The Power of Culture For Development
The Power of Culture For Development
The Power of Culture For Development
Director-General of UNESCO
for the Economic Cooperation and Development Review
The Power of Culture for Development
The facts speak for themselves. Cultural and creative industries are some of
the most rapidly growing sectors in the world, representing an estimated
global value of US$ 1.3 trillion. Average growth rates represent 13.9 percent
in Africa, 11.9 percent in South America, 17.6 percent in the Middle East, 9.7
percent in Asia, 6.9 percent in Oceania, and 4.3 percent in North and Central
America exceeding the rates of growth of the service industries and
manufacturing. Cultural industries account today for an estimated 3-4
percent of the global gross domestic product. Cultural tourism represents
some 40 percent of total world tourism revenues, in a sector that has grown
continually over the last decade. Across the world, culture plays an
increasing role as a source of employment and revenue.
At the same time, culture is a source of wealth in ways that do not have price
tags. Culture can help promote social cohesion and youth engagement, and
it is a wellspring for social resilience. This is the case for countries across the
world, at all levels of development. These benefits may be hard to quantify,
but their impact is immeasurable and they are essential for all societies
today. This is also why UNESCO is so committed to safeguarding and
protecting cultural heritage, especially in situations of conflict. This heritage
does not only provide revenue and employment for local communities
more fundamentally, it is a source of identity and a force for cohesion and
reconciliation.
UNESCOs position is clear. We are living in a new age of limits -- in terms of
the resources of the planet and material assets. In this context, we must
make far more of the single most powerful and renewable energy there is
that of innovation. UNESCO is committed to releasing the full power of
human ingenuity as a source of resilience at a time of change and as a
wellspring for creativity and growth. Culture is essential here. It is a driver of
development, led by the growth of the cultural sector, creative industries,
tourism, and the arts and crafts. It is also an enabler of sustainable
development -- the context in which development policies can move forward,
through local ownership, with greater efficiency and impact. The power of
culture for development lies precisely in its sustainability at the local level.
2
The first milestone was laid in the 1982 World Conference on Cultural
Policies held in Mexico that linked culture and development tightly together. 2
The World Conference widened the definition of culture to include a whole
complex of distinctive, spiritual, material, intellectual and emotional features
-- meaning not only the arts and letters but also modes of life, the
fundamental rights of the human being, value systems, traditions and
beliefs. UNESCO also made the most of its leadership of the World Decade
on Culture and Development (1988-1998) to advocate for greater recognition
of cultures contribution to national and international development policies.
In 1996, the UN World Commission on Culture and Development, led by J.
Perez de Cuellar, published a landmark report, Our Creative Diversity, which
examined the importance of culture for development and called for rethinking
development in its light. 3 The Report highlighted cultural diversity as a motor
for creativity and innovation that is vital for social and economic
development.
The 1998 UNESCO Intergovernmental Conference on Cultural Policies for
Development, held in Stockholm, set a new milestone. Its Action Plan on
Cultural Policies for Development stated that sustainable development and
the flourishing of cultures are interdependent. 4 It reaffirmed the harmony
between cultural and development, and declared that cultural diversity was
an essential factor of development development, it agreed, that must be
sensitive to culture itself. One year later, UNESCO and the World Bank
held an Intergovernmental Conference, Culture Counts in Florence, which
highlighted the importance of cultural capital for sustainable development
and economic growth.
change
is
needed.
As
the
challenges
are
highly
Keeping the Promise -- United to Achieve the Millennium Development Goals, Outcome
For all references to UNESCOs work, consult the UNESCO website: www.unesco.org
6
all countries, particularly for developing countries, and called for actions
undertaken nationally and internationally to secure recognition of the true
value of this link.
This normative framework represents a cultural governance system, based
on human rights, engaging States in a continual process of dialogue and
cooperation at the international level. The UNESCO conventions also help
design and implement national cultural policies with strong social and
economic impact. UNESCO is working to build national capacities (cultural
institutions, professional networks and local communities) and to support
policies and regulatory frameworks that create an enabling environment to
safeguard and promote cultural resources.
UNESCO plays a leading role as the specialised UN agency for culture but
it is far from alone. Some 18 UN organizations also work in this area,
including through joint programming at country level, where culture really
counts. 9
Action at the Country Level
Nowhere is the link between culture and development more clear than at the
country level. New cultural powerhouses are emerging in every region of the
world. More and more countries are investing to develop vibrant culture
sectors, and they are requesting the support of the United Nations to their
efforts. At the global level, we are still making the case for culture and
development at the national level, the argument has already been won.
We see this in the demands of countries for UN support. In 2006, culture
was mentioned in less than 30 percent of UN Development Assistance
Frameworks (UNDAFs) the core UN strategy to support a countrys
development. By 2012, this had risen to 70 percent, with the majority of
These include UNDP, UNIDO, UNWTO, IFAD, WIPO, FAO, UNEP, UNCTAD, UNITAR,
entries linked to culture for social and economic development. 10 In the Arab
region, the figure stands at 89 percent of UNDAFs, with most entries
focusing on culture for economic development. For a number of countries
Cambodia, Bangladesh and China, for instance -- culture has been defined
as a main outcome in the UNDAFs. This trend testifies to the rising demand
by Governments and the integration of culture into UN efforts.
UNESCOs leadership of the Culture and Development Joint Programmes of
the Millennium Development Goals Achievement Fund (MDG-F) helped
accelerate this trend.
Financed by Spain between 2006-2008, and running until 2013, the MDG-F
covered eight thematic windows - including one on Culture and
Development, led by UNESCO. This major country-level effort (representing
US$ 96 million) encompassed 18 large-scale programmes, undertaken in
the Arab States, Africa, Latin America, Asia and South-East Europe, with
benefits reaching an estimated 10 million people. A clear goal guided this
work -- to demonstrate cultures contribution to development at the national
level and boost progress towards the Millennium Development Goals. To
these ends, the Joint Programmes sought to harness the potential of culture
for poverty reduction and to bolster social cohesion.
Four Joint Programmes were implemented in the Arab region -- in Egypt,
Mauritania, Morocco and Palestine -- to a total budget of US$ 20 million.
Overall, these programmes reached 32,000 direct beneficiaries (of which 56
percent are women) and 388,000 indirect beneficiaries (of which 50 percent
are women). The objectives were to support employment and income
generation in the culture sector, especially for unemployed individuals and
women. The overall goal has been to safeguard and promote both tangible
and intangible cultural heritage by bolstering human and institutional
10
For a search tool on the culture entry points in UNDAFS, consult the UNESCO website:
http://www.unesco.org/new/en/culture/culture-in-the-undafs/search-tool/
8
major Buddhist temple complex, dating back to the 8th and 9th centuries, had
been painstakingly restored after centuries of neglect and destruction by
natural forces thanks to a UNESCO-led international safeguarding
campaign, launched in 1972. After the eruptions, UNESCO worked with the
Government, local authorities and the local community to clean the temple
compound and to preserve its natural setting. This involved also capacitybuilding for revenue generation. These efforts are designed to harness the
power of cultural heritage for social resilience and the revival of economic
activity at the local level.
This is why UNESCO acts to protect cultural heritage in situations of conflict.
This is the case most recently in Mali. Timbuktus three major mosques,
Djingareyber, Sankore and Sidi Yahi, along with 16 mausoleums, were
inscribed on UNESCOs World Heritage List in 1988. The Askia Tomb in the
city of Gao followed in 2004. In July 2012, following the destruction of 11 of
the mausoleums, and the doors of Sidi Yahi, both sites were inscribed on
UNESCOs List of World Heritage in Danger. UNESCO is working with the
Government and local authorities to strengthen their capacity to safeguard
and protect this heritage. We provided topographic maps and coordinates to
the armed forces of Mali, France and Chad to help prevent shelling of these
sites. We are working also with the leaders of Malis neighbouring countries,
as well as with Interpol, the World Customs Organization and all those
involved with the art market, urging them to be vigilant as to the illicit export
and traffic of any cultural artefact out of the country.
After my visit to Mali on 2 February, 2013, UNESCO is preparing an Action
Plan with the Government of Mali to rehabilitate cultural heritage damaged
during the conflict with the active participation of local communities and to
protect the regions ancient manuscripts. We will provide training activities to
restore the conditions for the conservation and management of Malis
tangible and intangible. All of this is essential for restoring national unity in
the country and for strengthening social cohesion these are the
foundations for long-term reconciliation and sustainable development.
12
held
in
Hangzhou,
China,
from
15-17
May
2013.
13
UNESCO and UNDP are jointly preparing the third edition of the UN
Creative Economy Report, to be published in 2013. The Report explores
the importance of the creative economy at the local level, focusing on the
power of cities as motors for sustainable development, and it calls for
more coherent UN system work to support policy at the global, regional
and national levels.
In the autumn of 2013, Indonesia, with UNESCO as a partner, will
organize a first World Culture in Development Forum. This will be
important
opportunity,
especially
as
President
Susilo
Bambang
(ii)
inclusive
social
development,
(iii)
inclusive
economic
communities
and
indigenous
peoples,
through
appropriate
15
16
Dear Director-General,
Please find enclosed a draft article on for the Economic Cooperation and
Development Review, produced by the Turkish-based Statistical, Economic
and Social Research and Training Centre for Islamic Countries (SESRIC), a
subsidiary organ of the Organization of the Islamic Cooperation.
The article brings together your arguments for culture as a force for
development in this crucial year and in the run-up to 2015.
The draft has been reviewed by the Sector and also inside ODG.
Thank you, and best wishes,
Dov
17