Film Theory Cluster Map PDF

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Jean-Louis Narboni and Jean Comolli

Andrew Sarris

Interpretation

Kristin Thompson
Peter Gidal
Slavoj iek
Miriam Hansen
Jean-Pierre Oudart

Auteur Theory

Daniel Dayan

Symptomatic Reading
Vsevolod Pudovkin
Cahiers du Cinma

European Film Theory

Peter Wollen

Ferdinand de Saussure

Avant-Garde Film

Walter Benjamin

Mimetic Innervation

Ideology

Jean-Louis Baudry

Anglo-American Film Theory

Viktor Shklovsky

Stephen Heath
Eve Sedgwick

Mise-en-scne

Structural/Materialist Film

Siegfried Kracauer

Psychoanalysis

Counter Cinema

Suture

Marxism

Redemption
Poetic Cinema

Andre Gaudreault

B. Ruby Rich
Louis Althusser
Laura Mulvey

Brecht and Film


Visual Pleasure and Narrative Cinema

Formalist Theories of Film


Third World Cinema

Pudovkin

Interface

Colin MacCabe

Contemporary Film Theory

Attraction

Pier Paolo Pasolini

Teresa de Lauretis

Fantasy and Spectatorship

Apparatus Theory
Film as Art

Elizabeth Cowie

Reflexivity

Modernism vs. Realism

Queer Theory/Queer Cinema


Tom Gunning

Discourse
Early Film Theory

Dziga Vertov

Feminist Film Theory

Rudolf Arnheim

Illusion

Sergei Eisenstein

Medium Specificity

Classical Film Theory

Warren Buckland

Gaze Theory

Blending and Film Theory


Classic Realist Text

Psychoanalytic Film Theory

Stuart Minnis

Enunciation and Film

Montage Theory

Long Take

Depth of Field

Jacques Lacan

Emile Benveniste
E. Ann Kaplan

Imaginary Signifier
Kino Eye

CGI

Representation

Sound Theory
Andr Bazin

Vito Russo

Semiotics of Film
Raymond Bellour

Digital Cinema
Christian Metz

Ontology of the Photographic Image

Stephen Prince
Thomas Elsaesser

Michel Chion

Film and Rhetoric

Pixel/Cut/Vector
Skepticism

Indexicality

Francesco Casetti
Raymond Bellour

Gregory Currie

Voyeurism

Shoshana Felman

Cinematic Excess

Film and Trauma

Ferdinand de Saussure

Sean Cubitt

David Rodowick

Theory of Identification
Jean Mitry

Linda Williams
Holocaust Testimony

Dori Laub

Charles Sanders Peirce

Imagined Observer Hypothesis

Mourning

Fabula

Concept
Narration

Film Fables

Cathy Caruth

Symbol and Analogon

Kaja Silverman

Russian Formalism

Ethics and Film


Movement-Image

Mirror Stage

Metaphor and Metonymy

Attention

Hugo Mnsterberg

Emmanuel Levinas

Voice

Diegesis

Gaming and Film Theory

Grard Genette

Film-Philosophy

Gilles Deleuze

Etienne Souriau

Syuzhet
Nol Carrol

Point of View

Stanley Cavell

Seeing/Perceiving

Memory

Accented Cinema
Henri Bergson

Spectatorship
Henry Jenkins

Jesper Juul

Edward Branigan

Affect
Narrative Theory

Filmology

Cognitive Film Theory

Ludology

David Bordwell
Mladen Dolar

Time-Image

Minor Cinema

Focalization
Greg M. Smith

Camera
Emotion and Film

Perspectivism vs. Realism


Cinematic Movement

Evidence (Jean-Luc Nancy)

Duration

Rick Altman
Sympathy

Reception Theory

Analytic Theory of Film


Murray Smith
Torban Grodal

Sense

British Cultural Studies

Vivian Sobchack

Dialogism
Ordinary Man of the Cinema (Jean-Louis Schefer)
Phenomenology and Film

Documentary Theory
Hans Robert Jauss

Alitheia

Genre Theory

Chronotope
Empathy

Habitus

Janet Staiger

Bill Nichols
Fredric Jameson
Carl Plantinga
Mikhail Bakhtin

Steve Neale

Robert Stam
Linda Hutcheon
Allusion
Pastiche

Postmodern Cinema

Parody

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