Neef Catalogue RRP

BRUSHES
2 - 24
BOOKS 98
DANIEL SMITH
25 - 35
DVDs 82 - 97
PALETTES 80
PASTEL BOXES
81
LUKAS 36 - 71
MICHAEL HARDING 72 - 79
PRICE LIST 01/01/2012

Warehouse address: Level 1/1310 Malvern Rd, Malvern Vic 3144

Postal address: P.O. Box 513, Malvern, Vic 3144

Geoff Hill Mobile 0428 029 864

Toll free phone: 1800 804 339
Phone: 03 9804 3390
Fax: 03 9804 3391

ACN 006 788 898 ABN 89 006 788 898
Any queries contact Geoff Phone 03 9804 3390 fax 03 9804 3391 [email protected]
MINIMUM QUANTITIES
Orders valued under $100.00 are uneconomical to process.
Please consolidate your orders to a minimum of $200.00.
FREIGHT CHARGES
Brush orders: Freight free (Min $200.00)
Book orders: Freight charge will be added.
TRADING TERMS
Strictly 30 days nett.
We reserve the right to stop supply to customers whose accounts are overdue.
METHOD OF PAYMENT
Cash, cheque, EFT, direct payment
Credit cards only accepted on accounts less than 30 days.
Over 30 days and a 2% charge is added.
NEEF BANK DETAILS
Direct payments are accepted under the condition you fax a receipt.
Malvern Westpac BSB 033 305 ACCOUNT 336 892
EXCHANGE OF GOODS
Free of charge if due to our error otherwise a $10.00 handling charge applies.
NEEF AUSTRALIA reserves the right to change prices at any time.
All goods remain the property of NEEF AUSTRALIA until paid in full.
UPDATED BOOKLIST AVAILABLE UPON REQUEST
www.neef.com.au - lists all available Neef product and retail prices.
95 SERIES NEEF BRUSH

4-5
17
6
17
19-20
13
7
7
8
8
8
9
9
9
10
10
10
11
11
11
6
6
12
960 B SERIES NEEF BRUSH
12
960 R SERIES NEEF BRUSH
12
11
17
14
16
15
14
15
13
15
16
16
16
17-19
17
1212 ESCODA BRUSH
23
1214 ESCODA BRUSH
23
1290 HAKE BRUSH
12
1430 ESCODA BRUSH
24
20-21
7
9
22
21
22
22
4880 L SERIES NEEF BRUSH
22
7643 ESCODA BRUSH
24
8438 ESCODA BRUSH
24
ACRYLIC PAINTING BRUSH
4-5,18-21
ALVARO CASTAGNET BRUSHES
6,22
ALVARO CATAGNET DVD
82
ANGLE / SHADER BRUSHES
16
ANN BLOCKLEY DVD
82-83
AUBREY PHILLIPS DVD
83
BARRY WATKINS DVD
83-84
BERLIN WATER MIX OIL LUKAS
48-51
BOOKS 98
BRUSH NEO PACKS
23
BRUSHES NEEF 4-24
BUTTER - LUKAS
71
CAMEL HAIR BRUSH
9
CHUNKING BRISTLE BRUSH
17-19
DAGGER BRUSH 8
DANIEL SMITH GROUND
32-34
DANIEL SMITH MASK FLUID

35
OIL PAINTING BRUSHES
4-5,10-12,18-21,24
DANIEL SMITH W/C
25-30
OIL PAINTS
37-51,72-79
DANIEL SMITH W/C STICKS
31
OIL SETS 39,43,46-47,49
DAVID BELLAMY DVD
84-85
PALETTE WATERCOLOUR
80
DAVID CURTIS DVD
85-86
PAMELA KAY DVD
94
DAVID TAYLOR BRUSH
7
PANS LUKAS 54-56
DAVID TAYLOR DVD
87
PASTEL BOOKS
62
DEER FOOT STIPPLER
10
PASTEL BOX 81
DVDS 81-97
PASTELS
62-65
ELIZABETH BLACKADDER
87
PAUL HOGARTH DVD
94
ESCODA BRUSHES 23-24
POCKET BRUSH 23
FAN BRUSH 5,11,17 PONY HAIR BRUSHES
9
FILBERT RAKE BRUSHES
15
RAKE BRUSHES 16
FRED CUMMING DVD
87
RAY BALKWILL DVD
95
GOUACHE LUKAS 66-69
RICHARD PIKESLEY DVD
95
GOUACHE SET 67
RIGGER BRUSHES 6,8,16
GREG ALLEN DVD
88
ROBERT WADE BRUSHES
14-15
HAKE BRUSH 12
ROBERT WADE DVD
95-96
HARDING OIL MEDIUMS
77-79
RON RANSON DVD
96-97
HARDING OIL PAINT
72-76
ROSS PATTERSON DVD
97
HERMAN PEKAL DVD
88
SABLE BRUSHES 7,8,23
IMITATION SABLE BRUSHES
8
SETS GOUACHE 67
INDIAN SABLE HAIR
10-11
SETS OIL LUKAS
39,43,46-47,49
INK DANIEL SMITH
32
SETS PASTEL 63
INTERLOCKED BRISTLE
17-20
SETS WATERCOLOUR LUKAS 53-55,59-60
JAMES FLETCHER WATSON
88-89
SMOOCHING BRUSH
12
JANE CORSELLIS DVD
89
SQUIRREL HAIR BRUSHES
6
JENNY WHEATLEY DVD
89
STAYWET W/C PALETTE
80
JOHN HAMMOND DVD
89
STENCIL BRUSHES 13
JOHN WARD DVD
90
STIFF SYNTHETIC BRUSHES
4-5
JOHN YARDLEY DVD
90
STIPPLE BRUSHES 10
JOSEPH ZBUKVIC DVD
91
STUDIO LUKAS OIL PAINT
42-47
KAREN SIMMONS DVD
91-92
STUDIO LUKAS W/C PAINT
58-61
KEN HOWARD DVD
92-93
TOM COATES DVD
97
KOLINSKY SABLE
7-8,23 TRAVEL BRUSH ESCODA
23
LINER BRUSHES 6,8,16 W/C PAINT LUKAS 1862
52-57
LUKAS 1862 OIL PAINT
38-41
WADE ROBERT BRUSHES
14-15
LUKAS BERLIN 48-51
WALNUT INK DS
32
LUKAS GOUACHE 66-69
WASH BRUSHES

9-14
LUKAS MEDIUM BUTTER
31
LUKAS MEDIUM BERLIN
50
LUKAS PASTELS 62-65
LUKAS PRODUCTS 36-71
LUKAS SETS BERLIN
49
LUKAS SETS GOUACHE
67
LUKAS SETS OIL
39,43,46,47,49
LUKAS SETS PASTEL
63
LUKAS STUDIO OIL PAINT
42-47
LUKAS STUDIO W/C
58-61
LUKAS W/C PAINTS
52-61
MARGARET EVANS DVD
93
MARY FEDDON DVD
93
MAX WILKS DVD
93-94

MEDIUMS
BERLIN 50
MEDIUMS LUKAS 71
MEDIUMS MICHAEL HARDING
77-79
MELANIE CAMBRIDGE DVD
94
MICHAEL HARDING OILS
72-76
MICHAEL HARDING MEDIUMS
77-79
MINI LINER BRUSHES
8,16
MITCH WAITE DVD
94
MONGOOSE / INDIAN SABLE
10-11
MOP BRUSH 6
MY PASTEL BOX
81
NEEDLE POINT BRUSH
22
NEEF BRUSHES
4-24
NEO BRUSH PACKS
23
OIL MEDIUMS MICHAEL HARDING 77-79
OIL MEDIUMS LUKAS
50,71
BRUSHES
SHORT HANDLE BRUSHES are called watercolour brushes

LONG HANDLE BRUSHES are called oil painting or easel brushes
BRUSHES - HAIR TYPES
Most so called oil and watercolour brushes are suitable for both (or all media) depending entirely on the
hair type. But do not use different mediums with the same brush
SABLE is the Rolls Royce of soft hair brushes. lt offers great point, great spring and has fantastic colour
carrying capacity. Sable hair is suitable for all mediums.
OX HAIR is not very common in today's market place and has largely been replaced with synthetic hair.
For the people who cannot afford sable.
SQUIRREL HAIR A soft and generally dark coloured hair particularity suitable for watercolour as it carries a lot of water. Does not offer the spring of a sable but is not as expensive. A delight to use in watercolour painting. Best examples of squirrel are the wire bound mops such as the NEEF 117 (Red handle
Alvaro Castagnet mop brush) amongst many others.
PONY, CAMEL, HORSE & GOAT HAIR Generally all cheaper types of squirrle hair
TAKLON until recently (say the last 20 years) all brushes were made from animal hair. That is until the
advent of synthetically made hair. The original examples were not so good but the later versions starting
with the NEEF Robert Wade series of brushes are really quite amazing in their performance and reasonably priced.They offer a great point, great spring and precise control. A delight to use and suitable for
all media particularly when brush marks are not required in the paint film. They do not carry as much
colour as sable/squirrel but are a fraction of the price and offer great value.
TAKLON / SQUIRREL MIX a relatively new development has been the marrying together of squirrel and
taklon. TAKLON for point and spring. SQUIRREL for colour carrying capacity. This mix gives a suberb
brush for watercolour in particular at a much lower price than sable.
SYNTHETIC 95 SERIES this brush has been our most successful seller over the last 5 years for acrylic
painting. The bristles are stiff and have great snap and amazing control. The 95 series bristles clean very
easily. The long handle is a dark green.
HOGHAIR the best example is the so called 100% interlocked hoghair blue handle Neef 1150. Probably
90% of oil painting would be done with hoghair. This bristle leaves brush marks in the paint film where
required and only the best quality Chunking bristles are selected. An extra length of hair is inserted into
the ferrule formed into a mould and oven heated for a short time, giving the bristles greater spring. All of
this quality control enables the interlocked bristle to retain its shape and resilience over many years.
MONGOOSE (lndian sable/ badger) mongoose brushes are very satisfying to paint oils and acrylics with.
A little courser than sable and not as expensive but they offer great control and spring e.g. 450, 455, 460,
465, 470.
NEEF AUSTRALIA 1310 MALVERN RD , MALVERN 3144 . PH 03 9804 3390 -FAX 03 9804 3391

RRP prices include GST and are subject to change without notice
In addition to handle size and hair type some important brush shapes are briefly listed as follows
All have their different effects and advantages
FLATS - Flat ferrule but with square end

BRIGHTS - Flat ferrule but with square end. Shorter hair length than a flat. To make distinct definite marks.
BRUSHES
BRUSH SHAPES
FILBERTS - flat ferrule with rounded hair end. A versatile brush gives softer finish than the flats or bright.
ROUNDS - Round ferrule with round pointed hair. Very popular (as are the filberts) with tonal painters.
FANS - Fan shaped brushes are great for adding highlights in grass and foliage. They are also good for blending.
RIGGERS - round ferrule with extra long hair coming to a fine point in sable hair, taklon, synthetic or a com-
bination
WASH BRUSH - also called an oval or sky brush. Flat ferrule with filbert type rounded hair best example
Neef 4600
OTHERS - there are many more specialist brush types. These include ticket & sign writers spotter's cats,
tongue, daggers, liners, quill liners etc but the most common and popular come under the types listed above.
Your brushes well maintained will give satisfaction for many years. So buy the best brushes you can
afford for your purpose and wash carefully ensuring that all paint is removed fiom the hair particularly
around the ferrule. Store safely until the next painting session.
Kerosene is kinder to your brush than turpentine as a cleaner after oil painting. It keeps your brush
moist where as your brushes tend to become brittle when cleaning with mineral turps. Form the brush
into shape using Vaseline after cleaning.
GUARANTEE
All artists' brushes are hand made and the attention to detail in the manufacturing process has to
be seen to be believed. Since 1988 when we etablished our brush range we have seen very few faulty
brushes to the point where we at Neef stand completely behind our product and offer a 100% guarantee
on the quality of materials and manufacture.
We wish we could guarantee that you will paint successfully with our brushes but an old saying says...
"The more you paint the better you will paint
This is one rule that stays constant.
Buy the best you can afford.
This is the best advice we can give.
BRUSHES
The Neef 95 series is absolutely the best brush for acrylic painting with very
resilient stiff bristles that snap straight back into shape. We also have a lot of oil painters who will only use
this 95 series brush and like all Neef brushes, if cleaned and stored correctly this brush will give years of
painting pleasure.
95 FILBERT - STIFF SYNTHETIC - LONG HANDLE
A Filbert has a flat ferrule with a rounded hair end. A versatile brush that gives a softer finish than the flats
or brights.
Barcode
Description

9330173004903 95 Filbert Synthetic Neef Size 0
Pkt
6
6
6
6
6
6
3
3
3
3
1
1
1
Width of hair
at ferrule
3mm
5mm
6mm
8mm
10mm
12mm
15mm
19mm
22mm
28mm
33mm
38mm
46mm
Length of
Hair
11mm
12mm
14mm
16mm
19mm
22mm
28mm
33mm
38mm
41mm
43mm
49mm
50mm
R.R.P
$9.25
$11.25
$12.05
$13.70
$14.70
$18.05
$22.65
$29.40
$39.05
$51.75
$62.60
$86.00
$105.00
95 FLAT - STIFF SYNTHETIC - LONG HANDLE

Flat ferrule but with a square end.
Barcode
Description

9330173004910 95 Flat Synthetic Neef Size 0
Pkt
6
6
6
6
6
6
3
3
3
3
1
1
1
Width of hair
at ferrule
5mm
6mm
7mm
8mm

10mm
12mm
15mm
20mm
24mm
29mm
35mm
37mm
46mm
Lenght of
Hair
12mm
13mm
15mm
16mm
21mm
24mm
27mm
33mm
38mm
43mm
46mm
48mm
52mm
R.R.P
$9.25
$9.65
$9.90
$11.20
$12.55
$17.30
$19.10
$28.25
$36.20
$42.35
$55.75
$76.40
$82.45
Barcode
Description
Pkt

9330173004880 95 Round Synthetic Neef Size 0
6
6
6
6
6
6
3
3
3
3
1
1
1
Width of hair
at ferrule
2mm
3mm
4mm
5mm
6mm
8mm
10mm
12mm
14mm
15mm
16mm
18mm
20mm
Length of
Hair
10mm
11mm
14mm
17mm
20mm
26mm
33mm
36mm
39mm
41mm
43mm
46mm
50mm
R.R.P
$ 9.25
$11.05
$12.05
$13.30
$14.00
$17.30
$21.05
$27.55
$36.20
$48.95
$69.50
$86.75
$104.55
BRUSHES
95 ROUND - STIFF SYNTHETIC - LONG HANDLE

Round ferrule with round pointed hair. Very popular with tonal painters.

95 BRIGHT - STIFF SYNTHETIC - LONG HANDLE
A bright has a short flat ferrule but with square end. Shorter hair length than a flat. To make distinct definite marks.

Barcode
Description
Pkt

9330173008130 95 Bright Synthetic Neef Size 1
6
6
6
6
6
3
3
3
3
1
1
1
Width of hair
at ferrule
5mm
7mm
8mm
10mm
12mm
15mm
20mm
25mm
30mm
35mm
39mm
48mm
Length of
Hair
8mm
9.5mm
11mm
13mm
16mm
22mm
25mm
30mm
34mm
36mm
40mm
44mm
R.R.P
$9.65
$10.05
$11.20
$12.05
$16.80
$18.65
$28.25
$36.90
$41.30
$54.65
$68.90
$80.50
95 FAN - STIFF SYNTHETIC - LONG HANDLE
Fan shaped brushes are great for adding highlights in grass and foliage. Also good for blending.
Barcode
Description
Pkt

9330173004804 95 Fan Synthetic Neef Size 2
6
6
Width of hair
at ferrule
10mm
11mm
Length of
Hair
16mm
20mm
NETT
$5.80
####
$6.27
####
R.R.P
$12.75
$13.80
BRUSHES
117 ALVARO CASTAGNET - WIRE BOUND SQUIRREL MOP
PASSION AND GOOD BRUSH STROKES ARE INDISPENSABLE IN PAINTING THAT IS WHY I HAVE DESIGNED MY
OWN BRUSHES.
This brush series is made from traditional FINEST QUALITY SQUIRREL and has LONGER HAIR AND A FINER POINT. The
handle is of LONGER LENGTH for that ESSENTIAL BALANCE. To me a great brush is the one that allows you to dance
on the paper, the one that is flexible but at the same time shows sensitivity and character in every stroke.
With lots of passion Alvaro Castanet
Barcode
Description

9330173006815 117 Alvaro Squirrel Mop Size 2/0
9330173003418 117 Alvaro Squirrel Mop Size 0
Pkt
Width of hair
at ferrule
Length of
Hair
3
3
3
1
1
1
7.5mm
9mm
11mm
13mm
16mm
19mm
26mm
29mm
32mm
38mm
43mm
50mm
R.R.P
$28.65
$32.30
$38.35
$59.45
$78.15
$105.75
554 SYNTHETIC MOP BRUSH - SHORT HANDLE
This brush has been designed to work as well as a mop and also as an alternative to sable. The versatility of this new synthetic
mop will astound the user and the lasting qualities of the hair will give excellent performance over longer periods of time. The
balanced longer handles allow for dexterous and fluid handling. It produces spontaneous and controlled washes and is a must for
all painters.
Barcode
Description
Pkt

9330173002121 554 Synthetic Wash Brush Size 2
6
6
6
Width of hair
at ferrule
10mm
15mm
18mm
Length of
Hair
30mm
38mm
45mm
R.R.P
$25.70
$38.15
$48.55
552 SUPREME TAKLON RIGGER - LONG HANDLE

This brush is made from a modern synthetic hair which keeps its point beautifully when placed in water. This brush is endorsed by world renowned watercolorist, David Taylor, the author of the book Solving the mystery of watercolour. Originally
he tested this brush with a synthetic / sable mixture but he found that the hair spread when pressure was applied. The unique
synthetic hair meets his exacting standards
Barcode
Description
Pkt

9330173009090
9330173007621
9330173007638
9330173007645
9330173007652
9330173007669
552 David Taylor Rigger Size 2

6
6
6
6
6
6
Width of hair
at ferrule
2mm
2mm
3mm
4mm
5mm
7mm
Length of
Hair
30mm
32mm
34mm
37mm
40mm
43mm
R.R.P
$13.10
$14.55
$15.60
$16.60
$20.35
$26.00
SABLE is the Rolls Royce of soft hair brushes. lt offers great point, great spring and has fantastic colour
carrying capacity. Sable hair is suitable for all mediums.
Barcode
Description
Pkt

9330173000264
9330173000301
9330173000318
9330173000271
9330173000288
9330173002466
205 Flat Sable Neef Size 1

6
6
6
3
3
3
Width of hair
at ferrule
3mm
5mm
8mm
10mm
13mm
19mm
Length of
Hair
R.R.P
7mm
9mm
11mm
12mm
15mm
22mm
$6.00
$9.60
$17.30
$23.90
$28.05
$56.65
Length of
Hair
R.R.P
5.5mm
6mm
7mm
8mm
9mm
10mm
12mm
14mm
16mm
18mm
20mm
23mm
27mm
30mm
$4.95
$5.25
$5.35
$5.60
$5.75
$7.00
$8.45
$11.55
$14.45
$17.20
$26.00
$37.60
$69.15
$97.00
BRUSHES
205 FINEST SABLE FLAT SHORT HANDLE
225 FINEST SABLE ROUND SHORT HANDLE
Barcode
Description
Pkt

9330173000424
9330173000394
9330173000370
9330173000325
9330173000332
9330173000363
9330173000387
9330173000400
9330173000417
9330173000431
9330173000448
9330173000455
9330173000349
9330173000356
225 Round Sable Neef Size 5/0

225 Round Sable Neef Size 0
6
6
6
6
6
6
6
6
6
6
6
3
3
1
Width of hair
at ferrule
1.5mm
1.5mm
1.5mm
2mm
2mm
2mm
3mm
3mm
3.5mm
4mm
5mm
6mm
7mm
8mm
2236 DAVID TAYLOR KOLINSKY SABLE ROUND CLEAR HANDLE
Barcode
Description
Pkt

9330173010001
9330173010002
9330173010003
9330173010004
9330173010005
9330173010006
9330173010007
9330173010008
2236 David Taylor Kolinsky Size 0

6
6
6
3
3
1
1
1
Width of hair
at ferrule
Length of
Hair
2mm
3mm
4mm
5mm
6mm
7mm
8mm
9mm
10mm
13mm
16mm
22mm
26mm
29mm
31mm
33mm
R.R.P
$26.35
$27.55
$32.25
$38.20
$58.30
$77.60
$110.00
$129.95
BRUSHES
233 KOLINSKY SABLE - MINI LINER SHORT HANDLE

Barcode
Description
Pkt

9330173000479 233 Kolinsky Mini Liner Size 20/0
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
1mm
1mm
1mm
10mm
11mm
12mm
$5.50
$5.60
$5.75
OX HAIR is not very common in today's market place and has largely been replaced with synthetic hair.
For the people who cannot afford sable.
244 IMITATION SABLE ROUND - SHORT HANDLE

Ox hair brushes offer painters great versatility in brush stroke and is very silky to the touch. It is strong and resilient but it lacks a
fine point. Our Neef 244 is made of a finer 'light ox' hair and is good for watercolours due to its water retention capacity.
Barcode
Description
Pkt

9330173000493
9330173000509
9330173000530
9330173000554
9330173000561
9330173000578
9330173000516
9330173000523
9330173000547
244 Imitation Sable Neef Size 0

12
12
12
12
12
6
6
6
6
Width of hair
at ferrule
1.5mm
2mm
2.5mm
3mm
4mm
5mm
7mm
8.5mm
10mm
Length of
Hair
R.R.P
8mm
10mm
12mm
14mm
18mm
22mm
26mm
30mm
34mm
$3.10
$3.50
$3.70
$4.25
$4.95
$6.20
$8.35
$10.00
$16.80
294 TAKLON DAGGER - SHORT HANDLE
Vary the pressure to create thick and thin strokes or turn the brush on the side to slightly vary the effect. This brush offers more
control with line work for beginners as well as creating beautiful floral and leaf work.
Barcode
Description
Pkt

9330173000585
9330173000592
9330173000608
9330173000615
294 Dagger Liner Neef Size 1/8

6
6
6
6
Width of hair
at ferrule
4mm
7mm
10mm
13mm
Length of
Hair
R.R.P
10mm
18mm
25mm
30mm
$8.75
$10.00
$11.75
$14.45
366 PONY HAIR ROUND - SHORT HANDLE
Barcode
Description
Pkt

9330173000622
9330173000653
9330173000677
9330173000684
9330173000691
9330173000639
9330173000646
9330173000660
366 Pony Hair Neef Size 1

12
12
12
12
12
12
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
1.5mm
2mm
3mm
4mm
5mm
6mm
8mm
10mm
10mm
12mm
14mm
17mm
21mm
25mm
28mm
36mm
$1.95
$2.10
$2.35
$2.65
$4.00
$4.45
$5.95
$8.90
BRUSHES
Pony hair is very fine and soft. It's strong, slightly coarse, and holds a lot of water. Its a less expensive type of hair for watercolor but doesn't hold its shape or point very well. It is a cheap brush commonly used in schools. Its also popular for Oriental
watercolour and calligraphy.
389 CAMEL HAIR OVAL WASH BRUSH - SHORT HANDLE
Camel hair brushes actually consist of various cheaper hair types like pony or lesser grade squirrel hair. There is no hair from a
real camel in this brush. If youre unable to afford a Neef 4600 wash brush, this brush will be suitable to use for covering large
areas such as skies.
Barcode
Description
Pkt

9330173000707 389 Camel Hair Wash Brush Size 1/2 6
9330173000721 389 Camel Hair Wash Brush Size 1
6
Width of hair
at ferrule
12mm
18mm
24mm
29mm
Length of
Hair
25mm
33mm
37mm
43mm
R.R.P
$7.40
$10.95
$16.70
$20.00
405 SABLELINE - MINI MOP - SHORT HANDLE

Sableline is a type of ox hair designed to resemble red sable. A good brush with good liquid retention and a springy soft hair
similar to the natural sable brushes at a fraction of the cost. The Neef 405 is a short handle filbert available in three sizes.
Barcode
Description
Pkt

9330173002367 405 Sabeline Mini Mop Neef 1/4
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
7mm
9mm
12mm
11mm
13mm
16mm
$5.00
$6.00
$7.10
2497 CAMEL HAIR SHORT FLAT - LONG HANDLE
Barcode
Description
Pkt

9330173002206 2497 Bright Neef Camel Size 2
6
6
6
6
Width of hair
at ferrule
7mm
8mm
11mm
15mm
Length of
Hair
5mm
6mm
8mm
10mm
R.R.P
$5.05
$5.60
$6.70
$10.25
BRUSHES
440 DEER FOOT STIPPLER - SHORT HANDLE

This brush is durable in that it withstands repeated stippling techniques whilst maintaining its shape. Its made from natural hair
and is great for texture. Use a dry brush technique to create fur, foliage and trees. This technique works best if the brush is not
too wet.
Barcode
Description
Pkt

9330173000745
9330173000752
9330173000769
9330173000776
9330173000783
440 Deer Foot Stipler Size 1/16

6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
2mm
3mm
6mm
8mm
10mm
6mm
9mm
13mm
15mm
18mm
$3.60
$4.15
$5.15
$7.40
$9.90
450 INDIAN SABLE BRIGHT - LONG HANDLE

450 455 460 NEEF INDIAN SABLE HAIR
Indian sable/ badger/mongoose are very satisfying to paint oils and acrylics. These brushes
are ideal for portraits, wet into wet and thick applications. They are highly recommended to all oil painters. A little courser than
sable and not as expensive they offer greater control and spring (European sizes. i.e. size 12 is equivalent to English size 6)
Barcode
Description
Pkt

9330173000790
9330173000820
9330173000837
9330173000844
9330173000851
9330173000806
9330173000813
9330173002459
9330173002435
9330173002442
450 Bright Indian Sable Neef Size 0

6
6
6
6
3
3
3
3
3
3
Width of hair
at ferrule
Length of
Hair
R.R.P
2mm
4mm
5mm
6mm
8mm
10mm
13mm
15mm
17mm
23mm
6mm
8mm
9mm
10.5mm
12mm
14mm
16mm
18mm
21mm
26mm
$5.75
$6.60
$8.55
$10.30
$15.80
$20.00
$26.15
$30.60
$44.20
$73.70
455 INDIAN SABLE ROUND - LONG HANDLE

Barcode
Description
Pkt

9330173002244
9330173002251
9330173002268
9330173002275
9330173002282
9330173002299
9330173002329
9330173006822
9330173006839
9330173006846
10
455 Round Indian Sable Neef Size 0

6
6
6
6
6
6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
2mm
2mm
3mm
3mm
4mm
4mm
5mm
6mm
8mm
11mm
7mm
8mm
10mm
13mm
14mm
17mm
20mm
23mm
27mm
30mm
$4.45
$5.15
$6.20
$7.55
$8.90
$10.50
$13.10
$19.90
$27.20
$34.00
460 INDIAN SABLE FILBERT - LONG HANDLE
Barcode
Description
Pkt

9330173000868
9330173000905
9330173000912
9330173000929
9330173000936
9330173000943
9330173000875
9330173000882
9330173000899
9330173002428
460 Filbert Indian Sable Neef Size 0

Width of hair
at ferrule
6
6
6
6
3
3
3
3
3
3
Length of
Hair
R.R.P
7mm
8mm
10mm
12mm
14mm
16mm
18mm
20mm
24mm
30mm
$6.40
$7.40
$9.00
$11.25
$16.95
$20.35
$28.95
$34.00
$48.25
$79.35
2mm
3.5mm
5mm
6mm
8mm
10mm
12mm
13mm
15mm
22mm
BRUSHES
Indian sable / mongoose brushes are very satisfying to paint oils with. They are sometimes called mongoose or badger brushes.
They are a little courser than sable, not as expensive but they offer great control and spring.
465 INDIAN SABLE LONG FILBERT - LONG HANDLE

Similar to a 460 but thinner and has longer hair for delicate control and fine detail.
Barcode
Description
Pkt

9330173004828 465 Long Filbert Indian Sable Size 10
Width of hair
at ferrule
6
6
6
Length of
Hair
10mm
13mm
20mm
21mm
24mm
30mm
R.R.P
$23.75
$31.75
$48.90
470 INDIAN SABLE LONG BRIGHT - LONG HANDLE

Similar to a 450 but thinner and has longer hair for delicate control and fine detail.
Barcode
Description
Pkt

9330173004934 470 Long Flat Indian Sable Size 10
Width of hair
at ferrule
6
6
6
10mm
13mm
20mm
Length of
Hair
21mm
24mm
31mm
R.R.P
$19.75
$25.35
$45.85
961 FAN TAKLON - LONG HANDLE
The fan brush has a specially designed flattened ferrule that spreads hair like a fan. They are used for surface blending and
special effects such as stippling to create foliage or texture. The 961 fan is made from taklon with sizes from small to very large.
Barcode
Description
Pkt

9330173000974
9330173000981
9330173000998
9330173000967
961 Fan Neef Taklon Size 2

6
6
3
3
Width of hair
at ferrule
7mm
8mm
12mm
18mm
Length of
Hair
22mm
26mm
32mm
45mm
R.R.P
$7.40
$9.00
$14.65
$23.75
11
BRUSHES
600 INDIAN SABLE - SMOOCHING BRUSH - SHORT HANDLE
Smooching is a Decorative Painting technique used to create a soft, light dry brush finish. When using the smooshing brush
(sometimes known as a blending brush), make sure the brush is dry and apply a very small amount of paint. Lightly touch the
surface youre smooshing and then blend out the harsh edges with a clean brush.
Barcode
Description
Pkt

9330173002060
9330173002077
9330173002084
9330173002091
9330173002107
600 Smooching Brush Neef size 4

600 Smooching Brush Neef Size 10
600 Smooching Brush Neef Size 12
6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
3mm
4mm
5mm
6mm
7mm
10mm
11mm
13mm
15mm
17mm
$8.90
$12.05
$15.25
$17.00
$22.65
960 BRIGHT TAKLON - LONG HANDLE
The long handle 960B brush has a flat ferrule but with square end. Shorter hair length than a flat. It is great for making distinct
definite marks. European sizes eg 12 = English size 6
Barcode
Description
Pkt

9330173001025
9330173001056
9330173001070
9330173001087
9330173001032
9330173001049
9330173001063
960 Bright Neef Taklon Size 0

6
6
6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
2mm
4mm
6mm
8mm
12mm
15mm
17mm
6mm
7.5mm
9.5mm
12mm
16mm
18mm
21mm
$4.45
$5.15
$6.30
$7.85
$11.25
$14.65
$18.05
960 ROUND TAKLON - LONG HANDLE
The 960 R brush has a round ferrule with round pointed hair and is popular with acrylic paintiners.
Barcode
Description
Pkt

9330173001094
9330173001124
9330173001148
9330173001155
9330173001100
9330173001117
9330173001131
960 Round Neef Taklon Size 0

6
6
6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
2mm
4mm
6mm
8mm
12mm
15mm
18mm
6mm
8mm
10mm
12mm
15mm
18mm
21mm
$4.45
$5.15
$6.70
$7.40
$8.05
$9.00
$11.25
Width of hair
at ferrule
Length of
Hair
R.R.P
30mm
45mm
60mm
29mm
33mm
36mm
$12.45
$17.00
$21.50
1290 JAPANESE GOAT HAIR HAKE BRUSH - LONG HANDLE
Barcode
Description
Pkt

9330173007690 1290 Hake Neef Size 30mm
9330173007737 1290 Hake Neef Size 45mm
9330173007751 1290 Hake Neef Size 60mm
12
6
6
6
998 CATS TONGUE FILBERT - SHORT HANDLE
9330173003364
9330173003401
9330173003371
9330173003388
9330173003395
998 Cats Tongue Neef Taklon Size 2

6
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
4mm
5mm
6mm
7mm
9mm
8mm
10mm
12mm
14mm
16mm
$5.45
$5.95
$6.40
$7.40
$8.55
BRUSHES
Barcode
Description
Pkt

192 STENCIL BRUSH - SHORT HANDLE
Barcode
Description
Pkt

9330173000240 192 Stencil Hoghair Neef Size 4
12
6
6
Width of hair
at ferrule
8mm
12mm
17mm
Length of
Hair
14mm
20mm
27mm
R.R.P
$3.00
$4.70
$7.30
NEEF taklon brushes were developed through collaboration between Neef and Robert Wade over 25 years
ago. They are our best selling brushes and are suitable for most techniques including watercolour, gouache,
inks, acrylics, oils etc. They have very strong filaments which give great snap and colour carrying capacity.
They also offer a great point, spring and precise control particularly when brush marks are not required in
paint film. They do not carry as much colour as sable / squirrel but are a fraction of the price. Our taklon
range caters to all types of artist with many shapes and sizes available.
988 FILBERT TAKLON - SHORT HANDLE
The filbert is a versatile brush with a flat ferrule and oval shaped top edge. The flat side is used for wider strokes and the edge for
more linear purposes.
Barcode
Description
Pkt

9330173002336
9330173001537
9330173002343
9330173001544
9330173002411
9330173001551
9330173001568
9330173001575
988 Filbert Neef Taklon Size 1/16

988 Filbert Neef Taklon Size 1
6
6
6
6
6
6
3
3
Width of hair
at ferrule
3mm
4mm
5mm
7mm
10mm
12mm
18mm
25mm
Length of
Hair
8mm
11mm
14mm
18mm
22mm
25mm
31mm
38mm
R.R.P
$4.35
$5.15
$5.50
$6.30
$7.85
$10.20
$17.65
$24.45
13
BRUSHES
ROBERT A.WADE TAKLON SHORT HANDLE RANGE
Robert A Wade is an Australian watercolour artist who has gained International acclaim. He has exhibited
with most of the major Watercolour Societies in the World and won important awards in many countries. He
conducts Workshops regularly, inspiring his students with enthusiasm and mastery of the watercolour medium.
He lectures on the heritage of Australian watercolour to many art societies around the world, earning himself
the title of "Australia's Unofficial Ambassador of Watercolour".
Until 25 years ago all quality brushes were made from animal hair. That is until the advent of synthetically
made hair. The first taklons brought onto the market were not great but through a collaboration between Neef
and Robert Wade they were greatly improved. The Robert Wade range is still quite amazing in their performance considering the price of natural hair brushes. The following Neef brush series are used and recommended by world famous artist and demonstrator, Robert Wade. 970 round point, 980 long flat and the 990 liner.
970 ROBERT WADE TAKLON ROUND - SHORT HANDLE
What a brush. This has been our best selling brush for many years. Artists are amazed at how well this brush does against the
more expensive sable alternative.
Barcode
Description
Pkt

9330173001193
9330173001315
9330173001278
9330173001230
9330173001162
9330173001179
9330173001223
9330173001261
9330173001292
9330173001308
9330173001322
9330173001339
9330173001346
9330173001186
9330173001209
9330173002398
9330173001216
9330173001247
9330173001254
9330173001285
970 Round Neef Taklon Size 10/0

12
12
12
12
12
12
12
12
12
12
12
12
6
6
6
6
3
3
3
3
Width of hair
at ferrule
1mm
1mm
2mm
2mm
2mm
2mm
2mm
3mm
3mm
4mm
4mm
5mm
5mm
7mm
8mm
9mm
10mm
11mm
13mm
15mm
Length of
Hair
R.R.P
4.5mm
5mm
6mm
7mm
8mm
9.5mm
11mm
13mm
14mm
16mm
18mm
20mm
22mm
25mm
28mm
32mm
34mm
36mm
38mm
40mm
$3.90
$3.95
$4.00
$4.10
$4.15
$4.45
$4.85
$5.15
$5.60
$6.30
$6.70
$7.40
$8.55
$9.70
$12.20
$15.05
$18.05
$21.65
$27.85
$36.20
981 ROBERT WADE TAKLON LONG FLAT - SHORT HANDLE
Barcode
Description
Pkt

9330173003456 981 Long Flat Neef Taklon Size 2"
9330173003463 981 Long Flat Neef Taklon Size 3"
14
1
1
Width of hair
at ferrule
50mm
75mm
Length of
Hair
50mm
60mm
R.R.P
$57.80
$80.50
980 ROBERT WADE TAKLON - LONG FLAT SHORT HANDLE
This brush has long hair with a squared-off edge. It is used to produce for long sweeping even lines sometimes called one
strokes. The 1 1/2 is especially good for watercolour washes. Suitable for all media.
9330173001384
9330173001391
9330173001407
9330173001414
9330173001421
9330173001438
9330173001445
9330173001452
980 Long Flat Neef Taklon Size 1/8

980 Long Flat Neef Taklon Size 1
980 Long Flat Neef Taklon Size 1-1/2
6
6
6
6
6
3
3
3
Width of hair
at ferrule
Length of
Hair
4mm
7mm
10mm
13mm
15mm
19mm
25mm
39mm
18mm
21mm
24mm
27mm
30mm
31mm
36mm
40mm
R.R.P
$4.25
$5.35
$7.40
$9.70
$13.55
$18.05
$22.60
$40.30
BRUSHES
Barcode
Description
Pkt

987 SHORT FLAT TAKLON - SHORT HANDLE
Also called a shader, this is a short handled brush with a flat ferrule and square hair. This brush is used for blocking in colour,
shading, blending and highlights. Suitable for most mediums including acrylic, oil and watercolour.
Barcode
Description
Pkt

9330173002305
9330173001469
9330173002312
9330173001476
9330173001483
9330173001490
9330173001506
9330173001513
9330173001520
987 Short Flat Neef Taklon Size 1/16

987 Neef Taklon Short Flat Size 1/4
987 Short Flat Neef Taklon Size 1
6
6
6
6
6
6
6
3
3
Width of hair
at ferrule
3mm
4mm
5mm
7mm
10mm
12mm
15mm
18mm
25mm
Length of
Hair
7mm
8mm
9mm
10mm
13mm
16mm
18mm
20mm
26mm
R.R.P
$3.20
$3.80
$4.15
$4.45
$6.30
$7.85
$11.05
$14.25
$19.90
989 TAKLON RAKE - COMB - SHORT HANDLE
This is a filbert brush shape with the tip hairs feathered for special techniques and textures such as hair and grass. Also called a
feathering filbert brush
Barcode
Description
Pkt Width of hair

at ferrule
9330173002404 989 Filbert Rake Taklon Size 1/8 6
5mm
7mm
10mm
13mm
Length of
Hair
8mm
12mm
14mm
18mm
R.R.P
$5.60
$8.55
$10.20
$13.10
15
975 TAKLON FLAT RAKE - SHORT HANDLE
BRUSHES
This is a Bright brush shape with the tip hairs feathered for special techniques and textures such as hair and grass. Also called a
rake brush
Barcode
Description
Pkt

9330173001353 975 Comb Taklon Neef Size 1/4
6
6
3
Width of hair
at ferrule
7mm
13mm
20mm
Length of
Hair
10mm
16mm
22mm
R.R.P
$9.00
$14.25
$19.90
990 ROBERT WADE TAKLON RIGGER - SHORT HANDLE
A long-haired Round used for long, thin strokes and detail, a Liner may be called a Signature or rigger brush.
Barcode
Description
Pkt

9330173001650
9330173001629
9330173001797
9330173001643
9330173001605
9330173001612
9330173001636
9330173001667
9330173001674
9330173001681
990 Rigger Neef Taklon Size 20/0

990 Rigger Neef Taklon Size 0
6
6
6
6
6
6
6
6
6
6
Width of hair
at ferrule
1mm
1mm
1mm
2mm
2mm
2mm
2mm
3mm
3mm
3mm
Length of
Hair
R.R.P
12mm
14mm
16mm
18mm
20mm
22mm
24mm
26mm
29mm
32mm
$4.00
$4.15
$4.20
$4.25
$4.30
$4.35
$4.45
$5.15
$5.60
$6.05
992 TAKLON MINI LINER - SHORT HANDLE
In between a standard round and a liner, the mini liner is used for long, thin strokes and detail. The shorter hair means more
control
Barcode
Description
Pkt

9330173002169
9330173002350
9330173002381
9330173001728
9330173001698
9330173001704
9330173001711
9330173003449
992 Mini Liner Taklon Size 20/0

992 Mini Liner Taklon Size 0
6
6
6
6
6
6
6
6
Width of hair
at ferrule
1mm
1mm
1mm
1mm
1mm
2mm
2mm
2mm
Length of
Hair
R.R.P
8mm
8mm
9mm
10mm
11mm
12mm
13mm
16mm
$3.60
$3.70
$3.80
$3.90
$4.00
$4.25
$4.70
$5.55
995 ANGLE SHADER TAKLON - SHORT HANDLE
A flat-ferruled brush with an angled top edge used for blending and floating colour. This shape is most popular for decorative
painting stroke work. Also useful in watercolour as it offers a lot of control and flexibility.
Barcode
Description
Pkt

16
9330173001735
9330173001742
9330173001759
9330173001766
9330173001773
9330173001780
995 Angle Shader Taklon Size 1/8

995 Angle Shader Taklon Size 1
6
6
6
6
3
3
Width of hair
at ferrule
4mm
7mm
9mm
12mm
19mm
25mm
Length of
Hair
5mm
9mm
12mm
15mm
24mm
29mm
R.R.P
$4.25
$5.25
$7.40
$8.55
$14.95
$21.15
962 ROUND TAKLON FAN - SHORT HANDLE
9330173001001 962 Fan Neef Taklon Size 2

9330173001018 962 Fan Neef Taklon Size 4
Width of hair
at ferrule
6
6
40mm
45mm
Length of
Hair
R.R.P
22mm
26mm
$6.70
$9.00
Length of
Hair
R.R.P
23mm
28mm
$8.75
$10.85
Length of
Hair
29mm
R.R.P
$8.15
130 FAN- HOGHAIR LONG HANDLE
Barcode
Description
Pkt

9330173000011 130 Fan Hog Hair Size 3 Neef
9330173000028 130 Fan Hog Hair Size 6 Neef
6
6
Width of hair
at ferrule
7mm
13mm
BRUSHES
Barcode
Description
Pkt

113 FAN - HOGHAIR - SHORT HANDLE
Barcode
Description
Pkt

6

Width of hair
at ferrule
13mm
1150 NEEF INTERLOCKED BRISTLE HAIR
The best example is the 100% interlocked hoghair blue handle Neef 1150. Probably 90% of oil painting would
be done with hoghair. This bristle leaves brush marks in the paint film where required and only the best quality Chunking bristles are selected. An extra length of hair is inserted into the ferrule, formed into a mould and
oven heated for a short time this gives the bristles greater spring. All of this quality control enables the interlocked bristle to retain its shape and resilience over many years.
Chungking bristle hoghair is specially prepared to give the best quality results over many years. We recommend
these brushes to oil painters. If you look after them they will last a very long time and improve with use. Available in the following shapes and sizes
1155 LONG FILBERT INTERLOCKED HOGHAIR - LONG HANDLE

A bright is a flat with shorter hair & a square end. To make distinct definite marks
Barcode
Description
Pkt

9330173004859 1155 Long Filbert Neef Hog Size 2
6
9330173004866 1155 Long Filbert Neef Hog Size 6
6
Width of hair
at ferrule
6mm
12mm
Length of
Hair
31mm
50mm
R.R.P
$13.95
$19.85
17
1150 BRIGHT INTERLOCKED HOGHAIR - LONG HANDLE
BRUSHES
A bright is a flat with shorter hair & a square end. To make distinct definite marks
Barcode
Description
Pkt

9330173006846
9330173006884
9330173006907
9330173006914
9330173006921
9330173006938
9330173006945
9330173006952
9330173006853
9330173006860
9330173006877
9330173006891
1150 Bright Neef Hog Size 1

6
6
6
6
6
6
6
6
3
3
1
1
Width of hair
at ferrule
5mm
6mm
7.5mm
9mm
11mm
12mm
14.5mm
15mm
20mm
25mm
33mm
47mm
Length of
Hair
R.R.P
8mm
10mm
11mm
13mm
15mm
17mm
19mm
21mm
25mm
30mm
36mm
45mm
$7.10
$7.75
$8.15
$8.45
$8.75
$10.10
$10.60
$12.90
$17.85
$24.55
$45.05
$66.80
1150 FLAT INTERLOCKED HOGHAIR - LONG HANDLE

Flat ferrule with a square end
Barcode
Description
Pkt

9330173006969
9330173007003
9330173007027
9330173007034
9330173007041
9330173007058
9330173007065
9330173007072
9330173006976
9330173006983
9330173006990
9330173007010
1150 Flat Neef Hog Size 1

6
6
6
6
6
6
6
6
3
3
1
1
Width of hair
at ferrule
5mm
7mm
8mm
10mm
11mm
13mm
15mm
17mm
20mm
24mm
35mm
48mm
Length of
Hair
13mm
15mm
17mm
20mm
22mm
25mm
27mm
29mm
34mm
38mm
45mm
52mm
R.R.P
$6.70
$7.10
$7.85
$8.35
$9.35
$10.10
$10.85
$13.30
$18.85
$25.35
$48.35
$70.60
1150 ROUND INTERLOCKED HOGHAIR - LONG HANDLE

Round ferrule with round pointed hair. Very popular with tonal painters.
Barcode
Description
Pkt

18
9330173007201
9330173007249
9330173007263
9330173007270
9330173007287
9330173007294
9330173007300
9330173007317
9330173007218
9330173007225
9330173007232
9330173007256
1150 Round Neef Hog Size 1

6
6
6
6
6
6
6
6
3
3
1
1
Width of hair
at ferrule
3mm
4mm
5mm
6mm
7mm
8mm
9mm
10mm
11mm
13mm
15mm
19mm
Length of
Hair
NETT
R.R.P
12mm
16mm
18mm
21mm
24mm
26mm
28mm
32mm
35mm
41mm
45mm
51mm
$7.30
$7.55
$7.70
$9.05
$10.10
$11.25
$12.40
$13.80
$17.75
$26.15
$42.05
$61.05
1150 FILBERT INTERLOCKED HOGHAIR - LONG HANDLE

Flat ferrule with rounded hair end. A versatile brush that gives softer finish than the flats or bright.
9330173007089
9330173007126
9330173007140
9330173007157
9330173007164
9330173007171
9330173007188
9330173007195
9330173007096
9330173007102
9330173007119
9330173007133
1150 Filbert Neef Hog Size 1

6
6
6
6
6
6
6
6
3
3
1
1
Width of hair
at ferrule
Length of
Hair
R.R.P
5mm
6mm
7mm
10mm
11mm
12mm
14mm
16mm
20mm
24mm
35mm
46mm
16mm
17mm
18mm
21mm
23mm
27mm
28mm
30mm
35mm
39mm
45mm
51mm
$7.40
$7.75
$8.15
$9.15
$9.90
$10.60
$12.30
$14.10
$19.55
$27.30
$53.50
$76.25
BRUSHES
Barcode
Description
Pkt

140 BRIGHT HOGHAIR - LONG HANDLE
Barcode
Description
Pkt

9330173000035
9330173000066
9330173000080
9330173000103
9330173000127
9330173000042
9330173000059
9330173003081
9330173003098
9330173003104
140 Bright Hog Neef Size 1

6
6
6
6
6
3
3
1
1
1
Width of hair
at ferrule
5mm
7mm
9mm
11mm
14mm
18mm
25mm
34mm
47mm
60mm
Length of
Hair
8mm
9mm
13mm
16mm
20mm
25mm
28mm
37mm
45mm
53mm
R.R.P
$3.35
$3.60
$4.20
$4.85
$7.40
$10.20
$13.10
$26.05
$37.40
$52.80
140 FILBERT HOGHAIR - LONG HANDLE
Barcode
Description
Pkt

9330173003142
9330173003159
9330173003166
9330173003173
9330173003180
9330173003197
9330173003203
9330173003210
9330173003227
9330173003234
140 Filbert Hog Neef Size 1

6
6
6
6
6
3
3
1
1
1
Width of hair
at ferrule
5mm
7mm
9mm
11mm
14mm
18mm
25mm
34mm
47mm
60mm
Length of
Hair
10mm
13mm
16mm
21mm
25mm
30mm
35mm
41mm
48mm
55mm
R.R.P
$3.80
$4.20
$4.50
$5.65
$7.90
$10.85
$15.35
$26.70
$39.20
$55.05
19
BRUSHES
140 FLAT HOGHAIR - LONG HANDLE
Barcode
Description
Pkt

9330173003258
9330173003265
9330173003272
9330173003289
9330173003296
9330173003302
9330173003319
9330173003326
9330173003333
9330173003340
140 Flat Hog Neef Size 1

6
6
6
6
6
3
3
1
1
1
Width of hair
at ferrule
Length of
Hair
R.R.P
4.5mm
6mm
9mm
11mm
15mm
19mm
25mm
34mm
47mm
60mm
11mm
13mm
18mm
23mm
27mm
30mm
36mm
46mm
51mm
60mm
$3.90
$4.10
$4.85
$6.30
$8.55
$11.75
$15.10
$30.10
$43.05
$58.95
140 ROUND HOGHAIR - LONG HANDLE
Barcode
Description
Pkt

9330173000134
9330173000165
9330173000189
9330173000202
9330173000226
9330173000141
9330173000158
9330173003111
9330173003128
9330173003135
140 Round Hog Neef Size 1

6
6
6
6
6
3
3
1
1
1
Width of hair
at ferrule
Length of
Hair
2.5mm
3mm
5mm
6mm
8mm
11mm
13mm
15mm
18mm
23mm
12mm
14mm
18mm
25mm
30mm
35mm
40mm
43mm
50mm
60mm
R.R.P
$3.35
$4.00
$4.85
$5.65
$7.15
$9.70
$12.45
$19.90
$29.45
$39.65
2010 SYNTHETIC BADGERLON BRUSH RANGE
The new NEEF 2010 synthetic Badgerlon brush range has been developed to simulate natural badger hair, it
has the ability to hold plenty of colour and the hair holds its shape extremely well just like the interlocked hog
1150s. Each synthetic filament shape is random like natural badger hair and is treated and double heated so it
behaves like the natural version. Ideal for heavy bodied acrylic and oil painting on canvas. An excellent durable
new addition to the superior Neef brush range.
2010 FILBERT BADGERLON - LONG HANDLE
Barcode
Description
Pkt

20
9330173004668
9330173004675
9330173004682
9330173004699
9330173004705
9330173004712
9330173004729
2010 Filbert Neef Badgerlon Size 0

6
6
6
6
3
3
3
Width of hair
at ferrule
2mm
4mm
6mm
8mm
10mm
12mm
14mm
Length of
Hair
10mm
15mm
20mm
25mm
30mm
35mm
40mm
R.R.P
$11.85
$14.15
$17.35
$21.15
$26.75
$34.55
$45.95
2010 BRIGHT BADGERLON - LONG HANDLE
9330173004736
9330173004743
9330173004750
9330173004767
9330173004774
9330173004781
9330173004798
2010 Bright Neef Badgerlon Size 0

6
6
6
6
3
3
3
Width of hair
at ferrule
4mm
6mm
8mm
10mm
15mm
20mm
25mm
Length of
Hair
8mm
10mm
13mm
15mm
20mm
25mm
30mm
R.R.P
$10.60
$11.85
$14.10
$17.55
$22.45
$28.70
$38.55
BRUSHES
Barcode
Description
Pkt

2010 ROUND BADGERLON - LONG HANDLE
Barcode
Description
Pkt

9330173004590
9330173004644
9330173004651
9330173004606
9330173004613
9330173004620
9330173004637
2010 Round Neef Badgerlon Size 0

6
6
6
6
3
3
3
Width of hair
at ferrule
4mm
6mm
10mm
12mm
14mm
19mm
22mm
Length of
Hair
10mm
15mm
18mm
22mm
28mm
34mm
37mm
R.R.P
$11.25
$13.20
$16.25
$21.40
$27.70
$34.85
$45.75
SQUIRREL / TAKLON MIX FOR WATERCOLOUR
A new development has been the combination of squirrel and taklon.

TAKLON For point and spring, SQUIRREL for colour carrying capacity. This mix gives a superb brush
for watercolour in particular at a much lower price than sable. Traditionally watercolourists have used
brushes made from squirrel, however the hair is expensive. 20% of the SQUIRREL / TAKLON brush hair is
made from blue Squirrel. This hair is a lot lighter than the taklon so the actual hair volume for the squirrel
component seems much greater. Squirrel retains lots of water and when combined with taklon it makes a
perfectly affordable watercolour brush
4600 OVAL POINTED SQUIRREL / TAKLON WASH - SHORT HANDLE
Barcode
Description
Pkt

9330173007935 4600 Neef Squirrel Mix Size 4
6
6
6
Width of hair
at ferrule
13mm
19mm
25mm
Length of
Hair
R.R.P
26mm
36mm
40mm
$26.05
$36.90
$50.50
21
BRUSHES
4820 FLAT SQUIRREL / TAKLON - SHORT HANDLE
Barcode
Description
Pkt

9330173008017
9330173008024
9330173008031
9330173008048
9330173008055
9330173008079
4820 Neef Squirrel Taklon Size 1/4

4820 Neef Squirrel Taklon Size 1
6
6
6
6
3
3
Width of hair
at ferrule
7mm
10mm
13mm
16mm
21mm
26mm
Length of
Hair
11mm
14mm
16mm
19mm
21mm
26mm
R.R.P
$11.75
$15.05
$19.70
$26.00
$31.65
$39.50
4880 WIDE FLAT SQUIRREL / TAKLON - LONG FLAT HANDLE
Barcode
Description
Pkt

Width of hair
at ferrule
9330173007539 4880l Wash Brush L/handle 1 1/2 Inch 1

9330173007553 4880l Wash Brush L/handle 2 Inch
1

40mm
52mm
Barcode
Description
Pkt

Width of hair
at ferrule
Length of
Hair
35mm
40mm
R.R.P
$59.60
$75.70
4750LP ROUND SQUIRREL / TAKLON - SHORT HANDLE
9330173007416
9330173007447
9330173007423
9330173007430
9330173007454
9330173007393
9330173007461
9330173007409
9330173007478
9330173007485
4750 Round Squirrel Taklon Size 2

6
6
6
6
6
3
3
3
3
3
2mm
3mm
4mm
5mm
6mm
8mm
9mm
10mm
11mm
13mm
Length of
Hair
R.R.P
11mm
14mm
18mm
21mm
25mm
29mm
32mm
35mm
38mm
42mm
$12.40
$14.10
$18.05
$22.60
$25.70
$30.55
$32.95
$38.45
$48.05
$56.65
4400 NEEDLE - SQUIRREL / TAKLON RIGGER - SHORT HANDLE

Barcode
Description
Pkt

22
9330173001971
9330173002015
9330173007584
9330173009106
4400 Needle Point Neef Size 4

4400 Alvaro Needle Point Size 8
6
6
6
6
Width of hair
at ferrule
Length of
Hair
R.R.P
3mm
4mm
6mm
8mm
32mm
34mm
36mm
40mm
$17.95
$22.00
$26.00
$29.45
NEO BRUSH PACK 22C
#22 BLUE PACK INCLUDES 3 SHORT HANDLE BRUSHES SABLE ROUND 1, SABLE ROUND 3, SABLE ROUND 5,
Width of hair
at ferrule
Length of
Hair
R.R.P
9330173001810 22c Neo Artists & Crafts Brush Set 3 12
$7.85
BRUSHES
Barcode
Description
Pkt

ESCODA BRUSHES OF SPAIN

1212 ESCODA - KOLINSKY SABLE ROUND - SHORT HANDLE
This is the Finest Kolinsky Sable brush money can buy. First class.
Barcode
Description

8426296212514
8426296212415
8426296212316
8426296212217
8426296212002
8426296212019
8426296212026
8426296212040
8426296212064
8426296212088
8426296212101
8426296212125
8426296212149
8426296212163
8426296212187
1212 Kolinsky Sable Brass Ferr Size 5/0

1212 Kolinsky Sable Brass Ferr Size 0
Pkt Width of hair

at ferrule
6
6
6
6
6
6
6
3
3
3
1
1
1
1
1
.5mm
.5mm
.5mm
.8mm
1mm
1.5mm
2mm
3mm
3.5mm
4.5mm
6mm
7mm
8mm
10mm
12mm
Length of
Hair
4mm
5mm
6mm
7mm
8mm
10mm
13mm
16mm
19mm
22mm
25mm
28mm
32mm
35mm
38mm
R.R.P
$12.80
$12.90
$13.10
$13.55
$13.85
$15.25
$16.95
$24.20
$29.80
$37.10
$70.60
$98.45
$156.45
$255.25
$351.60
1214 ESCODA - KOLINSKY SABLE ROUND - POCKET BRUSH
This is the Finest Kolinsky Sable brush money can buy. First class. Gold Colour case that snaps in half to go in your pocket.
Barcode
Description
Pkt

8426296214020
8426296214044
8426296214068
8426296214082
8426296214105
8426296214129
1214 Pocket Sketcher Escoda Size 2

3
3
3
3
1
1
Width of hair
at ferrule
2mm
3mm
3.5mm
4.5mm
6mm
7mm
Length of
Hair
13mm
16mm
19mm
22mm
25mm
28mm
R.R.P
$24.50
$26.40
$46.05
$58.30
$89.10
$107.95
23
BRUSHES
ESCODA BRUSHES OF SPAIN

1430 ESCODA - POINTED TORAY ROUND - SHORT HANDLE
Joseph Zbukvic Toray white is one of the finest quality synthetic fibres available for watercolours. It keeps an excellent point and
edge for a soft, yet controlled application. Escoda cures each brush to improve the spring and resilience of the hair.
Barcode
Description
Pkt

8426296430048
8426296430062
8426296430086
8426296430109
8426296430123
8426296430161
8426296430208
1430 Escoda Taklon Round Size 4

6
6
3
3
3
3
3
Width of hair
at ferrule
Length of
Hair
R.R.P
3mm
4mm
4.5mm
6mm
7mm
10mm
14mm
16mm
18mm
21mm
25mm
28mm
35mm
43mm
$12.55
$15.50
$18.55
$21.65
$25.50
$36.95
$54.25
7643 ESCODA ROUND CHUNKING BRISTLE ROUND
Barcode
Description
Pkt

8426296643318 7643 Round Escoda Hog Size 3/0
8426296643011 7643 Round Escoda Hog Size 1

3
3
3
3
3
3
3
3
Barcode
Description

8426296348121 8348 Flat Escoda Hog Size 12
Pkt
Width of hair
at ferrule
Length of
Hair
R.R.P
15mm
17mm
21mm
23mm
26mm
28mm
32mm
40mm
47mm
54mm
56mm
61mm
70mm
72mm
78mm
91mm
$19.50
$21.65
$23.45
$23.90
$27.30
$33.30
$37.70
$71.65
Length of
Hair
44mm
49mm
54mm
57mm
60mm
62mm
65mm
73mm
80mm
R.R.P
$11.90
$14.05
$18.45
$19.75
$23.00
$27.20
$29.80
$37.25
$73.80
8438 ESCODA FLAT CHUNKING BRISTLE
24
3
3
3
3
3
3
3
3
3
Width of hair
at ferrule
25mm
32mm
37mm
44mm
50mm
57mm
63mm
76mm
101mm
TRY IT
before they
BUY IT
clear bag pegboard packaging
NEW
DANIEL SMITH
Now there are ways for your

customers to
DANIEL SMITH 238 Colour dot cards
238 usable dots of DANIEL SMITH

extra fine watercolours
R.R.P $29.95
25
DANIEL SMITH
Part Assortment
Part Assortment
Full Assortment
1 Rack 55 Colours extra 2 shelves

to hold total 77 Colours
2 Rack 121 Colours extra shelves

to hold total 154 Colours
3 Rack 216 Colours
Stand Dimensions
Height 944mm
Width 420mm
Depth 255mm
DANIEL SMITH PROFESSIONAL QUALITY ARTIST WATERCOLOURS

Pkt
Shades NETT R.R.P
Series 1
Series 2
Series 3
Series 4
Series 5
Series 6
Daniel Smith Watercolour 15ml Tube

1
1
1
1
1
1
$16.90
$22.35
$28.75
$34.10
$38.65
$43.50

ASSORTMENT DEALS 20% OFF
55 Colours
26
121 Colours
216 Colours
DANIEL SMITH
27
DANIEL SMITH
28
27
DANIEL SMITH
29
28
DANIEL SMITH
30
PURE PIGMENT Watercolour Sticks

DANIEL SMITH
Pkt
Shades R.R.P
1 Series
Daniel Smith Watercolour Stick
40
$25.95
31
DANIEL SMITH
WATERCOLOUR GROUND
Let your imagination soar!
For too long, the beautiful
medium of watercolor has been
confined to a paper-behindglass niche. Now, with this
exciting new ground, anything
youve dreamed of painting with
watercolor can become a reality. Its easy to usejust brush it
onand incredibly versatile.
RRP $29.95
WALNUT INK
A finely pigmented rich sepia coloured water-based ink.

It's great for all kinds of drawings and works well with a
brush or dip pen.
In washes, DANIEL SMITH Walnut Ink handles like a
watercolor, with good layering and lifting capabilities.
The rich color resembles traditional walnut-based inks,
but will not fade. The warm character of walnut ink is
reminiscent of drawings by Rembrandt.
RRP $15.95
32
DANIEL SMITH
33
DANIEL SMITH
DANIEL SMITH
MASKING
FLUID
In this watercolour painting, we wanted to

preserve the whites of the sunlit side of the
building and have rich darks in the shadows. By applying DANIEL SMITH Masking
Fluid to the white areas before painting, we
keep crisp clean edges. Once the painting is
dry, remove the caramel coloured mask film
with a rubber cement pickup to reveal the
whitest whites
NEW
R.R.P $15.95
DANIEL SMITH Masking Fluid

offers excellent coverage and
easy flowing application. Brush
it on or apply straight from the
bottle. Off- white when wet, it
dries to a transparent caramel
colour. Left on a painting for a
week, a month or more, it can
still be pulled cleanly from all
watercolour surfaces with a rubber cement pickup. Included
are five fine pointed tips that can be attached to the bottle and
used as a drawing tool to make dots and fine lines, and save
details and highlights.
35
LUKAS
In 1862, Dr. Franz Schoenfeld (born in 1829),

the great-great-uncle of the current managing director, founded the Artists Colours
and Canvas Manufacturers Dr. Fr. Schoenfeld
(LUKAS); located in Dsseldorf, Germany.
Across the highly respected Dsseldorf Academy of Art, Dr. Fr. Schoenfelds father owned a special artists materials shop, which
was still praised in 1902 as the greatest and
oldest of its type. It was at his fathers shop
that Dr. Fr. Schoenfeld discovered his own interest in art and artists materials.
Dr. Fr. Schoenfeld studied in Giessen and Heidelberg. Graduating with a Doctors in Philosophy at
the early age of 20, he then went on to broaden his
knowledge and develop his scientific understanding working as an assistant at the University of
London, followed by the Netherlands.
In 1896, he chose a new location for the firm opposite the Dsseldorfer Malkasten (Dsseldorf
Paint Box). To this day, it remains an international
meeting place for artists, architects, and writers.
The production of water-colours has been around
since LUKAS conception. One of the greatest advantages of liquid water-colour is its fast colour
take up with the brush, which Dr. Fr. Schoenfeld
found a way of incorporating into the recipe of the
water-colour in pans. By doing so, he created the
moist artists water-colour.
From the outset, Dr. Fr. Schoenfeld has instilled
a commitment to quality, without compromise.
Our recipes have been optimally formulated in
accordance with the most modern painting techniques and using only the very best pigments and
binders. Through the combination of constant
high-quality manufacturing we can guarantee the
brilliance, and light fastness of our colours, which
is one of the best prerequisites for ensuring the durability of artworks over many generations. LUKAS
artists colours are acknowledged to be among the
best available for serious artists.
36
more than 148 years Artists Colours
In 1960, due to an increase in interest for LUKAS

artists colours, the company moved to a new location, on the outskirts of Dsseldorf, where the
factory is still situated today.
From the beginning, the company has remained
the property of the founding-family. In 1907, Paul
Schoenfeld took over the company from his father
and just before his death, in 1919, he passed it on
to his nephew Dr. Eduard Talbot. In 1957, Eduards
daughter Christa Heusgen-Talbot inherited the
company and passed it on to her son in 1998, Hubertus Heusgen, who is now the actual managing
director.
Furthermore, modern
painters and graphic
designers like Josef
Beuys and Hans-George Baselitz, the designers of the STELLA
Musicals, also came to
trust in the supreme quality of LUKAS. LUKASs
quality products are not only available in Germany, but also in more than 50 different countries
such as; Norway, Canada, Australia, and the United States.
The traditional company philosophy for LUKAS
Artists Colours and Canvas Manufacturers Dr. Fr.
Schoenfeld stands to this day as; Price-conscious and uncompromising in quality.
Our first priority is to serve all painters, restorers,
and artists alike.
LUKAS
Since the turn of the century 1900, the LUKAS

symbol has been an important political branddecision, that continues to shape our corporate image. Saint LUKAS, patron protector of
the painters, has become the name for all products from the manufacturer Dr. Fr. Schoenfeld. The symbol itself, has adjusted to the many
graphic trends and tastes of the times, which makes it a true representation of the LUKAS company.
they were extraordinarily pleased with them.
One of LUKAS best-known employees was Professor Hans-Gert Mller, editor of the 12th to 15th
editions of the Max-Doerner-Classics. The Materials of the Artist and Their Use in Painting, was a
standard book of painting techniques, available in
the German speaking area.
In 1964, LUKAS was the first manufacturer in Europe to produce artists acrylic colours. Consequently,
LUKAS products have always been in accordance
with the most modern techniques.
This reason, along with LUKAS strive for superior
quality, led many well-known artists to trust the
quality of our colours throughout the years. One
of the best known examples is that of Vincent van
Gogh, who wrote in a letter to his brother, in 1885,
that he had ordered colours from Schoenfeld of
Dsseldorf. The Achenbach brothers also wrote that
they were only using colours from Schoenfelds, as
One of the worlds biggest oil-paintings was

painted in the city hall of Oslo in 1943, with
Lukas colours.
37
LUKAS
LUKAS
Finest Artists Oil Colours Master-Quality
Well-balanced colour spectrum of 70 shades,

including classical cobalts and cadmiums as
well as earth pigments
Incomparable colour intensity
Highest lightfastness due to highest quality
artists pigments
41 single-pigment-colours
Use of specially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency
of yellowing
Distinctive smooth buttery consistency
through the use of bees wax
Surface drying in 2 to 4 days
Traditional production on three roll mills
In LUKAS 1862 - Finest Artists Oil Colour, only selected, unadulterated pigments (such as high quality Cobalt, Cerulean or Cadmium pigments) from
the tradition of old masters are used. At least 60%
of all shades are single-pigment-made and by that
they are excellent usable for clean-mixing of different brilliant colour-variations. A spoor (0,5-1,5%)
of the finest bleached Bees Wax as one of the ingredients gives the colour the famous buttery
and short consistency and makes the colour-film
less brittle for the restorer. The binders are from
pure, vegetable, linseed and sunflower oils in special quality. Available in 70 colours in 37 ml tube,
with 68 shades and 2 metallic colours. 44 colour
shades are available in 200 ml tube.
38
1862 Oil
LUKAS 1862 Oil Paint Boxes
LUKAS 1862 Oil Assortment Box
Art.-No.: 6490 0000
PU
RRP $59.95
LUKAS 1862 Oil Beechwood Box

walnut stained
340 x 165 mm
wooden partition
1 bottle 50 ml Brush Cleaner II
3 bristle brushes
1 palette
10 tubes 37 ml (Titanium White, Yellow Ochre, Permanent Yellow light, Vermilion deep,
Alizarin Crimson, Burnt Sienna, Cobalt Blue
(hue), Prussian Blue, Viridian, Ivory Black)
Art.-No.: 6056 0000 PU 1
LUKAS OILS
6 tubes 37 ml (Titanium White, Permanent

Yellow light, Lukas Red, Cobalt Blue (hue),
Burnt Sienna, Ivory Black)
RRP $165.00
LUKAS 1862 Oil Wooden Chest

mahogany stained and lacquered
410 x 200 x 160 mm
3 drawers and a compartment for mediums
7 mediums in 50 ml bottles (2202, 2212,
2221, 2214, 2220, 2224 and 2286) on a
height-adjustable lift
5 bristle brushes
2 painting knives and charcoal
1 palette
27 tubes 37 ml (Opaque White, Zinc White,
Titanium White, Cadmium Yellow lemon,
Cadmium Yellow light, Indian Yellow, Cadmium Orange, Cadmium Red light, Lukas Red,
Magenta Red (Primary), Alizarin Crimson, Ultramarine Violet, Cyan Blue (Primary), Cobalt
Blue, Ultramarine, Permanent Green yellowish, Emerald Green, Viridian, Green Earth,
Yellow Ochre, English Red, Burnt Sienna,
Raw Umber, Van Dyck Brown, Indigo, Paynes
Grey, Ivory Black)
Art.-No.: 6001 0000 PU 1
RRP $895
39
LUKAS 1862 Oil Single Colours
LUKAS OILS
LUKAS Note
LUKAS
37 ml Tube
9
Product
Price Group 1
Shades: 52
Price Group 2
Shades: 7
Price Group 3
Shades: 7
Price Group 4
Shades: 4
NETT
200 ml
Tube 14
No. of Shades: No. of Shades:

70
44
PU
Price
PU
Price
3
4.98
15.75
6.43
16.70
9.77
31.02
16.18
55.84
LUKAS

LUKAS 1862 Oil Assortments

LUKAS 1862 Oil Assortment
with 3 tubes of 37 ml per shade in 70 shades
LUKAS 1862 Oil Assortment

with 1 tube of 200 ml per shade in 44 shades
Promotional Material
Leaflet with information on LUKAS 1862 Oil

English
Art.-No.: WERB2202
Signs and Symbols of the Colour Chart:
Art.-No., Symbol for Filling Size (if existing), Colour Name, Lightfastness, Opacity, Price Group (if existing)
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque
Lightfastness: FFF = excellent up to outstanding lightfast (7-8 on the blue wool scale)

FF = very good up to excellent lightfast (6-7 on the blue wool scale)
F = good up to very good lightfast (5-6 on the blue wool scale)
40
1862 Oil
LUKAS 1862 Oil Colour Chart
New
New
0004
Zinc White
0007
Opaque White
0008
Titanium White
0012
Brilliant Yellow
0034
Naples Yellow
0026
Cadmium Yellow
0027
Cadmium Yellow
New
New
0010
Lemon Yellow (Primary)
0025
Cadmium Yellow
0045
Permanent Yellow
0047
Permanent Yellow
0036
Naples Yellow red-
0024
Indian Yellow
0048
Permanent Orange
0029
Cadmium Orange
0085
Vermilion light
0072
Cadmium Red light
0100
Permanent Red
0086
Vermilion deep
0080
Geranium Lake
0049
Lukas Red
0074
Cadmium Red deep
0061
Carmine
0050
Magenta Red (Pri-
0066
Madder Lake (hue)
0068
Alizarin Crimson
0129
Mauve
0130
Cobalt Violet (hue)
0120
Cyan (Primary-Blue)
0124
Cerulean Blue (hue)
0121
Cerulean Blue
0119
Manganese Cerulean
New
New
New
New
LUKAS OILS
0009
Beige
0022
Flesh Colour
New
0140
Ultramarine Violet
0126
Cobalt Blue (hue)
0150
Royal Blue
0125
Cobalt Blue
0137
Ultramarine
0145
Phthalo Blue
0155
Turquoise
0167
Emerald Green
0175
Permanent Green
0153
Oxide of Chromium
0152
Cobalt Green
0165
Sap Green
0052
Caput Mortuum
0163
Permanent Green
0194
Phthalo Green
0154
Viridian
0158
Green Earth
0157
Bohemian Green
0031
Yellow Ochre
0054
English Red
0101
Cassel Earth
0111
Burnt Umber
0190
Warm Grey
0192
Cold Grey
0122
Indigo
0186
Blue Black
0198
Gold metallic
0199
Silver metallic
New
New
New
New
0109
Burnt Sienna
New
New
New
New
0112
Van Dyck Brown
New
New
0184
Paynes Grey
0133
Paris Blue
New
New
0110
Raw Umber
0134
Prussian Blue
New
New
0039
Raw Sienna
New
0182
Ivory Black
= also available in 200 ml tube
41
LUKAS STUDIO
LUKAS
Fine Artists Oil Colours Professional-Quality
High quality yet economical oil colour for the

discerning artist
Well-balanced colour spectrum of 48 brilliant
colours
High concentration of pigments for an exceptional colour intensity
Excellent lightfastness
25 single-pigment-colours
Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency
of yellowing
LUKAS STUDIO - Fine Artists Oil Colour, the modern professional quality with an optimised price
performance ratio, contains only brilliant and consistent pigments with a high light fastness. A spoor
(0,5 - 1,5 %) of the finest bleached Bees Wax as one
of the ingredients gives the colour the famous
buttery and short consistency and makes the
colour-film less brittle for the restorer. The binders
are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils in special quality.
Available from stock are 48 colour shades in 20 ml
Tube, 37 ml Tube, 75 ml Tube und 200 ml Tube; as
well as White (0208) and Black (0382) in 500 ml
Pot, 2 l and 5 l Bucket.
42
STUDIO Oil
LUKAS STUDIO Oil Paint Boxes
LUKAS STUDIO Oil Assortment Box
Art.-No.: 6482 0000
PU
RRP $ 29.95

6 tubes 37 ml (Titanium White, Lemon Yellow (Primary), Magenta Red (Primary), Cyan
Blue (Primary), Burnt Sienna, Ivory Black)
Art.-No.: 6491 0000
PU
RRP $44.95
LUKAS OILS

12 tubes 20 ml (Titanium White, Lemon Yellow (Primary), Cadmium Yellow light (hue),
Yellow Ochre, Magenta Red (Primary), Cadmium Red deep (hue), Cyan Blue (Primary),
Ultramarine, Viridian (Phthalo), Burnt Sienna,
Van Dyck Brown, Ivory Black)
Art.-No.: 6542 0000
PU
RRP $57.95
LUKAS STUDIO Oil Sliding Box

320 x 145 mm,
3 bristle brushes
Art.-No.: 6472 0000
1
PU
RRP $74.95
43
LUKAS OILS
LUKAS STUDIO Oil Single Colours
20 ml Tube
7
37 ml Tube
9
75 ml Tube
10
200 ml
Tube 14
500 ml Pot
2 l Bucket
5 l Bucket
No. of Shades: No. of Shades: No. of Shades: No. of Shades: No. of Shades: No. of Shades: No. of Shades:
20
48
48
48
2
2
2
PU
Price
PU
Price
PU
Price
PU
Price
PU
Price
PU
Price
PU
Price
6
7.75
9.85
13.85
31.75
65.00
215
409
LUKAS STUDIO Oil Assortments

LUKAS STUDIO Oil Assortment
LUKAS

Art.-No.: 0200 0009
Art.-No.: 0200 0014
Leaflet with information on LUKAS STUDIO Oil

English
44
Art.-No.: WERB2302
STUDIO Oil
LUKAS STUDIO Oil Colour Chart
0207
Opaque White
0208
Titanium White
0222
Flesh Colour
0209
Beige
0212
Brilliant Yellow
0210
Lemon Yellow (Pri-
0226
Cadmium Yellow
0234
Naples Yellow
0227
Cadmium Yellow
0236
Naples Yellow red-
0224
Indian Yellow
0229
Cadmium Orange
0272
Cadmium Red light
0286
Vermilion
0274
Cadmium Red deep
0261
Carmine
0250
Magenta Red (Pri-
0266
Alizarin Crimson
0329
Mauve
0327
Cobalt Violet (hue)
0338
Sky Blue
0320
Cyan Blue (Primary)
0321
Cerulean Blue (hue)
0323
Cobalt Blue (hue)
0337
Ultramarine
0345
Phthalo Blue
0334
Prussian Blue
0355
Turquoise
0356
Emerald Green
0363
Permanent Green
0354
Viridian (Phthalo)
0375
Green yellowish
0365
Sap Green
0358
Green Earth
0357
Olive Green
0231
Yellow Ochre
0239
Raw Sienna
0309
Burnt Sienna
0254
English Red
0252
Caput Mortuum
0301
Cassel Earth
0311
Burnt Umber
0310
Raw Umber
0312
Van Dyck Brown
0322
Indigo
0384
Paynes Grey
0382
Ivory Black
FFF
LUKAS OILS
0204
Zinc White
= also available in pot 500 ml, bucket 2 l und bucket 5 l
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque

45
LUKAS OILS
LUKAS STUDIO Oil Beechwood Box
walnut stained
340 x 165 mm
wooden partition
1 palette
3 bristle brushes
Art.-No.: 6057 0000
PU
RRP $99.00
LUKAS STUDIO Oil Beechwood Box
walnut stained
340 x 165 mm
wooden partition
1 palette
3 bristle brushes
10 tubes 37 ml (Titanium White, Cadmium
Yellow light (hue), Yellow Ochre, Cadmium
Red deep (hue), Alizarin Crimson (hue), Viridian (Phthalo), Cobalt Blue (hue), Burnt Sienna, Van Dyck Brown, Ivory Black)
Art.-No.: 6059 0000
PU
RRP $114.95
LUKAS STUDIO Oil Elmwood Box
natural lacquered
1 stretched canvas Basics 30 x 40 cm
1 cotton painting board 30 x 40 cm
1 wooden palette
1 bottle 50 ml Medium 3 and 1 bottle 50 ml Brush Cleaner II
1 painting knife and 3 bristle brushes
1 tube 75 ml (Titanium White)
12 tubes 37 ml (Lemon Yellow (Primary), Cadmium
Yellow light (hue), Yellow Ochre, Magenta Red (Primary),
Cadmium Red deep (hue), Alizarin Crimson (hue), Cyan
Blue (Primary), Cobalt Blue (hue), Prussian Blue, Viridian
(Phthalo), Burnt Sienna, Ivory Black)
Art.-No.: 6110 0000
46
VE 1
RRP $195
STUDIO Oil
LUKAS STUDIO Oil Table/Box Easel
Art.-No.: 6542 5585
PU
RRP 248.95
LUKAS OILS
elmwood, natural lacquered, with drawer

1 bottle 50 ml Medium 3
3 bristle brushes
1 painting knife
1 palette dipper
LUKAS STUDIO Oil Starter Set
in transparent packaging (247 x 212 mm)

1 oil painting pad Paris 17 x 24 cm
3 bristle brushes
Art.-No.: 6482 SET2 PU 1
RRP 64.95
LUKAS STUDIO Oil Starter Set

in transparent case (365 x 280 mm)
1 oil painting pad Paris 24 x 32 cm
1 cotton painting board (24 x 30 cm)
1 palette
1 painting knife and 3 bristle brushes
RRP $159.95
47
LUKAS
Water Mixable Artists Oil Colours Professional-Quality

Well-balanced spectrum of 30 brilliant, watermixable oil colours
High concentration of pigments for exceptional colour intensity
Excellent lightfastness
Use of especially refined and modified linseed
oil and sunflower oil (pharmaceutical quality),
no tendency of yellowing
Excellent water miscibility behaviour, no use of
traditional solvents required
LUKAS BERLIN contains only selected pigments of the highest possible authenticity in
its class. Modified linseed and sunflower oils in
special quality are used as binders. To enable an oil colour that is water mixable, without affecting its other characteristics (such
as drying time, lightfastness and brilliance),
SCHOENFELD has developed a special procedure of modifying oils to guarantee a nearly water-free and water-resistant (colour) film
structure. LUKAS BERLIN dries in completely the
same way as a real oil colour, which makes LUKAS BERLIN a very good alternative for professional painters and users with solvent allergies.
Available in 30 colour shades in 37 ml and 200 ml
tube.
48
Berlin Oil
LUKAS
LUKAS
Oil Paint Boxes
Oil Assortment Box
Art.-No.: 6492 0000
LUKAS
RRP $49.95
PU
Oil Beechwood Box
walnut stained
340 x 165 mm
wooden partition
1 bottle 50 ml Linseed Oil modified
1 palette
3 bristle brushes
10 tubes 37 ml (Titanium White, Lemon
Yellow (Primary), Yellow Ochre, Magenta Red
(Primary), Cadmium Red deep (hue), Cyan
Blue (Primary), Viridian (hue), Burnt Sienna,
Burnt Umber, Ivory Black)
RRP $129.95
Art.-No.: 6058 0000 PU 1
LUKAS
LUKAS OILS
Blue (Primary), Burnt Umber, Ivory Black)
Oil Elmwood Box
natural lacquered
1 cotton painting board 30 x 40 cm
1 wooden palette
1 bottle 125 ml Linseed Oil mod.
1 painting knife
3 bristle brushes
Ultramarine deep, Permanent Green light,
Viridian (hue)
Burnt Sienna, Ivory Black)
Art.-No.: 6116 0000 PU 1
RRP $199.95
49
LUKAS
Oil
Single Colours
LUKAS
Oil Assortment
LUKAS
Oil Assortment
LUKAS
Oil Assortment
LUKAS OILS
Product
Price
LUKAS
200 ml
37 ml Tube
9
Tube 14
30
30
PU
Price
PU
Price
9.85
31.85
Oil Mediums
Linseed Oil modified
water-mixable
125 ml
slow drying
makes colours more fat
Art.-No.: 2250 0125 PU 3
RRP $13.95
Stand Oil modified

water-mixable
125 ml
slow drying
makes colours more fat and brilliant
Art.-No.: 2251 0125 PU 3
RRP $15.90
Medium 3 modified
water-mixable
125 ml
quick drying
makes colours lean
Art.-No.: 2252 0125 PU 3
50
RRP $13.95
Berlin Oil
LUKAS Berlin Oil Colour Chart
0822
Flesh Colour
0810
Lemon Yellow (Pri-
0826
Cadmium Yellow
0834
Naples Yellow
0824
Indian Yellow
0829
Cadmium Orange
0872
Cadmium Red light
0874
Cadmium Red deep
0861
Carmine
0850
Magenta Red (Pri-
0866
Alizarin Crimson
0927
Cobalt Violet deep
0938
Sky Blue
0920
Cyan Blue (Primary)
0921
Cerulean Blue (hue)
0923
Cobalt Blue light
0937
Ultramarine deep
0945
Phthalo Blue
0934
Prussian Blue (hue)
0972
Cinnabar Green
0963
Permanent Green
0954
Viridian (hue)
0953
Oxide of Chromium
0965
Sap Green
0831
Yellow Ochre
0909
Burnt Sienna
0901
Cassel Earth
0911
Burnt Umber
0982
Ivory Black
LUKAS OILS
0808
Titanium White
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque

LUKAS

Leaflet with information on LUKAS

English
Oil
Art.-No.: WERB2049
51
LUKAS
Finest, Moist Artists Water Colours Master Quality
Outstanding wide colour spectrum of 70

brilliant shades, including classical cobalts and
cadmiums
Pronounced colour intensity and superior
transparency
Highest lightfastness based on highest quality
artists pigments
Extraordinary brilliance
Outstanding mixing ability
Superior colour lifting through a permanently
moist consistency
Excellent flow properties
Use of particular binding and wetting agents
48 are one-pigment shades
It was only 1862 when Dr. Fr. Schoenfeld successfully transfered the advantages of the moist-pasty
water colour in tubes to a recipe for colours in
pans. This event was the birth of the LUKAS moist
water colour and the history of the company Dr. Fr.
Schoenfeld. In honour of this event we have given
our Finest Artists Water Colour the brand name
Aquarell 1862. The fundamental development of
the company founder represents the basis of this
water-colour of world-reputation still today. Finest
artists quality with exclusively pure, high quality
pigments of the highest permanence and concentration. Approximately 99% of each pigment is
finely grounded to 2 (2/1000 mm). Exceptional
coverage and dilution value from gum arabic carefully selected dextrins and special glucose
derivatives. Available in 70 shades in half
and whole pans, as well as in 24 ml tube.
52
Aquarell 1862 Water Colour

LUKAS
Metal Box
125 x 70 mm
with two fold out palette sections
12 1/2-pans (Lemon Yellow (Primary), Cadmium
Yellow light, Yellow Ochre, Cadmium Red light,
Magenta (Primary), Cyan (Primary), Ultramarine
light, Oxide of Chromium, Phthalo Green, English
Red light, Raw Umber, Paynes Grey)
Art.-No.: 6728 0000
LUKAS
PU 1
RRP $94.95
Metal Box
220 x 70 mm
16 1/2-pans (Opaque White, Lemon Yellow
(Primary), Cadmium Yellow light, Yellow Ochre,
Cadmium Red light, Alizarin Crimson, Magenta (Primary), Ultramarine light, Cyan (Primary),
Prussian Blue, Phthalo Green, Oxide of Chromium, English Red light, Raw Umber, Paynes Grey,
Ivory Black)
RRP $119.95
Art.-No.: 6721 0000
PU 1
LUKAS
LUKAS WATERCOLOURS
LUKAS
Paint Boxes
Metal Box
220 x 70 mm
12 1/1-pans (Lemon Yellow (Primary), Cadmium
Yellow light, Yellow Ochre, Cadmium Red light,
Magenta (Primary), Cyan (Primary), Ultramarine
light, Oxide of Chromium, Phthalo Green, English
Red light, Raw Umber, Paynes Grey)
Art.-No.: 6711 0000
LUKAS
PU 1
Metal Box
RRP $119.95
220 x 70 mm, with two fold out palette sections

(Primary), Cadmium Yellow light, Yellow Ochre,
Indian Yellow, Permanent Yellow deep, Cadmium Red light, Permanent Red, Alizarin Crimson,
Magenta (Primary), Dioxazine Violet, Ultramarine
light, Prussian Blue, Phthalo Blue, Cyan (Primary),
May Green, Oxide of Chromium, Phthalo Green,
Olive Green, English Red light, Burnt Umber, Raw
Umber, Paynes Grey, Ivory Black)
Art.-No.: 6723 0000
PU 1
RRP $159.95
53
LUKAS WATERCOLOURS
LUKAS
Paint Boxes
LUKAS
Metal Box
225 x 115 mm
(Primary), Cadmium Yellow light, Yellow Ochre, Indian Yellow, Permanent Yellow deep,
Cadmium Red light, Permanent Red, Alizarin
Crimson, Magenta (Primary), Dioxazine Violet, Ultramarine light, Prussian Blue, Phthalo Blue, Cyan (Primary), May Green, Oxide
of Chromium, Phthalo Green, Olive Green,
English Red light, Burnt Umber, Raw Umber,
Paynes Grey, Ivory Black)
Art.-No.: 6713 0000
LUKAS
PU
RRP $189.95
Metal Box

48 1/2-pans (Opaque White, Lemon Yellow (Primary),
Cadmium Yellow light, Permanent Yellow light, Yellow
Ochre, Gold Ochre, Naples Yellow reddish, Indian Yellow, Permanent Yellow deep, Permanent Orange, Cadmium Red light, LUKAS Red, Purple, Dioxazine Violet,
Indanthrone Blue, Permanent Blue, Ultramarine Blue
deep, Ultramarine light, Indigo, Prussian Blue, Phthalo Blue, Cyan (Primary), Turquoise, Cobalt Turquoise,
Green Yellow, May Green, Cinnabar Green light, Sap
Green, Permanent Green, Oxide of Chromium, Cobalt
Green, Phthalo Green, Verona Green Earth, Olive Green,
Viridian, Burnt Sienna, Caput Mortuum deep, English
Red deep, Burnt Green Earth, Burnt Umber, Raw Umber,
Paynes Grey, Ivory Black)
Art.-No.: 6725 0000
LUKAS

PU 1
RRP $219

English
54
Art.-No.: WERB2102
LUKAS Metall Box

125 x 70 mm
for 12 1/2-pans or 6 1/1-pans
Art.-No.: 6741 0011
PU 1
RRP $39.95
LUKAS Metal Box

220 x 70 mm
Art.-No.: 6703 0000
PU 1
RRP $44.95
LUKAS WATERCOLOURS
Empty LUKAS Water-Colour Boxes Metal
LUKAS Metal Box

225 x 115 mm
Art.-No.: 6705 0000
PU 1
RRP $65
LUKAS Metal Box

225 x 115 mm
for 12 Aquarell Studio tubes 10 ml
Art.-No.: 6708 0000
PU 1
RRP $64.95
55
LUKAS WATERCOLOURS
LUKAS
Product
Price Group 2
No. of ShaPrice Group 3
No. of Sha-
Single Colours
24 ml Tube
8
No. of Shades: No. of Shades: No. of Shades:
70
70
70
PU
Price
PU
Price
PU
Price
1/2-Pan
1/1-Pan
8.65
Indent
15.25
11.75
Indent
23.50
LUKAS
LUKAS
LUKAS Note
LUKAS
The colour shade Manganese Blue (Art.-No. 1119)
had to be deleted, since
the pigment is no longer
available.
Assortments
Assortment
with 6 1/2-pans in 70 shades

Art.-No.: 1000 0012
LUKAS
Assortment
with 3 1/1-pans in 70 shades

Art.-No.: 1000 0011
LUKAS
Assortment
with 3 tubes of 24 ml in 70 Shades

Art.-No.: 1000 0008
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque

Washing Out:
= easy to wash out
= difficult to wash out
56
This colour chart is produced within the limitations of printing and is intended as a guide only.

Colour Chart
1006
Chinese White
1007
Opaque White
1021
Lemon Yellow (Prima........... 2
ry) FFF
1015
Aureolin
1044
Cadmium Yellow
1045
Permanent Yellow
1026
Cadmium Yellow
1016
Gamboge
1024
Indian Yellow
1034
Naples Yellow
1048
Permanent Yellow
1028
Cadmium Orange
1047
Permanent Orange
1072
Cadmium Red light
1088
Cinnabar Red
1097
Permanent Red
1074
Cadmium Red deep
1080
Lukas Red
1066
Madder Lake deep
1061
Carmine Red
1064
Alizarin Crimson
1092
Genuine Rose
1051
Magenta (Primary)
1141
Ruby Red
1094
Purple
1142
Dioxazine Violet
1127
Cobalt Violet
1126
Indanthrone Blue
1136
Ultramarinee Blue
1135
Ultramarine light
1125
Cobalt Blue
1133
Paris Blue
1134
Prussian Blue
1121
Cerulean Blue
1124
Phthalo Blue
1198
Permanent-Blue
1118
Cyan (Primary-Blue)
1157
Prussian Green
1162
Turquoise
1168
Cobalt Turquoise
1122
Indigo
1152
Green Yellow
1170
May Green
1171
Cinnabar Green light
1165
Sap Green
1193
Permanent Green
1163
Permanent Green
1169
Cobalt Green
1195
Phthalo Green
1154
Viridian
1158
Verona Green Earth
1153
Oxide of Chromium
1176
Olive Green
1031
Yellow Ochre
1039
Raw Sienna
1023
Gold Ochre
1036
Naples Yellow red-
1109
Burnt Sienna
1054
English Red light
1055
English Red deep
1052
Caput Mortuum deep
1104
Burnt Green Earth
1111
Burnt Umber
1112
Van Dyck Brown
1110
Raw Umber
1106
Sepia
1182
Ivory Black
1184
Paynes Grey
1186
Neutral Tint
1012
Gold
LUKAS WATERCOLOURS
LUKAS
New
57
LUKAS AQUARELL STUDIO
Fine, Moist Artists Water Colours Professional Quality

Best price/performance ratio

Balanced colour range of 24 brilliant shades
High colour intensity and transparency
High lightfastness based on highest quality
artists pigments
Extraordinary brilliance
Outstanding mixing ability
Superior colour lifting through a permanently
moist consistency
Excellent flow properties
Use of particular binding and wetting agents
Fine Studio quality with exclusively pure and intense pigments. Exceptional coverage and dilution value from gum arabic, selected dextrins, and
special glucose derivatives. Available in 24 colours
in 1/2-pans (single or in blister packaging) and in
10 ml tube.
58
LUKAS AQUARELL STUDIO Paint Boxes
225 x 115 mm
12 tubes 10 ml (Lemon Yellow (Primary), Cadmium Yellow (hue), Yellow Ochre, Cadmium
Red (hue), Magenta (Primary Red), Cyan (Primary Blue), Ultramarine, Viridian (Phthalo), Olive
Green, English Red, Raw Umber, Paynes Grey)
Art.-No.: 6749 0000
PU 1
RRP $154.95
LUKAS AQUARELL STUDIO Assortment Box

12 tubes 10 ml (Chinese White, Lemon Yellow
(Primary), Cadmium Yellow (hue), Cadmium Red
(hue), Magenta (Primary Red), Cyan (Primary Blue),
Ultramarine, Viridian (Phthalo), Yellow Ochre, Burnt
Sienna, Burnt Umber, Ivory Black)
Art.-No.: 6104 0000
PU 12
LUKAS AQUARELL
STUDIO Travel Box
Metal
125 x 70 mm
14 1/2-pans (Lemon Yellow (Primary), Cadmium Yellow (hue), Yellow Ochre, English
Red, Cadmium Red (hue), Magenta (Primary
Red), Alizarin Crimson, Cyan (Primary Blue),
Ultramarine, Prussian Blue, Olive Green, Viridian (Phthalo), Raw Umber, Paynes Grey)
Art.-No.: 6741 0000
PU
RRP $54.95
LUKAS AQUARELL STUDIO Metal Box
RRP $39.95
LUKAS AQUARELL
STUDIO Travel Box
Plastic
125 x 65 mm
with one fold out palette section
12 1/2-pans (Lemon Yellow (Primary), Cadmium Yellow (hue), Yellow Ochre, English
Red, Cadmium Red (hue), Magenta (Primary Red), Cyan (Primary Blue), Ultramarine,
Olive Green, Viridian (Phthalo), Raw Umber,
Paynes Grey)
RRP $24.95
Art.-No.: 6854 0000
LUKAS WATERCOLOURS
PU
220 x 70 mm
16 1/2-pans (Chinese White, Lemon Yellow
(Primary), Cadmium Yellow (hue), Cadmium Red
(hue), Magenta (Primary Red), Alizarin Crimson,
Cyan (Primary Blue), Ultramarine, Prussian Blue,
Viridian (Phthalo), Olive Green, Yellow Ochre,
English Red, Raw Umber, Burnt Umber, Paynes
Grey)
Art.-No.: 6742 0000
PU 1
RRP $69.95
59
LUKAS Watercolours
LUKAS AQUARELL STUDIO Paint Boxes

230 x 90 mm, metal box with plastic inset
with one fold out palette sections
1 water colour brush, 1 pencil
16 1/2-pans (Chinese White, Lemon Yellow (Primary), Cadmium Yellow (hue), Magenta (Primary Red),
Cadmium Red (hue), Alizarin Crimson, Cyan (Primary
Blue), Ultramarine, Prussian Blue, Viridian (Phthalo),
Olive Green, Yellow Ochre, English Red, Burnt Umber,
Raw Umber, Paynes Grey)
Art.-No.: 6739 0000
PU 1
RRP $49.95
LUKAS AQUARELL STUDIO Metallkasten

230 x 90 mm, metal box with plastic inset
with one fold out palette sections
16 1/2-pans (Chinese White, Lemon Yellow (Primary), Cadmium Yellow (hue), Magenta (Primary Red),
Cadmium Red (hue), Alizarin Crimson, Cyan (Primary
Olive Green, Yellow Ochre, English Red, Burnt Umber,
Raw Umber, Paynes Grey)
Art.-No.: 6739 OHNE
PU 1
RRP $45

24 1/2-pans (Chinese White, Lemon Yellow (Primary), Cadmium Yellow (hue), Indian Yellow, Cadmium
Orange (hue), Cadmium Red (hue), Magenta (Primary
Red), Alizarin Crimson, English Red, Cyan (Primary
Blue), Phthalo Blue, Ultramarine, Prussian Blue, Violet, Indigo, Sap Green, Olive Green, Viridian (Phthalo),
Yellow Ochre, Burnt Sienna, Burnt Umber, Raw Umber, Paynes Grey, Ivory Black)
Art.-No.: 6744 0000
PU 1
RRP $89.95
LUKAS AQUARELL STUDIO Starter Set
Metal box, with two fold out palette sections

in transparent packaging
water colour painting pad HAMBURG (17 x 24 cm)
1 pencil, 2 brushes
16 1/2-pans (Chinese White, Lemon Yellow (Primary), Cadmium Yellow (hue), Cadmium Red (hue), Magenta (Primary Red), Alizarin Crimson, Cyan (Primary
Olive Green, Yellow Ochre, English Red, Raw Umber,
Burnt Umber, Paynes Grey)
60
RRP 94.95
AQUARELL STUDIO Water Colour

LUKAS AQUARELL STUDIO Single Colours
1/2-Pan
Product
Price
Art.-No.
e.g.:
1/2-Pan
in Blister
10 ml Tube
4

24
24
24
PU
Price
PU
Price
PU
Price
6
Indent
1402 7012
Indent
1402 B012
6.10
Leaflet with information on

LUKAS AQUARELL STUDIO
German
Art.-No.: WERB2141
English
Art.-No.: WERB2142
French
Art.-No.: WERB2143
1402 0004
LUKAS AQUARELL STUDIO Assortments

LUKAS AQUARELL STUDIO Assortment
with 6 1/2-pans in 24 shades (without Display)

with 4 1/2-pans in 24 shades (blister)
Art.-No.: 1499 B012
Indent Item

with 3 tubes of 10 ml in 24 shades
LUKAS Watercolours
LUKAS
Art.-No.: 1499 0004
LUKAS AQUARELL STUDIO Colour Chart

1402
Chinese White
1404
Lemon Yellow (Pri-
1408
CadmiumYellow (hue)
1410
Indian Yellow
1412
Cadmium Orange
1420
Cadmium Red (hue)
1416
Magenta (Primary
1418
Alizarin Crimson
1414
English Red
1428
Cyan (Primary Blue)
1436
Cobalt Blue (Phthalo)
1434
Ultramarine
1440
Prussian Blue
1432
Violet
1430
Indigo
1444
Sap Green
1438
Olive Green
1442
Viridian (Phthalo)
1406
Yellow Ochre
1422
Burnt Sienna
1424
Burnt Umber
1426
Raw Umber
1446
Paynes Grey
1448
Ivory Black
A legend to the symbols of the colour chart is
61
LUKAS
Finest, Soft Artists Pastel Colours Master Quality
Extensive colour spectrum of 180 shades

Pronounced colour intensity and highest lightfastness through pure and unextended artists
pigments
Good adhesion of the pigment coat through
the use of an especially developed unique
binder made only from natural products
Excellent mixing behaviour through the extreme soft consistency
Suitable for all common types of painting surfaces; slightly rough surfaces are advantageous
These pastels are distinguished by their exceptional brilliance and light fastness, through the
choice of high quality, pure and unadulterated
pigments, in a high concentration. Their extreme
softness and good adhesion of the pigment coat is
due to an unique binder, developed with only natural products. Each stick is handmade and a must
for all pastel artists. Available in 49 basic colours
and 131 different shades that are made using various levels of white.
62
LUKAS
Paint Boxes
LUKAS
Carton Box
* PT = Pale Tint see on Colour Chart Soft Pastel
Art.-No.: 8800 0003
PU 1
RRP $77.95
LUKAS
Carton Box
25 sticks (Caput Mortuun deep (PT1), English

Red, Genuine Red, Yellow Ochre, Brilliant Yellow (PT1), Brilliant Yellow, Cadmium Yellow
light (PT1), Naples Yellow (PT3), Naples Yellow
(PT1), Yellow Ochre (PT2), Titanium White, Pink,
Scarlet Red, Vermilion (PT2), Vermilion (PT3),
Oxide of Chrome opaque (PT1), Turquoise
(PT2), Viridian (PT3), Permanent Green (PT2),
Purple (PT1), Ultramarine, Cerulean Blue, Cerulean Blue (PT3), Cinnabar Green lightest (PT1),
Ivory Black)*
LUKAS PASTELS
12 sticks (Titanium White, Yellow Ochre (PT1),

Naples Yellow, Kadmium Orange, Genuine Red,
Carmine (PT1), Caput Mortuun deep (PT2), Viridian, Oxide of Chrome opaque (PT1), Cerulean Blue
(PT1), Ultramarine, Ivory Black)*
* PT = Pale Tint see on Colour Chart Soft Pastel
Art.-No.: 8800 0004
PU 1
RRP $154.95
LUKAS Promotional Material

English
Art.-No.: WERB2078
63
LUKAS LUKAS
LUKAS PASTELS
Product
Price
Single Colours
Stick
No. of Shades:
180
PU
Price
4.85
NETT
LUKAS LUKAS
LUKAS
Assortments
Assortment
with 2 PU in all colours, in total 540 Sticks

Art.-No.: 8800 0000
LUKAS LUKAS
LUKAS
Sales Display
Sales Display
with 90 partitions
W 39, H 47, D 18 cm
Art.-No.: 6972 0000 PU 1
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque

64
Soft Pastel
LUKAS
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Pale Tint 4
Yellow Ochre
Cadmium
Orange
Titanium White
Naples Yellow
8808 0000
8835 0001
0003

0005

0007

FFF
8826
0001

0003

0005
8833 0001
0003

0005

0007

FFF
Flesh Ochre
Genuine Orange
FFF
Vermilion
Scarlet Red
FF
8870 0001
0003
0005
0006
FFF
Light Ochre
FFF
8831 0001
0003
0005
0007
Carmine
FF
8861 0001
0003

0005

0007

Caput Mort.
deep
FFF
8852
0001

0003

0005
Cobalt Blue
FFF
8925 0001
0003

0005

0007

Turquoise
FFF
8959 0001
0003

0005

0007

Cin. Green
FFF
lightest
8972 0001
0003

0005

FFF
FFF
8856 0002
0004
0006
0008
Cad. Yellow
light
FFF
8848
0001

0003

0005

English Red
FFF
8888 0001
0003
0005
0007
8854 0001
0003
0005
0007
Red Ochre
FFF
8841 0001
0003
0005
0007
Ochre deep
Roman Ochre
Leaf Green
8902 0001
0003
0005
0007
8838 0001
0003

0005

0007

8966 0001
0003

0005

0007

Purple Violet
8868 0001
0003
0005
0007
FFF
Ultramarine
FFF
8937 0001
0003

0005

0007

Verona Green
FFF
8958 0001
0003

0005

Red Grey
F
8862 0001
0003
0005
0007
FFF
FFF
Prussian Blue
Madder Lake
F
8866 0001
0003
0005
0007
Permanent
Green
Grey Violet
FFF
8992 0001
0003
0005
0007
Green Bronze
Cobalt Violet
Emerald Green
8967 0001
0003

0005

8909 0001
0003

0005

0007

FFF
FFF
Burnt Sienna
FFF
FFF
FFF
8934 0001
0003
0005
0007
8829
0001

0003
8969 0001
0003
0005
0006
8927 0001
0003

0005

0007

Viridian
FFF
8954 0001
0003
0005
0007
FFF
8964
0001

0003

0005

Grey
Blue Grey
FFF
8990 0002
0004
0006
0008
0010
FFF
8860 0001
0003
0005
0007
Brilliant Yellow
FFF
8812 0001
0003

0005

0007

Genuine Red
FF
Gold Ochre
FFF
8823 0001
0003
0006
Pink
FF
8900 0002
0004
0006
8890 0001
0003
0005
Van Dyck
Brown
Van Dyck Violet

FFF
8916 0001
0003
0005
0007
FFF
8912
0001

0003

0005

Umber Greenish
FFF
8914 0001
0003
0005
Purple
Cerulean Blue
FFF
8921 0001
0003
0005
0007
Indigo
FFF
8895 0001
0003
0005
8922 0001
0003
0005
0007
Olive
FFF
8976 0001
0003
0005
0007
Oxide of
Chrom. op.
Grey Green
Ivory Black
8994 0001
0003
0005
0007
8982 0000
FFF
FFF
8953
0001

0003
0005
FFF
LUKAS PASTELS
Colour
Lightfastness
Pure Shade
Pale Tint 1
Pale Tint 2
Pale Tint 3
Colour Chart
65
LUKAS GOUACHE ART&DESIGN
Finest Artists Gouache Master Quality
The perfect paint for colour theory

Well-balanced colour spectrum of 48 opaque
and brilliant shades
Pronounced colour intensity and highest lightfastness through high quality artists pigments
Use of particular high quality gum arabic and
dextrins
Excellent mixing behaviour and flow properties
Water dilutable, but colour remains water soluble even after drying
Dries to an opaque, velvet matt finish
Suitable on all types of absorbent and non-absorbent grounds (paper, cardboard, canvas
etc.).
Finest opaque, matt drying, artists gouache. Dries water soluble.
Brilliant colours
with exceptional covering power. Binder:
high quality gum arabic and dextrin solution.
Available in 48 shades in 20 ml
tube, 6 shades also in 75 ml tube
and 14 shades in 500 ml pot.
66
LUKAS GOUACHE ART & DESIGN Paint Boxes
6 tubes 20 ml (Opaque White, Yellow Ochre,

Primary Yellow, Primary Red, Primary Blue, Ivory
Black)
Art.-No.: 6488 0000
PU 1
RRP $32.95
LUKAS GOUACHE ART & DESIGN

Sliding Box
275 x 115 mm
12 tubes 20 ml (Opaque White, Primary Yellow,
Cadmium Yellow light, Yellow Ochre, Primary
Red, Cadmium Red deep, Primary Blue, Ultramarine deep, Viridian, Burnt Sienna, Van Dyck
Brown, Ivory Black)
Art.-No.: 6548 0000
PU 1
LUKAS GOUACHE

Assortment Box Primary
RRP $69.95
LUKAS Promotional Material

Leaflet with information on
LUKAS GOUACHE ART&DESIGN
English
Art.-No.: WERB2132
67
LUKAS GOUACHE
LUKAS GOUACHE ART & DESIGN Single Colours
Product
Price
20 ml Tube
7
75 ml Tube
10
500 ml Pot

48
6
14
PU
Price
PU
Price
PU
Price
6
7.75
15.65
Indent
LUKAS GOUACHE ART & DESIGN Assortment

Assortment
with 6 tubes of 20 ml in 48 shades
Opacity:
= transparent
= semi-transparent
= semi-opaque
= opaque

68
GOUACHE ART & DESIGN

LUKAS GOUACHE ART & DESIGN Colour Chart
8050
Flesh Colour
8011
Brilliant Yellow
8024
Primary Yellow
8026
Cadmium Yellow
8027
Cadmium Yellow
8028
Cadmium Yellow
8030
Yellow Orange
8029
Cadmium Orange
8085
Cinnabar Red light
8072
Cadmium Red light
8074
Cadmium Red deep
8086
Cinnabar Red deep
8061
Carmine Red
8060
Primary Red (Ma-
8066
Madder Lake deep
8142
Violet bluish
8134
Prussian Blue
8137
Ultramarine deep
8135
Ultramarine light
8147
Permanent Blue
8126
Cobalt Blue
8138
Sky Blue
8121
Primary Blue (Cyan)
8131
Brilliant Green Blue
8120
Azure
8172
Cinnabar Green
8175
Zinc Green light
8163
Permanent Green
8169
Medium Green
8174
Deep Green
8164
Permanent Green
8153
Oxide of Chromium
8173
Cinnabar Green deep
8154
Viridian
8157
Bohemian Green
8031
Yellow Ochre
8039
Raw Sienna
8109
Burnt Sienna
8054
English Red light
8052
Caput Mortuum deep
8104
Burnt Green Earth
8111
Burnt Umber
8112
Van Dyck Brown
8185
Warm Grey
8195
Cold Grey
8184
Paynes Grey
8182
Ivory Black
FF
LUKAS GOUACHE
8007
Opaque White
= also available in tube 75 ml

= also available in pot 500 ml
69
LUKAS Mediums
Mediums give artists the opportunity to increase
their expression and expand their artistic message. In order to fulfill almost all the demands of
an artist, SCHOENFELD has developed nearly 100
different mediums based on actual chemical-technical possibilities.
Information of Product Labelling in general:
Labelling follows current EU guidelines and all the
information is based on the current state of our
knowledge; detailed information can be found
in our Product Safety Data Sheets. These can be
downloaded at www.LUKAS.eu or requested by
phone on ++49 (0)211 / 7813-0.
Explanation of Symbols:
N = hazardous to environment
Xn
= harmful to health

Xi = irritating
F+ = extremely flammable
F = highly flammable
70
Painting Butter Medium No. 5
37 ml
200 ml
750 ml
Art.-No.: 2225 0009

Art.-No.: 2225 0014
Art.-No.: 2225 0750
PU 3
PU 1
PU 1
11.15
22.90
54.50
Synthetic Ox Gall
Medium for better wetting of painting surfaces.
surfactants, water, fillers, humectant, additives
1/1-pan Art.-No.: 2256 0011
PU 3
Water / - / -
9.25
LUKAS MEDIUMS
A slightly yellowish medium for making quick drying, highly

elastic, pasty alkyd resin oil colours. Dries like pure oil colour. Insoluble in turpentine. Avoids cracking. Note: Paintings
that are stored for long periods in the dark may show some
slight yellowing especially in white areas. Light reverses this
effect.
alkyd resin, thickener, siccatives, sunflower oil, mineral spirit
turpentine oil, mineral spirit / - / - dangerous goods
Venetian Turpentine
Natural resin for the production of resin solutions for the
classical use as medium for oil and tempera painting.
larch turpentine, extra bright
turpentine oil, mineral spirit / flammable / dangerous goods
200 ml
Art.-No.: 2283 0200
PU 3
71.95
Cold Pressed Linseed Oil

Painting medium and binder for oil painting. Clearly more ye
lowish than article no. 2212.
linseed oil of first pressing
turpentine oil, mineral spirit / - / 125 ml
1 l
Art.-No.: 2213 0125

Art.-No.: 2213 1000
PU 3
PU 1
27.95
99.00
LUKAS MAKE LOTS OF MEDIUMS. MORE AVAILABLE ON REQUEST
71
72
MICHAEL HARDING
MICHAEL HARDING
73
MICHAEL HARDING
74
MICHAEL HARDING
75
MICHAEL HARDING
MICHAEL HARDING PROFESSIONAL QUALITY OIL COLOURS
40 ml Tube
Product
Price Group 1
Shades: 29
Price Group 2
Shades: 21
Price Group 3
Shades: 5
Price Group 4
Shades: 5
Price Group 5
Shades: 10
Price Group 6
Shades: 4
Price Group 7
Shades: 1
ASSORTMENT DEALS 20% OFF
40ml Assortment
76
3 tubes each colour
225 ml Tube

75
71
PU
Price
PU
Price
3
17.80
75.55
29.15
129.3
44.55
161.75
74.25
258.95
78.30
307.55
117.2
512.95
178.2
733.20
225ml Assortment
1 tube each colour
MICHAEL HARDINGS OIL PAINTING MEDIUMS
I am delighted to announce this has now become possible with the help of the respected writer and artist, Pip Seymour.
Pip has developed part of the range of mediums and varnishes with me, specifically tailoring them to meet the characteristics of our oil paints. We feel they will be
well received and will become an essential accompaniment that will enhance your
painting experience and practice. Michael Harding
AN INTRODUCTION
In formulating these special painting mediums we
looked at a number of factors
Compatibility with Michael Hardings Artist Oil
Colours
Long term stability when added judiciously to
Michael Hardings Artist Oil Colours
Use of high grade natural materials to ensure
excellent working properties.
MICHAEL HARDING
Thousands of artists have enjoyed our paints over the years. Many have requested that we accompany our range of oil paints with a similarly high quality range
of mediums.
The genesis of these

painting mediums relates
strongly to the development of oil paint techniques: Painters have
always manipulated and
adopted their own special
strategies to create the
ideal paint film.
77
HISTORY AND USE

Through the Renaissance, artists worked with combinations of tree resins, thickened vegetable oils,
waxes and balsams. The exact organisation of these
raw materials is open to speculation and may differ from one artist to another, and even within the
practice of an individual artist.
However, the basic desire to create an oil paint film
with a degree of gloss and depth seems to be a constant.
MICHAEL HARDING
When oil colour is simply diluted with turpentine, it

loses some of its body and also appears to become
slightly matt upon drying.
If a small addition of paint medium is incorporated
into the paint layer, and then it is diluted, the paint
film retains more of its original gloss and lustre.
This simple step helps avoid reliance upon varnishing: in essence, the varnish constituent is then built
into the paint film itself.
The antique formulations of these kinds of painting mediums often involved the presence of sunthickened linseed oil, well-known for its self-levelling
properties, excellent gloss and drying capabilities.
This viscous oil would invariably be blended with
natural tree resins, such as Mastic, from the Greek
island of Chios. This combination may also have
been treated with lead-based siccative to speed up
drying times. To this formulation, an addition of
tree balsam may also have been included, to impart
yet more gloss to the paint medium.
Contemporary thought about the use of paint mediums errs somewhat on the side of caution.
Rather than using toxic and unpredictable lead drying agents, we have prepared a selection of oil-resinbalsam-wax blends, which avoid any driers (with
the exception of Dammar Glaze Medium). In place
of sun-thickened linseed oil, we use the best grade
linseed stand oil (a partially polymerised linseed oil,
which is fat in consistency but which self levels perfectly and imparts elasticity into oil paint films and
does not yellow/darken appreciably over time).
Otherwise, the raw materials used here are consistent with those of the past. As an alternative to
mastic resin (in use for over 800 years) we make use
of best quality Indonesian dammar resin (used in
paint mediums since late 18C) dissolved into the best
grade double rectified turpentine. In our opinion,
this is the best and only solvent for use in oil paint
technique: it evaporates slowly and evenly and has
a delicate flowery odour.
resistant to darkening when incorporated into paint

films.
Our unique Oleo Resin Glaze Medium makes use of
very pale, highly elastic Canada balsam. This high
grade oleo-resin imparts excellent depth and lustre to
oil paint films and possesses exceptional clarity.
To create matt or satin-matt paint films, high grade
pure bleached beeswax can be fused with tree resins and oils. This makes paint mediums which allow
the possibility of mild impasto within the paint film.
Although beeswax is the most flexible of all natural
waxes, it works best on flexible (i.e. canvas) supports,
when fused with oil or resin-oil combinations.
The paint mediums are prepared without drying
agents (except for PM2), to compliment the working
properties of our oil colours, which are also prepared
without use of drying agents. By adding only 10-20%
paint medium to oil colour, one can tweak the sheen
of the paint film and help avoid loss of gloss within
the paint film.
In this kind of ratio the normal drying rate of individual colours is preserved.
If quicker-drying is required, we have prepared one
medium (Dammar-Glaze Medium) which can be introduced to speed the curing rate of the paint film, again
when added in the ratio of 10-20% to oil colour. One
can also mix this medium 50:50 with all the other
mediums to help speed drying times. Remember that
over-use of drying agents could cause problems over
time in the dried paint film.
Final varnishes are best applied to thoroughly dried
oil paint films. For example, a thinly painted picture
may take 6-12 months to cure enough to be varnished. Remember that any varnish application will
close the paint film, thereby stopping the paint layers
from drying if not already dried out. Varnish is best
applied in dry conditions (avoid damp/humid atmospheres, which may cause blooming or clouding in
the varnish film upon drying).
Sometimes oils and varnishes might separate on
standing in the container, which can be simply
shaken to remedy this. It is also worth remembering
that turpentine when exposed to direct sunlight in
glass containers can spoil and must be discarded; this
is apparent when the turpentine goes very cloudy. Although we do sell turpentine based products in glass
they are generally for immediate use. Try and store
these products in darkness.
Larch turpentine from the Austrian Tyrol is the best

grade tree balsam for use in paint mediums: the
balsam is collected by drilling into the core of the
tree, to obtain a form of resin-sap which is highly
78
77
LIST OF AVAILABLE MEDIUMS

V1 DAMMAR VARNISH
Creates a subtle gloss finish. Made from the best quality dammar resin, dissolved in double rectified maritime turpentine, then carefully filtered. Apply as
a final picture varnish to thoroughly dried oil paint. (6 months min. If paint is
very thick, allow one year)
V2 MATT VARNISH
Creates a permanent protective coating with matt finish. The jar must be heated until the contents goes clear before applying one thin coat. Dries immediately. Apply as a final picture varnish to thoroughly dried oil paint.
PM2 DAMMAR GLAZE MEDIUM

A Traditional glaze medium, creates depth and gloss to transparent colours.
Speeds the drying time of oil colours; use with slower-drying colours.
PM3 RESIN OIL WAX MEDIUM
A soft painting paste, derived from bleached pure beeswax, fused with dammar
resin and linseed stand oil. To create satin sheen and gentle impasto to paint
layers. When setting in the container occurs, allow jar to stand in hot water and
stir until dissolved.
PM 4 BEESWAX PASTE
A high oil content paste, based on linseed stand oil and bleached beeswax. Increases body of oil colour, with satin-matt finish. Especially useful with opaque
colours
PM5 OLEO RESIN MEDIUM
Historic glaze medium based on light coloured Canada Balsam, fused with
dammar resin and linseed stand oil. Provides increased gloss levels and imparts
depth to paint films.
MICHAEL HARDING
PM1 OIL PAINT MEDIUM

A basic paint medium, designed to ease flow and increase gloss, transparency,
depth and beauty of the pigment colour. Linseed stand oil based medium that
prevents "yellowing" of paint film.
PM6 BALSAM-RESIN GLAZE MEDIUM

Historic paint medium, based on Austrian larch turpentine (Venice turpentine),
fused with dammar resin and linseed stand oil. Can be added to oil colours to
enhance depth, gloss and lustre.
SIZES AVAILABLE
100ml glass jars (pack size: 3)
250 ml tin bottles
1000ml tin bottles
79
STAY WET PALETTES

FOR WATERCOLOUR
Accessories
Our range of stay wet watercolour palettes are made from durable plastic complete with
tight fitting lids. Australias finest artists recommend them. The smallest palette is the ideal size
for traveling. (SW1 i.e. 1 well in lid)
The three others all feature extra wide wells which allows for the 980 1/1/2
Robert A. Wade brush. All have extra wells in the lids
Code - SW1
TRAVEL STAY WET PALETTE
1 WELL IN LID 160mm x 220mm
RETAIL - $28.55
Code - SW2
SMALL STAY WET PALETTE
2 WELLS IN LID 245mm x 275mm
RETAIL - $34.95
Code SW3
MEDIUM STAY WET PALETTE
RETAIL - $39.15
Code - SW4
LARGE STAY WET PALETTE
RETAIL - $42.35
80
10% Discount for buying 6 of a size

NEEF MY PASTEL BOX
This fantastic pastel box is what pastel artists have been screaming for. Its durable and holds all
makes of pastels and is a must for every pastel artist. It comes in two convenient sizes. 60 & 90
Two sizes available
holding either 60 or 90 pastels
Organizes and protects
Durable Australian made plastic
60 SET - Barcode 9330173001865
$39.95 R.R.P.
buy a box of 5 & receive a 10% DISCOUNT
90 SET - Barcode 9330173001872

$59.95 R.R.P.
buy a box of 3 & receive a 10% DISCOUNT
Accessories
Pastel Box Foam Trays Holds 30 Pastels

Code 669 $11.90 R.R.P
ALL DVDS RRP $49.95

Except double dvd sets i.e Mitch Waite RRP $69.95
81
ALVARO CASTAGNET
INSPIRED WATERCOLOUR 90 mins
Alvaro Castagnet is an inspirational and expressive watercolour painter who is
passionate about the medium. His strong and colourful style captures the soul
and mood of the places he paints. In this film he paints the streets, squares and
cafes of the historic town of Girona in Catalonia, northern Spain as well as in the
coastal town of Cadaques, home town of Salvador Dali.
DVD TITLES
ALVARO CASTAGNET
THE PASSIONATE PAINTER IN ANTWERP 90 mins
Alvaro Castagnet is a highly respected watercolour artist with an international
reputation. His paintings capture the essence of his subjects with passion, boldness and elegance. In this film he travels to Antwerp and selects a range of subjects which include street views, a caf interior, inside the railway station and one
of the oldest bars in Antwerp painted at night.
ALVARO CASTAGNET
THE PASSIONATE PAINTER IN PARIS 90 mins
Alvaro is one of the worlds most respected watercolour artists with a passion for
his medium. He is an expressive painter with a strong and colourful style. Here he
chooses to paint in Paris with its historic buildings and busy boulevards. His subjects include glistening wet pavements, bustling caf scenes, the wonderful faade
of lOpra and Place Saint-Michel in the early morning.
AMANDA HYATT
FIVE STEPS TO WATERCOLOUR 90 mins
Amanda has been a professional artist for twenty five years and is recognised as
an outstanding watercolourist and oil painter. In this film she paints watercolours
in the beautiful scenery of Lake Como in Italy. Inspired by the views of the lake
and surrounding snow clad mountains she paints in several lakeside villages as
well as from high above the town of Como. Working on large sheets of watercolour paper, her confident brushstrokes capture the light and mood of her subjects,
which include buildings, boats, water and reflection
ANN BLOCKLEY
FLOWER PAINTING THROUGH THE SEASONS 90 mins
Ann is a popular painter with a very individual style. In this film she shows us the
many opportunities for flower painting all the year round and her techniques for
capturing them in watercolour. Primroses and irises in the spring are followed
by the rich profusion of wild and garden flowers in the summer. The flamboyant
colours of autumn leaves and berries then lead to the graphic shapes of dried seed
heads and the first snowdrops of winter. This film is both a practical guide and an
inspiration for all flower painters.
82
ANN BLOCKLEY
FLOWERS IN WATERCOLOUR 90 mins
Ann Blockley paints a variety of different flower subjects. These include ox-eye
daisies, wild roses, elderflower blossom, dandelion clocks and sunflowers in the
countryside; clematis, roses and foxgloves in more formal gardens and teasels in
her studio. She produces a series of sketches and watercolours both on site and
in her studio, resulting in a collection of loose, free watercolours as well as more
considered finished paintings.
AUBREY PHILLIPS
PAINTING WITH PASTELS 60 mins
With his fresh and enthusiastic approach, Barry shows how to succeed with pastels in this thoroughly comprehensive guide. Filmed in the stunning scenery of
Somerset, all aspects of the landscape are covered from skies to water reflections.
Aubrey takes his pastels to the breathtaking scenery of Wales. He paints lakes and
mountains, studying aerial perspective and reflections. He paints moving water,
a typical Welsh barn and captures the mood of an estuary at low tide. Finally,
he produces a painting in the studio from sketches made in Wales. Aubrey has a
fresh, loose style and this film contains plenty of information for both beginners
and more experienced painters.
DVD TITLES
BARRY WATKIN
PASTEL LANDSCAPES 60 mins
BARRY WATKIN
PROGRESSING WITH PASTEL 60 mins
Barry tackles four different subjects: a village scene, a seascape with breaking
waves, an Exmoor view and flowers in a conservatory. Using his 4 key points to
producing a better painting he takes us through from composition to finished
painting.
BARRY WATKIN
PASTEL TECHNIQUES 60 mins
Barry explores the many different ways of using pastel, producing vibrant paintings with rich colours, strong tones and interesting textures. He applies pastel
over watercolour and over ink, mixes water with pastel, uses linear and broken
colour techniques and applies pastel in layers. A wealth of new ideas for pastellists.
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BARRY WATKIN
MOOD ATMOSPHERE IN PASTEL 60 mins
Barry selects his subjects with care, showing us how to produce wonderfully
atmospheric paintings. Working out of doors, he paints a building and meadow
bathed in warm evening light and a panoramic view over the Quantocks on a
hazy summers day. In his studio and working from sketches, he paints a river at
sunset on the flat landscape of the Somerset Levels and a dramatic view of Porlock Weir.
DVD TITLES
DAVID BELLAMY
COASTAL ADVENTURES IN WATERCOLOUR 60 mins
Filmed along the stunning coastline of Pembrokeshire, David combines the basics
of watercolour with techniques for the more difficult subjects such as skies, boats,
rocks, buildings and figures. Painting and sketching a variety of subjects both on
shore and afloat, he shows us how to capture the character and mood of a place.
Back in the studio, he paints two full paintings from these sketches.
DAVID BELLAMY
TRAVELLING ADVENTURES IN WATERCOLOUR 60 mins
Filmed in the spectacular scenery of Andalucia in Southern Spain, David gives
practical advice for those painting away from home. He moves off the beaten
track, travelling from the magnificent Alpujarras mountains to the stunning
gorge at Ronda and the coast, where he sketches and paints mountain villages,
castles, farms, plants, animals and a harbour.
DAVID BELLAMY
MOUNTAIN ADVENTURES IN WATERCOLOUR 60 mins
David is in his element, sketching in the Lake District in the summer and the
peaks of Snowdonia in the snows of winter. In this dynamic scenery, he paints
and sketches bridges, streams, summer and winter trees, cottages and of course,
mountains. The film is crammed with techniques and advice on sketching out of
doors and contains three studio demonstrations of finished watercolour paintings.
DAVID BELLAMY
DEVELOPING YOUR WATERCOLOURS 60 mins
Filmed in mid Wales, David suggests how to put a sense of mood into our paintings. He shows us how to search out the optimum viewpoint whilst sketching,
finding a wide variety of subjects: a wonderful old Welsh farm, sheep at a feeder,
a bridge, a bubbling stream, a study of a tree and even a street scene. He then
selects the sketch of the bridge from which to paint a finished watercolour in his
studio.
84
DAVID BELLAMY
ATMOSPHERE IN WATERCOLOUR 60 mins
In this film, David shows us how to get mood, atmosphere and light into our
paintings. He sketches in Snowdonia, Pembrokeshire and the Cotswolds, painting
a summer sunlit farm, a splashing mountain waterfall, a bridge, an early morning
misty lake and a rocky cove. He then produces two finished paintings from these
sketches, working in his studio.
DAVID BELLAMY
WILD LANDSCAPES IN WATERCOLOUR 90 mins
DAVID BELLAMY
SUMMER LANDSCAPES IN WATERCOLOUR 90 mins
After initial hints in his studio on colour mixing, David heads out to paint the
English countryside. As well as showing how to tackle the preponderance of summer greens, he gives advice on painting trees in leaf, massed foliage and hedgerow plants, using colour to suggest distance. Many other aspects of painting the
landscape are covered and he finishes with a studio painting.
DVD TITLES
Working in the wilds of Yorkshire David draws and sketches waterfalls, bridges,
barns and cottages in the wet, windswept dales. He then travels to the French Pyrenees to paint the rugged scenery of the high mountain peaks covered in snow
and ice even a few mountaineers. Finally, he chooses one of his sketches to work
up into a full watercolour in his studio. The film is full of useful information and
action-packedas always he manages to have a few adventures along the way!
DAVID CURTIS
A LIGHT TOUCH LANDSCAPE IN OILS 60 mins
Davids unique approach to oil painting enables him to capture the mood and
atmosphere of his subjects. Working in his native Yorkshire, he paints Staithes
harbour with boats moored in the river, a colourful beach scene and an autumnal
view of bridge and stream painted contre jour .
DAVID CURTIS
A PERSONAL VIEW LANDSCAPES IN WATERCOLOUR 60 mins
Painting in Cornwall, David illustrates his approach to watercolour. Boats in an
estuary and the village of Cadgwith viewed from the beach are painted on site.
A further scene of a wooded bay with boats is painted in the studio, using an oil
painting as source material.
85
DAVID CURTIS
LIGHT EFFECTS IN WATERCOLOUR 60 mins
David has a wonderful eye for choosing subjects and here he concentrates mainly
on interiors. Firstly an old forgotten corner of a barn with farm implements and
light streaming through the door, then the interior of a boat builders yard with
work in progress. As a slightly simpler subject he paints in a farmyard - an old
barn, trees and lots of atmosphere.
DVD TITLES
DAVID CURTIS
LIGHT IN THE LANDSCAPE 80 mins
The effect of light is all important in Davids work and in this film he once again
paints in oils, choosing a variety of different subjects to illustrate his way of painting. He captures sparkling water, shining roofs and reflections, painting views
of the harbour, streets and boats of Staithes. He then travels to the Peak District,
painting two different views of farm buildings nestling against the rolling hills in
the afternoon light.
DAVID CURTIS
LIGHT & MOOD IN WATERCOLOUR 80 mins
Painting outdoors in all weather conditions is very important to David. Working
in pure watercolour in a loose and immediate way he is able to capture the light
and mood of a place. Here he chooses to paint the pastural scenery of his native
Yorkshire in the early spring as well as the city streets of London and Paris. He
also works in his studio, painting a more considered watercolour using an oil
painting as source material.
DAVID CURTIS
CAPTURING THE MOMENT IN OILS 90 mins
David paints on a glorious day in the Peak District with the last of the winter
snow still lying on the ground. He then travels in early spring to the spectacular
scenery of Cinque Terre in Italy, five little villages built into the rocks between the
sea and the steeply terraced hillsides. Here he paints views of the busy streets and
harbours with their brightly coloured houses and boats.
DAVID CURTIS
PAINTING WITH IMPACT 90 mins
David takes his oil paints to the lovely island of Mallorca, where he selects a range
of different subjects. These include wonderfully ramshackle buildings on Deia
beach, a view looking across to Valdemossa, a sunlit garden with building and
a beach scene. Returning to his studio, he works up a studio painting of an old
town centre, using as a guide a watercolour he painted in Mallorca.
86
DAVID TAYLOR
SOLVING THE MYSTERY OF WATERCOLOUR 90 mins
David Taylor paints with passion, producing wonderfully atmospheric watercolours filled with light and colour. In this video, filmed in and around his home
near Melbourne, Australia he paints a variety of different subjects. Practical tuition in his studio is combined with outdoor paintings of water, boats, buildings,
sunlit streets and a panoramic view of the beautiful Australian landscape.
DAVID TAYLOR
LOOKING FOR THE LIGHT 90 mins
ELIZABETH BLACKADDER
THE ART OF ELIZABETH BLACKADDER 60 mins
In this film we see Elizabeth working in her studios in Edinburgh on a series of
paintings that illustrate her intuitive approach to her subjects, her originality and
her acute sense of composition. Firstly she paints a large watercolour of tulips and
irises. This is followed by paintings of buildings in Bologna and more flowers in
a vase, both painted in oils. In addition, we see her working on a Japanese scroll
and gain an insight into the Japanese influence on her work.
DVD TITLES
Light is all important to Davids work. In this film he goes in search of the wonderful light of Italy along the Amalfi coast. Arriving in a new area, he emphasises
the benefit of sketching before starting to paint. He then goes on to complete
paintings of a variety of subjects including scenes of boats and buildings, a beach,
the charming hilltop village of Ravello on a sunny afternoon and even a street
painted at night. His paintings perfectly capture the atmosphere and light of the
Italian scenery.
FRED CUMMING
THE ART OF FRED CUMMING 60 mins
Painting in oils, Freds wonderfully subtle use of colour and tone is portrayed to
the full. He sketches and paints in Rye Harbour and on Camber Sands, two of
his favourite haunts along the south coast of England. Then, working from this
material, he produces several paintings in his studio, portraying the landscape in
a wide range of moods and atmosphere.
FRED CUMMING
ATMOSPHERE OF LANDSCAPE 90 mins
Fred is one of Britains most respected oil painters who responds to mood and
atmosphere generated by the landscape. His usual method of working involves
making a collection of drawings, sketches and paintings which he then uses as
inspiration to produce larger paintings in his studio. In this film he travels to St
Michaels Mount in Cornwall where he paints atmospheric views of the bay and
the surrounding landscape. We then see him working on two large oil paintings
in his studio.
87
GREG ALLEN
A WORLD OF WATERCOLOUR 80 mins
Greg paints in a strong, loose and colourful way and his paintings contain elements of sound design and draftmanship and a crisp, direct technique. In this
film he starts off with an initial session of techniques in his studio in Melbourne.
He them demonstrates his method of painting, choosing views along the coast
near his home. The second part of the film sees him travelling to France where he
paints a street scene and harbour in the picturesque port of Honfleur in Northern
France.
DVD TITLES
HERMAN PEKAL
A PASSION FOR PAINT 90 mins
Herman has a real passion for paint which is clearly illustrated in his work. He
mixes traditional impressionistic values with versatility and his paintings reflect a
deep insight into his subjects. Working in oils, Herman goes into the countryside
around Melbourne, selecting two different views of the Australian bush. He then
paints the beachfront at St Kilda in Melbourne, the industrial dockland area with
its cranes and boats and a view of Williamstown.
HERMAN PEKAL
MY VISION IN WATERCOLOUR 90 mins
Herman is a very fine watercolourist, producing paintings full of atmosphere and
light. Painting en plein air he mixes traditional impressionistic values with versatility, with a strong emphasis on technique. In this film Herman paints in London,
firstly beside the river Thames near Tower Bridge, then a view looking down Fleet
Street, with the sunlight producing strong lights and darks. He then travels to the
Cotswolds where he paints two views of the English countryside in summer..

THE MAGIC OF WATERCOLOUR 60 mins
James is one of the leading landscape watercolour artists in the UK who is passionate about pure watercolour. Here he paints in the Cotswolds at different times
of the year, from a simple view of a tree and hedgerow to autumn trees, a barn
and an old mill. He also includes studio demonstrations in colour mixing, architectural details and painting snow.

OUTDOOR PAINTING 60 mins
James shows us the versatality of watercolour and how to capture the freshness
and immediacy of a scene by painting out of doors in some of his favourite scenery. Starting with a painting of the wide open skies and flat landscape of Norfolk
he travels to the mountains and valleys of the Lake District to paint a wonderful example of aerial perspective and then on to the beautiful Yorkshire Dales to
paint buildings, streams and trees.
88

PAINTING FROM SKETCHES 90 mins
James always carries a sketchbook in his pocket and has amassed a wonderful
collection of sketches over the years. Working in his studio, James shows us how
to paint watercolour landscapes from them. He selects views of the Lake District
and the Windrush river and gives detailed instruction on how to paint the main
elements of a landscape: skies, clouds, mountains, trees, buildings, water and
reflections.
JANE CORSELLIS
LANDSCAPES IN OILS 60 mins
JANE CORSELLIS
COASTAL WATERCOLOURS 70 mins
Janes wonderful sense of colour and composition are once again displayed as she
paints in watercolour on the Pembrokeshire coast. She paints a series of watercolours on site, which she takes back to the studio to finish, or uses to work up new
paintings, often returning to the same place for more information. Working in the
charming old harbour of Fishguard and in the evening light on Newport Beach,
she produces a series of paintings and sketches which capture the light and feel of
the area.
DVD TITLES
Jane has a wonderful sense of colour and composition that she uses with great
subtlety to describe the very essence and character of her subjects, uncovering the
hidden shapes and patterns. In this film we see her working in Brittany, Northern
France where she paints views of Mont St Michel at low tide, inspired by the reflected colours in the mud, and in the fishing port of Cancale. We then follow her
to Pembrokeshire in Wales where she spends several months every year. Here she
paints the wild ponies grazing in the hills as well as the local beach in the evening
light.
JENNY WHEATLEY
ADVENTUROUS WATERCOLOURS 115 mins
Painting and travelling widely in search of subject matter, Jenny is one of the most
distinctive of watercolourists, producing colourful and highly original paintings.
In this film she paints and draws in and around Vence in the south of France.
While some of these paintings are complete in their own right, her experiences
in France also lead her to paint and discuss two larger watercolours that she puts
together in the studio.
JOHN HAMMOND
CAPTURING LIGHT IN ACRYLICS 75 mins
John Hammond paints wonderfully vibrant paintings using acrylic paints and in
this film he shows us his technique. Painting on the Devon coast, he covers a wide
variety of subject matter including the marshland and waters of the river Otter, the Exe estuary, and the surrounding landscape. He also works in his studio,
producing a large painting of wild geese in the marshes, using sketches from his
painting trip as source material.
89
JOHN WARD
THE ART OF JOHN WARD 80 mins
Working in his studio over four days, we see John painting a large canvas of fellow
artist and friend Gerald Norden, together with a student painter. We then follow
him to Rome where he sketches and draws in watercolour amongst the wonderful
architecture of the city. From his conversations with Gerald Norden and his many
fascinating and amusing stories whilst working, we gain a rare insight into one of
Britains great painters.
DVD TITLES
JOHN YARDLEY
SUNLIGHT IN WATERCOLOUR 60 mins
John is a master of modern impressionism, simplifying the most complex scenes
into shapes of subtle colour. The use of strong sunlight is an all important feature of his work and in this film John uses it to great effect. He paints figures
and interiors in the UK before travelling to Northern France where his subjects
include the beach at Deauville and views of a crowded caf and busy harbour in
the charming port of Honfleur.
JOHN YARDLEY
WATERCOLOUR IN VENICE 60 mins
In this film John takes us to Venice which for many years has been a source of
inspiration for his painting. He chooses three contrasting subjects: a stunning
pink palace seen across the Grand Canal, a quiet canal and bridge and a view of
the colourful stalls by the fish market. The film finishes with a studio painting of
gondolas in the basin behind St Marks Square, taken from sketches.
JOHN YARDLEY
VARIETY IN WATERCOLOUR 65 mins
Once again John shows us how to simplify and convey an impression of a scene,
bringing light and life to his paintings. He paints a variety of his favourite subjects in watercolour interiors in a beautiful stately home and coastal scenes in
Constable country, which include boats, buildings, figures and harbours. He also
works in his studio, producing a wonderful painting of horses and carriages in
Seville.
JOHN YARDLEY
WATERCOLOUR MOMENTS 90 mins
John is a master of pure watercolour, producing paintings bathed in light and
atmosphere. Working in the Cotswolds, he paints in the garden of Worcester
College in Oxford and a view looking down Burford High Street. Painting in his
studio, he then produces two wonderful Oxford scenes. He also shows us how he
paints flowers; a stunning painting of Japanese anemones in a glass vase.
90
JOSEPH ZBUKVIC
ATMOSPHERE & MOOD IN WATERCOLOUR 60 mins
Joseph is a highly regarded Australian watercolour artist who has the ability to
create a magical atmosphere and mood in his paintings. In this film we follow
him as he paints in Australia and Venice. He paints a busy Melbourne street full
of movement and life as well as the marina at Williamstown with its boats and
the city of Melbourne in the background. In Venice he paints a view of the fish
market on the Grand Canal. Boats, cars, buildings and figures are all portrayed in
an impressionistic manner.
JOSEPH ZBUKVIC
WATERCOLOUR ON LOCATION 85 mins
JOSEPH ZBUKVIC
WATERCOLOUR IMPRESSIONS 90 mins
Joseph is a true master of the watercolour medium whose magical touch produces
wonderfully loose, atmospheric paintings. On a summers day in Melbourne he
paints sailing boats in Albert Park before travelling to France where we catch up
with him in Paris in cold but sunny winter weather. Here he paints street scenes
and a view of the river Seine. Returning to Melbourne he then uses one of the watercolours produced on his French travels to work up into a larger studio version.
DVD TITLES
Joseph is a highly accomplished watercolour artist who believes that it is important to work outdoors, on location, as much as possible. Painting in Australia he
creates a magical mood in his watercolours as he paints a Melbourne street in
the evening light and captures the atmosphere of coastal scenes along the Great
Ocean Road. He also paints a stunning panorama of the Yarra Valley and a colourful afternoon at the races.
JOSEPH ZBUKVIC
RURAL FRANCE IN WATERCOLOUR 95 mins
Joseph is one of the leading masters of watercolour with an ability to transform
any subject into visual poetic language. Painting in the heart of the Dordogne
region of France he selects a wide range of subjects. These include a local market,
an early morning view with strong shadows, the houses and river at Brantme in
the evening light and a sunlit lily pond. He also visits a local farm where he paints
a horse and rider performing dressage.
KAREN SIMMONS
THE 1,2,3 OF PORTRAITS 60 mins
In this enthralling film Karen demonstrates her unique method of portrait painting. Using oils she takes us through a complete portrait from posing the model
to signing the canvas. In addition, she illustrates individual features and different
faces of both children and adults, using charcoal and pastel.
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KAREN SIMMONS
FLOWER PAINTING 60 mins
Karen demonstrates with diagrams how to draw flowers. Using watercolour she
then guides us through the many different facets of flower painting - pot plants
indoors, and a single bloom, herbaceous border with delphiniums and wild flowers in their natural habitat - she even paints in a bluebell wood.
DVD TITLES
KAREN SIMMONS
GARDENS IN WATERCOLOUR 60 mins
Karen paints a variety of popular garden subjects at different times of the year:
the landscaped gardens at Blenheim Palace, an herbaceous border full of colour
and shapes, a formal garden with a beautiful lily pond, flowers in pots on the garden steps and finishes with an autumnal bonfire. Skies, water, trees, shrubs, pots,
stonework and flowers are all demonstrated with her familiar flair for instruction.
KAREN SIMMONS
AT HOME WITH WATERCOLOUR 60 mins
In this film, Karen concentrates on being comfortable with the medium and
choosing and painting everyday subjects. Following an initial studio session of
watercolour techniques, Karen suggests the many different subjects to be found in
and around the house. These range from breakfast dishes on the table and flowers
and pots in the conservatory to garden clutter and a figure resting in the sitting
room.
KEN HOWARD
INSPIRED BY LIGHT 90 mins
Kens work has a very special quality and with his strong sense of tone and use of
light we see him paint some of his favourite subjects. Working with models, he
paints figures in his studio in Cornwall, using the light shining in through the
window to stunning effect. Working outdoors, he paints a view of Mousehole
Harbour with boats at anchor and Sennen Beach in the evening light, with the
sun shining through the windbreaks.
KEN HOWARD
A VISION OF VENICE IN WATERCOLOUR 60 mins
Venice, with its architecture, earth colours, figures and atmospheric light has had
a great effect on Kens work for over 30 years. Painting contre jour with the intense light reflecting off water, roof tops or piazza, Ken builds up his watercolours
with wash upon wash of transparent colour. Often working on two paintings of
the same scene, his subjects include St Marks Square, the Salute, Campo S. Angelo and the fish market.
92
KEN HOWARD
A VISION OF VENICE IN OILS 60 mins
In this most recent film, Ken once again is inspired by the light, architecture and
atmosphere of Venice, this time to paint in oils. We see him painting three views
of the Salute, showing the difference in tonal values as the light changes from
early morning contre jour to late afternoon. He also paints San Giorgio Maggiore, a view looking up the Grand Canal in the evening light and a view of a back
canal on a quiet Sunday morning.
KEN HOWARD
VARIATIONS ON A THEME 90 mins
MARGARET EVANS
PASTEL PAINTING 90 mins
Margaret is renowned for her pastel painting and in this film she explores the difference in light between France and Scotland. Working in south west France, she
paints boats along the Canal du Midi and a windmill and buildings in the surrounding countryside. Returning to her native Scotland, she takes her pastels to
Glencoe and paints in the wonderful mountainous scenery on a sunny but breezy
day. Finally, in her studio, she works on one of the Glencoe paintings and paints a
complete painting from the watercolour sketch made on the Canal du Midi.
DVD TITLES
Ken Howards painting is essentially about light. He believes that as a subject

changes so much throughout the day, it is not possible to work on the same
painting for much longer than an hour. In this film he paints in oils in London.
He paints a series of boards as the light changes, firstly of Tower Bridge and then
the Royal Exchange in the City. Selecting the paintings of the Royal Exchange, he
then shows us his approach to preparing, squaring up and painting a large canvas,
working from these smaller boards.
MARY FEDDEN
THE ART OF MARY FEDDEN 60 mins
Mary only ever paints in her studio in London, where she produces paintings
from her numerous sketchbooks and from many objects she has collected. Here
we see her sketching in her garden by the Thames, completing two paintings in
gouache and working in oils. We also see her producing one of her delightful
collages. This film is a fascinating look at a remarkable painter with an instantly
recognisable personal style.
MAXWELL WILKS
COLOUR & LIGHT IN PASTEL 90 mins
Maxwell Wilks is an exciting painter with a strong emotional response to the effects of light, colour, atmosphere and form. He works in brilliant colour and uses
the pastel strokes rather than blending to achieve stunning results. In this film he
paints on the north east coast of England at Whitby, selecting views around the
harbour and the nearby Dales. He then returns to Australia where he shows us
how he uses sketches to work up paintings in his studio.
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MAXWELL WILKS
COLOUR & LIGHT IN OIL 90 mins
DVD TITLES
Max has a strong emotional response to the effects of light, colour, atmosphere
and form. He clarifies his subjects to a simple set of tonal shapes and, combined
with good draughtsmanship and bright colour, captures the mood of his subject,
producing fresh and lively paintings with an impressionistic feel. On the north
east coast of England he paints in and around the busy harbour of Whitby and
the picturesque coastal village of Staithes. Back in Australia he paints a view of
the landscape near his home and a studio painting, working from a sketch.
MELANIE CAMBRIDGE
SUCCESS WITH OIL 60 mins
In this film, Melanie sets out to show us that oil painting does not have to be a
difficult or messy medium. She looks at which materials to use, colour mixing,
tones, composition, perspective and much more. The basic elements of landscape
painting skies, trees, water, foregrounds, buildings and figures are all covered
as she paints a variety of subjects both in her studio and on location on the River
Wey near Wisley. This film is ideal for people new to oil painting.
MITCH WAITE
PAINTING FROM LIFE IN ACRYLICS TWIN DVD 180 mins
Mitch Waite runs an extremely successful art school near Nice in the south of
France. For this film he has devised a complete course covering all areas of painting in acrylics. We follow him as he works both in his art school and in the surrounding village streets, harbours and rural countryside. In part one he guides us
through perspective, composition, tonal studies and colour mixing and in part
two he paints a variety of subjects to demonstrate the lessons from part one.
PAMELA KAY
ASPECTS OF FLOWER PAINTING IN OILS 90 mins
Pamela Kay is one of Britains foremost painters of flowers and still life. Working
mainly in her studio, her work reflects her love of flowers and everyday objects,
which she arranges in a very informal way. In this film she paints spring primroses in a blue jug, summer roses from her garden and a delicious looking bowl
of strawberries in a silver bowl. She also takes her paints to the celebrated Sissinghurst Castle Gardens in Kent where she paints the rose arbour in the White
Garden.
PAUL HOGARTH
SPIRIT OF PLACE 60 mins
In this film we follow Paul to Majorca, an island in which he spent much of his
life. Here he produces three fascinating watercolours, drawn on the spot and
painted in his studio on the island. He also introduces us to some of the many
places he has painted in the past. Back in England we see him working in his
studio and look at some of the many paintings, drawings and lithographs he has
produced over the years.
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RAY BALKWILL
CAPTURING ESTARY MOODS 80 mins
Filmed amongst the captivating scenery of the Exe estuary, Ray demonstrates his
unique approach to painting, using watercolour and pastel combined. He takes
us to some of his favourite haunts including Exmouth, the harbour at Lympstone
and the picturesque Otter estuary at Budleigh Salterton. He also shows us how
quick impressions in charcoal can play a vital role in exploring composition, tonal
relationship and mood.
RICHARD PIKESLEY
CREATING LIGHT IN OIL 120 mins
ROBERT A WADE
WATERCOLOUR WADES WAY 90 mins
Robert Wade concentrates on three main areas of watercolour painting: the all
important use of tonal values, the use of colour, and the way to approach figures
in a painting. With exercises to practice, clear instruction and several finished
paintings, Roberts exciting and creative demonstrations will provide inspiration
for all watercolour painters. Filmed in the UK, both in the studio and around the
Cotswolds.
DVD TITLES
Richard has a great love and awareness of the landscape and the effects of light
and weather. This understanding has established him as a great painter of light
and in this film his inspiration comes from the coastline around his home in Dorset. Working outdoors with a small pochade, he draws and paints small studies in
and around the harbour at Lyme Regis as well as on the shore at Charmouth and
on Eggardon Hill. Working in his studio, he uses much of this material to work
up large canvases of Lyme Regis.
ROBERT A WADE
SIMPLY WATERCOLOUR 60 mins
This second film with Robert Wade concentrates on simplification. Bob emphasises that one should choose a simple subject and paint it in a simple, straightforward manner. Painting in and around the town of Leuven in Belgium he selects
four different subjects that includes a lake with reflected trees and building, an
old mill, a group of houses seen from a distance and a very fine old university
building. In addition, he shows us the fun to be had from changing the mood of a
scene by altering the colours.
ROBERT A WADE
WATERCOLOUR WORKSHOP 60 mins
In this film Bob takes us through many of the elements of watercolour painting,
working on simple studio demonstrations that are then fully explained in on-site
paintings. Tonal values, colour mixing, glazes, wet into wet, skies, figures and
more are all covered in a fun, simple manner. Filmed in Australia, Bobs subjects
include the courtyard fountain outside his studio as well as the wonderful scenery of the Mornington Peninsula near Melbourne. Here he paints two views of a
barn, creating a different mood in each. At the point of the peninsula he paints
several views on a divided sheet of paper.
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ROBERT A WADE
WADES WATERCOLOUR SOLUTIONS 90 mins
In this film Bob searches for clues to help us produce better paintings. Working
in his Melbourne studio, he investigates soft and hard edges, brushwork, water
to paint ratio, drawing style, wet-in-wet and many other techniques. Using these
clues he paints a variety of different subjects in the studio and in the beautiful
scenery of the Mornington Peninsula.
DVD TITLES
RON RANSON
WATERCOLOUR FAST & LOOSE 90 mins
Rons painting locations range from the Windrush valley in the Cotswolds to the
Severn Estuary and Gloucester docks, interspersed with studio demonstrations.
His painting style is fast, direct and exciting and the film covers every aspect of
watercolour, opening our eyes to a new way of looking at the landscape.
RON RANSON
BIG BRUSH WATERCOLOUR 60 mins
With infectious enthusiasm, Ron gets down to the basic techniques of painting
in watercolour with his big hake brush. With outdoor locations in the autumn
colouring of the Forest of Dean, much of the work is done in the studio and Ron
concentrates on painting skies, trees, foregrounds, water and buildings in a free,
loose manner.
RON RANSON
DISTILLING THE SCENE 60 mins
Ron takes us a step further in the art of watercolour by concentrating on the
design of a painting. Working in the studio, he demonstrates the principles of
design, showing us the pitfalls to avoid and the tips to follow. Illustrating these
points in three paintings tackled outdoors in the countryside around his home
near Chepstow, Ron shows us how to produce better paintings.
RON RANSON
SKIES 60 mins
Capturing the mood of a sky in watercolour brings a painting to life. Working
mainly in the studio, Ron shows us how to paint the many effects caused by cloud
formations and weather conditions. He paints a variety of skies from cumulus
clouds to sunsets working quickly and boldly with his hake brush.
96
RON RANSON
WATERCOLOUR LANDSCAPES FROM PHOTOGRAPHS 60 mins
Ron shows us how to use photographs in a creative manner, emphasising that
they should not be slavishly copied. Using a selecttion of photographs as a guide,
he paints a snow scene, a misty atmospheric creek, a river valley with bridge, a
town centre and combines two separate photographs to produce one painting.
ROSS PATERSON
SUMMER LIGHT IN WATERCOLOUR 90 mins
TOM COATES
FIGURES IN PASTEL 60 mins
Tom is a master of figurative painting and drawing. In this, the first in a trilogy
of films, he works in pastel and paints a portrait of a local town crier, dressed in
full regalia. He produces a series of pastels of models, taken from drawings in his
sketchbook and he also paints that most difficult of subjects, a self portrait. This
film gives a unique insight into the working practices in the studio of a distinguished artist painting and drawing in pastel.
DVD TITLES
Ross Paterson is a renowned Australian painter who has a love of the landscape
and a unique ability to interpret the distinctive character, light and atmosphere
of his subject. Painting around his home in northern Victoria, he travels into the
Australian bush to paint views of the dry, hot countryside. He also tackles a street
scene in the old mining town of Rushworth as well as a rickety wooden bridge
over a rapidly drying out creek. Finally, he paints a further street scene from a
sketch, working in his studio.
TOM COATES
PAINTING WITH OILS 60 mins
In this second in a trilogy of films, Tom paints in oils, producing wonderfully
observed landscapes in a loose, impressionist manner. He takes his paints to the
Somme Estuary in Northern France, where he explores a wealth of subject matter. These include weekend crowds promenading by a river, estuaries and beaches
- even an old fashioned carrousel. Tom works quickly on the spot using a small
oil pochade, returning to make bigger paintings of the subjects that particularly
appeal to him or using these small paintings to work up into large canvases in his
studio.
TOM COATES
SIMPLIFYING WATERCOLOUR 85 mins
Tom has a loose, impressionist approach to painting and in this film he shows
us how to simplify and capture the essence of a subject, painting in watercolour.
He starts by painting an English meadow in the evening light and then travels to
Brittany in Northern France where he paints a series of watercolours, full of life
and movement. These include beach scenes with figures, boats, buildings - even a
horse - as well as a view from his balcony in Jugon les Lacs.
97
BOOKS
98
BOOKS BOOKS & MORE BOOKS NEEF DISTRIBUTE LOTS OF BOOKS FROM MANY
DIFFERENT PUBLISHERS.
We always have hundreds of how to paint techniques books available at all times.
We update our booklist every month. Please ring for a current list or email [email protected] to
receive an updated book list via email.

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BRUSHES

PRICE LIST 01/01/2012

95 SERIES NEEF BRUSH

DANIEL SMITH MASK FLUID

SHORT HANDLE BRUSHES are called watercolour brushes

FLATS - Flat ferrule but with square end

95 FILBERT - STIFF SYNTHETIC - LONG HANDLE

95 FLAT - STIFF SYNTHETIC - LONG HANDLE

95 ROUND - STIFF SYNTHETIC - LONG HANDLE

95 BRIGHT - STIFF SYNTHETIC - LONG HANDLE

95 FAN - STIFF SYNTHETIC - LONG HANDLE

117 ALVARO CASTAGNET - WIRE BOUND SQUIRREL MOP

554 SYNTHETIC MOP BRUSH - SHORT HANDLE

552 SUPREME TAKLON RIGGER - LONG HANDLE

552 David Taylor Rigger Size 2

205 Flat Sable Neef Size 1

205 FINEST SABLE FLAT SHORT HANDLE

225 FINEST SABLE ROUND SHORT HANDLE

225 Round Sable Neef Size 5/0

2236 DAVID TAYLOR KOLINSKY SABLE ROUND CLEAR HANDLE

2236 David Taylor Kolinsky Size 0

233 KOLINSKY SABLE - MINI LINER SHORT HANDLE

244 IMITATION SABLE ROUND - SHORT HANDLE

244 Imitation Sable Neef Size 0

294 TAKLON DAGGER - SHORT HANDLE

294 Dagger Liner Neef Size 1/8

366 PONY HAIR ROUND - SHORT HANDLE

366 Pony Hair Neef Size 1

389 CAMEL HAIR OVAL WASH BRUSH - SHORT HANDLE

405 SABLELINE - MINI MOP - SHORT HANDLE

2497 CAMEL HAIR SHORT FLAT - LONG HANDLE

440 DEER FOOT STIPPLER - SHORT HANDLE

440 Deer Foot Stipler Size 1/16

450 INDIAN SABLE BRIGHT - LONG HANDLE

450 Bright Indian Sable Neef Size 0

455 INDIAN SABLE ROUND - LONG HANDLE

455 Round Indian Sable Neef Size 0

460 INDIAN SABLE FILBERT - LONG HANDLE

460 Filbert Indian Sable Neef Size 0

465 INDIAN SABLE LONG FILBERT - LONG HANDLE

470 INDIAN SABLE LONG BRIGHT - LONG HANDLE

961 FAN TAKLON - LONG HANDLE

961 Fan Neef Taklon Size 2

600 INDIAN SABLE - SMOOCHING BRUSH - SHORT HANDLE

600 Smooching Brush Neef size 4

960 BRIGHT TAKLON - LONG HANDLE

960 Bright Neef Taklon Size 0

960 ROUND TAKLON - LONG HANDLE

960 Round Neef Taklon Size 0

1290 JAPANESE GOAT HAIR HAKE BRUSH - LONG HANDLE

998 CATS TONGUE FILBERT - SHORT HANDLE

998 Cats Tongue Neef Taklon Size 2

192 STENCIL BRUSH - SHORT HANDLE

988 FILBERT TAKLON - SHORT HANDLE

988 Filbert Neef Taklon Size 1/16

ROBERT A.WADE TAKLON SHORT HANDLE RANGE

970 ROBERT WADE TAKLON ROUND - SHORT HANDLE

970 Round Neef Taklon Size 10/0

981 ROBERT WADE TAKLON LONG FLAT - SHORT HANDLE