Wordsworth Portfolio - Final Draft
Wordsworth Portfolio - Final Draft
Wordsworth Portfolio - Final Draft
Sister Willburn
English 332-02
20 Jun 2016
William Wordsworth
Morris | 3
Introduction
Imagine if you will, A nature-loving romantic in the classical sense. Now Imagine a
British man whose heart is filled with the French revolution. Next imagine a penniless war-torn
lover deprived of everything he holds dear. Now image a man so skilled and influential with his
words that he achieves the position of British Poet Laureate. Finally, imagine that they are all the
same person, a man by the name of William Wordsworth.
William Wordsworth led a somewhat fascinating life, but it paled in comparison to his
mentality and words. This was a person who saw the world and the eternities in ways most people
of his era couldnt fathom until he put them into words for them. He didnt just use any words
though, he wove poetic tapestries to tell his stories, and our stories, and those stories had the
power to move the heart, the mind, and the soul.
This was a man born amidst the beauties of the wild and nature infused him with its
essence. It spoke to him and through him. It was his inspiration and his muse. And it was these
visions of life and Gods creations that he shares. His quill etched them into existence and through
the efforts of countless many, those visions have been preserved and distributed to those who seek
them.
In a sense, I guess that is why I want to share him. I want to help people experience the
powerful feelings his works invoke. I want to share his insights into life and nature by introducing
the man himself to you. I want you to share in his understandings of the nature of the soul.
Morris | 4
Chronology
Wordsworth
Major Events
Morris | 5
Chronology Continued
Wordsworth
Major Events
1799 Having lost their lease due to the local conspiracy theorists,
the Wordsworths moved to their Dove Cottage in
Grasmere of the Lake District
1800 Lyrical Ballads is republished with additional content
1802 Lord Lonsdale dies, and the 4000 debt he owed John
Wordsworth is paid by his heir, William Lowther, allowing
William to receive his inheritance. After an amicable
settlement with Annette, Wordsworth marries Mary
Hutchinson, a childhood friend.
Morris | 6
Related Websites
The Poetry Foundation
Provides a Biography of William Wordsworth, access to
many of his works, articles written about him, and some
audio/video renditions of his works.
http://www.poetryfoundation.org/poems-and-poets/poets/
detail/william-wordsworth
Morris | 7
Biographical Impressions
And in despair I bowed my head: There is no peace on earth, I said
Henry W. Longfellow (I Heard the Bells on Christmas Day)
Probably the greatest influence on any writers writing is not the times of peace and
comfort, but those of difficulty and tribulation. The times that make us question who we are, what
is moral, what is just, what is really important, the times that make us question why? The same
could be said about Wordsworths writings. They didnt reach their full depth of maturity until he
had experienced despair himself.
It all started with a long hiking trip across Europe that included Italy, Switzerland, much of
the Alps, and France. While enjoying the sights and sounds nature had to offer, he came across the
celebrations of the French. Bastille had fallen one year earlier and they were reminiscing in the
most joyous fashion. Having been enthralled by the French, Wordsworth returns to London to
quickly finish out his schooling, before returning once again to France with the intent to stay a
while. There he fell in love with the French Revolution as well as a French woman by the name of
Annette Vallon, who happened to be the beautiful daughter of a French surgeon. She bore
Wordsworth a daughter, Caroline.
Wordsworth was reaching the pinnacle of happiness. His life had come together and
graced him with a family. It was a Joyous time. All that was left was to marry Annette and make
things official, but unfortunately he was running low on the funds that would be needed to support
his new family. Thus began his ill-fated choice to return to London to procure more money. After
he left, Frances First Terror began: The September 1792 massacre of political prisoners. This
was followed by the execution of Louis XVI & Marie Antoinette, and Frances declaring war on
Britain.
Cut-off. The very revolution that he had embraced so heartily as the light of new
beginnings had raised its cruel and ugly head, revealing itself not as enlightenment, but as
bloodthirsty barbarity which incidentally severed his newly formed family along with his heart.
He could no longer return to France to see his fianc or daughter. The guilt of abandonment began
Morris | 8
Morris | 9
Critical Impressions
Nostalgia's Freight in Wordsworth's Intimations Ode
According to Fred Hoerner, readers of William Wordsworths Intimations Ode are likely
to confuse his poetics with his nostalgic material. He goes on to explain in the most confusing
manner possible how not acknowledging the theories available for analyzing the poem will leave
the reader blaming the poem on nostalgia, when in Freds opinion, the poem is more an ode to
being able to remember than it is to a specific memory or memories.
Fred goes on to relate how the poems ambiguity and reluctance to be concrete are
emphasized by his somewhat embracing of Christian religious symbolism without actually doing
so. Wordsworth is thus a free-agent in Freds mind, refusing to be bound by structure, whether it
be nostalgia, religion, or really anything specific. Fred uses the poems frequent use of
contradictions and opposites as an example of Wordsworths inability to commit to a single idea.
He feels that Wordsworth further distances himself from the confinement of structure by giving
his memories a transcendent nature that is unable to be fully grasped by the reader.
Fred further states that it is tempting to confuse sign and symbol in the poem, but
Wordsworth resists this and further demonstrates his agency by writing about the future, or
unknown quantities of which his memories cannot be. Fred finishes his essay with the caveat that
we cannot fully understand the poem unless we first allow the poem to go through us and be
internalized. We have to let it go deep within us in order for us to go deep within it.
Morris | 10
From Tintern Abbey to the Intimations Ode: Wordsworth and the Function of Memory
In Stuart Sperrys essay, he attempts to compare and contrast how memory is used
between the poems Tintern Abbey and Intimations Ode. Stuart asserts that although it is
common thought that Wordsworths use of memory in his poetry is a reassurance to himself that
all is not lost, that although he might not be gilded with glory now, he once was as a child, it is
entirely possible his later works such as the Intimation Ode are more than that and break away
from that consolation towards something else entirely.
Tintern Abbey, Stuart suggests, deals heavily with recollection and the inevitable
decay of memories. They become less clear with time and would possibly fade altogether if not
revitalized with revisitation. He ponders how they can be reconstructed personally through
revisiting a location and internalizing the familiarity and changes to it or vicariously through
another individual, the example of which he uses is Dorothy, Wordsworths sister and a subject of
the poem through which he seems to relive his childhood. Either way, Stuart states that it will
fuse past and present into a larger continuity, a kind of reimagining of ones self and memories
through new experiences.
By the time Wordsworth wrote his Intimation Ode things had changed. Stuart
suggests that the poem demonstrates completely faded memories. No longer can Wordsworth look
at things and see a similitude to his youth. His childhood is long forgotten, and gazing at things
that should rekindle glorious memories but instead leave nothing but the darkness of the forgotten
in their wake. By this point he can no longer console himself with the past and use it to build new
memories, so instead he attempts to cling to their trailing wisps in a desperate attempt to escape
the darkness of the future.
Morris | 11
Wordsworths poetry is less about religion and more about the consciousness of a person passing
from childhood to elderliness. He further claims that there is an assault on nature and that we must
become once again as children in order to reconnect with nature in a meaningful way in order to
save it from humanitys destructive tendencies.
He goes on to say that children have natural piety or as he calls it, an uncomplicated
level of consciousness in response to the objects in its immediate environment. Roger mentions
that Wordsworth laments the fading of this connection to nature that occurs with age. Roger states
that the poem is divided into three distinct sections, the first being Earthly Freight, of the time
when the childs inner light begins to darken, his connection to nature slowly becoming blurred,
his mind slowly becoming cynical. This is followed by a section Roger calls Strength. In this
stage that inner light is further buried under the loads of responsibility and life. The mind becomes
more mature, giving us strength to learn and understand, and thus the ability to recapture that
fleeting connection to nature we had as a child. This is succeeded by the final stage, A Song of
Thanks and Praise. In this stage we can never return to our childhood selves, but need to use
more mature methods to protect our love of nature and nature itself.
Morris | 12
with Wordsworths Intimation Ode being one of them. She shares this example from the poem:
. . . Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home . . . (ll. 6265)
Eliza finds this curious because Aubrey de Vere, an acquaintance of Wordsworth, noted
how his prose was quite the opposite, being very anti-Roman Catholic and political. Avoiding
religion if at all possible. Even when talking about his obviously religious inspired poetry,
Woodworth couldnt really bring himself to mention religion. Eliza compares this to the poet
Blake, who almost couldnt not talk about his poetry without mentioning religion. Even Coleridge
pondered religion in prose.
Perhaps, Eliza goes on to suggest, Wordsworth didnt have a set view on religion. Perhaps
although inspired by it and submerged in religious imagery, it is all shallow to Wordsworth, pretty
words for pretty poetry. She mentions Wordsworths comments about his Intimations Ode that
because the idea had offended some persons, he had never intended to assert that there was life
before birth and that he doesnt personally believe in such things. Other than that, he didnt have
much to say on religion outside of his poetry. Eliza concludes that this is because he was reluctant
to actually delve into religion, to hash it out, to have an opinion on it, to try and understand it. He
didnt want the responsibility of having to choose a side in religious discussion.
Morris | 13
Principle Critics
Although there have been many to read William Wordsworths works, some have been
more thoroughly obsessed with his accomplishments than others. These are individuals who have
studied him and his works, analyzing and criticizing the minute details of his poems and his life.
They are those who are not just content to study, but also to share what they learn, and have
contributed their thoughts on William Wordsworths works to the world.
One such expert, or principle critic, is William
Wordsworths great-great-great nephew Jonathan Wordsworth.
Born in 1932, he is a direct descendant of Williams younger
brother Christopher. Before he died in 2006, Jonathan was
Professor of English Literature at St. Catherines College,
Oxford. Most of his academic writings revolved around William
and from 1976-2002 he was Chairman of the Wordsworth Trust.
At Exeter College, Oxford, where he had been a Fellow, there resides a postgraduate scholarship
in his name. Before leaving this earthly realm for more celestial spheres, Jonathan wrote two
books that help us understand William Wordsworths writings more deeply: The Music of
Humanity (1969), and The Borders of Vision (1982). These books look at both the tragic pathos
invoked by his poetry and the border states contemplated by them.
Another expert on the perished poet is Kenneth Richard
Johnston, Ruth N. Halls Professor of English Emeritus at
Indiana University. Having gained his PhD from Yale in 1966,
he has spent most of his career studying Wordsworth. A few of
his honors and awards include: Distinguished Scholar, KeatsShelley Association of America; Fellow, Institute for Advanced
Studies in Humanities, University of Edinburgh; Distinguished
Teaching Award, Amoco Foundation, Indiana University; Mellon Foundation Emeritus Fellow;
and Distinguished Fulbright Fellow. Probably his most notable contribution outside of his essays
Morris | 14
Morris | 15
Creative Response
Studying Wordsworth and his poetry has reinvigored my creative
noodle and led me to concoct a nature poem of my own in the style of
Wordsworths I Wandered Lonely as a Cloud.
Mulberries
J.R. Morris 27, June, 2016
http://www.deviantart.com/art/Green-Stream-542752937
Morris | 16
Swales, Richard. Rydal Mount. Photograph. W ikipedia. Wikimedia Foundation, Inc. 15 Apr. 2004. Web. 20 Jun.
2016.
A photo of where Wordsworth lived from 1813-1850.
"Timeline." The Norton A nthology of English Literature. 9th ed. Vol. D. Gen. ed. Stephen Greenblatt. Norton,
2011. Print.
A list of major events that happened during Wordsworths lifetime.
Unknown. English poet W illiam W ordsworth. 1798. Sketch. W ikimedia Commons. Wikimedia Foundation, Inc.
Web. 20 Jun. 2016.
A sketch of Wordsworth done sometime around 1798 by someone anonymous.
William Wordsworth 1770-1850. The Norton Anthology of English Literature. 9th ed. Vol. D. Gen. ed. Stephen
Greenblatt. Norton, 2011. Print.
A short biography of Wordsworths life.
http://www.bbc.co.uk/history/british/timeline/empireseapower_timeline_noflash.shtml
Another list of major events that occurred during his lifetime.