GUITAR MOMENT

COLLECTION OF WORKS FOR GUITAR

BY DIFFERENT COMPOSERS

VOLUME 4

Edited and Fingered

by

Eythor Thorlaksson

THE GUITAR SCHOOL - ICELAND

www.classical-guitar-school.com
 -3-

GALLARDA

Alonso de Mudarra
(Siglo XVI)
j
4 j
. 4 4 0
# 1 1
4 2 .. 2
# 3 2 . 2
0
3 3 1 2 3
4 1

& 1 2
1 . 1 1
3
3
0 0
4
f-p

2 0
# 2 1
#1 3 2
2
0
4
#
& 3

4 3 3
1 0 3 0 1 4 1 1

2
5

4
1.
4
#
# . 0
n
3 #
2
&

0 Q Q
{
4 n


2 3 2
3

j
2. 4 1
# . n n

# 1 n n .
n 4
.
& {0 n
n n n
2 0
2
b
3 3 0 1

f-p

2
# 1 3
2
# #
1 Q
0
Q


3
&
4
0 1
2

4
2 1 2
0 1 0
# 2 4 2 2
. 1 1
# 2

4
&
4
3 0
3
f

1. 2. 4
.
# 1 3 1 2 1 3 1
#0 1
0
2
1
& {

2 2
rit.

Copyright 2000 by The Guitar School - Iceland 1086
www.classical-guitar-school.com
 -4-

PAVANA EN PARTIDAS
(al aire Espaol)
Gaspar Sanz
(Siglo XVII)
Molto moderato
3
C 0 1
# 3 # #
&
2

n
# # #



&

4 4
0 0
4
4


0 # 2 #
&


3 2 3 3
3 1

V
3 4
4
2
.
# #
4 4 4
1
0 3 1 1 w
3 . w
# 3
&

2 0 1 . w
2 3 p

4 4
.
1 1 4
1 0
# # # #
2 0
2 3 .
2 .
& # .

.
.
p
f

4
3 4
1
1 0 0
0
3# 1

1

&
3

4

4 4
3

2 1 4 1
# 0 4 1 0
# 1
1 3 3

4 2 0

0 # #
& 2 2 w

3 3 2 0 w
F
f p

1086
 -5-

4 4 4 4
1 1
0 0

4 3 4 3 4 4
1 1 0
2 1

&

2 0
3 2 2
> 3
> >
> > > >
>

4 4
2 1 2
4 # 3
n 0 4
0



&
1 3
1

> > > > 3
> >
>
>

4 4 4 4
0

1 0 4 1
0 0 2 0


&
2
2 0 2 2
2 0
3

dim.

4 1
0 0
4 1 4 1
0 3
1 0
# 2w 4 2 1 # 3 .
& w 2 .
3
1 .
2
p
0

rit.

# # #
&

f
a tempo

n
# # #



&
p

0
4


# 2 #
&


3 1 F

2 4 4
.
4
# #
.
# 3
&

0 1 .
2 3
f poco rit.
1086
 -6-

CINCO DIFERENCIAS
(sobre "Guardame las Vacas")
Luys de Narvez
(Siglo XVI)
Tempo medio
1 0
1 4 4 1
6 2 0
0 3
0

1 4
.
4 2
# #
&
.
. .
3
3 3
.

4 1 4
0

3 1 2 1
# 3 w.
& . w.
. 2
.
. 3
w.
3 1

2 1
4 2 4
1
0


0 #
2


&
. .
3 . . . .
3

1 4
0 2
1
4
. 0 2
#


# #
&
. .
3 . .
. 3

3 4
w.
1 3 1 3
# 0 . 3
# # 0
1
.
w.
#


& #
. #

. w. 1 4 0
2 . 0
. 2
2
1 4
2

V III
4
1 3 4 3

1 44 1
1 4# 0
3 1 4
1
3 2
0

1

1
.
3 3
3
#
& 3
. .
. #

. 2 3 1
0
4

1086
 -7-

1 4
0 0
2 1

0 4 2 w.
0 #
&
4 2 w.

. . w.

3 3
1

V
4 3 1
1
4 4
1 0 1 3 0 4 0
4 2
1 4

0 0
. 2 0

#
1 . .
&
. 2
3
0
. .
3

V
4
1
4
1 0 3 0 2
4
2
. #
# # 1 .
&
. 0
.
. . 3
3

4
# 3 0 2
w. 5 3
# . 2 0
2
. .
n w. #
0

& .
#
. w. 3 1


. 0 1 4
2

2 4 4
4 1 1 2
4 1 .
0
# # # 2

# . 0
2
0 2 #

&
2
#

2 4 1
. . 3
.
5

4
3 1 3 2
1
3 0
# 0 3

# 0 2

# # .
& #

0
2 .
0 1
1
0
. 0 1 3 3
0

CODA

1 1
3 1
2 # 1
3 3
2
4 1
0 3 3 0 2
Q
2 # 4 # w.
& . .
1
w.
# w.
. .
3

1086
 -8-

ALLEGRO SPIRITOSO
(Op. 1 Nr. 10)
Mauro Giuliani
(1780 - 1820)

4
2 1
2 4 3 2
3 4 2
# 1 1
1
# 2
# n
4
&

F 2

4 4
1 2 1 2
2 4 3 2
3 4 2
# 1 1
n 1
# #


&

0
2

VII
V
4 II
1
2 1 4 2 2 4
# 1 1 1 1 2
# 3 j 1 2 2 3
2

4 1 1 1
& 1
0 3
0 p
J f
5

4
3
1 2 0 4 4
#
3
0 2
# 3 # 3 n 2
2 2
1 1 1
3
&
p

f

j 4 1
4 4 1 3
3 3 1
4
1

# 3
#
# 1
2 2
&


F

4
2
1 1 4
4

#
2 0 2
# 0 2 2
# 2 #
1 2 n
2 1
# 3 n 0
1 #
1
& 3 3

1 3
0

0

1086
 -9-

4
0 # 2 0 #
# 2 0 2

# 1


&
#

f 3

4 1
2 0 1 0 2 0 4
# 0 3 2 0
# 1 1

#
& 3
# 1

3

1 1 1
1 3
n 4 3

# 2 1 0

2
# 2 1 2

3 2 # #
# 1
1 3
&


p
f

4
2

1
0 U
#
2
2
# n
0
1

2 # n .
& 1 3
1 0
# n .
3 .
rit. a tempo

4
3 3 4
# n
# #


&


F 2

3 4
# 3
# n
#

&

2

II VII
4
4

# 0 2
#
2 1 2
2 3
1 1 1 1
& 1 3
3 4
4

1086
 - 10 -

CORRENTE
(Nr. 74)
Oscar Chilesotti
Poco Allegretto
j
j 4
4 3 4 j
# 1 j
1 . # 4 1 4
.
0 1
3 3 # n 1 0 2 2
b . 1
n 3 1
2 . n 0 n
8 2 2 0
3 . 1 #
& . 2

p 3
F
J

j
j
j
j # j
..
#
# n n
b . n . n
# 3
. #
& 2 .

p
J F J

j
j j j 4
4
j 1 0 4
. 4
.
4 # 2
b .
2

# 2 1
2
& . 0 1 1
0
P
J 1 J
f 3
J esperssivo
J

j
j j j
j j

..




b #

#
.


#


& .

P J
J f J esperssivo
J J

j
j j
j j
#
0 4 4
. #
2# # .
# n
b 2 n
1 2 1 .
& .
1

1 3
F
J a tempo
J
rit.

j
j j j
j j
.
n .
#
b . n .
. # #
& .


p J F
J
J
J

> > >> j > >> >

>
j > > j
4 4 j j
0 4
1

b 2 # # # #
2
& 1
0

J f J
P
esperssivo J sostenuto J
J J
rit.
1086
 - 11 -

SONATINA
(Op. 71, nr. 1)
Mauro Giuliani
(1780 - 1820)
Maestoso j
1 4 1
4 . 4 4

c 2 .
.
&

3

2 2
2

3 3 3
F

j
7 4 4 2 1 1
. 4 0 4
. . .
1 .
. .

0
.
&
# n
3 2
2
0
3
3 3 2

j
12
.
.
. .
. .
.
&

j
17 3
4 . 2 4 1
3 0


& 0
3

2


1 3

j
22
. 4



& 0

3

2

26 4 2 1 1 1
0
4

0 4

4
1 0 0 2


& n
#
2 3
0
3 2 3
1

j
30 U 3
. 4



&

3

2

poco rit.
1086
 - 12 -

34 3 3 3 3
1
4
0
2


&

H
p a tempo 1

37



# #
&

H

4
40 4
0 # n
# n 1
0

&


#
H 2
3

43 4 2
1 1 1
3 # n 4
0
2
0 2
# #
&
n
H
0
3 1 H
1

46
4

2

&

3

49




4
&





H
3 f

52 1
4
2
#
# #
&


H
J
1

1086
 - 13 -

54

2
4

3

&



1

ma m i
4
57 i ma 4 1
2 4
1
0 0
1 2 4




&
# n
H 2 0
3 3 2

60


#
# #
&


H
J

62




&

64




&

67




&

dim.

> > >

70 >



&



f

1086
 - 14 -

MENETT
Allegretto
. .
. .
3
b . . .
4 .
&

F

p p
f f

.

b . .
.
. .
&
n


f p
p

1 4
2 3
.
0
.
.
b . . .
. .
& . {
0
1

F
f

1
. . 4 . .
0 #
b .

& { 0
n
2 n

p cresc. F

.
.


#
b b

&
n
. . .

K K K
p
f

.

b b .
.
& #

. . .

K K K
cresc. p p
f

. . .
. . .
b
.
.
& . {


F
f Fine
1086
 - 15 -

TRIO

Allegretto

3 b 4

b n 2
4
&
.
. 3

P

b n b


& {
.
.

b n

& {
n

1
# n 4

0 2
b n n

&
n


1

b n n n b

&

p

b n
4
b n n b

2
&
.
.
3
p

n b
b

& {
.
.

D. C. Menett al Fine
senza rep.
1086
 - 16 -

RONDO

Allegretto
1

2

4
&

J
p

7





&


J
f

13





&


F

19

b


& b


#
p

24





&


#
F

29




&
# # n

p F

34




&

39




#
&

f
44



j
#
&

p
1086
 - 17 -
49



n j
j # b #
#
&
#
F
J

54

0 0 2
# n

#
&

#

f 3

59

# n
j # b #
# #
&



J p

64
4
n
n b 0

&

2

69
4 0 0
# 4
1 1
n 2
3
0
&

2 3 # #
1
2 2

74




&


#

79





&
# #

84




&

3 3 3 3
89
0



&
2

# #
#
0
4
0
1
p
0 3
f
> > >
94 U
2 0



&


#
1 3
f u
> > >
1086
 - 18 -

MENUET

F. Ferrandiere
(Siglo XVIII)
4
. .
# # 3

3 2
2
#
4 1 3
& {



f

. .
# #

#
1 1
& 3
4


p

3 3
2 3
2
4
0 4 4 2
0 4 3 0 1
# # 4 0 2 1
0 1
#
2 0
# 1 2

m
& i a
.
1 i p m i a .
.
f p
IV
4 1. 4 2.
1 4
1
3 .
# # 0
2

0

4 4 0 3

1 # # #
# 1


1 1 1 1
& 3 2 {

2 1
.

II
2
# # 1
1
3
0 3 0
2 0
0
2
1
0
#
2

# n
& { n

0 4 1 0
3 4 1 4 2 3

f- p J IV
k
4 4
1 2
2 4
0 4 1
# # 0 4 2
0 2 4

0 1 4
# #
# 3 1
2
& 1 1
1 J
1 0 1
3

J
J
IV
k
1
4 2 j 4

4 .

4 0 1 3
# #
4 0
# #
# 1
1
& 1
1 J

J J 2.cresc.
1. j 2.
# 2 0 j
# 0 .
1 3 2 4
2
# . 2
2
1
1 1 1
&
1 {
3
4
0 4

0 1
2. f J J

1086
 - 19 -

VALS
(Op. 32, nr. 2)
Fernando Sor
(1778 - 1839)
Allegro 4
j 0 4 4 0 1
# # 0 4
0
0
# 3 0 0 0 0 n
# 1

3 1 3
8 1 . 1


3
3.
1
&
2
2 2
1
F J J
J

4
1 3 j j
1 . 0 j 1 1 0
# # 4 1 1
#2 3 3 3
#
3 2 1
& { { 0 1

1

J
J

II
4 j
j # 3 3
# # 4
1
1 # n
# 0
#
3
1
3
n n
3 1 1 1
& {

1 J J 1
2
f 0

J Fine

4
3 4
j 2
2 1 4
# . . 0 3 0
. .
#
0

3
& { # .

. . . 1 .
p

II j
4 j 4 j
2
1 0 3 1 . 1
# . 1 1

# # 2 3
3
1
& { { 1 0
1 J J
. 3
f
p
J

j
4 ar 12 ar 12
j 4 2
. 0 4 j j 1

# 31 4
# # 3 0

0 #
& 1
#
J J 2 0 1 #
3
f
1
J
2 . .
J p

II
ar 12 ar 12 j
4

2 1 4 j
# 0 3 0 3
1
# #
3

1
& 1 #
{
1
. . .

J
D. C. al Fine
1086
 - 20 -

ALLEGRETTO SCHERZOSO
(Op. 8, nr. 4)
Fernando Sor
(1778 - 1839)

2 2 4 2
4 2 4
. . 1 . 1 . 0
# 4 0 3 1
3 1 1 1 # 1 # 2
3
2 1

4 2 2
& 3 1


3
3
Con grazia

3
4 4
1 2 1 1
1
# 2 . 1
1
. . 2
# 1
0 0
2
1
2 0 0
& 3
{ { . 3
.
4 4
3
J
3
5 5

1 U
1 .
# . 1 1 . . 3
3
3 .
2
1 3
..
.
..
4 . 2
1
.
1 2
# 2
& 3
{
4
3 0 u


3 4
5

3
4 2 1 4
3
# 0 1
4 3

. 0 2
1 .
. 2
2

&
.
. 3 .
0 2 2
3
F
p
f f

4 4
4 .
# 4 . 3
4
. . # n
. . # . n # .
1 2 # .
. 2 1 # 1 2
1
&
.
.
2
F
p

4
.
1 .. .
# .
.. 1 1 1
# # n # n # . 1 # . 1
# .
# 3
3# # . n 3# # . n
1
2 2 2
&
.

1086
 - 21 -

j j
j
1 4# . 1 #
4
4 1 .
4 I
0 1 . 2
#1 . . . . . # #
# .
3 1
3# # . n 2
3
1 2 3
&

VII
j j
V
j j 4
3 4
. # I . # # 1
.
# . # #
.
1 .
1
1
2 #

&

4
III
4 1 4
2 1 1
# .
4 1 1 2
2 1
1 # # # . 4
. .
2 1 2
2 3
& 3

0 0

3 3 3
4 3 4 1 3 1 4
3
1 3 3
# # 1
.
.
2
3 2 1
3 1
1
2
&
0

cresc. f

2 2
4
4
2
. 1 . 0
# 4 .
0
3 1
3
1
1 # 1 #
1 2
2
2 3
&
1
3
3
con grazia

3
4
1

# . . .
#
1

& . 3 .
4

4 J
3
5

. U
# . . .
1 . ..
.
..
.
1
2
. #
& 3
3
4 0
u

3

1086
 - 22 -

SPANISH DANCE

Eythor Thorlaksson
Allegro
j j j j
# #
2 0

0

# 3 4 1
4 0 n # n #
&
# #
2
F 1

j
j
# # 2
0 0 2 0 4
1 4
1 0 2 0
# 3 3
1 1 1
&

3 2
3 1

harm 12

j j
0
# # 2


1 0
2 3
4 # 0
#
1

2
&

1 2
3
3 1 harm 7

4
rasg.
j j
# 2 3
# 2 0 0 ^
# 2
4
1 3
b
& n
n
1
1 b 0
2 1 0
2 1
f J
0

rasg.
j j rasg.
j j
# # 4 0
^ ^
3
#
2
b b

& n n
n n
b b
1
1 0 2

rasg.
j j j
rasg. j
# #
^ ^
# n b


n b



n n
&
n b n b

F

1086
 - 23 -

III I III I

# 1 n n
# 1
n . n .
# n
2 .. n
..
1 n
n
& b b

p

rasg.
j

# 2
#
2
^
#
1 1 b j
& 1 1 1
n {
3 n
2 b
F 3
J f J Fine

VII
IV
II II 3
II 1 4
3 1
# 1 2

#
2 1
# . . 1
1 4 1 1 4 1 2
& { 1 1

0
1 3 0
1 3 0
p

IV II
IV
4 4
2 1 3
2 4 0
# #
4 2
2
1
0
#
2

1 2
& 1
1

0
0

IV II
0
# # 3 2 0
4 2 0 1
#
1 1 1
& 1
{
2
3
2 3
2 3 1 0 3

VII U
II V
4
4
4
# 4 1
# 1 3
1
# 1 3# 1
2 1
2
1
2
&
1
3

1
2
5
cresc. rit. f
u

1086
D. C. al Fine
 - 24 -

ROMERIA

Eythor Thorlaksson
Allegretto
j

6 4
3
8 . . .
# 2 #
& .
. .
p .
1

harm 12

0 4 4 1 4
1 3 1
0 4
2
0 0 1

# #
&
. . .
.
3
1 . 3 2
F J

4
III
4
. . 1
4
1 4
.
1
. 4 4 0

1
1
2 0 4
2 0
1
b
.
& . # # . 2 3
1 2

. . # . .
2 . 2 0
3
0 4
1
2 J

III
4
.
4 4
. 1 .
1 1
4 0
. 4

1 b
# # . 2 3 2.
& 1
.
. . # .
. . 2
1
0

4 2 J

dolce
> >

4 1 4 4
.

0
0

3
1 # # .
&
. . .
3
.
2 2
f
> >

4
.
# .
&

3
0 2 3 0

1

F
U
fi
1
. . .

# . 2 # . # .
&
. . .
p
rit. u

1086
 - 25 -

j j
4 4 1
.
. . 1
.
4
1 # . # .
&

1 2 2 3 0 2
J J
f p

. 3 . ..
. 4
.

&
0
2
1 2 0
1 2 0 1
3
2 0

# #
&

4
. .
1 4 0
1
. . . 0 2
1 . . 3
.. .
2 . # . . # . 2. # .
3. .
3
& 1 # .
. . 2

p

.
.
. . .
.
.
. . . .. .. 0 .
. 1 # . 1 # .
& # . . 0n .
2

rit.
D. C. al Coda

CODA
4

. . .
1 # .
&

2
0
3
# #
2
3 0
1 2 4

F a tempo

I III I >
j
j >
j
1
0 1 1
0

1 2 .
1 2

.
# 1 # . #
&


. . . . 3 J
1 2
1 J
f accel. J >
>

1086
 - 26 -

EL CHORRO

Eythor Thorlaksson
Tempo di Tango 3 3
1

0
1
2 0
3
3 2
4 #
& 1




3 2 3
2
0
F

3 3
3 3
2 0

2 2 0

2 1

0

# #
&

#
4
#
3
0
3
1
3 J
6

3 3 3
4 1 4 1
b
0 4
1
2

# 2

&
# 3 2
2
2 0
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D. C. al Fine

1086
 - 27 -

ALMOGIA

Eythor Thorlaksson
Moderato
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D. C. al Fine
p
1086
 - 28 -

MALAGUEAS
Trad. - Eythor Thorlaksson

3 1 2

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1

2
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1086
 - 29 -

j
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mano izq. D. C. al Fine

1086
 - 30 -

ESQUILITAS
Trad. - Eythor Thorlaksson
Andante II
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meno rit.

1086
 - 31 -
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a tempo
1086 rit.
ISBN: 978-9935-446-11-4