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The Magical
Dilemma of Victor
Neuburg
A Biography
Jean Overton Fuller
9vfandral(g_
PO Box 250
Oxford
OX1 1AP
UK
By the same author

Biographies and Studies
Madeleine: A Biography of Noor Inayat Khan, GC
Shelley: A Biography
Swinburne: A Biography
Noor-un-Nisa Inayat Khan (Madeleine)
Sir Francis Bacon: A Biography
The Comte de Saint-Germain, Last Scion of the House of Rakoczy
Blavatsky and Her Teachers
Poetry
Carthage and the Midnight Sun
The Sun's Cart
Silver Planet
Darun and Pitar
Gilby
Tintagel
Prophecy from Helen
Poetry in Translation
Shiva's Dance (From the French of Helene Bouvard)
That the Gods May Remember (from the French of Helene Bouvard)
The Prophet (from the Russian of Alexander Pushkin)
Contents
Book One Vicky as I knew him
How I Came to Know Him
1
2
Early Days at 'The Zoists'
3
The Drama
4
Comment Magazine
5
The Last Days
Mter Twenty Years
6
Book Two Vicky's Story
1
Beginnings
2
The Mystic of the Agnostic Journal
Crowley and the History of The Golden
3
Dawn
The Initiation of Victor Neuburg
4
The Magical Retirement of Omnia Vincam
5
The Equinox and Algeria
6
The Rites of Eleusis
7
8
9
10
Forthcoming
Sickert and the Ripper Crimes (Autumn 1990)
12
13
14
15
16
ISBN 1 869928 12 1 Pbk

ISBN 1 869928 13 X Hbk
First published in 1965 by W HAllen
11
17
This Edition, revised, 1990
18
19
20
Poetry in English- Neuburg Victor B- Biography 821'.912
21
1990 Jean Overton Fuller
22
23
Printed in Great Britain by

Antony Rowe Ltd, Chippenham, Wiltshire
1
15
26
49
62
85
The Triumph of Pan

The Desert
Triangles
The Moon above the Tower
Templars and the Tradition of Sheikh
el Djebel
The Paris Working
TheEndofit
The Army and After
Marriage
The Sanctuary
Crowley Again: Arcanum Arcanorum
Steyning - the latter days of the marriage
The Institute for the Study and Treatment
of Delinquency
The Sunday Referee and the Discovery of
Dylan Thomas
Remeeting with Pamela Hansford Johnson
After I knew Him
Postscript: The Party
Bibliography
Index
92
96
101
112
124
134
143
152
158
161
168
174
181
195
200
205
212
216
221
224
227
233
238
245
246
250
Acknowledgements to the original edition

Victor's son, Mr Victor E Neuburg, by his willingness that the book should be
written, lifted from my mind the fear that it might cause embarrassment to
him and his family. He read it chapter by chapter as I was doing it, in the first
rough, and again in proof, and lent me two albums of family snapshots from
which I was able to have enlargements made of the pictures of his father and
mother, their home, and relatives, which I reproduce. To avoid confusion
with his father I have called him in the text by his nickname of 'Toby'. With
his name I should like to associate that of his wife, Anne, whose moral
support I felt as valuable.
Mr E Hayter Preston(l), Victor's longest standing friend, not only gave
me the benefit of personal recollections of him extending over twenty-five
years; he read the whole manuscript, in several of its drafts, made a very
valuable suggestion which I incorporated.
Mr Gerald Yorke, by lending to me, and allowing me to have in my flat
for weeks at a time to study and copy, the original typescript of Crowley's
(then) unpublished autobiography and the original typescripts of the unpublished magical records entitled The Vision and the Voice and The Paris
Working and a number of other miscellaneous items from his incomparable
library of unpublished Crowley papers, made it possible for me to put
together the almost day-to-day account of periods of Victor's life with
Crowley which I present.
Mr David Archer; the late Ethel Archer (Mrs Eugene Wieland); Mrs
(Eva) Baker; Mr Francis Berry; Mr Oswell Blakeston; Mr A R Bothwell; Mr H
F Burgess; Cmdr and Mrs Eric James King Bull; Mr Charles R Cammell; Mr
Raymond Casey; Mr Rupert Croft-Cooke; Mr Herbert Corby; Mr H Cutner;
the late Mr Leslie Daiken; Mr Cyril H Davis; Mrs (Ruby) Demusiak; Mrs
(Vera) Dennis Earle (nee Pragnell) and Mr Dennis Earle; Mrs Edward Noel
Fitzgerald; Mr Constantine Fitzgibbon; Major-General J F C Fuller, CB, CBE,
DSO; Mr Mark Goulden; Mr Brian Harker; Mrs Pamela Hughes (nee Baker);
Pamela Hansford Johnson (Lady Snow); Sir Gerald Kelly, KCVO, PPRA; the
late 'KL~ Mr Charles Lahr; Mr Hugo Manning; Mr Arthur Calder-Marshall;
Mr G D Martineau; Dr Ralph Maud; Mr Somerset Maugham, CH; Mr Ewart
Milne; Margaret Morris; Mr Arthur Leslie Morton; Lettice Newman; Mrs
(Rose) Odle; the Rev Arthur Peacock; Mrs (OW) Pollard; Mr and Mrs Walter
Raeburn, QC; Mr Eric Richmond; Mr Maurice Sarver; Mrs Joyce Saunders
(nee Haddon); Father Brocard Sewell, 0 Carm; Mr Frederick and Mr Oswald
Carlton Smith; Mr John Symonds; Mrs (Vera) Wainwright; Mr Percy West;
Dame Rebecca West, DBE; Mr Louis Umfraville Wilkinson; Miss Margaret
Stanley Wrench.
Mr Anthony d'Offay, being a dealer, sold me his Neuburg collection,
but subsequently presented me with an additional item, with his compliments, and let me copy others.
Revised edition
In preparing this revised edition I should like to acknowledge the help of my
friend Timothy d' Arch Smith, himself an author on Golden Dawn subjects.
As always, he has read my proofs.
( 1) Mr Preston died in Brighton in September, 1964
Book One
Vicky As I Knew Him
All mystics come from the same country, and recognise
one another
De Saint-Martin
For Victor
lines written in contemplation
of the frontispiece photograph
A smile upon his face, head in fern,
Respected in an image grey and white
Stays he from whose blue hawk eyes shone the light
Which pierced my memory; who would not learn
The mean ways of the world; but could discern
Within the budding soul the inner sight,
The dream-wrapped spark which wand-touched welled to height
of conscious recognition; lit flames that burn
Yet, on imagination's wick. He,
stumbling, marked, bearing a fierce scorch,
Still, was my true teacher; true torch
On a dark night held high, symbol to me
Of one whose whole life was wholly given
To the mystic way, the poet's, the seer's vision.
Jean Overton Fuller
1
How I Came to Know
Him
The morning post brought an envelope containing a narrow
strip of paper on which was a Roneoed invitation to a meeting of the
Creative Circle, 64 Springfield Road, NW8 at 8 pm, the following
Saturday. It was not signed; I did not know what the Creative Circle
was; if it was a club or society, the names of its officers did not appear.
I might even have thrown it away!
Because the story which I have to tell is a very strange one, it
may be well to say something of the teller. I was twenty, for it was the
spring of 1935, and I had been born on March 7 1915. I was a
posthumous child, my father, Captain J H M Fuller, a regular officer
of the Indian Army, having been killed in action before I was born. I
was brought up by my mother, whose life was divided between
music and painting, and my grandfather, Colonel Frederick Smith,
CB, CMG, DSO, RAMC who, being himself widowed, made his home
with us while I was a child and really took the place of a father. His
much younger cousin, Arthur Overton, an artist who scorned the
philistine, was also much with us until I was fourteen.
I had been to the Royal Academy of Dramatic Art, but before
finishing my course had obtained my first part on the professional
stage. I was just seventeen when engaged to play juvenile leads with
a new repertory company opening in Dundee, and within a few
weeks illness of the leading lady enabled me to play leads earlier than
would have been normal. I was just nineteen when engaged officially
as leading lady, first at Porthcawl and then, for the autumn and
winter, at Clacton-on-Sea.
While I enjoyed acting, I did not altogether care for the theatrical
world and had come to feel that, whereas the author of a play created
something, I did not want to spend my life interpreting the works of
other people. My real inclination, from childhood, was towards
Hermetic and Oriental wisdom but was not reflected in my outer life.
l had no channel through which I could express myself but I thought
I might be able to do so if I became a writer.
1
The Magical Dilemma of Victor Neuburg

This, then, was me on the spring morning in 1935 when Ireceived the slip of paper. I showed it to my mother. She said, 'NW8,
that's the StJohn's Wood area. There are studios up there. They may
be artists or unconventional people. I suppose it would do no harm to
go and see. If you don't like the look of the house, you don't go in. If
you find it's an invitation to pose in the nude, you'll come straight
home!'
The last remark had point. Only a few days before while walking down Dean Street I had been overtaken by a running boy who
said mysteriously he had been told to ask me to come upstairs.
Curiosity overcoming prudence, I followed him up to a narrow, dark
flight. What I found at the top was perfectly respectable. It was a
commercial photographer's studio with a girl clerk at a desk and a
man who explained that he wanted me to sit on a throne and smile, if
possible in the way I had been smiling at the sky, when, happening to
look out of the window, he had seen me from above. It was to
advertise a product.
Before I left, he had induced me to pull a woolly jumper over my
head and model for that, too. Unaccustomed to this sort of thing, and
hardly realizing it was professional, I would have gone without more
ado, but the girl at the desk stopped me and gave me a cheque, which
she said was my fee. I thought this was remarkably easy money.
But because no harm had come of it, I had the feeling this spring
morning that the world was a place where all sorts of curious and
interesting adventures could befall one. I accepted the invitation to
the unknown.
I put on a very special dress. My mother had made most my
stage clothes and when she asked me what I wanted for a new spring
outfit, I said 'A dress the colour of horse-chestnut leaves unfurling, in
April, in the Jardins du Luxembourg'.
Surprised by this unexpectedly precise specification, her first
reply was, 'I doubt whether that exact shade can be obtained in a
fabric.' But she came with me into many shops, where she asked the
assistants to show us something 'in apple green'. Many stuffs in light
green were produced, but none the colour of the horse-chestnut
leaves, just unfurling, which I had so clearly in mind. I almost gave
up hope; and then at last, I saw it! Mother made from it a dress, a
jacket to match, and the merest shell of a hat, which sat on my head
like a calyx. To go with this, I bought grass green, high-heeled shoes
and gloves; and it was this ensemble which I wore when I took the 31
bus to StJohn's Wood, and walked along Springfield Road until I
2
How I came To Know Him

came to 64.
It was a big house, detached and standing back from the road in
... garden. It looked most respectable, and I pressed the bell. The door
was opened by a man who, without waiting for me to speak, said, 'I'll
take you through,' and began walking. I followed him. I;fe went
down a flight of stairs, and I remembered those other stairs in Dean
Street which I had gone up on the heels of another guide, and wondered where I was being led this time. I realized I was descending
into a private flat, in the basement of the house, but the man walked
straight through the sitting-room and out through French windows at
the back. Following him, I found myself in a great wilderness of a
garden, overgrown with long grass, wild plants and creepers. But
this was not yet our destination. The man began climbing an iron
staircase on the outside of the house, and having come so far I
followed. We reached an iron platform in front of a glass door of a
conservatory. 'It's in there', he said. He opened the door for me,
retreated, and left me to enter by myself.
In the conservatory were a number of young men sitting on
wooden chairs drawn round a china fountain. There was a moment's
silence while they all looked at me. Then they moved up politely and
pulled up a vacant chair so that I could become one of the ring. I
supposed this was the Creative Circle and wondered what it created.
Although they looked at me as though wondering why I had
come among them, they did not at once address me directly, but
continued with their own conversation; this was about poetry, and
the name Vicky was mentioned several times. Then one of them,
bolder than the rest, asked me who I was. I told him my name and my
interlocutor, who had canary fair hair, asked how I had come to be
here. I said I was invited and showed him the slip. He said, 'Oh that
must be Geoffrey Lloyd's doing. He isn't here tonight but he said
something about sending circulars to contributors.'
'Contributors to what?' I asked
'The Sunday Referee.'
'But I'm not a contributor to the Sunday Referee.'
'You must be,' he said, 'or you couldn't be here.' Perceiving I
was still puzzled, he explained, 'the Poet's Corner. You must have sent
something in at some time.'
Suddenly things came together in my mind. The feature to
which he referred was a weekly poetry competition, conducted by
Victor B Neuburg, who judged the entries and commented critically
upon those to which he awarded prizes; these he printed, together
3

with the names of runners-up. I had sent in a poem almost a year ago.
Some timidity had caused me to use one of my father's middle names,
Middleton, and I regretted having used a pseudonym when I saw it in
a group of names which included Margaret Stanley Wrench and
Herbert Corby, entrants distinguished by Mr Neuburg as having sent
in 'good poems'. But I must have enclosed my real name and my
bank address, Lloyd's, Pall Mall, from where the circular had been
forwarded to me.
More people began to arrive, including one or two women; all
had been brought by slips of paper like that one I had received. There
were no longer sufficient chairs and presently the canary fair young
man said, 'I wonder if Vicky knows all these people have come to see
him. Somebody had better tell him, or he may not come out.' He left
the conservatory by a door leading into the interior of the house and
presently reappeared with two remarkable looking people. The first
to enter was evidently the lady of the house, a tall figure in grey;
commanding, lean, striking in profile as in carriage, grey haired.
Though less tall than she, it was Victor Neuburg who made an
instant impression of the deepest order.
He was all head, the body being but a slight affair as to its
skeletal structure, and was further shrunk by emaciation. Rich brown
locks grew from above a broad forehead surmounting finely chiselled, aristocratic Jewish features. But it was his eyes that were
everything. They were in shadow from his brows and additionally
screened by deeply hooded lids, but opened to disclose an astonishing quality of forget-me-not or celestial blue. I had never in my life
before had so strong a feeling of already knowing another being; of
there being no need, in the deepest sense, to create a relationship,
because it was already there. Inexplicably, I thought of an ibis, with
slender legs and delicate curved bill, picking its way with selective
tread about the borders of a water. This feeling of the atmosphere of
Lake Mareotis gave way to that of an earlier, inland Egypt and he was
standing before me in a corridor built with massive, square blocks of
stone.
But when he let go my hand, and his eyes were no longer
looking into mine because he was shaking hands with other unexpected guests, I felt the Egyptian vibrations in his atmosphere give
way to those of a nearer past; his courtliness seemed to me now to
belong to the Victorian or Edwardian era.
Yet still, through this, came another layer of associations. Sand.
Drifts of it blown by the wind over rock, dry and stinging. The floor
4

of the rock was opening into a cavernous valley. It seemed to be the
valley of Hell; and I felt that he had been into it and came out alive.
Yet there was fun in his smile. He and the lady whom I heard
called Runia sat down with us and we all drew our chairs together,
those who had none squatting on their heels or on the rim of the
fountain. I noticed that Victor Neuburg - Vicky - had no socks; his
worn flannels ruckled to show ankles and shins of painful thinness.
I Ie wore also an ancient tweed sports jacket, frayed at the cuffs and
gone at the elbows.
One of the young men explained the idea that we should meet
here every Saturday. Vicky and Runia looked at each other; they said
there was no reason why not. Whether or not they were at home, we
could always use the conservatory and Cyril Moor would let us in, as
he had done this evening. Runia became fired by the idea that this
was to become the headquarters of an important cultural group, and
suggested we should invite well-known people to come and lecture
to us. 'And' she declared, 'we must have that hideous fountain
removed!'
There was a cry of anguish from Vicky. 'Oh no, I love it because
it's so hideous!' Within the rim of the trough was a central pedestal,
climbed by coloured china frogs, lizards and water weeds. Vicky
declared, 'It's the epitome of the spirit of the people who built these
houses, a monument to an age that has almost gone. I realize that by
the canons of modem taste it's monstrously ornate. but I like it. Let it
remain!'
The lady, laughing as though he were being outrageous, cried,
'We don't all share your perverted sentimentality!' It has got to go,
she said. If we were to have well-known people here to address us,
we should need to arrange the chairs in rows, which we couldn't do
'with that thing in the middle.'
Vicky transferred his defence of it from the spiritual to a practical plane. 'I don't know that the terms of our lease give us the right to
remove fixtures. It's part of the structure of the house.' I gathered
they had only just moved in.
Runia wanted us to have a name as a group, and Vicky suggested, Zoists'.
'What does it mean?' we asked.
'Zoos, in Greek, means living. It could mean people putting
more life into things. I only thought of it because it begins with a Z
and so few things do.'
There was a thoughtful silence.
5

'You don't have to have it/ he said.
We agreed to Zoists.
Runia wanted us to have badges, 'so that one Zoist can recognize another, if you meet outside, or if we have provincial centres.'
There was a murmur of dissent. Some of us felt this thing was
getting inflated. And we didn't want badges. We weren't boy scouts;
just a few people who wanted to come here and sit and talk to each
other on Saturday evenings.
'All right, no badges,' she said. 'But it is agreed we have a
name?'
It was agreed but there was no enthusiasm for the name, 'our
feeling being for the informal. Before we left Runia made us cups of
tea.
When eventually we broke up, and I stood again in the road
outside, I felt I could tell my mother I had been among distinguished
people. But the truth was I felt something else as well. I felt I had
been in ancient Egypt and for this feeling I could find no explanation.
Not all of those who had been present on the first evening
returned the following Saturday, but as I attended every week I began
to know the regulars. Arriving soon after 8 (dinner at the hotel where
my mother and I lived, was at 7, so it was a rush), I always found a
certain number of people there already, though there was usually
some time to wait until Vicky and Runia came from the inner room. It
was in this waiting time that I had to find my feet, as it were among
the other young ones. Nobody was ever introduced at Vicky's. One
just found out for oneself. I did not find the young men easy although
they made efforts to draw me into the circle, for they assumed an
acquaintance with modern poetry and political authors greater than I
possessed; I could not always follow their allusions, and I had the
feeling they all participated in a form of culture slightly strange to me.
I was therefore grateful when a good looking young man, quiet
mannered and of a more ordinarily civilized demeanour, settled
himself beside me and asked, simply, 'How did you come to Vicky's?'
I told him about the circular letter I had received. He knew
Geoffrey Lloyd had sent some out and asked, 'What do you do when
you're not writing poems for Vicky? What' s your background, so to
speak?'
I told him I had been on the stage since I was seventeen.
He said 'Fancy our having an actress among us!'
'What's your name?' I asked him.
'William Thomas', was what I first thought he said, but then he
B
6

1dded, 'It's a special Welsh name.'
There could be nothing very special about William, and I puckt'red my brows.
'You'll never have heard it before,' he said. 'Nobody in England
l'ver has. It should really be pronounced Wullam, in Welsh.' Or was
he saying 'Dullan'?
'It's a special Welsh name,' he repeated. 'I shall have to spell it
for you. D-Y-L-A-N. In Wales, it's pronounced Dullan. But I'd been
corresponding with Vicky for some time before I came to London,
und when I arrived I found he had been calling me Dillan, in his mind.
I thought if Vicky didn't know how to pronounce it nobody in England would, so I decided to take it as the standard English pronunciation of my name. Otherwise I'd spend all my time telling people it
was Dull and not Dill, and I think perhaps Dillan sounds more
elegant than Dullan. Only Idris objects and thinks it's frightfully
fancy! Because he's Welsh, too, and he knows! but now I'm getting
even Idris trained to call me Dillan, though it's under protest!'
'What part of Wales do you come from?' I said.
'Oh, I only come from a small town. Swansea.'
Whereas I had previously felt myself to be the most naive
member of a group otherwise composed of sophisticated, bohemian
intellectuals, I now felt I had, vis-a-vis Dylan Thomas, at any rate, an
advantage in being a Londoner. 'I should have thought Swansea was
a large town,' I said. 'I was near there all last summer. If you had
been to the theatre at Porthcawl you would have seen me on the
stage!'
'No, I'm afraid I didn't' he said. 'What a pity!'
Giving the conversation a tum he did not expect, I said, 'Have
you ever been down a mine?'
'No.'
'I have!' I explained triumphantly. 'Near Crumlin. I once
played a January date in the Rhondda. Or more exactly the Ebbw
Vale.' I told him how I had persuaded the men at a pit to take me
down the shaft, and how, having arrived at the bottom, I was given a
lamp to hold and escorted along a passage which had been hewed
through the coal to a point where it became so low that one would
have had to proceed on hands and knees. I was shown a fault seam,
which I felt with my fingers.
'You have seen something in Wales which I haven' t!' said
Dylan. He explained that his home was some distance from the
mining regions. He described the part of Swansea where he lived,
7

with a detail I cannot now recall, except that it sounded salubrious
and agreeable. His father was Senior English Master at the Grammar
School. 'Living where I do one doesn't really see anything of all that,'
he said, with reference to my allusion to the coal mining (and depressed) areas. 'Idris comes from the Rhondda,'(l) he said. 'I haven't
been into those areas.' As though he had been slightly shamed by my
adventure, he added, 'Perhaps I ought to have done.'
'It's because you live there that you wouldn't think of it,' I said.
'When one is touring one feels one must see everything in case one
never comes again. When I was sixteen, my mother and I made a tour
of Italy, Pisa, Rome, Naples, Capri, and back through Perugia, Florence and Milan. We felt we had to go into everything, even the
smallest church we passed on any street. We realized we had never
"done" London half as thoroughly because we took it for granted.'
I have no 'outrageous' sayings of Dylan Thomas to record . His
conversation with me was perfectly drawing-room and unexceptional. I remember him as a polite young man. Friendly, but not at all
presuming.
He told me the origins of the circle of which I now formed part.
'First one and then another of us found our way to Vicky's through
entering into correspondence with him or something like that, and so
a circle grew up around Vicky. We're all very fond of Vicky.' He
explained that, 'always reading each other's names in print we began
to wonder what the ones whom we hadn't seen were like.' So they
had had the idea 'of sending out circulars to everybody who was a
contributor. He thought it had brought in some interesting people.
'Well, it has brought you!' Perhaps one could name some kind of a
regular thing of it. 'The only thing I don't like is the name Zoists!' he
said.
I laughed and said, 'It does sound a bit like protozoa, zoophytes
and zoids!'
Dylan pulled a funny face.

'We're always called "Vicky's children",' said Dylan. 'It's a bit
sentimental, but I don't think we shall ever be called anything else.'
It had been at the back of my mind while he was speaking that
his name, as he had spelled it out, was one which I had read in the
Sunday Referee in a context more important than that of the weekly
prizes. I had not taken the paper regularly before I joined the circle, or
I would have known the whole build-up. I said, 'Aren't you the
winner of a big prize? I believe you're one of the distinguished people
here!'
8

'It was through Vicky and the Sunday Referee that a book of my
poems has been published,' he said. He explained that a prize was
offered twice yearly, part of which consisted in the publication of the
winner's poems in book form. 'The first was awarded. to Pamela
I lansford Johnson. She isn't here tonight. I was given the second of
them.' He said that Vicky had helped him pick out what he thought
were the best of the poems he had written.
'What's it called?'
'Just 18 Poems. It was published just before Christmas, and I
think it's doing quite well.' He added, 'I'm very grateful to Vicky. It's
o big thing for me. One's first book is the most difficult to get
published. Everyone says so. Now that I have one book published, it
should be easier to get the next accepted, perhaps by an ordinary
firm.'
My sentiment for Vicky was already so strong that I was slightly
shocked.
Dylan Thomas saw it. 'Vicky doesn' t expect us to stay with
him!' he said. 'This is a nursery school from which we are expected to
go out into the world. When we can get published elsewhere nobody
is more pleased than Vicky!'
Just then the moment for which we had been waiting arrived.
The door from the inner part of the house opened and our hosts came
out to join us.
Vicky came straight up to Dylan and me. I did not know which
of us the distinction was meant for but it gave me joy. He stood by my
chair, looking down on us beamingly, and said to Dylan, 'You're
entertaining this little lady?'
Dylan said, 'I've been telling her something of the history of the
Poet's Corner. '

Other regulars included the canary fair one; he was Geoffrey
Pollet, a New Zealander, and he had tramped England selling his
own poems, from house to house, and written a book about it, Song for
Sixpence, which was being published by Longmans. Herbert Corby
was a cheeky little Cockney sparrow with bright eyes and a neat
appearance. Walter Ford aimed at sophistication, wore a drooping
moustache, described himself as a Materialist and worked at the
Belgian embassy. Idris Davies, whom Dylan had first pointed out to
me, was a stocky little man with dark hair and a strong Welsh accent.
He was a miner's son. These four constituted a gang which adopted
me. As they escorted me from Vicky's, Idris would declaim upon the
night air Yeats's 'I will arise and go now, and go to Innisfree', which 1
9

shall never now be able to dissociate from his Welsh lilt. Usually they
took me to a pub in Great Marlborough Street, and once to the famous
Cafe Royal where we seated ourselves in a row on the red plush and
ordered lagers, and Ford said, 'We ought to have brought Vicky, to
make it seem real!'
Geoffrey Lloyd proved to be a Left Wing young man just down
from Oxford. Prominent also was a young Irishman called Leslie
Daiken who was always friendly to me. Brian Crozier and George
Rae came together. One evening I talked with Julian Symons through
whom I met George Woodcock, who would become leader of the
TUC.
Sometimes there was Maurice Sarver, Manager of the Unicorn
Press. In connection with my novel I had been tempted by an advertisement from a firm that wanted young authors- but also a premium
from them. I told Vicky. He looked grave. He took me over to Sarver,
told him what I had told him, and said, ' I would like you to tell this
little lady what you think about that proposition.' Sarver said I must
have nothing to do with it. 'If your book is any good you will find a
publisher who will produce it at his own expense and pay you a
royalty'. As he was a publisher I was tempted to ask him to read it,
but my mother had always told me it wasn't nice to exploit the
professional capacity of people one knew socially.
Then there was Cyril Moore, who had the basement flat, and let
us in. He was Advertising Manager of the Sunday Referee but interested in Yoga.
But the one who made the strongest impression on me, after
Vicky, was Arthur Leslie Morton. He was exceptionally tall and
gaunt, with interesting hollows in his cheeks and light coloured hair,
a flop of which seemed always before his eye. He wore an open
necked shirt and had something to do with the Daily Worker. He had
no small talk whatever. Indeed, he said almost nothing, which increased his mystery. When asked his opinion on a philosophical or
sociological question, he would begin with a hesitation and then say,
'Well, yes and no.'
One afternoon Runia suggested somebody should climb the
pear tree and bring down some of the fruit. I volunteered and so did
Morton. Runia exclaimed, as though he were too distinguished a
person to be sent on such a mission, 'Oh, I didn't mean you, Arthur. l
meant one of the children!' Nevertheless, he accompanied me
through the garden. When we reached the pear tree, to my surprise,
he crouched down on his hands and knees at the foot of it. ln this
10

posture, he remained, apparently waiting for something to happen. I
d ld not understand and stood, simply looking. 'If you mount on my
hnck, when I stand up you will be able to reach into the branches ' he
aid, twisting his head a little. Though members of the same circle we
had not been introduced, and these were the first words he had
uddressed to me. I did as bid. 'If you hand the pears down to me as
you pick them, it will be the best division of labour,' he said.
I had the impression his friendship with Vicky went back to a
period anterior to the Poet's Corner in which, though it appeared he
was a poet, he did not compete. Sometimes he was accompanied by a
beautiful, and even more silent, girl, whom I later learned was his
wife, Vivien.
The link between all of us was the Sunday Referee. Taking it for
Vicky's column, we would read others. In particular the centre page
sociological article, signed Vanoc II, often formed a subject of discussion. Vicky would hint with affectionate slyness that he knew the
identity of Vanoc and there was a general belief that he was the
Literary Editor, Hayter Preston(2)
We had been meeting perhaps four or five weeks when we
decided that Saturday June 29 should be sacrificed to practical matters. When I arrived I found Herbert Corby, Idris Davies, Geoffrey
Pollet and Walter Ford already there. Dylan Thomas and Geoffrey
Lloyd came in escorting between them a petite, slight girl, with dark
hair and intelligent eyes. From the cheer with which she was greeted
l knew she must be someone of consequence. She was carrying a
bottle of beer, and Dylan and Geoffrey Lloyd were each carrying
bottles. 'How thoughtful of you!' I exclaimed.
'Where's Vicky?' they asked. We told them Vicky and Runia
appeared to be out. This caused consternation, as they had expected
Vicky and Runia would provide glasses. Pollet suggested we could
go into their rooms and get glasses from the sideboard. The girl,
whom I heard addressed as Pamela, said she did not think Runia
would like us to go into their rooms in their absence.
'We don't need glasses,' I said, We can drink from the bottles!'
There was a silence. Everybody was thinking hard. Idris replied. 'There aren't as many bottles as there are of us. There wouldn't
be one for each person to drink from.'
Feeling dashing, I said, We could give them a wipe before
passing round. I don't suppose any of us is suffering form anything
contagious!'
11

Five bottles was an awkward number to share between eight
people. Someone said, 'Dylan, you can have a whole one, as you're
the fondest of beer!' Ford said he did not feel like having any. That
left four bottles between six people, which was still awkward, as we
had nothing into which to measure out the contents equally. Dylan
said, 'I can simplify your problem still further. I will drink two whole
bottles. That will leave you with three between six. Half each.'
So he had two bottles. Pamela shared with Geoffrey Lloyd.
Idris said he would share with me and gave me the first drink.
We stacked the empties and pulled up our chairs round the
fountain. Pads and pencils were produced; the first question was
whether we were going to charge a subscription. At this point Pamela
took charge. 'I have a suggestion to make' she said. 'I am in favour of
a subscription because it would enable us to provide refreshments.
Tea or coffee and biscuits, which could be handed round on plates.'
Vicky and Runia would perhaps allow us to use their china, or if we
made the st~bscription high enough we could buy our own. I seconded this proposal and thought we should get our own, for if we
used Runia's we should always be terrified of breaking it. This
motion having been carried we settled the subscription at 5s per half
year, and elected Pollett Treasurer. It had come to be accepted that
we were the Committee.
Dylan used the occasion to say he didn't like the name Zoists.
Pamela supported him. 'It suggests we are a menagerie. We
don't want to give people an excuse to laugh at us.'
Geoffrey Lloyd recalled he had suggested the Creative Circle;
but the others thought this sounded pretentious.
I said 'The Conservatory Club! We always meet in the conservatory!'
'People might confuse it with Conservative', said Walter Ford.
Various other suggestions were put forward and turned down.
Dylan himself had none to make. And we remained Zoists.
The next question was whether we had any aims; if we were
going to send out further circular letters these should be stated. We
decided we hadn't any. We were not gathered together for the
purpose of reading our own poetry to each other. It was embarrassing for the person read to if he didn't think it was good, because he
had either to say something insincere or something which would
cause disappointment. We made a rule against members reading
their own poetry to other members. We just wanted to meet each
other and talk.
12

This brought us to the question of whether we should, as Runia
had urged, invite well-known people to come and talk to us. None of
us really wanted it. Idris said well-known people weren't always
interesting, might not want to be bothered to come and speak to us, or
worse, might expect to be paid. Surely we had enough ideas in our
own heads to keep each other interested. We could take it in turns to
present our ideas on something to the others. Vicky should be our
hairman, and he should be asked to give us a talk on Alice's Adventures in Wonderland to start the ball rolling, after which the next week's
talk should be by one of us. 'Dylan?' inquired Geoffrey Pollett, who
had been made responsible for organizing talks.
Dylan said he would in the course of the week be returning to
Wales and this would be his last evening with us for some time. We
said it was a pity we had wasted his last evening with us in so dull a
way; if we had known we would have done something to celebrate;
but Dylan said he was glad to have been here while the decisions
were taken.
Pollett turned to Pamela. She pleaded she had nothing to say.
'But if you haven't, which of us has?' said Pollett. 'You're our
shining light.' It was at this moment that I became certain (as the case
was in fact) that Pamela was Pamela Hansford Johnson.
After some urging, in a tiny voice she agreed to try.
Pollett turned to me. 'Do you think you could give us a talk?'
'If it doesn't have to be about poetry,' I said.
'Something about the theatre?' he suggested. But I was trying to
get away from the theatre and said, 'Something more philosophical, if
that isn't too abstract.' It was agreed talks need not be about poetry;
they should, generally, have some relation to it, but we would not be
hidebound.
We were advancing in our deliberations when Vicky and Runia
came in. Runia saw the stacked beer bottles, stiffened, and said 'What
are those?'
Pamela rose and said, 'We thought you wouldn't mind our
bringing some beer to drink here.' I thought she sounded anxious.
Runia looked about and asked what we had drunk from.
I said, thinking it amusing, We drank from the bottles.'
'Disgusting!' Runia said. As she moved about, repeating this
word, I thought at first she was mimicking the manner of an angry
person in order to be amusing. Then with sudden shock I realized it
was real, I was dumbfounded. Dylan sat tight-lipped . He didn't
apologize. Neither did I. Then Runia accused us of inconsideration
13

towards Vicky. She said, 'The smell of beer is repugnant to him'.
This did cause me distress. I would not for the world have done
anything he did not like. Turning to him I said, 'I didn't know.'
'I don't mind it,' he said.
'He's only saying that,' said Runia. 'The fumes disgust him!'
'I'm so sorry,' I said to Vicky.
'But I don't mind it,' he repeated, his eyes open wide into mine,
blue and innocent. 'Really I don't! It's quite all right.'
Runia continued about the odour of beer, and suddenly Vicky
said to her, 'Oh, do stop making such a fuss!'
I wished his voice were not so frail, hers being so strong, bul he
maintained our defence, saying she was making a storm in a tea-cup
and being a spoil-sport. It was developing into a dissension between
them; somebody nudged me, and said, 'We'd better go'.
( 1) More accurately, the Ebbw
(2) Mr Preston confirmed to me that this was so
arly Days at the

oists
Vicky accepted the invitation to become our chairman, and also
In give the first formal talk, though he began,' I'll talk about "Alice",
hut I'm taking as my title "Nonsense Poetry", which will give me a
little more scope.' He started by reading:
Twas brillig and the slithy toves

Did gyre and gimble in the wabe.
This might be called nonsense, yet to almost everybody it meant
omething. 'Nobody could be so dull as not to know what a slithy
tove is! Probably most people form a picture of some sort of octopus,
with tentacles.'
He read from the first chapter, and pointed out how everything
lwcame rather peculiar for Alice from the moment when, following
the white rabbit- a symbol of intuition, but here also of curiosity- she
tl'll down the rabbit hole, from which the only way of escape seemed
to be by following the rabbit farther, through the gate through which
il had disappeared, but through which she could not pass. The only
<~ids to hand were magic commodities in bottles labelled EAT ME and
DRINK ME; but when she had partaken of the one it made her too
small to reach up to the golden key, and when she had partaken of the
other it made her too big to get through the gate. ' This is absolutely
occult!' Vicky declared. 'The man who wrote this had, consciously or
unconsciously, knowledge of occult law!'
He put down Alice, picked up another book, and said, ' I'll read
you a different kind of nonsense which has meaning.'
They went to sea in a Sieve, they did,

In a Sieve they went to sea;
In spite of all their friends could say,
On a winter's morn, on a stormy day,
Because I had never before heard this poem by Edward Lear,
'The Jumblies', the effect on me was of something out of this world.
Shortly after this he gave us a second talk on The Idea of Poetry.
From the pile of books he had assembled on the table beside his chair,
it was evident that this evening he was going to proceed with more
14
15

scholarly method. After some preliminary remarks about the early
Greek poets' attitude to themselves and the observation that Plato,
surprisingly, was rather disappointing on poetry, he began by opening Aristotle's Poetics. 'There isn't a great deal in it for us,' he said, 'as
it doesn't deal with Lyric poetry.' Nevertheless, he read some of it,
ran his finger down the rest of the pages, summarizing the main
ideas, and then jumped several centuries to locate in Milton's Tractate:
Of Education the phrase, 'Poetry would be ...simple, sensuous and
passionate.' He went on to Wordsworth; 'Poetry is the spontaneous
overflow of powerful feeling ... emotion recollected in tranquillity.'
Then he passed to Shelley's Defence of Poetry, with which he became
identified: 'A man, to be greatly good, must imagine intensely and
comprehensively ... Poetry is at once the centre and circumference of
knowledge ... the mind in creation is like a fading coal... when composition begins, inspiration is already on the decline ... Poets are the unacknowledged legislators of the world.'
Reading these lines he had become incandescent. After this he
thought it would be too much of a descent into dull clay to quote from
Matthew Arnold, though he had marked some passages in the Study
of Poetry. These he summarized. He warmed back to human sympathy with Housman's Name and Nature of Poetry, savouring whimsically the odd phrase, 'Poetry is a secretion.'
Before he closed he quoted a line or two of verse which seemed
to me exquisitely eloquent; it was not from a book, and though I
listened for the name of the author he did not give it. I thought the
lines were probably from some well-known work and did not like to
expose my ignorance by asking. Nevertheless, as the gathering was
breaking up and I could do so without being overheard by the others,
I asked Vicky, saying, 'I thought it was so beautiful.'
Blushing in pleased confusion, he said, 'Oh! it's just something
of mine which I printed a long time ago.'
At some point on each Saturday evening the door from the
garden would open and Cyril Moore would come in with the tea. He
made it on his stove in the kitchen of his flat below, where he housed
our provisions. I had offered to come down and make it but he said
he had everything to hand.
Generally speaking, there were very few girls at the Zoists.
After the evening with the beer I did not see Pamela for a long time.
Occasionally a new girl would appear but she never stayed . Most
often 1 was the only one. As so considerable a company of young men
would normally have attracted a fringe of girls, I wondered if they
16
Early Days at the Zoists

lnu nd Runia intimidating.
The chairs in the conservatory being hard, I bought cretonne
111d kapok and made a set of pads with tape by which they could be
tll nched. This won me a measure of Runia's approval, she said it
howed the 'Group Spirit'. I did not think in 'group' terms but I was
llumkful she was pleased as without being welcomed by her it would
huvc been difficult to continue coming to see Vicky. Although I
11joyed the atmosphere of lively intellectual discussion I did not
lhink of myself as a poet and none of the young men interested me
tntimentally.
Runia wanted me to get them to do a play. The garden, she said,
would make a wonderful setting for a theatrical performance. I was
not eager to put this forward. Having known the professional thellre, amateur theatricals had no attraction for me, and it was plain
none of the others wanted to do anything but talk. I mentioned the
Idea to them but they did not respond, and I had to resist Runia's
urging I should push it further.
If Vicky referred to an author's work, it was always to say
'iOmething perceptive, but I think Runia often referred to authors
whose names she had heard on the lips of others but whose work she
had not read. I was mindful of my mother's counsel, however, that
when dealing with a couple one should distribute one's conversation
between them equally; and indeed I tried to like Runia because it was
plain Vicky wanted us to do so. It seemed to me that respect for him
must include respect for the companion of his choice. To some extent
this attitude paid dividends. Although always aware that my acceptance by Runia was precarious, I survived.
Once, when only I and one other turned up, Runia told us all she
had done for Vicky. It appeared that she had built up his health from
a shadow. 'I wanted to have him psycho-analyzed,' she finished.
'Jung was interested in him ... '
'I will not be psycho-analyzed!' Vicky declared. 'That's the
point where I put my foot down. I shall take my complexes to the
grave with me! I've had them so long they've grown comfortable, like
old shoes. I can go one better than the lady who read the Medical
Directory and decided she'd got everything in it except housemaid's
knee. I read Freud and knew I'd got the lot! In any case, I've never
lacked personal friends to tell me I've got an Oedipus complex and
that I'm a masochist.'
I was surprised by this word and I must have looked it for Vicky
said, 'Yes, really. One person was always telling me I was a maso17

chist.'
I must have looked distressed for he hastened to say reassuringly, 'I didn't think I was and I said I wasn't. But it's impossible to
argue with Freudians, because if you deny it they say that proves it.
They've always got you, whichever way you answer, on their twopronged fork. They can tell you you're anything they like to think of.
I don't really think I'm a masochist.'
I knew Vicky liked me because he would come and sit beside
me, singling me out. The young men of the Zoists talked often about
new poets and I sat silent while the names of Auden and Spender
flashed between them. Vicky, divining that I had not read a great oeal
of contemporary poetry, tried me on Dickens. Unfortunately this was
not a good field for me. Feeling I must be sincere, I said I had never
been able to get on with Dickens because he didn't make his heroines
like real girls.
Vicky said, 'Perhaps Dickens didn't know how to make them
like real girls.'
I was timid with him because of his great learning; but I realized,
with surprise, that he was timid with me. This I could not understand
as I supposed him to be a man of vast experience. His movements,
also, had a jerkiness which I at first thought to proceed from nervousness, though I later realized that it belonged to a constitutional,
almost physical nervous inco-ordination. He would address me out
of the side of his head, as it were, in a tangential manner, and in the
third person, as 'this little lady', or once, 'this little lady in green.' I
always felt I wanted to put on the green dress when I went to Vicky's
and persisted, despite my mother's amused remark that they would
think I had nothing else and that it grew on me!
Sometimes, when he faced me across a whole roomful of people,
his wide eyes made their way into mine with a long, unflinching
looking. I felt something I had not done with any other person, that
there was a spiritual consanguinity. I believed he felt it, too, for
sometimes he would address me to the core of what he was saying,
and his eyes would become for me the eyes of the Horus Hawk. Of
this, I had seen statuettes in the Louvre and in the British Museum. It
seemed to me the poised symbol of Will and Knowledge. But I could
not understand why I had this persistent illusion of Vicky's identification with it. There was nothing Egyptian in the conservatory.
When he drew his chair next to mine again, he became once more the
awkward, learned man addressing a young girl, and my own shyness
reasserted itself. I never told him I saw him as the Hawk of Horus. I
18

"' afraid it would sound silly. He never spoke of Egypt
One evening, as we were sitting in a semi-circle talking, Vicky
11ddenly sat straight back in his chair and emitted a high-pitched,
tllllnodulated cackle, sustained upon a single note. I received quite a
hock as I realized that this was his laugh. His general speech and
unners were so quiet and so courteous that I was unprepared for the
ttltlrance of a sound which seemed to me uncouth, and indeed untullural, for most peoples' bursts of laughter have a beginning and an
1 11d, a crescendo and a diminuendo, a rise in pitch followed by a fall,
hut this was a screech upon a single note, which ceased as suddenly
t'i it had begun. I was almost embarrassed for him; I had been taught
II HIt one should not laugh immoderately and I could not reconcile this
trange sound with the rest of his personality. It went with a sudden
tlgidity of the whole person and seemed hysterical or compulsive.
Later, I discovered that other people were disconcerted by this
h111gh. Runia once apologized to all of us for it, saying, 'He isn't
l.tughing at you. You must none of you ever think he's laughing at
you. It's just some private joke of his own.'
I never, in fact, made any mistake about this. But as his chain of
I hought was unlike other peoples', so his laughter sometimes seemed
l'o luseless. As I got to know him better, however, and my mind began
to follow the tracks of his, I was often able to anticipate the junctures
tl which the shrieking laughter was going to take place and to be
Infected by it myself.
Fragments of his speech remain in my mind: for instance, his
aying, as the shadows of the summer evening drew about us (for
there was no electric light in the conservatory), with reference to the
onnet as a form, 'There's something about those fourteen lines - the
four, the four-, the six- the eight, the six. I don't know what it is. It
won't Kabbalize.' (This was a word I had not heard before, and
which, like others of his utterance I committed to memory). 'Or at
least, I can't make it. Yet I'm sure it's a magical form. That's why the
effect is so special.'
I discovered that Vicky detested the practice of teaching children to learn poetry by heart. He was sure that it was because they
were made to do this at school that their enjoyment in it was killed.
He also maintained that there was no relation between ability to
quote long stretches of poetry from memory and appreciation of
poetry; often there seemed to be an inverse ratio. Neither did he
agree with Auden that the test of poetry lay in its memorability; as he
pointed out, by far the most memorable kind of verse is a jingle!
19

Once Vicky and one or two of the young men, including Cyril
Moore, were standing in the French windows outside the latter's flat,
when I joined them. Vicky was showing his arm, saying, We had to
give ourselves little cuts every time we said "I". Just a little discipline.
But it was surprising how difficult it was not to do it inadvertently.'
I wondered to what course this discipline referred. The young
men were regarding him with great curiosity and one of them said
something about 'evoking the gods'.
Vicky said, 'Invoke! you can't evoke what is superior to man.
You evoke the little creatures.' Saying this, he made a graceful bow
towards the earth, making a beckoning movement, as though a company of gnomes would spring up beneath his hand.
Somebody mentioned superstition; Vicky said there was an
element of superstitious- super-standing- structure in all religion. By
this he meant forms and procedures which had become divorced
from the understanding of their origin. He would tell a story which
illustrated the process of religious superstition. There was a yogi who
had a cat. The cat worried him when he meditated by rubbing up
against him. 'It disturbed the currents,' he said, with a look at Cyril
Moore. 'To keep it away he tied it up before beginning to meditate.
Another yogi came by, saw this, and supposed that a tied cat was an
aid to meditation. Some fifty years later there was in this valley a
colony of yogis, none of whom ever sat down to meditate without
first procuring a cat and tying it by the leg.'
I was thrilled by the intimation that Vicky had knowledge of
meditation and yoga. When I was fourteen I had meditated on the
Tibetan prayer-wheel which had been given to my father in 1913 by
the Prime Minister of Tibet. Round it were carved ivory Buddhas.
When alone I would seat myself cross-legged, in imitation of their
attitude, hold it in my lap or against my forehead, and say aloud,
'Please, Holy Men of Tibet, give me teaching.'
I never had any visions while doing this, which puzzled me, as
ordinarily I had a good deal of 'coloured cinema,' which was the term
I gave to the pictures which formed themselves inexplicably before
my eyes at all times. They might be of anything: flowers, persons,
scenes, objects, or geometrical shapes. They never had any obvious
connection with anything of which I was thinking. I suspected there
might be a subtle one, but, though normally in motion, they stopped,
or rather vanished, the moment I tried to examine them and only
recommenced when I was content to let them pass without trying to
understand. I had never known anybody with whom I could discuss
20

IIIese things but I believed that Vicky might know about me. It came
lo me that he was the person I had always been looking for who
would perhaps be willing to teach me. But I did not like to presume,
o did not push myself upon his notice by asking questions. If it were
l 'l I thought time would unfold it.
Meanwhile, I learned from the merest words he dropped. I had
110t, at that time, read Plato; but from Vicky had learned that the Real
rould be considered as that of which the visible and tangible world
was the shadow; I came to recognize that he used in a special way the
words memory and know. When he said know, his whole being
ll'emed to be brought to a focus.
One evening he asked me, 'Are you related to General J F C
Fuller?'
'No', I said.
l did not at that time know anything about General Fuller, and
o I did not understand why he said,' It would have meant something
lo me if you had.' It seemed to me that he had been groping for the
key to something, and was disappointed because he had not found it.
I !e said, 'He's somebody I used to know.' This gave me no clue as to
Its nature. Suddenly, as though he almost discarded my answer, he
Pxclaimed, 'But there is something! There is! There is! I know I'm not
wrong! Strange... '
I was too timid to ask what he had in his mind.
On another evening, I looked up, to meet his eyes, and he said, 'I
believe that you remember.'
It seemed to me that he was using the word in the special sense
that I only half apprehended.
I found that some people came on Sunday afternoons and had
tea in the garden. I brought as my contribution a bag-of-g~seberries.
Vicky came and sat beside me on the grass and began picking them
out of the bag, which ceased to be passed round when it became
'vident he was making his meal from them. This was noticed by
everal of the others with smiles but without comment for, like a wild
bird, he was not to be disturbed while feeding, lest he took fright and
flew away. Absorbed and unconscious, he continued until he had
eaten them all.
Then, feeling the dampness of the ground, he moved to a low
pedestal which must once have supported a piece of statuary. The
shadows lengthened, and we still sat. Suddenly George Rae startled
the atmosphere with a cry: 'Great Gods, does Vicky look like Pan, or a
goblin, or what?'
21

I supposed it was because in the dusk, sitting motionless, Vicky
seemed to merge into the growing, breathing, leafage of the garden
that Rae had made his exclamation and did not understand when
somebody else said, 'Truth will out!'
I thought there was in Vicky's reaction just the faintest shade of
annoyance, though he managed to convert it into a tone of amused
petulance, as he replied, 'It's unintentional. Can't I even sit in my
own garden .. .l'm so harmless, really!'
But even Runia looked slightly agitated, although her tone was
one of banter as she besought him to come down off the pedestal.
'You look too elfish there for anyone to feel comfortable. Sit on the
ground among us.'
'The grass is wet,' he said.
I had my coat, the others rugs. A newspaper was spread out for
him and eventually he dropped on to it.
It belonged to the same unaccountable, almost unreal world
when on another afternoon in the garden he came beside me and said,
' I have a son ... '
I knew by this time that Runia was not his wife. Walter Ford
had told me. But I did not know if he had ever had a wife. 'You have
a son?' I repeated uncertainly.
'Yes,' he said. There was pride in his voice, the pride of someone who has produced something; but there was also a far away
quality as he continued, 'I see him sometimes ... when I am able to slip
down there ... '
There seemed to be some impediment to his visits to the child
and I supposed he must be without legal title to it. I pictured him
slipping into some house by stealth, or merely peering through the
windows from the outside.
Morton gave us a talk in the conservatory. His title was Poets,
Town and Country, and he began by saying, 'I assure you it isn't an
excuse to talk about Housman and nothing else!' He read some
Hardy and some Edward Thomas. Then he settled down to
Housman.
In the discussion which followed, Vicky said Housman was a
stoic philosopher and seemed to him like an old Roman. He was of
the breed of Marcus Aurelius, Catullus and Lucretius. 'His only
English peer in outlook is Emily Bronte'.
Pollett gave us a talk on selling Songs for Sixpence; and somebody spoke about Men of the Trees. I spoke on something.
22

Sometimes discussions took on a political slant; there was a Left
Wing of which Geoffrey Lloyd was the most pronounced member.
I htn provoking sallies began to be heard. They came from a vinegarllkllittle man with a sandy moustache. Exasperated, somebody said,
Who are you?' He replied, 'I'm a member of the British Union of
l ot'lcists!' An electric current went round. It was as if a spy had been
discovered in our midst. One noticed suddenly that the moustache
was Hitler-shaped. The atmosphere became threatening.
Vicky, very serious and polite, said, 'It seems this gentleman has
.t unething he wishes to say to us. The only way I can see to relieve the
luation is to offer him an evening on which to give us a talk.'
Geoffrey Lloyd thought the situation would be met adequately
I 'this gentleman' were told his presence was not welcome.
Vicky seemed taller than his usual height as he drew himself to
his feet and said, 'I've told you before, I will not have this place made
11to a Communist Party platform! You've got the wrong idea!' He
wns so stern, I thought I had never seen him before. Controlling the
whole room with his authority he said, 'Either it's a free platform for
til, or else all political discussion will have to stop. We should then
become like one of those clubs or college halls in which it is forbidden
lo mention politics, religion, or any lady's name. But that would be
t\lther dull. It assumes gentlemen are incapable of discourse on these
heads without becoming abusive.' The price of freedom, he said, was
o;clf control, and courtesy towards those with whose views one was
not in accordance. Tolerance, if not catholic, was nothing. Speaking
with tremendous incision, he declared, 'You should read Voltaire! I
hate what the man says, but I'll fight to the death for his right to say it.'
There was a silence. Looks were surly. But when Vicky said,
'As your Chairman, I can then invite this gentleman to speak to us
next Saturday?' there was no dissent.
I remained for a moment after the others had gone. Runia said
to Vicky, 'He'll bring along some of Mosley's toughs and there'll be a
roughhouse. We shall have to call the police; and by the time they get
here somebody will have been hurt.'
She was frightened. Vicky, though subdued and conscious of
the danger he had made possible, was not to be shaken from the stand
he had taken. He said, 'Isn't reason a weapon? We shall see which
side has the better reasons. It should make an interesting occasion for
the comparison of values.'
When I arrived the following Saturday, the first thing I noticed
was that the usual composition of the group had changed. Familiar
23

faces were missing. With dismay I realized that Geoffrey Lloyd and
the other politicals had chosen to mark their disapproval by absenting themselves instead of being here to present their reasons. Instead
there were a number of big, burly figures; they did not look like poets,
and I could not help remembering Runia' s words.
The Fascist was there. Vicky, nervous but self-possessed, took
the Chair, and presented, 'Mr - I don't think I've been told your
name.'
The guest gave a name and said, 'I claim to be the only British
Nazi!' Of the speech that followed, I remember only one phrase,
'Moses was a good Fascist!' But it was all about superior and inferior
races. I felt someone had to help Vicky, and there was only me there
to do it. Being untrained in political theory all I could do was take the
thing on to another plane. Starting from the observation that the
greater teachers of mankind, from Gautama Buddha to Jesus Christ,
had chosen to lay their emphasis on what men had in common rather
than on what separated them, I produced a second and complementary argument.
'Light, when it's refracted, proves to be composed of the many
colours which can be seen in the rainbow. If one of the colours is
missing there is no longer the white light, which is the only total and
complete light. Perhaps the different races of man are like the colours
of the spectrum.'
To my relief, support came from a young man whom I had not
seen there before; he had the robust, outdoor look of a hiker. Later I
learned his name was Hugo Manning.
Finally the big, burly figures came into tongues; and not on the
side of the Fascist. So they were not Mosley's men. Vicky asked them
who they were. They gave their names and the positions they held;
they were high up members of the Communist Party. They said they
had heard there was going to be a 'do' here tonight, and had come, 'in
case you needed help'. Geoffrey Lloyd must have asked them to
come.
The whole thing finished more or less amicably; our own politicals came in, their arrival coinciding with that of the tea.
The Fascist did not reappear; neither did the burly officials of
the Communist Party. It had, however, dawned on me by this time
that the feeling of the house was Socialist. My family background
was entirely Conservative. It was my first encounter with the Left
Wing intelligentsia and I was more ears than voice. Only Geoffrey
Lloyd attempted to convert me. He walked down the road with me
24

after one meeting saying that at this juncture of history one had either
to be a Communist or a Fascist. 'There is no middle road. I'm afraid
you'll have to choose.'
I did not believe him. (Geoffrey Lloyd was a Marxist)
To change the subject, he asked, 'What are you reading now?'
'The second part of Goethe's Faust,' I said, 'In translation, of
course.'
'If you'll come in and have coffee with me and my friend Harry
Maule, I'll give you my copy of Marlow's Dr Faustus,' he said.
He did. I still have it. Only in retrospect does it strike me as a
curious coincidence that I should have been plunged into the story of
Faust at the moment in my life just preceding that which was to
follow.
25
The Drama
3
The Drama
One evening when I had been invited for a late snack, there was
a new arrival, a big florid man, with light coloured hair and eyes.
Vicky half rose to acknowledge his entry, and saluted him with a
'Hello, Gussy!' Already with us was a young Left Winger whose
name I cannot recall. He and Gussy, whose conversation reveal~
him to be an Orientalist, came quickly to disagreement. The young
Socialist taking umbrage at Gussy's assumption that there existed in
Tibet some divine theocracy, accused Gussy of 'spiritual Fascism', to
which Gussy retorted that Dialectical Materialists, being conscious on
one plane only, understood nothing but their bellies!
This dispute struck Vicky's humorous side. He tried to soothe
the contestants but he kept laughing as he said, 'You're talking on
different planes. Between Karl Marx and Milarepa there is no common ground. You can never meet!'
Turning to me he said, 'It's funny! and they don't see it!' I saw it.
And as the contestants were reft by a further terminological misunderstanding, Vicky and I were simultaneously convulsed.
In addition to being angry with each other, they were now cross
at being laughed at. Gussy spun on me and said, 'You've got a Father
Complex!'
I supposed he said this because he felt I had joined with Vicky to
laugh at him. I replied, 'I can't have. My father was killed before I
was born. I was brought up by my mother and my grandfather.'
'Then you've got a Grandfather Complex!'
Vicky exploded. 'Freudians will never let you get away with it.
They've always get you on their two-pronged fork. Unless you let
them have it their own way they'll give you no peace. The only thing
is to avoid them, or at least refuse to be drawn into discussion. It's the
only defence I've ever found!'
When I rose to go, Gussy said he would give me a lift in his car.
I was not pleased but could see no way to avoid it. He seemed
determined to bury the hatchet. He tried now to probe my soul,
which I didn't like either. He wrote his real name down for me,
Gerhard Heim, or Gerard Heym, and invited me to tea at the Devonshire Club. As I was reluctant he said,' Are you afraid of me?'
26
'Of course not', I said, cross and uncomfortable.

When I got in I told my mother I had been badgered in to
promising to have tea with a man I didn't feel I could entirely trust.
'Why don't you trust him?' my mother asked.
'In the car he said I had a profound mind.'
'That's not an indecent remark,' said my mother, puzzled.
'I hadn't said anything profound.'
'One can form an impression of profundity on very little acquaintance,' my mother said. 'Where has he asked you to have tea
with him?'
'At the Devonshire Club. In StJames's Street.'
'It's a very respectable place,' said my mother. 'I really don't
think anything can happen to you there.'
I had to admit it didn't sound like the setting for a seduction and
began to laugh with her. Probably I was making an ado about
nothing. Mother said, 'If he asks you to go anywhere else afterwards
you can say your mother is expecting you back for dinner.'
Reluctantly I kept the date. Tea was served to us in a drawingroom peopled only by elderly, stuffy looking persons. He asked me
nbout my background and family, and when I said my father had
been in the Indian army he asked whether he had been stationed near
the Tibetan Border, whether he had any contact with Tibetans, and in
particular whether he had received any gifts from Tibetans.
I told him about the Tibetan prayer-wheel.
It was as though he had found the confirmation he had been
looking for. He was convinced that this object had been given for me
so that I should have something in this life to connect me with the
land of the lamas; I said my parents had only just been married and at
the time the gift was made I would not have been on the way, but this
did not make him alter his opinion.
In a measure, I was gratified that he thought this because I had
sometimes thought something of the sort myself.
'I don't know who you are!' he said, looking at me in awe.
I would have been more flattered by this suggestion of distinction if I had been able to rid myself of the feeling that he was unbalmced. I decided that it would be best to play the whole thing down
nnd assumed an attitude of scepticism. This did not truly represent
me but it was my only defence.
When I said I must be getting back for dinner he did not try to
detain me, but asked me to come again for tea, at the same time and
place, next week.
27

When we had tea again, he asked me if I had dreamed during
the week. I had dreamed I was on the coast near Clacton inspecting
the Martello towers, defences which had been constructed when a
Napoleonic invasion was feared, and saw the guns were pointing
towards Germany.
He reacted with annoyance. 'It's because I have a German
name!' he declared. He said he was an American citizen and not an
enemy and not contemplating an invasion and there was no need for
me to marshal my defences against him.
I was edgy. To settle me he spoke of Vicky. It had the right
effect, because, for me, Vicky was sanity itself, as well as deeply
interesting. He said Neuburg knew much about these things. He
hinted at a story but did not tell it. He asked me if I would stay and
have dinner at the club. It was obviously respectable. Mother was
away for some days so would not be waiting for me. Heim said, 'We
must arrange a dinner with Neuburg some time. Just the three of us.'
That turned the scales. I was always loyal to Runia but I would have
given anything to see Vicky alone or in different company. I went
with Heim into the dining room of the Devonshire Club.
He did not try to detain me afterwards. I did not mention that
my mother was away. And I was back at the hotel early.
Soon after my mother came back we moved to another hotel:
Pembridge Manor Hotel, Pembridge Crescent. For me it was more
convenient for getting to Vicky.
One evening at Vicky's Cyril Moore told us he had met - in
Lyons Comer House of all places- a young Hindu who was a real
yogi. He would be in this country for another ten days or so. Would
we like him to come and talk to us?
The following Saturday Mr Rai was with us. He looked extremely well bred, and had regular features from which a wine stain
on one side of his face hardly detracted. 'I am not a teacher' he said. I
have never done any public speaking. What do you want me to tell
you about?'
'What you believe. What it means to be a Hindu'.
'Then I suppose I had better start with Manu,' he said; and it
was from his lips I first heard the name. 'There was a great teacher
called Manu who gave us the laws which are the basis of our philosophy.'
He explained the main branches of yoga; or ways to union with
the divine spark. Raja Yoga, by meditation and exercise of the will,
only; Bhakti Yoga, by devotion to Krishna, as the Divine Spirit seen in
28
The Drama
"'"' 'Would it give offence here if I suggested that the Christian
q ll),lon seems to be of the type of Bhakti Yoga?' He was assured he
lla l 110 l offend. Jnana Yoga, or the pursuit of knowledge, was the way
JI HI 1dents and scholars; Karma Yoga, or right actions, was for people
Ia IIve in the world. These were the four main types, but there were
iloo some special branches. Mantra Yoga was the use of sounds. As
1 were poets, he supposed this would interest us, since poetry must
nHist, partly at least, in a mantric effect. Hatha Yoga was the
tlluncment of the physical body, by means of exercises. 'This is the
''"''which I have chosen,' he said, and explained that it was for this
ll'oiHOn that foods and hygiene assumed greater importance on this
llut n on some of the other paths. Complete continence for life was
i~qui red.
This drew more questions from our young men than anything
d ew. 'Don't you find it difficult?'

'The energy is converted into energy of a finer kind, which
ttptns higher centres of consciousness,' he said.
I asked, 'But if this is the way how is the population of the world
In be maintained?'
'It is not a problem,' he said. 'Not all people will choose this
\Voty.'
Still puzzled I said, 'But if you have chosen it you think it is the
lttH l. .. '
'Not best,' he said. 'I like it because it makes me feel well. One
' hooses the way which is in accordance with one's temperament.'
Vicky had been sitting quietly throughout. When he thought
Wl' were going to break up he said to Rai, 'It's obvious you know
omething I've wanted to know all my life. I should like to have a
trivate conversation with you, if I may, before you go back to India. I
hould like to tell you a bit of personal history and ask you if there is
1ny remedy for a case such as mine.'
Rai said that of course he would be pleased.
We all wanted to see him perform his exercises, but he said they
were only for doing early in the morning before the first meal of the
day.
'Tomorrow morning, then!' we chorused. We can stay here all
night!'
Rai still had a reason to hesitate. 'I have never performed them
while dressed in a suit. It would be constricting.'
Somebody said, 'Surely somebody has shorts or something!' In
the end it was decided we should all go to our homes to sleep and
29
The Drama

reassemble in the conservatory in the morning at six.
When I arrived - breakfastless myself at this hour of Sunday
morning- Rai was already in the bathing trunks somebody had found
for him. He had a body of extraordinary beauty, the trained muscles
moving with the smoothness of a dancer. Not all of the exercises,
however, were spectacular. Some were breathing exercises. He
explained each series and said that one should never persist beyond
the point at which pain was experienced.
This impressed and startled Vicky. He said, 'In the days, which
are very long ago now, when I endeavoured to practise yogic exer
cises I always thought I had to persist however much it hurt!'
'Oh no! Pain tells one something is wrong. It is a signal.'
Vicky protested that all yogic exercises produced some degree
of pain from the cross-legged positions, which strained the muscles,
to the breathing exercises, which were excruciatingly painful.
Rai was shocked. 'If there is such pain, it is doing you harm.'
Great amazement was caused when he did the exercise which
followed. Seating himself cross-legged he said he would loosen his
vertebrae; and as though he had in his back some muscles which
controlled the operation, he caused his vertebrae momentarily to
disjoint, one after another, so that a wave went up his spine from the
root to the neck, with slight, audible snicks.
When he had finished we all went down to Cyril Moore's flat in
the basement for breakfast. 'You can eat toast and butter?' Vicky
asked Rai, as if in doubt whether even this might violate some
Brahmanical proscription against impure foods. As Rai accepted it,
Vicky continued his thought. It would be an achievement if we could
keep a yogi in StJohn's Wood on his proper foods. 'There's fruit in
the garden which has not been touched by hand, and which Mr Rai
can pick for himself. More fruit can be bought in the shops but of
course we can't do anything about the magnetic conditions of that.'
Rai protested that all this trouble was unnecessary: 'On the ship
I ate the meals served,' he said. But Vicky was not to be deterred so
easily from doing his best. 'I've an idea that the food which in a strict
Jewish household would be considered Kosher would be acceptable
under your rules, too- excepting, of course, that you don't touch any
kind of flesh.' He said he did not observe Jewish or any other food
rules; he had a mixed and complicated background . 'I eat anything
now.' But he knew of Jewish grocers nearby and would try to interest
them in the problem of feeding a Brahmin!
Rai was, in fact, Kshattriya. His father who had a business in
30
luut, had asked him to come to England to speak with someone on

h1half. He had no one else he could send, or he would not have
1, I him to break his yoga training. The upsetting effects of the
1111 litnble foods and of the crowds were superficial and would wear
il when he went back. Had he refused to help his father, he would
1!11'11' brought on himself the far more deeply disagreeable karma of
til 1111dutiful son.
J'urning to us Vicky said 'I do hope you children realize how
, 1111 1 he is being to you!' He reminded us how unapproachable the
'!! tic of the East generally is. 'And he's the real thing, you know!'
I II pointed out that it was not easy to answer questions rained upon
iill' from all sides, 'and applying to different planes.' He believed it
I 'I unusual for a yogi to submit to such a barrage of questions as Mr
I II hod just endeavoured to answer. 'Poor young man! He is a
ln111ger in this country. He has hardly arrived when he is surft~ltllded by a horde of people who ask him every indiscreet question,
f11ttll what Caste he belongs to, to whether he doesn't find continence
.llllicult! I don't know what impression Mr Rai will take back to India
''' I he behaviour of the English in their own country!'
'I am not offended,' said Rai smiling. 'The questions show me
tlu interest is real. I had not expected to find such interest in Englmd.' He said he had been a little overwhelmed when called upon to
' l'ound the sacred philosophy of India, feeling it must seem to stand
''' l,tll according to the way he explained it. To Vicky he said, 'Really
it t'i extraordinary. I arrive in this country for the first time. In this
ltugc city, with millions of inhabitants, I go into a Lyons Corner
ll()tlse and look at the menu. Mr Moore is sitting at the same table.
Ill sees I am strange and asks if he can help me. He brings me straight
luthis house.' From the way in which he pronounced this, looking at
Vicky, I could tell he regarded it as a very special house indeed.
They both agreed it had not the hallmark of an accident. Vicky
.lid, 'There are invisible threads which pull .... '
Rai said, 'And bring one to a house where one will receive help,
til' where one can give it.'
Something else struck me. At the usual Zoists' meetings I was
lwsitant in speaking because in the fields of poetry and politics the
uther young people knew more than I. Now it was reversed. They sat
llmost silent while I talked with Rai and Vicky; we made a natural
tdo.
The following week Rai was there again, but it was his last
1vening. When the party broke up he asked if he could drive any11
31

body horne. I got into the front of his car and two young men got into
the back. He drove to my address first and as we stopped outside the
Pernbridge I asked him suddenly if he would let me examine his
palms. He consented. 'It will be interesting for me. No one has ever
done it.'
The light inside the car was not good enough so we got out and
crouched in front of the headlights, which were so strong I could see
the lines quite well. They were few in number, uncomplicated, clearcut, with a cross between Head and Heart.
I interpreted it, and while we remained crouched in the bright
patch of white light, which in a strange way seemed to isolate us from
the rest of the world, he spoke of Victor Neuburg and said, 'I think he
is a very advanced soul.'
He had nevertheless, he told me, been much shaken by the
gravity of the problem Mr Neuburg had confided to him. He had
been subjected to wrong teaching, when young. As a result, his
physical frame was very seriously weakened. 'He asked me if I could
prescribe for him some exercises.' The difficulty was, that for one in a
condition so grave, almost any exercise that he could think of would
be too much of a strain. He dared not risk making things worse, yet
did not want to fail him by saying there was nothing he could do. He
had tried to make spiritual contact with his guru, mentally laying
before him the problem that he found, asking advice what he should
do. 'I recommended to him something - almost nothing - which he
could do, and it eased him.'
I did not think Heirn ever met Rai.
Heirn continued to invite me to tea at the Club but began to
speak about some books at his place in Chelsea which he wanted to
show me. I had begun to wonder why he seemed to have no address
save the Devonshire but I did not want to find myself alone with him
in his 'place' either. I had an irrational fear of him amounting almost
to panic. It was because of the way he kept talking about 'the path' I
must follow; he said he wanted to be my spiritual teacher, but I did
not feel the confidence in him which would make such a relationship
possible. And my resistance was only increased when he interpreted
it as fear of the 'surrender of the Ego' which was the precondition of
Initiation; I was, I felt, not a coward, and disliked being made to
appear one. I agreed to meet him at the Victoria and Albert Museum
to be shown the Buddhas.
He led me into a gallery which had cases of them all round it.
32
The Drama
' Htopped before each case and he waited for me to say something.
llrst the rows of cross-legged figures all looked much alike; but
'111 h mplation revealed differences. Some were crude; others ornate;
IIIII ' were seraphic; others austere. I commented upon them with
111dually increasing confidence. 'You like the Krner', said Heirn at
I , , ~ ~ 'lt's the classic period. But I'm afraid you also like the soft,
111illng ones of South East Asia. Yes, they are very lovely, but it's the
I 111 faced ones of the North whom we must follow.'
I shrank from the conjunctive 'we'.
He said, 'Next week, we shall go to the British Museum, to see
11t11 big one with the long ears.'
Because it was a Saturday and I was going on to Vicky's after' olnls, I was wearing the green ensemble. Heirn had complimented
''"' on it earlier; but over tea, he said, 'That colour is just exactly the
1 111al colour. It is connected with fertility rituals in certain cults.
I 1 It 11als which were performed in the spring. You should be careful in
I' hose company you wear it because it can be inciting.'
I was embarrassed. It was true I had sought the colour of justllnfurling horse-chestnut leaves but not with such a thought. Vicky
lutd commented on it but only in a way that was charming; he would
llt vcr say anything that could offend.
I had not expected to see Heirn again until we met the following
\V t'l'k at the British Museum. But that evening, in the conservatory,
jll'll as the meeting was breaking up, Heirn, who never carne to the
oists, appeared in the door. He exchanged a few words with Vicky
md Runia and then said to me 'May I give you a lift?' That he had
, l)lne only for me was so apparent that I was embarrassed.
I met Heirn at the British Museum. But I said to him, on the
ll'ps, 'I know this Museum well already'.
'Not as I shall show it to you,' he said. And he took me up the
lairs to the big Buddha. We stood before it in dramatic silence. 'Look
11 its long ears,' he said. 'See its expression. It is stem, almost
forbi dding. That is what you must face!'
'You speak as though it were alive,' I said.
'It is alive! With the breath of all the pilgrims who have come
lwfore it. It is sacrilege it should be exposed to public view!'(l)
I said it must have been seen by the pilgrims.
'They carne with reverence, not idle curiosity like every gaping
'l'om, Dick and Harry. Tibet is the only land where the people are
klpt in their place!' I began to see why the young Communist had
lnxed him with 'spiritual fascism.'
I
33
The Drama

By now things were working to a crisis. He persisted in asking
me to his place to see his books and the matter became increasingly an
issue. He pulled up the car to face the Serpentine and said, 'You don't
trust me!'
I could only say, 'No, I don't'
'And you trust Neuburg?' he said.
'Yes.'
It was not immediately following this bare exchange of words,
but probably because he was galled by the recollection of it that, as we
were moving in the car down Grosvenor Street, he said, 'Neuburg ,is
riddled with sex. Neuburg is totally impotent as the result of homosexual excesses.'
His words took me completely by surprise. He continued
speaking in the same vein. 'Neuburg is a wreck and a ruin.'
I thought he spoke in malice and did not believe him. I said
Vicky appeared to have Runia as his companion. Heirn dismissed
this, saying there was nothing in it.
He drew his car into a mews, to be out of the traffic and so that
he could stop in order to speak with greater concentration.
'Neuburg was the associate of a man called Aleister Crowley,'
he said.
It was as though something had struck me in the stomach. I
knew this was the name of a man who had been involved in a very
unpleasant court case. I had not read it. What I remembered was the
expressions and comments of some people in a hotel lounge as they
looked at each other over the tops of their morning papers. I had the
impression some exceptional depravities had been brought to light. I
hoped desperately that it was untrue Vicky had been associated with
this man.
'Neuburg was Crowley's lover,' said Heirn. 'It was the great
relationship of Neuburg's life and it lasted for years.'
I told myself Heirn was jealous because I preferred Vicky and
his motive was to destroy my picture of him. He could be making this
up. Yet, a real person's name having been mentioned it had already
begun to seem more circumstantial. I wanted to ask Heirn how he
knew. Instead, I asked what the court case had been about.
Heirn said there had been many articles in the press in which
Crowley had been accused of Black Magic. 'At last it got so bad he
had to do something about it.' He brought an action for libel, over a
book and lost it. That had, however, nothing to do with Neuburg,
whose association with him has terminated years before.
34
It seemed to be getting more circumstantial all the time.

Neuburg and Crowley had practised a form of homosexual sex'' ,.,glc, said Heirn. It played upon the subtle currents in the spine and
'"therefore very dangerous. Either because there was something
mng in the way they did it, or because they weren't ready for it
q 1lrllually, it cost Crowley his reason and Neuburg his physical
ihlli ty.
l could have wondered whether I was standing on my head or
(_Ill my heels. Most of the malice had now left Heirn's voice and he
1 '11'1 speaking seriously, as though this was something necessary to
1111dcrstand. Yet it sounded so extraordinary.
'That love should not have been consummated', said Heirn.
\nd yet, they were so near ... so near ... ' He meant so near to a magic
),llll l.
They were in the desert together, Heirn said. But curiously,

Ntuburg was alone when his revelation carne to him. Crowley had
),unc, leaving him in the desert, when a miracle occurred. '"Words
lmmed themselves in the sand, as though they were being traced by
111 invisible stick," he told me.'
I realized now that Vicky himself was the source of the story.
'There isn't an hour of the day or night he doesn't think of
l rowley,' Heirn declared. 'He told me so.'
It carne to me that if Vicky had talked to Heirn as a friend, in
111nfidence, Heirn was breaking the confidence. I said this. Heim
did he wasn't breaking a confidence because it was practically public
I now ledge.
I was considerably upset. I had not been three years on the stage
without hearing some reference to homosexuality; people would reltr to some actor and say, 'He's a queer' but one never knew and I was
ure people often spoke lightly. I thought real homosexuality was
11robably something very outre, like the physical hermaphrodite immortalized by a sculptor in the reclining figure in a discreet recess of
Ihe Villa Borghese in Rome, which I had seen with my mother when I
was sixteen.
My regard for Vicky remained the same. It was too deep for
11Leration. But I was possessed by the desire to know whether this
txtraordinary thing was true. I thought of his steady, deep, unflinching gaze and knew that whatever he had done must have
~emed right to him when he did it. If what I had been told was true
it would make no difference to my estimation of him. But it would
make a difference to my way of understanding him. He had always
35

been very sweet to me, and I knew he liked me, but if he was really a
homosexual I supposed femininity would be negative to him and I
must not presume on a friendliness of a very spiritual order.
Yet the whole thing seemed so fantastic. If I could see him
alone, I believed I could find the courage to tell him the story Heim
had told me and I was sure he would tell me the truth. But it would be
necessary to ask for a private interview; Runia would hear me and
would ask why I wanted to see Vicky by himself.
Sheer social timidity and convention defeated me. I wanted to
speak to Vicky about this but I did not know how to extract him from
the circle in order to do so.
This was locked in me like the grave. I didn't even tell my
mother.
On Saturday I went to the conservatory as usual. Perhaps
because I did not feel like general conversation I turned my attention
to the bookcases behind my chair. Taking out a few volumes 1
perceived that behind them lay another which had been hidden.
Putting my hand to the back of those which obscured it I drew it out.
It proved to be a volume of poems which opened to disclose beautiful
paper and printing. Even before I had found the title sheet, Herbert
Corby, who had come up from behind leaned over my shoulder and
exclaimed, 'Oh, that must be one of Vicky's own! I wonder what
Vicky's poetry is like. Very Swinburnian, I expect.'
I wanted to read my find in solitude. Vicky entered at that
moment and I said to him, 'Could I borrow this book to read at
home?'
'Yes, of course,' he said, pleased. Then, as though struck by a
thought giving him pause, he said diffidently, 'May I see which one it
is?' I showed him. He saw that it was The Triumph of Pan. This
seemed to confirm his misgiving for he said, 'Oh! It's got some funny
stuff in it.' He looked at me anxiously and said, 'I don't know what
you'll make of it.' I felt sure he was divided between fear lest something in it offend me and willingness that I should, in fact, read and
make my own judgment.
Runia joined us and he referred to her. 'Can this little lady
borrow this book?'
'No,' she said. 'I'm sorry, we can't lend any of Vicky's books.'
'She'll bring it back!' He said. 'I know she will!'
'We've had to make a rule,' she said.
'Rules were made to be broken!' he exclaimed.
36
The Drama
'That's just what they're not!' she said; and to me she explained,
11.
the only copy of that one we've got.'
I felt sure neither of them had known this copy existed before I
lnH'lcd it from the place of neglect into which it must have been
llllhtd or fallen; but I said I quite understood and she passed on.
Vicky said, Would you really like to read something I've writWn' I' ll get you something I wrote last night, straight out of a dream.
tit here a moment.' He went to his room, and returned with some
'l '~'r almost concealed with his hand. He explained that he had not
'i ' yl'l read it himself. He had woken, precipitated upon the paper
111"l'St his bed the lines of verse which formed part of the dream and
I l ilt' back to sleep again. When in the morning, he woke properly he
IW the paper and remembered that he had dreamed but not the
llhstance of the dream. He had then felt almost afraid to discover
h1ll he had written. 'I folded it and pushed it into a drawer, so that
I 1houldn't be able to read it. It's the first thing I've written in years
111d I'm so afraid of finding it isn't any good.'
1felt that to be offered the unedited substance of a dream was an
11111nense privilege; I wondered if I should decline it but did not wish
hi
'Don't let anybody see,' he said. He slipped the folded paper

my hands with a quick movement which I knew was meant to
1 1cape the observation of the others. If it had been anybody but Vicky
I 11hould have thought I was being given a billet doux.
'Bring it back,' he said, relieved the transfer had been made.
'lltcause I shall read it.'
I plunged it straight into my handbag and did not open it out
until I was alone in my bedroom at the hotel. Though folded into so
mall a compass I found that there were several sheets, covered with a
thin, spidery writing. To my dismay, it appeared to me that it was in
Arabic. Strange dots and flying curves were all about it. But as 1
looked closer, the letters resolved themselves into those of the Roman
cript. He wrote a very odd hand, but words and phrases began to
trnerge:
The Master heard with his remembering hand
He scrawled a message in the wrinkled sand,
With a shock I recognized something of the story Heim had told
me.
And straightway from the foamiment [? 1 of sea
There came the Lady of the Laurel Tree,
There was much reference to water: rivers that wash where once
Into
37

Thalassians [Thessalians? Thalassius?] built an architrave to guard a
moat; singing in the Seine [the river in Paris?] where dolphins struggled to release the foam-flung murmur of enduring peace; the silver
ford of Atreus, unparted by the sword which dismembers time upon
the Solar way ...
I had to remember this was something written before the logic
of day replaced the logic of dream. There were two lines that worried
me:
Weighed in the Libra-mart, the warlock weighed

His vision with his voice, triumph with trade
Who was the warlock? Crowley? Or Vicky, himself? It was
unbelievable to me that he had introduced into anything the spirit of
trade. I thought the word had been happened upon because it
rhymed with 'weighed' and alliterated with 'Triumph'. But as the
scales of Libra could weigh in every sense I wondered if it did not
mean he had weighed his vision against the voice of reason; this
interpretation seemed the more possible in the light of a following
line in which he cried that one should weigh not her songs against the
mouths of air.
Reveal me nothing to the outer ken,

Who sang between the ranks of gods and men;
In a reference to physical passion and to Pan, occurred the
passage:
...the overwhelming Lord

Stripped the sun naked of divine pretence,
Stripped truth from time, rent ecstasy from sense.
There followed stanzas which seemed to have more to do with
eternity than story, the world of soul memory. 'Unspun to web of
weariness' and the 'rime that echoes in the surf-begotten shell' I
thought of Botticelli's picture, which I had seen in Florence, of Venus
standing in a shell on the sea.
The long poem ended in strains of the most unutterable desolation:
Wake in my music, hover; sink to strewn

Webs of appeased desire, my Aflatun.
No music and no memory is this;
Nothing at all; a new-begotten kiss
From aureate lips; and trembling eyes revoke
The memory of him who once awoke.
Forget. Ah, far they cry; the ways are known
To one who dreams in autumn, and alone,
~H
The Drama
Wandering unknowingly the secret way
That lies beyond the moon-track to the bay
Where flowers pass forgetting in the stream
Where Plato lies, the mirage of a dream.
This final picture of bleak loneliness was at once revealing to me
11u l infinitely distressing. I thought of him as mature, not 'in aulttllln.' Why 'alone'? Though no name was mentioned, it seemed to
II II' that he had given me a love-poem addressed to Crowley.
Yet, if he had given it to me without reading I felt he must have
htd a unconscious memory of the substance. Why had he put it into
'''Y hands? I would like to think it was because he felt some link, and
1 hided that it represented a deep confidence.
The next morning I made a typed copy. I had undertaken to go
tqt there in the. afternoon, as had Herbert Corby, to help clear off an
H"cumulation of entries to the Poet's Corner which should long since
huvc been put into their SAEs and posted back to the senders. I took
ti ll' poem in my bag. I could not give it back in the view of Runia and
1 orby, and it was still in my bag as we were preparing out leave.
I hen as Runia and Corby became engaged in conversation with each
11ther for a moment, Vicky said to me, 'You won't lose that poem I
)',.1 ve you, will you ..'
'I've got it here,' I said .
'You can keep it as long as you like,' he said. 'It was foolish of
t i ll! to ask. It's just that I'm nervous, not having read it.'
But I thought it better to give it back to him. Standing so that the
others could not see I was opening my bag, I drew it out and passed it
lo him. He took it and put it in his pocket with the same celerity of
111ovement with which he had given it to me. 'Don't say anything
otbout it,' he said .
It was, I believe, the following Saturday (occult dramas move
t,tst) that Runia said that a very old friend of Vicky's whom he had not
l'en for years was coming to see him 'tomorrow afternoon.' I took
this to mean that the rest of us should stay away so as not to disturb
them. However, as I was leaving, Cyril Moore asked me if I would be
coming, and said, 'She is supposed to be one of the very few Buddhist
Initiates. I'm very much looking forward to seeing her.'
I said I thought we weren't meant to come. Moore said he had
not understood it that way at all. There was an understanding all
Vicky's friends could come and see him on a Sunday. As he saw me
hesitate, he said, 'I'll tell you what. I'll ask you to tea. If it proves to
be a general party, we'll join it. If not, well! You're having tea with
39

me!' He suggested I came early, about two o'clock or two thirty. It
was August 4, 1935.
When I arrived a number of people were already milling about
in the conservatory. Runia joined us and seemed nervously tense.
She said, 'You may find her rather frightening. She is very downright. This is her seventieth birthday and she hasn't been out of her
own house and grounds for ten years.'
A young man whom I had not seen before, but who was apparently a reporter on the Sunday Graphic, said, 'Do you think I could
ask her to give me a story about Jack the Ripper?'
'You can't do that!' cried Runia horrified. 'She's here as Vicky's
guest!'
He said it was Hayter Preston who had givien him this address
and told him that if he came here he could get a story about Jack the
Ripper. Referring to this, Runia said aside to Vicky, what sounded
like 'It was naughty of Teddy to send Donald.'
I wondered what a Buddhist initiate could have had to do with
Jack the Ripper. Vicky came out from the inner room with his guest,
whom he introduced as Cremers, without any Mrs or Miss.
She was dressed in black, and had white hair which she wore
cut short. There was in her such an authority that all of us were awed,
excepting Vicky. Her eyes drove into each one of us, and as she
tumed her head to look at first one face and then another there was
something eagle-like in the swift, abrupt movements of the neck.
Runia tried to make the right kind of conversation for a hostess
and asked her about her garden; but small talk foundered upon the
power that was in Cremers and our awareness of it. Vicky brought
her over to sit by me, saying, 'This is a little lady I would like you to
talk to, Cremers.'
I was immensely flattered but could hardly find my tongue.
Vicky said to Cremers, 'It's strange not to have seen you all these
years. The last time I saw Crowley he cursed me. Did you know
that?'
It was the first time he had spoken the name. So it was true.
'No, I didn't know,' she said.
'Just before he left for America. It was done with full ritual. ln
that room. You remember that room with all those things in it?'
She nodded but said, 'You knew a thing or two yourself! You
would have taken measures to protect yourself.'
'I didn't,' he said . 'I was too miserable. So I was completely
open.' He meant that it had every chance to work. The whole ritual
40
The Drama
had occupied a long time. He had just stood there. 'It was such a foul
.urse. He cursed me to die. Of all the most loathsome, obscene and
painful diseases he could think of.'
Cremers gave a brusque laugh and said, Well, you're still here!
' rowley couldn't curse! He hadn't the power!'
Vicky said that by that time, perhaps he supposed not. When he
decided to make the break he had ceased to believe in the authenticity
of Crowley's claim to be a Master. But he had been terribly upset by
the curse all the same. 'It was nervous and emotional.' It wasn't,
really, that he expected the curse to materialize in its exact terms. 'It
!It rather funny for some months to be living under a ritual curse. It
still does when I think about it.'
She said, 'You're reasonably all right, aren't you?'
He nodded and said, 'I've had things, of course. This trouble
here.' He put his hand over the lower part of his chest, or upper part
of his stomach: I was not sure which. 'But none of the things he
thought of for me. It was the malice!' he said. 'I couldn't have
believed he could bear me so much hate as to wish such things upon
me! After all we'd been through together.'
Cremers seemed to think he had been naive if he hadn't realized
that Crowley, being a vengeful personality, would turn nasty on
being left.
Vicky said he hadn't expected him to be pleased; he had been
prepared to face anger. He had not been prepared for such vindictiveness. He couldn't have believed they could have parted as badly
as all that. '1 had a nervous breakdown,' he said. 'I was completely
dazed. I went down into the country ... '
Runia joined us and the conversation stopped.
Cyril Moore came to talk to me and suggested I come down to
his room to look at his new Paul Nash print which the artist had
'iigned specially for him.
While we were still looking at the picture, Vicky and Cremers
olppeared at the French windows.
'Would you like us to go out?' Moore asked, tactfully. 'Jean and
I can walk in the garden.'
Vicky protested against this extraordinary greeting. 'We didn't
come down in the hope of finding the room empty!' Turning to his
companion and laughing he said, 'They think we're a spooning couple, Cremers! They think we want to be alone!'
I could not help sharing Moore's evident feeling that they had,
in fact, sought sanctuary, but since they motioned us to keep our seats
41

we did so. Vicky pulled a chair between Moore's and mine and
Cremers took one facing us. Almost at once Crowley's name was
again on their lips. Despite Vicky's words, I felt they had come down
here in order to be able to talk about Crowley without being disturbed. I thought Moore and I should feel complimented that our
presence was felt to be of such an unobtrusive quality that it did not
matter; and indeed, neither of us said another word.
Speaking with immense force, Cremers said, 'Crowley wasn't a
magician, Victor.' It was the first time I had heard his name used in its
proper form. 'He wasn't White. He wasn't Black. Half-way .in
everything Crowley. He had enough knowledge to raise a current he
couldn't control. Couldn't get it up. Couldn't get it down. So it went
round and round.' She made a circular motion with her hand over her
abdominal region. 'It drove him mad. He wasn't a magician, he was
a maniac!' At moments she slapped her knee or made lightning
passes in the air with her hands which, though thin and bony, seemed
animated by a power almost electrical.
Vicky, flinching, murmured, 'I know.. .I know ... '
'All those books!' she said. 'Pseudo-scientific piffle.'
'They took a long time to write,' he said, as though to moderate
what she had said. 'It's a tragedy. His brain had disintegrated .... '
'He never had one!' she said roughly. 'He had only megalomania.'
Vicky said he had been reconsidering some of Crowley's poetry.
'It's just verse,' he said sadly. It was a term he used to designate that
which had the form but not the inspiration of poetry. He said he had
made the experiment of reading some of it to two of the young poets
whom he had launched. 'You wouldn't know them. But they're
good'. I knew he was referring to Pamela and Dylan. Neither of them
thought it was any good. 'They're moderns,' he said; but he thought
they would have sufficient objectivity to be capable of recognizing the
quality of something written in an earlier style. It was obvious
neither of them thought it was anything at all. That had been a
revelation to him.
As though in mitigation of Crowley's offence he kept saying it
wns 'as though his mind had gone.'
rcmcrs said, 'It was sex that rotted him. It was sex, sex, sex,
x, illlthe way with Crowley. He was a sex-maniac.'
Vh'J..y, who had been wincing continually, said, 'You're not
telling nw a11ything I don't know, Cremers. Why do you find it
iu lrPil~tuy In "''Y ,Ill this to me?'
The Drama
He was like a naked nerve. I wanted to protect him. In this
strange encounter I felt that nothing was accidental: since I was there,
I was meant to be there. I tried, by my thoughts, to give him support.
She said she had not met Crowley before he came to America.
In answer to a puzzled query from Vicky, she said she meant on his
first visit, in 1901. He had travelled in Asia but he had not learned
from a real Guru. 'He learned from white faces. I learned from brown
faces.' She had heard of this man, Crowley, and thought that if he was
genuine she might help him. 'If not, I would break him. I came to
see.' What she saw, she did not like. 'I set myself to break him,' she
said.
In the only sarcastic tone I have ever heard him use Vicky said,
very bitterly, 'You must have succeeded, then!'
'I killed Crowley!' she said. Though I suspected a metaphor I
was not sure.
Vicky's eyes closed, as though he were in terrible pain. 'You are
a beast, Cremers,' he said. All his muscles had contracted as though
he would shrink out of existence and his head was drawn down to his
chest.
I felt a touch on the shoulder. It was Cyril Moore, motioning to
me that we should leave. I rose and, passing behind Vicky's chair,
followed him out into the garden. As I turned to close the French
windows I saw that Vicky was gazing straight at Cremers now, an
expression of terrible agony on his face. Moore and I walked side by
side through the bushes, breaking through the spider webs. Moore
said, 'When two or three are gathered together, there is Crowley in
the midst of them.'
'What...What....?' I began, but hardly knew what question I
wished to ask.
'I know very little about it,' he said. 'Only the little Vicky has
told me himself. And I don't know how much of that is meant to be
public.'
Both too subdued for conversation, we must have made the
circuit of the garden a couple of times when the conservatory door
opened above and Runia called down to us, telling us to ask Vicky
and Cremers if they would care to come up as it was time for tea. I
was not eager to disturb them but it was not possible for either of us to
explain why, so, taking care to tread with noise, we approached the
French windows and opened them. Vicky and Cremers were still
there. We delivered the message, each of us repeating a phrase of it,
literally. To my relief they both rose without demur.
43

The young man from the Sunday Graphic came down the steps
and said to Cremers, 'Might I have a few words conversation with
you alone, before you go?'
Astonished, she asked, 'Why do you wish to speak with me
alone?'
He murmured something about 'Jack the Ripper.'
She drew herself up to her full height, looking even more imperious and threatening, and said, 'Why do you wish to speak with
me about Jack the Ripper?'
He faltered something about 'an interesting story.'
In a tone of inconceivable disgust, she asked, 'Are you a newspaper reporter?' One could have thought she had said sewer-rat.
Vicky had at first looked as puzzled as Cremers, but as he took
in the situation a smile of delicious mischief broke out upon his face.
He said, 'Dear Cremers, you're at the mercy of the press!'
He left her to it; and to my surprise she stepped back into Cyril
Moore's room with her pursuer.
Vicky and I were left to climb the iron staircase together. With
amazement, I realized he was no longer in agony. He was light as air,
as though the sun had come out. It was a brief moment in which we
were alone. Standing there on the iron staircase he paused for a
moment and said, 'This little lady has had a strange afternoon.' He
looked at me searchingly and said, We've been talking about someone whom you never knew. I don't know how much you've understood.' I did not know how to answer him, being so moved.
'It's been the great drama of my life,' he told me. In simple
words, he described Crowley to me as he had seen him in the early
days: his build, his walk and deportment, which was very dignified
and had something leonine in it, his feature, his broad brow. 'I
thought he was a noble person. I think you would have thought so
too.' He said this searching my eyes, his own puzzled and wide open,
as though I could explain to him this thing which he was still unable
to understand.
I had no words, being too deeply affected. I was grateful and
honoured that he told me, as though I had a right to know because of
a kinship of the spirit which he recognized.
'Later it was all different,' he said. 'You have heard what was
said below. You have heard Cremers. But I want you to know how
he seemed to me when I first knew him. And as I prefer to remember
him.'
I was overcome, and still had not said a word.
44
The Drama
'We shall have to join the others,' he said, to my regret. 'Or they
will come to look for us.'
We went into the conservatory; and he was at once engulfed in
the social whirl, only to be glimpsed between the heads of other
people carrying plates of cakes and other things. I found a chair. He
reached me atlast and said, 'Have a macaroon.'
Macaroons! After all that had passed below it seemed to me
incredible he could so quickly adapt himself out the role of host. I
took a macaroon.
Cremers came in and joined us. And, for the third time, Vicky
tried to get her and me to talk to each other. 'I'm afraid we really have
been very inconsiderate of you,' he said to me. When he said something to mitigate what had been said about Crowley, she turned away
and helped herself from the cake-stand. Then more people joined us
and we were separated, finally. Vicky and Cremers and Runia withdrew into the inner room. So far as I was concerned the afternoon was
over now, and as soon as I decently could I rose to leave. I would
simply have gone but Cyril Moore, who was now sitting next to me,
said, 'You must go through to say good-bye.'
With some reluctance I knocked on the door of the inner room,
<lnd said timidly, 'I've come to say good-bye.'
I had seen Cremers lacerate Vicky and was not sure whether she
was to be regarded as his friend or foe. But the atmosphere within the
room was friendly so I supposed she was a pal of his and that he was
used to her violence and, so to speak, accommodated it. Yet though I
had come to say good-bye, I would, by a curious quirk, have gone
without shaking Cremers' hand had Runia not jogged my elbow.
I was afraid Cremers would have noticed the near omission; but
when I gave her my hand, she held it for a moment in her hard grasp,
looking at me intently. I maintained her gaze and felt her eyes going
deep into mine, trying to fathom me, while I tried to read in hers her
real being. If she was a friend of Vicky she might be a protection to
him.
'Ha! Child,' she said. 'How old are you?'
'Twenty.'
She continued to examine my face for a moment. Then she
smiled as she said, 'Good-bye', and released my hand.
The next afternoon Heim called for some reason at the
Pembridge, and for the first time encountered my mother, in the hall.
After exchanging a few words he drove off with me, and asked in the
45

a rather overpowering afternoon he had not attempted to touch me,
and I began to think my apprehensions on that score were ground
less. And so I agreed.
I had resisted the pressure to give a pledge of secrecy, but in fact
I told no one about the books. I wondered how this strange business
would end.
It ended when, in that room again, things came to the pass I had
feared all along. He had been hoping I would become his magical
partner. He said, 'Neuburg and Crowley were very near! Where they
failed we shall succeed!'
I said I should like to leave.
He placed himself between me and the door, impeding my exit.
I thought he was going to try to embrace me. I asked him to stand
aside. He did not do so, and our eyes met in a contest of will. I
prayed, inwardly, that he would move aside and at last he did so. I
went through the doors and his curses, but not his footsteps, followed
me down the stairs.
When I gained the street, I walked, with measured step, until I
had reached the comer and turned into King's Road out of sight from
his window. Then I ran.
( 1) It is no longer on view, though I believe it is stored in the basement.
omment Magazine
Meanwhile, the affairs of the Poets' Corner continued. Since I
lcame part of the circle, I had only sent in one poem; it received an
llonourable Mention in the week that Dylan's poem, 'Incarnate devil
Inn talking snake', was the chief prize winner. In another column,
' utducted by Templar, I saw a competition for a translation of a
l"";sage from Dante's Inferno. I tried my hand at it, and on October 13
,td that I had won a prize. Although it was not in his column, Vicky
noticed and congratulated me on it. In early October, Pamela looked
111 at the Zoists again. On October 20, Vicky, perturbed about the
I'' toccupation with the dark side of things for which he believed the
ollrrealist movement was becoming a channel, wrote in the Sunday
/.'t'[eree:
Delirium is the evil aspect of ecstasy, and much modern art is inspired by the
lwer forces that normally lurk in subjection in the human mind ... lt is time to check the
lolnck introspection that is a threat to civilization and all that it has won in centuries of
pnlnful effort. It is dreadfully easy to fall back into primal barbarism , as these modernIll& who are parleying with the mind's depths know.
Though he did not know when he wrote it, it was his last article
lor the Sunday Referee. October 27, 1935, was the day of a catastrophe.
My mother who was at breakfast before me, greeted me with the
words, 'Something dreadful has happened to the Sunday Referee. It's
til different. I can't find the Poet's Corner'.
In fact, every familiar feature had vanished. Headlines were
plashy. The effect was as though one had opened the Obseroer and
lound oneself reading the People. 'Poor little Poets' Corner,' said my
mother. 'I wonder what Vicky and all of you will do now.'
Immediately after lunch I hurried to Vicky's; in the conservatory I found almost everybody. Only Vicky and Runia were not there;
hut presently they came in from the outside. Vicky said, 'The first
thing we knew about it was when we saw the paper this morning.
'l'he type was set up last night, all ready to go to press as usual.' They
had been to see first the Literary Editor, Hayter Preston, and then the
Editor, Mark Goulden. The position was this: the proprietors of the
paper had wished to switch to a policy they believed would increase
its circulation. As this must lower its tone, Goulden had resigned and
so had Preston. 'Almost the whole staff is out.'
48
49

This seemed final and we all stood very glum. 'There is just one
possibility we've been thinking of,' said Vicky. He looked at Runia
and said, 'May I tell them? As they're here!' Receiving her assent, he
said, 'We haven't got a lot of money but we have a little. We've been
wondering whether we couldn't bring out a paper of our own, carrying the Poets' Corner, and perhaps articles and stories. We shouldn't
be able to pay contributors. But if ever there should be any profits,
that would be a first use to which we would put them.' They had not
meant to tell us until they had had time to go into figures. 'We've
been in buses all the morning. The idea was born in a bus.' But they
didn't want us to go away thinking this was necessarily the end.
Geoffrey Pollett spoke. 'Vicky! Both of you! You're being very
gallant and I don't want to be damping. But if you put money into
this you're likely to lose it. If there are no writers with known names
contributing who's going to buy it? And if the circulation isn't wide
enough to attract advertisers how will you meet the costs of production?'
Vicky said, 'Very pertinent questions, Geoffrey. I'm quite unable to answer them. We can only put it on the market and see what
happens.'
'But Dylan Thomas and Pamela Hansford Johnson are known
names!' Runia declared.
Vicky cried out, 'There you've hit it! That's it! He's independent
now and so is Pamela. They can stand on their own feet. That thrills
me. It means the Poets' Corner has been an effective shop window.'
Vicky's generosity showed in that he could rejoice that those
whom he had launched had achieved independence of him. The
great difficulty, he said, was for young and unknown people to get
their first work published. What usually happened was that they sent
a poem to the London Mercury and it came back with a rejection slip.
Then they sent it to New Verse and it came back with a rejection slip.
After accumulating a certain number they became discouraged, and
perhaps wrote no more. Some of the words he spoke are still printed
on my memory. 'What is needed is more encouragement for young
writers during the time they're still producing their relatively immature stuff. People laughed at the Poets' Corner because there seemed
something childish in the system of giving Honourable Mentions. I
realized that but I liked it because it enabled me to give encouragement to more people than I had space to print. Somebody would send
in nnd perhaps find that he had got an Honourable Mention. He
wo uld feel encouraged and send in again. He would get better and
i()
Comment Magazine
hOpS after a time Win a prize and appear in print.'
The funny thing, he said, was that after they had been printed in
Ill l'oets' Corner they found other periodicals willing to accept their
ol'k where they had not done so before. Notably, a number of those
ho had started in the Poets' Corner were now published in New
I IIIII'. That meant the Poets' Corner was read by Editors who did not
lell'll their own judgment. 'They let us do the seeding for them,' was
111olher of his indelible phrases. 'In two and a half years, the Poets'
1 111 ner has proved itself a service, and if this Lady and I can keep it
1;oing we shall consider it more worthwhile than anything we've ever
J'
1l111lC.'
He said this with great emotion and it amazed me. He was an

"''"'tree, weathered and proved by the storms of time; but we, sapIIII~S that had grown up beneath the shelter of his boughs, were yet of
untried worth.
We kept thanking him. He wanted us to share our thanks with
l' unia. 'You will owe it all to this good Lady,' he said. 'Now, if you'll
lmgive us, she and I will go and do sums.' (I believe it was partly
l1 11nia's money which made the project possible.)
The next Saturday when we reassembled it had all been settled.
1'omment would appear on Saturdays, price 3d. It would be a few
Wl'eks before the first number could appear but we could begin
nding in contributions; and there was clerical work to be done in
llll' way of circularizing all the three thousand people who had sent in
In the Poets' Corner to tell them that although it had disappeared from
I he Sunday Referee it would reappear in Comment. Volunteers were
eoqked for. I volunteered. So did Herbert Corby. It was arranged we
hould come on Friday evenings and in this way we became intimates
of the inner circle.
We not only sent out the circulars. We found an accumulation
of poems which had been sent in by people who had ignored the
nquest that a stamped addressed envelope should be sent with enllles but which Vicky had not had the heart to destroy. We addressed
envelopes in which we sent these back, clearing the pile gradually.
Vicky in his armchair was re-reading the newly received manucripts. 'Can you see anywhere that poem by Symons I want to
print?' he asked Runia. 'Is that it under the butter-dish?'
Runia lifted the butter-dish and peeled from underneath it a
JMper covered with writing which she scrutinized. 'No,' she said .
'It's one of Dylan's. It's the one he asked us to send back to him.'
'Oh but it's good we've found it!' exclaimed Vicky. 'He won't
51

mind it a bit buttery.'
Walking to the bus with me, Herbert said he hoped Vicky was
not counting too much on Dylan to send poems for Comment. 'They
aren't paying, and Dylan can sell his stuff now. He doesn't produce
much because he writes very slowly, and I know definitely that he
counts the shillings.' He talked to me about how Vicky had persuaded the Sunday Referee to publish the book of Dylan's poems and
how he had gone through them with Dylan and helped him to choose
the best of them. 'Dylan had the whole of the money on the sales of
that. Vicky didn't take anything. Dylan has every reason to be
grateful to Vicky.' His voice sounded anxious, and I knew he was
afraid lest Vicky should be hurt. 'There's another thing,' he said.
'They seem to be rather counting on a story from Pamela. With
Pamela it wouldn't be a question of money. But she has a contract
with an agent now which doesn't allow her to sell her work under a
certain figure. I don't know whether they'll let her give it away!'
On the following Friday while we were there, the late evening
post brought a bulging envelope from Wales. Vicky' s joy as he pulled
the enclosures from the packet was such that I realized he must have
been subconsciously anxious. 'Oh, the good child! He is a good child!
He is!' He began unfolding the sheets. Besides a letter, there was a
story and several poems. 'What's he sent me? "Grief thief of time
crawls off..."'
Runia tried to prepare him for a disappointment with regard to
Pamela, mentioning the agent.
Vicky exploded. 'What! If they won't let her give a story to her
old Editor .. .I'm her father!' It was the only time I ever saw him show
possessive feeling about any of his 'children'. He was fond and proud
of Pamela. Once he had read me a line from something she had
written - 'His clothes were new and nervous' - and exclaimed, 'Such
style! Such economy!' For conciseness, he declared, she could be
compared with Jane Austen.
A story from Pamela was contained in the first number. This
appeared on December 7, 1935. Its editors appeared as Sheila
Macleod and Victor B. Neuburg. I took Sheila Macleod to be Runia,
though I also sometimes heard her called Mrs Tharp. As the pile of
gleaming numbers was revealed on the floor and we each took one, I
think my excitement equalled Vicky's and Runia's. 'Keep your first
numbers,' they said to us. 'They may some day be worth something!'
Corby and I still came on the Fridays. Our job was to send out
the issues of Comment to the subscribers who received them through
52
Comment Magazine
llu post. We took it in turns to address wrappers and to lick them
"Idle Vicky read manuscripts in his chair and Runia busied herself
"lth something else.
r enjoyed these Fridays at Vicky's even more than the Saturdays
l!ecause of the greater intimacy. Vicky, reading the contributions,
\\'it'l in heaven. He loved the good poems because they were good;
111d the bad poems because their infelicity was endearing; the in1"I ween ones he could not bring himself to say were bad. As he read
llum he put them down into one of two piles; those he wanted to keep
11 uI print on one side of him, and those which were to go back to
'ndcr on our table.
Once Herbert committed a sin. He read aloud in tones which
11111de it sound ridiculous, a rejected poem about a goldfish swimming
llllllnd insid~ a bowl. Vicky cried out in pain. 'That's not funny!
I h11t's tragic! That's a poor little old lady, with nothing else to love.
I olll't you see her? You're a little beast, Herbert! Give it back to me. I
lllll'lt write something nice on the slip.'
Some of the entries were not printed because they were ostroboltlllous. This was a wonderful word of Vicky's. It was used in the
1I nee of indecent or pornographic, and had the advantage over these
words that it implied no moral attitude towards the subject. He
wou ld speak of an ostrobogulous tale or a passage in the classics.
Morton was the only person to whom I ever saw Vicky show a
1ull'm before it was published. He did the judging entirely by himself,
111 ~ilence. He took Morton's opinion on ostrobogulosity.
'This man is a good poet!' he said to me. 'He's got a pile of stuff
Ill' shows me things and then won' t let me print them!! ' He said that
~lorton' s work was superior to much that was sent in. As a result of
lids conversation two of Morton's poems did appear in Comment, not
111 the Poets' Corner, but, like Dylan's, separately.
About eleven we would have a snack, little chipolata sausages,
.. tusage rolls or sardines, with tea. Runia would put Sanatogen in
VIcky's tea. He did not like it because it spoiled the flavour and gave
II ,, peculiar consistency. I realized with dismay that this was their
vcning meal.
One evening Cyril Moore came in bringing a bottle of Chianti.
Runia allowed him to pour it out and to pass glasses to me and
lo Herbert but said, 'Not for Vicky!'
Vicky protested, 'Mustn' t drink! Mustn't smoke! Mustn' t
umph! What a life! What I've come to in the end!'
Living without defences, transparent before everyone, he re53

mained undiminished in his mystery. He was a creature of volatile
flame; a flame that sometimes flickered but always returned to the
vertical, smokeless and true.
And yet because he was, for me, the mystic way, I asked him if
he had been born under Pisces.
'No, Aries,' he said. 'My hair used to have a hint of red. That
would have given you the clue,' he said kindly, lessening my mistake.
I don't suppose you can see it now. But I've always been Mars. I
danced down Mars, and I was Mars when I skryed,' he said. I was
sure he was giving me information, and was pleased by his communicativeness but the terms he used were strange to me; I was too tiinid
to ask their meaning yet stored them in my memory.
He seemed to me more deeply rested during these evenings; I
felt it in his voice. Though in his spasmodic laughter it could touch a
falsetto note, it was, when he was relaxed, low though with almost no
voice in it. Despite the absence of resonance it had a quality which
was pleasant to hear and the articulation was distinct; I had never to
ask him to repeat anything.
The Saturday evening meetings of the Zoists still continued, but
in Cyril Moore's room as the conservatory had become too cold and
no electricity had yet been installed. At our request Vicky gave a talk
on Swinburne. He opened by reading a passage from the 'Sapphics'.
Then he read 'The Hounds of Spring', his voice rising until he was
almost out of himself in the lines:
The ivy falls with the Bacchanal's hair

Over her eyebrows hiding her eyes
The wild vine slipping down leaves bare
Her bright breast shortening into sighs;
The wild vine slips with the weight of its leaves,
But the berried ivy clutches and cleaves
To the limbs that glitter ..
'And that,' he cried, flinging the book down and picking up
another, 'is by the man who later wrote this!' He read a letter by
Swinburne deploring that George Eliot was living with a man to
whom she was not married. He could not forgive Swinburne for
having been in his later years captured by respectability.
Arthur Leslie Morton said when he came to see me many years
later, with reference to Victor's relationship with Runia, 'Could one
say she was his Watts Dunton?'
In fact, Victor obviously felt he was threatened by Swinburne's
fate. Speaking of the throttling Victorian household in which he had
54
Comment Magazine
UC n brought up by 'three mothers', chief of whom was an apparently

, hM1tly aunt whom he called 'Fraub', he said. 'They talked about
n 's getting ideas as they might about getting the measles. As
I !tough they were something catching. And they were, too!' He said
llu y a!ways watched him to be sure he was doing nothing wrong. He
"ltltd, unexpectedly, 'The same situation seems to be catching up on
''" ' ugain, now!'
Runia cried in hurt reproach, 'I hope you don't feel like that
llutut me!'
He said, 'Even in this house there's growing up an atmosphere
II "see what Vicky's doing and tell him he mustn't".'
But he had that in him which could never be made tame, except
Inn superficial manner. He was unshockable, except by misuse of
111ds. Once, .as I was speaking, he pointed a finger at me, looking at
1111 ' with such an expression as one might at a dear one caught in an
unlortunate situation. 'You split an infinitive', he said.
Runia said she was going to give us all a talk. And she warned
'' " the week beforehand and on the night, 'I'm going to shock you all.'
Her title was 'The New Morality', her theme was the battle her
,tncration had fought for, freedom from conventional codes with
tt gard to sex. It seemed to me needless for an audience composed of
11 '1 and I think all of us were embarrassed, even Vicky. This was
tthviously the propaganda of some 'advanced' movement preceding
IIll' world war during which I was born. I wondered if Runia had
lucn associated with the Suffragette movement. (Much later I
lurned that this was the case).
Vicky's attitude to the New Woman was everything she could
dtsire. He had an exceptional degree of courtesy to women, and
when he had occasion to pronounce the name of a woman author it
was with a kind of purposive deference to her opinion which I felt
was meant to show the honour in which he held the sex. When he
tl'fcrred to anything in which Runia had assisted him he always put
lll'r name first.
Vicky was forward looking. He believed in continuing evolution, not merely of species but of the soul. He felt that everybody
n1ust, from incarnation to incarnation, progress in wisdom, despite
tpparent lapses. One Saturday he came into the room with a copy of
the Daily Express and exhibited in distress the front page. The main
news item was concerned with Mussolini's aggression in Abyssinia;
others with murders, robberies, accidents, etc. He read out the
headlines, column by column, and said, 'There isn't a single item
55
Comment Magazine

which by any stretch of imagination could be considered good,
happy, or hopeful news. Why is this?' He walked over to me, as
though I could tell him, and I said, 'Because people don't believe in
anything. They've lost conventional religion and haven't found one
in which they can have faith.'He was dismayed.
All scientific discoveries interested him but particularly in the
field of astronomy, this partly because of the idea that globes and
galaxies were in evolution, but also because he felt that with so many
other worlds there must surely be some with inhabitants superior to
ours whom the development of interplanetary, and even interstellf}r,
travel must one day enable us to meet.
Runia had a gruesome Wellsian theory of the future in which,
woman having learned to procreate without assistance, the male
would linger on only as a neuter, 'Like the worker bee'. Thus would
be created a new kind of slave population perhaps with a single
Queen. I used to wonder if the idea was derived from an early film
called Metropolis in which, if hazy memory serves me, there was a
population of robots ruled over by a kind of Queen. Many years later,
I realized it could equally be a variant of the universal esoteric tradition concerning the eventual re-creation of the androgyne.
Sometimes a tall but tired elderly man called. He was the artist,
Julian Tharp. I was told he was Runia's husband; they were not
divorced. Once when he came she was not in the room. He sat
making conversation with Vicky and Corby and me until Vicky said,
'If you want Runia she's up in her room.'
'May I go up?' said the husband, 'I'd like to speak to her about
something.'
'Yes do,' said Vicky.
Another time while Corby and I were working at the table
Runia said, 'I wonder what's happened to Heim? He hasn't been here
for weeks.'
'There's a reason,' said Vicky, from his armchair.
'Oh, What is it?'
'I don't know. I didn't mean I knew. But at one moment he was
here continually, and now he isn't. Something has happened.'
I thought it had to do with me. I would have liked to tell Vicky,
but not before others.(l)
There was another Friday evening when Corby, exceptionally,
was not there. Vicky left the room for a moment and Runia asked me
suddenly:
'How long is it since you've seen Gussy?'
56
l made a quick calculation, 'Seven weeks.'

'What is your opinion of him?' she asked intently.
'I don't like him. I think he's a bad friend to Vicky. To you and
\lt ky.'
'Thank you. If Vicky asks you will you tell him frankly?'
'Yes, but he wouldn't. I'm so much younger, he wouldn't ask
'"Y opinion about a man of his own age.'
'He might do. He would pay attention to your intuition. He
t''l you. I know what I'm saying.' The sound of a chain being pulled
tllllOunced his imminent return.
'Ssh!' she said. 'Give me your permission to repeat what you've
.tid to me.'
I nodded assent and in a moment he was with us again. Runia
did not refer to the subject of which we had spoken and I was too
llmid to initiate it, because of the 'Ssh!'. And so I let slip my golden
~tpportunity.
But that night when I left Runia saw me to the door and gave me
tl..iss.
One Saturday evening, Walter Ford said to me, with the slight
lmmality he affected, 'I wonder if you'd care to dine with me one
('Vl'ning. I'm inviting Mr and Mrs Neuburg.' (It was the first time I
lto~d heard them called that. The name under which Runia appeared
111 Comment, Sheila MacLeod, was, so she told me, one she had taken
ly deed poll, and we never used it; neither did it seem suitable to call
ht r by her husband's name; her baptismal names she did not like, and
Wt' called her by the invented first name she preferred.) I accepted
ltcause Vicky would be there.
We found ourselves, an artificial four, seated around a chrolllium and glass table in Ford's jade green flat. As we were leaving
l~11nia wanting to show her 'advanced' ideas, tried to leave me behind.
I had no intention of being left behind, insisted on leaving and

w.1 Jked with them in the direction of the nearest Underground.
l~unia, who walked between Vicky and me, seemed annoyed. But
looking across her I saw that Vicky was shaking with silent mirth, ribs
t'onvulsing, lips parted and drawn up a the comer almost to the ears.
On another occasion, Walter Ford invited me to a party saying,
Pamela Hansford Johnson will be coming.' The publication of her
first novel, This Bed Thy Centre, had made her a literary lion.
I shall always remember that party. Ford told an unpleasant
ounding story of how Vicky had been invited to give a lecture at
57

Oxford and all they wanted to hear about was 'That camel'. (I have, in
this summary, watered it down; besides being, as I know now, factually incorrect, he had given it a twist which made it most offensive.(2)
Pamela turned on Ford flushing with fury and distress. 'It's a
very unkind story if it's true. It's too bad for any one of us who have
been helped by Vicky to repeat such a story. Nobody can come into
Vicky's circle without being told foul stories about him and it's so
unfair. We don't know who Vicky is! We only know how kind he is!'
She told us with simplicity how much she owed to Vicky, and
said she was sure it was his publication of her poems which had made
other publishers interested in her work. One would have to go a long
way to find anybody else so disinterestedly interested in helping one.
'All we know about him is how much he has helped us. We don't
know his past. We don't understand about these other things ... l
talked with Dylan about it on Clapham Common.' She had been very
relieved to find Dylan felt the same way and they had agreed they
should defend Vicky by refusing to listen to ugly stories.
I had not understood why Vicky's name should be associated
with a camel, but some sixth sense told me it had to do with his
relations with Crowley. I had not known how to speak without
revealing what I knew. My gratitude to Pamela was the more.
I had always wanted to read Vicky's hands and one Friday
evening found the courage to tell him so. At once he held them out to
me. Thinking they might bear a line associated in the books with
sexual abnormality I said, hesitatingly, 'This is not really a thing to do
in public.'
Catching my meaning instantly, Vicky said, 'Haven't you got
the gift of euphemistic expressions?' Then, kindly, as if he knew my
awkward candour, he said, 'No, perhaps you haven't. Well, try to
express it in a way that's fit for public entertainment. If you can't, I
give you leave to take me out into the conservatory.'
I had never been alone with Vicky; my instant hopes were
dashed when Runia said, 'There's no light in the conservatory. She
can't see your hand without light.'
Vicky, confused and blushing at his own boldness, said, 'You
can make your examination here and then take me out into the dark to
tell me the worst. You can take me down into the bushes at the
bottom of the garden and wh"isper it into my ear under the cover of
the darkness of the night.'
I had not the hardihood to rise and put on my coat; partly
because I was afraid Runia would be offended, and partly because the
58
Comment Magazine
11111rking was not present and I could not see anything sufficiently
l111d' or embarrassing to justify my insisting upon privacy in which to
'Y it. I thought he would think me foolish if, having got him outside,
I hud nothing of sufficient import to say to him.
His fingers were short in relation to the palm, compared to
II line, but exceedingly flexible and could be bent back to an unusual
dq;ree or separated very widely from each other, and the thumb
1 ould stand away from the fingers so as to create over a right angle;
I111m all this I deduced an extraordinary degree of openness of mind.
\II the mounts were full. The palm was covered with a scramble of
line lines showing the nervousness of his temperament, but all the
umin lines were in their right places. A good Heart line swept down
In >m the base of the first finger in a generous curve; the Head line had
111light, but not exaggerated, slope towards the mount of the Moon;
hut the most remarkable thing was the line of Destiny. Rising from
tlw wrist, after a break just above the Headline, it swept over to end
1111 the mount of the Sun, in a three-pronged fork or Neptune trident.
I have never seen such a marking on any other person's hand.
When I had said all that I could think of- Vicky was enjoying it
I mentioned Rai's hand, and that it had the Mystic Cross.
'Hasn't Vicky got the Mystic cross?' said Runia reproachfully.
Today I am not sure that this mark has special significance, but I
.lid that on a hand showing so many criss-crossing lines it was
difficult to tell but, if one could be picked out, it cut the lines of Head,
lleart, and Destiny. Vicky said, 'I know what it means,' and was
Instantly asleep. I was surprised; then I thought it was not an ordillury kind of sleep. He had 'gone' somewhere.
'Poor Vicky,' said Runia.
One evening, after referring to her, as he often did, as 'this good
l,tdy', he added 'She is a good lady, you know. She saved my life!
When she found me I was buried in the country. I thought my life
w.1s over.'
He had been staying with his cousin in Sussex, at a place called
the Sanctuary, and it was as they emerged from deep bracken that
Ihey encountered her and a woman friend she was with. Later, when
lw was staying at his cousin's house, she came to visit them and
talked about his future with Stanley, as though he were an absent
third party. In the end, she had brought him to London with her and
Insisted on his re-entering the swim.
Then he had been offered the unexpected post on the Sunday
l<eferee. 'A whole new life started,' he said wonderingly, 'I liked going
59
Comment Magazine

to the office every day.' For him, the very ordinariness of the routine
had the charm of novelty. 'Teddy Preston, the Literary Editor, is a
friend of mine,' he said with pride and affection. 'At eleven o'clock we
would go across the road together to have morning coffee at a little
place on the other side.'
What I did not know was what he had been doing down in the
country. About that he said only 'I was in a dazed state.'
I told him my mother and I had lived in Brighton where I was at
school.
He exclaimed with emotion, 'We might have met! I lived tor
years of my life in a little village called Steyning, which is no distance
at all from Brighton. We could have met years earlier!' He said it
almost with reproach.
I, too, felt self-reproach. With Arthur Overton, I had in 1928
climbed to the top of Chanctonbury Ring which I was convinced had
had to do with the Druids, and afterwards we had descended into
Steyning. To think I could have found Vicky if only I had known!
One Friday evening, Cyril Moore came in carrying a small book,
which he held out to Vicky saying, 'I found this in a second-hand
bookshop.' His tone was oddly significant.
Vicky looked at it, almost as if a snake had been tendered for his
inspection, and instead of taking it asked, 'What is it?' 'There's an
inscription in it,' said Moore.
Vicky was regarding the book as though he were connected to it
by invisible live wires. Raising his eyes to meet Moore's, he asked, in
a low voice, 'A.C.?'
Moore's silence was an assent, his nod almost imperceptible.
He said, 'It was lying where anybody could have picked it up. I
thought the best thing I could do was to buy it and bring it to you.'
I wondered whether it contained something compromising to
Vicky or just Crowley's signature.
At last Vicky took it; without opening it to look at whatever the
inscription was he put it in his breast pocket, and was at once asleep.
I thought of that other occasion on which I had seen him cede to
sudden sleep. I had no doubt that he had gone straight into that realm
of consciousness which he and Crowley had shared. If he wanted to
repudiate the relationship, he could have put the book down on the
table, or anywhere, not next to his heart. I felt that a passion which
had so lasted commanded respect.
When he woke he looked across at Herbert and me and said, as
though nothing had happened, 'You two will get gumboils from
60
Ill ldng all that gum. Let me do some.'
One Saturday evening instead of a talk we had a competition for

best original definition of poetry, Vicky to be the judge. Slips of
l''tpcr were passed round. I declined, saying, 'I don't know enough
thout it.'
Vicky, visibly disappointed, said, 'Oh, but you must have a go!
l)o try!'
I shook my head. I wanted to make no impression on him save
tlw best, and was not sure enough I knew what poetry was to risk
writing something he would not think very good.
So far from profiting from what he could, as a poetry editor,
h.tve done for me, I resisted all his attempts to draw me out- even to
uch a point as must, as on this occasion, have seemed churlish, if he
ould not divine the reason for it.
Vicky, unable to know these convolutions of my mind, did not
understand what was the matter. He would ask me to write poetry.
lie would say, he said that evening 'Because I feel you can, I feel it's in
you. But it's locked up, in some way.' (He was right, but he did not
~now in what way.)
That night, however, feeling that my refusal to produce anything caused Vicky disappointment, I found what at the moment
l'Cmed a solution. I could write a short story! I wrote one, using as a
h.1sis my tiny adventure with the photographer in Dean Street, but
111rning it round to give it drama, and sent it to him under the title
Many are Called.
lht
( 1) Looking through my file of Comments, I see that the issue for December 14
' nrries a review of the Chinese Art Exhibition at !3urlington House by 'Chela'. This was
lloim; and I was present when Vicky, having received it, ragged him gently for the
modesty of the pseudonym; this puzzles me because I had thought Heim had disappoared from the scene before the appearance of Comment. I have left the order of
uvents as they stand in my spontaneous memory; nothing hangs on it. Vicky may have
hnd the article long before he printed it.
61
The Last Days
5
The Last Days
It appeared on January 18, 1936. Vicky had told me, 'It's rather
long. I may have to split it over two numbers.' Yet it was all in the
one. He said, 'I couldn't find a place to split it so I've left something
else out.'
Herbert Corby congratulated me and I sat down with him at the
table to do the wrappers, for it was a Friday evening. Leslie Daiken
came in with a couple of others. Vicky showed them my story and
they too, congratulated me.
I thanked them while going on with the wrappers. There was an
explosion from Runia. 'I do believe you're less excited than Vicky
and me! I had expected you to be beside yourself with excitement at
seeing your name in print and occupying two whole pages!'
Desperately anxious lest Vicky also should think me unappreciative, I exclaimed, 'But I am! I am excited!' It was true, but now that
the words had been wrung from me in this way, they sounded forced.
On an evening when I should have been in a happy glow, I was
terribly distressed.
When I got home and examined my copy more carefully I saw
what Vicky had left out in order to make room for me, an instalment
of his own serial, The Perfect Stranger, which he wrote under the
pseudonym M Broyle. It told the story of a small boy called Frankie
and the curious thing was that it began before he was born. It started
with him as a grown man, descended from a star, Aldebaran; as he
alighted by the side of a wood, in the district that was to be his home,
a grey figure came to meet him and they exchanged communications
through coloured flashes before he entered the womb from which he
was to be born.
Frankie was eight when he had his first important experience;
he was on the way to the store to get something for this mother when
he and the sky became one. After some moments he stopped being
the sky and became Frankie again but he never forgot. It was after
this, passing by the edge of the wood, that he met again the grey
figure, who now seemed to him very tall. Although he had forgotten
the manner of his arrival he recognized his friend.
Vicky delighted in writing under pseudonyms. As Alfricobas he
62
commented on world affairs, as Benjie he wrote an occasional poem

himself in a disguised style, and as Richard Byrde he did the book reviews. Reviewing a biography of Heine by Antonia Valentin on
junuary 25, 1936, he wrote:
...the poet's genius deprived him of every trace of commonsense. Once again
wa s a great artist a complete fool : divine possession is no guarantee of ordinary
Intelligence.
Opening the issue for January 25, I found the centre pages given
to 'The Atys of Catullus', a translation by Vicky, this time beneath his
own initials, VBN. From remarks by Corby and others, I got the
impression this was creating a stir. Runia, half embarrassed, was
saying 'There, children! There's a classical translation for you!'
I found an out-of-the-way chair, near the window and began to
read :
From over the towering sea-trave his impetuous shallop bore

Atys fierce-footed; heart-flaming, the Phrygian forest-shore
He prest; the heavy-gloomed forest of the Goddess he craved, and
there,
Urged by inerrant raging, in his ecstasy of despair,
Slit with jagged flint-cutter the globy tokens of man,
And feeling his thews grow nerveless as his manhood's fire
outran,
And the soil was yet newly-streaked with trickling gouts of gore
With swift and snowy fingers at the slender drum she tore,
The horn, the drum, Cybele, our Mother, that are thine own;
And swinging in rhythmic cadence the bull-hide hollow-blown,
In thunder vibrations of fury to her Jeres was her song begun:
I could have read no further than this when Vicky came up and
seated himself on the inside ledge of the window-sill, just behind me,
so that he was reading it over my shoulder. 'It's not a new thing,' he
'laid. I did it years ago and never did anything with it, so I thought I
might as well print it.'
It was a peculiar poem to be reading with the translator looking
over one's shoulder. I saw that through seven stanzas of slowly
writhing hexameters the poor creature, having castrated himself and
symbolically changed sex, agonized and regretted the deed, thereby
incurring the wrath of Her for whom it had been done. It ended:
Cybele, vast Goddess, sole Goddess of Dindymous Hill,

Far from thy dwelling, 0 Mistress, stay all thy fury still;
To others be granted thy frenzies, to others thy raging Will.
I wondered what had made Vicky write this and, uncertain
what to say, looked at the head which had come over my shoulder.
63

'I've got lots of translations in trunks,' he said.
It seemed to me that he was almost trying to dissociate himself
from this piece of work, or at any rate to take away any feeling that I
might have that it was Masochistic or of personal significance; so I,
too, treated it impersonally, and agreed it would have been a pity to
leave a translation of this quality in a trunk.
Some people were worried by Vicky's use of hyphens; it was th
corollary to his way when speaking of breaking words into their
semantically significant parts; he would by this means secure a mean
ing within a meaning. Hearing Vicky use the word e-ducate, om
would not miss the meaning that the purpose of education was to
lead or bring out of the pupil the capacities which were innate in him,
rather than to impose a clutter of alien information.
One day we learned that a new periodical called Janus was
coming in to the field and would be a rival to Comment. Its chief man
had contacted Vicky when he lost his space on the Sunday Referee and
proposed a joint enterprise for which he would put up money. But
Vicky had declined the offered partnership because the other man's
idea was to accept payment from the unknown poets whose work
they published, a thing repugnant to Vicky. Then Vicky received a
phone call from one of his children who was also an artist, and who
had done a sketch of him, saying that, being hard up, he had accepted
an offer of a few guineas for the sketch; he was uneasy, because the
purchaser was the Janus man. The first issue of Janus carried the
portrait of Vicky over the words VBN reading Swinburne.
Runia wanted Vicky to get an injunction to restrain. 'You can
call their whole first edition in!'
'That would hit the young people,' said Vicky. 'If it were only
him, I wouldn't mind. But they're doing the same thing as us, publishing unknowns, although in a way we don't like. He said he would
require a statement to be inserted in their following issue that, contrary to any impression the reproduction of his picture might convey,
he was unconnected with Janus . 'That I can enforce', he said.
It was my experience that Vicky had a good sense of the law.
With regard to copyright, libel, 'ostrobogulosity', he knew exactly
where he stood, or what anybody could get away with; and he could
help an inexperienced person to read a contract, pointing out any
clauses under which they might possibly lose.
His own values were not of the world but where the interest of
any of the young people who looked to him for guidance was concerned he was shrewd as a pin.
64
The Last Days

janus failed after only a few issues.
Comment received a certain number of review tickets, for thea' i =' 1 , cinemas
and concerts; these were handled by Runia who would
iv1 them to whom she thought. Those for concerts went to Brian
. 11 lZicr, the rest to other young men of the Zoists. As two tickets were
;lw.1ys sent, they would sometimes ask me, and in this way I came in
certain number of first nights.
Geoffrey Pollett took me to the first night of Auden's Dog Bel!l'rllh the Skin, I was bewildered by it, but to my surprise the house
1 nt wild with enthusiasm at the final curtain. 'It's the Communists!'
I 't~llct t said. One strident voice, however screeched abuse; we recognt ted it, and saw 'the only British Nazi' standing up and calling forth.
'" we were leaving we met Hugo Manning who had also been in the
l1nuse.
When next we were at Vicky's, Vicky asked, looking at me, 'Was
I 1,1vid Gascoyne there?'
I said, 'I don't know what he looks like.'
Pollet answered for him, 'I don't think so. I didn't see him.'
Vicky said to me, 'Have you ever seen Gascoyne? He's a long,
l'llc weedy lad who looks as if he'd grown in a cellar. You know
what hyacinths look like if you've started them in a cupboard in the
durk and forgotten to take them out. One day you open it and find
them there -all long white leaves.'
Runia gave the tickets for the premiere of H G Wells' film, The
'./rape of Things to Come, to Herbert Corby and as I was sitting beside
him he asked me if I would come with him. Vicky from his armchair,
uggested I might write a review, too; why shouldn't we both send
11ne in? Runia endorsed this and so after the showing I wrote one
l'parately and posted it. Both of them were printed. There must also
have been a first night with Walter Ford; I can remember his producing an orchid for my evening dress, but that is all I can remember.
When, however, there was a performance of Lysistrata at the
Arts, the tickets were not delegated. Vicky, who seldom went to the
theatre, said he was going to see 'a real comedy, written before the
Age of Shame!' Runia went with him.
Vicky was asked to give another talk, and having nothing spedal in mind was put down for February 15 under the vague title of
Poetry. What happened was, I believe, entirely impromtu. He began
by speaking of the change which had come in the last half-century.
When he was a young man, the accepted poets wrote about roses and
lilies, with which they associated their young ladies. He quoted from
hu ,,
65

Tennyson, Rossetti, William Morris and others. These concepts belonged to the drawing-room, where there was always a three-tiered
cake-stand to be handed round. Some of the younger people felt this
represented rather a limited section of life; there was a revolt against
the sugary and a search for wider and stronger themes.
Now the pendulum had swung the other way. 'Dylan Thomas
writes about worms.' Particularly the sort connected with the corruption of the flesh, as a symbol of death. Dylan had introduced us to
'The long worm of my finger' ... 'The living worm' ... 'The worm beneath my nail' ... 'That same crooked worm' ...and, for a change, 'The
maggot in my stool'. Only Dylan's genius made this sort of thing
bearable; from those without it, it was nauseating.
'I'm afraid he's started a new school,' Vicky said. There were
worms in half the entries to the Poets' Corner. Julian Symons's poetry
had worms in it. He was sorry to see another poet, whom he usually
liked, Francis Berry, perceived a worm in the moon. 'Poor Selina!'
said Vicky.
For every worm which he let into print, there were many more
which were rejected. The cumulative impression engendered by
reading so much manuscript with images of one type was disturbing;
this preoccupation with decomposition belonged not to the light but
to the darkness.
He felt partly responsible because he had launched Dylan
Thomas upon the world; if worms were to become the cornerstone of
a new school, he would begin to wonder whether he had done a good
deed.
'There are fashions in these things. The worm is now the
fashion. When I was young it was lilies and roses. Now it's worms
and excrements. If one must have set themes I'm not sure roses and
lilies weren't the pleasanter conception!'
He said this with a touch of primness, relieved by a humorous
consciousness that from him it came oddly. His talk was finished,
and there was a hush in the room. It was as if a chastening had taken
place.
When at last people began to speak, it was in subdued voices.
At one moment Vicky looked across at me from his low perch.
(Though he read manuscripts from his armchair, when addressing a
meeting it came natural to him to sit on the floor. Only in the earlier
sessions, in the conservatory, had he sat on a chair, in deference to his
title as Chairman. In these fireside evenings, in Moore's room, we
who accepted chairs had become accustomed to a speaker below our
66
The Last Days

own eye level, cross-legged or legs folded under him.) Speaking to
me, he said, 'You've been brought up in a generation already relatively free. I don't suppose its possible for you to realize how stiflingly repressive was the world in which I was brought up. One felt,
deep within one, that everything they said was right was wrong, and
that everything they said was wrong was right. One felt one had to
do everything they said was a sin. It was as simple as that. One had
to break the taboo, to prove to oneself that one was free.' I thought he
said this in case I should have been puzzled by report of his excesses
with Crowley and I was touched.
As we trooped through the passage on the way out, Vicky
beckoned to me from inside the doorway of his own room. His
manner was conspiratorial, and wondering what secret I was being
invited to share, I stepped within. He said, 'What is the Latin or
Greek technical name for the study of worms?'
The only time Vicky appealed to me for information, I failed
him. 'The Common or Garden Earthworm is Lumbricus. I'm afraid I
don't remember what the study of worms is. I could look it up.'
'Don't trouble,' he said. 'I can look it up myself. I want to write
something amusing in Comment so that Dylan will see it, as he wasn't
here to hear the talk.'
Soon, afterwards, this paragraph by Vicky appeared in Comment, March 21, 1936:
.A Note on Helminthology
The distinguished poet and fictionist, Dylan Thomas, whom we are proud to
have as a contributor, did a doubtful service to contemporary verse by making worms
popular. Many poets think, apparently, that the mention of worms transforms an
otherwise mediocre lyric into a thing of surpassing beauty. I do not share this view; and
I hope the Vermicular School will not run their worms to death(1)
During one of the Friday evenings, Vicky spoke to me spontaneously of his days with Crowley. He said, 'At any rate we did
something which has never been done before! Well, not for hundreds
of years anyway. We had no predecessors in the times in which we
live.' He told me about the 'Calls' for entering into communication
with the Angels transmitted to Queen Elizabeth's astrologer, John
Dee. 'It's doubtful whether even Dee himself ever called them. And
since his day they have done nothing but lie on dusty shelves. We
called them. We went out into the desert and called them. We didn't
know what would happen.' Some of the consequences, indeed, had
been of an order they had not bargained for. But that didn't matter.
They had followed their own idea, in the face of all warnings, and
taken their fate into their own hands. 'We went to sea in a sieve.'
67

'And', he said, 'in some things we did we were quite original
At any rate in the form we gave to them, they could never have been
done before. We made up our own rituals and thought out every
thing we would do.' They had tried to resuscitate the tradition of tht
ancients, but it was not possible to know exactly what the ancients
did. Most of the clues were to be found in Roman and Greek texts but
they were scanty and needed to be interpreted by the intuition. They
had reconstructed and performed a ritual along the lilies of that
which they believed to have been practised in antiquity; but in this
reconstruction, or perhaps one should say construction, they had
used their imagination and in this sense one could say that what they
had performed was an original creation.
Looking very deeply into my eyes, he said, 'We didn't know.' I
knew that when he said this he meant that they had a deficiency of
esoteric knowledge. I could feel that he felt, retrospectively, wonderment at their own temerity. 'We had no one to tell us,' he said.
'We were simply groping. We had the courage of our convictions.'
They had adventured, holding nothing of themselves back, into
the complete unknown, in defiance of all the teaching of the last two
thousand years.
'We got right off the beaten track,' he said, using a more homely
phrase, which seemed to satisfy him.
I realized that despite all the agony through which he had
passed, he was at peace with himself and without regret; and l
thought he was braver than any person I had ever known.
If only I had had then the knowledge I have now. What I regret
today is that I gave Vicky such little answer in response to all that he
opened out to me of himself; when he opened to me most completely,
I was dumb. It was because, so full of feeling, I feared by an ill-placed
word to jar upon his sensibility; and also because of the proximity of
other people. I answered solely with my eyes, opened wide into his.
March 7, 1936, was my twenty-first birthday. I had not said
anything about it at Vicky's but it fell on a Saturday, and for that
reason I missed a meeting there. Normally my attendance was
regular. On the following Friday when I went, somebody happened
to refer to me as being twenty. I said, 'Twenty-one.'
'Oh! This child's had a twenty-first!' cried Vicky, starting up.
'And she never told us, and we haven' t done anything about it. We
can't it let go like this! We must do something about it, even if it's late!
I'd like to give you a book of my own poetry, if I may.'
'Vicky! All yours is pornographic!' cried Runia in alarm.
68
The Last Days

'Oh, no it isn't!' he protested. 'It isn't, really! I'll find her
that isn't, anyway. The volume I have in mind hasn' t
111ything in it...I'm sure it won't offend her.'
1 wanted to ask him if he would write something specially for
lilt'; but I did not know if one could ask a serious poet to write a piece
l11r a twenty-first birthday; and I was timid lest he should think the
tt quest presuming, or Runia disapprove.
Vicky spent the rest of the evening searching for the volume,
ll'ilng a chair to climb up and look in the topmost tiers of his bookt'iiSCS, and going down on his knees to inspect the lower, or look at the
piles under tables. He still had not found it at the end of the evening
but knew he had it.
During the week I received through the post a poem for my
lwcnty-first birthday from Walter Ford. It was neatly turned, and
tvoided slushiness.
After this, I wondered if I couldn't dare to ask Vicky for one
nstead of the book, especially as he could not find the book.
But when I arrived the following Friday, Vicky greeted me in
I riumph with a slender yellow and black volume, and as I saw he had
nscribed it for me I felt it would seem greedy if I asked him to
l'Ompose a poem for me as well. He gave me the volume, which I saw
was called Songs of the Groves. On the fly-leaf he had written:
FOR JEAN:
V 0 Fuller I.
From VBN 1.
For her 21st (7.3.36) I.
14:3:36 I
Vicky'/.
I noticed the curious division sign, or dash between two dots,
which he used for punctuation; also the slight hesitation as to the
degree of familiarity to assume. I was pleased he had written Jean on
11 line by itself, as though he had at first meant to let it stand so. He
had never called me Jean, and I would have liked him to. Perhaps, it
occurs to me now, it was my place to have invited him to do so but I
was too shy. I realize that he must have had some impediment which
made him use the 'This little lady' form of address, as a sort of halfway house.
But that evening was exceptional. Runia, with unexpected
warmth, said, 'I don't know what he's given you, and I'm sure it' s
highly unsuitable, but here's my kiss with it!' She gave me a kiss.
After that, Vicky was able to give me a kiss, too.
t~~ncthing
69
The Last Days

When I got back to my bedroom in the hotel, I opened the book
he had given me, and almost at once found the poem 'Druids', which
still seems to me his greatest. A prologue in prose explained that, it
being the Summer Solstice, a sacred victim was slain in order that an
omen might be obtained. I had not the slightest doubt that this was
on the top of Chanctonbury Ring. The opening lines described how
the initiate who was to be the sacrifice having been laid flat upon the
altar, beneath the night sky, the white-robed priests gathered round
him, staring down, while he prepared himself for immolation:
Back from my breast I drew the heavy robe,
Baring the curving belly, the sun's globe,
The silver knife was over me: I lay
In ecstasy of life-in-death: away
Faded the silly world: again I knew
The source of living, as they shaved the hair
From breast and belly and all luminous blue
Swathed round me; I was dead, no longer there
Before the knife had split my navel: far
He describes how he seems to be at a great distance above the
body in which but lately he had been, and watches almost with
detachment the gushing of blood. He has a heady and supernal
consciousness of glory, as though he were himself a god; he is swimming easily in the air and hears rising like a roar the voices of the
priests as they intone their appeal to him; there is a white flash:
I stood before the flame, like living ash
Gifted with speech ...
now I knew all
The Druid mystery: the festival
Of blood was bared ....
Though he is before them, he has not yet uttered. After a silence
their voices continue to roar. 'Speak!' they demand. He sees them
bend over his entrails, searching their design, then again demanding
of his living self, 'A Word':
.... .I saw a chasm
Before the altar, invisible to all
Of flesh. Then flared the thought: The altar's dead
Then came the word: Woe! was the word I said;
There was another poem, called 'Downwood', written in an
aetherial metre, which spoke of the same scene, at another period, in
another mood:
70
A light rain falls; the hills have become blurred:
Dead leaves go and go,

Slow,
Slow blown by eddies of wind
Playing, playing,
Thinned, thinned,
And a single pale star
Shines, and a wing
Flutters in the hedge.
The tune
The winds sing
Is an old rune
Or an old rite,
Here,
In some long dead year,
They worshipped .....
Forgotten things
Forgotten wings
The old lights are dim:
I go
To my desire
By the warm fire.
But I know
The dream was true.
But not all the poems were set in Sussex. There was one entitled
'Gold Night', which opened
Above the cupolas,
And wide, white domes
Of coloured stars,
Bubastis smiles
Upon the wide grey sea
The white town
Of queen Bubastis
71
The Last Days

.... lies
Under the dark indigo skies
Bubastis is the Grey Cat
Who is the diadem
OfKhem,
Vicky was loosening up. It was one evening sllortly after this
that he began telling me a story which Runia must have recognized,
for she cried out in considerable alarm, 'No Vicky! You mustn't! It's
impossible!'
Vicky maintained his ground and said with a vital determina
tion that was as new as it was astounding., 'I will tell my story! It's not
obscene. I insist! She won't be shocked.'
Runia, seeing she could not stop him, said to rne, 'Vicky's beginning to feel at home in your company. For a long time he was on his
best behaviour in your presence. Now you've lost your status as a
stranger, I take no responsibility for anything you hear in this house.
He's capable of saying anything.'
Having won the field, and an expectant silence, Vicky began
telling me his story. He was standing facing me, and I was sitting at
the table beside Corby. When I thought he was still only at the
beginning of the story, he stopped speaking. As I had seen nothing
with any point to it so far, I waited for him to continue with it. Then I
realized it was apparently complete. I was puzzled. There had been
no word in it which I did not know; therefore there must have been
one which had a secondary meaning with which I was unacquainted.
'You're not shocked, are you?' Vicky asked in pleading tones.
I did not like to own that I did not know what it meant. I felt
foolish. It seemed to me too cruel a twist of fate that the first time
Vicky had so far unbent with me as to tell me an ostrobogulous story
I could not comprehend.
The worst happened. Vicky shrieked with delight. 'She doesn't
understand it!' He bent down and peered into my face with prodigious curiosity. 'Don't you really understand it?' Incredulity and glee
were written all over his face. I could hear Corby's raillery to add to
my embarrassment. I had not answered Vicky's question but he was
finally satisfied from the perplexity on my face that I had understood
nothing, and his joy was hilarious.
Even Runia was laughing- with relief- and said, 'She's been too
well brought up, Vicky!' This made me feel even more foolish.
72
Needless to say, I didn't have the courage to ask and I wish I

the meaning of the story Vicky told me.
Morton was asked to give another talk. 'Can I be political?' he
~ld Vicky.
'I suppose I can't refuse you, Arthur.'
On an impulse Morton said, 'Vicky, I'd like to ask you some1hlng. I'm not trying to convert you. I've known you long enough to
~ 11ow it's useless trying. This is simply something which I should like
111 be able to understand. Why aren't you a Communist?'
'I haven't got the religious temperament. I don't worship ac11rding to the Gospel of St Marx.' He suddenly flung up his hands
,. ,claiming, 'I'm just a red, red, red, red, red revolutionary!'
'Well, then?' said Morton, puzzled.
'I'm not against the Government. I'm against any possible form
111 government that ever has been or ever could be. I just don't like
l1ng governed!'
'It seems like an inconsistency with the sort of person you are
111,\l you should not be a Communist,' said Morton.
'I used to edit a little paper called Freedom,'. said Vicky, 'But I
was too anarchic even for the Anarchists. I'm an anarchist with a
mall a, not a capital.'
He hadn't wanted to edit the official Anarchist organ but they
1ume to him saying they couldn't find anybody else and he hadn't the
hearuo refuse. It meant going down to a little press in the country
once a week.
'In Essex,' said Runia, in tones of inconceivable disgust.
'It was really very interesting,' Vicky said, including me in the
nmversation. 'I never realized the utility of the majority vote until I
worked with Anarchists. They haven't got it. You have to have
unanimous agreement so you have to go on and on talking. You can't
ay, Well, we'd better take a vote', so there's no way to stop. Even
when obtained, an agreement was never final. Someone would come
up afterwards and say in strong foreign accents, 'Sorry, Vicky, von of
us disagree.' The temptation to act on one's own and present them
with the fait accompli was considerable. 'It was the living proof of
Plato's thesis that demagogy gives way to dictatorship!'
When they suggested he resign he was a little hurt because he
had given a lot of time to it, yet it was a relief.
It was arranged Morton should give his talk on March 21.'History'
Vicky had more than once suggested I should bring my mother
to see them. I was hesitant about bringing my two worlds together in
~. ww
73

case they clashed, yet I realized Vicky's curiosity was real; so I mentioned it to her. The Saturday she chose was March 21.
I brought Mother down into Cyril Moore's room where a group
was already crouched around the fire, Runia in the most ancient red
shawl. I introduced Mother to her and to Vicky; and Mother, knowing Comment was an altruistic venture, asked Vicky, 'Why do you do
all this?'
Vicky said, 'I've failed at everything I've tried to do on my own
account, and it seems to me the best thing I can do is try to be useful to
the younger ones. I've got two, already, who are beginning to make
names for themselves, and I have my eye on one or two more who
seem to be coming up. If some of these young ones can make
something of themselves it will be a kind of compensation. Anyway,
we get a lot of fun out of them!'
It was time for the talk to begin. Morton, seating himself almost
in the fire-grate, crouched on his haunches, with his back to the blaze,
in order to address the semi-circle of listeners. He did not at first
mention Communism, and I began to hope that Vicky, sensitive to the
apprehensions I had not voiced, had tipped him off that my mother
was coming and asked him not to say anything that could upset her,
but gradually Morton began to get on to the emerging consciousness
of the workers as a class. 'They knew they had something to kick
about. And they had a pretty good idea whom to kick.' After developing this he rounded on my mother and brought his argument to a
conclusion by saying, directly to her, 'And then we shall oppress
you!'
'But will that be any better?' she asked, appreciating his glint of
humour.
In the discussion which followed everyone seemed to take for
granted 'the progress of humanity'.
Mother asked dubiously, 'Does humanity progress?'
Vicky exclaimed, looking at her very earnestly, 'Oh, b~t one
must believe it does! Otherwise there would be no point in living! But
perhaps I see your point. If one is reading Plato, one may think that
since the fifth century BC no greater mind than that of Socrates, or
Plato's own, has manifested itself.' He hesitated, and then, almost
inaudibly, because what he was about to say touched his deepest
beliefs which might not be accepted, he suggested that the reason
why one did not meet in the world today persons superior even to
Plato and Socrates was that, with the attainment of a certain stage of
evolution, the need for a physical body was transcended. There was
74
The Last Days

no reappearance in the world, or only voluntary reappearances at
very rare intervals. 'Those who are in the van pass from among us,
having blazed the way,' he said.
Turning to bring in Morton, with the courtesy that typified him,

Vicky continued, 'To make a point which our speaker might appreciate, though the lamp in Greece burned very bright, its light was
confined within a small circle.' One was, Vicky developed his exposition, so delighted by the Socratic dialogues that one was 'apt to think
one could have dropped in to supper at any house in Athens and the
conversation one would have heard would have been of the quality of
that in the 'Symposium'. In fact, it was probably very rare. Unless
one had the good fortune to be introduced into Socrates' circle 'one
might have felt as much out of place there as one does here.' The
small, unconscious give-away produced sympathetic smiles all
round, which caused him only a slight confusion. Today, he went
one, one had not got Socrates, but there was printing, and the dialogues could be read in cheap editions. Turning back to my mother,
he said, 'If you will look at it in that way, you will see that humanity
has progressed . The illumination has worked its way down through
more layers, and is permeating the mass of the people.'
We all climbed the stairs to the ground floor, and were trooping
through the hall towards the front door when Vicky detained my
mother and me, saying, 'Won't you stay to supper?'
We ate tiny little sausages, of the sort sometimes served with
cocktails, but with tea. Or perhaps they were little sausage rolls. 1
cannot recall the conversation, but it must have gone well for we
stayed long enough to have missed the last bus and had to get home
by a circuitous route.
Because Morton had done the speaking, Mother was the more
vividly impressed by him; this was a tribute to his striking appearance and personal charm, not his politics. The other thing which left
an indelible impression on her memory was that we had eaten off a
table laid with newspaper.
It had been the Daily Worker, at that! I said I didn't think it was
Vicky's own paper. Someone must have brought it in. I believed
Vicky's regular paper was the Daily Herald. I then made the discovery
that Mother didn't know there was any difference in the degree of
their redness. Our paper, of course, was the Daily Telegraph.
Of Vicky, Mother seemed chiefly to have noticed his pallor and
emaciation; she thought he was suffering from malnutrition or some
wasting illness.
75

Mother asked, 1s that all they have to eat in the evenings?'
Defending them I said I supposed they ate a really big meal in
the middle of the day, stoking up to last untilll pm supper. But I did
not know.
Mother's rejoinder was, 'Is he a strict Jew? I mean, could you
take slices of cold ham? Or I believe one can buy other kinds of cold
meat by the slice now. You can say you've had so many meals that
you feel you ought to make a contribution. But try to make sure most
of it is eaten by him. And fruit. You can take lots of fruit.'
She said once or twice she supposed she should invite Runia
and Vicky to dinner at the hotel, and she never did. I think if it had
been a question of Vicky alone, she would have.
Vicky's great subject was Blake. It was Runia who told us he
had lectured on Blake at the Poetry Society at Oxford. The Zoists
wanted him to talk on Blake; he said, if he did he would have to split
it over two Saturdays and it was arranged he should talk on March 28
and April 25.
Vicky started with 'The Marriage of Heaven and Hell', and read
aloud in their entirety the famous maxims of the devil. After each one
of the great indelible phrases, he looked up, and his eyes sent their
meaning deep into me:
Man hath no body distinct from his soul ... Energy is eternal
delight ... The road of excess leads to the palace of wisdom ...Prudence is a
rich, ugly old maid courted by incapacity... Sooner murder an infant in
its cradle than nurse unacted desires .....
Daiken said, 'Taken literally, it's anti-social.'
I said, 'Considering he says, "Man has no body", it can't be
meant to be taken literally.' But it was really Vicky whom I was
answering. Although I had always loved these maxims I felt, suddenly, that they were extremely dangerous, or were so for Vicky who
had lived by them. Surprised by my temerity, I launched into a thesis
that they were a revolt against exaggerated repression; a series of
illuminated half-truths which required to be interpreted by a kind of
rectifying intuition because words were used with inversion of their
usual meaning.
Vicky must have realized how personal was my anxiety, for he
did not argue. He simply said, 'Of course.'
It was Herbert Corby who was our epistolary link with Dylan
Thomas. Corby wrote poems to a girl called Beryl and, in a letter
which he passed around for us all to see, Dylan said 'Lucky Beryl to
have such an exciting poem written for her.' Dylan's writing was very
76
The Last Days

small, yet though he had used a foolscap sheet of paper, and the letter
consisted of only four or five lines, these were all crowded together
close to the top. I wondered what psychological characteristic was
betrayed by this eccentric spacing.
On Friday evening Corby showed us a postcard from Dylan
saying he was coming to London to give a lecture and hoped we
would be there. Pollett dropped in and was shown it. Somehow, it
came about that they were both teasing me over my refusal to be
kissed. My way of saying good-night after an evening out was with a
fi rm handshake, which I always found effective in daunting my
escort. They said, 'We'll have to bring her up against Dylan!'
I was surprised because when I had met him Dylan had been
well behaved.
They told me I hadn't seen him 'On a wild night out with the
boys!'
Corby said, 'First, we'll all take him out for a coffee.' This was
because the pubs would be closed by the time his lecture finished.
'Then we'll see to it that it's he who sees Jean home!'
'But then we shan't see any of the fun!' protested Pollett. 'We
don' t want just to hand him over.'
'That's true,' said Corby. 'He wouldn't tell us ...either way.
We'll have to think of something better than that.'
Vicky, pretending to read manuscripts, in his armchair, was
obviously listening to this. I caught his eye with a look of mute
appeal. Seeing that I wanted him to come to my rescue, he said, 'It
isn't fair ! Two to one isn't fair. Let her be, boys! I don't want her
frightened away. I'm always fearing one day she won't come any
more.'
Before I left, Vicky said to me, as though fearing I might stay
away from the lecture, 'You will go to hear Dylan? I want you to tell
me what kind of a platform presence he's got It's important of have a
good platform presence.' He would not be able to attend as he had
been invited to speak at a dinner.
I was escorted to Dylan's lecture by Herbert Corby, Geoffrey
Pollett, Idris Davies and Walter Ford. It was at a hall in Tavistock
Place. We filed in and occupied the front row, left-hand side, the right
being occupied by a contingent from New Verse. There was apparently some coolness between the two groups for they contrived to
avoid seeing each other, and there was whispered consultation between our lot. 'They didn't acknowledge us', Pollet said, 'We didn' t
acknowledge them. We ought to have done. If Vicky had been here
77
The Last Days

he would have greeted them so naturally we should all have beconll
one party.'
Dylan came on the platform and I could hardly believe he wa
the young man I had known at Vicky's, then he had been civilized,
now he was a tough with rumpled hair. 'He's been drinking!' mur
mured our lot in dismay.
After the lecture was over Dylan was surrounded by a crowd of
people. Julian Symons was suddenly beside me, and after congratu
lating me on the poem I had had in Comment on May 2, asked,
'Where's Vicky tonight? This boy's his star child!'
The star child was still surrounded, and the crowd filled thl'
staircase on to which he had moved. 'Let's shout for him,' said
Pollett. 'I'm tired of hanging around.' We gave three calls: Dylan!
Dylan! Dylan!' As if to mock us the door at the head of the stairs
closed, separating him from us. Pollett suddenly lost patience and
dragged us away to Lyons Corner House.
A few days later Corby showed me a reproachful letter he had
received from Dylan, already back in Swansea, saying he had got free
as quickly as he could and could hardly believe we hadn't waited for
him.
Vicky asked me, 'Was he good?'
'He gave a very energetic lecture,' I said.
'Does that mean he wasn't any good?' he asked quickly apprehensive. 'Does he come over?'
I remember not knowing how to reply. And I felt, as all of us
did, that Vicky, although he did not say it, was disappointed that
Dylan had returned to Wales without coming to see him.
Vicky must have seen something- or been told something by the
others- about anterior fits of Dylan's drinking, for one evening, when
only a few of us were crouched about the fire, he expressed his
foreboding. 'He's got a death wish,' he said, 'It's in his worm symbolism.' He thought that perhaps many of the Welsh, due to their isolation, were inbred. 'It's the mixed product of incest and Revivalism.'(2) He feared that the morbidity was deep and was working out
into this way of living. Gazing seeingly into the glowing embers he
said, 'He's got four things against him. Too little sleep. Too little
food . Too much alcohol. And too much sexual intercourse.'
He thought that Dylan was killing himself deliberately because
he craved the grave.
Runia exclaimed, 'But can' t you do anything about it? Can't you
talk to him about it? You're the only person he might listen to!'
78
Vicky reacted with exasperation. 'I refuse to turn into an old

oman in my old age! One must leave other people free to choose
1l11'ir own course. There isn't anything that anybody can do. He
l1111ws that he can get a bath, a meal and a bed here any time he wants
11 ' Apparently, there had been an occasion when Dylan had arrived
'''Yearly in the morning to ask if Vicky and Runia could give him
ltlt'ukfast, a bit of Hampstead Heath in his hair betraying where he
It td slept. If he didn' t choose to come, said Vicky, there was nothing
llwy could do about it. 'If he feels he has to face a moral lecture when
hi' does come, he'll stop coming altogether,' he added to Runia, 'It's
lht surest way to discourage him.'
Continuing in the present way, Vicky said, Dylan could not be
1 \pccted to live beyond the middle of his natural life-span. Only, one
ltllpcd he was going to be a considerable poet. 'It means he hasn' t got
try long. He'll have to make his mark quickly.'
This sombre prophecy left us all sitting very silent.
Vicky's specific reference to a bath may have been prompted by
11mething I was told though not by him. On one of his visits to
I .ondon, Dylan had been invited by another editor to spend the night
11 his home, and was asked if he would like a bath. Dylan found
himself followed into the bathroom by his host who remained the
whole time he was bathing, alternately walking and standing about
1.1lking about poetry and looking as it seemed to Dylan, too fixedly.
I irnbarrassed by this survey, Dylan completed his bath as rapid ly as
110ssible and redressed. Later he told the story to Vicky, and asked
him whether, perhaps, in London literary and unconventional circles,
lhis behaviour would be taken as quite ordinary, or whether he
would be justified in thinking it signified the hope of a relationship?
Vicky shrieked, and half in tears with laughter, said, 'I don't
know, Dylan, I'm sure. But if you want a bath at any time, you can
11se the bathroom here, without my coming in and walking about in
II.'
To celebrate the third anniversary of the Poets' Comer, on May 9,

,, dinner was to be held at the Rendezvous restaurant in Dean Street.
It would be the first occasion for Vicky to see me in evening
dress so I wanted of make the most of it. I had a dress I prized above
,1 11 others, which I had worn as Lady Cattering in While Parents Sleep,
the most alluring and daring role l had played. It was a slinky sheath
dress in a shade between sky blue and smoke turquoise. I went and
fou nd Mother in her room to ask her opinion. She thought it was
perhaps a bit outre for a Zoist dinner.
79

'I could cover up some of the decollete if you would let me
borrow your white fox fur/ I suggested.
Mother looked doubtful and she thought any dinner presided
over by Vicky and Runia would be extremely informal. From her
glimpse of the Zoists she would not be surprised if one or two of the
girls turned up in trousers and sweaters.
'It's in a proper restaurant!' I said. We can't be going to eat off
newspapers!'
Mother looked only half convinced. She brought out a gold
lame evening blouse and said, 'Put that on over the top.' When I had
done so she said, 'It's still an elegant silhouette and won't be quite so
eye-catching.'
At the restaurant I found we had the first floor. I immediately
caught sight of Vicky, in evening dress, which made me wish I had
been firm in my audacity.
Most of the faces were strange, being those of contributors who
had come up from the provinces specially. There were also friends of
Vicky's from other spheres, Bayard Simmons from the Freethinker and
from Freedom, an anarchist couple with Slavonic accents. Neither
Dylan nor Pamela were there though affectionate messages from
them were read. As we were taking our seats somebody asked me to
make one of the after-dinner speeches. I was both honoured and
alarmed, never having spoken at a dinner before. I asked Ford how to
begin.
'Unaccustomed as I am to public speaking/ Ford said facetiously.
He was going to be no help. I tried conversation with the man
on the other side of me; but he disclosed that he had recently been
discharged from a lunatic asylum. A note was passed under the table.
It came from the Dinner Secretary and explained that he had miscalculated the cost of the tickets, which he had intended should cover the
second helping of chicken for every person. We had eaten more than
we had paid for; what should be done? I passed it on and saw the
wave of sobering faces go up the table with it, until it reached Vicky
and Runia. Their heads bent in conference. Then she smiled and
wrote a cheque.
Everybody relaxed.
The awful moment came for me to speak, and I found myself on
my feet. Everybody else had spoken about poetry and the services
rendered to it by the Poets' Corner. Feeling that I was floating out upon
a void I said, 'What I want to say is how much affection we have for
80
The Last Days

Vicky and Runia as persons ... '
It was very short, but I resisted pressure to get me back on to my
feet.
Vicky spoke last, and told us of the genesis of the Poets' Corner,
when he had been invited by his friend Hayter Preston to edit a
column on the Sunday Referee, and of its subsequent history, and
launching of Comment. He read 'The Jumblies' from beginning to end
and when he came to the line: 'Our sieve ain't big', we all knew that
we were its passengers.
When he sat down, amidst applause, I realized there was a
fringe audience; the waiters were all standing, spellbound. Somebody came to tell them they were neglecting the diners below. A
woman none of us knew stood up and sang Schubert's Heidenroslein,
without music and perfectly in tune. More songs and recitations
followed by the Russian Anarchist woman, Leslie Daiken, Idris
Davies (in Welsh), Brian Crozier, Walter Ford and others. The waiters
had all crept back to listen.
After we rose from the table, and were moving towards the
door, the Russian Anarchist couple found their way to me. The
woman said to me, radiantly warm, 'I vant to thank you. For Vicky. It
is not often one sees such a sincere emotion. Ve are very old friends of
Vicky.'
'Ve know Vicky all our lives,' said her husband beaming with
sen timent. They both embraced me.
While I was recovering from my happy confusion, Vicky was
suddenly before me taking my hand. 'Your speech nearly undid us,'
he said. 'You nearly achieved my reduction to tears. In public.
Which would have shamed me. But thank you!'
The Saturday meetings of the Zoists had not run for a year when
Walter Ford began issuing invitations to gramophone recitals at his
place. The first time he did this I thought he could not have noticed
that the day was Saturday. When he continued to do it I knew it could
not be by accident, and thought it was too bad to try to draw Vicky's
people away. Not that they all deserted in a flock, but the certainty of
fi nding everybody at Vicky's on a Saturday being broken, the thing
dwindled away. Herbert Corby and I still went on Fridays to address
and send out Comment.
One evening Heim came in. It was a shock to me. Fortunately,
he had with him a girl, an actress, who called him 'Sun Lion'. This was
a protection for he would not be able to attempt to see me home. Yet
81

his presence caused an odd fear. To gain a moment's respite from hi
proximity, I went to the lavatory. As I returned I realized this h.ul
been a bad move for he was standing in the passage, waiting to
intercept me. 'I have something to say to you,' he said, seizing my
wrist, and trying to prevent me from opening the door of Vicky'
room.
'Let me go or I shall scream!' I said at the top of my voice, hopin
it would carry through the door to Vicky's ears.
'Damnation on you!' he said as I swung the door open and
reentered the room.
I looked at Vicky's face but it gave nothing away.
Heim after only a minute or two said he must be leaving. Afttr
he and his companion had gone I breathed again, yet it had unnerved
me.
Shortly after this, Runia said one evening that it was a pity
Herbert and I should waste our time addressing wrappers when this
could be done by anybody. She could get the woman who came in to
do the cleaning to do it for a small fee. We need not come any more on
Fridays.
This sounded to me like a knell. I looked at Vicky hoping hl
would say, 'But you must keep coming to do the wrappers!'
He did not say it. He could not realize we would not meet
again. Neither did I. We didn't even say good-bye. We parted as on
any other night.
On May 30 and June 6, no Comment reached me. I wondered if
something had gone wrong with the despatching. On June 13, however, one came, and it was number 26. That for May 23 had been No
25, so the numbering was consecutive.
No more numbers reached me.
Three years passed; for me a whole cycle of life. During that
time I became engaged to be married and in order to be near my
fiance lived in Oxford, in an academic milieu. What had become a
deeply unhappy love affair had now broken down. The beginning of
the war found me in London again, on my own. My mind turned
once more to Vicky. I wished, very much, to see him and I went to
Springfield Road. The house had been pulled down. Disconsolate, I
went away.
Months passed . He grew in my mind continually. I turned over
every detail of his story and wrote down everything I could remember concerning my meetings and conversations with him. For some
82
The Last Days

. c1on it seemed important I should do this: I had the feeling the
, ., c1rd should be preserved. This took me some weeks and during all
lhP time I was concentrating upon it his image and the sense of his
1 1'lonality became stronger and stronger in my mind, until it
1111111nted to the feeling of a kind of possession by his spirit.
One evening in May 1940 this so overwhelmed me that I went
lilt into the street and started walking towards the place where I had
l1111wn him. As I walked I said to myself, 'This is madness. I am
,liking to a house which is no more.' His reflection could not stop
uu. I went on like the wind, in great strides.
I reached Springfield Road and the place where the house had
lt'l'n. I stood not knowing what to do. As though I drew it in on the
tic, the idea came to me that I must go into one of the other streets
""''r by in order to feel something that spoke to me of Vicky. I
t Icought, if a feeling of this order can be called thought, there must be
1 'ltreet near here which is more likely to have him in it. I retraced my
hps to Loudoun Road, walked along it and found myself at the
111tcrsection with Boundary Road. I turned into that. I walked down
It very fast, with unreasoningly mounting hope. I saw a house with a
gl.1ss canopy covering the steps and path between the front door and
),!lrden gate. I had a curious feeling that this was the house he and
1\unia lived in, almost an illusion that it was the same house in which
I had known them. I exerted my reason and said to myself, 'It's
because that one had a glass conservatory and this has a glass canopy.
It's the glass which is the only connection.'
I stood for some time before it on the opposite side; then I
crossed over. I had a strong desire to go up the steps and ring the bell.
Yet if somebody answered it I should feel foolish in having to confess
I was looking for someone I had no reason to connect with this
.tddress. I crossed back to the other side yet could not tear myself
,,way.
How long I stood thus, rooted in indecision and contemplation,
I do now know. It had been light. Now it was dusk and turning chill.
At last, with a feeling of unbearable loneliness, I walked away.
I had not kept in touch with any of the Zoists, but I had a
recently published book by Dylan Thomas and wrote to him, c/o the
publisher, asking if he knew the address to which Vicky had moved.
After a fortnight I received a reply:
Laugharne,
Carmarthenshire,
Wales
83

19 June 1940
Dear Miss Fuller
I haven't heard anything from Vicky and Runia for years, until about a fortnight
ago. Then Pamela Johnson wrote to tell me that Vicky had just died. I was very grievod
to hear it; he was a sweet, wise man . Runia's address is 84, Boundary Road, NWS. At
least, I suppose she is still there. I wrote her a letter, but I haven't had a reply yol .
probably she's too sad to write.
Yours sincerely
Dylan Thoma
Joined with sickening depair was the certain knowledge of what

had happened. I went to Boundary Road and saw that 84 was thl
house with the glass canopy.
(1) Recently I have checked through Dylan Thomas's 18 Poems, Twenty-Fivo
Poems, The Map of Love and Collected Poems in search of the word 'worm'. I find it In
ten of the 18 Poems, in only two of the Twenty-Five Poems, in only one of The Map ol
Love poems , and not at all in the whole of the rest of his work. I have since read Ralph
Maud's Entrances to Dylan Thomas 's Poetry and find that he gives the same count
(p63). The interesting thing is, as he points out on p 122, 'About half the poems in
Thomas's two middle volumes Twenty-five Poems (1936) and The Map of Love(1939)
had their origin in the amazing burst of creativity in the two years prior to 18 Poema
(1934.)' Now, the two worm poems in Twenty-Five are 'Here in this spring' and No Ill in
the 'Aitarwise by 0....1-Light, sonnet-series and one in The Map of Love is 'If my head
hurt a hair's foot' . Turning to the 'Chronology of Compositions' in Mr Maud's book, I see
(pp 130, 129 and 132) that 'Here in this spring' , according to the dating in Dylan
Thomas's own notebook, was first written on July 9, 1933, though revised in January
1936, that the 'Aitarwise by Owl -light' sonnets 1-VII were probably written in summer
1935, while 'If my head hurt a hair's foot' was 'finished March 1939', which leaves open
that it, too, was an earlier poem. It seems obvious that Dylan, at a certain moment, laid
off worms, after previously being obsessed with them. Mr Maud notices (p 65) that after
the early preoccupation with the word, 'Thomas apparently shied away from the use of
"worm '". But he seems to be groping in the search for an explanation in terms of Dylan
Thomas's internal psychological evolution .
I am sure the real explanation is simply that having read Vicky's 'Note on
Helminthology', he took the hint. Though he used up some of his old poems in
subsequent volumes, he did not write any more with the word 'worm ' in them. That he
accepted this criticism from Vicky shows the regard in which he held him .
(2) I do not think th is is to be taken literally.
84
fter twenty years

Twenty further years had passed. A life-time. One filled with
lrnnge events. After the war, during which I had been an Examiner
jll the Postal Censorship and had taken an Honours degree at the
I Jniversity of London (English), I used a letter of introduction given
1111' by Vilayat Inayat Khan to the ashram in Paris of the Frenchman,
Vivian, who was in contact with other silent and unknown philosothcrs. It was also because of having known Vilayat, and his sister
rJoor that when in 1949 the George Cross was posthumously
warded to her I began to investigate the fate of the SOE network to
which she had belonged. As readers of my three war books will know
I was plunged, almost before I was aware of it, into such a world of
nister mysteries that I became engrossed for more than a decade in
111travelling them. I travelled continually to France and Germany and
tven to Tunisia, to speak with agents, double agents and smugglers
md there was a time when half my acquaintances seemed to belong
lo this shadow world.
It occurred to me that all the major developments of my life
could be traced back to Vicky. Two main branches I owed to Vilayat;
but I had met Vilayat through Basil Mitchell. I had met Basil (and all
my friends) at Oxford University through Harold, to whom I had
been engaged. I had met Harold at Vicky's. Vicky was the bole from
which the tree of my life had grown.
When at intervals my thought returned to Vicky it was always
~motional and in the moment when I became possessed by the idea,
in July 1961, that I might become his biographer, I saw him before me
with such clarity that the most minor details of his appearance re~merged before the inward eye as on a photographic plate. He
seemed to me immensely gay, gayer than I had ever known him in
life, even in his moments of extreme hilarity; it was as if his vitality
suffused me. When I asked myself how I would handle the 'ostrobogulous' side of his story, it was his grin which I found on my own lips.
For days I could hear his laugh. Wherever I went it seemed that he
was with me.
But each time I thought of Runia the laugh died. It would be no
laughing matter with her. When I had spoken with her some months
85

after Vicky's death she had said Crowley was a Black Magician and
that his name must never be mentioned, except by the initials, as to
speak it aloud set up a vibratory connection which he could use to get
one into his power. I think she may have got this idea not from Vicky
but from Betty May. Runia denied vigorously that there was any
homosexual connection between Crowley and Vicky. I thought he
had told me in his own way there had been. I thought he thought I
knew and that everything he said was to explain it to me and to
communicate the kind of quality it had had in order to lessen my
revulsion. I had got over the shock, but I thought that, for Runia, it
would impair the image she lived by.
Yet if I wrote about Vicky, what I would want to write would be
the deep story of his life. Experience had taught me that when I
started a serious research into a subject I always acquired a mass of
information and I knew that I must learn everything possible about
Vicky's relations with Crowley. When I was young I was frightened
of anything to do with Crowley and would have shrunk from a
research that would bring me into contact with his world. It came to
me now that while I was young the fear had been protective; but I was
of age, and the time had come for me to scrape the bottom of this
barrel and see what lay on it.
While I was meditating on these things, I read in the Aylesford
Review a notice of an Exhibition of Private Presses which contained a
reference to 'books printed at the Vine Press, Steyning, by Victor B
Neuburg- 'a figure who surely cries out for a biographer.' I am not a
Catholic but I had done occasional reviewing for this periodical and
knew Father Brocard Sewell, the Editor. It was he who had written
the notice and I wrote to him, telling him I had known Victor Neuburg and was more than minded to become his biographer, though
there were problems connected with homosexuality. He replied:
I think the whole subject could be treated in such a way as to keep the
unpleasant matters in the right proportion and yet be perfectly frank. Truth if told with
right intent will not do harm and will, without any moralizing, sound a useful warning to
the curious. It seems to me that you are unquestionably the right person for this
biography- and that it is needed.
He gave me the names and addresses of Mr Gerald Yorke, Mr

Louis Wilkinson, Mr Charles Cammell, Mrs Wieland (Ethel Archer)
and Anthony d'Offay, a dealer in rare books.
I realized at once that I had struck an exceptionally rich vein.
Besides these people, I wrote also to my namesake, General Fuller,
whose address was in Who's Who and, c/o their respective publishers,
to Arthur Calder-Marshall and John Symonds. From every one of
86
After Twenty Years

these people I had a reply.
Yet, years of research having taught me it was preferable to
exhaust public sources before seeing private individuals, I made my
first call at Somerset House. As I knew the year in which Vicky died I
had no difficulty in tracing and obtaining a copy of the death certificate. On this I read that death had taken place on May 31, 1940, at 84
Boundary Road at the age of 57 years, in the presence of Mrs Tharp
(Runia), of tubercular pneumonia, and chronic phthisis. Subtracting
57 from 1940 gave me the year of his birth and I put in for the birth
certificate. He had, I found, been born on May 6, 1883, so he had Sun
in Taurus 15.
I obtained a copy of his Will and saw that he had left his entire
estate, real and personal, to Runia who was his sole Executrix. The
will was dated December 16, 1937, and the estate was valued after
death at 4448 3s 9d.
I was puzzled because Father Brocard had mentioned a son
living, which presumed a wife at some time and I wondered why
neither had been mentioned. I traced the son through the telephone
directory. When he came to see me he told me his parents had never
been divorced or even legally separated. His mother Kathleen was
alive until about 1960. He gave me the approximate date of their
marriage, which I subsequently verified by drawing the marriage
certificate from Somerset House.
Other certificates which I obtained from Somerset House as my
research proceeded were the birth certificates of the son and of the
wife; the birth and death certificates and Will of Vicky's mother, the
Will of his grandmother; the birth certificate and Will of his Auntie Ti;
the marriage and death certificates of Jeanne Merton; and the birth
certificate and Will of Aleister Crowley, whose literary executors
were Louis Umfraville Wilkinson and John Symonds. I applied to
them for access to his papers and so on, and I should like to put on
record that they were most helpful.
I had had no communication with Runia for twenty years but
now I traced her, too, through the telephone directory. Her position
was this: subject to the condition that I would submit the entire
manuscript for her approval she would place her papers at my disposal and introduce me to her Executor, Brian Crozier. (Someone had
shown me leaflets sent out in her name and Crozier's announcing
their hopes of re-starting Comment after its interruption by the death
of Victor B Neuburg. The phrase had nettled me because it suggested
that Vicky was replaceable.)
87

I would have been willing to let Runia see any use I made of any
material which she herself confided to me, but I could not bind mysel
to submit the whole book, most of the material for which would come
from quite other sources. I decided I should have to do without her
co-operation. A pity, but at least I should be free to write my own
book.
I communicated my decision to her in writing. Then I sent a
letter to the Editor of the Daily Telegraph:
Dear Sir,
I am considering writing a biography of the late Mr Victor Benjamin Neuburg,
editor of the Poets' Corner, Comment, etc, and should be grateful if any of your readera
could send me useful information.
Yours faithfully
Jean Overton Fuller
Its appearance in print occasioned one further communication

from Runia. She telephoned me and said in tones of the most intense
anger, 'He's incorrectly described. You have described him as editor
of the Poets Corner and Comment. He was editor of the Poets' Corner on
the Sunday Referee and on Comment. He was not the editor of Comment
as a whole. If you will look at the front page of Comment you will see
that he was co-editor with me.' She addressed me in terms of such
personal accusation that I did not feel I had to listen and I said that if
she had anything further to communicate to me she should do it in
writing. I heard no more from her.
I had thought of her as having a devotional attitude towards
Vicky. It appeared to me now that her concern was not quite of the
order I had supposed and this realization altered my own attitude.
About the homosexual angle I consulted the son, Victor E
Neuburg. He said, 'There's only one person who has a right to mind,
and that's me. I don't. I can tell you what my father would have said.
Put it all in!'
I inserted similar letters in the Daily Herald and The Times Literary Supplement. Having seen the latter the book dealer, Anthony
d'Offay, wrote to me that he had at one time thought of writing a
book on Victor Neuburg and that he had been collecting
Neuburgiana with that in mind. I had been buying Neuburg's books
from him one at a time. He would sell me the remainder of his
Neuburg collection for sixty guineas. I bought.
Almost to my surprise, I had a reply from General Fuller. It was
hardly possible to correspond with a namesake without comment on
the coincidence of name and exploring the possibility of relationship.
The Fullers from whom I descended came all from Surrey and Sussex.
88
After Twenty Years

lwn t him a copy of the family-tree. He said he had not got his, but he
was born in Chichester and thought it was probable V{e were 'disliultly related.' I had heard he was a Fascist, and thought he might
luve been one of those locked up during the war under 18b. He was
mll, therefore, altogether the sort of relative I wanted to claim. When
I went down for the day, I was wary. He and his wife received me
wry well. They were both on Crowborough station platform to meet
11\C, took me to a hotel for lunch and then back to their home. I felt
I hey were living very isolated, and that they were in fact lonely and
glad to have someone to talk to, though he was certainly very
browned off' with Crowley and disillusioned with the esoteric.
The d'Offay collection included all Vicky's books except the
lirst, The Green Garland. Passing The Times Bookshop in Wigmore
!itreet, a thought took me inside, to the antiquarian corner. I was
looking through some volumes on a counter when a voice asked, 'Can
I help you?'
'I'm looking for The Green Garland by Victor B Neuburg.'
'So am I!'
It was Timothy d' Arch Smith, whom I had previously only
glimpsed at a Conversazione given by Brocard Sewell on May 2, 1960.
I le told me he was the manager of the Rare Books Department at The
l'imes. It was so that I became friends with Tim, since 1968 my
partner in Fuller d' Arch Smith Ltd, dealers in Rare Books.
89
Book Two
Vicky's Story
...if anyone favours another, believing him to be virtuous, for the sake
II/ becoming better through the intercourse and affection for his lover, and is
dt'ceived; his lover turning out to be worthless, and far from the possession of
rlirtue; yet it is honourable to have been deceived.
Plato
The Symposium 185a

(Shelley's translation)
91
Beginnings
1
Beginnings
Victor Benjamin Neuburg was born on May 6, 1883, at 129
Highbury Hill, Islington, London. His mother was Janette Jacobs,
daughter of Moses Jacobs, Cane Merchant, and his wife Rebecca,
formerly Levy. The marriage of Janette had been arranged by her
parents in an exchange of letters with the Neuburg family in Vienna.
The young people had never met before Carl Neuburg, aged 26,
General Importer, son of Moritz Neuburg, Gentleman, arrived in
London to be introduced to his bride. The marriage was solemnized
with Jewish rites, at her home, 123 Highbury New Park, on July 29,
1882, and she gave her age in the register as 23. As she was born at 90
Suffolk Street, on March 30, 1855, she was actually just over 27.
The result was not an advertisement for arranged marriages. Of
Carl's character nothing is known, save that he is reputed to have had
an inclination to art or the company of artists. He appears not to have
liked London or the family into which he married for he returned
almost immediately to Vienna, leaving Janette with the child whose
coming (as she confessed to him in after years), she tried by every
means to stop.
As if to compensate for having tried to get rid of him she greatly
coddled him once he had arrived, and his earliest memories were of
spoonfuls of rice pudding being pressed against his closed lips, and
platefuls of meat he was equally reluctant to eat. His childhood was a
resistance against too much food and being weighed down with
clothing. He was wrapped up even in summer. They lived at
Highbury Park with the grandmother, Rebecca. She was described
by Cyril Davis, Vicky's only surviving cousin, whom I contacted
through the family firm, as "a grand old lady, deeply religious and a
strict disciplinarian".
I find it difficult to get much impression of Vicky's mother. It is
said that she was sweet natured and graceful when dancing; later she
became a Christian Scientist after being cured of an arthritic hip. I
have a much clearer picture of the two sisters: Aunti Ti (Theresa, later
Mrs Royce), who had red hair, a lively temperament and seemed to
like Vicky more genuinely than did any other member of his family;
and Aunt Hannah (Mrs Barnett), whom he called Frau B, until he
92
hortened it to Fraub, which later became his generic name for any
woman of the type of an overbearing Mrs Grundy. She always knew
what was 'right' to do in any circumstance and she would say, 'in my
opinion,' in a way that maddened Vicky, for everything pronounced
following these words was held to be incontrovertible. She was a
woman of invincible propriety. It would be impossible to overI'H timate her influence; his whole life was a rebellion against her.
There was also a fourth sister, Fanny, who became Mrs Davis,
1nd four brothers, of whom the most important were Uncle Ben, after
whom he had been named, and Uncle Edward, who shared a flat at
the Savoy. It was Uncle Edward who had the bulk of the family
money. He was, according to Cyril Davis, 'most excellent company as
well as a first class business man, an outstanding bridge player and
one of the finest fly fishers in the country having one of the best beats
on the River Dun in Hampshire.' It was he who paid for Vicky's
1ducation but, oddly, nobody could tell me where Vicky went to
'ichool.
All I knew from Vicky was that he had been no good at any
branch of mathematics but later wished he had made more effort
while at school to understand geometry, since its principles underlay
'iO much occult doctrine.
In a reply to my letter in the Daily Telegraph a Mr Oswald
Carlton Smith said that his brother Fred, who was at the City of
t.ondon told him of a classmate called Victor Neuburg who drank ink
from his inkwell! He put me in contact with his elder brother who
wrote to me:
Victor was the chief of the three school chums I had at the City of London School,
Victoria Embankment. I remember him for his generosity, his interest in poetry and
other literature, his sense of fun and his fearless thinking. He was, as a schoolboy,
!ready a vegetarian . I had very little money. When Victor bought sweets he shared
them with me. Sometimes after school we browsed together amongst second-hand
books in and around Paternoster Row. He would treat me to a ginger beer with ice
cream in it. We used to amuse ourselves looking at books, and occasionally Victor
would buy one. I noticed a book with some such title as The Awful Adventures of Maria
Monk. Victor said if I should be interested to read it he would purchase it for me, and he
did. There was one bookseller whose opinions were evidentally what are miscalled
undamentalist and exhibited scathing written posters at which we both smiled, with
sorrow for the narrowness of the writer of them .
The other chum in our trio was the ward of an Anglo-Catholic clergyman . He and
Victor sometimes sandwiched me between them and while walking homewards they
tosted my Puritanism (as I was a young Baptist) by antiphonally saying , "Damn, damn ,
damn ; aren't you shocked, Smith?" But they gave this up when they found I was not
very easily shocked, although I did not repeat the word myself.
Although rather a free thinking youngster, Victor already had a poet's sensitive-
93
Beginnings

ness. He told me that he felt indelicacy and irreverence in anyone's pulling up a flow'
and looking at its slender, naked root. He admired Shelley and Swinburne, poets who
combined beauty of language with thoughts challenging ideas regarded as orthodoa
Victor was the first to introduce to me, while we were schoolboys, Dickens's Christm
Carol and Jane Austen's novels.
... It is true that Victor, as a schoolboy, had no dislike for the taste of ink, and us
sometimes to get his fingers inky. He certainly liked to epater /es bourgeois, and I th1nk
he did once take a little ink from his inkwell, either to add to the surprise of his school
fellows or to confirm that he did not dislike the taste of his inky fingers .
I went to dine with him and his mother, when they resided in Highbury New Part!,
Canonbury. Half a century ago well-to-do people lived in that residential road and for
the first time in my life, the door was opened to me by a butler. At dinner Mrs Neuburg
congratulated me on being prepared to eat meat like a sensible boy, and on not being,
as her son was, a vegetarian. She said that rabbits, for example, were so numeroue
that they seemed to be intended for us to eat. Victor said, 'Oh! my dear Mother, your
argument is so primitive. Human babies are very numerous!'
As he reached the age of reason and argument, Victor was

increasingly in rebellion against the stuffiness of his family. If he
queried an opinion he was told it came from 'someone older than
you.' The final authority was always 'common sense'.
He left school at the age of sixteen and a half (the school register
shows him as having been there from September 1896 to December
1899); then he was put into the family business of Jacobs, Young and
Westbury, Ltd, 109 Borough High Street, SEI. The firm imported
canes, fibres and rattans. Victor was bored to distraction.
In 1903, on August 27 his grandmother, Rebecca Jacobs, died at
her home. She left 21,105 7s ld. After some small, particular
bequests the Residuary Estate, about 20,000 was left in trust for her
children, the interest to be divided between them equally, and on the
death of any daughter with issue 'as to both capital and income in
trust for all or any of her issue in such manner and form in every
respect as she shall by Deed or Will or Codicil appoint.'
I went into this to discover Vicky's financial position. As his
mother was one of eight children she would have received the income
on just over two and a half thousand pounds. One must remember
that the purchasing power of money was enormously greater in 1903
than now; she would have been reasonably well off. Victor, just over
twenty when this happened, had nothing but knew that this must
come to him eventually.
The matriarchal home at New Highbury Park was now dissolved. Auntie Ti took a flat in Victoria Street and her brother
Edward bought Vine Cottage, in Steyning, Sussex, which he gave her
as a present so she really had two residences.
Victor's mother moved to Hove where she took a flat. Victor,
94
I hough
he still came up to the office every day, went to live there with
lll't'. ln considering such a life as Victor's most people would ask what
hi 'I mother was like. It is difficult to get a picture of her, for even those
" ho met her found it hard to name any characteristic. She cannot
h.1vc had a personality which impressed itself. The most I could get
1111l of anybody was that she seemed quite nice and under stress gave
wuy to tears. The word 'sweet' has been used, and I think it possible
Ill' may have been cloying. Victor never spoke of his childhood and
11lolescence except with utter horror, yet it does not appear, and
Indeed he never alleged, that anybody was purposefully unkind to
111m. What does appear is that their lack of imagination and incapaclly to understand the continual questions arising in an imaginative
1111nd was so complete as to constitute a torment. To them it seemed
lily to ask any question except of a practical order; Vicky's farmging questions about life and death were always met with a platiltu.le.
Even in his middle forties when he was walking with someone

(I) in Hove and they passed Albany Villas, he quickened his pace and
><plained that his mother lived there and he used to do so, and that he
rould never pass it without a shudder.
(1) Mrs Baker.
95
2
The Mystic of the
Agnostic Journal
I remember Vicky's saying once, as we sat in the garden 111
Springfield Road, that it was 'while walking down a dusty road In
1
South London that he saw in the window of a shop 'a little paper thai
changed my entire life.' I thought he was going to say somethin
occult, but his next words were 'The Freethinker.'
After all these years I myself stood in that 'dusty road in South
London.' It was the Borough High Street. The shop was at 103 and
there were still copies of the Freethinker in the window. It was only
few yards from Jacobs, Young and Westbury, in the same road. Vicky
must have stopped and looked in this window on the way to or from
the detested office. Here he had found metal more attractive! To
understand what Freethought had meant to Vicky, I had to reali.u
that in the stifling atmosphere in which he had been brought up
anything which he did spontaneously or that was any fun was displeasing to God. God was not merely the God of Vengeance; he was
Fraub, argus-eyed. The discovery that there existed people who did
not believe in the existence of this ogre was electrifying and liberating.
It was with a sense of retracing his steps in history that I pushed
open the door, as he must have done, and went inside. Elderly Mr
Cutner, who could still remember him, led me up a flight of narrow
stairs to a room filled with dusty volumes. 'These are our files,' he
said. 'I knew him only from 1930, but you should be able to find his
contributions from the beginning of the century. I'm sorry there's no
heating.' He left me there and I began the research which later I
continued under conditions of greater comfort in the Newspaper
Library of the British Museum at Colindale.
Turning the pages of a weekly, one by one, issue by issue, is a
long job. I had likewise the Agnostic Journal to go through, and it was
in this that I found the earliest reference to his name. This was in the
issue for September 5, 1903, in the column devoted to the Editor's
reply to correspondents, and read: 'V .B.N. At your age you promise
96
Vrl l ' Victor must have sent in a poem for criticism. It was also in the
'\.\ 1111stic Journal of October 10, 1903, that I found his first poem: about
it
11 nwed mother who jumped into the '(iver with her baby.
I lis first contribution to the Freethinlcer which I found, was in the
tH' for October 25, 1903. It was a poerrt, entitled:
Vale Jehovah!
What if to the Race I was born?

To me that's no reason why I
Should cling to a faith that I scorn,
When my birthright's the infinite sky!
Thy yoke I for ever throw over!
It was a declaration. And he never went back on it.
In the Agnostic Journal there was more correspondence with the

11tlilor, another poem on October 31, af\d another on February 13,
111()4. February 27 saw his longest poem to date. Called 'StronglttMt', it is addressed to a companion whom he has never seen but
whose presence he has sensed at differe!lt time:
All nature sings a passion song that tchoes my desire:

You come to me, Strong-heart, in wirtd and rain and sea and fire .
Strong-heart, strong-heart, I have not sought for you, I know, in
vain,
....
Your voice comes to me softly from tHe days of long ago.

There is a note in the correspondence column of the same issue:
'V.B.N Kindly correct proofs in normal way. See First Steps In
E:nglish Composition which our publishers would send you post free.'
There are more poems in the Agnostic Journal for March 12 and
March 19, and on April 23, there is one, 'To Count Tolstoy', which
must be the reply to some diatribe on ch~Stity. This, says Victor, may
be all right when one is ninety-one, but he is only twenty now and
means to have some fun!
I will not crush my nature 'neath my heel

To please a problematic, tyrant God.
Great Caesar! Tolstoy! I'm a man,
He had another poem in the same journal on May 14, and on
August 21 a curious one in the Freethiflker, in which, having fallen
asleep in a girl's arms he glides, as it were, into a country of sky and
stars.
97

... Oh, many lands did pass.
Leaving earth, I know no fear,
Feel no bridge, 'twixt here and there.
This is followed by another poem in the Agnostic Journal, on
October 8: 'Between the Spheres'. He slips out of his body and
although still warm from the habitation he has left, feels his ghostly
self expand in the aether as he floats through it. He senses that he ha
travelled far from the earth and when he turns to look he sees ou
globe spinning, like a small green ball:
I am among the ones I knew ...
I have forgotten .. .I am afraid.. .A voice calls to me from the wide.
I cannot stir ... What is it I fear? ... The sphere widens: here is the one I
know.
He takes me forth gently .. .I am by his side.
There are further contributions in the journal on December 24
and, starting the year 1905, January 14, January 21, March 4, May 6,
May 13, May 20, June 10, June 13, July 8, September 30 and January 27
of 1906. Some of these are translations from the French of Hugo and
the German of Heine.
On February 17, 1906, another of his unearthly poems, 'The
Dream', appears. While lying down he feels himself rise out of his
body and go walking, a now familiar companion beside him; it is only
as they talk that he realises, with a start, that this is something which
happens only after one is dead. Wide-eyed, he asserts, 'I am not
dead!' Instantly, he is jerked back to his body, and wakes.
He had another poem in the journal on May 2, and four on June
2. June 30 saw the publication of his first article, 'Freethought' in
which he wrote:
While the religionist is made, the Freethinker becomes... Dogmatic religions
teach us to satisfy a problematic God by denying certain nature. Free-thought teaches
us to satisfy nature by complying with her demands.
Victor was becoming increasingly one of the supports of the

paper. The Rev Arthur Peacock, replying to my letter in the Daily
Herald, tells me he understood from Guy Aldred that Victor Neuburg
was, in fact, Sub-Editor of the Agnostic Journal. He has more poems in
it on August 8 (four sonnets to William Blake), August 25, September
15 and 22 including two translations from Heine.
These were his last contributions before going up to Cambridge.
His Uncle Edward paid for him to go, appreciating that he was not cut
out for business and that his gifts were of a different order.
98
l wrote to the Clerk of Trinity College who replied after conlllt.ttion of the records that Victor Neuburg, after passing a compul' u y examination in Latin and Greek, went up in the Michaelmas
tti t m of 1906 and read for a Tripos in Modern Languages. (At twentythHc he was late in starting, but he had left behind him a literary
111'11tation other students might envy.)
Ironically, his life might have been brighter had he never gone.
~ol only would he probably not have met Aleister Crowley, but he
111lght have been asked to succeed to the editorship of the Agnostic
}1111 rnal when, on November 30 the Editor, Stewart Ross, alias Saladin,
olltd. The issue for December 16, 1906, carries Victor's tribute,
. lladin: In Memoriam', occupying almost a whole page:
Saladin's creed was one that underlies every great religion in the world ... Saladin
lushed and hewed at the grossly materialized symbols that form the idols of the
1111thinking ... ln happier times, Saladin would have been a revered and happy member
I acme more positive school of thought than that with which he identified himself, and
whose acknowledged chief he was. Such a man as he, born in our superstition-cursed
tl .y, could but be a leader out of the paths of falsity. The work was necessary, but I, for
ttiiO, cannot help regretting that he, who possessed a mind at once reverent and critical,
1 hoart both fiery and tender, a wide and thorough academic knowledge, and, above all,
tliu artist's love of perfection of form, should not have been devoted to some more
t unstructive system than that to which his life was given ... For me ... a light has gone out
ul life; and there is sadness in my heart when I recollect that I shall never again hold that
llrm hand in my own , shall never again, in the flesh , see the brave eyes flash their
l11d1gnation or their humour...
There are also poems by Victor in the same number. In the next
is an acknowledgement to him and his mother for a contribution to a fund for Mrs Ross.
On January 5, 1907, there is a poem by Victor, 'De Morte',
occupying almost an entire page, in which he pictures Saladin, the
'lhell which was his body burst, passing into a higher state of being,
free. Beneath this poem appears Richter's dictum: 'Never does a man
portray his own character more vividly than in his manner of portraying the character of another.' A thought for a biographer!
On January 18, 1907, there is a long article by Victor, a page and
,, half, 'Paganism and the Sense of Song'. He says his quarrel is not
with the spiritual reality underlying all religions, but with the gross
materialisation of symbols which were meant to teach truth in the
language of poetry, which causes the seeming contradiction between
religion and science. The most important authors for the present
seem to him: Spencer, Darwin, Swinburne and Walt Whitman. The
materialization of symbols has made organised religions useless, and
inspiration may be received more truly through listening to music, or
I here
99

to the sounds of nature. If one makes one's inner ear sensitiVl'
intimations of a mystical order can reach one:
Cosmic consciousness is obtained only after repeated manifestation on tha
physical plane ... is unexplainable in words; but to those who have experienced it, it is ao
real that ever afterwards ordinary life and thought take on a more or less unreel
appearance. To the orthodox secularist, all this will be the greatest heresy; but, non
the less, the present writer must, in honesty, say, that the only times he has really lived
here have been when this new Consciousness has manifested itself.
One sees that Victor, at twenty-three, was not an atheist, but

what might be called an agnostic platonist. One reader protested, and
Victor replied on February 9:
As to god I am quite agnostic; indeed I call myself an Atheist, which I claim to be
in the real connotation for that term : I am, so far as I know, without a personal God. An
impersonal God is inconceivable to me; but I do not- because I cannot- deny tho
possibility of His or Its existence. On that particular point I am Agnostic.
On March 2 there is another of his mystical poems, 'The Recall'.

He is ill in bed and sees at his side an angel in a dark robe, who
beckons him to rise. He does so, still in his night-clothes, and floats
with him, as it seems out of the window. They pass over the gardens
and over many cities. At length the angel turns and takes Victor's
hands, and at the same moment the sun comes up over the horizon;
the angel drops Victor's hands again, surveys the dawn, lingers a
moment longer, looking into his eyes, then unfurls the mighty wings
which Victor has only just noticed, and flies away. Victor wakes in
bed, and the song of a thrush is carried in from the garden.
He had another poem in on March 20 and on April 6 another
long article:
It is simply egotism ... to describe a man as converted when you have merely
made him think as you think. Real conversion can only be affected by awakening the
Man in an individual, and inducing him to think for himself. Whether he agrees with you
or not is a matter of relatively small importance .. .for as soon as his intellect has been
awakened, a man will find a path for himself .. .he who is truly free will never encroach
upon the freedom of others.
Here is a pure and evolved viewpoint, from a young man not

yet twenty-four. In a footnote, he says:
... on this particular plane of being on which we find ourselves, much must remain
forever unknown .. .But there is a possibility, and, in my opinion, a probability of the
existence of other planes of being . And on these planes, now almost inconceivable to
us, a degree of Gnosticism may be possible.
His last contribution, on May 18, was 'The Ballad of the Daisy',
translated from the Old French of Froissart. Then the Agnostic journal
closed down because, as Mrs Stewart Ross explained in the final
issue, it had been impossible to find anybody to take over the editorship.
100
rowley
nd the History of
he Golden Dawn
Before bringing Crowley into Victor's story, I must say something about him. He was born on October 12, 1875, at Leamington
~!pa, Warwickshire, and registered and baptised in the names Edward
Alexander. It was because he disliked being called Alec or Sandy that
he later converted Alexander into Aleister, a form which did not lend
itself to such familiarities. His father was a rich brewer and a Plymouth Brother. The doctrine of the Plymouth Brethren is Calvinistic
md Fundamentalist. Christmas was not celebrated in the household,
hcing regarded as a pagan festival, and the child was not allowed
l'ven to have toys. He used to listen often to his father's intent,
fanatical preaching, for which he never entirely overcame a retrospective, reluctant admiration, though his desire was to reverse the sense
of it.
As a start he had relations with the maid on his mother's bed.
I lis mother was so horrified that she compared him to the Beast
'having seven heads and ten horns ... and upon his heads the name of
blasphemy', mentioned in Revelations xiii. Though he was later to
refer to his mother in print as 'an ignorant bigot' he thought she was,
in this, inspired, and that she had told him unknowingly his destiny
and his mission which was to 'make war on the saints' of meek, selfdenying Christendom, and to bring in a religion for the strong. The
chapter in Revelations ends: 'it is the number of a man; and his
number is six hundred three score and six.' To the end of his life, he
was to analyze the occult properties of this number.
Every book on Crowley states that he went to Trinity College,
Cambridge. I came, eventually, to wonder what he did there, ie, what
subjects he read and with what results in the examinations, information incredibly not given by any of his biographers. In the end I wrote
to the Clerk of Trinity College, who had already furnished me with
101

information about Victor. He replied:
According to my records, Edward Aleister Crowley matriculated in 1895. He
passed the second part of the General Examination in the Michaelmas Term 1896, the
first part in Easter Term 1897 and took the Special Examination in Chemistry in the
Michaelmas term, 1897, obtaining a second class. He did not graduate. He was in
residence from the Michaelmas Term 1895 until the Easter Term 1898.
Crowley was, by this time, already interested in magic, and

reading everything on it that he could find. I should explain that, to
the esoteric student, magic is not the pretension of making impossible
things happen. The occultist or mage is not a man who believes
natural law can be upset; he says there are natural laws not suspected
by our present science and that they can be brought into operation.
The term Black Magic is never used by occultists except to
define the abuse of magic; it is magic practised with evil, selfish,
wrong intent. When performed with good, unselfish and right intent,
it is called White Magic, though the neutral term, Magic, is more often
used for brevity where no confusion is likely. I hope it is unnecessary
to add, in these days of hypersensitive race consciousness, that these
ancient terms have nothing to do with the colour of the skin of the
practitioner but the colour of his heart. Similarly the term, the Left
Hand Path, meaning the path of Black Magic, has no reference to
politics. The origin of these, the proper terms of the study, are lost in
the night of time and though they may be confusing to modems it
seems useless to try to change them.
Crowley with his Nietzsche-like philosophy, was precariously
balanced, as on the edge of a razor. It was another chemist, George
Cecil Jones, who introduced him to a magical society, The Hermetic
Order of the Golden Dawn. In this Jones was Frater Volo Noscere.
On November 18, 1898, in a hall in Queen Square, London, Crowley
was initiated as a probationer and became Frater Perdurabo.
The Golden Dawn was a Rosicrucian Order with an odd history.

As Gerald Yorke told it to me, Dr Woodman, head of the Societas
Rosicruciana in Anglia, found amongst some old books the texts of
some rites which seemed to be those of a Rosicrucian Order other
than their own. He consulted with two of his colleagues, Dr Wynn
Westcott, the Coroner for Hoxton, and Samuel Liddell Mathers,
brother-in-law of the French philosopher, Bergson. At Mathers' suggestion he communicated with the Rosicrucians of Nuremberg and
received a reply from a Miss Anna Sprengel or Sprengeler (the name
is differently given) otherwise Soror Sapiens Dominabitur Astris,
who was the head or Imperatrix. She recognised the rituals as being
those of the Licht, Liebe, Leben temple in Nuremberg, and issued the
102
Crowley and the History of The Golden Dawn

three English Brothers a charter authorizing them to constitute
themselves as an English Order to be known as The Golden Dawn.
Modem scholarship, however, has challenged this. Even the
l~xistence of Anna Sprengel is doubted. The grounds are set out in The
Magicians of the Golden Dawn, Ellie Howe (Routledge, 1972). If Howe is
right, Westcott forged both documents and charter, with or without
the help of Woodman, and Mathers, at first deceived, kept silent after
he realized. One has to do, then, with an English Rosicrucian foundation, though the line of communication to the gods of ancient Egypt
would have been none the less real to those who believed the Order's
claim historically true. As I see it, if someone thinks he is invoking
Horus, he is.
Narrowly speaking Golden Dawn was the title of the Outer
Order, for there was an Inner Order, the Rosae Rubeae et Aureae
Crucis. A system of grades was established:
The Inner Order or Rosae Rubeae et Aureae Crucis
7=4 Adeptus Exemptus
6=5 Adeptus Major
5=6 Adeptus Minor
The Outer Order or Golden Dawn
4=7 Philosophus
3=8 Practicus
2=9 Zelator
1=10 Neophyte
0=0 Probationer
It will be noticed that there are eleven grades, and that each of
the numerical equations adds up to eleven, the right-hand numeral
decreasing and the left hand increasing as they mounted from below.
Too much attention need not be paid to the titles of the grades, some
of which were from time to time altered or reshuffled; it is the numerical equations which constitute the unalterable structure of the system
and contain the meaning.(l)
Nevertheless, it is interesting to note that the titles of the grades,
from the 3=8 upwards, are those of the Golden Rosicrucians (supposed to be the most mystical) of the Rosicrucian lines - and this ties
up with the fact that Nuremberg is known to have been a centre of
Golden Rosicrucians from the fourteenth century, and suggests to my
mind that the word Golden was incorporated in the title of The
Golden Dawn to indicate the descent for those who knew.
Some people have the idea that The Golden Dawn rose out of, or
103

was part of, The Theosophical Society. This is false. The
cal Society was founded in 1875 - the year of Crowley's birth,
coincidence to which he liked to draw attention - under the
tion of Madame Blavatsky and of two Indian Masters mainly resident
in Tibet who showed her sacred books and interpreted them to her;
is their teaching which forms the basis of her monumental classic,
Secret Doctrine, which is in a sense the work of the three of them.
Headquarters of the Theosophical Society is at Adyar, in India.
The mystic tradition is universal and in this sense TheosophY1
and Rosicrucianism are one. But in the narrow sense, Theosophy il
movement inspired from Tibet, while Rosicrucianism was organi
in Europe in the Middle Ages and drew its inspiration from Egypt.
even as, in the infancy of European history, Pythagoras and Numl
Pompilius had drawn it. Rosicrucianism was the secret religion I
Europe for those who had found the Christian Church
and Rosicrucians claim as forerunners, or lines collateral to that
their own ancestral tree, the Templars on the one hand and tht
Cathars, Waldenses and Albigenses on the other.
Between all esoteric schools there is a basic linkage. If one ha
graduated in one, so to speak, one can find one's bearings in another,
It is as though, being familiar with a book in one's own language,
should happen upon a foreign edition; thumbing through one
find in what manner a particular passage has been translated.
is no doctrinal difference between Rosicrucianism and
but there is a difference of language and of approach. The
phists taught that each individual evolves through successive
nations until he transcends the human state when various nnhnn&
open to him, one of which is to become one of the Masters of
who remain in touch with the human race, to help it from behind the
scenes. Memory of previous incarnations, like other kinds of tran
scendental knowledge, comes with the vivification of the pineal
gland.
The Rosicrucians had always taught reincarnation, but only
under seal of secrecy, to their initiates. They had presented a corpus
of teaching descended from the mystery schools of antiquity, despite
constant oppression by a Church hostile to it, their very terminology
at times disguised in that of the Bible so as to afford them some
protection should their papers be seized. They were the inheritors of
a way of thinking and feeling which came from having tended the
flame and kept it alight, sub rosa, which here means under the rose,
through nearly two thousand years of Christian persecution; but
104

!hough this had by the end of the nineteenth century, dwindled to
'' '~Y little, and though they recognised the initiation of Madame
llli1vatsky, they were not sure whether the time was ripe, even now,
hu so much of the secret doctrine to be given out publicly to a world
1'.' own alien to its reception.(2)
Moreover, some of those whose interest in occultism was kindlt'd by the Theosophical books were irritated by the Oriental terms.
I hey felt that there should be a Western occult tradition which had
lt,en lost to sight, and began thinking about Druids. The amount of
Information available concerning Druidic culture being limited both
Irish and Scottish folklore were tapped. It is significant of this trend
lho t both Mathers and Crowley used MacGregor as an additional
llltne, and appeared on occasions in kilts. It was the seekers for a
Western tradition who tended to The Golden Dawn. This might not
,,em exactly Western for the Gods it invoked were those of ancient
lgypt, and it claimed, however fictitiously, that its rituals descended
ltom the Egypt of remote antiquity. But there is a tradition that
1\gypt, like the Celtic lands, was in part colonized from the lost
Western continent of Atlantis. The feel of this idea can be obtained
Irom Lewis Spence's books, The Mysteries of Britain, The Problem of
Atlantis, etc. Theosophical literature treats the Pyramids and Stonehenge in a manner which relates them; and indeed, the ring of
monoliths at Karnac in Brittany, if it is the twin of Stonehenge by its
lorm,is that of the temple in Egypt by its name.
It was in the reading-room of the British Museum that, a decade
before Crowley entered The Golden Dawn, the poet, W.B. Yeats met
Mathers. Mathers was by this time already a 7=4, and the head of the
Order, in which his name was Deo Duce Comite Ferro. Yeats had
orne years earlier been co-founder in Dublin of a small esoteric
'IOCiety called The Hermetic Students, and in London he had become
Frater Daemon Est Deus Inversus, shortened in his signature to
D.E.D.I.
The Order by now had branches in Weston-super-Mare, Bradfo rd and Edinburgh, the Imperator of the Edinburgh Temple of The
Golden Dawn was Peck, the Astronomer Royal for Scotland. I menlion this because it shows of the doctrine was not repugnant to
scientific people. Indeed part of the reason why the Theosophical and
Rosicrucian schools of teaching appealed to many was that science
had made such inroads on conventional religion that people who did
not wish to be left with a bleakly materialistic position turned to
something which offered a spiritual conception of the universe ca105

pable of comprehending in its symbols scientific as well as psych
logical truth.
Others in the Order in London included Arthur Machen,
Brodie-Innes, A.E. Waite and Annie Horniman, who later financed
the Gate Theatre. Algernon Blackwood was on the fringe. A seriou
member was Allan Bennett, Iehi Aour, with whom Crowley shared 1
flat in Chancery Lane and, in parenthesis, the only person from whom
Crowley is known to have acknowledge having learned anything.
Florence Farr, Soror Sapientia Sapienti Dona Data (S.S.D.D.) was,
when Mathers transferred his headquarters to Paris, left as his representative in London, although it seems that Yeats took over from her
progressively and effectively before he did so formally.
My feeling is that too many people were initiated and too
quickly. Gerald Yorke suggested to me that one of the reasons people
came down was the pledge taken at the 5=6, 'that with divine aid I
may at length attain to be more than human ... and that in that event I
will not abuse the great power entrusted to me.' To aspire to transcend the failings which characterize humanity is one thing; but the
phrase 'more than human' seems to make an appeal to ambition and
is therefore unfortunate, being inflationary.
My other thought concerns the candidates. They were taken in
on such short acquaintance it was impossible their character should
be known, and even more impossible they should appreciate the
seriousness of what they were doing.
Crowley was allowed to ascend the earlier grades rapidly.
Having gained the 4=7 early in 1900 he applied for the 5=6 to Yeats,
who was then 7=4, Adeptus Exemptus and Imperator of the London
Temple of Isis-Urania. He perceived Crowley's ambition and instability and refused him the promotion.
The refusal at this stage was bitter for a special reason. Yeats
would not allow members of the Order to practise magic or make
invocations until they had attained the 5=6. Crowley wanted more
than anything to practise magic and make invocations; that was the
reason he had joined. Convinced that Yeats was jealous of his 'superiority' as a poet, and potential superiority as a magician, he went to
Paris to tell Mathers. Now Mathers, in Paris, had done something
very wrong. Intoxicated by the beauty of the rituals, he had had part
of them performed on the stage of a theatre to which the public were
admitted for a fee. This was a betrayal from the top of the pledge
taken by every Probationer on entry of the Order to keep its secrets.
Nevertheless, Mathers gave Crowley his ear. He initiated him in his
106

lrnple of Horus in Paris. Then he told him to go back to London and
l 'lk Yeats for the papers that went with the grade.
Yeats held the same grade as Mathers and was his equal in the
1 >rder, and while somebody had to be administrative chief of the
whole, if the thing were to hang together, he had power to cut the
I ondon Temple adrift from that in Paris. Between the two Imperators
there was already dissention; Mathers wanted the expulsion of Annie
llorniman for what seemed to Yeats inadequate reason. Yeats relllsed absolutely to hand over to Aleister Crowley papers containing
Instructions for the practice of magic. In session with his committee,
which included Florence Farr, A.E.Hunter and P.W.Bullock, he reolved no longer to recognise Mathers' authority.
Crowley went back to Mathers. He returned from Mathers, this
lime as his 'envoy plenipotentiary' in a kilt, and for melodrama (I
,,umot think of any other reason) a black mask and tried to take
possession of the properties and papers in Yeats's custody. Yeats
threw him out. In letters written during these fateful few weeks,
Yea ts refers to Crowley twice as 'an unspeakable person', three times
.ts an 'unspeakable mad person,' and also to his 'unspeakable life.'
In some way Crowley was able to threaten Yeats with a legal
,tction; on April25, 1900, Yeats wrote to Lady Gregory:
.. even if I lost the case, it will not occasion confusion, though it will give one
Crowley, a person of unspeakable life, the means to carry on a mystical society , which
will give him control of the conscience of many.
Though Crowley did not proceed with the threatened suit,

Yeats found the position too difficult and resigned his connection
with the Order. The English section then came under A. E. Waitewho Christianized it with the aid of two parsons. Those who did not
like this, split away and called themselves the Stella Matutina, which
Violet Firth, alias Dian Fortune, later took over.
I obtained this story from questioning Gerald Yorke. Some of it
appears in Symonds's biography of Crowley, and some of it in Allan
Wade's footnotes to Yeats's Letters (Macmillan) but both Wade and
Symonds got their information from Gerald Yorke; I therefore went to
the primary source- and drew out more, in particular Yeats' grade
and title, and the grade for which Crowley applied to him. Yeats in
his autobiography, The Trembling of the Veil, is very discreet and gives
no indication either of his position in the Order or the reason for his
withdrawal from it, save that this was occasioned by quarrels over
personalities. But Gerald Yorke told me Yeats burned all The Golden
Dawn papers in his keeping.
107

In helping Crowley, Mathers had done a bad day's work fc
himself. It was his own position Crowley coveted. He was Oill' 111
those who use people as ladders; ingratitude was his hallmar
However, he did not immediately show his hand. For the time lxin
satisfied with putting a curse on Yeats, he set off for New Yor
Mexico, and ultimately Ceylon, to visit Allan Bennett who had llt
come a Buddhist monk.
It was on a brief return to this country that in 1903 he marri
Rose, the sister of Sir Gerald Kelly, later to become president of th
Royal Academy. I often wondered what so conventional a person .,
Sir Gerald made of his extraordinary brother-in-law, but when I
spoke with him almost the first thing he said was, When I first knl'w
him he was an utterly delightful person. I met him at Cambridg1
during his last term there. We just overlapped. I didn't feel anythin
in the slightest degree sinister.'
The portrait Sir Gerald gave me was of an almost extrovert type.
sunny, humorous, athletic, good at everything, good looking. 'H
was very well read, and he wrote verses which he didn't pretend
were poetry. He was a very rich man. The only thing was -' here, Sir
Gerald caught himself, hesitated, and then took the plunge - 'thi!l
dates me, but I'll say it - he was not a gentleman. He had certain
vulgarisms. But he was very good company. When he invited me to
his house in Scotland, Boleskine, I enjoyed every minute of it! I
thought he was a quite wonderful personality. My sister married him
and for about two years I believe they were wonderfully happy. Then
he began turning so peculiar she had to get rid of him.'
While it was obvious to me that Sir Gerald had at no time even
an inkling of Crowley's inner life, I have quoted him at this length
because his words prove that Vicky was not of singular blindness in
seeing Crowley, in the beginning, as a fine man.
It was through Sir Gerald Kelly that Crowley came to know a
number of distinguished men, Augustus John, Jacob Epstein,
Auguste Rodin, Somerset Maugham and Arnold Bennett. I believe it
is because they confuse him with Allan Bennett that several authors,
probably copying from one another, have put Arnold Bennett into
The Golden Dawn; Gerald Yorke, who seemed to know more about
the history of The Golden Dawn than any then person living, had
never heard of Arnold Bennett as being in it. I wrote to Mr Somerset
Maugham and he replied, 'I was not connected with The Golden
Dawn, and my acquaintance with Crowley was purely social.'

By the spring of 1904, Crowley was with Rose in Cairo. Here, he
108

tid, she told him Horus was waiting for him. If she really did, I can
'"'Y think she picked up telepathically what he wanted to hear and
" l.ayed it back to him. On April 8, at noon, he sat down with a pen
wl waited. A voice began to speak from over his left shoulder; the
,.,.,,ker was a dark man about his own age, 'with the face of a savage
~ tng'. He said he was Aiwass, the Minister of Horus, and what
1uwley took down at his dictation he called the Liber Legis or Book of
lilt Law. Its key phrases were, There is no law beyond 'Do what thou
I Ill' and 'The word of the law is Thelema '. The Equinox of the Gods
"tiS come (this was a reference to the doctrine that every two thou.utd years brings a new dispensation or teaching): the Aeons of Isis
111d Osiris were passed away and the Aeon of Horus was begun.
I should say at once that I do not believe one word of the Liber
lt.~is . That is to say, I do not believe, as Crowley did, that it was
dictated to him by a supernal Intelligence.
I have had a good deal of experience of 'communications',
1il tblished and unpublished, claiming as their source inspiration, and
uty opinion is that the only useful criterion lies in the internal evi.ltnce or quality of the writing. I discredit the Liber Legis, not because
111 what I know of Aleister Crowley, nor yet because of the blasphetics against Jesus and the Virgin Mary, but because it is written in
uch an abominable style, half out of Revelations and half out of
tt 1belais. When I read a passage beginning, '0 blessed Beast, and
thou Scarlet Woman of his desire,' I am unable to credit that this
proceeded from a superior Intelligence, either heavenly or infernal.
%nilarly with the 'shocking' things. I can conceive of words which
could cause deep shock to Christian and even to other conventionally
minded people, but which because of the insight behind them would
olrrest attention and forbid facile dismissal. That is not the case with
the blasphemies of the Liber Legis, which seem to me of a character so
puerile that they could only have proceeded from a mind in some
way immature. In fact the style is Crowley's which (alas) I have come
to know well.
I do not doubt that Crowley saw and heard what he said he did.
Where I criticize him is in his failure to consider the possibility that
the phenomena emanated from within himself. He was not without
criteria. The fact that the voice came to him over his left shoulder
should have warned him. It is impossible that the symbolism of this
should not be apparent to anybody who had read as much occultism
ns he had, save that he chose to close his eyes to it. So anxious was he
to give the communication credence that he managed not to think of
109

this. In my view, he entered a world of delusion from the moment
mistook a subjective psychic phenomenon for an objective one.
His very insistence that it was so external to him he did not al
first welcome it, that so far was he from regarding the Liber Legis as
treasure that he almost at once lost the manuscript and was for yea
without it, increases my feeling that he was placing upon an exterN!
authority the responsibility for the formulations of a disowned part u
himself.
In fact, he had it both ways, for he decided the experienc
constituted his initiation as a 6=5 and wrote Mathers a letter saying II
had been revealed to him that he, not Mathers, was the real head u
the Order.
At the same time he began a new system of dating, starting from
1904 as the first year of the Aeon of Horus; when using dates in th
ordinary calendar he distinguished them by adding, not AD but EV,
standing for Era Vulgaris.
He now went to India. Cremers was factually incorrect when
she 5aid he had not learned ftom 'brown faces'. He met teachers with
brown faces; though whether somebody who presented himself as
the Logos of the Aeon of Horus (and as one who respects the Egyptian
Gods part of Crowley's offence, in my eyes, is that he took in vain th
name of the hawk-headed deity) could sufficiently subdue himself to
listen, is another matter. Via Shanghai and New York he returned to
London in 1906.
In rivalry to Mathers (who refused to abdicate) he now set up
the Argentinum Astrum. He kept the name and the rituals of The
Golden Dawn for the Outer Order, but added dangerously:
Argentinum Astrum
10=1 Ipsissimus
9=2 Magus
8=3 Magister Templi
These are the supernal figures. Ipsissmus is absolute spirit.
It may be pertinent to ask whether Crowley had even the
documents of the 5=6, which Yeats had refused him. Had Mathers, or
not, a set in Paris? Gerald Yorke suggested that Allan Bennett who
was a 5=6, may have allowed him to copy his set. He certainly had
not those of the 6=5, which he 'gave' himself in Cairo. He had not, as
yet, even claimed the 7=4.
It is important to realize that this inside story was not available
to the disciples whom Crowley now attracted. General J.F.C.Fuller,
then a junior officer, saw his advertisement for a prize of 100 for the
110
I "H essay on his published works to date; it seemed to him that
mwley's books offered such a freedom from the shackles of cant as

till' world had never seen and, completely carried away, Fuller wrote
111 his Star in the West: 'It has taken 100,000,000 years to produce
\ll'ister Crowley.' He was notified that his essay had won the prize
u1d after this he met Crowley, only a few months before Victor did so.
(1) What I think these equations mean is:
10=1 Malkuth = Kether or in other words : Physical Manifestation = Absolute
.plrit
9=2 Yesod = Chokmah
8=3 Hod = Binah
7=4 Netzach =Chased
6=5 Tiphereth = Geburah
5=6 Geburah = Tiphereth
4=7 Chased= Netzach
3=8 Binah = Hod
2=9 Chokmah = Yesod
1= 10 Kether = Malkuth
Moon= Whole Zodiac

Mercury = Saturn
Venus= Jupiter
Sun = Mars
Mars = Sun
Jupiter= Venus
Saturn = Mercury
Whole zodiac= Moon
Absolute spirit = physical manifestation
0=0
The = sign means 'balances', or 'is balanced by'; and it will be obvious the
propositions are to be taken in a symbolic and psychological sense, since in the
physical sense they are false. They are all equal to one another in value , despite that
they are lived in a different order. The Hebrew terms are from the Kabalistic Tree of life.
In each of the equations, it is the term on the right-hand side which gives the level of the
locus of the candidate, or perhaps I should say, initiate. The descending numbers on
the left probably correspond to the out-breathing of the universe, and all the equations
dd to .11 because that is the number of the Great Work to be achieved; Kether, the
Crown, 1, reflected in Malkuth, the physical form, 10.
(2) It is believed that there has never been a papal encyclical against belief in
reincarnation.
Although it has sometimes been thought that the Catholic Church was involved
in the anathemas pronounced at the Second Council of Constantinople, otherwise
called the Fifth Ecumenical of the Undivided Church, which opened on May 5, 553, the
Church of Rome was not represented on this Council and the Pope disapproved of its
convocation . The anathemas, moreover, were not pronounced during the council but
by an extra-conciliary session of the Oriental Bishops, held a few days before it opened .
They ratified the anathema which the Emperor Justinian had pronounced. This was : 'if
anyone assert the fabulous pre-existence of souls, and shall assert the monstrous
restoration which follows from it; let him be anathema.'
The terms in which they ratified it were as follows : 'Whosoever says or thinks that
human souls pre-existed, ie that they had previously been spirits and holy powers but
that satiated with the vision of God, they had turned to evil, and in this way the divine
love in them had died out and they had therefore become souls and had been
condemned to punishment in bodies, shall be anathema.'
It is believed that this extraordinary document, which by its evident mis-understanding of the doctrine bedevils the issue, was at no time offered to the Pope for his
approval.
111

111 forward movement into what was to be a new and truer world
4
The Initiation of
Victor Neuburg
General J.F.C.Fuller replied to my letter, saying:
I first met Victor Neuburg in 1906 at the house of Mr William Stewart Ross In
Brixton .. .At that time Neuburg was an undergraduate at Cambridge, and Crowley, who
was also a Cambridge man , was, from time to time, in the habit of visiting the university
as he knew some of the undergraduates, I mentioned this to Neuburg ... Personally I did
not introduce him but indirectly it was through me that he introduced himself.
General Fuller was mistaken only in one particular; the responsibility for Victor's having met Crowley was not his. As Victor related
it to a number of people, Crowley just walked into his room in college
one day and introduced himself. As Crowley was a former student of
Trinity it was perfectly in order for him to visit his old college and to
walk up any of the staircases. He explained his call on Victor, saying
that he had read some of his poems in the Agnostic Journal and that
they interested him because they showed experience of astral travel.
Some of Victor's secularist friends have told me they find it
difficult to reconcile his acceptance of Crowley's magical doctrine
with his scepticism as a freethinker. I find no inconsistency in his
position. Let me try to remove the appearance of it. Most people
think the concept of immortality implies belief in God and that the
two go together. In fact, the ideas are perfectly separable. From the
earliest days he could remember, Victor had felt that he existed prior
to his birth and that his new body and surroundings were strange to
him. He had no feeling that he had ever begun or would ever end.
The idea of metempsychosis was innate with him. A mystic from
childhood, he had never felt this world to be more than the rind of the
real; but the religion his family tried to teach him seemed to him
sham, as did all conventional religion. It seemed to him nothing but a
series of prohibitions, deriving superstitious authority from a skyseated tyrant he was sure was non-existent.
This conviction carried him into the ranks of Freethought. Yet
the character of the Agnostic Journal was really very open. Turning the
pages of the files from 1900-7 in search of contributions from Victor, I
took note of the character of the paper. I was impressed by the sense
112
which characterized progressive thought in the first decade of the

t'l'ntury. The new century was to usher in a world cleared of cant.
!'here was to be no more unfairness, no more class distinction, and
women were to emerge from their subjection. Equal sex morality was
urged with the same sense of right as equality in public affairs.
Women must, absolutely, be given the vote. Women distinguished in
.my field were made much of. References to Madame Blavatsky in
the pages of the Agnostic Journal are always respectful; and to Annie
llesant, by this time President of the Theosophical Society, it extended
hospitality of its columns to the extent of lengthy discussions in print
between herself and the Editor.
Stuart Ross was not hostile to mysticism so long as it was not
dogmatic. He was dismayed only by Mrs Besant's apparent new
willingness to compromise with Christianity as shown in her statements that, beneath the face of the childish superstitions, there was
perhaps a mystical reality which she would not wish to deride. Ross
retorted that this was not apparent in any presentation of the Christian religion he had ever encountered. And so they went on, through
Issue after issue, each explaining in turn to the other what they had
meant when they had said this or that. If they never reached unity of
viewpoint it was yet a dialogue between friends, seekers for truth.
Victor, subbing, would have read all this and was to some extent
ncquainted with the esoteric standpoint before he met Crowley. He
had his own experiences of ecstasy. He was, in fact, prepared to 'take'
t1 mystical doctrine so long as it was neither Judaic or Christian before
Crowley walked into his room. He had read about Masters. Here
was somebody who said he was one. He took him at his word and
jumped at the offer of being accepted as a pupil.
So far from implying a reversal of his previous position the step
was a natural one. What he found unacceptable was a creator preexistent to the universe of his creation; the idea was not only philosophically but emotionally repugnant to him because it suggested a
supreme tyrant; but he had no objection against hierarchies of Masters and Gods evolved from within the universe. This would imply
not a child-to-parent but a brother-to-brother relationship in which
the difference was only between elder and younger. He did not think
it improper to submit to the tutelage of one more advanced. His
mistake was in taking at its face value Crowley's claim to be a Master.
He was bluffed.
One must remember that Crowley had behind him not only a
113

mysterious Order into which he promised eventual initiation. H
was a man of wide and recondite reading, much exceeding Victor's at
that time, and must have seemed to Victor an inexhaustible fountain
of information upon every arcane question. Victor did not have th
sense of being asked to give up his freedom of judgment, for Crowley,
too, professed a Freethinking position. The Agnostic Jourruzl had
brought them together. The reading list which Crowley drew up for
his pupils included the Essays of David Hume, the First Principles of
Herbert Spencer, The Age of Reason by Thomas Paine, and the Essays of
Thomas Henry Huxley, Rationalist works which were given equality
of importance with the more speculative Three Dialogues of Bishop
Berkeley and Prolegomeruz of Kant and the definitely esoteric works.
The books on Crowley's list were not 'mumbo-jumbo'. The five
works named above would form part of the proper studies of a
student reading Philosophy at Cambridge or any other university
(though not of a student reading Modem Languages, French and
German). Crowley's list included some books on magic, but it also
included odd literary classics such as The Golden Ass of Apuleius;
Cicero's Dream of Scipio; The Satyricon of Petronius Arbiter; Pope's
Rape of the Lock; Burton's Arabian Nights; Rabelais's Complete Works;
Carroll's Alice's Adventures in Wonderland, Through the Looking Glass
and The Hunting of the Snark; Malory's Marte d'Arthur; Edwin
Arnold's Light of Asia and Song Celestial; Walter Scott's Redgauntlet;
Huysmans' La-Bas and En Route; de la Motte Fouque's Undine;
Balzac's Le Peau de Chagrin; Hewlett's Lore of Prosperine; Shakespeare's
Macbeth, Midsummer Night's Dream and The Tempest. As well as Sufi
poetry generally.
With regard to esoteric and mystical works proper, I will not
copy Crowley's list exactly as it includes one or two things (such as
the I Ching and Scrutinium Chymicum) which I have not studied and of
which I cannot know the quality; on the other hand I have added
some works which do not feature on the list but which Crowley and
Victor certainly studied. I have put on the list only those of the works
they read which I have, myself, read in their entirety:
Eliphas Levi (Magical name of the French Rosicrucian, Kabbalist, yet Roman Catholic, Alphonse Louis Constant, Crowley's favourite author): Transcendental Magic (Dogme de la Haute Magie, 1855,
and Rituel de la Haute Magie, 1856) bound in a single volume, 438
pages; History of Magic (Histoire de la Magie, 1860) 384 pages; Key to the
Mysteries (Clef des Grands Mysteres, 1861, 215 pages; all issued in English by Rider, the first two translated and annotated by Waite and the
114

I. I'l l by Crowley.
H P Blavatsky: Isis Unveiled, 1877, 2 vols, totalling 1321 pages;

1/w Secret Doctrine, 1888, 6 vols, totalling 2653 pages; The Voice of the
' 1/mce, 1889, 289 small pages; Key to Theosophy, 1890, 370 pages; the
llrst named from the Theosophical University Press and all the rest
Irom the Theosophical Publishing House.
Mabel Collins: The Blossom and the Fruit (it was perceptive of
!"rowley to put down her little-known novel, but why not her more
li11nous short classics, Light on the Path, A Cry from Afar and The Idyll of
/lie White Lotus?) all Theosophical Publishing House.(l)
S L Mathers: The Kabbalah Unveiled, Routledge; 360 pages.
Hermes Trismegistus: The Divine Pymander. I do not know in
what edition they studied this, but I have one published by Watkins
under the title Thrice Greatest Hermes, translated and annotated by G R
Mead, 3 vols totalling 1295 pages.
Pistis Sophia, translated and annotated by G R Mead; 1896,
Watkins, 325 pages.
The Book of the Dead; again, I do not know what edition they had.
I have one with translation and annotations by Budge, produced by
lhe Medici Society in 1913, 2 vols, totally 704 pages, plus facsimile
reproduction of Papyrus of Ani on folding sheets.
Plato's Complete Works, except, perhaps The Laws which is so
unlike the rest, not least in being so dull! (2)
The Tao Teh King
The Shiva Samhita
The Bhagavad Gita.
This reading list may surprise those who think of Crowley
purely as a buffoon; but unless his ability to direct the intellectual
studies of those whom he attracted to him is recognized the picture
remains a dimension short. If he was mad it was in the way only
possible to a man of much learning. If his recommendations were to
some extent idiosyncratic, the list nevertheless constituted in itself a
liberal course in the humanities, cutting across the ground of many
university courses though following the lines of none. No person
could read all the works on this list without having his mind greatly
~xpanded thereby. Crowley may have seduced his pupils, but at least
he cultivated them. What was unfortunate for Victor was that this
vast world of reading was opened up to him just when he was
supposed to be reading for a degree in a much narrower field.
Crowley, though he had a sentiment for his old university and
habitually came to it to recruit for his Order- Mudd, Pinsent, Merton
115

and Gerald Yorke, were all Cambridge men - did not regard degr
and did not care two pins whether Victor got his. Victor, trying t
pursue both Crowley's and his proper tutors' prescribed courses o:
reading was never able to take his eyes out of books.
I was unable to trace any of Victor's tutors at Cambridge; indeed
they must be dead. But an outside glimpse came from the younge
Carlton Smith, Oswald who was now at StJohn's. When I went to
him at his home in Bognor Regis he showed me entries from hi
diaries for 1907-8 from which it appeared that he and Victor met,
sometimes at Trinity and sometimes at StJohn's, five times, other
sometimes present including Pinsent and Mudd. There was nothin,
conspicuous in Victor's behaviour which he could recall. On on
occasion he mentioned that Crowley had been with him and that they
had been smoking some weed and gone out in the astral, which
Carlton Smith did not take very seriously.
In 1908 Victor's first book appeared, The Green Garland (now
very rare.) Mr Oswald Carlton Smith communicated on my behalf
with another John's man, C.N.Raad, who wrote that it was a wealthy
undergraduate named Schmiechen, also of Trinity, who helped Victor finance the publication through Probsthain & Co. It contained
most of the poems which appeared in the Agnostic Journal and received excellent reviews in the Morning Post and in The Times.
Norman Mudd, a Mathematics student of Trinity, had become,
like Victor, a disciple of Crowley and also Secretary of the Cambridge
University Freethought Association. In this capacity he was summoned by the Dean, who showed him a letter received by the college
authorities in which Crowley was accused of paederasty.
The Dean asked Mudd to refrain from distributing Crowley's
books and to cancel an invitation sent to him to speak to the C.U.F.A.
As Crowley was a Trinity man I cannot help feeling the Dean might
have handled this situation in some braver way than by showing this
communication to Mudd, the weakest personality amongst those
involved. With surprising toughness the C.U.F.A., of which I imagine
Victor must have been President (it is defunct and I have been unable
to obtain a list of its officers) sent the Dean a written reply saying they
declined to comply with his request.
What was Victor's knowledge of Crowley at that time? In the
summer of 1908 they had been together for a walking tour in Spain.
Victor's Triumph of Pan (not published until later) contains a section of
this date, headed puzzlingly:
116
The Romance of Olivia Vane
To Olivia Vane
and her other lover
Paris March 1909.
For a long time I looked for two persons in this poem-series;
llllW I am convinced there is only one. No II begins:
Sweet Wizard, in whose footsteps I have trod

Unto the shrine of the most obscene god,
The 'sweet wizard', a masculine term though qualified by a
luver like adjective, is obviously Crowley. The god would be Pan, or
l'rlapus, but I was at first puzzled that Vicky should refer to what he
would think of as the sacred relationship as obscene. Later I realized
lhut this reflected Crowley's idea of combining the heights and the
dt>pths, as though they balanced each other; this produced a revelling
Ill lewd terms, as though they were in some way healthy. On Victor's
tyle it was a temporary graft.
No III has an interchange of masculine and feminine terms
which are in apposition, not opposition:
0 thou who hast sucked my soul, lord of my nights and days,
My body, pure and whole is merged within the ways

That lead to thee, my queen,
No VIII is a powerful sonnet showing the freshness of the
1motion, the pride, the feelings with which he looked back to what
must have been the first incident:
I think that never in my loneliness

May I forget my glory and my shame,
Nor the swift lightning flash that 'twixt us came
After some purple patches, it ends:
Let me once more feel thy strong hand to be

Making the magic signs upon me! Stand,
Stand in the light, and let mine eyes drink in
The glorious vision of the death of sin!
However much one might regret the object was Crowley, I think
it impossible not to feel how superb is the love shown in this passage.
No XI is another proud and strong poem in which he keeps a firm
texture throughout. He pictures a time when he shall be old and
younger men shall ask him what his beloved was really like, his
miracles, his dress, his manner. Then he will smile, as old men do to
the young, and recreate the appearance of the great one for them:
117

And they shall know how once I gave my breath,
My hand, my lyre, to thee, and said, Till death
The image of this man shall not depart .
Out of the inmost shrine within my heart.'
Reading these lines written in such a noble confidence, I
membered how Vicky really had spoken of Crowley in his later
the ghastly conversation with Cremers, in which he admitted all
charges and could find nothing to say in palliation of his
friend's offence but that 'his mind had gone'. Yet it was true that
image had not departed from the innermost shrine within his heart
remembered also the words he had spoken to me afterwards on
iron staircase, when he tried to draw for me the picture of the man
had loved, as the noble figure he had first seen 'and as I prefer
remember him.'
The text contains the occasional completely plain line:
Take thou my body, now hermaphrodite.
He believes that, in very truth, as the beloved says, Horus hal
been reborn. Having gone ahead in France, he walks idly in
Jardins du Luxembourg and the streets of Paris, waiting for t
reunion that there will be when the beloved arrives in a few d
from England, to join him.
How far had Crowley led Victor in this development of their
relations? I am inclined to think Victor must have had at least
latent homosexuality, otherwise he could never have been aroused
so great a passion. On the other hand, it is evident from the emotion
in the poems that what had happened between them was without
precedence in his experience and constituted a complete revelation
and ecstasy. Like a girl who has just experienced the delight of love
for the first time, he is at once bashful, and on a summit.
While I am sure Crowley led him in the physical initiation - he
was eight years the elder and had prior experience- I have no doubt
that Victor, having renounced the Judaic Law, had already turned his
face towards the Greek, via Swinburne, Whitman and Edward Carpenter. It should not be forgotten that the latter's classic, The Intermediate Sex, by which Victor was much influenced, appeared in the
previous year, 1908, just when his relationship with Crowley was in
the making.
Carpenter, who shows a debt to both Platonic and Oriental
doctrine, asks for recognition of the homosexual as a natural and
valuable variant, and suggests that as the normal union has for its
fruit children, the homosexual, (or as he prefers to say, homogenic or
118

I :, .tnian)(3) might give back to the community through consecration
i t tiiCh occupations as are unsuitable for the family man because the
'' 1111meration from them is small, irregular or subject to hazards:
l''utry and the arts and crusades requiring the heroic character.
Carpenter says we do not know what nature is deriving at in
ttnducing this type and suggests that we may be in for a new phase
ltvolution. Nothing seems to me likelier than that Victor put this
'f',l'ther in his mind, with hints found in the Kabalah, The Secret Doc1111 ' and elsewhere that man, prior to the Fall, was androgyne, and
tlttl androgyny is destined to be recaptured in the far future when
physical transformations have made possible the reproduction of the
l'''cies in a manner different from that known at present.
While it would be difficult to see how physical homosexual
l''''ctices could forward such an evolution in a precise manner, my
il'l'ling is that Victor thought that anything conducive to a hermaphttu.lite state of consciousness must be in line with the ultimate purl'ose. This was my first reading of his mind; but I shall later show
tvidence that this was exactly what he did think.
Then there is the esoteric doctrine concerned with the preceswn of the Equinoxes and the new dispensation of teaching every two
thousand years. According to this, Jesus was the teacher of the
l'iscean age; and about the turn of the century there was a strong
llcling abroad that the Teacher of the Aquarian age was already due.
Aquarius is the sign to which the majority of astrologers assign
Uranus; there is, however no direct evidence that either Crowley or
Victor pursued a line of reasoning which might proceed from the
.1ssociation of Uranus with Urania. For the Theosophists,
Krishnamurti was the vehicle whom the world Teacher would inspire. (4}
In the context, it may be noted that his beginnings were clouded
by the scandals touching Leadbeater.
There was also Inayat Khan: when he came from India in 1910,
teaching a broad form of Sufism, some of those who gathered around
him thought he was the Messenger, and the hot-house cult which
built up around him was a source of acute embarrassment to his
children.
Crowley, of course, thought that this divinely appointed instrument was himself. Elaborating the original words of the Liber
Legis, he explained that the Aeon of Isis had been Matriarchy; the
Aeon of Osiris, Patriarchy; the Aeon of Horus, which was initiated by
his own advent, two sexes in one person. He said the male magician
119

must, without losing his virility, cultivate his female side.
I go into this because, unless it is understood, Victor's dallian
with the man he claimed as his spiritual teacher might seem to show
insincerity. It was not that; quite the contrary. He really believ
Crowley to be the Messiah of the new Age and thought that in bcin
allowed so close his position was one of singular privilege.
Daily life with such a being must have constituted rather
strain; though a more casual note was introduced by Crowley's tea
ing. When they went into a restaurant in Paris together Crowley
taunted him because, although he was studying Modern Language:
at Cambridge, he had difficulty in ordering the meal. When they got
their meal Crowley said, 'How illogical you are! You won't eat meat
for humanitarian reasons, and yet you eat pommes soufflees.' As Victor
looked puzzled, Crowley went on, 'Are you not aware that the pota
toes must actually be on burning charcoal while being blown out, and
that the men employed, souffleurs as they are called, rarely live mo
than three years after taking the job.'
Poor Victor dropped his fork with a clatter and went ashen.
When he recovered the power of speech, he was ready to devote his
life to getting a law passed to prohibit the making of pommes soufflees.
Crowley then said he had only played this trick on him in order to
demonstrate Victor's lack of judgment when his emotions were
aroused.(S)
Victor returned to Cambridge for his last term in a state of
exhilaration though this wore off because of difficulties with finances
and family, and the need to catch up with his studies. Three weeks
before his finals he came to London for the day to be initiated into the
Argentinum Astrum, of which the parvois was still called The Golden
Dawn.
Probably in an ante-room to that in which the initiation was to
take place, a black robe was put upon him. This was almost certainly
the same one that had been worn by Crowley at his admission as a
Probationer, and Victor would have been told this for his fortification.
It was like a cloak except for wide sleeves edged with gold, and had a
hood with eye-holes which could be brought up right over the head.
Once robed, the Brother who had been made responsible for his
initiation into the Order, and who would also have been wearing a
robe, would have taken him through to the hall where, stationed
amidst strange symbols, an assembled company awaited him. In the
midst was Crowley, garbed as Osiris. The ritual was extremely long
and must have taken at least an hour. Approaching the climax
120

lll wley, as Osiris and Hierophant, said to him:
'Child of earth! Wherefore hast thou come to request admission
lit this Order?'
Victor made the ritual response, 'My soul is wandering in the
d~~rkness, seeking for the light of occult knowledge and I believe that
111 this Order the knowledge of the light may be obtained.'
The voice of his accustomed friend, now awful with the tones of
'''flee, asked whether he was prepared, 'In the presence of this assembly to take a great and solemn obligation to keep inviolate the secrets
111d mysteries of this Order?'
Victor replied, 'I am'.
He was told to kneel and between a triad of Brothers reprel'nting Arouest, Horus and Themis, to put his left hand into that of
the initiator who had brought him in, and his right upon 'the right
triangle,' symbolizing active aspiration towards his Higher Soul.
I 'rowley gave one knock with his sceptre.
Victor then made the pledge, 'to maintain kindly and benevoltnt relations with the Fratres and Sorores of the Order, and to prosccute with zeal the occult sciences,' which to fulfil he would not fail
'under the penalty of submitting myself to an awful and avenging
punitive current, set in motion by the Chiefs of the Order, by which I
hould be slain or paralyzed without visible weapon, as if blinded by
the lightning flash. So help me the Lord of the Universe and my own
lligher Soul.' Crowley then touched him with the sceptre.
After further ceremonies during which he was led about the hall
to the west and to the east, Crowley and two others touched sceptres
.1nd sword above his head so as to form the Supernal Triad, and
rowley said, 'Frater Omnia Vincam we receive thee into the Order of
the Golden Dawn.' After more ceremonies, he was led between the
pillars of Isis and Nephthys where the White Triangle was placed
upon him.
Omnia Vincam would have been a name chosen by Victor; there
would be an opportunity to change it, at each further promotion,
though changes was not obligatory.
What strikes me as wrong, and frightful, is not its general form
but the words concerning the 'avenging and punitive current, set in
motion by the chiefs.' It is occult doctrine that a fault punishes itself in
its effect on the character of him who commits it, the hindrance to his
progress which it occasions, especially if he be a candidate upon the
Path, and possibly other undesired results. But this is through the
operation of a mysterious natural law, which seems to have a moral
1
121

character. If words concerning this are uttered they can never be
more than the statement of what is in fact taking place or the agent
channelling the consequences of currents already in motion. Whether
even this is licit is questionable.
The Christian Church has pronounced its anathemas, or decrees
of excommunication; strictly speaking, these were nothing more than
the cutting off from its body, but the effect on those who believed
their Salvation depended on being in communion with it was as
though they had been handed over to the Devil. Madame Blavatsky
endorses a Buddhist precept; not to curse upon any consideration for the
curse returns upon the one that utters it, and quotes the Athenian priestess who refused to pronounce a malediction on Alcibiades, even for
desecration of the Mysteries, for that she was a priestess of prayers and
not of curses.(6)
Victor had to return immediately to Cambridge. He had, from
now on, to keep a Magical Record but, his finals being so near,
decided not to start anything except the Banishing Ritual for cleansing the atmosphere. To perform this he had to form in his mind's eye
a circle of light around himself and within this, to the four points of
the compass, four blazing pentagrams.(7) Outside this figure he had
to imagine four archangels with wings outstretched, the points
touching, making a square above the circle. Then, over his head, he
had to conceive a hexagram(8), and through it a column of light
descending upon his head. This he did each night before going to
bed.
He thought the quality of his sleep improved; against this he
remained during the whole of his last term without the astral sight he
had had all his life.
He passed his finals obtaining Third Class Honours (9). It was
not a brilliant degree, but he had had unusual distractions. Not
having twelve guineas to put down, and not thinking it would be
useful to him, he did not go up in cap and gown to receive it.

Implied reason is that these had no intellectual development. They were not educated.
The modern usage of the term Uranian was started by Karl Heinrich Ulrichs.
(4) It is a popular fallacy that Krishnamurti has ever denied either the reality of
the Masters or his own role as the expected Teacher. On the contrary, he said at the
critical moment that now he was sure he had something to teach. But his teaching has
been against reliance on external authority and therefore he has turned aside every
question touching his authority, pointing out that a thing can be neither more true nor
less true according to the authority on which it is said. His whole career has been a
crusade against the logical fallacy known as the Argumentum ad hominem : an insistnee that the questioner should look within himself and try to answer his own question .
The technique is that which Socrates demonstrates so well in the Meno, when , acting
as a sort of midwife to the process, he makes the slave-boy discover for himself the
answer to a teasing mathematical problem.
(5) My source for this story is a loose, unpaginated sheet amongst Crowley's
papers. He had evidently meant to fit it into some literary composition.
(6) Isis Unveiled, pp 334 and 608.
(7) The pentagram, or five-pointed star, is the symbol of Man, conceived of as a
being endowed with reason and thereby distinguished from the brutes. Sometimes a
man is drawn forming the symbol; the feet apart and arms raised at right angles to the
body form with the head the five points of the star. Leonardo da Vinci has drawn man
so inscribed within a circle. It is a symbol of evolution. It must, however, be drawn the
right way up, otherwise it means a man standing on his head, or all proper values
In versed; it is then a symbol of involution. The five-pointed star with the apex upwards
Is a symbol of White Magic; with the apex downwards, of Black Magic.
(8) The hexagram is the six-pointed star composed of two interlaced triangles ,
signifying spirit reflected in matter 'on earth as it is in Heaven', or the lower self perfectly
reflecting the higher or divine spark. It is a symbol of White Magic. The single white
triangle upon which Victor placed his hand, and which was later pinned on him during
the initiation he had just undergone was the symbol of the aspiration of the lower self
towards the higher. The descending triangle, completing the hexagram , would be the
nswer, inspiration or descent of the holy spirit from above. (The terms above and
below are, of course, figurative, no spatial movement being conceived but a spiritual
happening.)
(9) The Clerk of Trinity, who obtained this information for me, gave me a
reference; p 956 of The Historical Register of the University of Cambridge to the year
1910. (CUP, 1917). It was in the Easter Term of 1909 that he sat for and passed the
xamination.
( 1) Crowley only puts down the short Voice of the Silence under Blavatsky but it
is obvious from their writings that both he and Victor were familiar with all her major
works .
(2) Crowley has not put down Plato, but I would think only from oversight as he
shows acquaintance with the much less occult Aristotle; Victor in any case, was
steeped in Plato.
(3) The term is, of course, from Plato's Symposium. It is slightly incorrect to
suppose that it means paederastic. It means heavenly, or that kind of love which
involves the intellectual and higher faculties . It is true that the participants in the
dialogue take it for granted that this is impossible to have with their wives; but the
122
123
5
The Magical
Retirement of
Omnia Vincam
On June 16, 1909, Victor left Cambridge for the last tim
Crowley had invited him to Boleskine and he travelled to Scotland by
the night train in company with another Cambridge man, Kenneth
Ward of Emmanuel, who had also been invited. In the afternoon o
the 16th they arrived at Foyers, the nearest station, from which it
seems they made their own way. Boleskine was an isolated house,
almost on Loch Ness, and looking down to it from beneath a high,
sheer rampart of rock. Ward had come only to collect a pair of skil
Crowley had offered him, and it was when getting these out of th
attic that Crowley put his hand on his long lost manuscript of Liber
Legis, which was underneath them. Victor's experiences at Boleskine
were destined to be of a very different order from those remembered
so agreeably by Sir Gerald Kelly.
That night Crowley told him he was to go into a Magical Retirement for ten days, during which he would devote himself exclu
sively to meditation, try to raise Kundalini(l) and reach his Holy
Guardian Angel or higher self.
Victor slept late the next morning, being tired from the journey.
After a breakfast of tea and toast he had a hot bath, then he was
escorted to the chamber prepared for him. This was a room where the
floor was covered with a magic circle. There was an altar on which
incense was burning, and Victor found a further supply of incense
and of charcoal, also a magic sword and an ankh; he had on his magic
robe. He was left to his own devices.
It was too cold to be comfortable. Despite the preparations the
atmosphere did not seem to him magical and he found it difficult to
settle. He walked about the room. Then something came to him. It
seemed as though it were memory of an old ritual he had been
accustomed to perform, in another land, in a previous life. He started
124
i11tlking round the circle, paced it several times, and recited words in
I nglish which seemed to be a translation from some other language
1111bcknown to him and which he could not identify. It seemed to be
11tout seven gods above and seven gods below and one god. Afterwurds he could remember nothing of the words which had come to
him, excepting that the whole thing ended with the word or syllable
wrh (if I can read his writing), repeated three times. (Perhaps Egyplliln ankh?)
It occurred to him now that he ought to do the Banishing Ritual
wi th which Crowley had taught him every magical enterprise should
l~tgin . He thought he had to describe the pentagrams with the sword
1nund the outside of the circle, and was embarrassed because there
was so little space left between it and the wall. (Afterwards Crowley
told him he had not understood how to do it.)
He then settled himself in a yogic posture and began to medit.,le, reciting the mantra Aum tat sat Aum to raise his level of condousness. After a time he was repeating only the word Aum, allowing his voice to become fainter and fainter as he felt himself
hccome entranced.
His head had fallen outside the circle and he was lying on his
h.tck and had visions of sea and sky, then of a beautiful violet light.
He was in this condition when he was fetched to lunch. This
consisted of cutlets and potatoes (Crowley had pooh-pooed his vegetarianism), dry toast, rice pudding with stewed rhubarb, and water to
drink. He appears to have had his meals alone so that trivial conver'lation should not break up the atmosphere.
After lunch he wrote up his Magical Diary to date, covering his
lost days at Cambridge and the morning's session and making some
reference to the mystical experiences of his childhood.
At 5.15 he went back to the chamber and resumed the magic
posture but although he recited Aum until 7.0 he had no result. As he
had become chilled right through, and the effort seemed vain, he
went to his bedroom on the ground floor, wrapped himself in his
dressing-gown and read Crowley's Holy Books.
His record is meticulous(2), having been written up each day,
and consists of 127 pages in his hand, his visions becoming progressively more complex. I think I can best give the character of this
unique document if I quote the entries for a couple of typical days:
June 21
5. 2 am Performed 'Born less One'(3) Ritual about 10 pm. At midnight, Banishing Ritual.
125

At about 1.30am my Guru(4) entered and gave me certain advice. At about 2.25
performed 'Bornless One' and Banishing Rituals, afterwards rising on the planes
I travelled upwards swiftly and easily again meeting 'Gabriel'.(5) He gave me the
information as before. He was clad in white, with green spots on his wings; upon
head was a Maltese Cross.
1 110 I performed the Banishing Ritual and the Preliminary Invocation. Then I burned
IILO, and said mantra, Aum mani padme hum.
I t C~>tl on the planes, reaching rapidly the white light. I struggled through to the top
hi
After some time I slept by the fire, awaking at about 4.25am . I suffered two emisslone
seminis (possibly one only ; I am not quite sure) with somatic dreams. This is
probably to one of the following three causes, or of course, any combination of them
(a) my sleeping close to the fire ; (b) lack of food; (c) lack of exercise. Personally I ba
the first cause. (No joke is intended here.)(6)
I again performed the 'Born less One' Ritual about 4.30am. I left the Chamber just ah
Sam .
It is now 5.10am. I am tired out, after performing the Banishing Ritual I shall go to b
9.25 am Up at 9.2 . Washed, brushed teeth.
9.18 [sic) Brekker. Egg, bacon, tea, a little water. I feel pretty fit but a little tired. I shal
retire to the chamber almost immediately, when I have exchanged my piggers form~
robe. I slept well.
9.30am : I depart for the chamber.
Mid-day. Almost immediately on reaching the Chamber did I perform the Preliminary
Invocation. I then meditated upon myself for an hour, sometimes reading Thelem
Just after 11 am I performed the Banishing Ritual, the Preliminary Ritual, burnt incens
recited Aum Mani padme Hum, and rose upon the planes . I went very far indeed. Earty
I met my Angel. I slew him .(?) I then rose through many planes ; eventually I wa1
detained by my Mother, a huge brown woman, my Father, a little green man;
voluptuous woman ; and an hermaphrodite. They sought one by one to detain me. I
passed them all.
At length I reached a coffin, labelled
Resurgam
of the tenth sphere
I was now forcibly drawn into this, but escaped into a whirlpool of light, wherein I wa1
utterly absorbed. Rapidly I sank back, reaching my body at about 11 .25.
Then did I meditate and read Thelema. (I want some decent blotting-paper. I shall
shortly need a new notebook.)
It is now 12.8 I shall return to the Chamber. I have taken a sip of water. I have a certain
book on Magic with me . This I shall read in the Chamber.
5.57. I studied the Magic Book in the Chamber until 1.20, when I performed the
Preliminary Invocation. Afterwards I read and meditated again, being summoned to
lunch at 1.50. Egg and spinach, toast, water. I returned to the Chamber at 2.9, where,
almost immediately, my guru joined me, and we talked of Magic and other matters. My
Guru left in about half an hour. I then spent the time mostly in thought and meditation. I
may have slept a little, but scarcely at all , if at all.
1111t1 I was crucified by two angels. I threw the angels off with (ie by means of) the
'lllngram, then I floated about in space helplessly, attached to the Cross. This also I
I tid of by the Pentagram .
nr:hed soon after a whirlpool or fountain of red light; struggling through this, I was
tthonted by a Red Giant against whom I was powerless, though I attacked him
'llinusly by every means in my power. All my weapons and words were useless
'''''lnst him. He cut me to pieces and chased me back to my body, effectually
tI1Vonting me from rising by falling upon me every time I strove to rise.(8)
I lt.uJ rather great difficulty in arranging myself in my body after my return , failing once or
lc uln the effort. At length, however I accomplished the feat successfully .
I wns back again a minute or two before five. Took a very hot bath, for I was somewhat
uuried. An hour or two after lunch I had a cigarette; I am now smoking another.
11110king staves off hunger excellently.
I lind that my Guru - unto whom be peace- has taken the magic book I was studying . I
mt it back, badly.
1111 now 6.14. I shall return to the Chamber. I fear I shall have great difficulty in keeping
twnke tonight, though I do not feel tired now. I hope to continue this experiment for a
wuok at least and, with luck, more.
My Guru entered about five minutes after I had returned to the Chamber.
Dinner. Venison , boiled potatoes, toast, bread-and-butter pudding , Water.
Ills now 7.27. I shall return to the Chamber.
I slept until about 10.30, when I was awakened by my Guru , who made the waking
proces s more effectual by 'dowsing' my head in cold water. (He did this also a day or
lwo ago, by the way .) I then received further instruction in the Signs of Horus and
llnrpocrates, illustrating the signs (apparently) to the satisfaction of the Chief. At 10.45
I began operations, performing first the Preliminary Invocation. I then prepared
c.harcoal, and performed the Banishing Ritual, burned incense, and encanted mantra,
Aum tat sat Aum.

I rose at once, slaying the red Giant with the Harpocrates formula; then I slew a Black
lant. I then became a green triangle (apex upwards) in a violet crown or circle; then a
blazing comet flaming in the hair of a God; then a flaming star. After this I became
bsorbed in and identified with white light. This experience was accompanied by
xtreme ecstasy .
I found myself at the Court of Horus (he was jet-black), who gave me two tablets
Inscribed INRI and TARO respectively . I now found that I had no hands they were
severed at the wrists. Horus sent me out to gaze at the clear blue heavens , wherein
were myriads of stars. He pointed upwards; I could not mount any higher although I
tried (or someone tried) to attach the sword and the ankh to my feet.
I had the greatest difficulty in returning, struggling on the floor for some minutes.
At 11 .15 I was sufficiently recovered to summon my Guru. I stumbled when going
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127

downstairs to fetch this note-book, breathing heavily.
Upon performing the sign of Harpocrates and smoking a cigarette I quite recovered ; m~
Guru is still with me, talking . It is now 11 .55. I am quite normal.

-\It or she had said certain formulae over my body, I rose glorified, made the sign and left
liur (After many other adventures] I returned through sheer weariness, descending
lumd-first, and finding my body almost without difficulty .
My Guru instructs me till12.30, when he goes to fetch me water. (This last paragraph
is intended to cast no reflection upon the eloquence and erudition of my holy Guru).
After a second sulphur-bath, between 5.30 and 6, he added,

ltdore resuming more, a detail he had forgotten and which is interestIng from the homosexual slant:
June 22
I was tempted by a little black boy drawing water from a stream, and a fair woman . I
Muccumbed - 0 virtuous one!- to the temptations of neither. I am a puritan of the best
1.28am : I have again risen on the plane, the preliminaries being performed by mol l
excellent Guru. I rose to a great height, far beyond the Court of Horus. I began rising II
about 12.50. I had many adventures, passing by crowds of beings, most of whom gavt
me passage upon my presenting my Chief's card, as it were, though many of them
ignored me altogether, turning their backs upon me. Three incidents stand oul
prominently.
I reached a fair garden where there was an enormous, white-clad [illegible] angel, who
gave the impression Gabriel. He spoke to me, wishing me to leave my sword and ankh
I refused and he suffered me to depart with them ; alii can remember of his speech i1,
'Thine is the destiny of the Magi .'
Afterwards I passed through strata, as it were, of the four elements, later reaching a
kind of green globe, around which I floated in a little boat with a fair woman; at or about
this time I was in a slight state of ecstasy. I would here remark in parenthesis that my
physical feet became very painful during this rising, probably because I was in my
Japanese yoga posture(9) for an hour or more, I think, inclusive of the time during which
my Guru was invoking , etc.
Eventually, after many minor adventures- passing through funnels, voids and so on -I
reached a hawk-shaped creature who cut off my hands and feet. I fell back, and had
the greatest difficulty in returning. I performed the Harpocrates formula, and lay
prostrate on the floor for several minutes, being apparently unable to rise .
Eventually I summoned my Guru, who urged me to perform the Harpocrates formula
again . This I did successfully.
I am now quite normal. I returned about 1.10. My Guru gave me instructions and
departed. I think I shall sleep in bed comparatively early tonight. I am tired ; I must, I
think get some air and exercise tomorrow. I forgot to mention that I passed a white cat
on a roof during my last journey . I shall now go to bed. It is 1.45. I doubt if I shall be
able to wake at six tomorrow as requested.
And so it goes on, restarting at 10 in the morning when, after

having woken at 9.40 (not indeed 6.0!) and breakfasted, he was again
settled in the chamber to re-begin his meditations. The morning's
visions were long and complicated. After lunch and a sulphur bath
he began again:
I started from the place where I was deprived of hands and feet yesterday by the Hawkheaded One. Thereafter I passed a statue of Mercury ... ! reached a Temple I have
known all my life. A maiden met me; she cut me up and sacrificed me upon an altar.
128
type.
Having set this down, he did yogic breathing exercises until 7,

when he was fetched by Crowley to dinner. At 7.55 he returned to the.
1'hamber and resumed meditation, during which he had many viions. Crowley did not approve the quality of these:
10.32 My Guru was dissatisfied, upbraiding me bitterly with being among the
Qllphoth.( 10)
Ho is apparently a homosexual sadist( 11) for, in giving me thirty-two strokes with a
uorse-switch which drew blood, he showed great unction. He performed the ceremony
with obvious satisfaction. The ceremony was quite painful, though it aroused no
motion in me save that of laughter. I shall rest for a space.
My Guru is difficult. Because I laughed, he called me a Masochist! Had I complained he

would have called me a coward; had I manifested no emotion, he would have charged
me with being callous .. .
1.45 am My worthy Guru advises me to stay up all night. I shall go downstairs and steal
biscuit or two.
I have been to my Guru ; he is very rude, but instructive. Found the biscuits. My fire is
out, alas! I shall go to bed. It is 1.53 .
The biscuits must have been in Crowley's room, for on a subsequent occasion when he went in for some, hoping Crowley might be
awake and speak to him, heavy breathing showed he was asleep and
Victor crept out again. Though it is not mentioned in the record,
Victor met Rose at Boleskine and was upset; as he later told Hayter
Preston, she was drinking heavily and appeared quite sunk.
One evening, Victor went to bed at 9pm. Against this entry in
the Record, Crowley wrote: At 9pm! Unsavoury slug of sloth! After this,
Victor felt he had to hold out until the small hours, yet one night, too
cold to meditate longer, he walked about the house and entered the
sitting-room, where he looked into a book about why Queen Elizabeth kept her virginity!
One night Crowley sent him out to cut gorse. He put on both his
magic robe and his dressing gown and boots; out on the hillside, in
the dark, it took him a long time to find gorse and to cut it and when
he had brought it back he fell asleep. Crowley, catching him, up-
129

braided him. On yet another night, Crowley came into his room atuj
beat him on the bare back and buttocks with stinging-nettles.
One morning Victor did yogic breathing exercises until the pain
became so excruciating he lay writhing on the floor. That it should
have been imagined he had to persist in holding his breath despite the
pain, shows appalling ignorance in both pupil and teacher. Crowhy
made abusive criticism and referred to his Jewishness. In gn.11
bitterness, Victor wrote:
My worthy Guru is unnecessarily rude and brutal, I know not why. Probably he does nul
know himself. He is apparently brutal merely to amuse himself and pass the time away
Anyhow, I won't stick it any more.
It seems to me that unnecessary and brutal rudeness is the prerogative of a cad of th
lowest type. It is the very limit of meanness to grouse at a man because of his racu
The 'argument is', I admit, unanswerable by the accused; it is also inexcusable in lh
accuser. It is ungenerous also to abuse one's position as a Guru; it is like striking an
inferior who will be ruined if he retaliates . Were it not for my Vow, I would not stay
longer under my Guru's roof. I will not have my family and race perpetually insulted
Things did not improve. After lunch, he wrote:

My Guru rude ; his personalities are becoming monstrous.
otfensive ... lf I am again insulted I shall depart immediately.
They are grossly
But later, he went out and watched the dawn come up over Loch
Ness; soothed and healed by the beauty, he wrote:
It's simply gorgeous. Everything asleep except the birds, who're half awake . The Loch
is ripping. I forgive my dear old Guru ten million times. I'd tell him so, only he's asleep
Otherwise I'd take him for a walk, if he'd come.
Crowley asked him to expand the references which he had

made to his mystical experience whilst a child and he did so, describ
ing the moments in which he seemed to be right out of the world and
yet one with everything:
When in the ecstatic state, I had a consciousness of having always existed : I could not
conceive of a time when 1was not... While I was an enthusiastic Freethinker and Atheist
- which I am still, by the way - the vision occurred, and I cannot remember ever finding
anything inconsistent in this ... The vision was intense enough to throw into the shade all
other events of life. Literally , I lived for it.
He did not think it could be induced by will; neither had it ever

come when he was indoors or otherwise than in solitude, though he
believed the presence of a sympathetic friend might not be an impediment.
He wrote also of his intimations of past existences, and particularly of one very clear memory- which seemed to him like a re-living
- of having been burned at the stake. He had been a priest and it was
for heresy, though he had the impression that loyalty to a friend had
130

It td something to do with it.
On the eighth day he went through a black patch. He was sure

llure was no divine mystery to be comprehended. One just went on
md on for ever, exactly as one was now. If only it were possible to
''''l'Ome extinct! But owing to the nature of the universe that was
1111possible. As a soul, one was indestructible. He did not believe in
lht Nirvana of the Buddhists. One had to exist through all eternity.
Crowley, when he read this passage, was most impressed and
wro te that it seemed to him a foreshadowing or reflection of the 7=4
1111', in Theosophical parlance, 4th initiation), the ordeal of the abyss.
VIctor must have been considerably encouraged by this and the
ttt:ord finishes in a much brighter key.
Crowley brought him a beautiful new volume on which he
rou ld made a fair copy of the whole. Victor did so, dating it proudly
tllhe end: Boleskine, June 29, 1909.
He obviously thought his ordeal was completed. He was misl.lken. Crowley now told him that for the next ten nights he must
ll'ep on the floor, entirely naked, on a litter of gorse. It was the cold
111ore than the prickles which constituted the real torment. The wind
whistled under the doors at Boleskine and chilled him, even in retropect when he remembered it, to the end of his life.
There is no history of tuberculosis in Victor's family. His death
Irom it is likely to have been brought about by this cruel exposure on
lop of the yogic breathing exercises rnis-practised because misliiUght. Madame Blavatsky warned that they could lead to conumption and death. B.S.K.Iyengar (from whom I learned yoga)
warns that without the safety restraint, that is without the chin's
resting in the notch between the collar bones, alternative nostril
breathing and rhythmic retention of the breath is 'lethal'. This is
because oxygen is being denied to the brain (instead of its supply to it
being increased), and the results are not mystical at all, but can be
found in a medical dictionary under 'Asphyxiation'. They should not
be attempted until the asanas (gymnastic type exercises) have been
mastered, and then only in the presence of a teacher, whose function
is to push one's head down if it begins to come up, and stop one at
once if one's nostrils begin to flare or even quiver. The slightest
movement of the nostrils is a sign the strain is already too much. That
rowley should have watched Victor's writhing on the floor trying to
hold his breath, with equanimity, shows his total incapacity as a
teacher. All one can say in extenuation is that he was ignorant.
After this Crowley told him he had passed his Probation, and
131

would be made a Neophyte, or 10=1 at the next ceremony. Crowley
was to be as stingy in giving grades out as he had been avaricious In
obtaining them.
111) Crowley has put a footnote : Slandering one 's Guru is punished in the thirty-second
till
lowest Hell.
tlmoath this, Victor has put a counter-footnote: A small price to pay for the invention of
tltlw vice.
( 1) In general, I have preferred to avoid the use of Oriental terms, but there is no word In
any Western language for Kundalini, because it is a constituent of the body not
recognized in Western science; a subtle fire having its seat in the base of the spine,
ordinarily dormant but capable of being awakened by spiritual will and aspiration when
it will rise up the back (it is felt like a hot fire or rash) and enter the head, where it vivifiee
the pineal gland, conferring initiation. Though the initial break-through may be made In
a matter of minutes, if the time has come, the remaining work is that of a lifetime.
(2) General J F C Fuller, the owner of this document, entitled The Magical Record of
Omnia Vincam, allowed me to have it in my home and with his permission I had an
integral photostat copy made of the whole.
(3) Gerald Yorke explained to me that this crucial term referred to an invocation
extracted by somebody in The Golden Dawn (Yeats?) from a book called Fragments of
a Graeco-Egyptian Papyrus on Magic, translated and commented by Charles Wydift
Godwin (Cambridge) 1851 . I checked this by applying for the book at the British
Museum ; for those who wish to do likewise, its Catalogue No. is Ac.5624 (Cambridg
Antiquarian Society Publications). It is Invocation No 7, on p 12; only it is called in th
text, 'The Headless One .' This being a literal translation, showing no mystic's compre
hension of the meaning, the Golden Dawn people changed it to 'Born less One'. I cannot
think this is attractive English, but it is nearer to the meaning which is the uncreate or
parentless .
To this first entry of the day, Victor himself has put an asterisk against 1Opm and written
a footnote : This of course refers to the previous night. This remark applies to certain
other entries in the record. I would note here that my copy of the Born less One Ritual,
lent me by my Holy Guru, is in manuscript.
(4) Crowley.
(5) Against this, Crowley has put a mark and a footnote : Why not kill the-?
(6) Footnote by Crowley : It is because you are trying to awake the Kundalini and she
escapes downwards, owing to the impurity of your soul. Perfect chastity is essential
before the first step in yoga is taken . [I do not think Crowley knew sufficient about this
to teach.)
(7) Gerald Yorke has explained for me the use of the word 'slew'. It is not meant in the
aggressive sense. Victor was trying to attain union with his higher self, and images
belonging to the intermediate planes of consciousness which usurped his attention
should be, as it were, scrubbed away or deleted.
(8) Crowley puts a footnote : Concerning Red Giant. I will teach thee the sign and godforms necessary.
(9) This means sitting on his heels .
(1 0) A Kabbalistic term meaning illusory images of an inferior order.
132
133
6
The Equinox and
Algeria
At the beginning of July they returned to London where Vil'l
helped Crowley bring out The Equinox. The office was simpl y
Crowley's flat at 124 Victoria Street, furnished with red curtains .uul
cushions, a stuffed crocodile and several Buddhas. This was almo~l
opposite Aunt Ti's flat, at 125 Victoria Street, so Victor was muth
backwards and forwards across the road though he had a room of h1
own at the Adelphi.
Though Victor was virtually sub-editing for Crowley, a good
deal of the back-stage work on the Equinox was done by Gencr.al
Fuller. Fuller told me Crowley asked him to edit Victor's diary of he
Magical Retirement at Boleskine so that it could be published in tl11.
Equinox. It never appeared for Crowley filled the Equinox with he
own stuff and there was hardly room for anything else. Fuller ml'l
Victor a certain amount at Victoria Street. In his first letter to me ht'
wrote, 'He appeared to me to be colourless.' I replied, 'I did not find
him colourless.' Later, when he invited me down for the day to his
home at Crowborough, General Fuller took occasion, of his own
accord, to make amends. 'When I wrote that he seemed to mt>
colourless I did not mean that in a pejorative sense. If one says a
person is colourful, that is not always entirely a compliment.
Crowley was colourful. His clothes were showy and he took every
occasion of dressing up. If he was in a room he was always the centre
of attention. Neuburg was inconspicuous. He would be sitting
quietly at the side somewhere and probably would not speak unless
one said something to him.'
The Equinox was a bulky bi-annual, of which the first issue
appeared in September 1909. It had as its motto 'The method of
science; The aim of religion'. There were articles on the Kabbalah,
yoga and other esoteric sciences, poems, stories and book reviews.
Relatively outside contributors included Arthur Grimble, George
Raffalovich and Frank Harris. Almost every issue contains contributions from Victor.
134
Despite the title I discovered not much astrology in it: I had
... vt'r seen the Equinox until I got it out at the British Museum for this
1\lrch: I examined the few horoscopes Crowley drew and became
upicious when I noticed the moon's place always ended in zero. At
l1111lle I recalculated them afresh. The basis of the trouble then ap, .. .,ared . The moon moves at a speed varying between 12 and 15
l grees of longitude in 24 hours; only the positions at noon and at
u1h.lnight each day are given in the ephemerides for astrologers pubIJ!jhed yearly, the user being expected to work out the longitude for
111y intermediate time with the aid of the tables of Diurnal Proportional Logarithms appended (unless, indeed, for fine work, he wishes
111 take account of acceleration or deceleration); and it was this eleaentary operation at which Crowley boggled.
Crowley wrote an autobiography; the published volumes
nded in 1904, before the story really begins. The rest was in typecript, and in the possession of Gerald Yorke who lent it to me with
11ther manuscripts, The Vision and the Voice and The Paris Working,
which I shall refer to later. Remembering the fear I had had in my
youth, it seemed to me strange to have Crowley's manuscripts spread
ou t familiarly on my own floor. I was stepping over them for weeks.
The first volume opened with his rediscovery of the manuscript
of Liber Legis under the skis at Boleskine where he was there with
Victor in June 1909, and his return to London, where Victor is rather
lost sight of, except for a description of how Crowley went with a
mistress and Victor to see a divorced lady at her flat near Hyde Park.
He was distressed to see their hostess and Victor 'flirting'. When they
rose to leave, it looked as though the lady would be pleased if Victor
stayed and Crowley dragged him out almost by 'main force'.
Having got the first number of the Equinox out in September,
Crowley proposed that Victor should accompany him for a holiday in
Algeria. They arrived in Algiers on November 17, bought some
provisions, took the tram to Arba and after lunch started walking
south. After two nights in the open and one at a primitive hotel they
arrived on November 21 at Aumale. Crowley had brought in his
rucksack the copy he had made at the British Museum of the Calls for
the Thirty Aethyrs dictated to John Dee, Queen Elizabeth's astrologer,
by Edward Kelly, who claimed inspiration by the angels. They are in
a curious language which has to read backwards, and they also have
to be called in reverse order, starting with the thirtieth. This and the
twenty-ninth Crowley had called some years previously. He now
wanted to do the rest.
135

In Aumale they bought notebooks. These were for Victor, l1
Crowley was to make the Calls and relate what visions appeand t
him, while Victor acted as scribe. For Victor, Africa itself was 111
and even the ordinary sights of the day, Arabs going about in thd
own dress with donkeys and camels must have been emotional 11
him. In addition, they were embarking on a psychic adventurp 1
unknown consequence. In the evening of November 23, after tlll'lt
meal, they went to look for a secluded place. Looking at an ephemt tt
for 1909, I saw that on this date there would have been a three-quarht
moon approaching the full, riding high in the sky by 8-9 o'clock, tlu
time when they began the operation. I think one must imagine Victnf
seating himself in such a position that the moon fell on his exem
book.
Crowley made the Call and began to dictate. Gerald Yorke h.111
brought me photostats of the sheets of Victor's writing, which becanu
larger and larger in his efforts to keep up with the speed of Crowley'
utterances as he described the appearance of a most frightful monstl'l
I ask myself what these Angels, which seem so much more likt
demons, were supposed to be. It is an occultist's axiom that tlw
candidate's effort to acquire any virtue calls up as much of the oppo
site vice as may be latent in his own nature. There is some indication
that the series of Calls was regarded as a scheme of initiations al
though the Aethyrs are referred to as though they had independent
existence. I don't believe Crowley had thought this out; in any case,
the communications, in which all his special obsessions appear, seem
very much a projection of his own personality.
The next day, November 24(1), they went on to Sidi Aissa where
they called the twenty-seventh Aethyr. The following day, in the
desert between 1 and 2 in the afternoon, they called the twenty-sixth
and in the evening after reaching Ain El Hajel they called the twentyfifth. In the afternoon of the next day they called the twenty-fourth
Aethyr, and on November 28, continuing their journey over semidesert, they reached Bou Saada where in the morning and afternoon
they called the twenty-third and twenty-second.
Bou Saada they found delightful. It was a place of white-walled
houses, clustered on a hill in the desert to which fertility was brought
by a stream below, bordered with palm trees, orchards and gardens
with brightly coloured flowers, made private by cactus hedges. The
scents on the air were subtle and fascinating, and as every path they
took led them to something of interest they stayed for several days.
It was their custom to ignore the local heure de sieste. On De136

"ltr 3, immediately after lunch, they set out to climb the nearby
l1111t Dal'leh Addin where they called the fourteenth Aethyr. This
I them from 2.50 until 3.15. They were beginning the descent
''' 11 suddenly Crowley was seized by a compulsion, or as he puts it,
1.. ml a command'.
They climbed back to the summit and picked up small boulders
1 big stones and arranged them so as to form a circle. Within this
lu y traced in the sand magic words. In the centre of the design they
11111 an altar. On the altar they placed themselves and 'in the sight of
lu 11un' performed a homosexual act, Victor taking the active role.
h1y dedicated it to Pan.
This was the first occasion on which they had ritually dedicated
xual act. Crowley says he had long known it did not detract from
1111' glory of God but that it was only in this moment he realized it
11tlld be done to the glory of God and be made a sacrament. He felt
tlutl he had overcome a dualism which he now detected in his previlltA conception of things as being divided into spiritual and physical,
wd resolved the opposition between the one life and its many mani11 "'tations. He believed that he had passed the initiation entitling
himself to become a Master of the Temple, or 8=3. He descended the
ttlountain, and awaited nightfall, Victor presumably with him.
I would make an observation here concerning Crowley's preumption in assuming he had attained a super-human grade. He
'' rcw a horoscope (moon in wrong place) for the moment, at 11.15, at
which he believed that mantle had descended on him. With this
tlaim to have transcended the condition of ordinary man, he had
l'tased to be completely sane. By December 6, still at Bou Saada, they
ltnd worked their way down to the tenth Aethyr, the most critical,
representing the Abyss. Kelly described its indwelling demon,
' horonzon, as 'that mighty devil'. It was the power of Chaos which
had to be conjured, faced and vanquished.
In the early afternoon they walked a long way from the town
,md came to a valley of fine sand. In this they traced a circle, fortified
by the Kabbalistic words, TETRAGRAMMATON, SHADDAI EL
CHAI and ARARIT A, within the protection of which Victor was to
sit. Outside the circle they traced a triangle, wherein Choronzon 'the
first and deadliest of all the powers of evil', was to be invoked and
confined. They fortified this also with holy words and in the three
corners Crowley killed three pigeons he had brought from Bou Saada
so that the subtle counterpart of their blood would provide material
for Choronzon to make a semi-physical body in which to manifest
137
himself; Crowley was careful that none of the blood fell outsid1 tl
triangle so that Choronzon could not break out of it.
Victor, ensconced within the circle, with his magical daggtr ''"'
his exercise book now swore an oath of the most awful solemnity
'I, Omnia Vincam, a Probationer of the Argentinum Aslr111
hereby solemnly promise upon my magical honour and swear I
Adonai the angel that guardeth me, that I will defend this magic cn:l
of Art with thoughts and words and deeds. I promise to thrt''"''
with the dagger and command back into the triangle the spirit 111
continent if he should strive to escape from it; and to strike with th
dagger at anything that may seek to enter this Circle, were it II
appearance the body of the Seer himself. And I will be exceeding!
wary, armed against force and cunning; and I will preserve with my
life the inviolability of this circle. Amen. And I summon mine Holy
Guardian Angel to witness this mine oath, the which if I break, may I
perish, forsaken of him. Amen and Amen.'
Victor then performed the Banishing Ritual.
Crowley, who had changed into a black robe, had by now
entered the triangle had at 2pm made the Call. Nothing became im
mediately visible but Victor heard a voice from within the triangle cry
out, 'Zazas, Zazas, Nasatanda Zazas', followed by many blaspht
mies. It seemed to him that the voice simulated Crowley's. Now
Victor began to see things; within the triangle was the form of a
beautiful woman who resembled a courtesan he had known in Paris
She called to him with soft words and made seductive gestures but ht
recognized that it must be the demon who had assumed this form in
order to lure him out of the circle and he resisted the enticement.
She then begged his forgiveness for having tried to tempt him,
acknowledged his inviolability and asked to be allowed to come and
lay her head beneath his foot in token of service. Victor recognised
this as an appeal to his pride and would not allow the demon to leave
the triangle.
The demon changed into an old man, then into a snake; then, in
a voice simulating Crowley's, he begged for water to quench his
thirst. Victor recognized this as an appeal to his pity and gave it no
heed. In the name of the Most High, Victor conjured the demon to
declaim his nature. The demon mocked him, declared that he feared
not the pentagon, that he was Master of the triangle and at his name
was 333 .
Victor invoked his Holy Guardian Angel and Crowley also. The
demon declared that he knew the names of their Holy Guardian
138

ugl'IS and had power over them. Victor replied that he knew more
II 111 the demon and feared him not and again ordered him to proLtlm his nature. The demon cried out that his name was Dispersion
nd therefore he could not be mastered in argument. Victor raised
ll11 dagger and the demon taunted him for thinking to frighten him.
Idle Victor was trying to write down his words the demon pushed
tlld over the edge of the circle so that the boundary of the protective
figure became impaired.
Then, in the form of a naked man, the demon leaped into the
11 de and upon Victor, throwing him to the ground. They rolled over
1111he sand and the demon sought Victor's throat with its teeth, then
It ild to bite through the bones at the back of his neck. Victor stabbed
tl him with his dagger and was able eventually to drive him back into
1hl' triangle. He retraced the arc of the circle where the sand had been
l'ushed over it.
The demon within the triangle wailed, 'The tenth Aethyr is the
world of adjectives and there is no substance therein.' Simulating
(' rowley's voice it begged permission to leave the triangle in order 'to
get my clothes'. Victor perceived that this was another ruse and
would not allow it to escape from the triangle and menaced it with his
dagger.
The demon raged increasingly and Victor said, 'Thou canst not
harm a hair of my head.' The demon laughed and mocked but Victor,
now completely master of the situation, said, 'Thou has not power!'
The demon threatened him with the tortures it could inflict but Victor
replied, 'Thou liest.' The demon cried, 'Ask o~ thy brother Perdurabo(2) if I lie!' Victor said this did not concern him.
At last the demon subsided and became invisible. Victor now
saw Crowley in his black robe take his Holy Ring and write in the
sand the word BABALON(3). Together they made a fire to purify the
place and then destroyed both the circle and the triangle. The whole
operation had lasted two hours and they were so exhausted they
hardly knew how to pack up their things and make their way back.
What had really happened? The commonsense explanation
would be that it was Crowley who had said all the things and,
shedding his robe, leapt upon Victor. But for what reason? For Victor,
what had happened was proof that Crowley's magic worked, not in
the sense intended but all too really. To the end he remained convinced that he had wrestled with a demon that day in the desert.
Perhaps he was right, in that he wrestled with a man possessed.
During the morning and afternoon of the following day they
139

rested, but in the evening they went out again, and called the ninth
Aethyr. The next day, December 8, they continued their journey to
the south-east, their goal being Biskra, over a hundred miles way
French officials were polite but expressed concern regarding their
intention to cross this wild country on foot, sleeping in the open, and
warned them they might be attacked by brigands. The Arabs added
to this and said there were evil spirits in the desert! Also that they
should be careful not to be drowned. This seemed to Victor and
Crowley a strange warning to receive on the fringes of the Sahara,
where water was the rarest element, but it appeared that what th
Arabs feared for them was a cloudburst which could fill any narrow
ravine or hollow with such rapidity they might be unable to scrambl
out before being overwhelmed. (Elizabeth Eberhard is believed to
have been washed to her death in such a manner in this area.)
A few miles beyond Bou Saada the road finished and they felt
their last link with civilization had been broken. They walked all day,
climbing all the time, until sundown. They made themselves an
evening meal and when they had eaten, they called the eighth Aethyr,
which took from 7.10 until8.10. After this they lay down on a patch of
grass on a sandy slope and slept under the stars.
In the morning they went on and presently caught up with a
road again. By evening they reached an inn, but it was closed and
they were told it would open only when the coach arrived. To pass
the time they strolled across the sand, meaning to climb a small hill
from which they could get a moonlight view. They felt their feet
becoming chilly and could not understand why. Crowley put his
hand to the sand and snatched it back a though he had touched a red
hot plate, for the sand was freezing cold. They realized it was because
in the dry air radiation was rapid and this caused the temperature to
fall so low. When they heard the coach they ran down to be at the
door of the inn as it opened and spent the next quarter of an hour
inside trying to rub their numbed toes back to life.
By December 10, late in the evening, they reached Benisruhr
where they called the sixth Aethyr. The fifth they called in the desert
between Benisruhr and Tolga after which they again spent the night
in the open. On December 15 they descended into Tolga, then walked
for three days across the now flatter land, arriving in Biskra on
December 16 where they called the fourth Aethyr in the evening. The
third and second they called on the mornings of the two following
days.
A town of palm trees and camels, Biskra boasted a grandly
140

11111ned Royal Hotel and it was from here that Victor wrote at
rowley's dictation a thirteen-page letter which General Fuller, havlug preserved it fifty and more years, allowed me to see and borrow
111 order to make a photostat copy.
18 Dec, 1909
lluar Fuller,
fonight I am almost too exhausted to talk, and I couldn't possibly write, so got the
tugu lar Scribe to do me this great favour, for which I am extremely grateful.
I can not possibly express in words my sense of how kind and good he has been
throughout. It has been an awful job for him, writing down my ravings at all hours of the
dny and night, and in the forty-nine Classical positions . God help him for a silly b-. If
nnly he had brains, he'd make an awful good chap. But enough of this distasteful
1ubject.
The next paragraphs move on to refer to practical matters connected with the preparation of the next volume of the Equinox. Then,
on page 4, there comes this:
I hope to find you a mass of learning on the subject of Kelly (not Gerald. And why they
describe him as an artist, God only knows.)
I have gone carefully through the proofs the Temple and dear, kind Victor has been
good enough to glance at them, but is trying to soak up the credit. I have had an awful
job keeping him off these Arab boys. He has a frightful lust for brown bottoms. because
when he was at school he was kicked by a man with brown boots; and being a
masochist as well as a paederast. that accounts for it.
Coming on this passage so unexpectedly gave me the biggest

single jolt I sustained while doing this research. In one sense I was
grateful to Vicky for having left a statement in his own hand concerning his homosexuality, which I could produce should anybody
tax me with having invented it. It startled me because I had always
thought of his relationship with Crowley as a unique thing. Indeed
even after this long research I still have not met a single person who
believes Victor had relations with any male excepting Crowley.
The letter contains passages of unprintable obscenity. I do not
refer merely to the lavish sprinkling of four-letter words but to the
utter offensiveness of some of the ideas introduced. I feel that Victor
should have refused to write these down.
I think General Fuller had not realized what he had passed me.
He had picked it out from a huge mound of unsorted papers he had
tipped from a drawer onto a table, and given it to me because it was in
Victor Neuburg's handwriting. I was well into it when some memory
of its content must have stirred him to anxiety, and he exclaimed in
sudden alarm, 'What is it I've given you? I didn't read it myself, first!'
141

I said, divining the cause of his anxiety, 'It's all right. I'm rc<dll
purely in the spirit of a researcher.' He said, 'I passed a Crowley It'll
to a man once without taking the precaution of reading through II
first and he was frightfully cross with me for passing him obsnl
matter, unwamed.'
On the last day of 1909, they set sail from Algiers for South
ampton.
(1) This , November 24, 1909, was the day on which Crowley 's wife, Rose, obtained""'
divorce from him; the action was raised at her instance and the ground was adult11ry
This information was communicated to me by the Principal Clerk of the Court of
Session , Edinburgh. I made inquiry because I had always been puzzled by the looaaly
given information that she obtained a divorce on this ground at a time when this was not
sufficient reason in English law for a woman to obtain a divorce against a man. I wnnt
to Somerset House, found that their books had no record of this case and obtained from
a helpful clerk the address of the equivalent department in Scotland in case it should
have taken place there, which in fact it had.
(2) Crowley.
(3) A name of Venus as bride of Chaos.
fie author 1935
142
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Aleister Crowley circa 1910
lumctonbury Ring near Vine Cottage
Victor and Kathleen 1923

Victor and his son Victor Edward, 1924
11
Pragnell shortly before the opening of the Sanctuary
he Rites of Eleusis
Victor shortly before his death
May 9, 1910, found Victor, in company with Crowley and the

'lolinist, Leila Waddell (1) and some others at the house of a Com,,l,mder Marston in Dorset, where it was decided to invoke Mars.
VIctor was put into the triangle so that he should become possessed
hy the god and deliver his message; then questions were put to him.
< ommander Marston asked whether there was going to be a war.
Victor's lips framed the oracle that there would be two wars within
the next five years, that the storm centre of the first would be Turkey
())and the second Germany, and that the result would be the destruction of both nations. Victor must have danced in connection with
lheir invocation, for Commander Marston now suggested the perlormance should be staged in a place where more people and the
press could be invited.
A project was elaborated. While Victor danced the god down,
Leila Waddell would play the violin and Crowley recite verses explaining what was happening. He composed these in collaboration
with Raffalovich. They spent the early summer in preparation of the
texts and costumes.
It was during the early summer that Ethel Archer came into the
picture. In her early twenties, with brown, fine hair and a little
learning in Greek, she was married to the artist, Eugene Wieland, but
used her maiden name on the poems she submitted to the Equinox.
They were love poems addressed to girls and when she turned up in
person Victor, in his direct, naive way, made some remark about this
and called her Sappho. A clergyman's daughter, she protested hotly
that he had misunderstood and that they were to herself as she imagined a man might see her. She accepted the name of Sappho, however, for its lustre.
When I saw her at her flat in Fulham in 1961, she was greyhaired and failing. I only saw her once. Indeed, I was only just in
time, for she had a stroke soon after and died. It was from Ethel
Archer that I got a description of the first performance of The Rites of
Eleusis at which she was present with her husband.
It was in Crowley's flat in Victoria Street. Arriving early they
were met by Victor who took them into the sitting-room. This was in
143

semi-darkness; the curtains having been drawn to shut out the Ugh
sky of a summer evening; the only illumination came from a swing!
silver censer, and the atmosphere was thick with incense. The usu
furniture had been moved out of the way and cushions were rang'
round the sides of walls where the guests were to sit. Victor found
place for them to settle themselves and then brought a huge beak
containing a brownish liquid, which he explained had been mixed b,
Crowley who was in an adjacent room. He had instructions thl
should be passed round as a loving-cup but warned them that in hi
opinion they would be wise if they did not drink much of it. 'It's gol
alkaloids of opium in it.' It tasted like rotten apples. A Dr Jensen wa
helping to officiate and they lost sight of Victor and when they saw
him next he was in a white robe moving mysteriously to the strains o
a violin. All eyes were on the dancing figure.
'Where had he learned to dance?' I asked.
'I don't know. It was just something he made up.'
'What sort of dancing was it?'
She raised her arms above her head, as though trying to recap
ture a gesture he had made and said, 'He kept turning round and
round.'
'Like a dervish!' I exclaimed. She agreed; and I supposed that
while in Algeria he must have seen dervishes dancing which had
given him the inspiration. I remembered a conversation I had had
many years ago with Vilayat. I had asked him the purpose of the
dancing dervishes and he had replied, 'It's a way of getting into the
astral. They turn and turn and turn and turn, until they are so giddy
and so tired their bodies drop off them.'
'He fell!', Ethel Archer said. 'He lay unconscious for some
minutes.'
She thought it must have been the effect of the drug although on
herself and her husband it was quite otherwise; they felt extraordinarily pepped up and lively. It took about a week to wear off. Ethel
Archer also mentioned to me that Crowley had told her a yogic
breathing exercise, which on her return home she practised. At first
she felt no result at all, so, although he had advised her not to do if for
very long, she persisted. All at once her nose and mouth were full of
blood and she lost consciousness. She never told him, and did not
wish him to be blamed for this.
One of the items which came to me in Anthony d'Offay's collection was a letter in Victor's handwriting, on the headed paper of
the Equinox to Ethel Archer's husband:
144

The Equinox
June 15th, 1910
I'" "' Mr Wieland,
1
tuwley has departed for some little time: I am glad the effects of the drug have passed
.,If Item Mrs Wieland and yourself.

" " at least had an exciting time, if not a very pleasant one!
At lor the people who were kind in their attentions, I simply don't believe they exist!
!lwotings to Mrs Wieland and yourself.
Sincerely
Victor 8 Neuburg.
f'') The poems are quite good.
This is obviously the original of which a hatted up version,

tt>presented as having been addressed to Ethel Archer herself, which
tppears in her book The Hieroglyph.(3)
General Fuller told me that with regard to these performances in
Victoria Street there was no impropriety at all. He attended the whole
lot, taking his wife with him each time and on one occasion his
mother as well.
The Sketch of August 28 carried an appreciative review. 'After
further ceremonies, Frater Omnia Vincam was commanded to dance
'the dance of sphinx and Pan in honour of our lady Artemis.' A young
poet, whose verse is often read, astonished by a graceful and beautiful
dance, which he continued until he fell exhausted in the middle of the
room where, by the way, he lay until the end ... A dead silence ensued.
After a long pause the figure enthroned [Leila Waddell] took a violin
and played ... '
Victor's fall, however, was not in the ordinary sense an accident.
In Crowley's typescript autobiography I came upon this passage:
The dialogue and action were little more than a setting for the soloists. These were
principally three; myself ... , Leila Waddell, the violinist, and Neuburg, dancer. I sometimes suspect he was the best of the three. He possessed extraordinary powers . He
gave the impression that he did not touch the ground at all, and he would go round and
round the circle at a pace so great that one constantly expected him to be shot off
tangentially. In the absence of accurate measurements one does not like to suggest
there was some unknown force at work, and yet I have seen so many undeniable
phenomena take place in his presence that I feel quite sure in my own mind that he was
generating energies of a very peculiar kind. The idea of his dance was, as a rule, to
exhaust himself completely. Sometimes he failed to lose himself in which case, of
course, nothing happened; but when he succeeded the effect was superb. It was
astonishing to see his body suddenly collapse and shoot across the polished floor like a
curling stone.
145
It was during these performances that Cremers, having recently

arrived from the United States, made her first appearance in tht
Crowley circle. She came as a spectator; and always maintained that
although much in the general ambience seemed to her sham some
thing really did happen when Victor danced. She felt that at a certain
moment, while he danced 'down' the god, a possession by the god
did take place.
Cremers, since my extraordinary meeting with her at Vicky's,
had always been a mystery character to me: during this research, I
received information concerning her from an unexpected quarter.
My letter in the Daily Telegraph was answered by a Mrs JoyCl'
Saunders whose mother, Olivia Haddon, had at one time been interested in Crowley's ideas and joined his 'mixed masonry', as Mrs
Saunders called it. She had little to tell me about Victor but she
mentioned having known Vittoria Cremers, and I was so electrified
that I went down to Bognar Regis to see her at her home.
Mrs Saunders emphasized the reserve which Cremers had always maintained concerning the facts of her life, and seemed herself
affected by it. Her brother had been Cremers's executor but she had
destroyed all papers before her death, intending completely to obliterate her tracks. Though she had been a close friend of the family for
many years she had always maintained secrecy concerning her origin. Her mother was French. Cremers was illegitimate. It was
understood that her father was a member of an enormously wealthy
family of Jewish financiers; they believed it was one of the
Rothschilds. While he made her an allowance she was almost obsessively concerned with not causing him embarrassment by allowing
the connection to be known. She had married a Russian, Baron Louis
Cremers, from whom she had her name. She was really a Baroness
but would not use her title and was always called Cremers, as though
she were a man. She wore her hair cut in a short bob before women
did cut their hair. She had lived for many years in the United States
where, acting as an under-cover agent, she had helped the New York
police clean up a drug peddling and prostitution racket.
This sounded a strange career for a woman who had first been
described to me as 'a Buddhist initiate'. but I remembered the sinister
sounding references to Jack the Ripper which I had heard the day she
came to Vicky's. 'Did you ever hear of Jack the Ripper in connection
with her?' I asked.
'She knew Jack the Ripper,' said Mrs Saunders shortly. But she
stopped and would not say any more. It was plain she admired
tl'mers for she spoke of her wonderful personality and luminous

yes.
When, in Crowley's then unpublished autobiography, I came to
I 'rcmers' entry to the Rites of Eleusis I was excited. There was,
however, almost nothing concerning their relations save for a genertlized statement that she set herself to work against him and take
way his pupils. But there was the Jack the Ripper story! And despite
lhc enmity between them he tells it in a way which is to her credit.
(On the other hand he maintained she ran a drug peddling and
prostitution racket in New York and, also that she was a Lesbian.
lleim had told me this but I would not consider either Heim or
Crowley trustworthy on such a matter.) But to the Ripper story which
mte-dated the New York period, for the year of the Ripper murders
In London was 1888.
According to Crowley, it was the novelist Mabel Collins who
confided to Cremers her lover was behaving so strangely that she was
~tfraid he was Jack the Ripper. The lover was Dr Roslyn d'O Stephen;on - alias Dr Roslyn d'Onston, rightly Robert d'Onston Stephenson,
not a doctor. The story told by Crowley sounded so melodramatic
and impossible that I thought he had made it up.
Nevertheless, I wrote to Mrs Saunders telling her the story I had
found amongst Crowley's papers and asked her to comment. I ll'r
reply contained no details but confirmed the story in the particul.11
which surprised me most:
146
I always remember Cremers saying she knew Jack the Ripper quite well through lull
dear friend Mabel Collins.
Since then, more has come out about this, in two books, jurA Ill
Ripper, Summing Up and Verdict, by Colin Wilson (Bantam, 1987) '"'d

Jack the Ripper, The Bloody Truth, Melvin Harris (Columbus, lliH7l,
Both take as their source the notes left by a journalist, Bl'lllilld
O'Donnell, who obtained an interview with Cremers but ncwr p~rl l
lished because he felt, had not got the whole of the story. <.'('li"
Wilson says it was Hayter Preston who told O'Donnell that C'nuu}r
could tell a story about Jack the Ripper, and that makes llH ' thin
O'Donnell must have been that young newspaperman who ~ upl
trying to talk to her that afternoon at Vicky's. I thought 1 h<anl H11ni11
refer to him as Donald, but I could have misheard O'Do11111'll n
Donald. If it was he, he did not make on me the impn~HHioll 111 ''
profound person. But, according to him, what finally co nvrrutd
Cremers d'Onston was the author of the crimes was that ht '''""'''"
her there would be no more of them.
lt1 7

In fact, I think she was mistaken. In excusal of her and M.hd
Collins's suspicions, he called on the police, talking so strangtl
about the crimes he almost had them suspecting him, though tlu
seem to have decided he was merely mad.
I happen to have primary material, which points in a diffcn11t
direction, which I shall disclose in a forthcoming book Sickert and 'Jh
Ripper Crimes.
Some of the dances Victor performed were invocations to tlu
Moon and years afterwards he was to tell Commander King Bull tl111t
on one occasion Crowley omitted to speak the ritual words whirh
would have relieved him from the possession before the end of tlu
ceremony. This was a serious piece of negligence, if negligence it w.1
because it left Victor possessed. He had dismissed the deity himS4.11
as best he could but, looking back, it seemed that for a considerablt
period of years he had suffered from a greater than usual possession
by the moon.
The evenings at Victoria Street were such a success that Crowky
booked the Caxton Hall, Westminster, for seven successive Wedncs
days in October and November, at 9pm. An entrance fee of 5 Ss. wa
charged for the series. Victor danced an allegory in which, as Mars,
he sought to understand the riddle of the universe, and appealed on
successive evenings to Saturn, Jupiter, the Sun, Venus, Mercury and
the Moon; all confessing their inability to provide the solution they all
turned in the end to Pan, who did so. To represent these other
celestial bodies, additional persons were brought in.
Amongst these was a young girl of unearthly pallor; a fillet of
silver leaves crowned her dark hair which fell loose about her form,
robed in shining white. She was the moon.
Concerning this girl, who was to become tragically involved,
Dame Rebecca West has written to me:
I was a fellow student of Joan Hayes at the Royal Academy of Dramatic Art in the year
1910. She had a beautiful face of the Russian ballet type, oval with beautifully defined
eyebrows ; her hair was very black and her skin white. Most girls at that time did not use
powder but a curious thing called papier poudre, and we thought it rather dashing of her
to use powder - and terribly dashing when she took to using a pale blue or pale green
powder to intensify the whiteness of her skin. This she had been taught to do by a
famous beauty of the time ... a poor girl who was just too marvellous to look upon, and
could not act at all, and had come before the days of the photographic model. She had
the body of a child of twelve . She was a freak of nature, though a very lovely one. She
was both short and slight. It was as if her growth had been checked. She had
absolutely no talent of any sort, as actress or dancer. Her delivery was wooden and her
movement stiff. She was also quite stupid on general matters. But her beauty was
148
lluordinary, and she was sweet natured. Joan Hayes was a delightful, kind sympafriend.
llit~llc
1!11 had two sisters . One was a famous show-girl called Kathleen Hayes, the other was
lu on the stage. Their father was, I thought, a Frenchman; and he had come over to
IIUiond because in some curious way he had been ruined by the Dreyfus case. I think
!lillY were possibly Jewish. She was not in the least what one would have expected
lnllll the daughter of a man who kept a lodging house in the Brixton Road. She was by
11111 way frank and humorous about her home. She spoke beautiful English and odd
ltunch, she had good manners, and a certain air of refinement was evident in
vurything she did and said, but there was something odd and isolated about her, plus
11 olr of second rate theatre. Joan's fees were paid by somebody very odd - I can 't
1ounomber if it was the local doctor or the grocer. Anyway he came with his wife to see
ilur act and I met them. Or was it a bookmaker? I remember a cheerful and vulgar pair.
Jonn took a job appearing as a figurante in some ceremonial shows which were given
ltv Crowley . She either applied for the job as a result of seeing it advertised or was sent
lhure by an agent. I don't think Joan had any ideas which would have led her to
( 1owley. She was a very simple-minded girl, who read in order to develop herself but
wouldn't have known the difference between Marie Corelli and Thomas Hardy.
Meanwhile, Ethel Archer wrote Victor a poem, which was later

printed in her first volume, The Whirlpool:
ToVBN
What shadow stirs the sentient air?

Like some dim whirling flame-flower from the loom
Of darkness; swifter circling mid the gloom
Of incense laden shadow to the air
Of softly chanted mantras; till the prayer
So oft repeated fills the sombre room
With magic mighty as the dusky plume
Of the concealed one by whom we swear!
Victor! Twice Victor! By these golden lays
Of many-moulded music, hear our praise!
Accept our homage, whilst other spirit whirls
With thine; in fiercest ecstasy unfurls
Itself of its own beauty, passion's pearls.
To this Victor replied with a poem, unfortunately not one of his
best, which makes me think it was written out of polite gallantry. He
salutes her as a tormented soul from Lesbos but includes a mysterious
couple of lines;
Thou lyric laughter of the enfranchised Male,

Thou fury of the eternal Woman's dirge!
149

I think the first of these is superb. But is it her he is saluting, or,
as I think, his own freedom?
Ethel Archer from now on was increasingly in the office of th
Equinox, fascinated by Crowley and Victor. Victor was always read
ing proofs and when coal had to be put on the fire he would pick it up
with his fingers. In consequence his hands were usually black from
printers' ink and coal dust. Crowley would say, 'Show me your
hands, Victor!' And Victor would put them behind his back had say,
'Shan't!' like a child.
'He was absolutely fay!' said Ethel Archer. I wondered if sh1
was aware that word had acquired, modernly, the meaning of homo
sexual; from a remark she had made earlier I realized she knew he
was so but from the way in which she spoke the word, with an eerie
look, it was evident she was giving it its literal meaning. The next
moment she said, 'He was a leprechaun! No, not a leprechaun; they're
Irish. What's like a leprechaun, but not Irish?'
'A sprite?' I suggested.
'Puck!' she said. It was in his laughter that she felt something
aeriel, belonging to the woodlands rather than to the realms of men.
'It was quite unearthly'. Sitting suddenly bolt forward, her eyes
straining as though into another region, she said, 'He wasn't human!'
llacorned a scribble in faint pencil in a hand which had become familiar:
124, Victoria Street, SW
July, 1910
I lt/Br Mrs Wieland,

I offered this after you had gone the other day. It is quite good; you should finish it off.
Wilen will you come again?
Yours,
Aleister Crowley.
With regard to the slight alteration of names in The Hieroglyph, Ethel Archer said when
lapoke with her that she had used Crowley, Victor, herself and her husband as models
lor the characters of Swaroff, Newton, Iris Strickland Blitzen, but she avowed that she
hod freely fictionalized the events in which she had involved them . She had not given
Victor an opportunity of seeing the manuscript and was horrified when I told her I had
found the book in Victor's library.
(1) Amongst the books I acquired from Anthony d'Offay was one about New Zealand,
inscribed inside: 'To my Good Samaritan Victor Neuburg, from the pilgrim Cestrius for
Maoriland, Kia Ora (good fortune) En passant June 24, '10, Leila Waddell.'
(2) There was the Balkan war in 1912, and of course the Great War in 1914.
(3) The 'hatted up' version in The Hieroglyph runs :
Dear Miss Strickland,

Salutation, and thanks much for the screed. We are glad you survived the fearsome
ordeal; and trust that all is well with thee and thine. As to the persons who were kind in
their attentions, believe me they simply don't exist!- Thine in the Mysteries,
Benjamin N
PS When will you come again?
It will be noticed that the significant alterations are (a) that the letter is made to be
addressed to herself instead of to her husband; (b) that the signature is altered to 'Thine
in the Mysteries' from 'Sincerely,' and (c) that the PSis altered into an invitation to come
again .
Curiously, I found the original of this invitation imputed to Vicky when, Ethel Archer
having died, Anthony d'Offay acquired a great mass of her papers and allowed me to
see them. There were many manuscripts of her own poems and on the back of one I
150
151
The Triumph of Pan

I am corrupted utterly; and whole.
8
The Triumph of Pan
The Triumph of Pan(l), Victor's second book, was published from
the Equinox in 1910. As a reward for turning the pages of th
Bookseller for the whole of that year at the British Museum, I found II
listed for the week beginning December 16.
There are 182 pages in the book, the title poem occupying fifteen
pages. At the commencement are the words Lampada Tradam, mean
ing 'I carry the light.' They constituted his new motto as a Zelator and
show he had now obtained this grade and was a 2=9.
The title poem, which consist of fifty-four eight-line stanzas,
begins:
There are three gods who in their talons hold me;

The first of these is a woman, who seeks him for her lover. Her
longings are 'soft and pure',
But while I love her, she consumeth me;

She withereth my soul, that erst was free.
Is this Joan Hayes, already?
The second predator I am unable to place, unless it be Pan
himself.
The third is obviously Crowley:
Lastly, there is one Great One, cold and burning,

Crafty and hot in lust,
Who would make me a Sapphist and an Urning,
A Lesbian of the dust.
The dung of all dead ages clings to him,
And a fierce light shines through;
They are the dead who once, long, long since, knew him;
The Pagan and the Jew
Have lerlt him, one by one,
Seed with their orison,
But he hath spurned their offerings, seeking me,
A God, a victim slain in majesty.
Here in the dust I lie, a broken shadow.
152
But we, my God have been

Sublimely wise; obscene
In passion;...
It is, of course, homosexual poetry; in its category grander than
1nything I know, not excluding Verlaine. The sand blows through
many of the lines and images.
.... the sun is glowing

Over the eternal sand,
The endless road grows steeper; we are going
Into a nameless land.
It is Dal'leh Addin which they are ascending, but also a spiritual
territory:
No way may lead us back; our track is hidden

In dust and sand and grass,
For lo! we journey on a road forbidden,
Where no man sees us pass.
.. .. no stay
We make, for who looks back shall lose the way.
Amidst the concatenation of mixed images which follows, rises
one superb line:
And we have passed the bounds of men's derision;

Men shall stand naked, unashamed and free,
To flaunt abroad their new-born ecstasy!
The end of what must surely be the most outspoken poem of its
kind ever to have seen publication, read:
... the lure is mine, and I am fearless,

Naked, and free, and young;
The torch is out; no longer night is cheerless
The hot young day is sprung
From out the loins of God!
Rise from the barren sod,
Raise high the Paean of the God in Man!
Io Triumph! Hail to the new-born Pan!
It represents the time when he was at his greatest emotional
height in the pride of his powers, ecstatic. He was still unbroken, a
wave which has not yet struck rocks big enough to curb its impetus.
153
The Triumph of Pan
The title-poem is followed by a number of shorter lyrics.

these, 'The Lost Shepherd' is also a homosexual poem, though there I
a blind in as much as the first six stanzas, beginning;
111 which he had made notes concerning some of the dedicatees whose
She walks among the starry ways,

A crimson full-blown rose;
and last (XVI), ending
She is born at midnight on the stream,

A starry full blown rose.
constitute a kind of cup which, though beautiful, has no con
nection with and forms a separate entity from the core of the poem,
beginning in verse VII with:
I was a shepherd in other days,

I found the groves of Pan: I came
At length to a daisied field,
What follows is a rape of the shepherd. Afterwards,
.. .in the morning Pan rose and fled

And left me alone to sleep;
And long I lay in slumber dead.
Then on hands and knees did I creep
Back to the shade of the sheltering trees;
And I found my sheep on the shady leas;
And my body was flushed, and my cheeks were red,
And my eyes too bright to weep.
Curiously, this poem is dedicated to Ethel Archer. I asked her
about this. She said Vicky let her see the whole book when it was in
proof and, explaining that he would like to dedicate a poem to each of
his friends, invited her to choose one or two with which she would
like her name associated. She chose 'The Cauldron' and 'The Lost
Shepherd'.
Not all the dedicates were consulted. General Fuller received a
piece about somebody being ritually stoned to death. I wrote to him
about this and he replied:
I have no idea why VN dedicated it to me, and on re-reading it can see no reason why
he should have. This applies to most of the dedicatees, many of whom I knew. It would
seem that he dished out the dedications in a haphazard way, including as many of his
friends as there were poems.
Some of the poems were written for girls with whom Victor had
154
ll1cting contact. Cammell showed me his copy of The Triumph of Pan,

1111mes had been supplied by Dr E.T.Jensen, formerly of Crowley's
,lrcle. Beneath the poem 'Dolly', I read 'Dolly was a fille de joie,
lormerly a chorus girl.' 'A Meeting' is dedicated to Nora: 'Nora was a
li1dy of pleasure VBN met in Bournemouth in 1910.' 'Night Piece' is
dt>dicated to Bruna: 'Bruna was a fille de joie and friend of VBN.'
John Symonds put me in touch with the widow of one of
' rowley's disciples, Noel Fitzgerald. She also had notes on the
dedicatees, unfortunately from the same source though in cruder
language and slightly amplified, eg 'Nora was a tart VBN met the
11ight in Bournemouth.' She may have been a tart but she got a lovely
poem, beginning:
Violet skies all rimmed in tune,

Soft blue light of the plenilune:
Oh, the sway of the idle moon!
These tributes to the lightly loving ladies contrast with lines
written in 'A Nocturne' (not included in The Triumph of Pan but published in the Equinox, no 5) to a feminine figure who appeared before
his inner eye, as though in a dream, and who seemed to be his true
love:
... tiny rosebuds

Girt thy green mantle, and thy yellow hair
Glittered with the dust of the stars.
Most of the lines from' A Nocturne' were later incorporated in a
much longer poem, 'Rosa Ignota', which appeared in the Equinox, No
lO. I spent a long time trying to identify this girl. She was not Joan
Hayes, for the colour of the hair was wrong, as were other details.
None of Victor's friends could think of any girl he had known who
fitted the description I came to the conclusion that she must be a
figure whom he had known only in dreams, like 'Strong-heart' and
the 'Grey Friend'. I was not far off the truth; yet I did not obtain the
solution of the mystery until I was near the very end of my researches.
Other dedicatees include Crowley, Norman Mudd, Kenneth
Ward, George Raffalovitch, Arthur Grimble, Commander Marston,
Leila Waddell, Oscar Levy (translator of Nietzsche), Edward Storer,
R.Noel Warren, R.B.Hazelden, Rae Fraser, Dorothy Taylor, Ragna
Temp (dedicatee of 'Sleep on the Hills'), E.J.Wieland, Wilfred Merton,
Vicky's mother, Aunt Ti, his cousin C.H.Davis and Rudolph
C.Skinner. The book as a whole was dedicated to Gerald Pinsent.
But in the light of future events the most significant dedicatee is
155

Joan Hayes. It is disappointing that the series of poems dedicated to
her, 'The Songs of Sigurd', seem to have no possible bearing on
personal relationship. It is about a Norseman in the land of th
Saxons; Vicky had an unexpected vein of interest in Vikings, thcl
myths and their long ships.
The latter part of the book consists of the earlier compoSl>d
Olivia Vane series, from which I have quoted when dealing with th
period during which they were written.
At the end of the book appear lines which seem very special
because they are printed in red and occupy a page to themselves
Indeed their meaning is very special and seems to prove my thesis,
which I elaborated earlier, as to what Victor and Crowley really
purposed in their relations
I cannot avail myself of red print so I will use italic:
There is a maiden harp-player, and a silver lute is held
In the hands of an hermaphrodite; this thing shall be fulfilled.

This volume of Victor's poems, The Triumph of Pan, was the
subject of the first letter from John Middleton Murry to Katherine
Mansfield. She was a contributor to A.R.Orage's periodical New Age
as indeed was Victor. I am indebted to Mr Charles Stephens of
Liverpool, the grandson of another contributor, for sending me photostats of some pages of the issue of 28 December 1911, which carried
not only an article by H F Stephens but a translation by Victor B
Neuburg of 'The Englishman Abroad', from the German of Karl
Hillebrand. It was in that same month that Katherine Mansfield and
Murry met at a dinner party. Interested, he gave her a book, apparently by hand, and asked her to review it for the new periodical which
he had just started, Rhythm. She asked him to tell her something
about the author. This gave Murry the occasion to write her his first
letter:' (2)
The Triumph of Pan

1110st was 'Sleep on the Hills':
There is peace on the hills to gather,

There a sad, proud soul may sleep
Gold gorse and green purple heather,
Hold the tears that the salt winds weep,
And we will lie down together.
So Victor was on the fringe of that circle .. Did he actually meet
those by whom he and his work and life were discussed? I am trying
to remember. I know that the name of Orage passed his lips, as being
that of a great literary editor of the days before we were born, and
remember his paying a special tribute to Beatrice Hastings who lived
with Orage, contributed to New Age and helped behind the scenes. In
Vicky's view, her importance had not been sufficiently estimated
(Theosophists are grateful to her for her defence of Madame Blavatsky). Vicky only once mentioned John Middleton Murry in my
hearing; I cannot remember the exact words, but the impression they
left on me was that he thought of Murry as a person who tried to
understand without understanding.
(1) Several of the poems in The Triumph of Pan are reproduced in The Cambridge
Poets, 1900-13, in which Victor Neuburg is accorded the same number of pages as
Rupert Brooke.
(2) The letters of John Middleton Murry to Katherine Mansfield, ed C.A.Hoskins (Constable, 1983), p 16.
Jan 27, 1912

Dear Miss Katherine Mansfield,
I don't know very much about the man Neuberg (sic)- but what I do know I'll try to tell'
you. He is or rather was one of Aleister Crowley's push in the advanced spiritualistobscene yet divine - stunt, Ep<J.Cmlcr Crowley's part being always pathic .. .
This is true, but it was a pity for Victor that he should become
known in this way. The reputation then acquired would damage him
in later life. Nevertheless, Katherine Mansfield wrote a nice review,
occupying nearly a page of Rhythm and carrying seventeen lines of
quotation from Victor's verse. The poem she appeared to like the
156
157
The Desert
9
The Desert
The Triumph of Pan received a great many reviews but Victor did
not see them as they appeared, for Crowley was impatient to get back
to Africa. Crowley installed Ethel Archer and her husband in his flat
at Victoria Street, with instructions to hold the fort, and departed with
Victor. At Marseilles they were held up for a couple of days waitin.
for a boat to Algiers. Victor sent a postcard to Ethel Archer from the
Hotel de la Regence, dated and postmarked December 9, 1910.
If there's time, send me a set of proofs to Biskra; both AC and I would like a chance of
seeing your book before it goes to press . If there's no time, never mind. We go today
Thine,
Victor
The book referred to is her book of poems The Whirlpool, which

was being published by Equinox, and on the verso Victor has written,
across the picture:
Ask Bunko to send me an ordinary Pan to Biskra beside the others and send news of
The Whirlpool
With best wishes form
Victor B Neuburg 'I .
This is the first thing I have of his, where he uses the two dots,
one each side of a slanting line. They do not appear in his letter to
Wieland of the previous June but from this time on were always to
appear after his signature. They have puzzled many people and I
have been asked if they are an astrological symbol. They are not, but
they might be Rosicrucian. Most Rosicrucian Orders use dots, usually arranged in pyramids, but in a manner differing slightly from one
Order to another and according to the grade. I presume that this
particular formation was the one Victor was entitled to as a Zelator, or
2=9.
From Algiers they took the train to Bou Saada, where they must
have spent six nights. From Bou Saada Victor sent a second postcard
to Ethel Archer:
Dec 14, 1910
Greetings to you and Bunko. We start walking tomorrow. Ask Bunko to send a free ,
158
rdi nary Pan to W K Sanderson , Vote Office, House of Commons.

llest wishes from
Victor B N '/.
This time he and Crowley intended to strike deeper into the

Saharan Atlas Mountains so they obtained camels with a man to drive
I hem and a boy to look after them. They made their first evening halt
with a sheikh who held a kind of mystical school and talked with him
fa r into the night, which they spent as his guests.
In the morning they struck upwards towards a mountain pass.
To follow their day-to-day progress from Crowley's typescript would
occupy too much space. Briefly, they ran into rain. Neither Victor nor
Crowley had even conceived of rain of such an order. In fact they
were caught in a storm which entered into history. They had difficulties in putting up a tent, reminiscent of Three Men In A Boat. It was an
Arab lean-to made of a blanket and sticks, some of which plainly
served the structure while others had no function they were able to
discover save to stick into them.
The camels were wretched . The camel-driver and boy complained ceaselessly; they said the beasts were too cold and hungry to
go on. As they had brought no food for them, and there was no way
to give them shelter, it did not seem to Crowley or Victor that simply
to stop moving would be any solution. Eventually the man and boy
staged a sit-down strike. They sat in an empty tomb and said they
would go no further. Crowley and Victor called their bluff and went
on by themselves on the camels, for by now they had learned to make
them go in the direction they wanted. When at last the downpour
ceased, on the third night out, they contrived to make a fire and spent
the hours until dawn removing their clothes and drying them.
The driver and boy, not wishing to lose the camels, caught up
eventually but Crowley and Victor decided to do without them and to
continue on foot. They had intended to do a pendant to the Aethyrs
but neither of them felt in the mood for magic.
Most of the time they spent in the open. On one occasion,
according to Crowley, they covered 100 miles in a day and a half
though I suspect exaggeration.
On the flat, featureless desert, where no moving thing was seen
from horizon to horizon, the sense of isolation from the ordinary
events of life was complete. The smallest physical detail had absolute
value. It was possible, as 'not on even the holiest honeymoon'
to love as it is impossible to do in any other conditions. Every moment of one's life
159

becomes charged with unimaginable intensity, since there is nothing to interfere Wl!h
one's absorption .
After this, it is surprising to read:

I left Neuburg in Biskra to recuperate.
That is how Crowley puts it. The Raeburns, years afterward
when Victor told them about it, understood something very diffennl
'Crowley abandoned him in the desert.'
Victor felt this was a most unfriendly and unkind desertion. U
as is probable, Crowley had taken the map and compass he may hav
feared being lost. It is plain that he was in utter desolation; and I
suppose it was in this moment that he turned to beseech help of the
Great White Brotherhood.
The Master heard; with his remembering hand

He scrawled a message in the wrinkled sand.
Victor regained the coast at Bone and left from the port of Tuni
160
0
riangles
Victor's story now enters what, to me, is the most confused
period. What I see is a series of triangles in which he was involved;
hnt they are triangles which, because of the homosexual undertow,
I'Ould be interpreted in different senses. It is difficult to be sure and
hccause one is dealing with real people, who had real feeling, one
does not like to juggle with them like puppets. The position is not
made easier by the fact that the whole thing has become overgrown
hy a jungle of legend, most of which is based on misunderstanding
11nd misinformation. Slashing this aside I shall present only the barest
bones of the situation which has emerged from my researches.
First there was a triangle of Crowley, Victor and Joan Hayes;
then a subsidiary one composed of Victor, Joan Hayes and Ethel
Archer. I will treat the latter first because it bears on Ethel Archer's
capacity as a witness. I found her almost hysterical on the subject of
Joan Hayes; she spoke of her with extreme antipathy and I marvelled
that anybody could speak in tones so charged with hatred of a girl
whose funeral she had attended half a century ago. 'She made him
IVictor] promise not to see me. I didn't see him for ages and when I
did I asked him where he'd got to and he said "She asked me to
promise not to see you again."'
'Victor and I were not having an affair!' she added, suddenly
fearing this might give me a false impression.
I am sure they were not. In Anthony d'Offay's collection I got a
number of letters written by Victor to Ethel Archer at different periods. All are to do with printers' proofs and the like; and the tone,
though friendly, is incompatible with anything more than comradeliness.
Nevertheless jealousy can exist without 'an affair' being involved. Ethel Archer's attitude to Victor was obviously complicated
and ambivalent. When she forgot Joan she read to me from The Triumph of Pan, in a voice that quivered and said, 'it's simply too beautiful' . She seemed to have been carried back to another world . But
any question concerning Joan and she was immediately beside herself, Victor became engulfed in the wave of vitriolic emotion and
nothing was too bad to say of either of them.
161

Dame Rebecca West declared that Joan was quite undeservln.
of the comments Ethel Archer made on her moral character.
Dame Rebecca wrote:
I know her family background was probably sordid, but... that she was an innocent girl I
am certain. I met her every day in term-time for a year, and I took her home several
times and exposed her to the really very shrewd gaze of my mother, who thought ah
was a nice, stupid, very affected, good natured girt, with a tragedy ahead of h
because of her ambition and her quite evident lack of gifts.
What is interesting about the whole story is that Joan Hayes had almost no personality
except this sweetness of which I have spoken, and a sparrow-like chirping activity.
She recollected that somebody at RADA had told them a risqu

story which neither she nor Joan understood.
While completely accepting this picture of Joan at the time when
Dame Rebecca knew her, it seems possible she altered considerably
after she left R.A.D.A. and became part of Crowley's circle. Da
Rebecca herself wrote:
I lost touch with Joan Hayes , but went to some cellar theatre and saw her acting ... in
some avant garde play. She acted so badly that I was embarrassed and did not go
round to see her. I was also conscious of a disagreeable change in her, something
affected and queer.
From all Ethel Archer said I retain one cameo: she described
Joan standing behind Crowley's chair as he sat at a table, running her
hands through his hair and calling him 'Aleister'.
'Not even Victor called him Aleister!' she said to make me
realise the enormity of the familiarity.
'What did Victor call him?' I asked with sudden curiosity.
'A C usually. Or Holy Guru. Or by his surname.'
She represented Crowley as detesting Joan, and quoted him as
having spoken about her, and to her, in terms which, if he did employ
them, were offensive to a degree.
Yet Hayter Preston believed strongly that Crowley had intercourse with Joan before Victor did . I had always known that Hayter
Preston was one of the most important people to see with regard to
Victor's story, yet I had had no idea that his friendship went back to
those days.
I wrote to him c/o The P.E.N. and a few days later he was
having tea with me. To me he had been simply a name, the Literary
Editor of the Sunday Referee; he was a big, friendly man with blue
eyes; his friendship with Victor, to my surprise, went back to 1911.
Curiously enough, he had met lone de Forest, even before he
met Victor. It was in a bar, perhaps at the Cosmo Club and she was
162
Triangles
with a theatrical agent called Alec Bland. His impression was that she
was neurotic. lone de Forest was the stage name of Joan Hayes.
Preston at this time was a young freelance journalist, a poet and
Freethinker. One day when he went to the office of the Secular
Society off the Farringdon Road, he happened to have under his arm
n volume of poems by Ezra Pound whom he much admired. G.W.
Foote was there, talking with some others; they noticed the book he
had and told him that if he was interested in modem poetry he ought
to meet Victor Neuburg, one of their members. They gave him
Victor's address, at York Buildings, the Adelphi.
Preston went there. It was a couple of houses down as one
descended from John Street to the river. There was an Adam doorway and a rather dark staircase. Victor's room was on the second
floor. It, too, was rather dark. There were piles of books on the floor
and in corners. Victor let him in, 'small and birdlike,' a shock of hair
and a head too big for his body.
I had often wondered whether had I known Victor in the days of
his strange relationship with Crowley I would have felt his personality to be in any way different. I asked Preston. 'No' he said, He was
younger of course, 'As he grew older the face grew more lined and
greyer. He used to have a fine skin. But he changed remarkably little
over the years.'
Sketching the pattern of Victor's daily life, he said. 'There was
no kitchen attached to his room. He did not cook. He ate out. At
Lyons usually. Or he would go for a meal to his Aunt's in Victoria
Street. Once I went with him into Coutts' Bank in the Strand where he
cashed a cheque from his Aunt and we had lunch at Simpson's'.
He met Crowley through Victor; and disliked him. He lunched
again at Simpson's with Victor, Crowley and Crowley's mother.
Crowley took the menu and said, 'You can have boiled toads, Mother,
or fried Jesu.' His mother was obviously upset, and Preston could not
understand Victor's association with a man whose sense of humour
was so puerile. Preston found Crowley vulgar, coarse, overwhelmingly conceited and fake.
I had always thought of Preston as having had from the beginning the completely Secularist and Rationalist attitude for which he
was known but he surprised me by saying: 'I had read the books of
Eliphas Levi before I met Victor!' he had had a brief experience with
an esoteric group in Paris and considered Crowley's attitude to magic
much less refined than that which he had encountered there. 'Everything he touched would become fake!' He paid the chef of a London
163

hotel to name a dish after him, Sole a Ia Crowley. He commission
Augustus John to do a portrait of him. He had his own books bound
in vellum. He got through an inherited fortune of between thirty and
forty thousand pounds and was battening on Victor. 'Victor could
only get the money through his family and through him Crowley w
bleeding them.'
I have confirmation of this from a Mrs Baker, who did not know
the family until much later but understood from his Aunt Fanny thai
while they were in Algeria, Victor's mother received a telegram from
Crowley reading: Send 500 or you will never see your son again. Then
was a family conference at which his Uncle Edward declared that thi
was just another ruse to get money out of them. His mother, fright
ened that Victor was really being held to ransom, dissolved in tears.
Mrs Baker did not know whether the money was sent or not.
One evening Victor took Preston to Crowley's flat in Victoria
Street. In a half-open drawer Preston glimpsed a pile of visiting cards
printed for Lord Boleskine. When Crowley left the room for a moment,
Preston took them out and put them on the table in front of Victor and
said, 'Why does he call himself LordBoleskine?'
Victor had nothing to answer. But when Crowley returned
Victor said, 'Teddie asked why you call yourself Boleskine.'
Crowley said bluffingly, 'I'm the laird up there. Laird means
Lord.'
With regard to Joan - or de Forest, as Preston always heard her
called - he did not know the exact story. He did not think she was 'a
promiscuous girl by nature', or even particularly sensual, but he
thought she had been disorientated by Crowley.
He thought it possible that Victor's affair with de Forest was an
attempt to get away from Crowley, or to gain some emotional independence of him.
No enlightenment is to be had from Crowley's autobiography,
which does not mention Joan or Ethel Archer, the pages for this
period being consumed with another matter about which I first heard
from General Fuller.
'I broke with him because he let a friend of mine down,' General
Fuller said. 'George Cecil Jones had a peculiarity, which was that he
told the truth!'
The day after my visit to General Fuller I went to Colindale to
get out the Sunday Times for April1911, and to find out what the case
of which he had told me was about. The report was in the issue for
April 26 and referred to the following paragraph, which had ap-
164
Triangles
l'tared in the Looking Glass in November 1910.
lwo of Crowley's friends and associates are still associated with him; one the rasually
lluddhist monk Allan Bennett; the other a person of the name of George Cecil Joru
who was for some time employed at Basingstoke in metallurgy .. . Crowley and Bonnutt
lived together, and there were rumours of unmentionable immoralities which wuro
r nrried out under their roof.
Jones' case was that anybody reading his name sandwidwd

between the names of Crowley and Bennett would connect him wll h
Ihe unsavoury reference and his suit was for libel. Crowley tunwd "I'
11 the hearing in the role of a spectator. Mr Justice Scrutton, at 0111
moment, expressed doubt whether it was in order to hear evidttu~i
concerning Crowley's character, Crowley not being a party in th
case; eventually he allowed that it was and commented, 'This tnal i
becoming very much like the trial in Alice in Wonderland'.
General Fuller went into the box for Jones and was '""d
whether he could see Crowley sitting in court. He said he could
Crowley beamed and remained where he was.
A Dr Berridge was called and this dialogue took place:
Dr Berridge: On one occasion when Crowley was over here as an envoy on olll(irtl
matters concerning the Order, I had an opportunity of speaking alone with hun 11111.11
said to him, 'Do you know what they accuse you of?'- meaning the membor r. ol lho
Order. I will not express it too plainly as I see there are ladies in the court.
Mr Justice Scrutton: Any ladies who may be in this court probably are boyund OilY
scru pies of that sort.
Dr Berridge: Well, I said : 'They accuse you of unnatural vice': and he mado n VIIIY pc
culiar answer: he neither admitted nor denied it.
Jones lost his case. Victor was not in court, yet the affair afhl'hd
him as it affected everybody in Crowley's entourage.
On this same afternoon General Fuller gave me a diffeu~nt
reason for his having broken with Crowley, 'I opened a lctttr fnun
him at breakfast. It was in a large envelope and a whole lot of oh~n 'Ill'
postcards fell out, that he had bought in Port Said. At night, wlwn
drunk, it may seem funny to put obscene postcards in an cnVl'lopt,
but when one opens it, in the morning, and has them fall out on tlw
breakfast table, it is merely disgusting. It could have been optwd in
transit and it could have been wondered why I should be the m:ipitnt
of such stuff. I decided I could no longer be associated with him.'
Crowley was not prepared for the thinning of support
(Raffalovich was one of those who left in the wake of Fuller) which
the comedy cost him. No prosecutions followed from the failure of
Jones' action for libel but because of the general alarm Crowley's
165
Triangles

name had to disappear as Editor of the Equinox. Victor's name no
appeared as Sub-Editor; the Editor being given as Mary D'J\111
Sturges; she was Crowley's newest friend.
In the midst of this reorganization, Joan Hayes married. lh
certificate I drew from Somerset House showed me, inter alia, the tru
spelling of her name:
At St Georges, Hanover Square, W1, 22nd December 1911 . Wilfred Merton, 23 yo111
Bachelor, Engraver. 31 Green Street, Mayfair and Jeanne Heyse, otherwise lono tl
Forest, 19 years, Spinster. Artist (Painter). 167, Brixton Road. Father: Francis Hoy
of Independent Means. Witnesses: Zachary Merton, Kathleen Heyse.
A new triangle had emerged Merton, Victor and Joan. Befort I

could treat this, I felt I must discover whether Merton was alive ami
inserted an advertisement in The Times. I had a reply from a man who
told me Merton was dead but that he had been his friend for many
years in later life. Wilfred Merton was the nicest person you could
meet.' he said. 'By blood he was entirely German. He had taken tlw
name of the man his mother married, Zachary Merton. Zachary
Merton was immensely rich. He had an income of between 50,()(XI
and 60,000 a year. He was head of a big copper combine. Befon
Wilfred came of age he had been known as Schrniechen.' (I realised
this must be the 'wealthy undergraduate named Schrniechen' who
had helped Victor finance publication of his first book, The Cree"
Garland, while at Cambridge. Far from being a newcomer in the story,
he had been in it from an early date.) Wilfred, my informant said, had
as a child 'been dandled on the knee of Madame Blavatsky.(l)' Hi.
parents were Theosophists but they separated without having mar
ried.
After the ceremony at St George's, Joan, Merton and Victor
travelled to Paris together, the best of friends. Even Ethel Archer,
who loathed Joan, conceded that Merton knew the situation which
had existed previously with Victor. She expressed doubt, however,
whether as Joan said, he had given permission for its continuance.
On their return Joan and Merton went to live in Cardinal Mansions, Westminster, and Joan became an arts student and took a room
in Rossetti Studios, Flood Street. It was now that she met Nina
Hamnett. About the beginning of June, five or six months after
marriage, she left Merton and installed herself in the studio. Preston
said Victor took a cottage for her in Essex where they went at weekends. Merton filed a suit for divorce and it is generally assumed that
this was for adultery and the co-respondent was Victor, though I have
been unable to obtain proof.
166
IIIII'
Dame Rebecca West who had left the stage for journalism had
final, unexpected glimpse of Joan, peculiar and disturbing:
I thun worked on the Freewoman, and at a meeting addressed by the Editor, Dora
NeubM.usden, Joan appeared, accompanied by a man who was, I suppose, Victor
'"ll She came at the end of the meeting to ask a question of Dora Marsden, but Dora
II ul olready gone; she had left with a party of friends while Joan waited in the wrong
I' 1uoge. I said to her, 'Is there anything I can do for you about this?' or words to that
tluct, meaning, 'Shall I arrange a meeting when I see Dora tomorrow or the next day?'
l1111n looked at me with positive hatred and said, with a malicious laugh, 'What could
y1111 do for me?' I had been so glad to see her and felt such gratitude for her kindness,
!lint I had nothing but friendship for her when I spoke - and as she knew that I was
w1lt1ng for the Freewoman it seemed odd that she should not take what I had said as
quite reasonable and polite. I was with a young man who was so startled by the force of
loon's remark that he took two steps backward.
There is one other thing which I mention with hesitation. Runia,

when I saw her in the summer of 1940, after Vicky's death, told me he
lhld told her the problem of Joan Hayes was that she was very small.
Not only was she slight of stature and weight, and small breasted, her
Internal passages were small, too small to allow of penetration. When
I saw Runia again, in 1961, and sought to check this story with her, as
I wanted to write Vicky's biography, she repudiated it and said slw
had never heard of a girl like that. I therefore did not mention it in lh1
first edition. Yet if it were true, it would explain the strange exclumtl
lion she made to Rebecca West, 'What could you do for me?'
(1) It seems the father must have been the German Theosophist, Horm111111
Schmiechen, a friend of Mme Blavatsky, who drew the picture of the MastOII'> 11uw
treasured at Adyar; an unexpected, yet oddly significant link-up.
11
II
The Moon Above the

Tower
What was Victor's position and feeling in all this? Regarding hi
relationship with Crowley, I have no difficulty. He talked to nlC
about it. I have its wave-length. I never heard of Joan from him.
Insight came from one of the items in d'Offay's collection:
long, unpublished poem by Victor, entitled 'The New Diana'. Th
whole is in his hand, and is dated - Finished 28.9.12. It consists ol
eighty-two foolscap pages, comprising prelims, argument, prologu\'
seventy stanzas and an epilogue. In the Kabbalah, 70 is the numcm
tor of LIL (night) and in the argument Victor warns the Disciple not tu
set his foot upon the Path unless he can keep to it, for:
There is one who all but fell into the abyss, through the Wiles of a Syren; for she by her
seductions closed against him the Way of lnitiation ... Even to the brink of Hell was lured
that Disciple; the White Breasts and dark eyes of Lilith stood even between him and th
Great Gods, wherefore the gods smote him heavily for his Perfidy to Them and hll
Master. And this Syren was the Projection of the Disciple himself upon the Screen ol
the visible Universe, even as Lilith was a projection of the God Adonai.
Lilith is the dark side of the moon, or in human terms a person of

opposite sex to the Disciple whose influence is detrimental to prog
ress on the path. There is a tradition that no sooner has he set his foot
seriously upon it than such a temptation appears.(})
The poems opens:
There is a tower whereby the white moon sails,

A tower within a city of the west;
... the starlit summer glows and pales
In calm, unending sleep.
I thought for a long time about the setting of this poem until it
flashed on me suddenly that the tower, to which reference is made
several times, could only be the old Shot Tower on the South Bank,
opposite York Buildings, the Victoria Embankment Gardens, and
Cleopatra's Needle. So that was the view which Victor saw when,
unable to sleep, he looked up at the great silver disk and wrote:
168
She lies above the Tower,

And dreams.
My little wilderness of tangled dreams,

Under the moon-enchanted lonely tower,
My little land ...
Where in I pass the morn's first shaded hourMy solitude ....
He becomes more and more enchanted:
VI
I still worship Thee

I see Thee pass
Along the summer Grass,
And as Thou passest grows day's light more strong
VII
The striving starlight through the pale blue skies

Breaks in a cluster-cloud ...
Under the lids of Artemis' shut eyes
Let me awake again
The memory of earlier incarnations comes in a series of fragmentary glimpses:
VII
I bore...
A little vine, a golden lily, a cross,
A little box of nard, a swan with wings
Of gleaming silver, a shield with golden boss
IX
I bore a panther-skin in Argive woods,
X
I have known love, nor count my knowledge loss,

Because at full-moon time I lie in pain
Watching the skies ...
XI
I have passed through a wilderness of Pan
169

I left the fires
Unto the guardian sires
Who watched so long for a little sign that ran
At length along the grass;
They heard it pass:
One side the path the quick lay, and one side the dead.
XVIII
In a deserted field a statue raises

Bare silver arms into a light, pale sky;
With words in unknown tongues ...
It seems to speak forgotten lore; and I
Lie on the sward,
And hail Adonis lord
In agony, he cried:
XXVII
Diana! I have left the mystic Way.

He was born into an alien time, wherein Her worship wa!l
forgotten.
The Goddess asks him sternly why he has taken an earthly love,
which exiles him from light and sun, and from Her service. Thl
Epilogue concludes in bleakest strains;
the hour is fled, and the glory

Is fled from the world I knew:
And here I have told my storyI that was counted true,
Fell. Now, what may I do?
My life is dead! Save dying,
There is nothing more to be feared
For no man lives by lying,
When the scroll of his fame is smeared.
When his soul is foully seared.
And a man must dree his weird.(2)
What is the meaning of the appalling despair in which Victor
Neuburg languished under the full moon of the summer solstice of
1912? I verified that it does at this time lie above the tower. The old
Shot Tower is no more but I remember where it used to be and on the
night of the summer solstice of 1963, I went and stood on the Embankment below York Buildings and waited for the moon to rise until at
last it was over the place where Victor had seen it half a century ago.
When Joan first appeared in Crowley's circle it was to represent
170

1111' moon and as Victor saw her, white and silver in a mysterious
light, she must have seemed to him the personification of his true
1 .mldess, the unearthly Diana. It was on finding himself trapped in a
1111 rrow domestic alley, in a tete a tete with someone who would come
lutween him and the Argentinum Astrum that as he gazed at the
f,tat white moon above the tower, and felt all he would lose, he
\"rote in such suicidal anguish.
But it was Joan who took her life.
It was Nina Hamnett who found the body. As she told the
t 'oroner on Saturday,
August 3, 1912, she had seen Joan on Thursday

August 1, having come in response to a wire. She arrived between ten
111d eleven in the evening; she found Joan packing. Joan was very
d1cerful and said she was going away, and said she would give Nina
orne dresses if she would come back at eleven in the morning to
t'Ollect them. As Nina was going Joan put an envelope into her hand
1nd said in a most natural way 'Would you mind?'
On the envelope was writen: To be opened if I cannot see you at 11
o'clock on Friday morning. When she arrived on Friday at 11 Nina
found another envelope addressed to herself, pinned to the outside of
the door. It contained the key of the studio. Nina let herself in and
aw Joan's body on the divan. A revolver lay on the floor by her
'llippers. Seeing that she was dead Nina withdrew and called the
caretaker, who fetched in a policeman.
Nina told the Coroner that she had known Joan under the name
of lone de Forest. Joan had told her nothing of her private life. It was
only in the last two months she had known Joan was married. She
had not opened the note which Joan had put into her hand on the
Thursday evening. The Coroner opened it. It contained two items,
the certificate of marriage between Joan and Wilfred Merton and a
gun licence issued to Joan, in the name of de Forest, on July 18, at
Sloane Square.
Wifred Merton, with Derek Curtis Bennett to represent him,
said that on Friday, August 2, at lunchtime, he had received by post a
letter from Joan. Opening it, he found a sheet on which she had
written four words. These were: 'You have killed me'. Answering a
question from the Coroner, he said he did not know why she should
have written these words to him.
Answering further he said, 'She was neurotic; her nerves were
highly strung, and she was subject to fits of hysterics ...She suggested
suicide once or twice ...She suggested chloroform.' Asked if she took
171

drugs he replied that he did not know but added, 'She was not quite
normal. I could never get her to see a doctor.' Merton said he was tlw
petitioner in divorce proceedings and had not seen or had commu
nication with her, save through their solicitors, since she left him two
months previously; nevertheless, he was making her an allowance.
Mr E.S.P.Haynes, solicitor for the deceased, said he had bel'n
instructed not to defend the divorce proceedings. The deceased hml
told him that when they were over she would take her life but he h;HI
not thought there was any immediate danger, or he would have dont
something. He had now received a letter from her in which sht
thanked him for his kindness and said she could not bear the position
any longer. Replying to Curtis Bennett he said he had thought tht
husband's offer of 300 a year alimony extremely handsome. Then
was even talk of a further voluntary settlement by the husband afttr
the divorce proceedings had been settled.
The deceased had addressed a letter to the Coroner which wa11
read:
No 5, Cardinal Mansions ,
Westminstor
The last statement of Jeanne Merton, wife of Wilfred Merton, of the above address ,
written at her present residence at Rossetti Studios, where she has been living under
her professional name of lone de Forest, being an art student. I hereby state that
although of sound mind I intend committing suicide tonight because of the intolerable
position my extremely rash and unfortunate marriage has placed me in. It is my wish
my body should be cremated.

Itt, that she ended her life.
(I) 'When you knock on the door of the heavens, it is the Gates of Hell which first open :
1/ways, by ineluctable law." This was written to me in 1945 by the Frenchman Vivian.
uppressing the source, I repeated this dictum to Gerald Yorke when he brought me
IIHl Crowley papers. His rejoinder was, 'But when you see them, you don't think they're
tho Gates of Hell, or you wouldn't go through them! You think they're the Doors of
I loaven. You think the marsh-light is the real light. The Devil appears in the guise of an
Angel."
those two dicta are complementary. Vivian 's point (which has been made also by
lllavatsky), is that it is the aspiration itself which calls into resistance all that is opposed
to it and so manifests the extent of the candidate's liability. 'Movements which have in
thoir title the word Universal are specially liable to schism . Those which take as their
watchword Liberty fall.quickest prey to a tyrant. While if you even come on a Lodge with
the name of Fraternity, you can be sure the members are at odds to the extent they
hardly know how to endure each other at all!" The candidate who chose as his aim a
paci fied virtue chose the field in which he would be tried.
It was also said, chez Vivian, 'Every initiation is a test in discernment."
(2) See The City of Dreadful Night(V 25), by James Thomson the younger, one of the
poets who had most influence on Victor.
(3) I am aware that Calder-Marshall. in his book The Magic Of My Youth, gives a different version, according to which Victor was with lone de Forest on the night that she
took her life, Thursday, August 1, and walked out after a violent scene; I think, however,
that Calder-Marshall"s source is false . I had some correspondence with him about this :
though he knew Victor, at a later date, in Steyning, it was not from Victor that he heard
the story.
The verdict was returned and recorded on the death certificate I

drew from Somerset House:
2nd August, 1912. In flat, Rossetti Studios, Flood Street. Chelsea. Jeanne Merton ,
Female. 21 years. Found dead. Syncope from a revolver wound of the heart, self
inflicted, and deceased did kill herself while temporarily insane.
Victor was notin court because at the time of the inquest he did
not know Joan was dead. He had gone down to the cottage in Essex,
says Preston, expecting either to find her there or that she would join
him later. She did not come and he supposed she had been delayed
he returned to London on the Sunday night or Monday morning. The
inquest had been on the Saturday.
'When I got back, she was dead!' he told Preston, dazedly.(3)
Runia, when she told me the story in 1940, averred, on the basis
of what Vicky had told her, that it was because, anatomically, Joan
Hayes was unable to be, in the complete sense, anybody's wife, a
condition with which, she told Vicky, Merton was less patient than
172
173
Templars and the Tradition of Sheikh El Djebel
12
Templars and the
Tradition of
Sheikh El Djebel
In order to understand the next chapter in the history of Vicky
and Crowley, it is necessary to have some knowledge of the affairs of
the Knights Templar. This was an order founded in 1119, ostensibly
for the purpose of protecting pilgrims to the Holy Land from attacks
by Muslims. Within two hundred years it had grown to a military
power and an affluence such as made it one of the most important
forces in Europe. By this time, however, exceedingly strange rumours were current. Pope Clement V, even before he became Pope,
heard of these from Philippe IV of France. Perhaps because he found
the rumours impossible to believe, Clement V did little about it,
although shortly after his coronation he wrote to the Grand Master of
the Order of the Knights Templar, Jacques de Molay (born 1244) and
suggested that the Knights Templar amalgamate with the Knights
Hospitaler.
Jacques de Molay replied with a letter giving sixteen reasons
why he did not think this would be a good idea. Some of these
reasons are so small, so hair-splitting and so repetitious, so subdivided to make their number the greater, that I felt he had some other
over-riding reason which he found impossible to give.
The Pope did nothing further in the matter.
Philippe of France made the next move and it was a dramatic
one. He ordered the arrest of all the Templars in France. It was done
suddenly, so that they were unprepared and seems to have been an
overnight coup.
The king was the real prosecutor and the gravamen of the
accusation is contained in a letter to his officers of September 14, 1307,
in which he commands them to make the arrests. It is too long to
quote in full, but I have translated the key passages from the Latin
174
l'hlllppe, by grace of god king of France, to his dear and faithful seigneur Onival, the
knigh t Jean de Tourville and the bailiff of Rouen, greetings.
A bitter thing, a thing to weep on, a thing horrible to think of, terrible to hear, a detestable
an execrable wickedness, an abominable act, a frightful infamy, a thing strange
ll all humanity has, thanks to the report of several persons worthy of faith, come to our
~nrs, not without striking us with heavy stupor and causing us to shudder with violent
horror. ..
1 lime,
It has come to us that the brothers of the Order to the Knights Templar .. .at the
111oment of their entry into the Order, when they take their vow, have presented to them
Ills image [the image of Chris on the Cross) which with miserable blindness they thrice
dony and with horrible crudity thrice spit upon . After this they take off all their clothes ,
which they have worn in civil life ; naked they are kissed by him who receives them , or by
Ills representative , upon the base of the spine first, then upon the navel and then upon
lho mouth. After ... they give themselves to one another in a horrible and fearful
oncubinage.
To this letter Philippe adds in the French of his time, the better to
be understood, detailed instructions as to how the arrests should be
carried out, and the questions which should be put to the persons
trrested:
lhey must be asked, carefully and seriously, to say under oath in what manner they
were received [in to the Order] and what oaths or promises they made ...
To prepare the interrogators for what they should expect to

hear, he told them what he knew already.
Then he [the commander or Master), makes him take his clothes off, kisses him at the
base of the spine, under the belt, on the navel and on the mouth, and tells him that if one
of the brothers of the Order should wish to lie with him carnally he must suffer it,
because he must and is bound to suffer, according to the statue of the Order, and
several of them , after the manner of Sodom, join with each other. ...
Further on Philippe writes of:

An idol which is in the form of a man's head with a great beard, which head they kiss
and worship in their provincial chapters ; but his is not known by all the brothers but only
by the Grand Master and the senior brethren .
This is the earliest reference to Baphomet.

The trial lasted nearly seven years. There is an excellent resume
in the Introduction to a recently printed edition of the principle
documents, Le Dossier de L'Affaire des Templiers, edite et traduit par
Georges Lizerand (Les Belles Lettres) Paris, 1964, in which the Latin or
Old French (as the case may be) is given with a translation into
modern French. I lifted these extracts from this edition though I have
made my own translation from the old texts so as not to be a remove
from them. The case was eventually taken out of the jurisdiction of
the secular into an ecclesiastical court, where the prisoners were
treated with greater courtesy and, surprisingly, remarkable consid-
175

eration. Having signed a partial avowal, under torture, de Mol
now reserved his defence. He said he would be prepared to give a full
explanation to the Pope; but to him only. It does not seem that c~n
audience was granted but the Pope appointed a special commission
of Cardinals to see de Molay privately, and to reconcile him to th
Church, with those of the Knights closest to him in the affair. Thi
however, was at the cost of a penitential confession and when
sentence of imprisonment for life was read out to him on March I
1314, de Molay declared that the prepared statement by which he h1hl
purchased his life was nonsense; one of those with him, Geoffrey d
Charnay, did likewise. The King, hearing of this, snatched them both
back and had them burned outside the Palace courtyard. Precaution
were such that nobody representing the Church learned of it until it
was done.
What was the truth of it? I think one can put aside all the leaml>d
commentaries which have been written, and begin with King Phil
ippe's text. Despite the indignation and incomprehension that in
forms it, it seems to me that there transpires the structure of a genuirw
rite. The places touched with a kiss are the sites of psychic centres,
called in Hindu science chakras; the phrase 'at the base of the spine' i
to be taken literally; it is not a euphemism, and the touching is for the
purpose of awakening kundalini. On the evidence of this document I
would say that the rite was devised by someone familiar with Hindu
scriptures (not necessarily at first hand), who incorporated the
knowledge into the framework of a Western proto-Rosicrucian ritual.
Even today there exist lines of initiation in which the candidate is
touched on the higher chakras of breast and head, those situated
lower being omitted. It is usually done with an instrument; yet the
chaste Albigenses initiated with a kiss on the mouth. The rite of
disrobing is also very eloquent.
How did the Templars come to their knowledge of Oriental
science? It was an item in the indictment that they were in secret
converse with the Assassins, an extreme Ismaili sect founded by
Hassan-ben-Sabbah. This man, born in 1054, was one of the most
extraordinary who ever lived and his influence upon history has
never perhaps been sufficiently appreciated. A Persian, he and the
poet Omar Khayyam as youths shared a tutor at the University of
Naishapur. Hassan travelled widely, taking the highest initiation of
the Ismaili and studying the secret doctrine in Egypt. He returned to
Persia and with a small band of his faithful, Fidawi, garbed in white
tunics with red girdles, took possession of a number of old forts in the
176

11\0tmtains south of the Caspian. He took no title but was called by
Iil ii people Sheikh el Djebel, Lord of the Mountains, popularly
lllilltranslated Old Man of the Mountain.
He gave a teaching in seven initiations. In the lowest grade, his
1111'n, who were Muslims by birth, were not disturbed as to the fundallll'ntals of their belief but merely given character training. They were
uot allowed to bring women within the precincts of the fort and had
lo live under a regime of the most austere asceticism.
Several attempts were made to dislodge the sect yet, though few
111 numbers, they were able to keep at bay the whole forces of the
rountry by the assassination of key individuals who marshalled
lorces against them. The assassin was always chosen personally by
'lhekh el Djebel, and on his last day sat beside him to be briefed. His
drink was drugged and presently he slept and was carried out to a
walled secret garden, with lawns, fruit trees and fountains arranged
to imitate the description in the Koran of Paradise. When he woke he
found himself surrounded by ten beautiful women and ten beautiful
youths who played upon musical instruments and offered him sweetmeats and told him that in Paradise all was permitted. He was given
11 complete day of bliss. In the evening he was again drugged and
when he awoke was back on the sofa with Sheikh el Djebel who told
him he was sending him to his death but that afterwards he would be
In Paradise.
The artificial paradise was a charade for the benefit of simple
souls; but the Sheikh's higher initiates were taught to look behind the
literal text of the Koran for more mystical meaning; and then to
transcend the Koran, to think of the Deity not as male but as androgynous creative essence; to know the sacred science of the Hindus
on one hand, and the gnostics on the other; to study Greek philosophy and to pursue truth by the method of Socratic inquiry. They
were taught to see morality as belonging to time and place and to
regard all laws as relative. In the beginning they had had to pledge
absolute obedience to Sheikh el Djebel but at the end he set them free,
telling them they must acknowledge no authority in the universe save
that of their own judgment.
Sheikh el Djebel was a supreme antinomian; his aim was the
evolution of a society of enlightened, autonomous individuals. A
vivid account of his life isgiven in LeGrande Maitre des Assassins by B
Bouthoul (Collin: Paris 1936) British Museum Catalogue No 20010 b
58. It has been said, and I think with reason, that the Templars were
the heirs of the Assassins; the white tunic with the red cross, which
177
they wore over their armour, recalls that of the Fidawi. The Templar..,
however, got the teaching not from Sheikh el Djebel but from hi
successors in the Lebanon; not from the primal spring but from
source already affected by contact with other cults. In parenthesis th'
Pope who sanctioned them was Honorius II, to whom is attributed
authorship of a magical grimoire which has had an under-cover
circulation down the ages.
What I doubt is whether the authorship of an injunction to
practise sodomy proceeded from Sheikh el Djebel. He taught cer
tainly, a subtle philosophy which could have been misunderstood. II
he did require sodomy it would have been as the ordeal of the one ol
the initiations and for the purpose of taboo breaking. Loiseleur (LA
Doctrine Secrete des Templiers, Paris 1872) British Museum Catalogu(.
No 4784. ee. 20) puts the view that it was in this sense that it wa
made the ordeal of entry to the Order of the Knights Templar, and
that having once submitted himself the Knight was not obliged to
repeat the performance.
The spitting on the cross, which shocks so much, would have
been for the purpose of taboo-breaking. The Templars did not regard
Jesus as the Son of God in the sense understood by Christians, but
they respected him, as do the Muslims, as a prophet They made a
special cult of the two St Johns: the Baptist and the Evangelist. The
Baptist, I believe they took for a hermaphrodite figure, and - I am
sticking my neck out here- I would say that Leonardo da Vinci knew
this tradition and that is why he painted him looking like one. (When
I first saw his StJean in the Louvre I thought it was a Bacchante.)
It is, however, probably significant that the written part of the
Templar ritual of initiation contains no mention of Jesus but several of
the Virgin Mary. The intuition of the reader must work upon this key.
I can give only one pointer, but it is important. The intention of all
cults which seem to favour male homosexuality is to exalt the female
principle. It does not spring from an anti-feminine bias. Quite the
contrary.
One line of occult Lodges took upon itself to bring down the
successors of King Philippe. That is why Eliphas Levi sees the French
Revolution as 'the vengeance of the Templars.' He asserts (History of
Magic, p 310) that the term Jacobin was in use before the conspirators
met in the Jacobin church, and referred to Jacques de Malay; I do not
know how strong is his evidence for this but I think it could have had
this meaning within certain circles of illumines and it is certainly interesting, as he points out, that the unhappy Louis XVI was incarcer-
1ted in the old fortress of the Templars in Paris while waiting h1

txecution.
I have said nothing of Baphomet. In King Philippe's text il I
imply the head of a man with a great beard. Legends have madt it
the head of a goat or a bovine. A sculptured coffer, found ncar 11
femplar Command erie in Burgundy, shows a homed, nude, beardLd
figure with long and pendulous womens' breasts and ample mah
organs. Before it, a naked man kneels in reverence while somebody
else cuts the throat of a bull. There is reproduction in Loiseleur op cit,
looking at which I suddenly wondered whether it was necessary to
suppose that Baphomet and the androgyne were one. The bull may
be Baphomet; its presence seems Mithraic and suggests a mixed cult.
However, Elphas Levi, on whose work Victor and Crowley based
themselves, took Baphomet to be Pan, and for the frontispiece of his
Rituel, Levi drew his own idea of the symbol; a bearded he-goat with
woman's breasts, seated cross-legged yogic posture, a five-pointed
star upon the forehead, the apex up, to show that it is holy, a blazing
torch between the horns, and eagle's wings; the lower limbs are
swathed for modesty, while from the private regions rises a caduceus,
symbolizing sublimation. In his text, Levi explains that he has tried to
convey the idea of androgyny in an inoffensive manner by making
one of the arms (softly rounded) obviously a woman's and the other
(with bulging biceps) a man's.
Properly understood, he says, it is 'an innocent and even pious
hieroglyph.' He asserts that the name Baphomet requires to be read
backwards, when it resolves itself into the abbreviations, TEM OHP
AB standing for Templi Omnium Hominum Pacis Abbas (the father of
the temple of peace for all men. This seems tortured. Montague
Summers favours a derivation from Greek Baphe and Metis, meaning
'Absortion into Wisdom. Gerald Yorke prefered Persian bahumet, 'a
calf'.
One evening in 1912 Crowley was visited at his flat in Victoria
Street by Theodor Reuss (Merlin) head of a German Order entitled the
Ordo Templi Orientis which, founded in 1902, claimed to continue
the original Order of the Knights Templar, re-invigorated by new
teaching from the Orient.
Reuss reproached Crowley with having come near to divulging
the secret of the Ordo Templi Orientis in one of his books and said
that, if he had arrived at it on his own, he had better come in formally
so that everything should be in order; he would then receive from it a
charter which would make him head of the Order in England. Ac-
178
179

cordingly, while Crowley was on the continent in 1913, he was initl
ated into the Ordo Templi Orientis, taking as his name Baphomet. II
was agreed that the English Order be called the Mysteria Mystk
Maxima. When Orders of this sort bud, the new Order is normally
independent. Crowley did not need two Orders so he fused thCl
Mysteria Mystica Maxima with the Argentinum Astrum, while n
taining the Golden Dawn ritual and scheme of initiations. It is sig
nificant that he gave to the homosexual act the title of Rite XI, eleven
being the number to which all the equations add and therefore of thl
Great Work, to which he now summoned Victor to join him in Paris,
where somebody had lent them a flat.
13
he Paris Working
I had brought the story to date when I received from Gerald Yorke
f'he Paris Working. I held in my hands at last the record of the strange
homosexual procedure undertaken by Vicky and Crowley which was

regarded as their magnum opus. It was bound in two fascicules; the
first was entitled:
The
Book of the High Magic Art
that was worked by
Frater 0 S V 6=5
and Frater L T 2=9
The Paris Working
Jan-Feb 1914, EV
This is document C in the account of the progress of
NEMO to TO MEGA THERION
OSV was Crowley; LT (Lampada Tradam) was Vicky. This

fascicule contained the record of what they actually did. The other was
entitled:
Esoteric Record of the
Workings
of January, 1914, EV
and contained the questions they asked when at the height ol

ecstasy and the answers they believed they received.
The preamble to the first, dated 4.30 of the afternoon of tlw l.tsl
day of the year 1913, explains that a 'casual' act of sex between tht'lll
'produced a great marvel', and this, together with the realization I hill
it was close upon the 600th anniversary of the martyrdom of Jacq' H ., dt
Molay, gave them the idea the time was ripe for starting upon thd .... .~I
Work.
The text bore notes in the hand of Gerald Yorke who assblt d 1111
by sending me further notes. I quote one of these as it standsllulllil.h
I think he has made a slight slip:
180
I Ill

The Latin hexameters declaimed at the moment of orgasm were taken from a genu In
Latin source and were not composed by AC. He was trying to see if they worked. Th
object of the repetition was that the will or mind of both partners be concentrated on th
God at the vital moment. The whole thing was done religiously rather than sexually
When I say I think Gerald Yorke makes a slip it is because il

appears from the text that the hexameters were composed by Walttr
Duranty, then foreign correspondent for the New York Times, who dil'd
in 1957. What I think likely is that Crowley and Victor supposed the
rituals to have an origin anterior to the Knights Templar; and thai
supposing they were performed to verse, Crowley got Duranty, who
was apparently a better Latin scholar, to make up something for thc
purpose. This would fit with what Vicky himself told me, that thty
made up a ritual along the lines of those they imagined to have be(n
practised in antiquity, and that the chief clues they had came through
Roman texts though they believed the traditions they glimpsed through
them went back to an antiquity far more remote, and to a culture which
seemed to have been more general to the countries round the meditcr
ranean basin.
The record begins with Crowley's reflections at 4.30. I think
Victor and he can only have joined forces after Christmas or they would
have started at the Winter Solstice instead of the profane New Year
Crowley decided that while the whole Work was for Pan it would avail
nothing without Wisdom; Hermes therefore should be first invoked.
They must have had an evening meal and then pushed furniture out ot
the way so as to make a space to be considered the Temple. They laid
out incense, fire (I suppose this means a lighted candle), bread, wine,
a chain, a scourge, dagger and oil. At 11.30 they started. After Crowley
struck two strokes on a bell, Victor danced the Banishing Ritual. They
then recited together the portion of The Golden Dawn ritual beginning:
'Hail Asi! Hail, Hoor-Apep!' In more usual spelling, this means: 'Hail,
Osiris! Hail, Horus-Apep!' (Apep is the name of the great Snake.)
Next they performed an invocation to Thoth (the Egyptian form
of Hermes.) Taking the instruments from the altar Crowley scourged
Victor, cut a cross over his heart and bound the chain round his
forehead .
Gerald Yorke wrote to me that at this stage of the ceremony
clothes, or rather robes, were generally worn, and the scourging would
have been done over the fabric, the cutting not so deep as to draw
blood. These gestures were performed symbolically to concord with
the words:
The scourge, the dagger and the chain
182
The Paris Working

Cleanse my body, breast and brain!
Crowley then anointed the wounds, saying:
Let the oil

Balance, assain, assail.
After this they uttered together words which will almost be
rccognised by those belonging to Masonic, Martinist and possibly
c1ther Hermetic Orders, words in which the immortal soul confesses its
gnorance and its dilemma:
I do not know who I am.

I do not know whence I come.
I do not know where I go.
I seek, but what I do not know.(l)
They had endeavoured to time the ritual so that the preparations
hould be completed by midnight, and succeeded so well that the last
hours of the old year were striking as they uttered the words that were
lo coincide with the physical act:
Jungitur in vati vates, rex inclyte rhabdou

Hermes tu venias, verba nefanda ferens.(2)
Victor had to perform the active part. As he was too nervous and
it came to nothing. Crowley said he saw thousands of yellow
md gold snakes, all writhing in the form of caducei.
There being nothing further they could do they closed the Temple
gain, with proper ceremony, finishing a t1.40 am. Victor then reverted
to his role of scribe and in the dawn wrote up the record, the first of the
New Year, 1914.
They made The Second Working on the evening of the same day,
opening the Temple at 11.20pm, reciting this time three of Crowley's
poems,includingtheinvocationofMercuryfromtheRitesofEleusis. This
brought them back by 11.40, to the versicle: Jungitur in vati vates, etc ...
This time there was no failure on Victor's part. He was now
supposedly possessed by the God and Crowley put questions to him:
c~xcited,
CROWLEY:
Are we working right?
VICTOR:
No
CROWLEY:
What's wrong?
VICTOR:
The time and, to a lesser extent, the place.
CROWLEY:
What is the right time?
VICTOR:
Three hours before dawn.
CROWLEY:
Does this apply to Mercury alone, or to all the gods?
183

VICTOR:
To Mercury alone.
CROWLEY:
Are we to invoke Mercury again?
VICTOR :
Yes.
The Paris Working

nOWLEY:
ul Jupiter?
Can you suggest any improvement in the ceremonies, especially that
VICTOR :
Scarlet and silver should be worn, and the crown by OSV, LTis to wear
tho scarlet robe. Violets are to be strewn and trodden with bare feet.
CROWLEY:
Tomorrow?
VICTOR:
No.
osv.
CROWLEY:
When then?
VICTOR:
On the day of the full moon.
VICTOR :
Let the wand, or one, become nine, this is the sign of Priapus but
lterwards nothing.
CROWLEY:
What God shall we invoke tomorrow?
: ROWLEY:
Give a distinct proof of your presence appreciable to the intelligence of
' ROWLEY:
I understand and agree the proof.
VICTOR :
Shall I let him take full possession now?
CROWLEY:
Yes.
VICTOR:
Thoth.
CROWLEY:
Thoth is Mercury.
VICTOR:
You will get another aspect.
VICTOR :
I am going ...Yes. What do you want to know now? There are other
things I can tell you, or else ask me questions.
CROWLEY:
Shall we not use the same versicle?
CROWLEY:
VICTOR:
It does not matter.
CROWLEY:
Shall I make statues of all the gods?
VICTOR :
No.
CROWLEY:
Shall I make tablets of all the gods?
VICTOR :
Yes.
CROWLEY:
I am going to ask a very important question.
N C.G. M.H.D? (this meant when would he become a Magus?)
CROWLEY:
What tablets?
VICTOR:
L. P. Lis 50; and Pis 6.(3)
VICTOR:
Tablets with names only.
CROWLEY :
Fifty-six what?
CROWLEY:
In what order shall we invoke the gods?
VICTOR:
I don't know .. .Wait ... Hours? I am not quite sure, but it is connected with
time. The ceremonies should be done every other night.
VICTOR:
The proper order is: Venus, Mercury, Jupiter, Luna, Sol.
CROWLEY:
Will he help in geoma.,cy?
VICTOR :
Yes
There follows a long and rather nebulous speech by Crowley. Then

the Dialogue resumes. They have changed roles, Victor now questioning.
CROWLEY:
And also in the conduct of affairs?
VICTOR:
VICTOR:
In some, not all.
CROWLEY:
There is no real enmity, it is a mere tiff or misunderstanding.
CROWLEY:
In business?
VICTOR :
When will the pressure of which I am thinking be relieved?
VICTOR :
In some business.
Which ones?
CROWLEY :
sense.
The answer to both these questions is Death but I don 't know in what
CROWLEY:
VICTOR:
love.
Those in connection with the writing of books, with money and with
CROWLEY:
How can one invoke Mercury better?
Use a gold pen trag ram, placing the same in a prominent position ; drink
VICTOR:
yellow wine and eat fish before the ceremony . Let the clock be removed.
184
Tell .
VICTOR:
You will receive good news in respect of money on the eleventh of
January in the forenoon. Fra LTwill be concerned with it; it will be quite unexpected.
Money will be given by someone to whom LT introduced OSV. A change in OSV's
ttlairs in February .
Concentrate hard.
When will the reconciliation of which I am thinking take place?
VICTOR :
Will the most important prediction of December be fulfilled?
CROWLEY :
Better than you think.
VICTOR:
When?
CROWLEY:
It is imminent.
VICTOR :
Conventionally?
185
The Paris Working
CROWLEY:
Like the sword of Damodes it impends always but may never fall Tht
answer, however, that I get is five months.
rowley complains, 'ill temper' throughout the day. Crowley was

uffering from a cold. In consequence they did not work, not even the
)',l'Omancy.
On Monday morning it occurred to Crowley that Hermes's
uggestion (evidently that they should make a further sex act) was
111cant to be obeyed; 'The attempt to replace the real thing by its symbol
hod led to (a) 0 S V having a bad cold which confined him to his bed,
(b) the continued ill-temper of L T' and other misfortunes.
I draw attention to Crowley's use of the word 'led'. Crowley and
Vicky had set out to free men's minds from the superstitions of
orthodox religion. The antique Gods have now become as tyrannical
.1s Jehovah! How could Crowley imagine Hermes would punish him
with a cold in the nose because of failure to perform an act of sex?
The omission was, however, made good at 12.15 mid-day.
The God was questioned in the usual way. Crowley, as the
medium, spoke at great length. There occurs this passage: 'Respectability is the greatest of all blinds. The general key in reading ancient
documents of a magical nature is to suspect the worst.' (It could
certainly be applied to the reading of Crowley's!) He is told that he
needs the devotion of four men, all deformed, and finds Victor qualified,
having 'spinal curvature, variococele, bent arm.'
Eventually they closed the Temple but sat talking. Victor became
!ntranced and said the Rite was unloosing a huge force. Twenty people
working at it would be very dangerous. International complications
were to be feared. It was important not to initiate into this any persons
under the age of thirty. The dangers of the rite appalled him. 'Those
who adopt this Rite will either succeed completely or fail utterly. There
is no middle path, for it is impossible to escape the ring of divine Karma
created.'
Crowley then became entranced and said their roles should not
be interchangeable in any series of rites. He would only assume the
active role in the invocation of feminine deities (they never did invoke
any). The supreme Rite would consist of the immolation of a willing
victim, preferably a girl, whose parts would be offered to the Deities
interested.
Coming out of the trance he agreed with Victor that these last
recommendations partook of the character of Black Magic and were
not to be followed. They thought it significant that they had closed the
Temple when this came through, which would explain his having been
vulnerable and therefore unprotected . Despite this warning experience Victor now went into a trance. Crowley questioned him about
VICTOR:
Satisfactory?
CROWLEY:
I haven't got that...
There follows another exceedingly long speech by Crowlty,

mainly concerned with the nature of Mercury; some of it is not without
interest, but it could mostly have come out of the books with which
they were familiar. He says the association of Mercury and Christ I
'absolutely new' to him, yet I could have given him the source from
which I believe he drew unconsciously; The Secret Doctrine by H I
Blavatsky (vol5, page 369 in the Adyar Edition.)
They closed the Temple at 2am.
I shall summarize the following workings fairly briefly.
The Third Working, Saturday, January 3.
The Temple was opened at midnight and they finished that part
of the ritual consisting of the preliminary recitations by 0.57am. After
the act Crowley made a very long speech about semen and Mercury
He said Hermes should be invoked on eight consecutive nights,
beginning with a Wednesday. 'He says we should feed in greater
abundance. He will protect us.' They should invoke him on th
morrow (Sunday) by geomancy, without rite. Beginning on Monday
they should invoke Jupiter for four consecutive nights. They would gel
from Jupiter not so much information as aid. 'It is very important to
have banquets ... What fools to bother about the room, you don't think
I am in the room do you? He wants us to overcome shame generally and
says, "There is no shame about me, is there?" He suggests an obviou
method which I blush to repeat.' There is an asterisk here, and a not'
corresponding to it: 'A holy act before the world. (This was done at th
house of the lay-sister JC [Jane Cheron]. The Art-Bachelor W D [Walter
Duranty] was the victim.)' I ask myself if Victor knew, and if this was
a point at which he drew the line.
Finally, 'He again exhibits his contempt for the art of conversa
tion by making a suggestion with which, owing to the lateness of the
hour, we comply only in symbolic form.'
It was 2.15 am when they closed the temple.
Later in the morning Crowley woke and, noticing that the previous
night's record had not been written up, woke Victor and told him to
finish it. This led to 'two fine fights.' Probably Vicky thought Crowley
might have let him have his sleep out which is why he showed, as
186
187

some practical matters.
Hermes returned and kissed Victor on the lips, navel and phallus.
Crowley continued asking questions and Victor prophesied con
cerning himself. 'LT will be released within two months from everything; he will get into a new stratum of karma. He is going away
eastwards. In June he marries but returns to the great work in
September.' (Against this Crowley has written at a later date. 'All quite
wrong without a single exception. Its conditions are quite altered, LT
having acquired a great fortune.') Victor continued: 'LetOSV not allow
493 to enter into Scorpio'.
CROWLEY:
What is 493?
VICTOR:
Connected with Water and with Cremers. It is she that stirs up strife.
CROWLEY:
What is 493?
VICTOR:
too much.
CROWLEY:
vision of Jupiter and of the words: Via est hodie. Nomina sanctissimorum
In
felicitate habent viam. Deus dedit signum in via.
The Fifth Working, Tuesday, January 6.

The temple was opened at 9.30. Victor returning to his usual role
the Rite was performed 'ut ordinatur.' The Temple was closed at 10.30.
rhe Sixth Working, Wednesday, January 7.

The Temple was opened at 9pm. Crowley reproached Victor for
not keeping up his strength and taxed him with having 'failed in due
banqueting'. The Rite was performed in another manner and the
Temple closed at 9.45.
It is connected with OSV's dealings with Cremers . OSV has told her
What is 493?
VICTOR:
A book of a Mercurial nature stolen by Cremers. Don't let that get into
Scorpio. Cremers will either write to LT or communicate indirectly with him. [It is
curious to find Victor speaking of Cremers in this strain: later they were friends -but it
was just after this they came in contact.)
Hermes gave further instructions. Crowley was always to be the

first to skry and Victor should always scribe. Victor should always take
the masculine role. (Hermes seems to have forgotten this had been
agreed already.) Excepting for the rites of Hermes, Rites were never to
be performed on more than six consecutive nights and four was a better
number. They should never begin earlier than 9.0, or last more than
three and a half hours.
The Fourth Working, Monday, January 5.

They opened the Temple at 9pm, and, contrary to the principle
enunciated in the afternoon, Crowley took the active role, exceptionally, probably because Victor was tired after the afternoon's exertions.
As they were invoking Jupiter they used for it a different verse:
Haud secus ac puerum spumanti semine vates

Lustrat, dum gaudens accipit alter acquas;
Sparge, precor, servis, hominum rex atque deorum
Jupiter omnipotens, aurea dona, tuis.(4)
As Crowley was suffering badly from his cold they closed the
Temple at 10, though they sat talking until 1.20 when Victor had a
188
The Paris Working
The Seventh Working, Thursday, January 8.

The Temple was opened at 10pm. Crowley was feverish and they
closed at 11.20 when Walter Duranty, the lay sister Jane Cheron and
somebody called 'Sir Lionel' called. They talked until late.
The morning's post brought Crowley three Jupitarian things, a
letter from his lawyers, a pot of opium, and a set of proofs from his
printers.
The Eighth Working, Sunday, January 11.

They invoked Hermes and got 'a good result.'
On Monday Victor was indisposed. Perhaps he had caught
Crowley's cold.
On Tuesday afternoon they had to give the Mass of the Phoenix
in the house of a friend, PDF.
On Wednesday and Thursday Victor was still indisposed.
Crowley realized that further Workings would have to be put off until
the next Monday, and took him for a walk in the 'forest'. (Presumably
this was one of the several woods in the environs of Paris.) They both
felt they benefitted from this day in the open.
The Ninth Working, Monday, January 19.

They opened theTempleat9.45pmandinvokedJupiterunderhis
Egyptian form as Ammon, with the versicle:
189
The Paris Working
Per regni sancti signum da Jupiter Ammon

Da nobis plena munera plena manu.(5)
During the final recitation Victor, kneeling at the altar, beheld the
colossal form of Jupiter, manibus plenis. They closed at 12.30 and con
sidered that this, though short was one of the best workings they had
made to Jupiter.
steady god moves not so easily but with more power.' On Saturday the
drought broke and letters and visitors appeared.
The Tenth Working, Tuesday, January 20.

They opened at 11.30 and closed at 12.15, die Mercurii: 'Thl~
Ceremony as usual.'
The following day 'the brethren were out of harmony but con
quered the feeling of animosity by Will,' and after the banquet repaired
to the temple.
The Eleventh Working, Wednesday, January 21.
They opened at 11.00. After the act Victor obtained a message that
the Gods wished to regain their dominion upon earth and had chosen
Crowley and himself to be fiery arrows shot in the war against the
slave-gods. A fourfold sacrifice was demanded 'and that an act of
cruelty'. This was apparently executed but its nature is only described
by some symbols and Hebrew letters. The Temple was closed at 1.45
and at 1.55 Victor was still lying entranced. By 2.0 he was sufficiently
recovered to murmur, 'Telestai' (itisover.)Crowleynoted that this was
the formula of 7=4.
All the following day, according to Crowley, Victor was 'overshadowed by Jupiter. The world about him appears a vision of the
future. His eyes are dilated; he cannot read; his manner is as one
stupefied or entranced.'
The Twelfth Working, Thursday, January 22.

They opened at 9.45. -all the invocations from now on are to
Jupiter- and closed at llpm
By Friday morning Crowley was perplexed by the results of these
workings. Five people who were to have come to see him in Paris had
all failed to do so and both business and private letters remained
unanswered. He mentioned this to Victor, who told him that with
regard to letters he had had the same experience. The response of
Hermes had been direct. They supposed 'that Jupiter being a slow and
190
The Thirteenth Working, Monday, January 26.

They opened at 11.30. After the act and a recitation from one of
Crowley's poems, Crowley 'became inspired in a Terpsichorean manner,' and did the dance of a 'seductive fugitive order'. They closed at
2.0 but sat talking.
Crowley said he had been a priestess( G) in a Greek civilization of
Oriental type. Victor tuning in, said this was Crete and he saw a green
figure dancing round an altar. The ceremony was one of initiation and
it was a temptation dance.
Crowley said when he had been this girl his name was Aia. The
temple had a black marble floor, pillars and mirrors among which she
turned. Victor came in. He was a handsome youth with a square
golden beard and his name was Mardocles. The candidate had to face
an ordeal by temptation; he had either to remain cool and unmoved or
else capture and rape her however hard she fought. Failure to do either
one or the other was punished by castration and death. Mardocles was
unable to remain indifferent but, wrestling with her, was reluctant to
be brutal and of his tenderness spared her, so that the penalty was
forfeit.
Yet because he was a favourite of the high priest and his father
was a very rich corn merchant it was not exacted. He was merely
expelled from the temple, Aia with him. He was then about 24 or 25 and
resented her because she had ruined his career; yet because he realised
he had ruined hers also he was too chivalrous to leave her. They went
penniless into the town, and afterwards had further misadventures.
Crowley said to Victor: 'I am always unlucky for you, you know;
you always have to sacrifice everything for my love. You don't want
to in the least; that is because we both have hold of the wrong end of the
stick. If only I could leave you and you could love me. It would be
lucky. But that apparently has never happened. Mutual indifference
and mutual passion, and so on.'
The Fourteenth Working, Tuesday, January 27.

They opened at Midnight and closed at 1.07. During the day they
went to the house of Jane Cheron and smoked the opium she gave
them. This rested them but afterwards they felt unwell.
191
The Paris Working
The Fifteenth Working, Wednesday, January 28.

The Temple was opened at 11.15. 'The versicle was prolongt'C.I
and very quiet, probably owing to the experience of the afternoon
However, the atmosphere was excellent. They closed at 12.10.
l'he Nineteenth Working, Wednesday, February 4.

The temple was opened at lOpm and dosed at 11. Nothing is said
tbout this operation or what happened to the sparrow. I think they
tnustall have been allowed to fly out of the window. Crowley now had
hver and bronchitis and retired to his bed for the next four days.
The Sixteenth Working, Thursday, January 29.

They opened the Temple at 10.20 and the effects of the opium
persisting the Haud secus was as on the previous evening. Afterward
the God demanded blood so Crowley cut the figure 4(7) on Victor'
breast, collected the blood and offered it at the altar. Victor thtn
became inspired and 'did a wonderful dance', which Crowley sal
down to watch. Becoming entranced, Crowley said that at the four
workings next week a sparrow was to be slain each night before tht
physical act and its blood used to trace the figure 4 on Victor's heart,
right breast, left breast and navel, its body being afterwards burnt
From Sunday midnight until Thursday midnight no food was to bt
taken excepting at the banquets and nothing to be drunk at all'saVl'
only pure water'. The Temple was closed at midnight.
l'he Twenty-first Working, Monday, February 9.

The Temple was opened 'mentally' at 9.10. What I take this to
mean is that Crowley did it from his bed instead of moving around the
room to perform the proper gestures. He appears, however, to have got
up for the essential act which, in spite of his illness 'went exceedingly
well'. They closed at 9.25, and when he took his temperature again he
found it had gone down by 0.4 degrees C !!!! (The four exclamation
marks are his.)
f he Twenty-second Working, Tuesday February 10.
Crowley had recovered, and they opened the Temple at 9.30. The
/laud secus was 'brilliant and inspired and the result overwhelming- a
glow of stupendous success.'
The Seventeenth Working, Monday, February 2.

They opened the Temple at 10.30. Crowley dedicated the first of
the sparrows to Jupiter and set it free. Victor then cut the figure 4 on
his right breast, shedding his own blood instead of the sparrow's. He
was afterwards too exhausted to speak and though they closed the
Temple at 12.50 was still in this condition at lam. Crowley doubtt>d
whether they had done well to avoid literal compliance with the
command that a sparrow should be sacrificed. Victor must haw
interceded for the sparrow's lives.
The Twenty-third Working, Wednesday, February 11.

The time of opening and closing the temple is omitted, surely by
an oversight. At 3.18am Victor received a message for Crowley that he
should go to the house of Hathor for AG (whoever or whatever this is).
Victor was more exhausted than on any of the previous occasions.
The Eighteenth Working, Tuesday, February 3.

The Temple was opened at 10.30 and the usual act was followed
by one performed in another way. The Temple was closed at 1.45.
During the day which followed Crowley had a feverish attack
resembling influenza. He obtained more opium from Jane Cheron; it
made him feel better though afterwards he thought he had taken too
much of it.
The Twenty-fourth Working, Thursday, February 12.

The ceremony was very short. They opened the Temple at 6.15
and closed it at 7.0.
One has the impression they were both, by this time, really tired.
The Paris Working was finished.
Victor performed divination by Thelema; that is he opened
Crowley's book at random and put his finger in it, without looking, and
it was seen to be pointing to the line: 'I am thou, and the Pillar is
established in the Void.'
So ended what must surely be one of the strangest religious
exercises in history.
192
193

(1) When I first read this apostrophe it seemed to me like something extracted from 1/1
Book of the Dead. It is not, however, from The Papyrus of Ani. I read through the wholtl
to see whether these lines are in it, and they do not occur. Nevertheless, I would thin~
they are extracted from something authentic.
(2) Seer is joined with Seer; do thou, Hermes, renowned king of the rod, Come, beali1
the word not to be spoken.
he End of It
(3) Against this is a note which must have been added by Crowley some years latut
'PS Time from December 3, 1909, to October 12, 1915, is 6 years less 50 days!!l' lh
former date was that of the act on Dal'leh Addin after which he thought he becamo
Master of the Temple; the latter is the date on which, while in America, he imag~nucl
himself to have become a Magus. I can only say these tremendous pretensions se111n
to me the proof he was living in a completely delusional world.
(4) As the seer with seed lustrates him who receives,
So do thou, I pray thee, king of men and gods,
Almighty Jupiter, shower thine own with gold.
(5) By the sign of the sacred kingdom, give, Jupiter Ammon,
Give us full gifts with full hand.
(6) There is nothing peculiar in Crowley's thinking he had had an incarnation as
woman. The doctrine of reincarnation includes the idea of sex change from on
incarnation to another; the most usually held belief being that incarnations are taken 111
sets of seven of one sex and seven of the other, alternately, unless there be som
reason to vary the pattern; homosexuality being more likely to take place at th1
beginning or end of a series than in the middle of one.
(7) 4 is the numerator of Jupiter in the Kabbalistic system .
194
The reason I had wanted to see the text of The Paris Working was
I hoped to be able to discover from it what Victor and Crowley
were trying to do. Assuming that they saw themselves as continuants
of the Templars, in what sense did they interpret Templar practice?
I recalled Heim's words, 'They played upon the subtle currents
In the spine.' This referred, obviously, to Kundalini; but generally it is
the celibate condition which is held to favour the ascension of Kundalini, the reason being that the energy is not drained away. There
Pxists, however, a branch of yoga which permits an embrace without
l'mission because the erotic tension forces the ascension if coupled
with aspiration. The partner is always referred to as a woman but I
thought Vicky and Crowley might have made a homosexual adaptation of the principle. Inspection of the text made it clear that this was
not so.
The questions they put to the supernal beings they invoked
were of a triviality which beggars description, and I did not believe in
the authenticity of the communications. These came from their own
unconscious.
Gerald Yorke came to see me and began a delicate interview by
saying, 'These rituals were performed with a serious intent.' I nodded
gravely and he continued, 'This was not two homosexuals playing.
You must understand what they were trying to do.'
'That's what I am trying to understand,' I said.
'They were using the sex act as a kind of starter to get themselves on to the astral plane,' he said.
'But Victor Neuburg never had any difficulty in getting on to the
astral plane,' I said. 'He didn't need anything like this to sent him
there.'
'It gave them an initial fillip,' said Yorke. 'It was an experimental attempt to invoke Hermes and Jupiter, using the sex act to
inflame the seer.'
I said, 'The only thing that distresses me is that they petitioned
the gods for money.'
He started slightly. 'Surely, only by surfeit! Casually, at the end,
to use up any surfeit of the power brought down.'
I hat
195
The End of It
This did not seem quite to meet the case as the petition was built
into the Latin. Yorke agreed that the 'communications' were worth
less. 'But', he said, 'The value of the ritual to the participants should
not be judged solely in relation to the communications.' Because II
was dedicated to the gods, he added, it had a purity which could bt
approached by no earthly experience of sex.
'It's a pre-Christian technique,' he continued. 'Instead of pray
ing to the god you said you were the god. The first step is to imagin
the god. If you have any power of visualization you do see him. Then
you have to imagine him moving, coming towards you, becomin
you, speaking through you. It is the god speaking. The idea is that il
you do it properly you are really inspired.'
I believed this might have been an Egyptian technique. In Th
Book of the Dead, the deceased is made to say at his post mortem
initiation, 'I am Osiris'.
Yorke continued, 'Rosicrucianism was the ancient ritual with
sex left out under the Christian influence. Crowley's Argentinum
Astrum was Rosicrucianism with sex put back.'
I am not sure that it was only Crowley who put back sex into
Rosicrucianism. I have been told of a Frenchman called Sar Peladan
who, during the first decade of the century and up to 1914, at least,
conducted a circle in Paris at which the books of Eliphas Levi wen
studied and initiations conferred. My informant was Hayter Preston,
who went through the first of these and found he had at one point to
lie with a woman. He did not tell me if the group had a name but I
have been shown recently by Anthony d'Offay two handwritten
letters, signed Sar Peladan. There is nothing in them about sex but
they are on notepaper headed Rosae Crucis Templi Ordo.
Richard Burton (Terminal Essay to The Arabian Nights) writes 'In
Rome as in Egypt the temples of Isis were centres of sodomy,' but l
imagine he had in mind the Egypt which was contemporary with the
grandeur of Rome.
Because Yorke spoke almost as Crowley's representative I contended with him. I respected Yorke's loyalty to 'old Crow' as he called
him, (The first syllable of Crowley's name is, indeed, pronounced as
crow, the big black bird; I mention this because I have heard moderns,
who had had no contact with the Crowley circle, pronounce it as in
crown.) Crowley was older when Yorke knew him than when Victor
did. Yorke, like Victor before him, had left Crowley, and thought he
was a pseudo-Messiah, yet in retrospect he felt an indebtedness to
him which he did not wish to repudiate. 'He did me good,' he said, to
my surprise. And I recognized the accents of truth when he added, 'I

till have an affection for the old sinner. I'm sure Vicky kept that, too.'
He asked me if I would let him see what I wrote about the
magic, in case there was anything in Crowley's scripts which I did not
understand. Later, I did let him see, and he sent me several sheets of
meticulous notes, some of which I have incorporated.
Before he left, that afternoon, he made an endeavour to sum up.
'The object of any ritual of this sort of communion. There are only
two basic ways in which you can embody the idea of communion.
You can eat something, which is considered as being the God. Or,
you can do something sexual. If you aren't going to do either, then
you have to think of something else to do. You've got to make a
gesture of some sort, which stands for the idea.'
'You can light a candle,' I said.
'It's all a question of the extent to which you can refine your
symbolism, without losing the intensity of the experience', he answered thoughtfully.
'Actually, you don't need a gesture, of any sort,' I said.
'Then it wouldn't any longer be ritual magic.' He said he-had, in
fact, given up ritual magic, and had become a Buddhist. He was
merely trying to explain the principle of the magic which Crowley
had taught. 'I am not contending that it was a specially good way.
But it is a way, which is valid,' he said.
I was impressed by the bearing of Yorke, and also by the readiness with which all the men connected with Crowley and his
Argentinum Astrum had made themselves accessible. Everyone had
come forward. I had only to let it be known I was interested in the
Crowley-Neuburg magic and there was a willingness to help.
196
Summing up, it would I think be entirely false to consider The

Paris Working as an operation in Black Magic. It may be questioned
whether an act so gross as that of which the Rite consisted can be
hallowed completely, but their intention was to hallow it. As a White
operation it would be vitiated by the appeal for gold in the invocation
of Jupiter; Crowley vitiated it by the materialism of his concerns. But
they fenced the Temple with holy symbols in the Banishing Ritual
performed at the beginning and were horrified when, at one moment,
they thought they were receiving instructions of an evil or Black
nature. It was meant to be White; but it was impure.
What I still did not know was what caused the break between
197

them. To The Paris Working there is a post scriptum by Crowley tluil
Victor 'became Jupiter the bestower, and many unworthy folk he
came his guests.' In other words, Victor was generous with his mom y
but spent it on other people. This is the last reference to Victor whkh
I find in any of the Crowley papers. Though pages of his autobiogm
phy are devoted to his quarrels with people he knew less intimately
Victor disappears from the story without explanation.
Victor must have returned to London without delay. Preston
knew he had been to Paris with Crowley but did not feel that he wa
away long. In May 1914, at Victor's, Preston had a violent row with
Crowley. He knew Victor's family were desperate about the associ.
tion. 'His Uncle Edward became apoplectic if Crowley was men
tioned and his mother was in tears.' Perhaps because Preston was tlw
only friend of Victor's they knew who did not belong to Crowley'
circle they made him party to their distress. 'They were heavy
overeating, orthodox Jews,' he said. 'How they produced him is
biological mystery.'
From Mrs (Joyce) Saunders I learned that Victor had accepted
an invitation from her mother, Olivia Haddon, to spend the surnmtr
with them at Branscombe, near Seaton, South Devon, where they had
taken a row of three cottages. One of the cottages was taken by
Cremers. Crerners used to call Crowley 'that impostor' and 'that
charlatan'. She and Victor would sit up talking after the rest of them
had gone to bed. They were all there when the war broke out on
August 4, Cremers's birthday. They were sitting playing cards when
somebody carne in and told them.
Cremers remained at Branscombe for a long time but Victor left
about the end of September, giving Joyce as a parting gift a book of
selections from Browning inscribed with the date: Seaton, Devon,
September 23, 1914. It must have been between this date and October
24 when Crowley left for America, that Victor saw him for the last
time. It is my belief that Victor's feeling that he must make the break
with Crowley dated from earlier in the year. Victor had rushed back
from Paris with almost indecent haste after the conclusion of the
Working, apparently shunning Crowley's company in favour of others, which caused Crowley to take the unusual step of corning to
Victor's room to look for him. Victor had made himself even more
inaccessible by going to Devon. Crowley was probably afraid of
Cremers. Victor had got himself a demon protector- perhaps nothing
less would have sufficed.
On the positive side Crowley was a man of erudition, and I
198
The End of It
hould feel at fault were 1 to omit tribute to the depth, in many ways,
11f his esotericism. I can understanq why he held Victor's respect for
o long. On the other hand he suffered from megalomania and this

pulled all his concepts out of shape. Also, he did physical things,
homosexual practices apart, of so revolting an order that I have
thought it preferable not to repeat the examples I have been given.
And he exploited others upon every plane, material, emotional and
11sychic. He had a sponge-like activity, unconsciously exercised at the
llvel where it hurt his victims most, though conscious of the financial.
He was not a black Magician, neither was he a charlatan in the
vulgar sense; but his personality being so out of hand, he was an
impossible teacher.
Victor was brave enough to see him in London, and tell him he
rould go with him no further, and disavowed the oath he had taken at
his reception into the Argentinum Astrum.
Then Crowley ritually cursed him.
199
The Army and After
15
The Army and After
After Crowley cursed him he had a nervous breakdown. Tht
next two years are a blank, but Cammell has in his possession 11
drawing of him by Howard Sommerville dated 1915 and inscribed on
the back, 'To my sweet Leech, Ernest Thomas Jensen, Esquire, M.D
From his defaulting poet-patient, Victor B.Neuburg, XIII; XII
MCMXVI.'
By the following year he was in the Army. I wrote to the War
Office and received a reply saying there was a record in the medal
rolls of the British War and Victory Medals of the 1914-18 war of om
being awarded to S/355614 Private Victor B Neuburg, R AS C, but
that his personal documents were assumed to have been among thoS<
destroyed at the records depository at Walworth when it wa~
bombed during World War II.
One of the replies to my appeal in the Daily Telegraph, however,
was from a Mr H.F.Burgess who had been one of a contingent which
sailed from Southampton on September 19, 1917, arriving at Le Havre
on the 20th.
We had to march from the boat to the camp and during the march I became conscious
of a ludicrous figure not far ahead of me- ludicrous because he was carrying a rifle over
his shoulder (as we all were) but in addition he was using a walking stick. I then saw
that he limped badly . Before very long, someone in authority noticed this too and found
him a place on the baggage wagon.
This, needless to say, was Victor Neuburg. On September 21

they arrived at Rouen where they remained fourteen days after which
they were divided up.
I found that Neuburg was in the same contingent as I, destined for Abbeville, where we
were posted to the No 9 Detail Issue Store.
They arrived at Abbeville on October 1. By an extraordinary

coincidence Hayter Preston had been at Abbeville since the previous
year and was Orderly Room Sergeant. A Sergeant Major gave him
the nominal roll of a new Detachment of details which had arrived.
There were about thirty names on it, and as his eye ran down the list it
fell on Neuburg, V.B. The spirit of fantasy seized him, as he told me,
and he said to a Corporal standing by, 'Arrest that man! I want him
200
brought to me.'
A few moments later poor Victor was brought in between
guards. Seeing Preston, and realizing the joke, his relief was so great
he burst into tears.
Preston was able to keep Victor employed on light camp duties.
'I le was only kep~ together by string and sealing wax. He could never
have without cutting himself and so he always looked like Death
from a Thousand Cuts. He had no manual dexterity. His movements
were not synchronized. His hands and feet worked from two differl'nt dynamos. He was the walking mockery of the entire Army
system and everything it was meant to be.'
Neuburg was given the job of lighting the Orderly Room fire
~ach morning. He was invariably found before the empty grate
reading the newspaper with which he was supposed to be lighting
the fire.
It was at Abbeville that Victor translated the 'Chant Royal
d'Horace' from the Old French of the sixteenth century while Hayter
Preston took it down on the typewriter. In the latter part of October
1917 Preston was posted to Italy and took with him his carbon copy of
Victor's 'Chant Royal of Horace'. But before he went he sought
repatriation for Victor.
This was evidently achieved. A Mr A.R.Rothwell, replying to
my letter in the Daily Telegraph, remembers Victor at the Army Convalescent Camp in Neanda, Cornwall. Victor gave him a snapshot of
himself taken in the grounds of an army hospital in France and two
books in the Mark Rutherford series inscribed: From this poor Am1!
Service Corps. Then Victor was moved to a convalescent camp nCill
Eastbourne.
By the autumn of 1919 Victor was out of the Army and livinr,
with his Aunt Ti in the village of Steyning, nestling at the foot of
Chanctonbury Ring. Vine Cottage, their home, the front of which w.1
covered with a real vine, was, except for an extension, a g<.'llllln
Tudor house of such charm that a photograph of it adorned carn.tr,
of the Southern railway. Preston was now demobbed also, and Vh tcu
suggested he should join them. Preston was in at the birth of tlw Vtni
Press therefore. It was he who discovered the curious font with lit
wide Wand linked double 0 which helped to make its prod111l11rt
distinctive; they got it from Millar & Richards, Edinburgh; th ~tlhi ' !
big purchase was a hand-press for Victor to work. The fou11d !l!iH
was financed by Aunt Ti.
One day when Victor and Preston were looking ,11 11 i llil wn
Ill
The Army and After
embankment, Victor said, 'Crowley murdered lone de Forest.'

This came quite out of the blue. Having regard to the suicidt
notes which she left, accusing Merton (1) I do not think it can be true,
but that he said it showed the direction in which his mind had been
working. Victor had been completely mystified and could only think
that during the week-end while he waited for her in Essex, Crowley
had bullied or magicked her to death.(2)
Victor now talked to Preston more than he had done previously.
He felt Crowley had ruined his life.
In January 1920, Crowley returned from America. Victor and
Preston read it in the paper. 'Victor was terrified of Crowley!' Preston
said. 'He was afraid he would come to Steyning to look for him.'
Preston kept vigilant watch until they read he had gone to France. Yet
Preston recognized the pull which existed between them. There was
an umbilical cord,' he said . 'Crowley was mother to him. And the
cord was made of the Dionysiac poetry they both wrote.'
Preston was there when one day Cremers came to visit Victor.
The scene which took place must have been the ante-type of the one I
witnessed so many years later. She was apparently very baldly
spoken; she referred to exhibitions Crowley had made of himself
which are utterly d isgusting.
Preston said, 'Victor was very quiet after she left. I had thl
impression he was distressed that I should have been there and heard
it all. He was embarrassed to talk about it.'
What still puzzles me is how Cremers knew so much about
Crowley. Though she had glimpsed him in the States in 1901 it seems
that she only entered the picture again when she came, as a spectator,
to the publicly performed Rites of Eleusis in 1910. Obviously, there is
something here that I do not know and have not been able to get out
of anybody.
Victor was going through an Elizabethan period, even to the
dress. He wore leggings with breeches that suggested the sixteenth
century, and read sixteenth-century poetry, mainly Donne, Preston
recalled. This was before the general revival of interest in Donne,
fostered by Lea vis. 'I can't ever remember his quoting Shakespeare!'
said Preston. Now it is mentioned, neither can I; Victor's interest lay
in lyric poetry not the drama.
Victor took no interest in free verse. They challenged each other
to a duel, the weapons to be sonnets, of which each wrote the other a
series of six defending the kind of verse which he preferred.
Their poetic meeting ground, however, was in their common
tdmiration for James Thomson, the younger. 'Before his shrine, we

were both worshippers,' said Preston. The City of Dreadful Night was
!'Specially meaningful for Victor, who had had such occasion to feel:
That all the oracles are dumb or cheat
202
Because there is no light behind the curtain.

The first Vine Press book was Lillygay in 1920, the Dedication,
Prologues, Epilogue, Colophon and certain poems, 'Lillywhite','Rantum-Tantrum' and 'Sick Dick', are by Victor (information
from Cammell) though all are printed as if anonymous.
('Sick Dick' later appeared over Victor's signature in an anthology of drinking songs, The Merry Go Down, edited by Rab Noolas,
otherwise his friend Philip Heseltine, alias Peter Warlock.)
The strangest things in the book are the poems written in Scottish dialect. Vicky told me about these himself. He had not written
anything for nearly a decade, he said, and did not think he was ever
going to be able for poetry again. 'When it started coming through
again, it was in Scottish dialect.' This puzzled him, because he did not
know where he could have picked it up. 'I'd only spent a fortnight in
Scotland, years before, and that was in the house of a friend and I was
indoors all the time.' (It was before I knew the friend was Crowley.)
He had hardly had occasion to hear any of the local people talking.
Yet the lines kept coming in his head. 'I didn't know whether I was
making them up, or remembering them.' When he read the reviews,
he gathered that they were well-known Border ballads 'That had
been in existence for hundreds of years!' He added, 'Afterwards, I
found I could write in English again.'
Swift Wings, a book of his own poems, was published by the
Vine Press in 1921. All the subjects have to do with Sussex. In
'William Collins' he describes how he made a reverent pilgrimage to
the birth-town of 'the perfect poet of the evening.'
Solid in red brick that breathes the Georges,
Redolent of port and beefsteak orgies,
Is somnolent and Tory Chichester;
For this I love her dullness;
In 'Old Steyne', he compares the leafy, light-filled heart of
Brighton through which the trams slide in the dusk, to something
created by Keats, Corot, Turner, or 'the feathery pencil of Paul
Verlaine.' It is the only trace of the French Symbolist poet which I find
in his work. Of a slope of daffodils, he writes in 'Frenchlands':
Here's the worlds' yellow. Here the cosmic yolk
203

Broke.
Standing between sea and gorse, in 'White Hawk Hill', he f<.'ll
there were earlier incarnations in which we knew this spot. It seem
to him that as far back as he could go, he was always the one who
sought the mysteries.
He has been burned, and the element of fire is no more stran~t
to him for it has consumed him; neither is water, in which he hn
drowned; or earth in which he has often been laid. After this life, ton,
has given way to a period of oblivion he will come back:
I shall return; the Green Star has me still,
Brain, body, soul and heart. My spirit's will
From tranced sleep of splendour will be drawn
Back to the Green Star of the Golden Dawn;
I shall return; even to White Hawk hill.
204
16
Marriage
At the end of the year Victor married. It was while visiting his
mother in Hove some years previously, that he went into the Post
Office and met the girl with contralto voice, prominent teeth and a
smile who served behind the counter, Kathleen Rose Goddard. She
was born on November 22, 1892, at 77 Lincoln Street, Brighton, and
her father described himself on her birth certificate as a waterworks
labourer. Her background was staid and narrow; it was also religious
in a conventional way. Yet Kathleen must have had a spark of
rebellion.
Raymond Casey a retired violinist running a tea-room, in whose
home the Steyning Labour Party met, tells me he understood from
Kathleen that she had 'taken Vicky away from Crowley' . I do not
think Victor's decision to leave Crowley had anything to do with
Kathleen, but John Symonds says Crowley spoke of Kathleen as a
love of Victor's in pre-war days. He may therefore have known her
since 1912, when he spent the latter part of that year with his mother,
following the shock of Joan's death. A faded snap in the family
album, showing Victor and Kathleen sitting beside each other on a
gate, is dated in her hand, 1917. And while he was in the army his
mother, who found his writing impossible to read, took his letters to
Kathleen to decipher.
Eva Baker, who with her husband, Ivan Baker, took over the tearooms when the Caseys gave it up, became a special friend of Kathleen and confirms that she and Victor were having an affair for some
years before they married; it was Kathleen's idea they should marry.
'She told him she thought she would like to have a child, and he did
not think it right to deny her.'
Prior to the marriage Kathleen had a job as secretary to Margaret
Morris, at her school of revived classical Greek dancing in London.
Mrs Baker says it was Vicky who got this for her. Kathleen wanted,
when presented to his friends as his wife, to be able to say she had
previously been somebody's secretary. It would sound a little
grander than working in a Post Office.
I wrote to Margaret Morris. She could not remember how
Kathleen had come to her, but she remembered her as a good secre-
205

tary.
Victor and Kathleen were married at the Registrar's Offices in
Hammersmith. The marriage certificate shows their addresses as 5
and Sa Maclise Road, Hammersmith. The date was November 8,
1921. Kathleen was almost twenty-nine and Victor was thirty-eight.
Victor and Kathleen made their home at Vine Cottage and Aunt Ti
returned to her flat in Victoria Street while Hayter Preston also
moved out.
The same year, Victor published Songs of the Groves, the book he
gave me, which I think contains his best work, an opinion shared by
Charles Cammell. Though his name does not appear on the volume,
Victor's authorship is attested in the British Museum Catalogue, the
volume being indexed under its title. His authorship is also acknowledged in later printed hand-outs, some of which I acquired from
d'Offay, and it was acknowledged in the Sunday Referee. One of the
poems in it, 'Downwood', was also printed under his name in An
Anthology of Modern Verse, compiled by R.L.Megroz (Pitman 1936).
In the following year, 1922, Victor published Larkspur, again
anonymously. The Dedication, Prologue, Epilogue, Colophon and
the poems signed Christopher Crayne, Paul Pentrath, Harold
Stevnes, Lawrence Edwards, Arthur French and Nicholas Pyne are by
him (information from Cammell). The lyric 'Trollie Lollie', printed
over the last pseudonym, was later set to music by Roger Quilter,
Victor's authorship being acknowledged in his proper name in the
title sheet of the score. Most of the lyrics in this volume are somewhat
light; I prefer one in which he admits his haunting by the old mood,
'Yellow Moon':
Amidst the dark penumberous

Slow green foliage
Vast, vast and slumberous,
She dallies for an age Our Moon of Vision Valley
Light of Yellow Blaze,
Sombrely to rally
Men of forgotten days,
He feels the moon's call to those who know her power as she
moves over the evening clover. Her ancient worshipper must again
be reborn to consciousness of the pain and the ecstasy, but not at this
present time; let her not disturb him, nor
.. twang with wanton finger

The old exciting strings.
206
Marriage
Reading these lines, I realized the force of a remark Preston had
made to me,'Victor, at Steyning, was a dead man; he gave up magic
and spent the whole of the rest of his life feeling he was not doing
what he was meant to be doing.'
In the same year, Victor published Songs of a Sussex Tramp for
Rupert Croft-Cooke; so far as I know it was the first work he did for
an outsider. Croft-Cooke, then only seventeen, did not know who ran
the Vine Press but having seen some of its productions submitted the
poems by post. In the correspondence which ensued, Victor Neuburg
appraised the poems as poetry, passed to considerations of typography and lay-out, and the book went into production without any
reference having been made as to the manner in which the financial
responsibilities, or proceeds if any, were to be shared between author
and printer-publisher. After its appearance Croft-Cook was invited
to spend a week-end at Vine Cottage and found the atmosphere
informal and cheerful. Victor quoted from James Thomson and, with
gusto, 'ostrobogulous' passages from Aphra Benn, John Cleland and
Petronius Arbiter. In his book Glittering Pastures (Putnam 1963), page
95, Croft-Cook records Victor as saying while Kathleen poured tea,
'I'm just an old queen and make no bones about it.' The phrase is of
course a homosexual cliche but it seemed not quite applicable to
Victor. It was an awkward point to take up by letter with a person I
had never seen but I wrote to Croft-Cooke asking him about it.
Perhaps my letter puzzled Croft-Cooke for I received a reply from
Morocco in which he said, 'The Vicky bird was not, I think in any way
classifiable as a homosexual. But there is such a thing as a heterosexual old queen and that is what he probably meant.'
Also in 1922, Victor produced an 'ostrobogulolus' volume
which came to me in d'Offay's collection. Entitled The Way of A Virgin, it contains excerpts from Casanova, Boccaccio and the Arabian
Nights, plus crude folk tales. It was published by The Brovan Society
(the pseudonym contains Victor's initials and perhaps those of a
collaborator) but the distinctive typeface of the Vine Press gives it
away; also it is indirectly 'signed' by a quotation from Songs of the
Groves which mentions the Vine Press. Gorgeously bound, it was
obtainable by private subscription only, at five guineas.
Other Vine Press books which came to me from d'Offay include
Teams of Tomorrow and Songs of the South by G D Martineau, cricket
correspondent of the Daily Telegraph, who wrote to tell me Victor took
him up to the roof to look at Chanctonbury Ring, 'from the top of a
house which formed a picturesque addition to what might have been
207
Marriage
acclaimed the loveliest street in England.' Also Before the Storm by

Princess Ouroussof, and Night's Triumphs by Ernest Osgood
Hanbury. All these were hand-printed by Victor.
About 2 am, March 8, 1924, a son was born to Victor. Whill
waiting news of the delivery (according to Walter Raeburn), he wrotl'
a visionary poem, 'The Waterbearer'. He was delighted with thl
'Infant Brat' which he called 'my first and only edition.' Victor's son
was named Victor Edward Neuburg but in the family he was called
Toby, as the diminutive, Vicky, was already in use for Victor, thl
father.
It was from Casey that I first heard of Kathleen's lover. I wroll'
to this man, Colin Evans, the astrologer, saying I was writing a
biography of Victor Neuburg and would be glad of anything he was
able to tell me. He rang and said, 'I shall have to think about this. It's
awkward, because I knew his wife much better.'
I went to see him. He was a big, burly man with spreading
beard and dusty typewriter. On the bookshelf was a framed photo
graph of Kathleen which he brought over to show me. 'Her only
fault, concerning which she was self-conscious, was that her teeth
projected.'
'Slightly projecting teeth are not always considered unattractive,' I said, trying to help things along.
'She was a great deal too attractive to me!' he said, and closed
his eyes for a moment. 'I was introduced to Mr and Mrs Neuburg at a
semi-private dance in Brighton. I thought they were both charming
people. I danced with Mrs Neuburg. We became lovers within the
week.'
'What date was this?' I asked.
'Toby was about three months old. It was before he could eat
food.'
The liaison lasted about ten years. He was not her only lover but
the most serious.
'Did Victor know?' I asked.
'I don't know. We never spoke about it. I didn't deceive him.
would call to fetch her perfectly openly. I would say, "I'm taking your
wife away for the weekend." He would hand out her case and see us
off, smiling. I took it for granted he understood. I thought it was in
accordance with his principles.'
'Did Victor have other affairs?' I asked. He did not think so.
He owed a great deal to Victor. 'He had wisdom. And he
combined two worlds for me. Before I met him I had lived alternately
in a world in which one could only talk bawdiness, and a world in

which a bawdy word would have been unthinkable. With Vicky, one
could crack a bawdy joke one minute and be discussing a fine point in
philosophy the next. That was something I had not met before. It was
for me integrating.'
208
I had not seen Arthur Leslie Morton since the days at

Springfield Road so it was really an event when he answered my
appeal and climbed my stairs. He was even taller then I remembered
him, almost scraping the ceiling with his crest of now grey hair. He
had gone to Steyning in 1924 to teach at the Grammar School, his first
job after coming down from Cambridge. It was a live-in job and he
was not happy in it; he did not get on with the staff or with the locals.
'Vicky saved my life in Steyning!' He spent most of his evenings at
Vine Cottage and they talked about Blake.(l)
We talked about the days in which we had both known Vicky,
and the Zoists. Morton said, 'It really speaks volumes for Vicky that
he was able to dominate that circle of young men- all of them just at
an age when young men can be difficult - and in spite of all the
rumours, which must sooner or later have reached everybody's ears, I
never heard him addressed with anything less than complete politeness. He was listened to. With deference.'
In 1926 Victor sent some poems to the Argosy which were formally accepted by the Editor and then not printed. Mrs Odie, the
Editor's widow, told me the Managing Director had told her husband
publication was impossible as Neuburg was blacklisted as an associate of Crowley. She wrote to me of Victor:
He understood that his work could never be published in The Argosy, but he became a
friend of our family. I remember his carefully removing a worm from his path so as not
to walk on it. From the top of a bus in the Edgware Road I once watched him walk on
the pavement. He picked up a twig of privet and looked for somewhere to place it out of
harm's way- and deposited it on the blind of a shop. He had that empathy with all living
things that, had he never written a line, would still make him a poet. He was completely
vulnerable, unable to perform an unkind action, unarmed.
Arthur Calder-Marshall, then still at school, spent his holidays

in his parents' house near Steyning. He came to know Vicky and
wrote to me that he was:
Buddhistically kind to every form of life ... liable to remove a cockroach from the passage
from the pantry to the yard to prevent its being crushed by Kathleen .
Victor did some reviewing for the Bookman's Journal. In March,

1924, he reviewed the Rider edition of Eliphas Levi's Transcendental
209

Magic. It was a poem by Victor in the Bookman's Journal which caughl
the eye of Mr C R Cammell, the Scottish poet, critic and student ol
folk-lore, then living in Geneva:
The Green Ladie:
As I went strolling one morning in May,

I met a young ladie, all green clad and gay.
Oh come with me strolling
The white clouds are rolling,
The sky's blue is pale and the chaffinches sing;
The sun is full shining,
It's time for divining
The birth of the year from the heart of the Spring.
The ballad delighted Cammell, and he wrote to the Editor ask
ing to be put in touch with Victor Neuburg. Victor then sent Cammell
copies of Lillygay and Larkspur in which he had marked the poems
which were by himself, and Songs of the Groves. Speaking to me,
Cammell described Victor's 'Chant Royal of Horace', which appears
in it, as 'the greatest feat of rhyming in the English Language.'
I mentioned the affair of the Border Ballads. Mr Cammell
examined a number of published versions which he had in his own
collection, and showed me that Victor's Scottish ballads were, in fact,
not copied.
'He's composed something of his own in the vernacular. I grew
up on the Border, with these sounds in my ears.' It was, he explained
to me, a speech different from the Ayrshire of Bums; while that of the
Highlands was different again. This was something local to the
counties of Berwickshire and Roxburghshire. He would have
thought it impossible for anyone who had not been brought up on the
Border to command it. He read through Victor's stanzas again, and
said, 'There is no flaw in the vernacular which I can detect.'
Cammell corresponded with Victor for some years. Their letters
were mostly about poetry but now and then Victor's afforded a
biographical glimpse:
Marriage
Sincerely and fraternally,
Victor B. Neuburg
On July 8 of the same year he wrote, 'Had I known what was

due to me in this incarnation, I might have hesitated before taking it
on.'
A slight fillip, however, was given to his spirits by the impending General Election. Through the Steyning branch of the Labour
Party, of which Vicky had become treasurer, Walter Raeburn, later
the well-known QC, then the Labour Candidate for Horsham and
Worthing, was put in touch with him. It was arranged that Vine
Cottage should become Raeburn's headquarters for a fortnight during the campaign. Commander Eric James King Bull drove Mr and
Mrs Walter Raeburn and Mr Harold Payton (later a County Court
Judge) down to Vine Cottage. Kathleen was away, but they and
Vicky used to have, according to Raeburn, 'glorious late breakfasts,'
over which, discussing everything under heaven, they would linger
'until it was time for lunch.' In the afternoons, King Bull would drive
them all to to wherever Raeburn was booked to speak, and in the
evenings there would be more talk, ranging often over every kind of
philosophic question. Raeburn noticed that if Victor's chair was
occupied by the cat, he would go out and get another chair rather than
disturb it. 'It was his sensitivity.'
Victor kept in with both the Raebums and the King Bulls for
some years. Mr Raeburn placed at my disposal a number of Victor's
letters to him, and though most of them refer to the day-to-day
activity of the campaign, they are entertaining, and reveal that he
could be unexpectedly tough with a Candidate who notified him at
the last moment that he would be unable to attend a meeting at which
he was booked to speak.
The Raebums held Victor in regard as a genuine mystic.
(1) A L Morton wrote The Everlasting Gospel: a study in the sources of William Blake
(Lawrence and Wishart 1958) and a People's History of England.
April 7th 1926.

My dear poet,
... The struggle of carrying on single handed, save for my wife, who is secretary and
treasurer, is slowly slaying the poet! We shall win, though optimism and sheer will ; but
the process is a devastating one.
210
211
The Sanctuary
17
The Sanctuary
Victor's place of recreation was the Sanctuary. This owed its
existence to Vera Pragnell. Her father, Sir George Pragnell, knighted
for his services to conunerce, had been in textiles and his death lcfl
her with independence at an early age. She was a student at tht
London School of Economics when, fired by the teachings of Dr
W .E .Orchard, she decided that 'man's first necessities are faith in God
and access to the land.' At the end of 1923, she bought at the foot of
the South Downs near Storrington 'a beautiful tract of about nineteen
acres of common, eight acres of arable land, a lovely heather-covered,
sentinel-like hill and two semi-detached derelict cottages.' She gaw
free use of this to any who wished to plant vegetables or build
themselves houses. She had always thought that the poor wen
humiliated by having to prove they were 'deserving.' No questions
were asked therefore of intending settlers. Neither were there any
rules.
Such an Arcadian Anarchy, presided over by a young and
beautiful woman, could not fail to attract attention from the Press and
Miss Pragnell found herself on the one hand described as a 'lady
Bountiful', and on the other hand taxed with everything from 'encouraging tramps' to 'encouraging free love'. Indeed, when Hayter
Preston came down from London to see Victor and made his own
way into the Sanctuary, the first thing that crossed his line of vision
was 'a pair of white buttocks disappearing into the bracken. I wondered if I had entered a nudist colony!'
When I went down I was met by Vera Dennis Earle, as she had
become. She was a warm personality, reassuringly realistic. She
drove me through Storrington and we soon reached a house which
nestled at the side of the wood. I was ushered into a spacious,
beautiful room where I met Dennis. He seated me by a roaring fire
and offered a choice of red wines while Vera brought down from the
shelf The Story of the Sanctuary, published by the Vine Press. It was
when she had wanted some leaflets done, that she had in the first
place written to inquire whether they did outside work, and so she
came to know Vicky, who later produced her book. On the fly-leaf
was written Leonora Pragnell; Vera explained this had been her moth212
~r' s copy. The book was dedicated in print to Edward Carpenter.

Victor was the author of the verse:
To the Master
Fitly and truly be this book to you

Given; ....
All that we prize as true
Was held by you of old!
Be sounded through the world: This man was true.
0 my brave Hellene
... our youth's doyen, Edward Carpenter.

Edward Carpenter had visited the Sanctuary. He was then over
eighty and for some time before he came he had been sending along
his fans, 'mainly puzzled young men whom he felt I could help by
giving them a break, living toughly among all sorts in the open air.'
She had been surprised by the emotion Vicky showed on first
meeting Carpenter. He told Carpenter that as a young man he had
been helped by reading his books, and said, 'It's a privilege to be able
to shake you by the hand and say Thank You!'
It was in the wake of Edward Carpenter that Dennis Earle came
down. He had been Carpenter's devoted secretary, a young man of
twenty-eight or thirty. Vera married him.
Vera said, 'I always associated the Sanctuary, so far as Vicky
was concerned, with a kind of release after the Steyning menage.'
At Vine Cottage he was oppressed by Kathleen's dominant
practicality and complete lack of poetry. She damped his inspiration.
But when he escaped he recovered his spontaneity and sense of fun.
We talked about Kathleen's infidelity. Dennis thought it possible
Vicky knew but that it belonged to an order of things which had no
reality for him. Looking at me, he said, 'Vicky was the most truly
sexless huntan being I have ever met. He was absolutely innocent.'
We had been speaking, before this, of his relations with Crowley, so
this was a penetrating remark.
Dennis asked, 'He was a spirit riding on a cloud. He wasn't
human. He was a pixie.'
He had used almost the same words as Ethel Archer. Cammell
had expressed to me his theory that Victor was a being belonging to
the kingdom of faery which had, by mistake, taken human birth.
213
The Sanctuary
Vera Dennis Earle gave me among other souvenirs the pro

gramme of a pantomime, Babes in the Wood, written by Victor and
produced by Dennis on December 31, 1927. Morton was present. S11
was Toby, who had to be carried out, crying. Vera told me they had
folk dancing, in which Vicky took part, while Hugh de Selincourt
stood gravely watching. It was at the Sanctuary that Victor mt>t
C.W.Owen, the Anarchist, who spent his last days at Vine Cottagl'
and when he died left Victor his bitch, Nell. Attached by accident to,,
letter from Owen to Emma Goldman, Vera found a page from her old
diary:
His real innocence protected him, but the fear would only have
left him slowly.
( 1) Crowley might have done well to reflect upon the dictum of Eliphas Levi, that curses
expend themselves upon him who pronounces them, unless he is without malice.
June 16th: Oddly momentous one. Vicky Bird came out to me in the Cottage Gardon
and we conversed on this and that while I leant on my hoe and fiddled with the fork. In
the course of conversation we got on to the likeness of various of our friends to animal
- usually animals they possessed till, sort of, the animals possessed them. DJF, for
instance, is like her pampered pekinese, whereas Fred, who spends more time in thu
stables than with his wife, is exactly like a horse. Edward Carpenter says Dennis is likt
a camel; and I was round and cuddly, said Vicky, like a bear crossed with a dove.
'And you- you are awfully goat-like,' I began, when I noticed he stiffened and under hi
sallowness he seemed to go deathly white.
'Darling Vicky,' I said, throwing my arms around him. 'I love goats, don't you?.'
'No - no, not really .'
'But why are you so upset?'
He sat down and buried his face in his hands . After ages he muttered, 'I was one . A
goat was my curse.'
Within minutes he was fooling again. 'Forget it.' But it was weird ; one just couldn't
forget.
As I read this I felt the cold creep of goose-flesh, for I realized

that here was the clue to the curse Crowley had pronounced on him. I
had never taken seriously the legend that Crowley turned him into a
camel. The idea of magicians being able to turn people into animals,
literally, is of course absurd. Nevertheless, a goat is the lower or
averse side of Pan. From the loins down Pan is a goat.
When entering the Argentinum Astrum the candidate was
warned that if he left he would evoke the Avenging Current. This
was not a malediction pronounced on him by another person but the
kick-back of any power he had brought into operation but failed to
bring to a proper conclusion and would be appropriate to the nature
of the enterprise undertaken and abandoned. Crowley had taken it
upon himself to interpret this and declared that Victor would become
possessed by the lower side of the Deity they had invoked in their sex
magics in Paris and on Dal'leh Addin.(l)
214
215
18
Crowley again:
Arcanum Arcanorum
Vera Dennis Earle drove into Steyning one day, and saw
Kathleen coming out of Vine Cottage, her face livid beneath her
make-up. 'It's happened!' Kathleen gasped. 'After all these years!
Crowley came!'
He had come to the door, banging his stick on the ground and
said, 'I want Victor'. Victor was not at home and she had said so; after
insisting for some time Crowley seemed to realize that Victor was not
in the house. He left, but Kathleen was afraid he was still in the
vicinity and would try to intercept Victor as he returned. Vicky had
taken the dog up on the hill and Kathleen managed to intercept him
before he returned to the cottage. Victor went to an address unknown
to Crowley and he remained there until Crowley seemed to have left
Steyning.
This was about 1927. In the years which had elapsed since
Victor terminated the relationship, Crowley's notoriety had been
built up by the press until from being a private person whose
strangeness was known to few, he had become inflated to the status of
a public bogey. John Bull in the Spring and Summer of 1923 ran a
series of articles about him under the lurid titles, 'The King of Depravity', The Wickedest man in the world,' 'A man we'd like to hang',
and 'A human beast'. 1920-3 was the period during which Crowley
presided over the grandiloquently called Abbey of Thelema (1) at
Cefalu in Sicily.
The Sunday Express ran a series of articles titled: 'Young Wife's
story of Crowley's Abbey', 'A Young English Bride Reveals' and,
finally, 'Angel Child Who Saw Hell and Came Back'.
'The facts', said the Sunday Express, 'are too utterly filthy to be
detailed in a newspaper, for they had to do with sexual orgies that
touch the lowest depths of depravity.' Crowley's defenders have
made much of the fact that the 'girl-wife' who testified concerning
these 'unspeakable orgies' was misleadingly described; she was Betty
May.
216
Her name was suppressed in the newspaper but in her autobiography, Tiger Woman, which was later published by Duckworth she
makes no mystery of herself. She was born in Limehouse where her
father kept a cheap brothel near the docks. He kept her out of contact
with this by arranging with some people who kept a barge on the
Thames to keep her there. A man took her to France and she was
'adopted' by a gang of Apaches operating in Montmartre; her role
was to lure rich-looking men into places where they might be robbed.
It was her prowess in fighting with rivals of her own sex which
earned her the soubriquet, La Femme Tigre, but it was because she lost
confidence in the ability of her confreres to protect her against the
vengeance of one of the men she had decoyed that she returned to
London. In the Cafe Royal she met Jacob Epstein and became his
model. Raoul Loveday, the young Oxford graduate who met
Crowley and became his acolyte almost as soon as he had married
her, and who died of typhoid at Cefalu was her third husband.
Perhaps this is not what most readers of a Sunday newspaper would
understand from the phrases, 'angel child,' girl-wife' or even 'young
English bride.'
I met Betty May in 1941, after Vicky's death. I had been to see
Runia and walked with her from Boundary Road to the bus stop on
the Edgware Road. In Springfield Road I think, as we passed in front
of the garden of one of the houses, a woman looked over the top of the
privet hedge she was clippi~g and said to Runia: 'How are the cabbages?' Runia looked uncomprehending and the woman said: 'Your
sons! I call them cabbages because they were fed on cabbages. They
used to sit in front of big plates of salad. You gave them raw cabbage!'
She had henna'd hair and liberal lashings of eye-black but she
was not young, and her face was at once pasty and wasted. Her
manner was bluff but might have hidden a heart; I formed the impression she was lonely, glad of the few moments' conversation and
anxious to prolong it.
When at length we moved off, Runia said, 'That was Betty May!
The most notorious of all the women associated with Crowley. She
was called The Tiger Woman! Did you notice the piece of fur?'
I was surprised and thought that as a tiger she was not comparable to Cremers. The bit of worn fur on the old black coat had
suggested nothing feline to my mind. 'Did Vicky know her?' I asked.
'Only when we both came here.' Runia explained that Betty
May had not met Crowley until years after Victor had separated from
him. 'But when we found we were such near neighbours it seemed
217
unkind not to ask her in for a cup of coffee'. She thought Vicky had
been reluctant to make the acquaintance, though 'of course they
compared notes on AC; they were both victims.' Vicky had taken a
philosophical view and said the important thing was not to let expc
rience sour one but to learn comprehension and compassion from it,
and that one should regard it all as contributing to the education of
the soul on its long journey. She thought the conversation had done
some good for Betty May though it upset Vicky. 'She wouldn't b<.'
able to tell you anything about Vicky!' she said suddenly, as though
she read my mind.
That Betty May should have been willing, nearly twenty years
after her horrible experience with Crowley in Sicily, to talk about it
with Vicky, who would instantly have detected the slightest false
note is, to my mind, proof of her sincerity. She might have been
moved by rage or the payment to supply the material for the articles
in the Sunday Express and John Bull. It may have been her letter to the
British Consul in Palermo when Loveday died- she had accompanied
him to Crowley's place in Sicily only in the pathetic hope of preserving some minimal shreds of relationship - which caused the Italian
authorities to expel Crowley from Italian soil; but there could have
been no motive of vengeance or advantage in speaking to Vicky about
it.
In reading her published accounts one must remember that she
shields Loveday's reputation with gallantry. The reader is never in
possession of the distressing details found in the red notebook discovered by John Symonds amongst Crowley's papers.
Hayter Preston spoke with Betty May after her return from
Cefalu, he spoke with Mary Butts also, who returned from Cefalu
before Betty May went. Of the perversions that Mary Butts witnessed
in Cefalu, one can only say that they are not printable. But accounts of
these, too, which formerly rested upon her verbal statement to
shocked listeners, have been found by John Symonds in the record
kept in Crowley's hand in the red notebook.
Symonds suggested to me that Crowley's behaviour resulted
from his masochism; he pointed out that the connecting thread running through the diversity of his perversions was the idea of submitting himself to some kind of vileness or humiliation. This could be
true. There is an insistence on passive experience, and even some of
the exhibitionism could be classed under this heading; to make humiliation complete there had to be beholders. In the most ordinary
sense there is no doubt that Crowley loved to suffer. I was very
conscious of this in his manuscripts. He loves to be 'exhausted',

whether by playing billiards, walking in the desert, or sex. His motto
in The Golden Dawn, which long puzzled me, become clear:
Perdurabo means I shall endure.
Gerald Yorke said to me in all earnestness, 'Crowley didn't
enjoy his perversions! He performed them to overcome his horror of
them!'
This of course, is what Crowley said. It seems to me fatuous,
because if one is to start doing things in order to overcome one's
horror of them there is no end- which is exactly what Crowley found.
What is more interesting is the philosophic validation he gave
himself; this is what I tried to discover and I think I have done so. It
lies in the = sign, The Golden Dawn system of equations. The clue is
given in several places, even in his published writings where he says
that every movement in one direction must be balanced by an equal
movement in the opposite one. Thus, for him, every movement
upwards had to be balanced by an equal movement downward. He
thought it was because he had been born with the Sun in the sign of
the Balance, Libra, that h~ was specially fitted for the perception of
this mystery.
As I perceived that the equals sign lay at the root of his problem,
I suddenly saw in my mind's eye an= in white light. It formed the
two transverse ridges across the root of the nose of an ape with red
and blue cheeks. I wondered what species of ape it was; the word
mandrill occurred to me. I looked this up in a dictionary of zoology
and discovered that the technical name for the animal was
Cynocephalus Maimon, and that it as described as 'offensively libidinous.' This seemed to me appropriate as Crowley was not only 'offensively libidinous' but the Cynocephalus is the Ape of Thoth, the
averse side of the god of Knowledge. Though I had often come upon
the term in occult literature - Crowley himself uses it to signify
knowledge foolishly used - I had not previously considered it in
relation to the live, zoological animal. Of course such a vision is not a
portrait of the total man, for it ignores the higher qualities which were
not entirely absent; but it is a picture of that aspect of him I was trying
to understand.
Having come so far in my appreciation of the trap into which he
had fallen, something else occurred to me. I re-opened, at the last
chapter, Eliphas Levi's last book, Key to the Mysteries. On the final
pages are three almost full-plate diagrams; the first shows the black
pentagram, with the apex downward, in the middle of which is
218
219

written Satan Est La Haine; the second is the pentagram of Whitt
occultism, with the apex upwards in which is written, Dieu Est. llw
third consists of the white pentagram with the other behind it, yet
drawn in white, with the spokes pointing inwards instead of out
ward; the words in the middle of this are L'Esprit Saint Est. It tht
brief accompanying legend, on page 204, Levi says:
Good personified is God. Evil personified is the Devil. To know the secret or formula of
God is to be God. To know the secret or formula of the Devil is to be the Devil. To wish
to be at the same time God and the Devil is to absorb in one's self the most absolute
antimony, the two most strained contrary forces; it is to shut in one's self an infinite
antagonism. It is to drink a poison which would extinguish the suns and consume th
worlds.
Below this is a footnote of Crowley's:

'An allusion to Shiva, who drank the poison generated by the churning of the m1lk
Ocean (see Bhavagata Purana Skandha VIII, Chaps 5-12). Levi therefore means in this
passage the exact contrary of what he pretends to mean. Otherwise this 'be good and
you will be happy chapter would scarcely deserve the title 'Arcanum Arcanorum'- AC'
Now, the whole issue lies in this. I doubt whether Levi alluded
deliberately to the Hindu scriptures for in his previous book he
disparaged them. Yet it does seem to me that he is trying to say
something very daring, something which he feels to be unsayable in
plain words. What Crowley has said to himself at this moment is
obvious: he has said that he must postulate, and live the postulate that
he was 1=10 and 10=1, the light and the darkness, the alpha and the
omega, evolution and involution, the heights and the depths, good
and evil, the Devil and God. If ever a man went off his head through
the occult sciences it was Crowley.
(1) A box-like dump of a villa so I was told by the late Elizabeth Nicholas, then the Travel
Correspondent of the Sunday Times.
220
19
Steyning - The Latter
Days of the Marriage
Meanwhile, unaware how strange was his background, Victor's
young son was growing to the age of fragmentary memories. A blue
teddy-bear. Two eggs for his tea. They were in Shoreham where his
father had taken him for the afternoon. They went into a tea-room
and he had an egg for his tea, and when he had finished it he said,
'Can I have another egg?' his father said, "jes'. He could never
remember his father refusing him anything or telling him not to do
anything.
Uncle Ben came to see them; his mother told him it was important to be nice to him but all he could remember of this august being
was a tummy, with a gold watch and chain. And a walking stick with
a knob. Aunt Hannah came 'with toys and delicious fish.'
Each year at Christmas time they gave a party to which poor
children from the surrounding villages were invited. His father used
to dress up as Father Christmas.
In the Freethinker there is a picture entitled Moses frightened of a
snake. Toby liked the snake. (When after his father's death Runia
gave Toby some of his books, he found a slip inserted opposite this
picture, on which his father had written: 'For Toby'.) I was able to tell
him that in a ps to a letter to Cammell dated 26.7.27, Victor had
written 'I love Toby'.
Gertrude Stein and Philip Heseltine came to see Vicky: Lord
Alfred Douglas called but Kathleen shut the door in his face. One day
when Toby was in his bath his father brought in a huge man to whom
he announced, 'This is my son!' It was Paul Robeson. Tallulah
Bankhead was another exotic visitor to Vine Cottage.
The Vicar once called on Vicky. He was not expected, but
returning from the Sunday morning service saw the door open and,
after knocking, stepped into the hall. Vicky came out of the bathroom
with nothing on but a towel wrapped round him. 'I don't believe in
the Lord Jesus Christ,' he said, 'But you're very welcome, sir!'
Kathleen made him stay for lunch.
221
Steyning-The Latter Days of the Marriage
In Steyning Vicky was regarded as a mild eccentric. Eric Rich

mond, a retired variety artist who lived opposite Vine Cottage, rc
called a peculiarity of his gait. 'He walked the way a bird walks, tht
legs rather wide apart and thrusting out straight in front as he madt
little runs.'
Some of the snaps in the family album show Kathleen standing
jauntily with one foot upon the seat of a chair, evidently a favouritt
pose of hers, the better to show off different suits of pretty, flowered
pyjamas, a cigarette in hand or mouth. When in these gay moods sht'
must have been an entertaining companion and one can understand
why Vicky, in the days before the relationship went sour, found her
society relaxing. But now the smiles were less often for him.
The albums also reveal sun-bathing as one of the occupations of
Vine Cottage. There are photographs of Kathleen's favourite young
men, in the near nude, or fake nude, partially screened with innocent
art by tubs or bushes to give the illusion, perhaps of Adam in the
Garden of Eden, or a wild man in the woods. Captions are in
Kathleen's hand.
Calder-Marshall wrote to me:
I see Victor at Steyning as a spiritually tall man amongst pigmies; but that was not how he was seen by people there. They saw a
sad little man with a dominant wife, who was unfaithful and did not
care for him sufficiently even to mind his clothes; a man who was
largely dependent on his aunt. This was the weakness of his position.
Devoted to the highest art and principles, he scorned to do anything
merely for the purpose of making money; at the same time he bestowed it in loans that were virtually gifts. In short, he had the
aristocratic attitude but without the means except at the expense of
his family.
Though he tried to make the Vine Press books pay their way he
looked to any possible proceeds to supply altruistic causes. At the
beginning of 1928 he accepted editorship of the local Labour paper,
the Dawn, which was losing money; in a hopeful letter about this to
Walter Raeburn, on March 20, hewrote, 'Soon I'll be able to defray the
loss myself.'
Kathleen, installed at Vine Cottage, became a tyrant. She ran
everything. He let her, because practical things were without significance for him.
His humiliation was complete with the letting of Vine Cottage
to paying guests. The money made was Kathleen's money, more than
he made with his press; as values of the mind had no reality for
Kathleen, this situation caused her to treat him as an appendage of
complete uselessness. He let himself be driven, more and more, to the
Sanctuary, which had become a sanctuary in more than name. He
was less alone when he could escape up on the Downs by himself.
There in the dusk, his imagination could shape other times, other
faces. There, as he wrote, in his poem, 'Downwood'(l):
You can take it as definite that Vicky would have no intellectual or moral objection to
Kathleen's infidelity. He might have objected to deception. He belonged to an inverted
Puritan generation that did not regard reticence about such things as a form of good
manners. She was in no sense an artist or an intellectual. She would, I felt, have been
happier with almost any man who could provide her with bed, board, lodgings, babies
and a balance in the bank. An utter bourgeoise.
On the question of Kathleen's infidelity, I asked Arthur Leslie

Morton when he came, whether he thought Vicky really accepted it
with indifference. Morton said he might have wanted to make it clear
that he did not regard a married woman as her husband's propertyas Shelley did not- and therefore might have told her she was 'free'.
But perhaps rather hoping she would not use her freedom. 'Between
one's theory and one's feelings there can be a gap. Could one say,
there are occasions when a woman is wiser if she does not take a man
at his word, and this was one of them?'
Calder-Marshall said Kathleen had no sympathy with Victor's
producing his own books, as the sales were insufficient, and so he had
by this time given up his treasured hand-press. He still produced, for
outside people, who paid, books under the imprimateur of the Vine
Press, but the type was now machine-set, at West's. Now, Kathleen
was irked by seeing him physically idle.
222
I stand
On the old hill,
Chill,
In a forgotten land
With an unknown name.
(1) Chanctonbury Ring
223
20
The Institute for the
Study and Treatment
of Delinquency
Meanwhile, a revolution had been taking place in Victor's life. I
cannot establish the date of that summer afternoon on which he and
his cousin, Stanley Davis, emerging from the tall bracken at the
Sanctuary, set eyes for the first time upon Runia, seated on the veranda of one of the chalets beside the woman friend who had brought
her down; nor of the subsequent period when Victor went to stay
with Stanley at the latter's house in Uckfield where Runia came to
visit them.
Runia at the time of her meeting with Vicky was still in her early
fifties, the mother of two sons and a daughter and still living with her
husband. Julian Tharpe was a society portrait painter and they lived
in Primrose Hill. Vicky met Tharpe, Runia met Kathleen, and there
was a transitional period during which relations were at least superficially friendly.
Writing to Walter Raeburn on 14.4.31, Victor gave a Primrose
Hill number and Runia' s address though he put it as though he were
staying there temporarily, and said, 'I am now a filmist.' In fact, one of
Runia's sons was making films, and Victor had been invited to come
in with him in some capacity; I imagine it was mainly the ideas which
he contributed.
Victor's letters to Cammell show 17.4.31 as the day appointed
for their meeting, which took place in a pub of Whitehall, Cammell
having just arrived in England from Geneva.
After he returned to Vine Cottage, Victor began to suffer acute
pain because of a hernia. An operation was considered to be necessary, and Kathleen and Colin Evans brought him up to an hospital in
London. They were still with Victor when Runia arrived. Subsequently Cammell, accompanied by another poet, came to visit Victor
in hospital; he recalls that it was in mid-winter. While they were there
224
Runia arrived and Victor introduced them. After a little Runia said,
'Victor is tired. It's time for you to be going.' She herself did not
appear to be preparing to go and Cammell did not see why he should
be pushed out, so he said, 'Victor himself will tell me when he is tired.
I shall go when Victor tells me. Or when the nurse tells us.' So he
stayed, until presently the nurse said it was time for them all to go.
Later, Cammell was invited to lunch with Runia and her husband at Primrose Hill; Victor was there and so were Kathleen and
Toby. When Cammell said, 'I must be going,' Kathleen rose and said
she must be going too. She and Toby left with him and travelled on a
bus to Highgate, Victor ; having remained behind. This was
Cammell' s first intimation there was something wrong.(l) Kathleen
had gone to dine and eventually to live with Colin Evans, taking Toby
with her.
In the first letter I received from Walter Raeburn, he wrote, 'I do
not know if you realise it was he (Victor), who was one of the originators of the idea which finally took shape as the Institute for the
Study and Treatment of Delinquency (ISTD). The first meeting was at
our home.' I had not known. Mr Raeburn explained that in 1931
Victor came to see him, bringing Runia and Dr Grace Pailthorpe.
Victor said, 'We want to start a Society for the Prevention of Cruelty
to Criminals'.
King Bull tells me he is sure Victor's concern with this went back
to the affair of a little printer whom he and Kathleen had befriended
over one Christmas at Steyning, and who was later charged with
fraud. Victor enlisted both Raeburn and King Bull in the endeavour
to help him, but he was sentenced, and it turned out that he had eight
previous convictions. He was of the type that would today be classed
as a psychopath delinquent, and Victor felt that there should be
curative rather than punitive treatment.
I wrote to the ISTD to ask whether they had any records showing Victor Neuburg's association with its early days, and received this
reply:
Dear Miss Fuller,
Thank you for your letter of 1Oth March enquiring about the connection of the late Mr V.
B.Neuburg with the !STD.
I have had a very brief look at the first Minute Book of the Institute- which started life as
the Association for the Scientific Treatment of Criminals (ASTC)- and it appears that he
was present at the very first meeting, held on the 22nd July, 1931. He then appeared as
one of the original members of the Executive Committee and as Honorary Secretary at
the beginning of 1933.
225
The Institute for the Study and Treatment of Delinquency

(
If you would like to come along to the Institute yourself to look through the Minute Book
you will be very welcome to do so.
Yours sincerely
Eve Saville
General Secretary
Arriving at the Institute, I was welcomed by Miss Saville and

conducted into the E.T.Jensen Memorial Library.
Miss Saville gave me the Minute Book and left me to peruse it at
my leisure. I saw that the original officers had been: Ernest
T.Jensen(2), Chairman; Victor B.Neuburg and Runia, Secretaries; and
Dr Grace Pail thorpe. The first meeting recorded in Runia's hand, was
at Primrose Hill; thereafter, with one exception, meetings were held
at 56 Grosvenor Street. Dr Pailthorpe may have been Runia's friend,
but it was certainly Victor who brought in Jensen, and Walter
Raeburn and, through Raeburn, Harold Paton, as legal advisers.
Victor also brought in Lady Pragnell (Vera Dennis Earle's mother)
who was invited to be a Vice-president.
Victor attended almost all the meetings (I remembered that
Raeburn had told me that it was about the end of November 1931 that,
calling at Primrose Hill, he found Runia's husband distressed because
Runia had that afternoon left him with Victor.) The last meeting at
which Victor was present was on July 27, 1932, when the title of the
Institute was changed to that it bears today. The reason for his
disappearance is not given, but it was suggested by Dr Edward
Glover that he was one of several who withdrew when, for a time, the
preoccupations of the Institute became so narrowly medical that there
was not much for other people to do.
I looked through a report for the year 1934 and saw that a list of
thirty-nine Vice-presidents which the Institute had by then acquir~d
included the names of Professor Sigmund Freud, Professor C G Jung,
Professor Adler, Dr Havelock Ellis, Lord Dawson of Penn, Lord
Horder, Lord Allen of Hurtwood, Mr H G Wells, the Very Rev Dr
Herz, and His Grace the Archbishop of York. I thought: 'It's the mad
ones who start things; the respectable who follow up and confer
respectability.'
(1) As this is Cammell"s last appearance in the story, I should say that some time later,
though not until1936, Gammell met and became friends with Aleister Crowley. When
Victor knew that Gammell was in contact with Crowley he became reluctant to meet
Gammell. So the contact ceased. It was Gammell , himself, who told me this.
(2) Formerly of Crowley 's circle.
226
'
21
The Sunday Referee
and the Discovery of
Dylan Thomas
Hayter Preston had become Literary Editor of the Sunday Referee. In early 1933 Calder-Marshall, just down from Oxford, called to
see him at the office. Preston asked him about Victor; as the CalderMarshall family had left Steyning the news was not up to date, but he
told Preston that Victor had been looking poorly and miserable when
last he saw him.
Preston was distressed to hear this and felt he should have kept
in closer touch. He wrote to Victor and received an invitation to tea
with him at an address in London: Adelaide Road. When he arrived
Victor introduced him to Runia. She remained present all the time.
Preston said to me, 'I saw in her something of Aunt Hannah!' There
was no sign of Kathleen and when he saw Victor privately he asked
what had happened. Victor said simply, 'We parted.'
Preston arranged an interview between Victor and Mark .
Goulden, the Editor of the Sunday Referee; and Goulden decided to allocate a column in the paper for a poetry feature to be conducted by
Victor. No national newspaper had ever published such a feature,
but for that matter no national newspaper had ever introduced a
weekly supplement devoted to literature, art, music, etc, such as
Goulden did in the Sunday Referee. The idea behind the poetry column (to be known as Poet's Corner) was to encourage new talent and
entries were invited for a weekly prize competition, the pick of the
contributions to be published in the paper together with comments
on them by Victor.
His fee for the work was two pounds a week - the standard
wage in those days, of a typist.
The Poet's Corner appeared for the first time on April 9, 1933,
and was an instant success. Victor favoured no school; reading a
poem, he heeded only an inner frisson which caused him to say, 'This
227
The Discovery of Dylan Thomas
is poetry.' He had this when he read a poem called 'Chelsea Reach',

about gulls and barges. The signature was Pamela Hansford Johnson,
a name then unknown. He printed it on April 23 as a weekly prize
winner.
Encouraged, and indeed emboldened by the spate of excellent
verse that flowed into the office Victor conceived the idea of a more
important prize to be awarded every six months. The recipient
would have his collected work published in book form. For the first
winner -provided he could get the scheme through - Victor clearly
had in mind the unknown Miss Hansford Johnson whose lyric gift
had so impressed him. He put the proposal to the Editor, Mr
Goulden, who accepted it without hesitation.
On May 31 Pamela Hansford Johnson met Victor for the first
time at a house in Carlton Hill, where he had rooms. The second time
she saw him was on July 31, in Steyning. Runia was acting as hostess
at Vine Cottage(l), and talked about herbs and nature cures and put
plates of jam in the garden for the wasps! Present also were David
Gascoyne, who was also a contributor to the Poet's Corner, and the
composer Dr Daniel Jones, not to be confused with my friend Professor Daniel Jones, the phonetician. The volume of entries, most of
them hand-written was all the time increasing. The chores of the job
became considerable, and Arthur Leslie Morton, who was in London,
used to come in one evening a week to help Victor at Fellows Road
where he now was. Victor was reading his eyes out, when he came to
a hand-written poem beginning, 'That sanity be kept...' It came from
South Wales and the signature beneath it was a new one, Dylan
Thomas. He printed it on September 3, as weekly prize winner and
describe it as 'the best modernist poem that I have as yet received.'
It was the second poem he received from Dylan Thomas beginning, 'The force that through the green fuse drives the flower', which
made the bigger impact on him. 'Mr Thomas's 'Poem' is cosmic in
outlook. .. a large poem, greatly expressed,' he wrote in the Sunday
Referee on October 29. He had already designated Pamela Hansford
Johnson as the first of the Sunday Referee poets whose work was to
receive the distinction of publication in book form. She, reading the
poems by Dylan Thomas as they appeared, felt that they belonged to
a different order from her own, and asked Vicky for the poet's address so that she might write to him and tell him how much she
admired them.
On January 7, 1934, Victor published 'Song' by Dylan beginning, 'Love me not as the dreaming nurses', and on February 11
published Dylan's poem beginning 'A process in the weather of lht

heart'. Of this, Victor wrote that it was 'admittedly difficult,' but
would 'repay careful scrutiny by any poetry lover. It is a microscope.
poem, that is each phase may be separately and closely studied and
yield a separate beauty facet.'
Pamela Hansford Johnson had been corresponding with Dylan
and on February 24, he came to London as the guest of Pamela and
her mother at their home in Clapham. He was younger than Pamela
yet she felt as though he were older because of his 'literary sophistication,' as she put it to me. On the second day of his visit, Sunday,
February 25, 1934, at her home Victor and Dylan met for the first time.
Meanwhile the Editor of the paper, having read Victor's glowing
praise for the work of the unknown Welsh poet, asked to see more of
the author's poems.
Mr Goulden, later head of the publishing house of W .H.Allen
and Company, told me that when he read these further poems he
could not believe they were written by a boy of eighteen. 'They were
extremely complex, abstruse compositions', said Goulden, 'and I
thought we were being hoaxed. Maybe it was a rather brilliant
eclectic effort by some highbrow prankster who had cleverly plagiarized the work of those contemporary poets - especially the Americans- who were writing abstract verse of this kind.' Neuburg insisted
that the poems were genuine. Finally, Goulden said, 'There is only
one way to settle this argument. We will send for the author and all
take a look at him.' He then gave instructions to his secretary (Miss
Gwen Thomas) to invite Dylan to come from Swansea for an interview at the Sunday Referee office. The paper would pay his fare and
expenses and put him up at the Strand Palace Hotel, which was not
far from the Fleet Street premises of the paper. The poet accepted and
duly presented himself escorted by Neuburg, Runia and Hayter Preston.
'He looked a little slim, pale boy,' said Preston, 'with a head two
sizes too large for his neck. He had the cockiness of a sparrow but this
was merely a cover for his nervousness. Victor was pulsating like an
electric wire.' It was an unnerving situation for an unknown young
author. He was facing literally, his judges. We grilled him about his
work,' said Goulden. 1 remember asking him point blank how he
came to write involved, intricate verse like this. How did he make a
start on a new poem and how did he sustain the mood?' 'And how
well I remember the unforgettable reply,' adds Goulden. 'This young
man, who looked more like a farm hand than a poet, was obviously
228
229
The Magical Dilemma of Victor Neuburq
perplexed. He ran his fingers through his bush mop and with a kind
of embarrassed boyish grin he suddenly exclaimed, "Oh, you know, it
just seems to' flow." It was perhaps a trite remark but it was spoken
with that resonant Welsh lilt which gives music to simple words. The
voice was the most remarkable quality of this otherwise unremarkable and gauche young man.'
At the end of the inquisition the Editor's doubts about the
authenticity of the poems submitted by Thomas were completely
allayed, Victor's choice of him as the prize winner was ratified.
On Sunday, June 17, there was a party for Dylan at Vicky's.
It was decided that Dylan's book, to be entitled 18 Poems, would
be produced at the Parton Press under the aegis of the Sunday Referee.
The cost of production was 50, and of this the Sunday Referee paid 30
and the Parton press 20. A royalty was payable to Dylan.
In the middle of the summer Pamela's book, Symphony for Full
Orchestra, appeared, with a Foreword by Vicky. To launch it, he gave
a party for her, in his Aunt Ti's flat in Victoria Street. The Argosy,
which had black-listed Victor, now started a competition on lines
imitating those of the Poet's Corner. It was not destined to discover
names of such lustre. Victor was now printing in the Sunday Referee,
Dylan Thomas, Pamela Hansford Johnson, Ewart Milne, Francis
Berry, Herbert Corby, Idris Davies, Ruthven Todd, Margaret Stanley
Wrench, Eileen Brennan, Hugo Manning, Leslie Daiken, A L Basham,
Ken Etheridge, Julian Symons, David Gascoyne and Laurie Lee.
Gradually, they found their way to where Vicky lived. Morton,
Dylan and Pamela formed the original nucleus to which others added
themselves.
Margaret Stanley Wrench (Newdigate Prize Winner of 1937)
remembered:
Springfield Road. I had brought Victor's story to the pointut whh'lll

entered it.
On March 10, 1935, there was a feature article in the Sumltl},
Referee which surprised me very much: 'My Search for the Absoluh'
by Aleister Crowley. I asked Hayter Preston about this and he told
me its appearance had nothing to do with Victor. He himself wa
responsible. He had received a telegram from Crowley asking him to
go down and see him at the Old Ship in Brighton. He was surprised
and puzzled because their contact had terminated in the violent row
in May 1914, but he went nevertheless.
It turned out to be a stunt in the sense that Crowley was only
trying to sell him an article. In a moment of softness Preston bought
the article and, by drastic editing, made it publishable. But it did not
meet with the approval of the Editor.
Mr Goulden recalls: 'I considered the article altogether too abstruse - with its overtones of ontology and epistemology - for the
readers of a Sunday newspaper. It seemed to me that this was
material which Crowley (whose work as a poet I knew and admired)
had dredged up from some of his old manuscripts and was now
trying to foist off on his friend Preston. I agreed, however, to let it go
- after considerable revision by Preston - and I actually chose the
heading for it - a title about as meaningless and metastic as the text
itself. I told Preston we didn't need any more of this stuff but on the
Tuesday after publication (Sunday newspaper staffs do not come in
on Mondays), Aleister Crowley, a sinister figure wearing an
overlarge black Homburg (like spies in pre-war fiction affected) presented himself at the office and dumped a sheaf of typescript on my
desk. These, he said, were the 'future instalments'.
'When I told him I didn't intend to publish any more articles
from him he became furious. He said Preston had given him a
contract for a series of articles but Preston (whom I thought was
slightly afraid of Crowley) stoutly denied this. Crowley became
abusive and I ordered him out of the office. 'I'll sue you,' he shrieked
and indeed he did start proceedings for breach of contract. Preston
urged me not to defend the action because he believed that Crowley
could put "a curse on us", but I was not intimidated either by
Crowley's threats or by his alleged magical powers of evil.'
'Crowley in the witness-box put up a very poor showing. But
during his evidence he appeared to be making what Preston claimed
were "mystical signs'" to the judge with his hands. His Lordship,
however, was obviously impervious to this esoteric radiation. "I
A large head and a mane of hair, a room full of assorted people and untidiness, the
debris of living, scattered books, papers, table tops stained with the marks from wet
glasses, ash scattered, letters scattered.
Francis Berry, who today has a considerable reputation, wrote

tome:'
The claim made that 'Francis Berry , whom the old Poet's Corner had, with Professor
Wilson Knight, the honour of discovering' ... is, if you read Victor Neuburg for Poets'
Corner (ie of the Sunday Referee) exactly true- granting that it was an honour? Knight
first discovered .. .but then Neuburg gave what Knight could not give, publication and the
encouragement of his praise set out in print. He gave one one of those enormous leaps
and bounds of joy which one needs at that age, and I have an image of him - which I
summon or which comes unannounced- an image of a frail yet strong bird yet man.
Berry's visit to Victor must have been just before his move to
230
231

prefer Mr Goulden's version of this affair to that of the plaintiff" he
announced at the end of the case and looking directly at Crowley
standing in the well of the court, the judge added ''You have no
justification in law or morality".
"'You'll regret this," Crowley snarled as we passed him on the
way out of court.
'Preston seemed to take this imprecation very much to heart and
it is my belief that our victory over Crowley distressed Preston for a
very long time afterwards. When the Sunday Referee eventually
ceased publication Crowley sent me a postcard with the words, "So
you didn't win after all." Apparently he wasn't aware that I had left
the paper two years previously.'
'In the years that followed, Preston continued to be associated
with me in my various journalistic and literary enterprises and I
never lost the feeling that the court episode with Crowley had cast a
sort of shadow on Preston.'
'Then, one day, he came to tell me Crowley was dead. I saw at
once that a burden had been lifted from Preston's shoulders. A spell
had been broken.'
There comes back to my mind something Runia told me when I
saw her in 1941. She was with Vicky in the Atlantis Bookshop in
Museum Street when he was rummaging through old books. Suddenly he drew closer beside her, so as to be able to speak in a voice
that would not be heard by others, and said, 'Let us leave'.
As they emerged into the sunlight, she saw that he had turned
deathly white. He said, 'AC came in. He was standing looking at
books. Almost next to us. I don't think he saw me.' (2)
( 1) I enquired of the local authorities as to the ownership of Vine Cottage and how long
it remained in the family , and had a reply from the Rating Officer of the Chanctonbury
Urban District Council , 'until the end of 1933 Mr V.B.Neuburg was the rated occupier
and Mrs Theresa Royce the owner.
(2) This is Crowley's last appearance in Victor's story ; he died in a Hastings boarding
house on December 1, 1947. His estate, as I discovered at Somerset House, was
valued at death at eighteen shillings and sixpence .
232
22
Remeeting with
Pamela Hansford
Johnson
I had not seen Pamela for years but when she opened the door to
me she looked exactly as she did at Vicky's. I had written to her- she
was now Lady Snow- telling her I was writing his biography and she
replied saying she would love (she underlined it) to talk with me
about Vicky. As she brought me in, helped me off with my coat and
poured me a gin, she seemed just the same. 'I was very fond of him,'
was almost the first thing she said/I never saw the slightest impropriety in his house.'
'There wasn't any,' I said, surprised she should think it necessary to assure me.
She insisted, 'I do want to say that in the whole of the time
during which I was a frequent visitor I never saw anything in the
slightest degree indecent, or indecorous, or unseemly, or in any way
capable of shocking a young girl.'
'But I know there wasn't!' I protested, touched by her loyalty. 'I
was there every Saturday for a year! And the Sundays and Fridays! I
know what it was like!'
'I do want to say that any young girl was safe with him,' she
said, speaking with great earnestness.
Her defence of Vicky endeared her to me.
'And not only safe,' she added. 'Protected. Any young girl
would, in his house, have been protected. If one had been getting into
any kind of trouble, he would have seen it and intervened and protected one.'
Assured at last of my friendship for Vicky she said, 'I've got out
my diaries for you.' On the table was a pile of small pocket-diaries,
and I saw how much preparation she had made for our meeting
when, by means of slips of paper already inserted in places to be
found again, she was able immediately to read out the entries for the
233
significant dates, beginning with her first meetings with Vicky and
with Dylan, which I have used in a previous chapter. We talked
about Dylan.
She told me of a ghastly occasion when she and Dylan and
Geoffrey Lloyd brought in some beer, and Runia, when she and Vicky
came in later had been terribly angry about it. 'She spoke to me on the
telephone next day, Sunday, and accused me of giving the place over
to orgies and bear-gardens!'
Reading aloud from her diary, Pamela said, 'I cannot believe it
was that bad, even with Dylan present!'
It was only when she copied out the extracts from her diaries
and gave them to me that, seeing the date of this was Saturday June
29, 1935, I realised that this was the occasion on which I had been
present.
After this Pamela had stayed away for some time. When the
change of policy and editorship on the Sunday Referee caused Vicky to
lose his column, Runia telephoned her and asked her to organize and
lead a procession down Fleet Street with a banner demanding the
reinstatement of the Poets' Corner. Pamela would have done anything
she thought could help Vicky, but she did not believe this was his
own idea and did not feel she could do it.(l)
Pamela said that on one occasion when Runia went out to the
shop round the comer to buy pasties for their supper, Vicky said, 'She
looks after me very well. Perhaps too well.' And he told Pamela a
story. He had needed to buy some shoes. Runia accompanied him to
the shop and did all the talking. He tried the shoes on and the
assistant turned to Runia and said 'Do you think they hurt him,
Madam?'
Pamela explained why she had been at such pains to assure me
of the propriety of everything she had ever seen at Vicky's. An
obscure climate of scandal attached to his name and it had troubled
her. 'A barrister, having heard that I went to Vicky's, warned my
mother that Victor Neuburg was a man of bad reputation!' she said.
'My mother, being a wise woman and generally trusting what I told
her- she also trusted her intuition, having met Victor herself- did not
attempt to withdraw me from Victor's circle.'
Pamela had been very much concerned. Sitting forward in her
chair, absolutely vibrant, she said, 'I can't tell you the amount of
perturbation it caused me! I spent years of my life trying to find out
what Vicky had done!'
Not liking to ask anybody she had simply lived, as she ex-
plained, with her ears skinned in the hope of picking up some clue.
I hesitated for a moment, wondering what her reaction to the
truth would be; and as she saw me hesitate she asked, in tones
absolutely ringing with impatience, 'Have you discovered? What did
Vicky do wrong? Or that people thought he shouldn't have?'
I told her in one sentence. 'He had homosexual relations with
Aleister Crowley.'
She hadn't thought of that. 'Then my mother need not have
worried for me!' Once, when Runia had gone out to buy pasties - all
her real conversations with Vicky seemed to have been when Runia
had gone out to buy pasties- Vicky had read her some of Crowley's
poetry and asked her opinion. 'He said that he had known him.'
When Runia came back, she asked them what they had been talking
about. Pamela said, 'Aleister Crowley.' Runia said, 'That name is
never to be spoken in this house.'
Perhaps that should have given her the clue! It hadn't because,
as Pamela explained, she had always thought of Vicky as essentially
masculine.
At this moment Sir Charles Snow(2) came in and Pamela
brought him up to date with the story. After this the conversation
broadened out, and Sir Charles asked me about Vicky's days in
Cambridge.
We remained in contact. At my request Pamela sent me the
photographs of herself and Dylan Thomas taken during the time they
belonged to Vicky's circle (see plates). I asked her if she would like to
write me something about Vicky which I could quote. In reply, she
sent me this:
2.3'4
VICTOR NEUBURG: 1934

He was uncommonly like a bird: small, bony , with a fine large beak and hair curling high
and loose like a bird's crest from his high forehead . His eyes were cobalt blue and very
clear, a young man's eyes , startlingly young in his middle-aged face . He wore a sloppy
black jacket not infrequently marked with egg (alpaca, I think it was) and poet's tie ,
which would be a Ted's today.
Whether I should have expected anything arcane in his history if I had not been warned
of it, I don't know, but I don't think I should. My immediate impression , which I have
never had reason to change, was that he was infinitely kind : that he was a good man. I
was young enough and shy enough to be frightened by freakishness of manner, and his
was often freakish ; but the freakish-ness was of a kind to charm the young and make
them feel admitted into the secret of it. It delighted them and liberated them . He could
be, and often was , remarkably silly; but when anyone went to him with a personal
problem he could be as worldly-wise as Kipling's 'Prooshian Bates,' always ready to
point to 'a safe way round , out or under.'
235
His conversation with the young, or with anyone else, was cleanly ; he used no bad
language, substituting oaths he had invented for himself; and if he was sometimes
given to airy blasphemies, they made no more impact than if he had been deriding
Father Christmas.
'And that was back in the days when it was only Dylan and II Il l
Dylan was Left, but with his middle-class background he couldn' t go
very far to the Left. Later, there was a really determined Marxist
element.'
She herself went less often to Vicky's after she married because
her first husband, Neil Stewart, was not in sympathy with the ambience and was rude to Runia about 'yogis and bogeys'.
The Marxists were impatient with what they considered the
'silly side' of Vicky. For some time they thought they could take him
along with them. He had moved some way towards the Left and they
thought they could use him. But when he said he was not a Communist, he meant it. 'He began to feel the Communists were trying to
take over control,' Pamela said.
He dug his toes in. He would not allow Comment to become a
Communist organ. When the Communists realized that, they withdrew their support and the whole thing collapsed.
Morton must be exempted, however, from this analysis of the
behaviour of the Communist element as a group. His friendship with
Vicky, going back to the Steyning days, was a personal one. He
always respected the fact that Vicky was not a Communist, and had
too much regard for him to wish to use him against his wishes. He
was, in fact, one of the truest of all Vicky's friends.
In his light tenor voice he spoke the most beautiful pedantic English: I used to wish that
I, too, dared to say, 'ac-TOR', 'composi-TOR' :, etc, as he did.
When he was on the subject of magic, I felt he was suffering from a deeply divided
nature. At times he no longer believed a word of it; if it was 'all rot' to me, it seemed, for
the moment, 'all rot' to him . Yet the terrors of the past still held him, like a nightmare
which persists when the curtains are drawn, the sun is streaming in, and breakfast is on
the table.
He must, I think, have developed in a very few years this profound latent cynicism : and
latent it must have been, during the Crowley days. Did he really think the Master's
poetry was any good? When he read Crowley's awful verses to me, it was with his
tongue in his cheek. And yet - and yet- (you could feel him thinking all the time) could
he, even now, revenge himself upon a defaulting worshipper?
Pamela Hansford Johnson
Some time later the Snows came to spend an evening with me.
Inevitably, Pamela and I talked about Vicky. Sir Charles made himself at home and found something to look at (he liked my paintings,
which was flattering.)
I asked Pamela if she thought it was the rumours surrounding
Vicky's past which had been responsible for Dylan's falling away
from the circle.
'No,' she said. There were several things. The Name Zoists.
'He thought it sounded zooey.' (I remembered with dismay the unfortunate cognates I had given him!) And Runia. He didn't get on
with her. 'If it had been just Vicky, by himself, he would probably
have stuck, to the end.'
Still puzzled by the magic side, Pamela said, 'I'm a Christian.
can get on quite well with people who say they don't see any reason
to believe in all that. Much better than with people who believe in
magic signs!' On this front, there had been a wall between herself and
Vicky.
Although Pamela's period at Vicky's overlapped with mine in
the main it belonged to the two preceding years and she talked to me
of this earlier period, when there were fewer people and, as the hour
grew later, every conversation between Dylan and herself ended in
politics. Vicky thought this extraordinary. 'It worried him,' Pamela
said. 'He thought it unnatural for young people to be so very much
concerned with politics. He used to say, "But you reduce everything
to politics!"
236
( 1) I learned later from Hugo Manning that he collected signatures to a petition in this
sense. Hayter Preston told me that, before things had reached this pass, Runia
endeavoured to interest the Labour peer, Lord Hurtwood (formerly Clifford Allen) in
putting some money into the Sunday Referee, which would avoid the need to change its
policy. She, Vicky, Hurtwood and Preston had tea at the Reform Club to discuss this
but nothing came of it.
(2) Later Lord Snow.
23-7
23
After I Knew Him
Holding Pamela's tribute to Victor, I wondered if I could place
others beside it. Dylan was dead, but I still had his letter containing
words which might have been Victor's epitaph. And in the British
Museum, in the Dylan Thomas Memorial Number of Adam International Review, I found in the editorial column this:
'Vicky encouraged me as no one else has done,' Dylan Thomas
declared on hearing of Neuburg's death in June, 1940. 'He possessed
many kinds of genius, and not the least was his genius for drawing to
himself, by his wisdom, graveness, great humour and innocence, a
feeling of trust and love, that won't ever be forgotten.'
A touching detail for future biographers is the following inscription in the first copy of 18 Poems:
'From Dylan to Victor, with the utmost thanks!'
Geoffrey Pollett was dead. Geoffrey Lloyd had been killed in
the Spanish Civil War. Idris Davies had sent me, when my own first
book was published, one of his, Tonypandy, probably because it contained a reminiscence of Vicky in the poem beginning:
I used to go to StJohn's Wood

On Saturday evenings in summer
To look on London behind the dusty garden trees
And argue pleasantly ...
But I had heard nothing since. Faber, who published all his
books, had produced his Collected Poems. I wrote to them. They told
me he was dead.
Death seemed to have taken a heavy toll. But from Siam I
received a green air-letter. It was from Herbert Corby. He had seen
my letter in the Daily Telegraph, and wrote:
I remember him [Vicky) as sympathetic and encouraging with a catholic taste and a
belief in all of us; and some of his geese really were very lovely swans indeed: Dylan
Thomas and Pamela Hansford Johnson.
By now Corby had four volumes of poems published. Leslie

Daiken telephoned to speak of 'dear Vicky, who helped us all so
much.' Daiken had been Features Editor at Reuters, had numerous
publications to his name and was now connected with television. He
came to tea, and astonished and touched me by telling me he had cut
238
out from Comment, and preserved for all these years, my story, 'Mnny
are Called'. 'You came from the well-dressed world, and put all 11
Bohemians to shame!' he said. He had kept in touch with Dylan to tht
end, and Caitlin had spent some time at his home during one of her
pregnancies. He said, 'What made Vicky remarkable was that, who
ever he was talking to, he could be instantly on the beam.'
I said, 'He was more than a Poetry Editor. He was a spiritual
teacher.'
Daiken said, 'I'm glad you said that. He was a sage. If this had
been an Oriental country he would have been regarded as a Holy
Man, and we should have been considered his pupils.'
'Did Vicky cough?'
I asked suddenly, for my inability to remember this worried me,
in view of the cause of death given on the certificate.
'Oh, he did cough,' said Daiken. 'He hadn't got a chronic cough,
but he coughed when there was fog. He would muffle up even to go
down to the Sunday Referee. He recalled Vicky's saying he only
smoked Woodbines, because they were little and he wasn't supposed
to smoke at all: 'They're coffin nails for me. I've got a bad lung. We
don't talk about it.'
I asked him if he would like to write something about Vicky,
and he sent me this:
V.B.N .
V.B.N. was the leavening of my drifting , bohemian, anarcho-politico-mish-mash of a
literary lifeline in London . True, after the footstools and draught-excluders of Rathgar,
where we all sat with bated breath under the beard of A.E. and the brow of W.B.
bohemian London, with its pubs and its 'political poets' was something very
special. ..and I owe something to Mike Sayers for letting me touch the T.S.Eiiot hems.
But one missed the rooting, the direction, the sense of vocation that V.B.N infused into
one. He had that fantastic catholicity, that generosity of heart, that 'in my father's
house-are-many-mansions approach to younger writers which made our motley crowd
all tick as though their special thing mattered. Room for the free verse people, for the
sonneteers, the sprung-rhythmers; the bolshies, the anti-politicals, the Irish, the Scots
and the Welsh (cohorts of them) all of whom had chips and manias amid the myriad
manifestos. Agreed, I had got a big kick when Orage's paper printed a story .. .but that
was nothing beside the sense of reaching an audience I got when Vicky Neuburg
published 'St Patrick's Day' in his little magazine Comment, on March 21st. 1936.
What of the V.B.N. circle of poets? As variegated as a race-meeting ground on Easter
Monday, we all met in the Swiss Cottage sitting-cum-reading room that Jean Fuller no
doubt has described vividly in other pages of this study. From all points of the compass,
each his/her own navigator. Many of us had been companions-in-print in Victor's
Sunday Referee corner, but here we could meet in the flesh, and laugh and listen, and
brood and argue, that essential pollination process to which all socially-minded poets
are addicted. And, whatever our respective clarion-calls, we were nothing if not socially
239
After I Knew Him
conscious. I listened to Geoffrey Pollett arguing the toss with Geoffrey Lloyd on Marxist
ethics; Dylan Thomas fighting (against no odds) for regionalism in poetry; Jean Fuller,
blonde and svelte and willowy as a shy nordic myth-maiden, smiling when we all
congratulated her on the first story she had printed, 'Many are Called'; diagnostic, she
would be a dab at narrative prose; Ruthven Todd and ldris Davies exchanging passionate ideas about poetry. There was glamorous Pamela Hansford Johnson deep in
conversation with, say, Walter Ford, while when it came to the wrongs of Caitlin ni
Houlihan, my newly found compatriot, the poet Ewart Milne just back from serving
before the mast, gave heroic support. Talk, talk and more talk - but after the heady
hangovers of Irish Hooley, a more constructive tensile-strength to it all; we were
learning our trade; we were all in a sense novices at the Neuburg Temple, thrusting,
testing, working our passage along the via dolorosa which is Poesy's path. We took.
We probably influenced each other's work and helped each other more than we shall
ever know. And thanks to V.B.N .
I think that was in the late summer of '36. We sat in the back garden, and Victor talkod
and I listened. But though he talked, he also observed. I took to him, with his great ugly
beautiful head, and his small body, and his great soul- and his appalling use of syntax ,
and his obsession with punctuation- immediately. I didn't think he was a great poetry
editor; he loved the esoteric and magic too much for my liking; and yet I found myself
loving him . He really cared nothing whatever for conventions of any kind, and I could
appreciate that. And he had a completely tolerant mind, wide, catholic, receptive.
Moreover, though in his editing days on the Referee he often encouraged many he did
not think would go far, yet he knew the poets, the real poets . He was completely
trustworthy there. I remember his speaking to me of Dylan Thomas, of Pamela
Hansford Johnson , of Herbert Corby, of Francis Berry and A.L.Morton before I met any
of them , and before any of them were at all well known .
'Thanks to V.B.N .' should be, perhaps a sub-title to any memoir that anybody in that
group concocts today. Looking back from my present-day work for a then unimaginable
medium called television, after 25 years of writing, writing, writing, earning my living
with words, words, words, I suppose I can say that after the encouragement I received
from Sean O'Casey, my greatest debt is to V.B.N .
Presiding there, over us all, a sort of A.E. without the Irish mystic's self-dramatized
hooha, he helped, guided, amused, encouraged, like a father-figure who was to most of
us, I think, a brother figure! 'That's good stuff, let's have 600 words for Commentthere's a C.H.O.G.' His private joke words have always stayed with me as vividly as his
nervous fingers holding his cheap cigarettes ('have a gasper, do! Go on , have one. I
only smoke coffin-nails. Try one!') which he interminably offered to us all, the poor
sharing out to the poor. Absurd words, which in themselves, and his pilpulistic talent for
religious purism, became a ritualistic charade. 'Are you a FROG?' While I mutely
searched for a reply, he chortled, 'A friend of God!' His irreverence had a touch of the
prophet dissenter. And so it was in an amalgam of roles as high priest of poetry , and a
catalyst to our often mutually cancellative chemical personalities, editor-in-chief and
pantomimic extraordinary, his 'At Homes' were vibrant. But overriding them all was his
role of patron. He was patron to all us apprentices, sweetly and with a sixth sense of
compassionate apprehension, showing us just how each and every talent we writers
should develop.
V.B.Neuburg, had he devoted less energy and time to teaching other poets their trade,
might have produced a vaster corpus of original writing. But what could the latter,
however brilliant, embody beside the tributes of mature men and women who have
grown into better people because of their mentor and friend .
Leslie Daiken. ( 1)
I have quoted this long passage because, while I have described

the evenings at Vicky's myself in the earlier part of this book, it
pleases me that the reader should not be left solely with my description.
I wrote to Daiken's compatriot, Ewart Milne, who had ten books
of poetry to his name. He replied from Ireland, explaining how he
had come to see Victor:
240
If you will, try to picture him with his great head of a real gnome, sitting up in bed in a
filthy dressing-gown in a room full of books, with Runia occasionally looking in and
myself on the end of the bed, gingerly listening, and suddenly Vicky stopping , looking at
me and saying , shaking the great mop of his hair, "You'll get through, you'll win out, but
I won't." I said, "How do you know, Victor?" ' But he only repeated that he knew. That
was one of the last times, if not the last time, that I saw him .
I knew, because Runia had told me, that he was quite seriously ill, and yet I felt death
was really very far from Victor Neuburg ; his interest, his zest for life, was huge ... l just
think that if anyone did get through it was Victor Neuburg. Without his help and
encouragement, and above all his acceptance of the poet, I really don't know where I
would be today. If I was to be dedicated, if I did not care what I had to do for the sake of
the poetry I could write, Vicky showed me that he at any rate understood- so what could
I do but be grateful for what I imbibed from him, the steeling of all belief that it was
worthwhile.
Maurice Sarver, who used to be Manager of the Unicorn Press,

wrote:
I still think that had Victor lived he would have created a great revival in the quality of
English poetry, by his encouragement and teaching of the ardent poet.
At first, I suppose, Victor was only in bed at times. There was the move from Springfield
Road to Boundary Road. Oswell Blakeston, answering my letter in the Telegraph,
wrote:
Before the war I lived in Boundary Road and I called on Victor Neuburg to see if I could
get his signature to a pacifist manifesto denouncing Power Politics . He was very kind to
me, and he asked me about my life. I tried to tell him some of the problems of existing
on a shoe string. I remember he said, "It must be very hard for you, being so
undefended."' He pointed to the shelves of his magnificent library. "'I have my armour
against the future. All these books ."He gave me an invitation to come back and borrow
books whenever I felt inclined. Strangely enough, I cannot remember whether he
signed the manifesto.
But before long, it seems, Victor was in bed most of the time.
Hugo Manning telephoned me; he remembered me almost by definition as 'the girl who stood up to the Only British Nazi!' I asked him to
tea, and he came, bearing as a gift his latest volume of verse, The Secret
Sea. 'What did Vicky die of?' he asked me. 'Was it a cancer?' He was
241
After I Knew Him
not the first person to have asked me that. I told him what was on the
Death Certificate.
Manning saw Vicky for the last time just before leaving for
South America. Distressed at finding him bedridden, he asked him
what he was suffering from. 'In my youth I was too great a sensualist,' Victor replied.
'I think he must have imagined it.' Manning said. 'He said he
had "worn himself out". But he did not look like a great sensualist.
The white of his eyes were clear, and his gaze was pure and steady.'
Manning found it impossible to believe him dead. 'All that
understanding, that great intellect and sensitivity, all that he was,
can't have ceased to be. In some state, he must still be.'
'What I felt about him,' said Manning, 'was his humbleness. He
served life instead of, like most people, trying to make it serve him.'
that are embroidered on the mantle of the figure scattering tlw flu\
ers, which had become in his memory of that first vision roscbud 'l A
whole world seemed to be unlocking itself, and it was connected with
the Grey Friend who met him beside the wood, before he was born.
As Frankie grew, the clarity of his vision diminished. He went
to school and learned to play boys' games, and by twelve years old he
was living in the tangible world as though it were the real. Yet
something in him rebelled against the prison; he was reluctant to eat,
and his mother took him to the doctor. In the waiting-room he was
left alone, and it was here that his second revelation came to him. On
the table there were some magazines; he opened one of them and for
the second time in his life found himself looking at a reproduction of
the 'Primavera'. The effect on him, 'was very much what the first
vision of Laura "in her light green dress" must have been to Petrarch.
"Spring, spring, in how many lands have I known you?" -the dawnrose flushed Frankie's cheeks ... Frankie's eyes brimmed with hot, radiant tears; in the absolute, the abandonment of happiness he rose
and went to the window.'
He had recognized 'the Green Lady whom he had known, and
whom to know was the only life that mattered.'
There is little more to say. Among the books I acquired from
Anthony d'Offay was one entitled The Popular Faith Unveiled, (1884).
The fly - leaf was inscribed:
Victor B Neuburg I
London NW8 I.
summer solstice, 1939 I.
Many of the margins bore his comments, and at the foot of a
chapter relating stories in the Gospels to the sun's course through the
Zodiac, he had written:
In the library of the British Museum with, I know not what idle
curiosity, I looked up Comment in the Catalogue. I saw that it had
continued until January 30,1937. Even after so many years, it caused
acute pain to discover it had gone on for thirty issues after I had
thought it had stopped.
Why had I not received them? I was fully paid up. Returning
home, I looked at the last issue I had received through the post. The
date was June 13, 1936. It contained an acknowledgement for a small
contribution I had made towards a fund. I wrote to Corby and asked
him if he could cast his mind back to the last evening at Vicky's, when
Runia had told us it would not be necessary for us to come any more
on Fridays to do the wrappers. He replied saying he believed Runia
thought we had become too much part of the establishment and
decided to make our presence unnecessary.
I went back to the British Museum and got out the Comment file
to see what I had missed. I wanted particularly to see how his semifictional autobiography had progressed, and I read that Frankie, a
visionary child, had experienced his first revelation when at the age
of six he had been invited to a house where, on one of the walls, was a
reproduction of Botticelli's 'Primavera'. As his eyes met it, his whole
consciousness seemed to be gathered into them, and he almost came
out of himself towards the picture. Now at last I was able to identify
the figure in that early poem of Victor's, 'A Nocturne', the figure of
his true love. 'Tiny rosebuds girt thy green mantle, and thy yellow
hair ... ' I opened II Sogno Nostalgico da Sandro Botticelli at the reproduction of 'La Primavera'. I think, actually, it is carnations or pinks
242
The practice of this allegory, on the principle that man is a microcosm to the universal
macrocosm, is the basis of mysticism, occultism and masonry, a blend of both . The
esoteric apprehension of the exoteric rubbish of 'popular' religions was, and is, called
'initiation' or the going into things.
.,.
Vera Wainwright saw him in an upstairs room at Boundary

Road and he gave her an introduction to Austin Spare, who was
going to do illustrations for a fresh volume of his poems. 'He was in
bed, being nursed by a devoted Lady, and could only speak. When I
left, I knew I should not see him again.'
Arthur Leslie Morton saw him for the last time in the late
summer of early autumn of 1939.. It must have been about the time
243
After I Knew Him

the war started, though he cannot remember their speaking of it.
Vicky appeared very weak although his personality was unchanged.
His mother died, at Boundary Road, on 24th November, 1939.
Probably the last person from outside to see him was H.Cutner
from the Freethinker, in 1940 when he took the photograph of him in
bed, his head propped against the pillow. A beard had grown on his
face because he could not shave.
On May 30, 1940 he passed from the body in which those who
loved him had known him in this life.
For me, he lit a flame which can never be put out. I felt in him, in
a way which holds the imagination for ever, the heroic spirit. His
story is still the most awful that I know.
In the association of Victor with Crowley, a personality of exceedingly fine grain was overlaid by one exceedingly coarse. A genuine mystic bluffed and exploited by an inflated pseudo-Messiah. For
Victor the association was a disaster; it wrecked whate_ver career he
might have had; it ruined his health and nervous system; and, in the
conventional ~nse, it destroyed his reputation. Victor never recanted; but he did have a feeling that a deep profanation of the
mysteries had taken place, and it worried him that he could never put
his finger on the point at which things had taken a wrong turning. I
think that things had gone wrong with Crowley before he met him,
and that the elements which later made his personality so monstrous
were there from the beginning only Victor did not at the beginning
perceive them.
Yet the whole experience had left him a being whose comprehension seemed infinite.
He was a well from which one could draw to the extent of one's
capacity. He received all who came to him, and gave each one back
his own image, brightened. If that is not true magic, I do not know
what is.
There is a Persian saying that the Master carpet-maker does not
undo the pupil's mistakes, but weaves them into the pattern. So the
pattern becomes richer. The purity in Victor's gaze meant more to me
because I knew through what frightful darkness he had carried the
lamp. But that I knew what it had cost him, it could not have meant so
much to me that he could still say without regret, 'We went to sea in a
sieve.'

Postscript to chapter 23: The Party
On 10 May, 1965, I gave an eve of publication party for the memory of Vicky . T1mo thy
d'Arch Smith came early and helped my mother with the preparations. The next to
arrive were the Snows. I said to Charles, 'It's gallant of you to have come!' He said ,
'Pamela would never have forgiven me if I hadn't!' Dame Irene Ward came, from tho
Commons, and then Vicky's son and his wife Ann and their daughter, Caroline, Arthur
Leslie and Vivien Morton, Walter and Dora Raeburn , Eric Richmond, Frederick Carlton
Smith, Charles and lena Cammell , Herbert and Margaret Corby, Margaret Stanley
Wrench, Mark Goulden, Father Brocard Sewell, Frances Horowitz, Alan Brownjohn,
Howard Sergeant, Ronald Davison (the President of the Astrological Lodge), Tamara
Bourkoun, Gerald Yorke, Eric and Chloe King-Bull , Anthony d'Offay and Shirley
Toulson.
I proposed a toast 'To Vicky' and Pamela proposed the reply. I read them the whole of
'Druids' (which I would on the morrow read before television cameras, standing
amongst the trees on Chanctonbury Ring).
General J.F.C. and Sonia Fuller accepted but were held up. Some time afterwards he
died ; then I received a letter from a firm of lawyers . They told me she had just died, and
there had devolved upon them, as their solicitors , the duty of settling up the estate, and
they could find no Will. They had, however found his address-book, might they hope
that in me they had found his next of kin? I was sorry to have to disabuse them .
(1) Leslie Daiken died in 1965.
244
245
Bibliography
Note to 18 Poems, Dylan Thomas (Sunday Referee and Parton Press,

1934)
'To Introduce', First Comment Treasury (Comment, 1937)
Works of Victor Benjamin Neuburg

A: Unpublished
The Magical Record of Omnia Vincam (1909)
Lent me by General J F C Fuller; now in the Humanities Research
Centre, University of Texas, Austin, Texas
The New Diana (1912)
70 numbered stanzas with preliminary verses and Epilogue
Babes in the Wood: A Pantomime (1927). Programme only given me by
Vera Dennis Earle. Text probably not preserved
B: Books of Poetry
The Green Garland (Probsthain, 1908)
The Triumph of Pan (Equinox, 1908) 181 pp
Lillygay: An Anthology of Anonymous Poems (Vine Press, 1920) 78 p.
Certain parts
Swift Wings: Songs in Sussex (Vine Press, 1921), 59 pp

Songs of the Groves: Records of the Ancient World (Vine Press, 1922)
139pp
Larkspur: A Lyric Garland (Vine Press, 1922), 101 pp

Parts only
C: Anthologies Carrying His Poems

Cambridge Lyric Poets, 1900-13, ed A Tillyard (Heffer, 1913)
Another Book of Sussex Verse, ed C F Cook (Cambridge, 1928)
A Treasury of Modern Poetry, ed R L Megroz (Putnam, 1936)
Merry Go Down, ed Rab Noolas, [pseud. P Heseltine] (Mandrake,
1929)
The First Comment Treasury, (ed) pseud. Benjie (Comment, 1936)
D: Introductions, etc.
Biographical Introduction to Footsteps of the Past, J M Wheeler
(Pioneer, 1931)
Foreword to Symphony for Full Orchestra, Pamela Hansford Johnson
(Sunday Referee, 1934)
246
E: Journals, Poems, Translations and Articles

Carried In
The Freethinker
The Agnostic Journal
The Theosophical Review
The Equinox
The New Age
Freedom (for which, for a while, he wrote the Leaders)
The Bookman's Journal
Oxford Outlook
The Sunday Referee
Comment (including his semi-autobiographical serial 'The Perfect
Stranger')
F: Books carrying references to Victor B Neuburg

Archer, Ethel, The Hieroglyph, semi-fiction (Denis Archer, 1932)
Calder-Marshall, Arthur, The Magic of My Youth (Hart-Davis, 1951)
Cammell, C.R, Aleister Crowley (Richards, 1951)
Croft-Cooke, Rupert, Glittering Pastures (Putnam, 1965)
Crowley, Aleister, The Confessions: An Autohagiography, (eds) John
Symonds and Kenneth Grant (Routledge, 1979)
Crowley, Aleister, The Paris Working (unpublished MS). Lent me by
Gerald Yorke; now in the Warburg Institute, London
Crowley, Aleister, Miscellaneous unpublished mss lent me by
Gerald Yorke, now in the Warburg Institute London)
Hamnett, Nina, Laughing Torso (Constable, 1931)
Stephensen, P.R, The Legend of Aleister Crowley (Mandrake, 1930)
Symonds, John, The Great Beast (Rider, 1951)
Symonds, John, The Magic of Aleister Crowley (Muller, 1958)
Valiente, Doreen, Where Witchcraft Lives (Aquarian Press, 1962)
H: The Golden Dawn, Rosicrucianism, Kabbalah, etc

Ambelain, Robert, Le Martinisme, La Franc-Mac;onnerie Occulte et
Mystique (Niclaus, Paris, 1946)
Crowley, Aleister, Magick in Theory and Practice, (ed) John Symonds
247
Bibliography
and Kenneth Grant (Routledge, 1973)
Crowley, Aleister, 'The Vision and the Voice', in The Equinox, l,v
(March 1911) 21-176
d' Arch Smith, Timothy, The Books of the Beast (Crucible, 1987)
Farr, Florence, Egyptian Magic, lntrod. Timothy d' Arch Smith
(Aquarian Press, 1982)
Fortune, Dion (pseud Violet Firth), The Mystical Qabalah (Williams &
Norgate, 1941)
Fuller, J F C, The Star in the West (Walter Scott, 1907)
Gilbert, Robert, The Golden Dawn and the Esoteric Section (Theosophical History Centre, 1987)
Howe, Ellie, The Magicians of the Golden Dawn (Routledge, 1972)
Howe, Ellie (ed), The Alchemists of the Golden Dawn: The Letters of the
Rev W.A.Ayton to F.C.Gardner and Others 1886-1905 (Aquarian Press,
1985)
Levi, Eliphas, Transcendental Magic, trans A E Waite (Rider 1896 ed.
1962)
Regardie, Israel, The Golden Dawn: An Account of the Teachings, Rites
and Ceremonies of the Order of the Golden Dawn (Aries: Chicago 19371940), Four Volumes
Mathers, S.S.L.Macgregor, The Kabbalah Unveiled (Routledge, 1957,
9th Impression)
Waite, Arthur Edward, The Real History of the Rosicrucians (Redway,
1887)
Wittermans, Fr, A New and Authentic History of the Rosicrucians
(Rider, 1938)
The Equinox, 10 volumes, 1909-1913
1: Egyptian and Hermetic Background

The Book of the Dead, Facsimile of the Papyrus of Ani in the British
Museum, printed by Order of the Trustees (1894)
The Papyrus of Ani, a reproduction in facsimile, edited with Hieroglyphic Transcript, translation and Introduction by Sir E.A.Wallis
Budge (Medici, New York, G.P.Putnam's London, 1913). Original in
the British Museum
Budge, E.A.Wallis, A Hieroglyphic Vocabulary to the Theban Recension
of the Book of the Dead (Kegan Paul, Trench, Trubner, 1911)
Gardiner, Alan H, Egyptian Grammar: Being an Introduction to the
Study of Hieroglyphics (Oxford, Clarendon, 1927)
Mead, G.R.S. Thrice Greatest Hermes: Studies in Hellenistic Theosophy
248

and Gnosis, being a Translation of the Extant Sermons and fragments of
the Trismegistic Literature, with Prolegomena, Commentaries and Notes
(Watkins, 1949), Three volumes
J: Plato
The Works of Plato, translated with analyses and introduction by B
Jowett (New York, undated)
K: Templars and Assassins

L' Affaire des Templiers, Le Dossier de, (ed) and trans Georges Lizerand
(Paris, 1964)
Burman, Edward, The Assassins, Holy Killers of Islam (Crucible, 1987)
Bouthoul, B. LeGrand Maitre des Assassins (Collin, Paris 1936)
Loiseleur, La Doctrine Secrete des Templiers (Paris, 1872)
Wood, O.C. History of the Assassins, trans from Hammer-Purgstall's
Die Geschichte des Assassinen, 1818
L: Miscellaneous
Alpers, Anthony, Katherine Mansfield: A Biography (Cape 1953)
Archer, Ethel, Phantasy (Vine Press, 1930)
Carpenter, Edward, The Intermediate Sex (Allen & Unwin, 1908)
Collins, Mabel, The Blossom and the Fruit (Author, 1888)
Historical Register of the University of Cambridge to the year 1910 (CUP,
1917)
Hoskins, C.A.(ed), The Letters of fohn Middleton Murry to Katherine
Mansfield (Constable 1983)
Maud, Ralph, Entrances to Dylan Thomas's Poetry (Pittsburg UP 1963)
May, Betty, Tiger Woman (Duckworth 1929).
Tomalin Claire, Katherine Mansfield: A Secret Life (Viking 1987)
Thomson Jr, James, The City of Dreadful Night (Dobell)
Tarn, Shirley, Seven Years (Hermes, Vine Press and Dobell, 1928)
White, Rold, (pseud Harold Dinely Jennings White), Day of Life
(Vine Press, 1928)
White, Rold, (pseud Harold Dinely Jennings White) Twain One
(Vine Press, 1930)
Yeats, W.B. 'The Trembling of the Veil', in Autobiographies (Macmillan, 1926)
249
Index
Adam International Review 238
Adler, Professor Allred 226
AgnosticJouma 96-100, 112
Alblgenses 104
Aldred, Guy 98
Allrlcobas-see Neuburg, V. B.
Allen, Clifford (Lord Hurtwood) 226, 236n1
Anarchists 73
Ani, Papyrus of 196n1
Apulelus Golden Ass 114
Arbtter. Petronlus Satyrlcon 114
Archbishop of York 226
Archer, Ethel 86,143-5,149-150, 151n3, 154,158,
161,166,213 Thefferog/yph 144, 154n3 Th8
Whirlpool149, 158
Argentinum Astrum 110 Grades, 110-1 n1, 196
Arlstopanes Lyslstrata 65
Aristotle Postics 16
Arnold, Edwin Light of Asia 114
Arnold, Mathew 'The Study of Poetry' 16
Allantls 105
Atlantis Bookshop 231
Auden, W H 16, Dog Beneath the Skin 65
Aurelius, Marcus 22
Austen, Jane 52
Avenging Current 214
Aylesford Review 86
Baker, Ivan 205
Baker, Mrs Eva 164,205
Balkan War 150n2
Balzac, Honore, La Peau de Chagrin 114
Bankhead, Tallulah 211
Baphomet 175 179
Barnett Mrs (nile Jacobs; Aunt Hannah 'Fraub') 96,
227
Basham A. L 230
Beer episode 13-14,141,234
Bennett, Allan 106, 108, 110, 165
Bennett. Arnold 108
Berkeley, Bishop 114
Berridge, Dr 165
Berry, Francis 65, 230, 231
Besant, Annie 113
Bhagavad Gita 115
Bhagavata Purana 220
Blackwood, Algernon 106
Blake, William, V.B.N. lecture on 76
Blakeston, Oswald 241
Blavatsky,MadameH.P. 104-5,113,122,131,159,
173n1 The S8cret Doctrine 167,186 Isis Unveiled 115, Key to Theosophy 115, The Voice
of the Silence 115, 122n1
Bolesklne 131
250
Index
Book of the Dead 115, 196

Bottlcelli Na&ena di Venera 39, 'Primavera 242
Bouthoul, B. Le Grand Maitre des Assassins 1n
Brennan, Eileen 230
Brttish Union of Fascists member of, see Nazi, the
Only British
Bronte, Emily 22
Brooke, Rupert 157n2
Brovan Society 207
Broyle, M. - see Neuburg, V.B.
Budge, Sir E.A. Wallis 115
Bull, Commander Eric James King 148, 211, 225,
Bullock. P.W. 107
Burgess, H.F. 200
Bums, Robert 210
Burton, Sir Richard, trans Arabian Nights 114, 196
Butts, Mary 218
Calder-Marshall, Arthur 86, 173n3, 210, 223, 227

Cambridge Poets 1900-1913, 157n1
Cambridge Unlverstty Freethought Association 1167
Cambridge Unlverstty Historical Register 123n9
Camel 58-9, 61n2. 213
Cammell. Charles R. 86, 155, 205, 206, 210, 214,
220,225-~226n.245
Carpenter, Edward 212 Thelntermediale Sax 118

Carrol, Lewis Alice's Adventures in Wond9rland 15,
116, 165 Alice Through the Looking Glass 114
The Hunting of the Snark 114
Casey, Raymond 205, 208
Cathars 104
Caxton Hall, Westminster 148
Chanctonbury Ring 60, 70
Cefalu 216-7, 218, 219n
'Chela'- see 'Helm'
Charon, Jane 186, 189, 191-2
cny of London School 207
Cleland, John 207
Clement v. Pope 174
Collins, Mabel 147-8 A Cl)' From Afar 115 The
Blossom and the Fruit 115 The Idyll ofthe White
Lotus 115 Lights on the Path 124
Communists 236
Constant, Alphonse Louis see Levi, Ellphas
Corby. Herbert 4, 10, 12. 39,51-53,56,61-82,64,
12.
81, 81,230,238,240,242,
Corot, Jean-Baptlste-Camllle, 195
Council oflhe Church, 5th Eucumenical (553) 111 n
Cremers, Baroness Vrttorla 40-47, 110, 118, 146,
198, 210-1,202
Croft-Cooke, Rupert Glittering Pastures 207 Songs
of a Sussex tramp 207
Crowley,Aielster 34,41-48,48,60, 67,86-7,101-2.
n-a.
104-7, 134-40, 143-8, 149, 157-165, 170,

173n1, 179, 198, 202, 205, 231-5 death 232 n2.
244 Autobiography 144,147 Lib9rLegls 109,
1i9,124,138'MySearchtortheAbsolute' 231
Th8 Temp/6141 Thelema 126'TheVIsionand
the Voice' 135
Crowley, Emily Bertha mother of Aleister 101
Crowley, Rose (nile Kelly) 108-7, 142n1
Crozier, Brian 10, 64, 81, 87
'Currents see Kundallnl
Curtis-Bennett, Derek see under Bennett, Allan
Cutner, H. 96, 243
Dalken, Leslie 10. 62, 76, 81, 230, 238-5, 244n1 'St
Patrick& Day' 239 'V.B.N' 239
Dante lnfemo author wins prize lor translation from
49
Darwin, Charles 99
da VInci, Leonardo 123n 'StJean', 1n
Davies, ldrls 7, 10, 11, n, 81, 230, 238, 240
Coi/9Cted Poems 235 Tonypandy 238
Davis, Cyril H. 90-96, 156
Davis, Mrs Fanny (n6eJacobs) 93,164
Davis, Stanley 224
Dawson of Penn, Lord 226
de Fores~ lone see Hayes, Joan
Dee, John 67 'Calls for the Thirty Aethyrs' 69, 135
Devonshire Club 27
Dickens, Charles 18 A Christmas Carol 97
Dinner, Poets Corner celebratory 79
D'Offay,Anthony 86,88,144,150n1,161,168,196,
206,243,245
Donne, John 202-3
Douglas, Lord Allred 220
Duranty, Walter 182, 186, 189
Earle, Dennis 212-4, 216
Earle, Mrs Dennis see Pragnell, Vera
Eberhard, Elizabeth 139
Ello~ George 54
Ellis, Dr Havelock 226
Epstein, Jacob 109, 217
Equinox 141 and passim
Etheridge, Ken 230
Evans, Colin 207,
Farr, Aorence 106
Fanny, Aunt see Davis, Mrs
Firth, Violet, 108
Frtzgerald, Mrs Edward Noel 155
Ford, Walter, 10, 12-13, 58, 64, 69, n, 81
Forest, lone de -see Hayes, Joan
Fortune, Dlon, see Firth, Violet
Fouquet, de Ia Motte Undine 114
Fraser, Rea 155

'Fraub' see Barnett
Freedom 13, 80
Fresthlnker 243
French Revolution 179
Freud, Sigmund 18,226
Frolssart see Neuburg, Vlclor Benjamin, 11'1/lalltllon
from
Fuller, Capt J.H.M. lather of author 1, 29
Fuller, Major-General J.F.C. (no relation lo author)
21, 87, 88,110, 112. 132n2, 134, 141 -2. 144,
155, 165-6, Star In the Wast 110
Fuller, Jean OVerton, passim 'Many are Called' 61
Fuller, VIOlet OVerton motherofauthor 1,27-28,45,
47, 49, 74-76
Gascoyne,Davld 64,228,230
Glover, Dr Edward 226
Goat 214
Goddard, Kathleen Rose see Neuburg, Mrs V.B.
Godwin, Charles Wycliffe Fragments of a GtaecoEgyptlan Papyrus on Magic (trans) 132n3
Goethe 24 Faust 24
Golden Dawn, Hermetic order of 102
Goldman, Emma 213
Goulden, Mark 49,227,230,231,245
Gregory, Lady 107
Grimble, Arthur 134, 155
Haddon, Joyce see Saunders, Mrs
Haddon, Olivia 146, 198
Hamnett, Nina 166,170
Hanbury, Emest Osgood Night's Triumph 207
Hannah, Aunt, see Barnett, Mrs
Harris, Frank 134
Harris, Melvin Jack The Ripper, The Bloody Truth
147-8
Hassan-ben-sabbah 176
Hastings, Beatrix 157
Hayes, or Heyse, Joan, 1one de Forest', Mrs Wilfred
Merton, 87,149, 151,155,161,169,170,202
Hayes, Kathleen 149
Hazelden, R B 155
Helm, or Heym, Gerhard or Gerard, 'Gussy' 26, 358,45,56,61n,81, 147
Heine 62, 98 V.B.N. on 62
Hermes Trismeglstos Th8 Divine Pymander 115
Hermetic Students 106
Harz, Very Rev Dr 226
Hesehlne, Phillip pseud. Peter Warlock, pseud Rab
Noolas The Meny Go Down 203, 220
Heym, Gerard, see Helm, Gerhard
Heyse, Francis father of Joan 165
Heyse, Jeanne, see Hayes, Joan
251
Index
Heyse, Kathleen, 165
Hillebrand, Karl 155
Honorlus II, Pope 177
Harder, Lord Thomas 226
Homiman, Annie 106
Horowitz, Frances 245
Horus, Aeon of 109
Horus, Temple of, Paris 107
Houseman Morton on, 22, Victor Neuburg on 22
Name and nature of Poetry 16
Hugo, Vidor, Victor Neuburg translation from 98
Hume, David Essays 114
Hunter, A. E. 109
Huxley, Thomas Henry Essays 114
Huysmans La Bas 114 En Route 114
lnayat Khan 119
lnayat Khan, Noor 85
lnayat Khan, Vllayet 85, 143
Innes, Brodie 106
Institute for the Study and Treatment of Delinquency
225
Isis-Urania, Temple of 107
Iyengar, B.S.K. 132
Jack the Ripper 40, 147
Jacobs, Benjamin 93, 220
Jacobs, Edward 93, 94, 98, 198
Jacobs, Fanny - see Davis
Jacobs, Hannah, see Barnett
Jacobs, Janette -see Neuburg, Mrs cart
Jacobs, Moses 92
Jacobs, Rebecca (nile Levy) 92, 94
Jacobs, Theresa - see Royce
Janus 63-4
Jensen, Dr E.T. 143, 155,200,226
Jerome, Jerome K. Three Men In a Boat 177
John, Augustus 109
John Bull 216, 218
Johnson, Pamela Hansford (Lady Snow) 9, 11, 17,
44, 50, 52, 58, 81, 228, 233, 240, 245 This Bed
Thy Centre 63 'Chelsea Reach' 228 Symphony
for Full Orchestra 230 'Vidor Neuburg:1934'
235
Jones, Professor Daniel 228
Jones, George Cecil 102, 165-6
Jung, C.J. 17,226
Justinian, Emperor 111 n9
Kabbalah 118,134
Kant Prologomena 114
Karnac, Brittany 123
Kelly, Edward 135, 137
Kelly, Sir Gerald 124
252
Kelly, Rose - see Crowley, R

Khayyam, Omar 176
Knight, Wilson 244
Knights Templar- see Templar Knights
Krlshnamurti Jeddn, 110, 119, 123n4
Kundallnl aments 20, 124
Leadbetter, Charles Webster 119
Lear, Edward 'The Jumblles', 15, 81
Leavls, F R 202
Lea, Laurie 230
Levi, Ellphas 47, 164, 214n Histoty of Magk: 115,
179 Key to lh6 Mysteries 115, 219 Transcendental Magic 115, 179, 21 0
Levy, Oscar 155
Levy, Rebbeca - see Jacobs, R
Ucht, Leiba, Leben Temple, Nuremburg 102
Uoyd,GeoHrey,aMarxist3, 10, 11,22,23,234,238,
240
l..oiseleur La Doctrine S8Ciete des Temp Hers 177-79
Looking Glass 165
Louis XVI of France 179
Loveday, Raoul 216-18
Lucretius 65
Machen, Arthur 106

Mallory Morts d'Arthur 114
Mandril 219
Manning, Hugo 23, 230, 241 n1, 241 The Secret Sea
241
Mansfield, Katherine 155-7
Manu 28
Marlowe, Christopher Dr Faustus 23
Mars, Victor Neuburg danced down, skryed as 53
Marston, Commander 143, 155
Martineau, G.D. Songs ofthe South 207 Teams of
Tomorrow 207
Martinis! Orders 183
Marx, Kart 26
Marxists 236
Mathers, Samuel Uddell 102, 107-6, 108-9 The
Kabbalah unveiled (trans) 115
Maud, Dr Ralph EntraiiC8S to Dylan Thomasw
Poetry 84n
Maughan, Somerset 16
Maule, Harry 23
May, Betty 86, 216-18 Tiger Woman 216
Mead, G. R. 114
Megroz, R. L Anthology of Modem V81Se 206
Merton, Wilfred, formerly Schmlechen 116, 155,
165, 170, 202
Merton, Mrs Wilfred, see under Hayes, Joan
Merton, Zachary 165
Milarepa Tibetan Yogi 26
Index
Milne, Ewart 230, 240
Mihon Tractate: 'of Education' 16
M~chell, Basil 85
Molay, Jacques de 144-6, 179, 178
Moore, Cyril 3, 5, 11, 16, 20, 28, 30-1, 40, 43, 45, 45,
53,60
Morning Post 116
Morris, Margaret 205-6
Morris, William 65
Morton, Arthur Leslie 11, 53, 54, 72, 73, 209, 211 n1,
213, 222,228,230, 236, 240, 243 'History' 73,
74
Morton, Mrs A L (VIVien) 11-12
Mudd, Norman 116-7, 155
Murry, John Middleton 155-6
Mussolinl 55
Mysteria Mystical Maxima 179
Nash, Paul 43
Nazi, the only B~ish 22, 64
Neuburg, Carl, father of Victor 92
Neuburg, Morhz 92
Neuburg, Mrs Carl (nileJacobs),motherofVlctor 87,
92,94,164,243
Neuburg, Mrs Victor E son of Victor B., 'Toby' 207,
213,220,245
Neuburg, Mrs Victor B (nile Goddard) 86, 205, 211,
212,216, 220
Neuburg, Victor Benjamin, passim
Works Cited
The Green Garland 88, 116, 165
Larkspur 206
Ullygay 202
Songs of the Groves 70, 206
Swift Wings, Songs In Sussex 205
The Triumph of Pan 36, 116, 152-8, 161
Poems:
'Between the Spheres', Agnostk: Journal 98
'Blake, William, Four Sonnets to', Agnostk:Journa/
98
'The cauldron', The Triumph of Pan 154
'To Count Tolstoy', Agnostic ..burna/ 97
'Dolly', The Triumph of Pan 155
'Downwood', Songs of the Groves 70-1, 206, 223
'The Dream', Agnostic Journal 98
'Druids', Songs of the Groves 70, 206
'Frenchlands', Swift Wings 203
'Gold Night', Songs of the Groves 71
'The Green L.adie', The Bookman's Journal 210
'The Lost Shepherd', The Triumph of Pan 154
'AMeeting', TheAgnostK:..burna/155
'UIIywhile', Ullygay 202
'To the Master', (Edward carpenter) Vera Pragnell's
The Story of the Sanduaty 213
'The Master Heard', Unfi\Jblttl

author by VBN, 3/
'The New Diana' (unpubllahl!!l) I
'Night Piece', The Triumph 111
'A Nocturne', The Equinox I
'Old Steyne', Swift WinQI :10
'OIMaVana, TheFfomanceor, "'" ''
117, 155
'Rantum-Tantum', LH/yg6y 2011
'The Recall', Agnostk: ..bunii/J I oo
'Rosa lgnota', The Equinox 111
'Sick Dick', UHygay 205
'Sleep on the Hils', The Triumph ol/'lllt I
'The Songs of Sigurd', The Triumph of l'fii I
'Strong Heart', Agnostk: Journal II
'Trollie LoUie', Larkspur 198
'Vale Jehovah', Freethinker 97
'The Waterbearer', (unpublished) 207
Whilehawk Hill', Swift Wings 203
William Collins', Swift Wings 202
'Yellow Moon', Larkspur, 206
Translations:
'The Atys of catullus', Comment 62
'The Ballad of the Daisy', from the old Frtndl of
Jean Frolssart, Agnostk: Journal 100
'Chant Royal of Horace', from the old French,
Songs of the Groves 201, 218
'The Englishman Abroad', from the German o1 Karl
Hildebrand, New Age 155
Prose:
'De Mortis: Saladin: In Memoriam', Agnostk ..burnal 98
'Freethought', Agnostk: Journal 98
'Paganism and the Sense of Song', Agnostk..burna/ 100
'The Perfect Stranger', mystic autobiography,
Comment 62
'Note on Helminthology', Comment 66
Review of biography of Heinrich Heine book, Comment 62
Talks:
'Blake' 18
'Nonsense Poetry' 15
'The Idea of Poetry' 18
'Poetry' (worms in) 65, 77
'Swinbume' 53
pantomime:
Babes in the Wood 214
Pseudonyms:
Allricobas 62
Benjie 62
Broyle, M 62
Byrde, Richard 62
Neuburg, Victor Edward (Toby) 87, 220, 225, 245
253
Index
Nsw~e 155
Nsw VBtSe 50, 51
Nsw York Times 182
Nicholas, Elizabeth 219n
Noolas Rab - see Haseltine
Numa, Pompllius 104
Odie, Rose 209

O'Donnell, Bernard 40, 45, 148
Orage, A R 155-6, 239
Orchard, DrW E 212
Ordo Templi Orientis 179
Ouroussof, Princess, Before the Storm 207
Overton, Arthur 1, 60
Owen,CW 213
Oxford University Poetry Society 76
Pailthorpe, Dr Grace 225
Paine, Thomas The ~e of Reason 114
Papyrus of Ani 194n
Payton, Harold 211, 226
Peacock, Rev Arthur 98
Peck, William, city astronomer of Edinburgh 106
Peladan, Sar 196
Petrarch, Francesco 243
Phillippe IV of France 174, 179
Pinsent Gerald 116
Pistis Sophia 115
Plato, 16, 21, 73-4 Meno 123n4 Symposium 13, 88,
115, 123n3
Pollett, Geoffrey 3, 4, 1o, 11-12, 50, 64, 76, 238, 240
Songs for Sixpence 22
Pope, Alexander Rape of the Lock 114
Pound, Ezra 164
Pragnell, Lady George (Leonora) 212, 226
Pragnell, Sir George 212
Pragnell, Vera (Mrs D. Earle) 212
Preston, E. Hayter 11,14n2,40,49,60,80,148,1624, 167,173, 198,2~202,206,20~212,218,
22~229,231 , 236n1
Pyramids 105
Pythagoras 104
Quilter, Roger 206
Raad, C. N. 116
Rabalais, Francois 108 Complete Works 114
Rae, George 10, 21
Raeburn, Walter, QC 160, 207, 211, 223-5, 245
Raffalovich, George 134, 143, 155, 165
Rai, L. (Hindu Yogi) 28-30
Revelations 101, 108
Reuss Theodore (Merlin) 179
Richmond, Eric 222, 245
254
Index
Richter, Jean-Paul 98-9

Robeson, Paul 220
Rodin, Auguste 109
Rosae Crucis Templi Ordo 196
Rosicrucian Order(s) 102
Rosicrucianism 104
Ross, Mrs W. S. 98, 100
Ross, William Stuart 98,112-3
Rosetti Dante Gabriel 65
Rothschild Family 146
Rothwell, A. R. 201
Royal Academy of Dramatic Art 1, 149, 162
Royce, Teresa (noo Jacobs: Aunt Tl) 87, 92-93, 94,
134, 155,201,206,230,232n
Runia (Mrs Julian Tharp, noo Simpson) (pseud.
Sheila Macleod) 4, 5, 11, 16 20, 23, 34, 37-8,
39,43,45,49-57,62,63-65,69-71,72-4,76,7881, 84, 86-7, 148, 167,
220, 224-6, 221
lecture on New Morality 54-5, 243
Rutherford, Mark 201
m.
Saint-Martin 1
'Saladin'- see Ross, William
Sanctuary 60, 212-215, 223-5
Sarver. Maurice 10, 144-5
Saunders, Joyce 146, 198-9
Schmlechen, Hermann, father of Wilfred Merton
165-6, 167n
Schmiechen - illegttimate son of Hermann see Merton,W
Schubert, Franz Heidenroslein 80
Scott, Sir Walter, Redgauntlet 114
Scrulinium, Chymicum 114
Scrutton, Mr Justice 165
Sellncourt, Hugh de 213
Sergeant, Howard 245
Sewell, Father Brocard 86, 88, 245
Shakespeare, William 202 Macbeth 114 A Midsummer Nigh/s Dream 114 The Tempest 114
Shape of things to Corne, (film) 64
Sheik el Djebel - see Hassan ben Sabbah
Shelley Percy Bysshe Defence of Poetry 15
Shiva Samhita 115
Shot Tower, London 168-9
Simmonds, Bayard 81
Sketch, The 145
Skinner, Rudolph C 155
Smtth, Col Frederick, grandfather of author, 1
Smtth, Frederick carlton 93-4,
Smtth, Oswald carlton
Snow, Lady - see Johnson, Pamela H
Snow, Lord 139-40, 236n2, 245
Socrates 74
Sommerville, Howard 200
Spare, Austin 243

Spence, Lewis The Mysteries of Britain 105 The
Problem of Atlantis 105
Spencer, Herbert 100 The First Principles
Spender, Stephen 18
Sprengel (Sprengler), Anna 11
St John the Baptist 1
St John the Evangelist 177
Stein, Gertrude 220
Stella Matutlna 108
Stevens, Harold - see Neuburg, V 8
Stewart, Neil, first husband of Pamela Hansford
Johnson 236
Stonehenge 105
Storer, Edward 108
Sturgess, Mary d'Este 165
Suffragettes 55
SUfis 119
SWinburne, Algernon Charles, Victor Neuburg reads
from 100, 118 'The Hounds of Spring' 53-4
'Sapphic&' 53
Symonds, John 87,155,218
Symons, Julian 10, 52, 77, 108, 230
Tao Teh King 115

Taylor, Dorothy 155
Teddy, see Preston, Hayer Edward
Temp, Ragna 155
''Templar'' 49
Templar, Knights 173-6, 179, 195
Tennyson 65
Tharp, Julian 56, 224
Tharp, Mrs Julian, see Runla
Thelema, Abbey of 216
Theosophical Society 104
Thomas, Dylan 7-10, 11-13,44,50,52,59,65-7,76,
80, 82-3, 228, 235, 236, 238, 240-1
Works Ctted: Collect9d Poems 84n The Map of
Love 84 18 Poems 9, 84n, 230Twenty-Five
Poems 84n 'Aiterwise by owl-light' sonnet sequence 84 n1 'The force that through the green
fuse drives the flower' 228 'Grief thief of time
crawls off', 52 'Here in this spring', 84n1 'If my
hand hurt a hare's foot' 84n 'Incarnate Devil In
aTalking Snake' 49 'Song' ('Love me, not as the
dreaming nurses')229 'That Sanity be kept' 228
Thomas, Edward 16
Thompson, James the younger
'City of Dreadful Night' 173n2,
Ti, Auntie see under Royce
Times Uterary Supplement, The 88
''Toby" - see Neuburg, V.E.
Todd, Ruthven 230, 240
Trinity College, cambridge 98, 101
Turner, Joseph Gallard Wllllllil

Ulrich&, Karl Helnrlcha 12:111
''Vanoc II" - see Preston

Verlalne, Paul 153, 203
Vermicular School, VBN on
Victoria and Albert Museum
Vine Cottage, Steynlng 114
Vinci, Leonardo da 1
Vine Press, Steynlng 201 -203,
Virgin Mary 109, 1n
Voltaire, Francois Marie Arouot 20, '
Waddell, Leila 143, 145, 150n1, 1

Wade, Allan 104
Wainright, Vera 243
vvane,JlE. 106,108
Waldenses 104
Ward, Kenneth 124, 144
Warlock, Peter - see Haseltine
Warren, R Noel 155
Wells, H.G. 226 Shape of Things to Com
West, Dame Rebecca 149, 162, 167-8
Westcott, Dr Wynne 102
While Parents S/eep, play by Anthony Kim mine ~
WMman, Watt 100, 118
Wieland, "Bunko", EugeneJ. 143,155, 158
Wieland, Mrs E. J. - see Archer, E
Wilkinson, Louis Umfraville 86
Wilson, Colin Jack the Ripper, Summing up and
Verdict 147-8
WoodcockGeorge 10
Woodman, Dr W.R. 102
Wordsworth, William 16
World War I 200-1
World War II 243
Worms in modem poetry', VBN 65-6, 77
Wrench, Margaret Stanley 4, 230, 245
Yeats, W.B. 106-8, 238 'I will arise and go now' 10
The Trembling of the Veil 108
Yoga, branches of explained by L Ral 30
Yorke, Gerald 102, 106, 108-9, 11 o, 116, 132n3, 133
n7, 135-6, 173n1, 179, 178-9, 198
255
First Paperback Edition completely revised

Magician, Poet and Seer, Victor Neuburg was the disciple of Aleister Crowley
and literary godfather of Dylan Thomas.
The book opens with the author's entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor
Neuburg in 1935 when he is poetry editor of the Sunday Referee. Gradually the
author becomes aware of his strange and perhaps sinister past, in which
Neuburg was associated in magic with Aleister Crowley.
Neuburg had been Crowley's partner in magical rituals in the desert and in
rites even more dangerous and controversial.
The author sought out the truth behind the rumours and with her intuitive
understanding of deeper things presents a sympathetic and compelling
biography.
Pamela Hansford Johnson, The Listener 27th May 1965:
We knew about his occult interests; but he did not talk about them much to his young
group. He made something of an exception with Miss Fuller ... certainly there was a
whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister
Crowley legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.
Cover painting by jean Overton Fuller
Manara~
PO Box 250, Oxford, OX1 1AP (UK)

9.99/$19.99
ISBN 1-869928-12-1
I II I ""'
' "781869 928',
11111111111111

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ISBN 1 869928 12 1 Pbk

This Edition, revised, 1990

Poetry in English- Neuburg Victor B- Biography 821'.912

1990 Jean Overton Fuller

Printed in Great Britain by

The Triumph of Pan

Acknowledgements to the original edition

Jean Overton Fuller

The Magical Dilemma of Victor Neuburg

How I came To Know Him

The Magical Dilemma of Victor Neuburg

How I came To Know Him

The Magical Dilemma of Victor Neuburg

How I came To Know Him

The Magical Dilemma of Victor Neuburg

Dylan pulled a funny face.

How I came To Know Him

Poet's Corner. '

The Magical Dilemma of Victor Neuburg

How I came To Know Him

The Magical Dilemma of Victor Neuburg

How I came To Know Him

The Magical Dilemma of Victor Neuburg

arly Days at the

Twas brillig and the slithy toves

They went to sea in a Sieve, they did,

The Magical Dilemma of Victor Neuburg

Early Days at the Zoists

The Magical Dilemma of Victor Neuburg

Early Days at the Zoists

The Magical Dilemma of Victor Neuburg

Early Days at the Zoists

The Magical Dilemma of Victor Neuburg

Early Days at the Zoists

The Magical Dilemma of Victor Neuburg

Early Days at the Zoists

'Of course not', I said, cross and uncomfortable.

The Magical Dilemma of Victor Neuburg

d ew. 'Don't you find it difficult?'

The Magical Dilemma of Victor Neuburg

luut, had asked him to come to England to speak with someone on

The Magical Dilemma of Victor Neuburg

The Magical Dilemma of Victor Neuburg

It seemed to be getting more circumstantial all the time.

They were in the desert together, Heirn said. But curiously,

The Magical Dilemma of Victor Neuburg

the only copy of that one we've got.'

'Don't let anybody see,' he said. He slipped the folded paper

The Magical Dilemma of Victor Neuburg

Weighed in the Libra-mart, the warlock weighed

Reveal me nothing to the outer ken,

...the overwhelming Lord

Wake in my music, hover; sink to strewn

The Magical Dilemma of Victor Neuburg

The Magical Dilemma of Victor Neuburg

The Magical Dilemma of Victor Neuburg

The Magical Dilemma of Victor Neuburg