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    IU SF 00261 13205 en

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    Cernătescu Mihaela
    Eustathios Makris is a Greek musicologist who studied Byzantine music, obtaining his PhD from the University of Vienna in 1996. He has specialized in Byzantine music and Greek traditional music, teaching the subjects at universities in Thessaloniki and the Ionian University. In 2006 he founded the vocal ensemble "Corfu Cantors" to cultivate and disseminate the local church music repertoires of the Ionian Islands, focusing on the tradition of Corfu. He has authored several articles on topics related to Byzantine music, Greek church music, and Greek traditional music.

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    IU SF 00261 13205 en

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    Cernătescu Mihaela
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    Eustathios Makris is a Greek musicologist who studied Byzantine music, obtaining his PhD from the University of Vienna in 1996. He has specialized in Byzantine music and Greek traditional music, teaching the subjects at universities in Thessaloniki and the Ionian University. In 2006 he founded the vocal ensemble "Corfu Cantors" to cultivate and disseminate the local church music repertoires of the Ionian Islands, focusing on the tradition of Corfu. He has authored several articles on topics related to Byzantine music, Greek church music, and Greek traditional music.

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    Eustathios Makris is a Greek musicologist who studied Byzantine music, obtaining his PhD from the University of Vienna in 1996. He has specialized in Byzantine music and Greek traditional music, teaching the subjects at universities in Thessaloniki and the Ionian University. In 2006 he founded the vocal ensemble "Corfu Cantors" to cultivate and disseminate the local church music repertoires of the Ionian Islands, focusing on the tradition of Corfu. He has authored several articles on topics related to Byzantine music, Greek church music, and Greek traditional music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    36 views2 pages

    IU SF 00261 13205 en

    Uploaded by

    Cernătescu Mihaela
    Eustathios Makris is a Greek musicologist who studied Byzantine music, obtaining his PhD from the University of Vienna in 1996. He has specialized in Byzantine music and Greek traditional music, teaching the subjects at universities in Thessaloniki and the Ionian University. In 2006 he founded the vocal ensemble "Corfu Cantors" to cultivate and disseminate the local church music repertoires of the Ionian Islands, focusing on the tradition of Corfu. He has authored several articles on topics related to Byzantine music, Greek church music, and Greek traditional music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    Eustathios Makris (b.

    1966) studied musicology at the Aristotle University of


    Thessaloniki and continued his studies at the University of Vienna, where he
    specialized in Byzantine music, obtaining the PhD degree in 1996 (supervisor: Prof.
    Christian Hannick, subject of the dissertation: The Musical Tradition of the
    Anastasimatarion in the 16th and 17th centuries). Other musical studies: advanced
    music theory (Diploma in Fugue, 1990) and Orthodox church music (Diploma in
    Byzantine Music, 2000) at the National Conservatory, Athens. Professional activities:
    Music Librarian at the Music Library of Greece Lilian Voudouri (1997-1999),
    teaching appointment (history and theory of Byzantine music) at the University of
    Thessaloniki, Department of Music Studies (1999-2001), Music Researcher at the
    Hellenic Folklore Research Centre of the Athens Academy (2000-2006), Associate
    Professor of Greek traditional music (ecclesiastical and secular) at the Ionian
    University, Department of Music Studies (2006-). In 2006 he founded the vocal
    ensemble Corfu Cantors (renamed to Ionian Harmony since 2012), whose main
    purpose is the cultivation and dissemination of the local church music repertoires of
    the Ionian Islands, focusing especially on the Corfiot tradition.

    Select articles:

    The Significance of Pitch in the New Method of Greek Church Music, New
    Sound. International Magazine for Music 16 (2000), 88-96.

    Byzantine Modes in Greek Traditional Music. Some Remarks on the Rizitika


    Songs, Acta Musicae Byzantinae 7 (2004), 114-132.

    The Chromatic Scales of the Deuteros Modes in Theory and Practice, Plainsong
    and Medieval Music 14/1 (April 2005), 1-10.

    Byzantinische Musik - Neugriechische Kirchenmusik, in: Josef Lanz et al.


    (eds), Kirchenmusik auf dem Balkan: 17. Symposion 2004, Brixner Initiative
    Musik und Kirche, Brixen 2006, 39-52.

    Entry Greece Church music (in Russian), The Orthodox Encyclopedia


    ( ), vol. 12, Moscow 2006, 424-427.

    , 19 (2007),
    277-286.

    Adjustments of Modality in Postbyzantine Heirmologion, in: Gerda Wolfram


    (ed.), Tradition and Innovation in Late- and Postbyzantine Liturgical Chant. Acta

    of the Congress held at Hernen Castle, the Netherlands, in April 2005, Leuven:
    Peeters, 2008, 37-63.

    .
    , 8 (winter 2009), 45-70.

    Fragmente griechischer Kirchenmusik in

    F.J. Sulzers Geschichte des

    transalpinischen Daciens, in: Martin Czernin - Maria Pischlger (eds), Theorie


    und Geschichte der Monodie, vol. 1 (Bericht der Internationalen Tagung Wien
    2002), Brno 2011, vol. 2, 457-466.

    .
    , in: Nina-Maria Wanek (ed.), Psaltike. Neue Studien zur Byzantinischen
    Musik: Festschrift fr Gerda Wolfram, Vienna: Praesens, 2011, 205-218.

    Exegesis beyond Borders. Two Unusual Cases of Exegetic Interpretation, in:


    Gerda Wolfram, Christian Troelsgrd (eds), Tradition and Innovation in Late- and
    Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen
    Castle, the Netherlands, 30 October - 3 November 2008, Leuven: Peeters, 2013,
    291-317.

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