Mauro Malang Santos

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MAURO MALANG SANTOS

Born on January 20, 1928 in Sta. Cruz, Manila and grew up in


Singalong

Son of Dan Santos and Juliana Malang

Married to Mary San Pedro

Has four children, two of whom are painters-Steve Santos and


Soler Santos

At the age of 10 he studied drawing under Teodoro Buenaventura

Spent one term at the University of the Philippines School of Fine


Arts

You dont really have to learn what you feel from books What I
would have learned at Fine Arts School, I learned in 20 years at the
Chronicle, thats why I call it Chronicle College. -Malang

When he was 19 he decided to stop schooling and joined the


staff of the Manila Chronicle art department under noted
cartoonist Liborio (Gat) Gatbonton and its supplement This Week
magazine.

He was tutored by another self-taught painter from Santa Cruz,


Manila, Hernando R. Ocampo who at that time was the editor of
This Week magazine.

Malang recalls that before Ocampo goes home he would usually


toss a set of paint to him and say O Malang, magpinta ka.

Went to Otis Art Institute in Los Angeles, California for further


training

1955 Along with his fellow cartoonist Liborio Gatbonton, Hugo


Yonzon and Larry Alcala, Malang helped establish Bughouse, a
gallery specially for cartoonists.

1957 made his first mural, Barrio Fiesta for the Insular Life
Building with help from Pepito Blanco, who taught him how to
mix oil paint.

1962 Malang had his first one-man exhibit at Lyd Aguillas


Philippine Art Gallery
He exhibited small works of pen-and-ink cartoons on white

backgrounds and it was Manansala who took him aside and advised
him that his works with look better set against color.

It was Manansala, along with the influences of favorite Western


artists like Paul Klee and Vincent van Gogh that helped mold the
Malang style.

Para akong embudo. I take this influences and distill what I feel to be
Malang Anything that is good for me, I accept -Malang

January 1991 he held a landmark exhibit of 28 works to signal a


spontaneous plunge into a new abstract phase. For Malang it was
a tribute to the Creator.

Malangs sources of inspirations:

His mother

Working with print media

God

Awards and Recognition

1963 Ten Outstanding Young Men of the Philippines Award

1963 First Prize for Watercolor at the Art Association of the


Philippines

1964 - Artist of the year from the Society of Philippine Illustrators


and Cartoonists

1981- Patnubay ng Sining at Kalinangan from the City of Manila

1994 Cultural Center of the Philippines Gawad para sa Sining


for Visual Arts

From Malang..

He hopes that the next generation of Filipino artists will seek


more guidance from Oriental rather than Western painting
traditions, as he feels his generation has failed to do.

Style of painting

Malang belongs to the second generation of modernist painters

He can also be considered a cubist and an abstract artist

He likes experimenting in colors

Kosme 1958, which Malang now presents, is a bit of history, a bit


of commentary on the current life, a bit of prognostication, a bit
of whimsy, a bit of day-dreaming, a bit of frustration, a bit of the
Filipino life of the here and there - but every bit of it is humor
rendered even more humorous because of Malang's love for the
Filipino and the understanding of the things they do, the wise as
well as the foolish, especially the foolish.

After a couple of months, the character retired from duty, and


became known as 'Kosme the Cop (retired)

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