A Weekly Global Watch Media Publicaon (www.globalreport2010.

com)

January 25th, 2013

The Global Watch Weekly Report is a publicaon of Rema Markeng (www.remamarkeng.com) and is published every Friday.
For any queries regarding this service please contact us at admin@remamarkeng.com. Rema Markeng 2013. All Rights Reserved.

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Welcome to the Global Watch Weekly Report

The song Russian Roulette sang by Rihanna focuses on wanting to commit suicide, the lyrics
suggest that Satan is talking to her and convincing her to pull the trigger.
Tyffany Evans, an R&B
singer who came out with
the hit single Promise
Ring
made
some
comments on her Twitter
about Rihannas Song and
then went on talking about
the Satanic influence in the
Entertainment Industry in
general. This is what she
had to say about it:
You gotta watch what u say. Because there are a lot of weak people in the world. They are susceptible to
anything so anything you say or do some people actually do listen. So make sure its nothing bad. Its okay
to be deep, but not murder deep.
Man! I really wish I could tell you guys what the industry really is and what stars are apart of destroying
this world. The stars who worship satan, and those who have killed to get the respect they have now.
Youd be verrrry surprise. Some of your favorite people pretend to worship God but they only do that to
save face. Or seem innocent.
Satan was head of music in heaven. He uses influential peopleto help influence the world. Think about
that. Once u make a certain amount of money. Just know that thats when they ask u to join. To get in you
have accept the beast, worship. Once you join they assist u with ur career make u huge only if u agree
and obey to destroy Gods word and his children.
Ppl listen and pay attention. Its a war going on right now between Good and Evil. Evil will rule this world
for a min. The people that have this power are the people that RULE the whole world. Im done I wont say
anymore before I get in trouble.

Emeli Sands video Clown is simple, subtle and artistic but nevertheless conveys a very clear
and disturbing message about the music industry and those that rule it. Is Clown about Emeli
Sand selling her soul to the elite? Well look at the meaning of the song and music video in
this edition of the Global Watch Weekly.

www.globalreport2010.com
The Global Watch Weekly Report is a publicaon of Rema Markeng (www.remamarkeng.com) and is published every Friday.
For any queries regarding this service please contact us at admin@remamarkeng.com. Rema Markeng 2013. All Rights Reserved.

CLOWN - PORTRAYING REALITY

Emeli Sand is an English-born Scottish singer
whose album Our Version of Events became the
best selling album of 2012 in the UK. With three
number one singles and widespread critical
acclaim, Sand is set to win a slurry of awards in
2013 and possibly more recognition across the
pond. Did her recent success come with a hefty
price tag? Judging by the message conveyed in her
single Clown, yes, yes it did.
On one of the walls we read the words Anywhere
in the world and solar system. These words often
appear on music industry contracts as a way of
defining the true reach of it in case of legal issues.
Also these words give this meeting room an
ethereal dimension, one that transcends time and
place.

It certainly doesnt take much analytical effort to

understand that Clown portrays the music industry
as a monolithic, coercive and even dangerous
entity, lead by powerful people who demand
nothing less than total submission from their
chosen artists. In exchange for success, a damning
contract (akin to an oath) must be signed that not
only leads to relinquishing creative control, but, on
a higher level, relinquishing an artists very soul.
Is this why Sand became an important part of the
London Olympics Ceremonies (a seemingly blatant
elitist occult ritual), where she sang in a disturbing
segment entitled Abide With Me, which told the
story of a young child giving away his soul to a
malevolent entity? Maybe. Lets look at the video.
CLOWNS GET NO RESPECT
Clown is pretty much the opposite of most of the
videos one would associate with the illuminati.
There is no migraine-inducing fashion, no superfuturistic dance moves and no symbols being
flashed every 3 seconds. Yet, in the end, the same
dark reality is conveyed and the same elitist group
is being acknowledged and referred to.
The video is shot in black and white, in the style of
silent films of the 1920s. All of the action takes
place in a single setting, a kind of meeting room
where it seems important issues are being
discussed.

The decisions being made seem to have a weight

that supercedes any regular political or national
entity. There are men in military uniforms
resembling those worn during the reign of Hitler or
Mussolini, though the racial diversity of this panel
indicates that we are not looking at a traditional
fascist government, but at something of a higher
level, hence the words Anywhere in the world and
solar system. Put another way, the video appears
to refer to a dictatorship evolving on a supranational level, such as maybe the Illuminati and
the New World Order.
The video begins with a strange scene: Emeli
enters this room escorted by two soldiers as if she
were a prisoner, yet she is greeted with warm
applause from around the room. Right from the
start, the video describes the contradiction of being
a star in this day and age: influential and revered
by the masses, while still completely in submission
to higher powers. The applause Emeli receives is
almost sarcastic, as if saying We are applauding
you like your fans do but we still own you.

CLOWN - PORTRAYING REALITY

Emeli is then presented with something that
represents the dilemma of anyone who wants to
make it big in the music industry.

this monolithic entity that is controlled by a closed

group of individuals.
The men tell Emeli:

Before any words are even exchanged between the

men and Emeli, the singer is expected to sign a
contract. As we see by her reaction, this is not an
ordinary business contract, but a document that will
heavily impact the rest of her life. Signing this
document equals relinquishing some of her rights,
freedoms, creative control and her soul?

You have great talent, and the brightest of futures.

All we require is your consent.
To which she replies:
You mean my surrender.
This implies that the contract is indeed one that
forces Emeli to submit to the powers that be and to
become a virtual puppet, or a clown. One man then
replies:
We mean your co-operation

Emeli refuses and says No. Immediately, the men

in the room show signs of impatience and become
more forceful. One of the men steps up to her, tells
her Please, you must reconsider and makes her
sit down.

This means that they want Emeli to willfully

accomplish what is expected of her, even if she
realizes that it goes against what she believes in
which is the meaning of selling out.
When Emeli says
I want freedom, to be myself,
a man promptly replies:
What use is freedom if you live in the gutter
flaunting the prospect of material gain, and loss, in
order to get her to sign the contract.

We then see other gestures indicating that Emelis

physical integrity is being violated. While these
actions are somewhat subtle in the video, they are
a symbolic way of referring to the physical and
psychological violence stars can be subjected if
they do not fully comply to the elites will.
Emeli is treated with the typical speech that is given
to artists to convince them to sign a contract. She is
told to take advantage of this rare opportunity to be
rich and famous. We quickly get a sense that, if she
refuses to sign with these people (the elite), she will
never make it because they are basically the only
path to celebrity, that there is apparently no way of
making it big in the music industry but signing with

As she continues to hesitate, the men get angrier

and start yelling at her. At one point, a man says
We need a decision and a vote gets taken,
although Emeli does not get a vote. By show of
hands, the men decide what to do with Emeli. With
a single gesture, one man sums up her fate if she
doesnt sign the contract.
In short, if she does not accept the terms of the
contract, these men will kill her. She is then
reminded of the opportunity she is passing up:
Success is impatient. You audience is waiting.
When presented again with the pen and paper,
Emeli grabs the pen and begins singing the chorus
of the song, confirming that she accepts the terms
of the contract.

CLOWN - PORTRAYING REALITY

Ill be your clown
Behind the glass
Go head and laugh cause its funny
I would too if I saw me
Ill be your clown
On your favorite channel
My lifes a circus-circus
rounding circles
Im selling out tonight

CONCLUSION
In this era where an increasingly monolithic music
industry is revealing itself to a public that is still
clueless, the messages reaching to airwaves are
becoming increasingly filtered, similar and
upsetting. The themes of rebellion, of the victory of
the human spirit over a soul crushing system, of
transcending boundaries through art are silenced
and virtually banned from the music industry.
Where are these groups that had a message? That
stood for something? Who would prefer death to
selling out? They do still exist but they are not in
the elite-controlled mass media anymore. Today,
stars are either chosen from a young age and
built from the ground up by the industry, or are
talented individuals like Emeli Sand who are
recruited and forced to become a clown.

The songs lyrics describe the sadness of an artist

who has been reduced to the status of a clown, a
puppet that is told what to do in order to obtain
material gain. As depicted in the video, the songs
lyrics also convey the fact that she was forced into
this contract, which is, when all is said and done,
nothing more than glorified exploitation.
Id be less angry if it was my decision
And the money was just rolling in
If I had more than my ambition
Ill have time to please
Ill have time to thank you as soon as I win
At the end of the video, Sand signs the contract
(although we dont actually see her do it) and is
taken away by the soldiers. It would seem
therefore, that this is yet another story of free will,
freedom and integrity being forcefully taken away
through coercion and power. It is another story
depicting the victory of evil against good, of
darkness against light. It is another victory speech
of the Illuminati industry, blatantly showing off how
it controls the industry, to the point that it makes its
clowns sing about their own sad state of puppetry.
While Emeli Sand is arguably more talented and
mature than most pop stars, Clown does not
convey a message that is very different from what
we have seen before. The only difference is that
this song is aimed for the adult contemporary
market, rather than the tween market.

Clown is about submission, about giving up, about

the victory of oppression over the human spirit,
about giving in to pressure, about accepting
temporary material gain for success, about signing
over ones soul over to a powerful, oppressive
group. For some reason, these messages must be
communicated to the public, as if to subliminally
demoralize the masses, to make sure that no real
role models or icons those who uphold certain
values above anything else are there to inspire
and give hope to the world.

While the song is full of regret and melancholy, it is

still a victory speech from the Illuminati to the
masses. In a very simple and theatrical matter,
Clown describes how the industry functions, how it
treats its stars and how it forces them to sell their
soul. Some might interpret Clown as Sand
speaking out against the industry. But the moral
of the story being told is that she gave in. And now
shes on TV. And she sang during the Olympics in
front of a billion people in a ceremony that was
tainted with the symbolism of the elite, the same
group depicted as forcing her to sign that contract
in her video.