Beginners Russian 00 Par G
Beginners Russian 00 Par G
Beginners Russian 00 Par G
BEGINNER'S
US SI AN
P READER
HanaJibHaa khhi &
MJl% HTeHHl H
pasroBopa
UNIVERSITY
OF FLORIDA
LIBRARIES
Digitized by the Internet Archive
in 2013
http://archive.org/details/beginnersrussianOOparg
BEGINNER'S RUSSIAN READER
HanaJibHaa KHiira
pasrosopa
CocTaeHjia
jiujin nAPrMEHT
3aBe;iyiomasi pyccKHM oiriejiOM
MniiiHraHCKoro yHHBepCHTeTa
KHHrOH3ATEJIbCTBO IIHTMAH
HbFO-HOPK JIOHJJOH
BEGINNER'S
RUSSIAN READER
WITH CONVERSATIONAL EXERCISES
SECOND EDITION
LILA PAKGMENT
Assistant Professor of Russian
University of Michigan
2.1
Associated Companies
Sir Isaac Pitman & Sons, Ltd.
London Melbourne Johannesburg Geneva
Sir Isaac Pitman & Sons (Canada), Ltd.
Toronto
1. Common expressions.
2. Reading selections.
The editor hopes that this reader will fill a need long
feltby those who realize the importance of the direct oral
approach to the study of the Russian language.
Lila P augment.
ACKNOWLEDGMENT
Leeds Music Corporation has cordially agreed
to the use in this book of the Russian songs for
which it is the publisher and distributor in the
United States and the entire Western Hemisphere.
COEP>KAHME
CTP.
PREFACE v
OBblflEHHblE BbIPA)KEHHfl 3
CTP.
llapH (no MexoBy) 22
floporo ctoht (Tojictoh, no MonacaHy) 25
OpAeH (no MexoBy) 28
CO^EP>KAHME xi
CTP.
TaTapCKoe HauiecTBHe 69
AjieKcaHAp HeBCKHH 70
FleTp BejiHKHH 70
HanojieoH b MocKBe (BparHH) 74
JleHHH 77
MEBEb (MexoB) 81
n033HH H nECHH 95
ElTHHKa 66>KHH He 3HaeT (FlyUIKHH) 95
3hmhhh Aopora (FlyiiiKHH) 95
llapyc (JlepMOHTOB) 96
AHreji (JlepMOHTOB) 96
TopHbie BepiiiHHbi (JlepMOHTOB, no TeTe) .... 97
Ka3anbH KOJibi6ejibHan necHH (JlepMOHTOB) . 97
YTec (JlepMOHTOB) 99
BHHMan y>KacaM bohhu (HenpacoB) 99
KaTibiua 100
Be^epHHH 3BOH 101
MeTejiHua 103
OAHHOKan rapMOHb 104
Ch6hpckhh Benep 106
Pa3MenTajiCH cojmaT mojioaoh 109
ynPA)KHEHHfl Ill
OrjIABJIEHHE 207
BEGINNER'S RUSSIAN READER
.
OEbMEHHblE BbIPA>KEHHfl
How unfortunate!
KaKan Aoca^a
aAa'J
What a pity!
MoHOJior
"liana, hto Tanoe MOHOJior?
MoHOJior 9to pa3roBop Meacny m&moh h mhoio"
OuiH6Ka
1
"FleTH, CKo^bKo pa3 h roBopHJia Te6e He 6paTb hh-
nero najibuaMH. Tbi y>Ke 6ojibuioH MajibHHK, cthaho.
Ha^o ecTb bhjikoh.
Ho, MaMa, jiioah He BcerAa ejiH BHjiKaMH. FlajibUbi
6hjih Ha CBeTe., Koi\na bhjiok eme 2 He 6ujio.
XU, ho He tboh".
Kto npae?
3
BaHH ;ho6hji no3AHO cnaTb. "Ctmaho, BaHH, TaK
no3AHO cnaTb" cKa3a;i eMy ojway&MM oTeu, h, ht66h
AaTb cbmy ypoK, oh paccKa3aji eMy npo nejiOBeKa, koto-
pbiH uieji paHo no yjinue h Hameji 2 MHoro aeHer.
"Ho, nana,
CKa3aji BaHH
tot, kto noTepnji sth
AeHbrH, BCTaji eme 2 paHbine".
Ha nomape
Oahh pa3 3aropejiCH aom. KorAa npnexajiH no>Kap-
Hbie, k hhm OHa njiaKajia h tobo-
Bbi6e>Kajia )KeHiu,HHa.
pHJia, qTO b AOMe ocTajiacb MajieHbKan jiqbohks.. Uo-
>KapHbie nocjiajiH co6aKy. Mepe3 naTb MHHyT co6aKa
Bbi6e>Kajia H3 jiOMy. B 3y6ax, 3a py6auiKy, OHa Hecjia
AeBOHKy. MaTb 6p6cHJiacb k jionepw h njiaKajia ot
pa^ocTH.
B^pyr co6aKa onnTb 6pocHjiacb b aom. CKopo OHa
Bbi6e^ajia orryAa. B 3y6ax, 3a njiaTbe, OHa Hecjia 6ojib-
myio KyKJiy.
AnneTHT
"KaKOH HeBKycHbiH cyn!" CKa3ajia Bepa 3a o6eAOM,
h nojio>KHJia jio>KKy Ha ctoji. llocjie o6eAa Bepa nouuia
b nojie KonaTb KapTO(})ejib. TaM OHa MHoro pa66Tajia,
h BepHyjiacb aomoh rojiOAHaa. MaTb nocraBHJia Ha ctoji
cyn, h Bepa ejia ero c anneTHTOM. "KaKoft BKycHbift cyn!
CKa3ajia OHa. "3to tot caMbift cyn,
CKa3ajia MaTb
hto 6biJi 3a o6eOM. Tenepb oh BKycHbift, noTOMy
MTO TBI TOJIOAHa."
He b AeHbrax cnacTbe
BecuepeMOHHbiH rocTb
HHKOJiaft <J>eAopoB >khbct b Mockbc. K HeMy npnexaji
H3 npOBHHUHH TOCTb. Oh npHexaJI Ha HeCKOJIbKO Aneft.
npoxoAHT He^ejiH, Apyran, ho rocTb HH^ero He tobo-
pHT O B03BpameHHH AOMOH.
1 He became bored
TEKCTbl OBLUErO XAPAKTEPA
ypOK BeHOIHBOCTH
HHKOJiaH IleTpoB ryjiHJi c chhom b napKe. Ohh BCTpe-
thjih CTenaHOBa, h CTenaHOB AaJi MajibHHKy KycoHeK
uioKOJiaAy.
"Mto h&ao CKa3aTb, Kojih 1 ? roBopHT OTeu. Majib-
MHKy.
eiue ABa 6paTa OTBenaeT MajibHHK h
u
y MeHH ecTb 2
npoTnrHBaeT CTenaHOBy pyKy.
JI,Ba rocTH
XopOLUHH My>K
HeaHOB bxoaht c }KeHoft b MajieHbKHH pecTopaH H
roBopHT: "XlaftTe HaM, no>KajiyHCTa, xopoinnn o6eA-
Mm MHoro ryjiHjiH, h mm oneHb rojiOAHbi.
Xopoinnn o6eA? He Mory
OTBeqaeT xo3hhh pec-
TopaHa.
Tenepb no3AHO, h y Hac ecTb 1 Bcero OAna
KOTJieTa.
O^Ha KoivieTa! KaKan AOcaAa! Mto ate 6yAeT ecTb
moh ateHa?"
Asa Apyra
"CTenaH, th MeHH 3Haenib y>Ke AecHTb jieT, npaBAa?
Ra, moh Apyr, npaBAa.
Tbi MeHH xopomo 3Haeiiib, npaBAa?
ZU, o^eHb xopomo.
Oaojdkh MHe, no^KajiyftcTa, cto py6jieH.
He Mory, moh Apyr, He Mory!
Ho noneMy?
noTOMy hto h Te6n xopomo 3Haio."
06MaHyji
CKBOpeu
y o^Horo 6eAHoro CTapHKa cano>KHHKa 6biji CKBopeii.
CTapHK oneHb jho6hji cbok) nTHHKy; oh HayqHji ee CKa-
3aTb HecKOJibKO cjiob no-pyccKH. Ka>KAbift pa3, Kor^a
cano>KHHK bxoahji b aom, oh cnpauiHBaji: "CKBopyuiKa, 1
r^e Tbi?" M nTHMKa Bcer^a oTBeqajia: "fl 3Aecb, jxe-
AyiiiKa!"
y CTapHKa 6hji MajieHbKHft coceA, BOCbMHjierHHH 2
MajibHHK Kojih. Kojie oneHb HpaBHJicn CKBopeu, h oh
Macro npnxoAHJi k cano>KHHKy nocjiymaTb, KaK oh tobo-
pHT. Oh OMeHb xoTeji HMeTb TaKyio nTHMKy.
OAHa>KAbi Kojih npHmeji, Kor^a crapHKa He 6ujio
AOMa. Oh 6biCTpo cxBaTHJi nTHMKy, cnpHTaji ee b Kap-
MaH, h xoTeji y6e>KaTb. Ho b sto BpeMH Bomeji xo3hhh
CKBopua. "CKBOpyuiKa, rAe th?"
rpoMKO KpHKHyji
oh. "# 3ecb, AeAyuiKa!"
otbcthji CKBopeu H3 Kap-
MaHa MajibHHKa.
Cokoji h neTyx
ypOK My3bIKH
PyCCKHH KOMn03HTOp HaHKOBCKHH yBHAeji OAHa^ABI
Ha yjiHue uiapMaHiHHKa, KOTopbift oneHb njioxo nrpaji
apHK> H3 onepbi "EBreHHH OHerHH". 1
"Bama My3biKa y>KacHa
roBOpHT eMy MaHKOBCKHft.
Bbi HHqero He noHHMaeTe
oTBenaeT mapiviaHLUHK.
3to oneHb xopoinaa My3biKa; sto apHH H3 onepbi "EB-
reHHH OHerHH".
fla, npaBAa, hto sto xopoinan My3biKa 3acMe-
hjich KOMno3HTOp.
fl ee xopoiuo 3HaK), TaK KaK h caM
ee HanHcaji".
LLIapMaHiHHK noKpacHeji. "TaK bbi Haxo^HTe, hto h
njioxo nrpaio?
fla, moh Apyr, bh nrpaeTe HenpaBHJibHO. Bot KaK
3to Hajio nrpaTb." C sthmh cjiOBaMH, MaftKOBCKHH no-
1 An opera by Tchaikovsky based on the novel in verse, by the same
name, by Pushkin. (See page 50.)
TEKCTbl OBLUErO XAPAKTEPA 13
Cjie^w
OTeu hto6 oh b6hji b CTeHy rB03Ab
CKa3a;i cbmy,
Ka>KAbift pa3,Kor^a oh coBepuiHT njioxoft nocTynoK, h
hto6 BbipBaji H3 CTeHbi rB03Ab. npH Ka>KAOM xopouieM
nocTynKe. Chh noc/iyinajicn. CKopo bch CTeHa 6bijia
nOKpblTa TB03AHMH. Cb'my CTaJIO CTbl^HO, 2 H OH peiHHJI
HCnpaBHTbCH. npOIUJIO HeKOTOpoe BpeMH, H TB03AH HC-
He3JiHoahh 3a ApyrHM.
OAHa>KAbi OTeu noAomeji k CTeHe h He yBHAeji TaM
hh oahoto TB03AH. Oh OHeHb o6paAOBajicn h CKa3aji:
tw
Bce TB03AH Hcqe3JiH h oqeHb paA, moh cbm." Ho cuh
;
yMHWH Cy^bH
BoraTbift Kyneu noTepnji Komejie.K c AeHbraMH. Oh
o6tdHbhji b ra3eTax, hto b KomejibKe 6buio ABe thchmh
py6jieft, h o6einaji 3a KOinejieK nojiOBHHy sthx Aener.
Oahh pa66^HH Haiueji KomejieK. Oh npHHec ero Kynuy
h nonpocHJi Tbicnny py6jieft, KOTopbie Kyneu o6ema;i.
Ho Kyneu He xoTeji AaTb eMy Tbicaqy py6jieH. "Bbi MHe
He Bee npHHecjin
cKa3aji oh.
B KomejibKe, KpoMe
AeHer, 6biJi AparoueHHbift KaMeHb."
Pa66HH nonieji k cyAbe. CyAbH npH3Baji Kynua h
CKa3a;i eiviy: "Bbi roBopHTe, mto b KomejibKe 6bijio ABe
TbiCHHH py6jieft h AparoueHHbift KaMeHb. B stom Ko-
mejibKe HeT KaMHH, 3HanHT, KomejieK He Bam. FlycTb oh
ocTaercH y pa66nero noKa ero xo3hhh HaHAeTCH."
noMomb
Majib^HK bxoaht b jiaBKy h cnpauiHBaeT jiaBOMHHKa:
"CKOJIbKO CTOHT cf)yHT KO())e?
IlHTbAecHT KoneeK OTBenaeT jiaBOMHHK.
A KHJiorpaMM caxapy?
j^BaAUaTb KoneeK,
A (JyHT qaio?
Oahh py6;ib, nnTbAecHT KoneeK.
1
Dim. of MuxaHJi, Michael.,
2 They were ashamed.
TEKCTbl OBIUErO XAPAKTEPA 15
TycH
KpecTbHHHH rHaji ryceft b ropOA, hto6 npoAaTb hx
TaM. TycH hjjih MeAJieHHO. KpecTbHHHH CTaji rHaTb hx
najiKofl, mto6 ohh iujih CKopee.
no Aopore ohh BCTpeTHjin npoxoacero, h rycH crajiH
eMy }KajioBaTbcn: 'TlocMOTpHTe, no^ajiyftcTa, KaK oh
tohht Hac! Hac He;ib3H TaK rHaTb, noTOMy mto mm He
npocTbie rycn: HauiH npe^KH oieHb 3HaMeHHTbi."
"51 9to 3Haio,
CKa3aji npoxo>KHH
BauiH npeAKH "
"fla,
npepBajiH ero rycn
Hamn npeAKH cnacjin
KorAa-To Phm. Ohh 3HaMeHHTbi b hctophh."
"3to BauiH npe^KH. Ohh CAejiajiH xopomee Aejio, h
hctophh noMHHT hx. Ho Bbi HHnero xopomero He CAe-
Jiajin, a noTOMy bh He jiymne Apyrnx ryceft. FlycTb
CrpeK03a h Mypaeefi
Bhjio >KapKoe jieTO. Becejian CTpeK03a 6biJia cna-
CTJiHBa: Be3Ae 6biJio mhohd 3ejieHoft TpaBbi, jiHCTbeB,
UBeTOB. CTpeK03a He AyMajia o tom, hto He BcerAa
6yAeT jieTo: hto 3a hhm npHAeT oceHb, a noTOM 3HMa.
Hcne3HyT UBeTbi h 3ejieHan TpaBa, h Ha 3eMJie 6yAeT
jie>KaTb rjiy66KHH CHer.
2 Adapted from.
3 See page 53.
mm-
KpacHaH njiomaflb (Cob^oto)
TEKCTbl OBLLlErO XAPAKTEPA 19
BaHbKa3
BaHbKe >KyKOBy AecnTb jieT. 4 y Hero HeT hh OTua,
hh MaTepH. 5 fleAyuiKa BaHbKH npHBeji ero H3 AepeBHH
b MocKBy TpH MecHua TOMy Ha3aA h ocTaBHJi ero cjiy-
>KHTb y ny>KHX jnoAeft.
Ilpa3AHHK. Bee yiujiH b uepKOBb. BaHbKa ocTajicn
oahh. Oh b3hji qepHHjia, nepo h jihct 6yMarn h nknaJi
nncaTb nncbMO.
"Mftjibift A^AyuiKa! nncajr oh.
>KejiaK> Te6e Be-
cejibix npa3AHHKOB. HeT y utun hh OTua, hh MaTepH,
Tbi OAHH y MeHH OCTaJICH. 6
Bnepa mchh xo3hhh no6ftji 3a to, mto h 3acHyji, KorAa
1 How is it that you don't have anything?
2 See page 53.
3 Dim. of MBaH, John.
4 ... isten years old.
5 He has neither father nor mother.
6 I have no one but you.
20 nOCOEHE JXJIH HTEHHfl H PA3rOBQPA
riTHHKa
ee 3y6aMH."
TypreHeB noAOiueji 6jiH>Ke k nTHMKe.
OHa Jie>Kajia Ha jiaAOHH OTua h CMOTpejia Ha Hero
1 See page 59.
2 Russian novelist (1818-1883). See also page 57-
22 nOCOBHE Rm HTEHHH H PA3rOBOPA
riapH
n
CTapbift 6aHKHp BcnoMHHaji Bee sto h AyMaji: "3aB-
Tpa b ABeHaAuaTb nacoB oh nojiynaeT CBo6oAy. fi a6ji-
HceH 6yAy AaTb eMy ABa MHJiJiHOHa ecjiH n sto CAeaaio,
;
floporo CTOHT
I
II
ToAcmou, 1 no Monacduy.
OpaeH
I
1
See page 54.
2
Dim. of TpHropHft.
3 CraHHCJiaB and, later, AHHa, Bjia,n.HMHp
honorary decorations
granted by the Czarist government to public officials for distinguished
service.
4 Dim. of HacTacHH and 3nHaH.ua.
mm
* V" -m^yMUXi
JleHHHrpafl (CobcJdoto)
.
PECnyBJIMK (CCCP) 1
MocKea
MocKBa
CTOJiHua CCCP. 3to oneHb crapbift h hh-
TepecHbiH ropoA. MocKBa
ueHTp pyccKoft KyjibTypbi.
3to caMbift 6ojibiu6H ropoA CCCP, c HacejieHHeM noHTH
B nHTb MHJIJIHOHOB )KHTeJieft.
B ueHTpe MocKBbi, y MocKBa-peKH, Ha xojiMe, ctoht
KpeMjib. Kpeivuib OKpy>KeH co Bcex CTopoH ctchok). TyT
ace, y Bx6.ua b Kpeivuib, Haxo^HTCH Ifpacnafl njiomaAb.
Ha njioiuaAH ctoht rpaHHTHbift MaB30Jieft JleHHHa.
B MocKBe MHoro TeaTpoB, My3eeB, 6u6jinoTeK h bmc-
ihhx yqe6Hbix 3aBe,neHHft. Mockobckhh yHHBepCHTeT
caMbift CTapbift yHHBepCHTeT b CTpaHe. H3 Bcex 6h6jiho-
tk CCCP caMaH 6o;ibuiaH h 3HaMeHHTaa sto 6h6jiho-
Tena JleHHHa.
H3 MOCKOBCKHX Te&TpOB XOpOHIO H3BeCTHbI He TOJIb-
ko b CCCP, ho h 3a rpaHHuen, Mockobckhh Xyjioyae-
CTBeHHbiH TeaTp, h onepHbift, Bojibinoft TeaTp.
B MocKBe oneHb MHoro ca^OB h napKOB. CaMbift hh-
TepecHbift h caMbift 6ojibHi6ft H3 hhx sto napK Kyjib-
Typbi h OT^bixa. B stom napKe ecTb TeaTpbi, KHHeMa-
TorpacJ)bi (khho) h oahh oqeHb 6ojibiHoft OTKpbiTbift
TeaTp, KOTOpbift Ha3biBaeTCH 3ejieHbift TeaTp.
iUnion of Soviet Socialist Republics (U.S.S.R.).
33
34
nOCOEHE flJIfl MTEHMH H PA3rOBQPA
KaHHKy^bi b Mockbc
u
BaHH, CKa3aji IleTpOB cb'my 3aBTpa Ha^HHaiOTCH
KaHHKyjibi. Th MHoro pa66Taji h xopomo y^HJicn, h 3a
3to h asm Te6e AeHer Ha noe3AKy b MocKBy."
MOJIOAOH HeJIOBeK BCKOMHJI H3-3a CTOJia, 3a KOTOpbIM
oh pa66Taji, h noAGeataji k OTuy. "CnacH6o, nana,
paAOCTHO 3aroBopHJi oh
MHe AaBHO xohctch noexaTb
b MocKBy. H TaK MHoro HHTaji h cjibixaji o TeaTpax, My-
3enx, KOHuepTax Hauieft ctojihuh: h TaK paA 6yAy no-
exaTb TyAa!"
"Xopomo,
CKa3aji OTeu,
3aBTpa th noeAenib, a
KorAa BepHeuibCH, th HaM paccKa>Keuib, rAe th 6hji h
HTO TH BHAeJI."
Ha3aBTpa CTyAeHT chacji b BaroHe noe3Aa "KpacHan
cTpejia", KOTOpbift 6biCTpo yB03HJi ero b MocKBy.
npOLUJIO AeCHTb AHeft, H BaHH CHaCTJIHBHH, BecejiHH,
BepHyjiCH aomoh. 3a yatHHOM oh noHTH HHHero He ea,
h Bee BpeMH paccKa3HBaji o tom, mto oh bhacji b Moc-
KBe. OTeu h MaTb BHHMaTejibHO cjiyuiajiH ero, a Kocth 1 ,
HeT, MMa, 3acMenjicH BaHH
3a oahh AeHb He
paccKa>Keiub Bcero. Ho Tbi npaBa, h oneHb ycTaji. Cno-
KOHHOH h6hh!"
MoCKOBCKOe MeTpo
Ecjih Bbi KorAa-HH6yAb 6yAeTe b MocKBe h, ryjinn no
ropoAy, yBHAHTe 6ojibuiyK) 6yKBy "M", noAOHAHTe
6jih3ko. 3Ta 6yKBa yKa3biBaeT bxoa na craHUHK) moc-
kobckoh noA3eMHOH >Kejie3HOH AoporH, MeTp6.
MocKOBCKoe MeTpo, nepBaa noA3eMHaa >KeJie3Haa ao-
pora CTpaHbi, Hanajiocb CTpoHTbca b 1931 -m (TbicaMa
AeBHTbcoT TpHAuaTb nepBOM) roAy. nocTpoHKa noA-
3eMHOH AoporH BcerAa npeACTaBjineT oqeHb TpyAHyio
3aAany, ho b MocKBe STa 3aAana 6bijia oc66eHHO TpyA-
Ha: yjiHUbi CTaporo ropOAa 6biJiH y3KHe h KpHBbie; noA
3eMJieft 6buio mhoto oneHb CTapbix nocTpoeK. Ho rjiaB-
Han TpyAHOCTb 6bijia b tom, hto noHBa, Ha KOTopoft
ctoht MocKBa, MflrKan, a y pyccKHX TorAa He 6bijio
Hy>KHoro onbiTa: ohh He 3HajiH, KaK 3aMopa>KHBaTb
noqBy; KaK, npH noMomn XHMHMecKHx npoueccoB, Ae-
jiaTb ee TBepAoft. Bee sto ohh y3Hajin no3>Ke, a noKa y
hhx He 6biJio onbiTa He 6hjio eme xopomnx, onbiTHbix
;
PaccKa3 KpacHoapMewua
Cpe^H JIbAOB
Ha Aa;ieKOM ceBepe jiokht Mope, noKpbiToe BenHbiM
jibAOM. PeuiHJiH jiioah jieTeTb Ha ceBep b AHpn>Ka6jie,
hto6 H3ymiTb 9Ty CTpaHy. /I,HpH>Ka6jib 3acTHrjia 6ypn.
u
nocjiajiH c #HpH)Ka6jifl H3BecTHe no paAHo: CnacanTe!
Hac 3acTHrjia 6ypn!"
Cobctckhh napoxoA "KpacHH" oTnpaBHJicH cnacaTb
jHOAeft.
HueT napoxoA Ha AajieKHft ceBep. KpyroM JieA Aa
jieA- H neM Aajibme, TeM TOJime
1
JieA; TeM TpyAHee
napoxoAy htth BnepeA-
C napoxoAa cnycTHJiH aaponjiaH, h oh nojieTeji HCKaTb
HaKOHeu, c asponjia-
jnoAeft. JIojito Jiereji aaponjiaH, h,
Ha yBHAejiH, mto Ha CHery jie>KaT jiioah. Ohh 6biJiH
>KHBbi, ABHrajiHCb. Hm c6pocHjiH c aaponjiaHa nniuy, h
AajiH 3HaTb 2 no paAHo Ha napoxoA, hto6 cKopee ihjih
hx cnacaTb. OnnTb craji "KpacHH" 6opoTbCH co JibAOM.
HaKOHeu, oh Haineji jnoAefi h cnac hx.
noHTH n^TbAecHT AHeft np66bijiH sth jiioah cpeAH
JIbAOB.
&opmyHamoea, "Knusa djisi Hmeuutt"
2 Sent word.
.
PaAHo
KpoMe Tejierpac^a h Tejiecj)6Ha Tenepb ycTpaHBawT
paAHOTejierpac}) h paAHOTejiec^OH. PaAHOTejierpacf) cto-
1 LIJecTbcoT.
TEKCTbl H3 >KH3HH CCCP 43
MejIIOCKHHUbl
Sovfoto
MoCKOBCKHft rOCyflapCTBeHHblfi yHHBepCHTeT HMeHH M. B. JlOMOHOCOBa
TEKCTbl H3 >KH3HH CCCP 47
KpOBHbie pOACTBeHHHKH
nMCATEJIEM
nyiiiKHH (17991837)
JlepMOHTOB (18141841)
Mnxanji K)pbeBHH JlepMOHTOB poahjich b 1814-m
(TbiCHHa BOceMbcOT qeTbipHaAuaTOM) roAy, b MocKBe.
KorAa eMy 6b'uio TpH roAa, yMepjia ero MaTb, h 6a6yui-
Ka MajibMHKa B3HJia pe6eHKa h BocnnTajia ero.
JlepMOHTOB nojiynnji BoeHHoe o6pa30BaHne. Oh 6mji
ocJDnuep.
JlepMOHTOB Hanaji nncaTb crnxoTBOpeHHH, KorAa eMy
6bi;io MeTbipHaAuaTb jieT. KaK FlyuiKHH, oh paHbiue nn-
cajino-(J)paHuy3CKH, noTOM no-pyccKH.
KorAa JlepMOHTOBy 6biJio AecHTb JieT, oh noexaji c
6a6yuiKOH Ha KaBKa3. KpacoTa npnpoAH KaBKa3a npo-
H3Bejia Ha MajibHHKa oqeHb cnjibHoe BnenaTJieHne. 1163-
>Ke, y>Ke B3pocjibiM, oh eiue HecKOJibKo pa3 6biji Ha
EHOrPAfrHfl nHCATEJlEH 53
KpbiJioe (17691844)
3HaMeHHTbift pyccKHft 6acHonHceu KpbiJioB po^hjich
b 1769-m (Tbicnqa ceMbcoT iuecTbAecHT acbhtom) roAy.
IlyiuKHH CKa3aji npo KpbijioBa, mto oh caMbift Hapo;*-
HblH H3 pyCCKHX nOSTOB. Oh 9TO CKa3aJI nOTOMy, MTO
H3bIK KpblJIOBa HapOAHblft
pyCCKHH H3bIK, a TaioKe
nOTOMy, MTO KpblJIOB B CBOHX 6aCHHX OHeHb npaBHJIbHO
pHcyeT mhothx pyccKnx jHo^eft h HeKOTopbie ctopohm
pyccKoft >kh3hh toto BpeMeHH.
1 Are not inferior.
2 A Georgian word signifying "a novice."
54 nOCOBHE Jim MTEHHH H PA3rOBOPA
Tojictoh (18281910)
JleB HnKOJiaeBHH Tojictoh poahjich b 1828-m (tli-
enqa BoceMbcoT ABaAuaTb BOCbMOM) roAy b cejie HcHan
HojiHHa.
Kor\zia Tojictoh 6biJi mojioabim nejiOBeKOM, oh HH^eivr
He OTjiH^ajiCH ot Apyrnx mojioabix apHCTOKpaTOB ero
EpeMeHH: >khji Becejio, 6e3 3a6oT.
B 1851 -m (Tbicnua BoceMbcoT n^TbAecHT nepBOM)
roAy Tojictoh noexaji Ha KaBKa3. TaM oh CAeJiajicn
0(j)HUepOM, H OCTaJICH CJiy>KHTb.
IlpHpOAa h jhoah KaBKa3a CHJibHO noBjiHjuiH Ha Toji-
ctoto. TaM oh b nepBbift pa3 b >kh3hh Ha^aji cepbe3HO
AyMaTb O JHOAHX, O >KH3HH, o pejinrHH. TaM >Ke oh Ha-
nncaji cboh nepBbie npoH3BeAeHHH, KOTOpbie cpa3y
CAeJiajiH ero 3HaMeHHTbiM. B hhx bhach TajiaHT BejiH-
Koro xyAO>KHHKa. Ero caMoe jiyqmee npoH3BeAeHHe
Toro BpeMeHH sto pOMaH "Ka3aKH."
B KOHue 1853-ro (Tbicjma BoceMbcoT naTbAecHT Tpe-
Tbero) roAa HaMajiacb KpbiMCKafl BOHHa, h Tojictoh
KpbiM (Cob(J)6to)
EHOrPAfrHfl FIHCATEJIEH 57
TypreHeB (18181883)
HBaH CepreeBHM TypreHeB poahjich b 1818-m (th-
CHHa BoceMbcoT BoceMHaAuaTOM) roAy. OTeu TypreHe-
Ba 6biJi apMeftcKHft ocJDHuep, a MaTb 6oraTan
noMe-
mnua. MaTb nncaTejiH oTjinnajiacb >KecTOKocTbK> xapaK-
Tepa, ot KOToporo crpaAajiH Bee b AOMe, KaK cjiyrn,
TaK h qjieHbi ceMbH. OneHb qacTo b AeTCTBe TypreHeB
6biBaji CBHAeTejieM >KecTOKHx cueH HaKa3aHHH cjiyr.
3th cueHbi ocTajiHCb Ha bck> >KH3Hb b naMHTH nncaTejiH.
Pano b >kh3hh TypreHeB noHHJi, mto KpenocTHHMecTB
6bIJIO TJiaBHOH npHHHHOH 3Jia, KOTOpOe OH BHAeJI B HMe-
58 nOCOBME flJIfl ^TEHUfl H PA3rOBOPA
AocToeecKHH (18211881)
OeAop MnxaHJiOBHq ^octocbckhh poahjich b 1821 -m
(Tbicnqa BoceMbcoT ABaAuaTb nepBOM) roAy b MocKBe.
^ocroeBCKHH ymijicn paHbiue b cpeAHeft uiKOjie b
MocKBe, noTOM b HmKeHepHOM yHHJiHLue b IleTep6ypre.
Okoh^hb yqHJiHiue, oh craji hhhobhhkom, ho qepe3 roA
6p6cHJi cjiy}K6y h Hanaji nncaTb. >Khji oh 6eAHO, b
MajieHbKoft KOMHarKe, h 3^ecb oh pa66raji HaA cbohm
1 "PyjiHH",
"/lBopHCKoe rHe3ii6", "HaKaHyHe", "Orubi h /lew",
"JXbm" h "HoBb". ("Rudin", "A Nobleman's Retreat", "On the Eve",
"Fathers and Sons", "Smoke", and "Virgin Soil".)
EHOrPAcfrHfl nHCATEJIEH 59
MexoB (18601904)
Ahtoh naBJioBHH MexoB poahjich b 1860-m (Tbicsma
BOCeMbCOT iuecTHAecHTOM) roAy, b ceMbe 6biBiiiero
KpenocTHoro. MexoB y^HJicn paHbiue b rHMHa3HH, no-
TOM MOCKOBCKOM yHHBepCHTeTC, Ha MeAHUHHCKOM (J)a-
B
KyjibTeTe.Okohhhb yHHBepCHTer, oh HeKOTopoe BpeMH
pa66Taji b rocnHTajie; noTOM 6p6cHJi MeAHUHHy, h Ha-
qaji nncaTb.
riepBbie paccKa3bi MexoBa Becejibie, >KHBbie, nojiHbie
K)Mopa. Ho K)MopHCTOM oh 6biji HeAOJiro. CKopo ero
paccKa3bi CTajiH cepbe3HbiMH, rpycrabiMH, noTOMy ^to
OHH OTpa>KaK)T pyCCKyK) >KH3Hb Toro BpeMeHH BTO-
poH nojiOBHHbi AeBHTHaAUaToro BeKa.
Ho MexoB H3BecTeH He TOJibKo cbohmh paccKa3aMH.
1 Becomes.
2 Secret circle.
3 Tenepb JleHHHrpa/i.
60 nOCOBHE JXJIH HTEHHfl M PA3rOBOPA
ropbKHii (18681936)
MaKCHM TopbKHH (AjieKceft MaKCHMOBHq FleiuKOB)
pOAHJICH B 1868-M BOCeMbCOT IIieCTbAeCHT
(TbICHHa
BocbMOM) roAy. OTeu TopbKoro 6bM pa66qHH. Topb-
khh paHO b AeTCTBe noTepHJi OTija, h >khji y AeAyuiKR.
fleAyuiKa 6biji rpy6biH, acecTOKHft qejioBeK, h Macro
6uji MajibHHKa. B AOMe AeAymKH MajibHHK HacTo cjih-
maji 6paHb h ccopbi. CcopHJiHCb nbHHbie ahah pe6eHKa,
H He TOJIbKO CCOpHJIHCb, HO H ApaJIHCb. EAHHCTBeHHblH
CHMnaTHHHbiH MejiOBeK b ceMbe 6bijia yMHaH, Ao6paa
6a6yuiKa TopbKoro, KOTopyio MajibHHK oqeHb jho6hji.
Oh jiio6hji ee He TOJibKo 3a Ao6poTy h 3a ee jno66Bb
k HeMy, ho -raioKe h 3a HHTepecHbie CKa3KH, KOTopbie
1 Cm. paccKa3 KopojieHKo "OroHbKH".
62 nOCOBME Jim HTEHHfl H PA3rOBOPA
IilOJIOXOB
Teorpa4>HH
II
Ill
TaTapcKoe HamecTBHe
Pocchh KorAa-TO AejiHJiacb Ha mhoto nacTeft. Ka>K-
AOH H3 9THX HaCTeH ynpaBJIHJI 1 KHH3b, H Ka>KAaH HaCTb
Ha3bIBaJiaCb KHH)KeCTBOM.
PyCCKHe KHH3bH He yKKJlK Apy^KHO, H 3THM CHJIbHO
noApHBajiH chjih CTpaHbi. CoceAH Pocchh nojib30Ba-
jiHCb 9thm, h nacTO HanaAaJiH Ha Hee. CaMbiMH CHJib-
HbiMK BparaMH Pocchh 6ujiu TaTapbi, KOTOpbie Bee
BpeMH Hana^ajiH Ha Pocchio to c ibra, to c BOCTOKa.
HaKOHeu, b TpHHa^uaTOM Bene TaTapbi HanajiH Ha Poc-
chio h noKopHjiH ee. PyccKHe KHH3bH He MorviH 3amH-
THTb CTpaHy. PyccKHH HapoA xpa6po 6opojiCH c Bpa-
raMH, ho 6e3ycneuiHO. CaMbift TH)Ke;ibiH yAap nojiynHJia
Pocchh, KorAa TaTapbi b3hjih ropOA KneB ueHTp cra-
pofl pyccKoft KyjibTypbi. Ohh pa3pyuiHJiH KneB, h ocho-
BajiH Ha Bojire CBoerocyAapcTBO.TaTapCKHft xaH BaTbifl
Ha3Baji 3to rocyAapcTBo "3ojiOTaH opAa." Ctojihuqh
3ojiot6h opAH oh CAeJiaji 6oraTbiH h KpacHBbift ropoA
Capan.
PyCCKHe KHH3bH OCT&JIHCb B CBOHX KHH>KeCTBaX, HO
nOTepHJIH CBOK) BJiaCTb.
TpyAHO pyCCKHM JHOAHM >KHTb nOA BJiaCTbK)
6bIJIO
TaTap. Ohh aojdkhh 6biJiH njiaTHTb TaTapaM AaHb.
JIiOAeft, y KOTOpbix He 6biJio AeHer, 6pajiH b njieH h
npoAaBajiH b pa6cTBO.
TaTapbi ocTaBajiHCb b Pocchh 66jibiue AByxcoT jieT.
3tot nepnoA H3BecreH b hctophh noA Ha3BaHHeM "moh-
rojibCKoe nro." B KOHue nnTHaAUaToro BeKa Mockob-
CKOe KHSUKeCTBO 06'beAHHHJIOCb C COCeAHHMH KHH>Ke-
CTBaMH, H 66lU.HMH CHJiaMH pyCCKHe BbirHaJIH TaTap H3
Pocchh h nojio>KHJiH KOHeu TaTapcKOMy nry.
1 ynpaBJiflTb calls for the instrumental case.
70 nOCOBME Jim HTEHHfl M PA3rOBOPA
AjieKcaH^p HeecKHH
n6jib3yHCb TeM, hto pyccKHe 6bMH 3aHHTbi 6opb66ft
c TaTapaMH, Apyrne cnjibHbie Bparn Hanajin Ha CTpaHy
co CTopoHbi BajiTHflcKoro Mopn n penn HeBbi. 9th
Bparn 6biJiH iHBeAbi. Ohh HacTynajin Ha HoBropoACKoe
KHH>KecTBO h rpo3HJiH 3aBoeBaTb ero.
B HoBropOAe 6uji Tor^a KHH3b no hmchh AjiencaHAp.
AjiexcaHAp co6paji cboh BoncKa, h pa36nji niBeAOB Ha
pene HeBe. Ero noaTOMy Ha3Bajin "HeBCKnn".
He ycnejiH pyccKHe onpaBHTbca ot BonHbi co iiiBe-
AaMH, KaK Apyrne CHjibHbie Bparn noHBHJincb Ha 6epe-
rax BajiTHHCKoro Mopn h rp03HJin noKopHTb Pocchio.
To 6bijiH HeMeuKHe pbiuapn, KOTOpbie b sto Bpe-
mh np66oBajiH 3aBoeBaTb Pocchio. riojio^KeHne 6buio
oneHb KpHTHqecKoe. Xopoino Boopy>KeHHbie Heivmbi, c
rojiOBbi ao Hor 3amnm,eHHbie CTajibio, ihjih Ha ropoA
HoBropOA, yHHHTO>KaH Bee no nyTH n 3a6npan pyccKnx
b njieH. PyccKHM rp03HJia rn6e;ib. AjiencaHAp HeBCKnn,
BejiHKHn narpnoT n nojiKOBOAeu, onnTb cnac cbok>
CTpaHy. Oh 3arHaji HeivmeB Ha MyACKoe 03epo n TaM, Ha
jibAy, pa36nji BoncKa Bpara n o6paTHJi nx b 6ercTBO.
3to 6b'uio b MapTe. JleA Ha 03epe, noA TH>KecTbio HeM-
ueB, npojiOMHJiCH. Mhoto HeivmeB noTOHyjio MHoro ;
HanojieoH b MocKee
o
rEOrPAfrHfl H HCTOPHH CCCP 77
JleHHH
CBoe y^OBOJibCTBHe,
>khjih 6bi b KpacoTa He HaBeKH . . .
(Pe3KUU 360H0K)
rionoea (63dpasueaem) Kto sto? CKa>KH, hto h hh- .
koto He npHHHMaK)!
JlyKa. Cjiyiuaio! (yxodum)
II
llonoea (odud)
MEJXBEJXb 83
rionoBa u Jlyna
Be^KH!
(Jlyna yxodum.)
Cmhphob u Jlyna
hto h iuyqy?
FIonoBa. npomy Bac He KpHqaTb.
CMHpHOB. H BaC He O TOM CnpaiUHBaK) Hy)KHO MHe ;
Tocno^H!
Jlyna. JJypHo! Boam! . . . . . .
CMHpHOB. CTpeJIHTbCH!
flonoea. Ecjih bh rpOMKo KpHHHTe, to AyMaeTe, h
Bac 6oK)Cb? A? MeABe^b!
Cmhphob. K 6apbepy! fl HHKOMy He no3BOJiio ocKop-
6;iHTb ce6n h He nocMOTpib Ha to, mto bh >KeHLHHHa!
rionoea (npunum). MeABeAb! MeABeAb! MeABeAb!
Cmhphob. Flopa 3a6b'iTb npeApaccy^OK, hto TOJibKO
OAHH My>KHHHbI AOJUKHbl njiaTHTb 3a OCKOp6jieHHfl!
PaBHonpaBHe, TaK paBHonpaBHe! K 6apbepy!
Tlonosa. CTpejiHTbcn xothtc? Xopomo!
CMHpHOB. CHK) MHHyTy!
IlonoBa. Chio MHHyTy! Flocjie My>Ka ocrajiHCb pe-
BOJibBepbi. fl ceftqac npHHecy hx cioAa
. . .
(mopo- . . .
Cmhphob. 3to
>KeHLUHHa! Bot to h noHHMaio!
HacTOHiuan ^KeHLUHHa! OroHb, nopox! fla>Ke y6HBaTb
HcajiKo!
JlyKa {njianem). no>KajiyHCTa, yftjwl
CMHpHOB. OHa MHe nOJIO>KHTeJIbHO HpaBHTCH! FlOJIO-
HCHTeJIbHO! XOTb H HMOMKH Ha IIjeKaX, a HpaBHTCfl! To-
92 nOCOBHE gjlg MTEHHH M PA3rOBOPA
YAHBHTejibHan >KeHLUHHa!
Te Me u rionoBa
HpaBHTecb.
FIonoBa (sjiou CMex). fl eMy HpaBjnocb! Oh CMeeT
MEJIBEHb 93
MaeTe-JiH. BHAHTe-JiH
. . TaKan hctophh
. . . . . . .
BJiio6jieH!
IlonoBa. OTOHAHTe ot mchh, h Bac HeHaBH>Ky!
Cmhphob. 56>Ke, KaKan >KeHmHHa! HHKorAa b >kh3hh
He BHAaji HHnero noA66Horo!
IlonoBa. OTOHAHTe, a to 6yay crpejiflTb!
Cmhphob. CTpejiHHTe! Bbi He MO>KeTe noHHTb, KaKoe
cnacTbe yMepeTb noA b3i\7ihaom sthx r;ia3, yMepeTb ot
peBOJibBepa, KOTopbift Aep>KHT 3Ta MajieHbKan pyqna.
. . . XlyMaftTe h pemaftTe ceHnac, noTOMy mto ecjiH a
BbiHAy OTCibAa, to mh HHKorAa He yBHAHMcn!
66jibuie
PeuiaftTe. . . . fl abophhhh, HMeio AecHTb Tbicnq toao-
boto AoxoAa . . . HMeio otjihhhbix jiouiaAeH. Xoth- . . .
He noAxoAHTe!
Cmhphob (nodxodk k ueu). KaK h Ha ce6st 30ji! Bjho-
6hjich, KaK rHMHa3HCT, ctohji Ha KOJieHHx (zpydo) . . .
n093Hfl M IIECHH
(OTpblBOK H3 "UbiraHbi")
3hmhhh Aopora
CKB03b BOJIHHCTbie TyM&Hbl
npo6HpaeTCH ;iyHa,
Ha neqajibHbie nojiHHbi
JIbeT ne^ajibHO cbct OHa.
Flo Aopore 3HMHeft, CKyqHoft
1 Old word for rojioc.
2 See page 49.
95
. . .
'
TojibKo BepCTbi nojiocaTbi
FIonaAaiOTCH OAHe. 1
UyuiKUH
riapyc
n033Hfl M nECHM 97
JlepMoumoe
TopHbie BepLUHHbl
TopHbie BepiHHHbl
CnHT BO TbMe HOMHOft;
THXHe AOJIHHbl
FIojiHbi CBe>Keft Mrjioft;
He nbijiHT AOpora,
He Apo^KaT jiHCTbi. . .
WoAomjxk HeMHoro,
OTAOXHeiUb H TbI.
JlepMoumoe (no Verne)
n033Hfl H nECHM 99
y-rec
JLepMonmoe
BHHMasi ywacaM 1
bohhw
BHHMan ywacaM bohhh,
npH Ka>KAOH hoboh >KepTBe 66h
MHe >Ka;ib He Apyra, He >KeHbi,
MHe >Kajib He caivioro repon. . . .
Henpdcoe 3
1 BHHMaTb calls for the dative case.
2 Idiomatic expression for "it will be impossible for them to forget.
3 See page 58.
)
Kanoma
BeHepHHH 3BOH
MeTejiwua
O^HHOKan rapMOHb
O^HHOKasi rapMOHb
1
Fell quiet.
2 Whom are you after?
3 Why don't you let the girls sleep?
106 nOCOBME Jim MTEHMH M PA3rOBOPA
Ch6hpckhh eenep
i i j j i .1 nm
nni *
m ^ TT I .1 J
E f" ^^
n033MH M nECHH 107
ChGhpckhh senep
fe r r i
f r rn' r r i
r =^
m*
fVp r r J J i
1 &
4^.\ J J i
,j J Ji I J '
s r r i
i'
r r i i-
n \
r r j
ffi ^ r r i
r I J 1
r r
bqSf
o o
n033HH M nECHH 109
1 See MemaTb.
2 See iiienTaTb.
3 Adj. of Jiec.
4 Adj. of cojiOBeft.
5 Flit. Of HaHTH.
,
.
ynPA>KHEHHfl
OuiHGna
fla, ho He TBOH."
II. Jlunmoena.
JIk>ah He Bcer^a ejiH BHjiKaMH. Ho IleTH y^ce 6ojib-
hioh MajibqHK. He Ha^o HHqero 6paTb najibuaMH. Ha^o
ecTb BHJIKOH.
III. Pa3U2pdume Smy cv^euy.
Oahh yqeHHK 6y^eT HrpaTb pojib FleTH, Apyroft
pojib ero MaMbi. 1
Kto npas?
I. UpoHumdume (iuiu nepenumume), doddeus uedo-
cmaK)U{ue cjioed:
BaHH n63AHO
jho6hji
"Cthaho, BaHH, TaK no3AHO
.
," CKa3aji
eMy OAHa>KAbi OTen., h MT66bi AaTb cbmy
oh paccKa3aji eMy npo
KOTopuft uieji paHO
, h
Hameji AeHer.
"Ho, nana, tot kto sth , Bcraji eme paHbiue."
1 Enact this scene. One student will
play the part of Petya, another
- the part of his mother.
Ill
. . .
II. JfyiKmoena.
MejiOBeK meji no yjiHue. Oh Hameji MHoro AeHer. BaHH
jik)6hji no3AHO cnaTb. BaHH He Hameji AeHer. OTeu CKa-
u
3aji: Cthaho TaK no3AHo cnaTb."
III. Omeembme ua eonpocu (Answer, in complete sen-
tences, the following questions):
1. Mto BaHH jiio6hji?
2. Hto CKa3aji OTeu?
3. Kto uieji no yjiHue?
4. Kor^a oh meji?
5. Mto oh Hameji?
6. Kto sto paccnasaji BaHe?
7. ZIjih nero oh eiviy sto paccKa3aji?
Ha nomape
I. IIpoHumdume (ujiu nepennmume), do6deue nedo-
cmami(ue cjioed:
1. Oahh pa3 3aropejiCH
2. B AOMe ocTa^iacb MajieHbKan
3. Co6aKa
b 3y6ax AeBOHKy.
4. MaTb
ot paAOCTH.
5. Co6aKa onnTb
b aom.
6. OHa Hecjia b 3y6ax 6ojibmyio
II. JlunmoeKa.
1. npHexajiH no>KapHbie.
2. K hhm Bbi6e}Kajia >KeHiuHHa.
3. IIo)KapHbie nocjiajiH co6aKy.
4. MaTb 6p6cHJiacb k AOMepH.
5. OHa njiaKajia ot paAOCTH.
6. Co6aKa Hecjia b 3y6ax KyKJiy.
ynPA>KHEHMH H3
III. Bonpocu.
1. Kto Bbi6e}Kaji k no^KapHbiM?
2. Mto Aejiajia >KeHiuHHa?
3. Mto OHa roBOpHJia?
4. Koro no>KapHbie nocjiajin?
5. Kor^a co6aKa Bbi6e>Kajia H3 AOMy?
6. Mto OHa Hecjia?
7. KaK OHa Hecjia ee?
8. Mto c^ejiajia MaTb?
9. Mto CAejiajia Tor^a co6aKa?
10. Mto OHa Hecjia b 3y6ax?
AnneriiT
II. HunmoeKa.
Bepa CKa3ajia, mto cyn HeBKycHbift. OHa nojio>KHJia
jio>KKy Ha ctoji. Bepa nomjia KonaTb KapTocJ)ejib. OHa
mhoto pa66Tajia. OHa CKa3ajia, mto cyn BKycHbift.
III. Bonpocu.
1. Mto cKa3ajia Bepa 3a o6eAOM?
2. KyAa OHa nojio>KHJia jio>KKy?
3. Ky#a Bepa nouuia nocjie o6e\na?
4. 3aneM OHa Ty^a noinjia?
,
.
He b AeHbrax cnacTbe
ro Kor^a
h 3a pa66TOH He Mor
. neji,
Aa
."
II. JXuKmoena.
B AOMe ABa qejiOBena: oahh 6e/mbiH, ^pyroft
>khjih
6oraTbiH. BeAHbift MHoro pa66Taji h mhoto neji. Bora-
Tbift He pa66Taji h He neji. EMy 6ujio CKyqHO, h oh He
ynPA>KHEHHfl 115
BecuepeMOHHbiH rocTb
II. JluKmoena.
HHKOJiaft }KHBeT b MocKBe. K HeMy npnexaji rocTb.
IlpoxoAHT HecKOJibKO Ero >KeHa h AeTH
AHeft, He^ejiH.
cnynaiOT. Oh hm Hanncaji, hto6 ohh npnexajiH b MocKBy.
III. Bonpocu.
1. Die >KHBeT HHKOJiaft?
2. Kto npnexaji k HeMy?
3. Ha CKOJibKO AHeft oh npnexaji?
4. Mto rocTb roBopHT o B03BpameHHH aomoh?
5. Hto roBopHT eMy HHKOJiaft?
6. Mto OTBenaeT rocTb?
^.Ba tocth
I. Jlunmoena.
y aMepHKaHua o6e,najiH tocth. Mojio^oh nejioBeK
yBH^eJi Ha CTOJie ropHHuy. Oh nojio>KHji jio>KKy rop-
HHUbl B pOT. CTapHK CHAeJI pHAOM C HHM. Oh CnpOCHJI,
o hm mojioaoh njiaqeT. Mojioaoh nejiOBeK bchomhhji
OTua. CTapHK CKa3aji, hto oh njianeT o tom, hto mojio-
Aoft He yMep BMecTe c otuom.
116 nOCOBHE Jim HTEHHfl M PA3rOBOPA
II. Bonpocu.
1. T^e o6ejiajiii tocth?
2. Kto yBHAeji rop^Huy?
3. T^e oh ee yBH^eji?
4. Mto oh cuejiaji?
ynPA>KHEHMH 117
ypOK Be>KJlHBOCTH
XopOLUHH My>K
I. TLpoHumdume (ujiu nepenuutume), doddeue uedo-
cmmou^ue cjioed:
HBaHOB bxoaht C B
H rOBOpHT! "flaHTe HaM,
xopouiHH o6eA. Mh MHoro ryjiHjiH, h mm oneHb ."
"XopoiiiHH o6eA? He Mory," oTBenaeT pecTopaHa.
"Tenepb
h y Hac ecTb Bcero
, KOTJieTa."
"
KOTJieTa! ! Hto >Ke 6y#eT ecTb moh ?"
II. Bonpocu.
1. Ky^a bxoaht HBaHOB c >KeHOH?
2. lloqeMy ohh oneHb rojioAHbi?
?
^ea Apyra
I. Jlunmoena.
"OenaH, th MeH^ 3Haeuib y>Ke AecnTb jieT, npaBjxa?
fla, moh Apyr, npaBAa.
Tbi MeHH xopomo 3Haeiiib, npaB^a?
fla, OMeHb xopomo.
Oaoji>kh MHe, noKajiyftcTa, cto py6jieft.
He Mory, moh Apyr, He Mory!
Ho noneiviy?
noTOMy mto h Te6n xopomo 3Haio."
II. Pa3U8paunie dtnom aueKdom.
OOiviaHyji
I. Bonpocu.
1. Mto yqeHHK roBopHT yqHTejiio?
2. Mto AeJiaeT ymiTejib?
3. rioneMy Kojih CTenaHOB He MO>KeT npHTTH b Kjiacc?
4. Mto cnasaji eMy aoktop?
5. Mto cnpauiHBaeT y^HTejib?
6. Mto OTBenaeT Kojih?
II.IIpoHumdume (ujiu nepenumume), doddeue uedo-
cmawu^ue cjioed:
1. Bac k Tejiec^OHy.
2. Kojih CTenaHOB He MO>KeT b Kjiacc.
3. JloKTop CKa3aji eMy b nocTejiH.
4. Kto y
^f'W
Sovfoto
ynPA>KHEHHfl 121
III. JlunmodKa.
1. ymiTejib hat k TejiecJDOHy.
2. Kojih CTenaHOB 66jieH.
3. Oh He mo^kct npHTTH b KJiacc.
4. floKTop CKa3aji eMy jie>KaTb b nocrejiH.
5. liana Kojih denaHOBa y Tejie(j)6Ha.
CKBOpeu
I. IIpoHumdume (ujiu nepenumume ) doddeue uedo- ,
cmawtque cjioed:
1. y oahoto 6biji cKBopeu.
2. CTapHK
ero CKa3aTb
cjiob no-pyccKH.
3. y CTapHKa 6hji
4. Kojie OMeHb CKBopeu.
5. Oh Macro k cano>KHHKy.
6. CTapHKa AOMa.
7. Kojih 6bicrpo nTHMKy.
8. Oh ee b
9. Oh xoTeji
10. Ho Boiueji CKBopua.
11. Oh rpoMKO
12. CKBOpeu OTBeTHJI H3 MaJIbMHKa.
II. Bonpocu.
1. y Koro 6hji CKBopeu?
2. Mto cnpauiHBaji cano>KHHK, Kor^a oh bxoahji b
AOM?
3. Mto OTBenaji CKBopeu?
4. Kto 6biji coceA CTapHKa?
5. IIoHeMy Kojih qacTO npnxoAHJi k cano>KHHKy?
6. Mto oh xot^ji HMeTb?
7. Mto CAejiaji Kojih, Kor^a crapHKa He 6biJio AOMa?
. .
III. Jlunmoena.
1. y cano>KHHKa 6bM cKBopeu.
2. CTapHK jik>6hji nTHMKy.
3. Oh HaynHji ee CKa3aTb HecKOJibKo cjiob no-pyccKH.
4. Can6>KHHK bxoahji b #om h cnpauiHBaji: 'T^e tm,
CKBopyiiiKa?"
5. FlTHMKa OTBenajia: "A 3Aecb, jiejiyuiKal"
6. y CTapHKa 6biJi MajieHbKHH coce^.
7. Kojie oneHb HpaBHjiCH CKBopeu.
8. Oh qacTO npHxoAHJi k cano>KHHKy.
9. Oh xot^ji nocjiymaTb, KaK nTH^Ka rosopHT.
10. Oh xot^ji HMeTb CKBopua.
11. Kojih cnpnTaji nTHMKy b KapMaH.
12. Xo3hhh CKBopua Bouieji h cnpocHJi: "Tao TbI,
CKBOpyuiKa?"
Cokoji h neTyx
ynPA>KHEHMH 123
/J,66poe cep^ue
nojinrjiOT !"
II. Bonpocu.
1. Mto CKa3aTb?
cjienoft yMeji
2. Ha KaKHX H3biKax (in what languages) ?
3. Mto oh noBecnji Ha rpy^n?
4. 3aneM oh noBecnji 9Ty BbiBecKy?
. . :
6. MaftKOBCKHH
k HiapMaHKe h cbirpaji apnio.
7. Mepe3 HecKOJibKO
Ha mapMaHKe BHcejia
a _ 53
II. HUKmOGKCL.
1. IIIapMaHuiHK Hrpaji HenpaBHjibHo apnio H3 onepbi
MaftKOBCKoro.
2. Koryja MaftKOBCKHH ero yBH^eji, oh eMy CKa3aJi,
mto ero My3biKa y>KacHa.
3. UlapMaHuiHK otbcthji, ^to oh HHnero He noHH-
MaeT; hto 3to o^eHb xopouian My3biKa.
4. Tor^a MaftKOBCKHft cbirpaji apnio, h CKa3aji map-
MaHHXHKy, KTO OH.
5. MaftKOBCKHft yBH^eji mapMaHinHKa nepe3 HecKOJib-
ko AHeft.
6. Ha mapMaHKe BHcejia BbmecKa: "YqeHHK BejiHKoro
KOMno3HTopa HaftKOBCKoro."
. .
ynPA>KHEHHfl 125
III. Bonpocu.
1. Koro ojwawLjihi yBH^eji MaftKOBCKHH?
2. Mto mapMaHiUHK Hrpaji?
3. KaK oh Hrpaji?
4. Mto MaHKOBCKHH cKa3aji eiviy?
5. Mto mapMaHiuHK otbcthji?
6. noneiviy MaftKOBCKHH 3HaeT 3Ty My3biKy?
7. Mto MaftKOBCKHft cuejiaji?
8. Kor^a MaHKOBCKHH onaTb BCTpeTHJi mapMaH-
mHKa?
9. Mto oh yBH^eji?
10. Mto 6hjio HanncaHO Ha BbiBecKe?
Cjie^bi
cjichh
II. Bonpocu.
1. Kor^a Ha.no B6HTb b creHy rB03b?
2. KoiTia Ha^o BbipBaTb rB03#b H3 creHbi?
3. MeM (with what) 6bijia noKpbiTa creHa?
4. Mto chh peuiHJi?
5. FloqeMy OTeu o6paAOBajiCH?
. . . .
6. Mto oh CKa3a;i?
7. KaK chh nocMOTpeji Ha OTua?
8. Mto oh CKa3aji?
JlejiyuiKa
ynPA>KHEHHfl 129
yMHblH cy^bH
I. IIpoHumdume (uau nepenumume ) , doddeue uedo-
cmawique cjioea:
1. Kyneu noTepnji .
3. Oh o6em,a.7i 3a KouiejieK .
y pa66nero.
III. Bonpocu.
1. Kto noTepnji KomejieK c AeHbraMH?
2. CKOJibKO AeHer 6buio b KomejibKe?
3. Mto Kyneu o6eiuaji?
4. Kto Hameji neHbrn?
130 nOCOBME Jim HTEHMH M PA3rOBOPA
IlOMOlUb
I. JluKmoena.
CKOJibKo ctoht qbyHT K6(J)e? KHJiorpaMM caxapy cto-
ht ^BaAUaTb KoneeK. Bbi MHe AaAHTe CAa^H c nHTH
py^jieft. HanHiuHTe sto Ha jiHCTe 6yMarn. fl HHMero He
xony. y^HTejib 3aAaJi HaM 3aAany. Bbi noMorviH MHe
peiiiHTb ee.
Eme pas
I. JluKmoena.
1. BaHH, b noe3Ae, ctoht y oTKpbiToro OKHa.
2. OTeu eaiy roBopHT: "He ctoh y OKHa," ho B&hh
He cjiymaeTCH.
EMy HpaBHTCH CMOTpeTb, KaK nojiH h AepeBbH 6e-
3.
TycH
I. Bonpocu.
1. Hue KpecTbHHHH xoTeji npo^aTb ryceft?
2. KaK rycH ihjih?
3. Mto c^ejiaji KpecTbHHHH?
4. KOTO OHH BCTpeTHJIH?
5. noqeMy rycn >KajiOBajiHCb?
6. Mto hx npe;iKH cue Jia jih ?
7. Ilo^eMy npe^KH ryceft 3HaMeHHTbi b ncropHH?
8. 3th rycn Jiyquie ^pyrnx rycen?
9. MeM Ka>K^bift ^ojdkch ropAHTbca?
IT. Uepeeedume. 1
1. A peasant was driving geese.
1 Translate.
132 nOCOBHE ]\m HTEHHfl M PA3rOBOPA
CTpeK03a h Mypaeeft
I. JluKinoem.
1. Blijio >KapKoe jieTO.
2. CTpeK03a 6biJia CMacTJiHBa, noTOivry mto Be3^e 6h-
.710 MHOTO TpaBH, JIHCTbeB H IIBeTOB.
BaHbKa
I. Bonpocu.
1. CKOJibKO jieT BaHbKe >KyKOBy?
2. EcTb-jiH y Hero po^HTejiH?
3. Kto ero npHBeji b MocKBy? OTKy^a? Kor^a?
4. y Koro jiejiyuiKa. ocTaBHJi MajibiHKa? 3aqeM?
5. rioHeiviy BaHbKa ocrajicH oahh b AOMe?
6. Mto oh czcejiaji?
II. Uepeeedume.
1. Vanka is ten years old.
2. He has neither father nor mother.
3. His grandfather brought him to Moscow from a village.
4. Vanka wrote to his grandfather:
5. "Dear grandfather, take me home to the village.
134 nOCOBHE Jim HTEHHfl H PA3rOBOPA
IlTHMKa
I. J^uKmoena.
1. Mojioaoh TypreHeB 6biji c otuom Ha oxoTe.
2. Ohh iujih no jiecy.
3. B^pyr nTH^Ka BbiJieTejia H3 CBoero rHe3/;a h
yjieTejia.
IlapH
I. Jlunmoena.
BaHKHp AaBaji Benep. lOpHCT CKa3aji, mto oh Bbmec
6h nHTHa^uaTb JieT 3aKjiK>qeHHH. Ero 3anepjiH b aomh-
Ke b ca^y. B nepBbift ro,n oh MHoro nrpaji Ha ponjie.
BO BTOpOH TOA OH MHTajI KJiaCCHKOB. IlOTOM OH HHTaJI
6h6jIHK), HCTOpHK) peJIHrHH H KHHrH no nCHXOJIOrHH.
II. Bonpocu.
1. Mto AaBaji 6aHKHp nnTHajmaTb jieT TOMy Ha3aA?
2. Kto 6biji Ha Benepe?
3. O MeM TOBOpHJIH tocth?
4. Ky^a 3anepjiH K>pHcra?
5. CKOJibKo JieT oh jiojiTKen TaM 6biTb?
6. Mero oh He MO>KeT nojiyqaTb?
7. Mto 3aKjnoqeHHbiH jiejiaji b nepBbift ro#?
8. Ot nero oh OTKa3ajicn?
9. Mto oh HHTaji?
10. KaKHe KHHrn oh MHTaji bo BTopoft toa?
11. Mto oh ^ejiaji b nnTbift ron?
12. Mto oh H3yqaji b mecTOH ro?
II
I. Bonpocu.
1. KorAa 3aKjnoqeHHbiH nojiyqaeT cBo66,ny?
2. CKOJibKo AeHer 6aHKHp AOJi>KeH 6y^eT AaTb eMy?
3. Mto 6y,n;eT, ecjiH oh sto cuejiaeT?
4. Kor\n;a 6aHKHp 6biji 6oraT?
5. Floqeiviy oh Tenepb He TaK 6oraT?
II. Uepeeedume.
1. Tomorrow at twelve o'clock he will get his freedom.
2. The banker will have to give two million (rubles).
3. If he does this, he will be a poor man.
4. Fifteen years ago, the banker was very rich, but he
money.
lost his
5. Itwas three o'clock when the old man left the house.
6. In the garden it was dark and cold. It was raining.
7. The banker thought: "If I kill this man, nobody will
know that I did it."
Ill
I. J^unmoena.
1. B KOMHaTe 3a ctojiom CH^eji nejiOBeK.
2. Oh 6uji TaM oahh nHTHaAuaTb jier.
3. iiHTHaAuaTb jieT oh He Bujieji 3eMJiH h jikwh.
4. Ho oh MHoro MHTaji, mhoto AyMaji h MHoro noHHJi.
ynPA>KHEHMH 137
II. Bonpocu:
1. T^e CH^eji nejiOBeK?
2. Mto oh Aejiaji?
III. Uepeeedume.
1. The prisoner was sleeping.
2. Before him, on the table, lay a sheet of paper.
3. Something was written on it.
1
1 Ha HeM.
138 nOCOBHE JIM HTEHHfl H PA3r0B0PA
Zloporo CTOHT
I. Bonpocu.
1. Hue HaxoAHTCH 1 MoHaKo?
2. CKOJibKo TaM >KHTejieft?
3. Mhoto-jih BoftcKa y khh3h MoHano?
4. KaK >KHByT )KHTeJIH MOHaKO?
5. Mto TaM OAHa>KAbi cjiynHjiocb 2 ?
6. K neMy npHcyAHJiH npecrynHHKa?
7. KoMy MHHHCTpbi peiuHJiH HanHcaTb?
8. CKOJibKo 6yAyT CTOHTb rHjibOTHHa h najiaq?
9. Ky^a noca^HJiH npecrynHHKa?
10. Koro k HeMy npHCTaBHjiH?
lis.
2 Happened.
ynPA>KHEHMH 139
I. J^unmoena.
1. 3a nepBbift toa 3aKjnoHeHHbiH ctohvi mecTbcoT
(J)paHKOB.
2. 3to oneHb Aoporo. KHH3b Hcnyrajica.
3. 3aKJiK)MeHHbiH eme mojioaoh nejiOBeK. Oh eme
AOJiro 6yAeT >KHTb.
4. Ero C0Aep>KaHHe (maintenance) 6yjier CTOHTb
oneHb AOporo.
5. KHH3b H MHHHCTpbl peillHJIH ycjiaTb CTopo>Ka.
6. Ohh AyMajiH, mto 3aKjiK)qeHHbiH yft^eT, ho oh He
vxoahji.
7. TorM coBer mhhhctpob peuiHJi Ha3HanHTb eMy
neHCHio.
8. 3aKjnoHeHHbiH nojiyqHJi qacTb AeHer BnepeA.
9. Oh KynHji 3eMjiH, pa3Beji oropoA, h >khbct thxo,
CnOKOHHO.
140 nOCOBHE Jim HTEHHfl M PA3rOBOPA
II. Bonpocu.
1. CKOJibKo ctohjio C0Aep>KaHHe 3aKjiK)MeHHoro 3a
nepBbiH roA?
2. IloHeMy ero 6yAyiH.ee (future) coAep>KaHHe 6yAeT
CTOHTb oneHb Aoporo?
3. MtO MHHHCTpbl peiUHJIH cAejiaTb, hto6 C0Aep)Ka-
HHe 3aKjiK>qeHHoro He ctohjio TaK Aoporo?
4. Hto 3aKJiK)HeHHbiH CAejiaji, KOi\Aa CToponc He npn-
Hec eiviy o6e\na?
5. MTO MHHHCTpbl peUJHJIH CKa3aTb 3aKJIK)qeHHOMy?
6. noneiviy 3aKjiioqeHHbiH He xoqeT yxoAHTb?
7. Mto peiHHJiH, HaKOHeu, mhhhctph?
8. Mto CAejiaji 3aKjnoneHHbiH?
9. KaK oh Tenepb >khbct?
OpAeH
I. JXunmoeKd.
1. JleB riyCTHKOB 6bIJI yHHTeJIb BOeHHOH IHKOJIbl.
2. Oh AOJi)KeH 6biji o6eAaTb y Kynua, KOTopbin oneHb
jik)6ht opAeHa.
3. Oh nomeji k CBoeMy Apyry h nonpocHJi y Hero
opAeH.
4. yqHTejib noexaji Ha o6eA c opAeHOM Ha rpyAH.
5. Oh npnexaji k Kynuy b ABa naca.
6. Tocth y>Ke o6eAajiH.
7. B ctojioboh 6uji ero TOBapHm no cjiy>K6e, ynH-
Tejib 4)paHuy3CKoro H3biKa.
8. IlycTHKOB He 3Haji, qTo AejiaTb: oh He Mor noKa-
3aTb opAeH (J>paHuy3y.
:
ynPA)KHEHHfl 141
II
I. Bonpocu.
1. Koirja IlycTHKOB nocMOTpeji Ha (J)paHuy3a?
2. Mto Aejiaji <J>paHuy3?
3. Mto FIvcthkob noAyMaji?
4. KTO nOAHHJICH?
5. Mto oh CKa3a;i?
142 nOCOEHE Jim MTEHHfl H PA3rOBOPA
MocKea
I. JluKmoena.
MocKBa
ueHTp cobctckoh KyjibTypbi. KpacHan njio-
ma^b HaxoAHTCH b ueHTpe Mockbh. KpeMJib OKpy>KeH
CTeHOK). B MocKBe mhoto TeaTpoB, My3eeB, 6h6jihotck
h hikoji. IlapK KyjibTypbi h OT^bixa caMbift 6ojibm6H h
HHTepecHbift napK b MocKBe. TaM ecTb OTKpb'iTbiH TeaTp.
3tot TeaTp Ha3biBaeTCH "3ejieHbiH". C 6aiHHH npbiraioT
c napauiiOTaMH. B IlapKe ecTb "actckhh ropoAOK". Ma-
Tepn npHBOAHT Ty^a RCTeu.
1
IlonpocHJi.
ifil^illSiii^K
Sovfoto
II. Ilepeeedume.
1. Moscow is a very old and interesting city.
2. The Kremlin is surrounded on all sides by a wall.
3. In Moscow there are many theaters, museums, libra-
ries, and institutions of higher learning.
KatiHKyjibi b MocKBe
I. Jlunmoena.
1. BaHH 6bIJI xopouiHH CTy^eHT.
2. Oh mhoto pa66Taji h xopomo yqHJicH.
3. 3a 9to OTeu AaeT eiviy ^eHbrH Ha noe3AKy
b MocKBy.
4. BaHH oneHb paA.
5. Oh MHoro MHTaji o CBoeft CTOJiHue, h eiviy y>Ke
AaBHO xoTejiocb noexaTb Ty^a.
6. Oh npoBeji (spent) b MocKBe AecHTb AHeft
KaHHKyji.
7. Tenepb oh BepHyjicn, h 3a o6e#OM paccKa3biBaeT,
rjxe oh 6hji h hto oh bhji&ji.
8. Oh 6bui b Mockobckom XyAO>KecTBeHHOM TeaTpe,
b napKe KyjibTypu h b Apyrtix HHTepecHbix
MecTax (places).
IT. Bonpocu.
1. rio^eMy OTeu jiaji BaHe AeHer Ha noe3AKy
MocKBy?
b
2. IloqeMy cmh 6y#eT pa^ noexaTb b MocKBy?
146 nOCOEHE JXM HTEHHH H PA3rOBOPA
MoCKOBCKOe MeTpO
I. JXunmoeKa.
1. riocTpoftKa mockobckoh no/ueMHoft Aoporn npeA-
CTaBjiHjia 6ojibiHyK) 3aAa4y.
2. yjiHUbi CTapoft Mockbh 6bUIH y3KHe H KpHBbie, H
noA 3eMJieH 6bi,7io MHoro CTapux nocrpoeK.
3. noHBa, Ha KOTOpOH ctoht MocKBa, MHrKaa, a pyc-
CKHe HH>KeHepbi TorM eme He 3HajiH, KaK ee
AeJiaTb TBepAOH.
4. y HHX TaK)Ke He 6bIJIO Hy)KHbIX MaiHHH.
5. Ho no,zi;3eMHyK) ^opory pyccKHe jhoah nocTpoHJiH,
h OHa caivian jiyquian b MHpe.
II. Bonpocu.
1. Mto yKa3biBaeT 6yKBa M?
2. Koryja HanajiH CTpoHTb mockobckoc MeTpo?
3. noqeiviy nocTpoflKa mockobckoto MeTpo npe^CTa-
BJiHjia oqeHb Tpy/myio 3a^aqy? (yjiHubi . . .
ynPA>KHEHMH 149
PaccKa3 KpacHoapMenua
I. Bonpocu.
1. Kto AOCTaBHJi naTpoHOB KpacHoapMeftuaM?
2. B KaKOM COCTOHHHH (state) 6bIJIH 9TH TpH co6aKH?
3. Hue HaxoAH^iHCb (were) naTpoHH?
4. OcTajiHCb-jiH co6aKH c KpacHoapivieftuaMH?
5. Tjiq jie^Kaji paHeHbift KpacHoapMeeu?
6. Kor.ua sto 6biJio: jihqm hjih HO^bio?
7. Mto paHeHbift BH^eji B^ajiH? Bjih3ko hjih Aajieno?
8. Mto co6aKa npHHecjia paHeHOMy?
9. Mto cuejiaji paHeHbift nocjie Toro, KaK nepeBH3aji
paHy?
10. A hto cjxejiajia co6aKa?
II. Uepeeedume
1. A battle is on, and there are not enough cartridges.
2. Who will get them for us under the enemy's fire?
3. On the sides of the dogs hang bags, and in the bags
there are cartridges.
4. I lie on the field with a wound in my leg; I am thirsty.
5. The dog runs up to me.
6. I took the flask and drank.
7. I got a bandage out of the sack and bound my wound
as best I could.
8. I arose and slowly walked to the fires.
CpeflH jib^OB
I. Bonpocu.
1. Mto jiokht Ha AajieKOM ceBepe?
2. MeM oho noKpbiTO?
3. Mto jiio/ih peiiiftjiH c^ejiaTb?
4. Mto cjiyqftjiocb c ^Hpn>Ka6jieM?
150 nOCOEHE flJlfl HTEHHfl H PA3rOBOPA
I. Bonpocu.
1. B KaKoe BpeMH roAa JieTMHua npbirajia nepBbin
pa3 c napamiOTOM?
2. Kto noAomeji k Heft, Kor^a OHa 6buia roTOBa?
3. KorAa hao npbiraTb?
4. Mto MO>KeT cjiynHTbcn, ecjin OTKpbiTb napamioT
CJIHLUKOM paHO?
5. T^e CHAHT JieTMHK?
6. IloHeMy jieTHHua He cjimuiht, hto oh kphhht?
7. Mto AeJiaeT MauiHHa?
8. Ky^a jieT^nua cmotpht?
9. Mero OHa >kat?
10. Kor^a OHa npbirayjia?
ynPA>KHEHHfl 151
Pa;ino
I. Bonpocu.
1. rioneMy paAHOTejierpac}) ctoht AeineBJie o6biKHO-
BeHHoro Tejierpa^a?
2. Mto pa^HOTejierpa(J)HCT nocburaji no paAHOTejie-
rpac})y?
3. Mto 3HaqaT sth Tpn 6yKBbi?
4. Mto CAejiajiH Apyrne napoxoAM?
5. BjiaroAapn qeiviy mo>kho nepeAaBaTb no B03Ayxy,
6e3 npoBOJiOK, pa3roBop?
6. T^e jiio6ht CH^eTb B3p6cjibie h ath?
7. Mto ohh jiio6ht CMOTpeTb Ha TejieBH30pe?
II. JlunmoeKa.
1. Jinn paAHOTejierpacJ^a He Hy>KHO npoBOAHTb npo-
BOJIOKH.
2. FlapoxoA "THTaHHK" HacKO^HJi Ha jieAHHyio ropy.
152 nOCOEHE flJIfl HTEHHfl H PA3rOBOPA
MejIIOCKHHUbl
i Safe.
ynPA>KHEHHfl 153
KpOBHbie pOACTBeHHHKH
I. Jlunmoena.
1. Ha MHTHHre 6hjio 66^bme Tpex Tbicnq qejiOBeK.
2. Mojio^an CTy^eHTKa mockobckoto HHCTHTyTa hho-
CTpaHHblX H3HKOB CHAeJia pHAOM C JieTHHKOM.
3. Ohh nacTO CMOTpejiH Apyr Ha Apyra h KpacHejiH.
4. Ho ohh He aojdkhm 6biJiH KpacHeTb, noTOMy hto
OHH 6bIJIH KpOBHbie pOACTBeHHHKH.
II. Bonpocu.
1. Hto cjiynHJiocb (what happened) c Ka3aHCKHM b
caMOJieTe?
2. OTKy^a mm 3HaeM, hto oh 6hji cHJibHo paHeH?
3. KaK cnacjiH ero >KH3Hb?
4. Kto noKa3aji Ka3aHCKOMy 3anHCKy AjieKcaHApbi?
5. Mto paHeHbift jicthhk npoqHTaji b stoh 3anncKe?
6. Kto Hanncaji CHanajia AjieKcaHApe?
7. Mto 6buio nocjie stoto?
8. 3a^eM jicthhk npnexaji b MocKBy?
III. Ilepeeedume.
1. A young blond woman, with big blue eyes, sat beside
a pilot.
riyuiKHH
I. Jlunmoena.
1. riymKHH Aaji pyccKoft jiHTepaType hobhh H3biK h
HOBoe coep>KaHHe.
2. Oh cnejiaji pyccKHft H3biK npocTbiM, noHHTHbiM
Ajih Bcex.
JlepMOHTOB
I. Bonpocu.
1. Hue po^hjich JlepMOHTOB? Koi\na?
2. Kto ero BocnHTaji?
3. IloMeMy He MaTb?
4. Kor^a JlepMOHTOB Haqaji nncaTb CTHxoTBopenHH?
5. CKOJibKO JieT 6hjio JlepMOHTOBy, Kor#a oh no-
exaji Ha KaBKa3?
II. TLepeeedume.
1. When he was three, his mother died, and his grand-
mother took the child and raised him.
2. Lermontov received a military education.
3. He began to write poems when he was fourteen.
4. The beauty of the Caucasus deeply impressed the boy.
5. Besides verses, Lermontov wrote a remarkable work
in prose: the immortal novel Hero of Our Times.
6. In this novel he gives us an excellent type of the young
Russian man of that time.
KpblJIOB
II. Bonpocu.
1. KTO TaKOH KpblJIOB?
2. Mto IlyujKHH CKa3aji npo KpbijioBa?
3. PIoMeMy oh sto cKa3aji?
4. Mto KpbuiOB pncyeT b cbohx 6acHHx?
5. KaK oh ee pncyeT?
6. y KOTO KpblJIOB B3HJI MHOTO CKKeTOB AJIH
cbohx 6aceH?
7. Kor^a KpbuiOB poahjich?
8. Kor^a oh yiviep?
TOJICTOH
I. Bonpocu.
1. r#e Tojictoh pOAHJICH?
2. T^e oh 6hji b 1851 -m ro^y?
3. Mto oh TaM Aejiaji?
4. KaKHe npoH3Be;i;eHHH oh TaM Hanncaji?
5. Ha30BHTe caMbie H3BecTHbie poMaHbi TojicToro.
6. KaKHe npoH3Be,neHHH TojicToro bh MHTajiH?
VnPA>KHEHMH 157
II. Uepeeedume.
1. When Tolstoy was a young man, he differed in no way
from other young aristocrats of his time: he lived
happily, without cares.
2. In eighteen hundred and fifty one (write out) Tolstoy
went to the Caucasus.
3. There he became an officer.
4. There, for the first time, he began to think seriously
about people, about life, about religion.
5. There he wrote his first works, which immediately
made him famous.
6. He took part in the defense of Sebastopol.
7. The most famous works of Tolstoy are War and Peace
and Anna Karenina.
ITI. PaccKaMume duoepacfiuw ToJic?no2o.
TypreHeB
I. JluKmoena.
1. MaTb TypreHeBa 6biJia 6oraTan noMemniia.
2. OHa 6buia 3Jian h ^kcctoko HaKa3biBajia cbohx
KpenocTHbix.
3. KapTHHbl 9THX HaKa3aHHH OCTaJIHCb Ha BCK) >KM3Hb
b naMHTH nHcaTejifi.
4. Oh paHo noHHJi, ^to KpenocTHHMecTBO 6ojibm6e
3jio,h peuiHJi 6opOTbCH npoTHB Hero.
5. Ero "3anHCKH oxoTHHKa" HaHec/m 6ojibiuoH y^ap
KpenocTHHnecTBy.
6. B hhx TypreHeB HapncoBaji 3aMeqaTejibHyio Kap-
THHy TfDKeJIOH >KH3HH KpeCTbflH.
7. TypreHeB Hanncaji uiecTb poMaHOB h mhoto Apy-
thx npoH3Be^eHHH.
158 nOCOBHE JIM MTEHMH H PA3rOBOPA
nOCTHblMH?
4. Mto mojioaoh TypreHeB noHHJi?
5. Mto oh peiiiHJi?
6. KaK Ha3biBaeTCH ero nepBbift c66pHHK paccKa30B?
7. Mto aBTop pHcyeT b sthx paccnasax?
8. Mto euue TypreHeB Hanncaji?
9. Mto aBTop pncyeT b cbohx poiviaHax?
10. M'HTajiH-JiH bm KaKHe-HH6yAb npoH3BeAeHHH Typ-
reHeBa? Ecjih Aa, to KaKHe?
11. TAe yiviep TypreHeB?
12. KorAa oh yiviep?
^OCTOeBCKHH
I. Bonpocu.
1. TAe flOCTOeBCKHH pOAHJICH?
2. KorAa oh poahjich?
3. TAe oh yqHJiCH?
4. Ha30BHTe nepBbiH poiviaH ^ocroeBCKoro.
5. 3a q-ro ero apecroBajiH?
6. KyAa ero cocjiajiH?
7. CKOJibKo oh >khji b Ch6hph?
Jier
8. Ha30BHre HecKOJibKo pOMaHOB iXocToeBCKoro.
9. KorAa flocToeBCKHH cTaji 3HaivieHHTbiM?
10. KaKHe npOH3BeAeHHH flocToeBCKoro bm HHTajiH?
MexoB
I. JliiKmoena.
1. J\zji h OTeu MexoBa 6bijiH H3 Kpenocrabix.
2. Ho MexoB nojiynHji xopomee o6pa30BaHHe.
3. Oh okohhhji rHMHa3HK) h mockobckhh mczihuhij-
ckhh $aKyJibTeT.
4. Ho oh cKOpo 6p6cHJi Me^HUHHy h Haqaji nncaTb.
5. MexoB Hanncaji MHoro paccKa30B h nnTb 3HaMe-
HHTbix nbec.
6. noMTH Bee npoH3Be^eHHH MexoBa rpycTHbie.
7. Ohh OTpa>KaK)T neccHMH3M pyccKoft HHTejuiHreH-
Uhh Toro BpeMeHH.
8. MexoB o^hh H3 caMbix H3BecTHbix nHcaTejieft MHpa.
II. Bonpocu.
1. Koiyja po^HJiCH MexoB?
Kor^a oh yMep?
2. KaKoft (J)aKyjibTeT okohmhji HexoB?
3. KaK ^ojiro oh pa66Taji b rocnHTajie?
4. Mto oh c^ejiaji noTOM?
160 nOCOEHE ZUIfl HTEHHfl H PA3rOBOPA
KopojienKO
I. Bonpocu.
1. Kor^a poahjich KopojieHKO?
2. Kor,n,a oh yMep?
3. CxojibKO jieT 6b'uio KopojieHKO, Kor^a yMep ero
OTeu,?
4. FIoHeMy KopojieHKO 6b'uio TpyAHO ymiTbCH b yHH-
BepcHTeTe?
5. Mto oh nocjie paccKa3biBaji o cbohx o6e^ax?
6. Mto cjiy^HJiocb c KopojieHKO, Kor^a eMy 6biJio
^BaAuaTb mecTb JieT?
7. CKOJibKO JieT oh npo>KHji b Ch6hph? KaK oh hx
TaM npo>KHji?
8. KaKHe paccKa3bi Hanncaji KopojieHKO b Ch6h~ph?
9. HeM 3aMeHaTejibHbi paccKa3bi KopojieHKO?
II. Uepeeediime.
1. Early in life, Korolenko knew want and sorrow.
2. Korolenko's student days (years) were very hard, as
he had to study and work for a living at the same
time.
3. A seventeen-copeck meal was then a great luxury
for him.
4. When he was twenty-six, he was arrested and exiled
to Siberia.
ynPA>KHEHHfl 161
r6pbKHH
I. J^unmoena.
1. HacTOHLUHe (real) hmh h 4)aMHJiHH TopbKoro
AjieKceft lleiiiKOB.
2. BojibiuaH qacTb >kh3hh BejiHKoro nncaTejiH 6bijia
oneHb ropbKan.
3. B AeTCTBe ero nacTO 6hjih h njioxo kopmhjih.
4. Ilocjie, oh 6po^HJi no Pocchh h >khji, KaK mot.
5. TopbRHH Hanncaji o^ieHb mhoto paccKa30B, poivia-
hob h HecKOJibKo nbec.
II. Bonpocu.
1. Kor^a TopbKHH noTepnji OTua?
2. Vjie OH >KHJI?
3. KaKoft qejioBeK 6uji n&jiyuiKa TopbRoro?
4. KaK oh o6pamajica c MajibMHKOM?
UlOJIOXOB
I. Bonpocu.
1. Mto LIIojioxob onncaji b cbohx npoH3Be^;eHHHX?
2. IlOHeMy OH TaK XOpOIHO 3HaeT >KH3Hb Ka3aKOB?
3. O KaKHx Ka3aKax oh nncaji?
162 nOCQEHE Jim HTEHHfl H PA3rOBOPA
III. Uepeeedume.
1. Sholokhov grew up among the Don Cossacks, whose
life he knew well and described beautifully in his
works.
2. In 1928 (write out) Sholokhov began to write his fam-
ous novel Silent Don.
3. He worked for many years on this novel.
1 Collection.
ynPA>KHEHHfl 165
Teorpa4)H5i
I
I. JlunmoeKa.
1. npHpOAa h KJiHMaT CCCP o^eHb pa3HOo6pa3Hbi.
2. Ha ceBepe KjiHMaT o^eHb cypoBbiH, a Ha ibre oh
oneHb MnrKHH.
3. Ha AaJieKOM ceBepe BeqHaa 3HMa, Ha ibre >KapKoe
jieTO.
4. EcTb Tax>Ke 6ojibinHe KOHTpacTbi b KjiHMaTe h b
ApyrHx ^acTHx CTpaHbi.
5. B Ch6hph TO>Ke He Bcer^a h He Be3/ie xojioaho.
6. B HeKOTOpbix MecTax Ch6hph jiero oneHb >KapKoe.
II. Bonpocu.
1. CKOJibKO pecny6jiHK bxojxkt b cocraB CCCP?
2. Mto CKa3aHO b TeKCTe o pa3Mepax (size) stoh
CTpaHbi?
3. Mto bh 3HaeTe o KjiHMaTe h o npHpo^e CCCP?
4. YKa^KHTe 6ojibinoH KOHTpacT b KjiHMaTe Ha ziajie-
kom ceBepe h Ha KpaflHeM ibre.
5. CKOJibKO npoAOJDKaeTCH 3HMa Ha AajieKOM ceBepe?
6. OTKy^a mh 3HaeM, mo Ha KpaflHeM ibre no^TH
Bee BpeMH JieTO? (TaM 3peiOT . pacTyT
.
. .)
,
. .
I. Bonpocu.
1. nepeHHCJiHTe OKeaHbi h Mopa, KOTopue OMbiBaiOT
6epera CCCP.
2. Ha30BHTe TpH peKH b CoBeTCKoft EBpone h ne-
Tblpe B COBeTCKOH A3HH.
3. 3HaeTe-JiH bh KaKHe-HH6y;u> necHH o Bojire?
:
Ill
I. JluKmoena.
1. B CCCP okojio AByx cot pa3Hbix HapoAOB.
2. Ohh roBopsrr Ha pa3Hbix H3biKax h HcnoBeAyK>T
pa3Hbie pejinrHH.
3. y KjbKAoro HapoAa cboh KyjibTypa h cboh h3hk.
4. B iHKOJiax Ka>KAoft pecny6jiHKH o6yqeHHe BeAeTCH
Ha H3biKe pecny6jiHKH.
5. HeKOTopbie HapOAH CCCP coxpaHHJin cboh Ha-
UHOHaJIbHbie KOCTIOMbl.
6. flpyrne HaunoHajibHbie KOCTK>Mbi nocTeneHHO hc-
Me3aK)T.
TaTapcKoe HaiuecTBHe
I. Bonpocu.
1. MTO KOrAa-TO B POCCHH Ha3bIBaJI0Cb KHH>KeCTBOM?
2. IloqeMy Pocchh 6biJia cjia6a b sto BpeMH?
3. KaK TaTapbi OTHOCHJiHCb Tor^a k Pocchh?
4. Kor^a ohh noKopHJin Pocchio?
5. Mto TaTapbi CAejiajiH c Khcbom?
6. Hto TaKoe "3ojiOTaH OpAa"?
7. Mto CTajiocb (became) c pyccKHMH KHH3bHMH?
8. Xopomo-JiH 6bijio pyccKHM jhoahm >KHTb npH Ta-
Tapax?
9. KaK AOJiro TaTapbi ocraBajiHCb b Pocchh?
10. KaK 9tot nepHOAHa3biBaeTCH b pyccKoft hctophh?
11. Kor;ia pyccKHe no;io>KHjiH KOHeu MOHrojibCKOMy
Hry?
12. KaK ohh 3to CAejiajiH?
II. Uepeeedume.
1. Russia was once divided into many parts.
AjieKcaH^p HeecKHH
I. ffuKmoena.
1. Fiona pyccKHe 6hjih 3aHHTbi 6opb66ft c TaTapaMH,
Ha hhx HanajiH nrne/ibi.
2. Ohh HacTynajiH Ha Ho&ropOA h rpo3HJiH 3aBoe-
BaTb HOBrOpO^CKOe KHJUKeCTBO.
3. Ho KHH3b HoBropo^a co6paji BoftcKa h pa36HJi
LUBeAOB.
4. 3TOT KHH3b CO CBOHMH BOHCKaMH pa36HJI TaiOKe
HeMeuKHx pbiuapeft, KOTopbie y>Ke a^bho npo-
6oBajiH 3aBoeBaTb Pocchk).
5.
AjieKcaH^p Hcbckhh oahh H3 BejiMHaftuinx repo-
eB pyCCKOH HCTOpHH.
IT. Bonpocu.
1. C KaKoft CTopoHbi LUBeAbi HanajiH Ha Pocchio?
2. Hue KHH3b AjieKcaHAP pa36nji uibcaob?
3. KaK ero 3a sto Ha3BajiH?
4. B KaKOM MecTe noHBHJiHCb HeMeuKHe puuapH?
5. KaK ohh 6biJiH BOopy>KeHbi?
6. YKa>KHTe BpeMH h MecTO 6htbh c HeivieuKHMH pbi-
uapHMH.
IleTp BeJIHKHH
I. Bonpocu.
1. 06iDHCHHTe, noneiviy Bcjihkhh mhoto e3RUJi
I~IeTp
no EBpone ; mto oh Aejiaji b Ahivihh b Toji-
;
JiaHAHH.
2. FlepeqHCJiHTe 1 rjiaBHbie HHTepecu FleTpa BejiH-
Koro.
3. J\jin Hero Pocchh Hy>KHbi 6mjih nop?
1 Enumerate.
Sovfoto
HanojieoH b MocKee
I. JlunmoeKa.
1. HanojieoH co cbohm inTa6oM CMOTpeji Ha MocKBy
C flOKJIOHHOH ropbl.
2. Oh ayMajr, hto rpaAOHanajibHHK Mockbh npHHe-
ceT eMy kjhohh ot ropOAa.
3. Kor^a oh yBHAeji, hto kjikwh He Hecyr, oh npH-
Ka3aji BoftcKaM bohth b ropOA, a caM 3aH$ui
KpeMjib.
1
Indicate.
172 nOCOBHE Jim HTEHHfl H PA3rOBOPA
II. Bonpocu.
1. noneiviy HanojieoH AyMaji, hto rpaAOHaiajibHHK
MocKBbi npHHeceT eMy kjhohh ropoAa?
2. Mto ,oh CAejiaji, KorAa eMy Kjuoqeft He npHHecjin?
3. KaKoft CK)pnpH3 o>KHAaji HanojieoHa yTpoM?
4. Mto HanojieoH TorAa CAejiaji?
Mto oh npHKa3aji?
5. rioHeiviy ero co;iAaTbi He moi\7ih noTyuiHTb no>Kap?
6. Ot Hero eme CTpaAaJia apMHH HanojieoHa b Poc-
chh? (napTH3aHbi . .KpecTbHHe
. . Xojioa
. . ) . .
JleHHH
I. Bonpocu.
1. KaK HacTOHii;aH c})aMHJiHH JleHHHa?
2. KorAa oh poahjich?
3. KorAa oh yMep?
4. KaK JleHHH okohmhji rHMHa3HK), h b KaKoft yHHBep-
CHTeT oh nocTynnji?
5. no^eiviy oh He okohhhji yHHBepcHTeTa?
6. 3a mto ero cocjiajiH b Cn6Hpb?
7. OcTajicH-JiH JleHHH b Pocchh, KorAa oh BepHyjiCH
H3 CH6HpH?
8. KaK neqaTajiacb ra3eTa "HcKpa"? noqeiviy?
9. KyAa noexa;iH pyccKHe AeJieraTbi b Tbicjma Ae-
BHTbCOT TpeTbeM roAy?
ynPA>KHEHMH 173
6eAHOTa poverty
6eAHbifi poor
a but, and;
to or poor thing
6efl,Hfl>KKa
aBrycT August 6e>KaTb to run, run away from
aBTOp author 6e3 without
aKKypaTHO regularly 6e3HaKa3aHHO with impunity
aKTHBHbift active 6e3yMHbift mad, senseless
aMepHKaHeu American 6e3ycneuiHO unsuccessfully
aureji angel 6e3yTeuiHO inconsolably
aHTJiHflcKH; no in English 6ejieTb to look white, whiten;
aHrJiHHaHHH Englishman 6eJibift white
aneJibCHH orange 6eper shore
anpejib April 6eperjia (6epnb) saved
apecTOBaTb to arrest 6eperyT (6epeHb) take good care
apHCTOKpaTHH aristocracy 6epe>KeT (6epenb) guard
apMeficKHH army (ad/.) 6epeT (6paTb) takes; ee sa
apMHHHH Armenian TaJiHK) puts his arms around her
aapoapOM airport SecnjiaxHO free of charge
asponjiaH airplane 6ecnoKOHTb to disturb
6ecnpoBOJioHHbiH wireless
6eccMepTHbift immortal
6ecu,epeMOHHbiH unceremonious
6a6yuiKa grandmother 6euieHHO madly
BaftpOH Byron 6H6jiHOT6Ka library
6aHKHp banker 6h6jiha bible
6aHOMKa small jar 6hht bandage
6apbiHfl madam 6up'Aia. stock exchange
6apbiuiHH miss, girl 6htt> to beat
6apbep; k
y! we'll fight it out! 6HTbCH to fight
6aceH see 6acH 6jiaroAapHTb to thank
6acHonHceu fabulist 6jiaronapHocTb gratitude
6acHH fable 6jiaroflapfl thanks to
6am H5itower SjiecreTb to shine
6aK)UiKH 6aK) hushaby 6jiH>Ke nearer, closer
6eraTb to run; 6eryT run 6JIH3KO nearby
6ercTBO flight 6jiOHAJHHKa blond woman
175
176 nOCOBME Jim HTEHHH H PA3rOBOPA
aM on
;
rocnoAHH gentleman, sir, mister give, get; AaM I shall give; flacT
rocTH; b to see, visit will give; flaTb cjiobo to vow;
rocTHHan drawing room yp6K to teach a lesson; flaiOT
rocTb guest, visitor they give
rocyAapcTBO state AaBHO long ago;
y>Ke for a
roTOB ready; Cb getting ready long time
rpa6jiH rake flawe even
rpaAOHaHajibHHK mayor AaJieno far away
rpawflaHHH citizen AajibHHft far off, distant
rpa>KflaHCKaw bo ft Ha civil war AaJIbUie farther ;BCeH farther
rpaMOTa reading and writing and farther
rpaHHTHbiH granite (adj.) flaMa lady
rpaHHua border; 3a eft, 3a flaHa GaaTb) is given, will last
abroad JXhaun Denmark
rpauHfl grace flaHb tribute
rpeMeTb to ring ABa, ABe two
rpeTb to heat; ropflHo rpeeT is ABaAUaTH iihth of twenty-five
very hot ABa^uaTb twenty
rp66 coffin; AO a until death ABa^uaTb-mecTb twenty-six
rpo3a storm ABeHaAUaTb twelve
rpo3HTb to threaten ABepb door
rp030Boft stormy ABecTH two hundred
rpOMito loud ABHraTbCH, ABHHyTbCH to move
rpy6o rudely ABWweHHe movement, traffic
rpy6bift rude, coarse ABop yard, court
rpyflb chest, bosom ABOpua (ABOpeu) castle
rpy3HH Georgian; rpy3HH Georgia ABOpflHHH nobleman
rpycTHO sadly; . .y .
; ... is sad AByxcoT (flBecTH) two hundred
rpyiua pear, pear tree AeBHHbH maiden (ad/.)
rp3Hbift dirty AeBOHKa little girl
ry6a lip AeByuina girl
ry6HTb to destroy AeBHTHaAUaTbift nineteenth
ryflHTe (ryaeTb) hum {imp.) AeBflTHaAUaTb nineteen
ryjiHTb to take a walk, to tread; AGBHTb nine
Mbi MHoro ryjiflJiH we have had AeAyuiKa grandfather
a long walk AeftcTBHe act
rycToft thick AeftcTByiomHe jihiw characters of
rycb goose; rycH geese play
Aena6pb December
a. AeJi (AeJio) acts, deeds
Aa yes; fla-c yes, sir! AejiaTb to do; hto
? what is
AaBaTb, aaTb to fla^Hre
give; to be done? hto >Ke well,
you'll give; flaeT gives; flaft, Te what can I do? What is to be
PyCCKO-AHITlHHCKHH CJlOBAPb 181
ecJTH if, since, just because; 6bi 3a<5HpaTb b rrjieH to take prisoner
if 3a6oTa; 6e3 3a66T carefree
ecrecTBeHHbift natural 3a6yaeT (3a6biTb) will forget; 3a-
ecTb there is (are) Gyflb, He
>Ke don't forget;
ecTb to eat; Ha.no you should hm He 3a6biTb they can't
eat; xoTeji
was hungry; xoneT forget
is hungry; XOHy I am 3aBeaeHHe; yne6Hoe educa-
hungry tional institution; Bbicuiee
exaTb to travel, drive institution of higher learning
eme still, yet, also a xotht 3aBOA factory
(see xotht) 3aBOAHTb start (to sing)
3aBoesaTb to conquer
3aBTpa tomorrow
>K
3aBfi3aTbCfl to begin
waJlKHH pitiful 3arji/HyTb,
AeTbCH to look (into)
>KaJiosaTbCfl to complain 3arHaTb to drive in (to, on)
PyCCKO-AHIVIMnCKHH CJlOBAPb 183
KaK how, as, like, that, since; KOHeu end; b KOHu,e in the end
CyflTO as
pa3
if; HH6yAb
some- KOHeHHO certainly
how; exactly; ... TaK KOHH (KOHb) steeds, horses
H ... as well as k6hhch, -a at an end
Kanan, Kanoft what a,such as; KOHHHTb to finish
HH6yflb some; TO some, a KonaTb to dig
Kak'He what kind KoneftKa, Koneen copeck (small
KaMeHb stone copper coin)
KaHHKyjibi vacation Kopa6jiecTpo6HHe shipbuilding
KanHTaH captain; "KariHTaHCKaa Kopa6jib ship
flOHKa" 'The Captain's Daugh- KOp3HHa basket
ter" KOpMHTb to feed, support
KapHH brown (eyes) KOpdTKHH, KOpOTeHbKHH short
KapMaH pocket KOTJieTa cutlet
KapTHHa picture KOTopbift who, which; 3a KOTOpbIM
KapTO(J)eJib potato at which
KapTOHKa; $OTorpa(})HHecKaH KouiejieK purse
photograph Kpaft land, country, edge
KanaTb to rock KpafiHHfl extreme
Kama porridge Kpaca, KpacaBHua beauty
KHHeMaTorpacp movie theatre KpacHBbift pretty, beautiful
KHHyTb to leave KpacHeTb'to blush
KJiaaeT (KiiacTb) puts KpacHoapMeeu Red Army man
kjik)4 key KpacHbift red
KHHra book KpacoTa beauty
KHflwecTBO principality KpacoTbi npHpOAbi natural beau-
KHH3b prince ties
Hero it; y
he has hh neither nor. . .
HHK3K bv no means
week HHKor^a never;
66jibiiie never
HeaoJiro not long again
He>KHbiH tender HHKOro nobody
He3aflOJiro shortly before HHKOMy to no one
He3aHeM; aa h
one does not hhkto no one
have to HHM; 3a
after him; HHX; B
HeKOTOpbie some, several
HeJib3fl one must not
in them; H3 of them
HHHero nothing; it doesn't matter;
HeM; B in it
y Te6fl
HeT you have nothing
HeMeu, HeMeuKHH German; no- HHHeM He oTJiHHaJiCH was in no
HeMeiiKH in German
way different from
HeMHoro, HeMHO>KKO a little
hhiuhh beggar
HeMy; k
to him
ho but;
H but also
HeHaBHwy (HeHaBHAeTb) I hate
hobmh new
Henorofla bad weather
Hora leg, foot; H3 noA Hor from
HenoflBH>KHO motionless
Henox6>KHH unsimilar under their feet
HenpaBfla! that's not true HOCHTb to wear
HenpaBHJibHO incorrectly HoneBaTb to spend the night
HenpHHTeJib enemy hohhoh night (ad/.)
HepeAKO not infrequently HOMb night; no HOHaM at night;
HepeuiHTejibHO hesitatingly cnoKOHHOH hohh good night;
Hec, HecJia carried HOMbH) at night
guished proach
norH6HyTb to perish noeaeuib (noexaTb) will go
norH6uiHX perished, lost n6e3A train
noroaa weather; xopomaa noe3AKa trip
lovely weather noeT (neTb) sings
noroflfrre just you wait!
noexaji (noexaTb) left
norpaHHHbe frontier, border nowaJieTb to have pity
norpe6jia (norpecTH) I have shut nowap conflagration
myself in forever nowapHbifi fireman
noryjiHTb to take a walk no>KHMaTb ruienaMH to shrug
nofl under one's shoulders
pacnpuraTb to unharness
paccBeT dawn, day-break
pa66Ta work;
Tb to work
paccepAHTbcn to be angry
pa66TaK)iimx (pa66iaTb) working
paccKa3 short story
pa66MHH worker paccKa3aTb, paccKa3biBaTb to tell,
pa6cTBO slavery
narrate
paBHHHa plain
paccKa3MHK story teller
paBHonpaBHe; TaK ! if you
paccTOHHHe distance
want equality of rights you can
pacreHHe plant
have it
pacTH to grow
pafl happy; TaK so happy pacTHTb to raise, build
paflOCTHO; MHe am happyI
pacuBeTaTb to bloom, blossom
paflOCTb joy
pBeT (psaTb) tears
pa3 time, times; eme once
pe6eHOK; eme pe6eHKOM when
more, again; Ha tot this
still a young child
time
peBOJibBep pistol
pa36HTb to defeat
pa366ftHHK brigand
pesKHH shrill; 3BOHOK a bell
rings noisily
pa36pocaHbi (pa36pocaTb) scat-
pe3yjibTaT result
tered
pa3Beft (pa3BeflTb) disperse
peKa river; MocKBa Moscow
river
pa3BeJi (pa3BecTH) planted
pejiHrH03HbiH religious
pa3BeceJibiH merry
peJiHrHH religion
pa3BHBaTbCfl to develop
pejibc rail
pa3BHTHe development
peuiaftTe (peiuaTb) make up your
pa3roBapHBaTb to talk
mind
pa3roBop conversation
peuieHHe decision
pa3ryjibe revelry
peuiHTeJibHO with determination
pa3AaBHTb to crush
peuiHTb to solve, decide
pa3fleJiflTb to divide
Phm Rome
pa3Apa>KeHHO annoyed, irritated pHCKOBaTb to risk
pa3HOo6pa3He variety pHcyeT (pHCOBaTb) presents, gives;
pa3HOo6pa3Hbift varied, different draws
pa3HbiH diverse, different pHcyHOK picture
pa3pyujHTb to destroy poBHO exactly
paHa wound poBHbiH even
paHeHbiH wounded pOfl kind
paHO early, soon poflHHa fatherland
paHbiue earlier, at first pOAHTeJiH parents
pacKpacHeTbca to redden poflHTbCH to be born
pacKpbiTbCH to open poflHOH own, of the home
pacnpocTpaHeHHe spreading poflCTBeHHHK relative
198 IIOCOBHE Jim HTEHHfl M PA3FOBOPA
cthx verse;
H poems, poetry; B for how much
ax in verse cypOBbift severe, inclement
cTHXoTBOpeHHe poem cxBaTHTb to seize
cto hundred cueHa scene; AejiaTb cueHbi to
doft (CTOflTb) stand; ctoht stands make scenes
CTOHTb to cost; CTOHT is worth; cnacTJiHB, cHacTJiHBbitt happy
He Toro is not worth this cnacTbe happiness, luck, good for-
ctoji table; 3a 6m at the table tune
CTOJiHua capital CHHTaTb to count
CTOJidBaa dining room ci>e3fl meeting, convention
CTOJibKO so many (much) cbeji, h(cbecTb) ate
CTOpo>K guard CbirpaTb to play
CTOpOHa side, direction, trait, land; Cbffl son
b CTOpOHy aside CbiT satisfied
ctopohhhk supporter ciofla here
CTOHTb to stand;
Ha KOJieHHX cioweT subject
to be on one's knees
cTpaaaHHe suffering
CTpaaaTb to suffer
CTpaHa country Ta6aK tobacco
CTpaHHO in a strange way TaflHO secretly
CTpacTHO passionately Tan in this manner, this way, thus,
CTpauiHO, CTpauiHbiH terrible; 6bi- so, like that, then; KaK inas-
JIO ... were afraid much, since; hto so tnat
CTpeK03a dragon fly Taione also, similarly
CTpejia arrow TaKofl such; hto TaKoe? what is
yBbi alas
?
ywiep, Jia, jih died; eTb to
yroflHO; hto BaM what do die; yMpeM, yMpy will die
you want? VMeTb to be able, know how
yroJi corner; H3 yrjia B up He ^M-
yMHblft intelligent, clever ;
uejiyioiuHfl kissing
3a Bee
it is;
ID
mar step
manna cap h6jiqh$i apple tree
uiapMaHKa hand organ HBJlfieTCH is
OrjIABJIEHME
CTF.
59, 159
LUojioxob 63, 161
Dafo Duo
'M^ 17J99lr
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