Revision Pack - The Handmaids Tale
Revision Pack - The Handmaids Tale
Revision Pack - The Handmaids Tale
Quite simply, the easiest way to revise a novel is to re-read it. Im not suggesting for a
moment that you need to pour over the novel in the same that you did as we read it; I
suggest that you skim the novel, looking for specific examples from your revision list.
In the IOC you will need to be able to identify the key themes and characters in the
novel and to draw upon you knowledge of the text for examples.
Offred
We never learn her real name only identification is through the patronymic Offred.
She is both protagonist and narrator and is the most realised character.
Reader has great sympathy for Offred but feels let down by her marginalisation.
Previous life is characterized by motherhood, marriage, work and friendship.
She was not political and did not foresee what was going to happen.
Only means of survival is through small rebellions.
She has an ironic, cynical sense of humour and a strong sense of holding onto the
past. As a result, she never adopts the role of Handmaid psychologically.
She separates her body from her mind to prevent a mental collapse.
Her life is very restricted so in order to remain intellectually healthy she plays word
games with herself.
She is an astute observer and describes those around her in a satirical and precise
way.
She is a self-conscious narrator she reminds the reader of the flaws in the act of
storytelling. She is only human after all. Hers is a very subjective narrative. She has
to recount unpleasant experiences in order to communicate the truth of her
experiences.
She retains a sense of privacy we never hear about her first night with Nick, her
daughters real name or even her own.
She is both independent and feminine middle ground between extremes of
feminism.
She is educated and intelligent recognises and highlights the ironies and
contradictions of the time before and of the Gileadean regime.
She has limited choices but takes responsibility for her actions.
Thinking can hurt your chances and I intend to last.
Waste not want not. I am not being wasted. Why do I want?
The night is mine, my own time, to do with as I will, as long as I am quiet. (pg 48)
We lived, as usual, by ignoring. Ignoring isnt the same as ignorance. You have to work
at it. (pg 66)
I wait. I compose myself. Myself is a thing I must now compose as one composes a
speech. What I must present is a made thing, not something born. (pg 76)
The Commander
The description of the Commander is constantly changing as Offreds feelings
towards him change.
He is quite an elusive character despite the fact that his is the strongest relationship
Offred has.
Ruthless and imposing, well educated and clever.
Among the elite who are responsible for the implementation of the Gileadean
regime.
He is blind to the effects of the regime he helped to introduce. He genuinely believes
that the regime is a good thing.
He shows no remorse over the death of the previous Offred.
He too is lonely and isolated in his own regime and has to break some of the rules he
introduced.
Becomes more and more unlikeable as the novel progresses.
Paternal and patronising to Offred.
His behaviour at Jezebels reveals his ignorance and deeply sexist opinions.
Appears to be a vulnerable old man as he watches Offred being taken away.
He gives the regime a human face. He seems to be an average kind of guy.
I can see now, its the Commander, he isnt supposed to be here He is violating
custom. (pg 59)
He looks like a midwestern bank presidenthis manner is mildHe looks over us as if
taking inventoryHe manages to appear puzzled, as if he cant quite remember how we
all got in here. (pg 97)
This is not recreation, even for the Commander. This is serious business. The
Commander, too, is doing his duty. (pg 105)
For him, I must remember, I am only a whim. (pg 168)
How can I describe what really goes on between us? (pg 235)
Tonight I have a little surprise for you, he says. He laughs; its more like a snigger. I
notice that everything this evening is little. He wishes to diminish things, myself
included. (pg 241)
He is showing me off, to thembut he is also showing off to me. He is demonstrating,
to me, his mastery of the world. He s breaking the rules, under their noses, thumbing
his nose at them, getting away with it. (pg 306)
Serena Joy
Most important female figure in Offreds daily life.
Representation of the spurned wife. She is desperate to have children but unable to,
so she suffers the procreation arrangements.
Indulges her mothering instincts by nurturing plants in her garden and knitting.
Serena Joy is trapped in her own ideals.
Frustration and unhappiness are evident in her chain-smoking and surly manner.
Characteristics are: jealousy, gossiping, cold and vindictive.
Serena Joy believes in love her love for her husband verges on possessiveness.
She is both wretched and generous to Offred.
Mixed feelings when Offred leaves.
Serena Joy arouses the readers sympathy.
I am a reproach to her; and a necessity.
Which of us is it worse for, her or me? (pg 106)
Moira
She is a very strong character with a strong sense of survival which pervades her
actions.
Possibly the most influential character on Offred. She is a beacon of hope for Offred.
Unconventional and self-assured, individual and funny.
Her humour at the Red Centre is important to the other Handmaids as it is the only
weapon they have against the tyranny of the Aunts. But she jokes about everything
and tries to laugh off danger.
Politically feminist and lesbian. Very conscious of her rights.
Betrays herself and her ideals at Jezebels.
Despite several attempts to escape, she is captured and condemned to a factious life
within the regime.
She was now a loose woman.
Id like to say she blew up Jezebels, with fifty commanders inside itBut as far as I
know that didnt happen. I dont know how she endedbecause I never saw her
again.(pg 262)
Nick
Attractive and sexy but with an air of mystery. His motives and desires are never
revealed.
He is an Eye and a trusted member of the Commanders household.
He shows a rebellious streak when he winks at Offred and touches her feet during
the Prayers.
He fulfils Offreds fantasy of being rescued. Possibly a member of Mayday.
Luke
New man of the twentieth century: involved in child rearing, cooking, household
chore and is supportive of Offred when she loses her job.
Presented as a shadowy figure in Offreds narrative perhaps suggesting that he is
(or she believes he is) dead.
His memory is vital to her survival.
He is the only person from the time before who never resurfaces.
Note that Offreds relationship with Luke began as an extra-marital affair and they
enjoyed wordplay, yet Nick is Lukes mirror in Gilead.
Offreds mother
Member of the Womens Liberation movement of the 1960s and 70s.
Records of her participation in events such as book burnings is based on facts he
exploits are taken to the extreme in Gilead.
She is disappointed that Offred takes for granted the advances in womens rights
that her generation achieved.
Links to Moira are obvious.
Also links to Serena Joy each woman is undermined by her own ideals in Gilead.
She is reduced to being an Unwoman, clearing toxic waste in the colonies. She is
used as an example in documentary films.
Mother, I think. Wherever you may be. Can you hear me? You wanted a womens
culture. Well, now there is one. It isnt what you meant, but it exists. Be thankful for
small mercies. (pg 137)
Ofglen
Altruistic heroine works tirelessly for the resistance movement. She shows mercy
and bravado.
Represents collective resistance in opposition to Moirs lone rebellion.
Where Offred struggles with cowardice, Ofglen is decisive and courageous.
Reacts very differently to Offred when she knows the black van is coming for her.
Is her suicide an act of valour?
Janine
Victim of freedom and oppression.
Rape is a crime of power Janine suffers twice in different ways. In the time before
, when women were not protected she is gang raped, and as a handmaid, her
Unbaby is destroyed. In both situations, she is a powerless individual woman,
victimised by a powerful group of men.
She is a devout believer in the system but is destroyed by its practices she goes
mad.
Professor Pieixoto
Tries to be analytical and impartial about the text he is studying.
Does not take Offreds testimony seriously because of his inability to place it
completely in a context of known historical facts.
The past is a great darkness and filed with echoes. Voices may reach us from it; but
what they say is imbued with the obscurity of the matrix out of which they come; and,
try as we may, we cannot always decipher them precisely in the clearer light of our own
day (pg 324)
The Aunts
Older women who train Handmaids, deliver births and preside over Salvagings.
Betray other women through their collaboration with the new regime.
Use physical punishment as a means of control.
Names suggest that they are caring and supportive.
The Republic of Gilead, said Aunt Lydia, Knows no bounds. Gilead is within you. (pg 33)
Other characters
Angels soldiers of the Gileadean army
Marthas - female servants such as cooks and housekeepers
Guardians of the Faith members of the police force
The Eyes secret police within the police force
Econowives wives of common men
This section of the booklet contains revision information on Themes and Narrative
Devices.
This revision pack is not the only revision you should be doing! It is merely a springboard
from which you can begin the process. An excellent resource to employ is the purple
booklet start from page 51 and work onwards!
The themes, which are covered by this booklet, are by no means the definitive list. They
are simply the themes which are most frequently commented upon, particularly in
examinations. You will no doubt be able think of a whole host of connected themes and
imagery used in the text and you should not be afraid to revise these in detail and use
them in the examination.
Gilead
Atwoods dystopia is a society based on brutality and force, which has adopted
many of its ideals from the past. (see section on Historical context)
The modern Gilead does not provide equality of opportunity for its citizens. This is
ironic as Gilead uses Puritanism as a foundation, yet the Puritans originally fled to
the New World to escape intolerance.
As already mentioned, dystopian societies rely on propaganda as a means of social
control. In chapter 14, Offred tells us its the Montreal satellite station, being
blocked. No external information is allowed into the Republic.
In chapter 19 we learn the reasons behind the formation of the Republic:
Language
The language of The Handmaids Tale seems quite straight forward at first glance,
but every word has been carefully chosen for specific effect.
Atwoods many allusions to literary and cultural sources demand a high level of
cultural literacy.
Many of the allusions become distorted for example Aunt Lydias sayings
outrageously distort biblical references. Atwood alludes to, among others, Freud,
Shakespeare, Descartes, Chaucer and Karl Marx.
There are also contemporary references to feminism, Islamic traditions, slavery,
Puritanism, music such as Elvis and Beethoven.
She invents neologisms (new words), a very common idea in Dystopian writing. Look
at Econowives, Prayvaganzas, Salvagings and Particicution What words have been
used in their creation?
Offred enjoys word play and often thinks about the multiple meanings of words.
She also uses and variety of speech patterns, depending upon who she is speaking
to.
When Offred is in the Commanders office in chapter twenty nine, she has no
flashbacks. Her memories serve to exercise her language facilities. Her memories are
a dialogue she has with herself, so when she is with the Commander she is already
engaged in dialogue.
The various characters also speak differently look at the language used by Rita,
Professor Pieixoto, the Commander and Offred they all speak very differently,
again something that Atwood has carefully crafted.
Narrative Techniques
The novel is a mosaic of narrative genres fictive biography, science fiction,
dystopian fiction and romance.
Three stories are being told at once the time before, the time at the Red Centre
and the present.
As we read through the novel, the setting becomes increasingly familiar, thereby
shifting our perception of the time period the story is set in the present.
The reason for the fragmented story is explained by Professor Pieixoto in the
Historical Notes.
In Chapter two, Offred spends an inordinate amount of time describing her room.
Due to her lack of freedom, her life becomes monotonous, so her imagination which
remains free runs wild.
Offreds narrative is actually well-balanced and Atwood is always hinting at what is
to come (foreshadowing). Look at the following examples and say which details
resurface later in the story. (Chapter three the introduction of Serena Joy, Chapter
four the introductions of Nick and Ofglen)
The narrative switches relentlessly between time zones. More often than not, the
present narrative is informed by the past. In this sense, Offred is like a palimpsest
traces of the past transcend the present.
Offred is a self-conscious narrator who is aware of the limitations of narrating a
reality and the human need for telling stories.]
Historical Notes are written in a completely different style language of academia.
Professor Pieixotos narrative is a reconstruction of Offreds story from a male
perspective.
In her narrative, Offred gives a voice to the marginalised people in her society.
Whose narrative though, is Professor Pieixoto concerned with??
Think about:
Would you change the narrative structure at any point? How would you do it?
What do you think is gained by the open ending of the story?
Questions
2. The following extract marks the beginning of the episode which deals with the birth
of Ofwarrens baby. By referring to both subject matter and style, consider the
importance of the whole episode in the novel.
4. Consider the way Atwood presents Professor Pieixotos conference speech in The
Historical Notes. What is its significance to the novel as a whole?