Telemann, Twelve Flute Fantasias, recorder. John Wilbye, Draw on sweet Night, SSATTB recorders, and
for flute choir. Twelve Italian Songs, voice and guitar; Fourteen Folk Dance Tunes, recorder and guitar;
Bushband Dances, violin, piano accordeon and banjo; Easy Classical Pieces, Bb trumpet and piano.

These pieces are under the Creative Commons Attribution 4.0 licence. Very briefly:
You may copy and redistribute the material in any medium or format.
You may transform and build upon the material for any purpose. cc
BY
You must give appropriate credit, and indicate if changes were made.

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