Gieve Patel
Gieve Patel
Gieve Patel
Gieve Patel is hardly an avant-garde writer and he does not pretend to be one,
writes scholar Sudesh Mishra. Belonging to the same generation as (Adil)
Jussawalla and (Arvind Krishna) Mehrotra, he is a poet whose vision eludes simplistic
modernist labels and equations. Mishra attributes this to the fact that Patel (like
poets Kamala Das and Jayanta Mahapatra) has never been a formal student of
literature or linguistics.
The enduring concerns in Patels poetry are the besieged terrain of the human body,
its frailty, absurdity and perishability; the vulgar social inequalities of caste and
class that continue to assail post-Independence India; the predicament of the
subaltern, perennially relegated to the sidelines of history and art; the daily
catalogue of violence, conflict and pain that make up the centurys folk song; the
perpetual looming shadow of physical death; and a probing curiosity about what if
anything lies beyond a world of fraught materiality.
the later work, the emergence of something else. God may be too grand a word for
it. Transcendence too big. But there is a growing realisation that
During the riots, a patient arrives with a slit belly, "Bewildered, but firmly holding / a
loop of his gut / in his own hands". Or, "What is it between / a woman's legs" that
draws destruction, and the attention of "kisses, knives"?Gieve Patel Biography and
Works:
A medical practitioner by profession, Patel is a poet and play-wright. He was
educated at St. Xavier High School and Grant Medical College, Bombay. His poems
are unspectacular take-offs on the Indian scene on which he comments with
fastidiousness. He gives very minute details in the Frostian style. In 1984, he was
awarded Woodrow Wilson Fellowship to the Smithsonian Institute, Washington DC
to write a play - Mr. Behram. Major Works:
Poetry Collection by Gieve Patel:
Poems (1966)
Plays:
Princes (1970)
Savaksa (1970)
Mr. Behram (1984)