Bio and Program Notes For Clifton Williams
Bio and Program Notes For Clifton Williams
Bio and Program Notes For Clifton Williams
Program Notes
Caccia and Chorale
Clifton Williams
The two title words of this piece are borrowed from the Italian language because of their
allegorical significance. The first Caccia, means hunt or chase, and is intended to reflect the
preoccupation of most people in the world with a constant pursuit of materialism. The Chorale is, by
contrast, an urgent and insistent plea for greater humanity, a return to religious or ethical concepts.
Caccia and Chorale, published in 1973 just before his passing three years later, is very much in
the signature of Clifton Williams; however, the futility of the Caccia and its ultimate exhaustion into the
Chorale bring us yet another dimension of this composer. As the Caccia continues its relentless pursuit of
greater heights of frenzy, at times utilizing multiple time signatures simultaneously, it is finally interrupted
by a morse code figure, which persists over the sustained block chords of what signals the chase as Dr.
Williams describes it. The material found in the Chorale represents some of the most powerful emotional
music to come from Williams pen; not only in volume, but in the tension-maintaining harmonic structure
which is as dramatic as any fortissimo climax found in any of his music. The music leaves one with a
somewhat unresolved, restless feeling, although the final pianissimo chord makes every attempt to
negate this through its musical consonance. (James D. Wayne)