Kenzo Tange
Kenzo Tange
Kenzo Tange
Tradition can, to be sure, participate in a creation, but it can no longer be creative itself.
LIFE
Kenzo Tange was born in, 1913 in the port city of Imabari.
Kenzo Tange's private practice began in 1949 with his successful submission to the open
competition for the Hiroshima Peace Center.
Tange combined Le Corbusiers five points with elements drawing from Japanese
traditions, such as the sun-screens and the modular arrangement of the facade.
the parabolic shaped memorial sculpture in the garden resembles the Haniwa tombs of
former rulers of Japan.
of the blast.
The elegant roofs of the two gyms use a contemporary language and a similar structural
logic: they are suspended by two large steel cables. Both axes are arranged in an eastwest, which is also the predominant direction of plot.
The structural concept is based on a main spine that consists of two steel cables 13 "
in diameter, anchored to two large slabs of concrete on either end of the building and
to two structural towers. Cables describe a parabolic curve (technically, it is called
catenary ) from which smaller wires are placed perpendicularly, to form a tent-like roof.
Kenzo Tange takes advantage of the gap between the two curves to propose an
imposing triangular access, which, despite having a monumental scale, seem to
be born of the earth, giving the building a feeling of lightness.
It is also important to note that the roof, although it used state-of-the-art technology at the
time, still evokes elements of traditional Japanese architecture, particularly the roofs
of Shinto shrines.
The Tokyo Cathedral has been completed in 1964, replacing the old wooden cathedral,
in gothic style, burnt during wartime.
The complex consists of a group of structures, among which are the cathedral and bell tower.
The
sculptural
structure is
wrapped in
stainless
steel.
The plan layout is a diamond, which sides are joined to the vertices of the cross
using 8 curves called hyperbolic paraboloids.
The eight walls the elements which hold the whole structure are at the same time roof
and walls, enclosing the space and opening to the outside through vertical gaps.
These concrete walls provide a dramatic spectacle in their contact with light through the
elongated windows on the sides of the cross
develop
urban megastructure,
into
which
an
into which an
ever-growing number of prefabricated
capsules could be plugged-in.