Case Study:

ARCH 631: Structural Systems

Prof. Anne Nichols Steven Byrne
2011 Crystal Dyll
Kristen Robbins
Eric Winkelmann
 Solomon R. Guggenheim Museum of Modern Art, New York City, NY. 1959

16 year project designed by American architect Frank Lloyd Wright

700 sketches and 6 sets of working drawing

51,000 ft2 gallery space

15,000 ft2 office, theater,
and retail space

92ft tall atrium topped with

expansive glass dome
main ramp coils upward 6 floors,
more than mile

Presentation covers.
buildings background and history
layout, form, and materials
structural design
 Founded in 1937 as Museum of
Non-Objective Painting

1959 - moved to current location

(corner of 89th St. and 5th Ave.
opposite Central Park)
Frank Lloyd Wright chosen as architect
Dedicated to modern art
Design and construction took 16 years, 1943-59, due to changes in design and costs
Debate between architect, client, art world and public opinion, because of the contrast of its
forms within the grid New York City
Artists protested saying the sloping walls and ramp were not suitable for a painting exhibition
October 21 - museum opened to public
Unpopular in some criticisms made by artists who feel the building overshadows the works
exhibited and that it is difficult to properly hang the paintings
 Frank Lloyd Wright
Born June 8, 1867
American architect, interior designer, writer and educator
Designed more than 1,000 structures and completed 500 works
Believed in designing structures that were in harmony with humanity and its
environment organic architecture
Works include houses, offices, churches, schools, skyscrapers, hotels, and
museums
Also designed interior elements of his buildings, such as the furniture and stained
glass
1991 - Recognized by the AIA as "the greatest American architect of all time"
 Building inspired by Wrights love for the
automobile Planetarium designed for
visitors to drive up the ziggurat-like ramps. Gordon Strong Automobile Objective and Planetarium (unbuilt) 1924-25

In the Guggenheim, Wright intended to allow

visitors to experience the collection paintings
by taking an elevator to the top level then view
artworks by descending the central spiral ramp

Museum currently designs exhibits to be Soloman R. Guggenheim Museum, New York, 1943 - 59

viewed walking up the ramp rather than

walking down

From street, building looks like a white ribbon

rolled into a cylindrical shape, slightly wider at
the top than at the bottom.
 Connects the monitor and
rotunda, used to feature porte-
cochere, in which a vehicle drove
under the bridge to drop off
visitors and provided drive access
under the structure. However, in
1975 it was closed off and now
houses a bookstore.
 Ten story limestone clad.
Constructed in 1992. It was an
extension of the four story
annex built in 1968, the present
structure occupies the same
footprint and incorporates the
foundations and framing of its
predecessor.
Four floors of exhibition space,
three of which are double
height, also has office and
storage space for mechanical
systems.
 Twelve radial web walls divide
the gallery into 70 bays for
viewing artwork.
A large glass dome covers the
entire rotunda, providing natural
lighting inside the gallery.
Skylights line each level of the
rotunda, providing natural light
along the periphery.
The gallery walls are 96 tall and
slope slightly outwards at 97
degrees from the floor.
Designed to hold paintings, the
tilt of the gallery walls was
intended to replicate the slope of
an easel.
 Originally serviced work
spaces, a library, offices,
and apartments
In 1963, the second floor
of the monitor was
converted into a separate
gallery that opens to the
main exhibition space.
In 1980, the monitors
ground floor was opened
to the main lobby. All other
floors are utilized for
gallery space.
 skylights: originally intended to
illuminate the painting in natural
light, but were changed to artificial
to have more controlled lighting
The lower image illustrates the 70
bays that the web walls create
 Glass dome with aluminum
frame
12 ribs, coinciding with the 12
radial web walls
The web walls connect at the
roof level forming hairpin
beams that support the
massive central skylight.
 The Guggenheim is primarily composed of
reinforced concrete.
Normal weight cast in place concrete is the
material of the lower levels.
light weight concrete is the material of the
interior radial walls and the ramps.
Gunite, or shotcrete, is the material used
for the exterior of the spiral curved walls.
Wright used gunite to achieve a seamless
monolithic faade.
Wright left out expansion joints, which
would have created visual vertical breaks.
He hoped the application of elastomeric
paint, known as the cacoon would fill in
the cracks formed during construction.
The pairing of multiple types of concrete
caused visible cracks in the faade.
Steel framed windows
Aluminum skylights
Cement plaster soffits on metal lath.
 Gunite (shotcrete): a mixture of
concrete and sand that is sprayed
through a metal mesh with wooden
formwork.
The reinforcing of the shotcrete
consists of vertical and horizontal
steel bars sandwiched between two
layers of welded wire mesh.
The curved walls are constructed of
shotcrete (gunite) which was
sprayed onto plywood forms
secured every 10 degrees to vertical
steel Tees embedded in the walls.
Shotcrete walls are 5 inches thick.
 Used cutting-edge laser-surveying
technology
Even slight variations in the helical ramp
and the exterior walls were modeled.
Analyzed dead, live, wind and, most
importantly, temperature loads.
Indicated a globally stable, dynamic
structure; exterior walls move inward
and outward under temperature change.
Only limited structural repairs of the
uppermost Rotunda wall were required.
 From December 2004 through
September 2008, the Solomon R.
Guggenheim Museum underwent its first
major restoration.
The sixth floor ramp walls were
structurally reinforced with a basket-
weave pattern of carbon-fiber reinforced
polymer (CFRP) applied to the interior
surface.
Carbon fiber strips restore tensile
capacity to deteriorating ramp walls yet
meet architectural aesthetic and
preservation requirements.
 A giant spiral ramp circulates
up to a giant dome with twelve
narrow reinforced concrete
partitions that pierce the spiral
and serve as stiffeners
The web walls act as shear
walls, transferring forces
laterally and vertically, while
helping resist bending
moments.
12 radial web walls around the
rotunda, 8 thick and 25 wide
at the top
 Structural core
that includes
staircase and
elevator shaft
Acts as structural
anchor and
provides an
alternate
circulation to the
ramp
 Cast in place concrete
for the floor slab and
shear walls; reinforced
concrete
Each ramp section
was constructed first
then the web walls
were put in place
The exterior walls
were constructed last
by the gunite process
 Parent Material: Loamy fill, greater than 40 inches deep,
high in rock fragments
Landform: Anthropogenic fill areas
Depth to Bedrock: Very deep
Drainage Class: Well drained
Permeability: Moderate, moderately slow where the surface
has been compacted
Soil Texture: Silt loam, loam, or sandy loam throughout
Coarse Fragments: 5 to 70 percent rock fragments
throughout; less than 10 percent artifacts
Range in Soil pH: Very strongly acid to slightly acid
Hydrologic Soil Group: B
 Because the soil is easily
drained, it allows for an
underground level.
Underground level
contains a theater and
bookstore which is
outlined with thick load-
bearing concrete walls.
There is a deep foundation
with a basement wall
footing that encloses a
basement space and it is
restrained by a top floor
slab of reinforced
concrete.
 The loads are transferred
from the dome to the
hairpin ribs, which then
transfer into the web walls.
The loads from the floor
slab and cantilevered
angled walls also trace
back to the web walls,
which act as shear walls
and transfer all loads to
the foundation.
 Axial Deflection Moment Shear

As you can see from this multiframe analysis, the diagrams show that the bending moments are
greatest at the top, where the web walls are supporting the glass dome through the hairpin ribs,
and the floors cantilever out the furthest.
The axial forces grow down the structure as each load becomes increasingly greater.
 Wind Region: New York: 110 mph
 Load on side: 14.4 psf
= 14.4 lb/ft2 x 11458 ft2 )/ 4
= 41248.8 lb

Distributed Load
Along Edge:
= 41248.8 lb/ 142 ft
=290.4 lb/ft

Sectional Area:
11458 sq. ft.
 Axial Deflection Moment Shear
The bending moments are highest at the top of the structure. There are also bending moments at
the foundation in order to resist the overturning moment.
The axial forces are great because it is important for the web walls to act as stiffeners and help
brace the structure against lateral pressure. Because the rotunda is hallow in the core, the 12 radial
web walls provide the necessary bracing to resist the lateral wind loads.
Zone 2a: Moderate = .15

Occupancy: I E = 1.25
 Response Modifications: Rw

Rw = 5.5
Coefficient Aa= contour map
Aa= .10

Seismic Design Coefficient= C

C= 2.5 A / R
C= (2.5 x .10) / 5.5
C= .04

(the structure will have to be

designed to resist lateral forces
equal to 40% of its weight.)
http://www.britannica.com/EBchecked/media/128159/Newsreel-of-the-opening-of-the-Guggenheim-Museum-in-New
 Guggenheim Foundation, Solomon R. "Keeping Faith with an Idea: A Time Line of the Guggenheim
Museum, 1943-59." Guggenheim Museum. Solomon R. Guggenheim Foundation, 2011. Web. 10
Nov. 2011. <http://web.guggenheim.org/timeline/index.html>.

"Guggenheim Museum in New York - WikiArquitectura - Buildings of the World." Main Page -
WikiArquitectura - Buildings of the World. MediaWiki, 24 Nov. 2010. Web. 10 Nov. 2011.
<http://en.wikiarquitectura.com/index.php/Guggenheim_Museum_in_New_York>.

The Solomon R. Guggenheim Museum. New York: Solomon R. Guggenheim Foundation, 1975, 1980. Print.

Pfeiffer, Bruce B. Frank Lloyd Wright: The Guggeheim Correspondence. Carbondale: Southern Illinois UP,
1986. Print.

Miller, Abbott, comp. The Guggenheim: Grank Lloyd Wright and the Making of the Modern Museum. New
York: Guggenheim Museum Publications, 2009. Print