Gesar and Windhorse
Gesar and Windhorse
Gesar and Windhorse
Gesar belongs in natural landscapes, the ancient, primordial, uplifting order of things.
He is what it means to be a hero, with toughness and compassion actualized on the
human level - on the level of being a man, overcoming faults and obstacles and
gloriously becoming everything - warrior, leader, general, king, the one who takes the
lowest lows and the highest highs.
The practice of Gesar is extremely important for
several reasons. It's a deep activity practice, and
also one that works directly through the air
element, and this is very valuable. Not only does
it work with the air element, but it integrates it
perfectly with the body and cultivates it naturally
in the most perfect way of breath cultivation. Not
only is it an activity practice, but it is a horse
practice, Gesar rides a horse and has a deep
connection with his horse - this is the union of
being man, stable, earthy, and being mythical
creature, endless activity. The horse archetype is
important, it is one of the deeply important
animal archetypes, as Hayagriva easily points
out. Gesar is also a deep wealth practice, and a powerful one at that, but this is heroic
wealth, activity wealth, leading and connectiong all things and all lost karmas. And
thirdly, Gesar is a warrior, a protector, a leader in the truest sense, and the three
However, here I will talk about the Gesar mantra, which goes far beyond conscious
prayer. Gesar is
of mind, he flies with true ease. Present. Going anywhere, doing anything that is to be
done. Swiftness. This is the interplay of being fully present in space, having air
naturally circulating in an active, uplifting manner, rising in emptiness, and presence
and movement are in union with consciousness and its natural ever-fulfilling aims.
Without this perfect union, air has blockages, space lacks the pure presence of
compassionate involvement, and consciousness is dull, unfulfilled, and lacking
primordial power. With this, there is endless victory of the compassionate hero.
Gesar very quickly escapes entanglements, breaks complex situations, and establishes
the auspicious and naturally heroic body. The inner air element never circulates fully
unless it is fully connected to both natural presence and the full involvement with
compassionate Vajra activity, the simplest purest presence of space, and the
landscape of consciousness endlessly fulfilling is own compassionate aims.
This is it, if you understand this, you can cultivate the breath. The breath is not just
breath, meditate on this union of space, air and consciousness (water). You can
cultivate activity, you can work with the Gesar mantra, you can do anything. The Gesar
mantra teaches this, accomplishes this, powers this far more than any quick
explanation I give here. It's perfect, and uplifts the right-side karmic body in a matter
of (arduous) days or weeks, a work and journey that would otherwise be impossibly
difficult and measured in decades.
Gesar Victory Mantra
om ah hum vajra maha guru mani raja sarva siddhi pala hum
Gesar Short Mantra
om guru mani raja siddhi hum
Every thought and appearing image, like a pencil line. Mind is prior to it. Everything
naturally effaces into beginningless mind, before everything.
The one who can accomplish the activity of a single stroke, without doubt or regret,
can accomplish anything.
The four legs of Gesar's horse are the four mythical Vajra animals: Tiger (Air), Snow
Lion (Earth), Garuda (Fire), Sky Dragon (Water). I will explain these four in the context
of a comprehensive system at a later time, but they represent a healthy path of
growth in both inner cultivation and any kind of activities. Achieving the qualities of
the four Vajra animals, in this order, will ensure dynamic stability and gives a quick,
intuitive system for realizing what you're doing good and what you're doing wrong.
Cultivate your qualities in this way, it will keep you safe and growing. Notice when
your qualities increase, and when they decrease. It is inevitable, but if you learn to
deal with it, that is when you truly grow and accomplish the four Vajra animals.
well as the spirits below the earth or nagas (Tibetan: Klu), decide that a divine hero
must be sent from the heavens to conquer these evil sovereigns. The decision is made
to send the youngest son of Tshangs pa or brgya byin (the Gesar texts tend to conflate
Brahma and Indra). He is known by various names in different versions, sometimes
thos pa dga,' sometimes bu tog dkar po, but perhaps the most universally used is don
grub. This god-child is not very keen on his mission, and tries to evade it, but
eventually agrees.
With various celestial companions, he is then born, after singing to his mother from
the womb and asking the way out, as the son of Gog bza (in some versions, a beautiful
naga princess captured from a neighboring tribe, and in other versions, an old
woman) and Seng blon, one of the respected elders of the Kingdom of Ling. In most
Tibetan versions, Ling is located in eastern Tibet (Tibetan: Mdo khams), often between
the 'Bri (Yangtze) and rDza (Yalong) rivers, which is where the historical kingdom of
Lingtsang (Tibetan: Gling tshang) existed until the twentieth century.
Our earth is wounded.
Her oceans and lakes are sick;
Her rivers are like running sores;
The air is filled with subtle poisons.
And the oily smoke of countless hellish fires blackens the sun.
Day has become night.
Fish are born deformed; birds fall lifeless from the sky.
Forests and plains wither.
Animals running in futile search for shelter and food
Collapse and die.
Men and women, scattered from homeland, family, friends,
Wander desolate and uncertain, scorched by a toxin sun,
Prey to empty longings, strange diseases and sudden death.
Nor is night a cooling time of moonlit rest,
But a fearful frame-lit void
Of sirens, cries and murderous phantoms.
In this desert of frightened, blind uncertainty,
Some take refuge in the pursuit of power, of knowledge and technique;
Some become manipulators of illusion and deceit;
Some take refuge in realms of self-satisfied passion;
And some build up a golden wall of simple wealth.
Men have become robots and zombies
hero-child, who in many versions is known as Joru during his youth, returns to Ling,
wins the race, marries Brug mo, and ascends the golden throne, assuming the title
"Gesar."
His first major campaign as king is against the man-eating demon of the north, Klu
bTsan. After defeating the demon, Gesar is put under a spell by the demons wife, and
loses his memory for six years. While he is away, his beautiful wife is kidnapped by
Gur dKar (literally: "White tent"), the King of Hor. Gesar eventually returns, uses his
magic to enter the king of Hor's palace, kills him, and retrieves his wife.
(in another version the demon is called Lutzen)
Gesar's Liberating Song for the Demon Lord:
Lutzen, Demon Death Lord of the North,
I am Gesar, King of Ling.
Lutzen, Demon Lord of the North,
Because of me, you have known fear.
Because of me, you no longer rage in the limits of your form.
Because of me, now you enjoy the great natural freedom.
Lutzen, Demon King of the North,
I am Gesar, Lion King of Ling.
Together, we have played out a certain drama
Where you were a demon and I, a king.
Now, while I must continue to play out this part,
You are unfettered.
Fear and death are now self-liberated.
Your mind, dense with sensation, rage and guile,
Filled with death and enbodying death,
Is now cut through,
Is now pure naked awareness.
Your dark and shifty realm of paranoia and rampant appetite,
Filled with fear and perpetuating fear,
Is now destroyed,
Is now limitless vast space.
While the seeming gap between space and awareness
Made you struggle for existance,
Now there is only the brilliance of limitless expanse.
Lutzen, do no toy with doubt or regret.
These episodes are the first two of four great campaigns against "the four enemies of
the four directions." The next two campaigns are against King Sa dam of 'Jang
(sometimes located in Yunnan), and King Shing khri of Mon (sometimes located in the
southern Himalayan region). Gesar then goes on to defeat the "eighteen great forts,"
which are listed differently in each version, but nearly always include sTag gZig (Tajik),
and Kha che (Muslim) adversaries. Many (some versions say 40) other "forts" (Tibetan:
Rdzong) are also vanquished.
When Gesar reaches his eighties, he briefly descends to Hell in the last episode,
before falling off his horse and leaving the land of men to ascend once more to his
celestial paradise. Another version has him simply flying up to heaven on his horse.
Location of the Kingdom of Ling
The mythological and allegorical elements of the story defy place and time, and
several places lay claim to being the former Kingdom of Ling. Both Tibetan and
Chinese experts have generally agreed that the most likely birthplace of King Gesar is
Axu town on the prairie of Dege County, located in the Garz Tibetan Autonomous
Prefecture of southwest Sichuan Province, which lies in the historic kingdom of
Lingtsang, a significant eastern Tibetan principality from at least the early fifteenth
century. Gesar's "soul mountain," would then be the famous snow peak of Golog,
Amnye Machen, in modern Qinghai Province.
Though the Epic of Gesar contains elements of ancient Tibetan mythology and Indian
tantricism, the narrative became a vehicle for Buddhist teachings during the eleventh
century, illustrating a Buddhist world view and evoking self-reflection in its audiences.
Dear friends, when a raindrop falls into a still pond,
It dissolves inseparably in its own nature,
And nothing has occurred.
But when the same raindrop falls into the same pond,
Ripples shine and dance on the water's skin.
From these two ways of seeing one thing
Come the true magic that raises and destroys kingdoms,
That increases joy or misery, brilliance or degradation.
Blessings will enter swiftly and signs will appear as rigpas creative power.
If you pray like this for seven days you will surely be held and cared for.
In a state transcending the ordinary mind, this was composed by Rigp Dorje,
Who has received the blessings of the Great Lion Gesar in abundance.
Prayer to Gesar
Embodiment of the three buddha families,
Through the compassionate light rays of Pema Ttreng, you arose as the splendour of
the world
om hum svaha
Through the Blessing and Power of the unfailing Buddha, Dharma and Sagha,
Mother of the Buddhas, noble Tr,
May our Life-span, merit, prosperity and renown
Increase like a waxing moon, like a rising summer lake.
Especially may our good fortune, wang tang and windhorse,
Be healed when they weaken, rejoined when interrupted, raised up when sinking
down;
May whatever we do turn out well,
And may long Life, good health, peace and Happiness be ours!
Ky! The universe and its inhabitants, the expanse of the five elements,
Are the five mothers: from the space of their wisdom mind
All you deities of the windhorse, throughout samsra and nirvna,
Come, approach! I offer the flag of the windhorse:
Increase our renown, rouse our windhorse, and
With your enlightened activity make us victorious over all!
At this point, should you wish to address prayers to particular deities, you may insert
verses such as these:
Gesar
Especially you, Gesar Norbu Dradul,
With your miraculous, wild and skilful vajra steed,
Your fearless warriors, ladies, attendants and envoys
We pray to you, make offerings, praise and exalt you!
Your awesome majesty we glorify as high as the dharmadhtu!
Hayagrva
You who magnetize all appearance and existence, deity of power,
Mighty Lotus Hayagrva,
With all the deities of your mandala, attendants and emissaries
We pray to you, make offerings, praise and exalt you!
Your awesome majesty we glorify as high as the dharmadhtu!
Ganapati
Glorious protector Ganapati, with your consort,
Protectors of body, speech and mind, and protectors of the eight classes in the ten
directions,
Standing amidst the divine troops your whistle strikes down the trilocosm
We pray to you, make offerings, praise and exalt you!
Your awesome majesty we glorify as high as the dharmadhtu!
Magyal Pomra
Great guardian of the eastern lands of Dokham,
Combine this with offerings of tea and so on. Wherever you might be staying, whether
at home or abroad, if you wish for food, wealth and possessions, through the
auspicious connection of reciting this practice every day or on specific occasions, you
will acquire the four treasures of longevity, glory, wealth and prosperity, fulfilling all
your wishes and requirements.
WINDHORSE
Garuda, Dragon). Everything inscribed on the prayer flag, images, sacred mantras and
prayers, is engaged to invoke and actualize the primal force represented by the image
of windhorse, as well as ignite a visceral experience of it in one's body and mind. In
addition, such a force can set into motion influences that can shape events in society
and nature.
The term windhorse also refers to the fact that the flags blow in the wind, or "ride" the
wind, whereby the power of the sacred images and invocations printed on them are
dispersed into the world at large, benefitting many levels of beings and the natural
environment. The virtue accrued from the act of raising prayer flags then carries on
into the life of the person(s) offering them, and to those whom they dedicate the
merit of such an offering. This is possible because of the total interdependence of all
mind, life and phenomena. Through such ritualistic gesture, joined with wholesome,
magnanimous intention, that web of interdependence (Tibetan: tendril) can be
accessed and influenced.
With respect to humans, lungta carries with it qualities, such as would be evident in a
person with natural dignity, integrity, high spirits, fortitude, exuberance, robust health,
charisma, a fresh sense of humor, and so forth. A person's lungta is "up" when one
feels these qualities in concert, or observes them in another, as in "He has good
lungta today!" Conversely, if one is beaten down or depressed, lackluster, and not
connecting to the events of their own life and their environment well, then it is said
their lungta is "down". As a consequence, they are vulnerable to sickness, attack from
others, misfortune, and so forth. A person's lungta is a register of their relative
synchronization with their own body and mind, and the world around them. So in this
regard, lungta also has a protective function when successfully invoked.
Tibetan spirituality is replete with methods, rituals, and practices to "raise lungta", or
revive and stabilize windhorse. On the more immediate level, one can take one's
posture, breathe in fresh air, revive one's sense of humanity, dignity and presence,
and then project that out to their world in order to synchronize oneself with people
and events in the world. Another way of arousing windhorse is to wear good decent
clothes, although it is also said that if one's lungta is strong, whatever one is wearing
is splendid. In Tibetan culture, for instance, the new year, losar, is celebrated in one's
finest attire, and always with at least one new item of clothing. This kicks the year off
by raising personal lungta.
More ritualistically, there are practices designed to arouse windhorse, both in the
individuals participating, and in the environment around them. Such practices include,
again, the putting up, or "raising" of windhorse prayer flags, especially at places in
nature regarded as sacred and potent. Windhorse flags are also raised where there is
potential danger, natural disaster, or mishap, such as where the land, for example,
has been depleted by fire, where a tragic accident has occurred, or at the confluence
of rivers, which is believed to be a locale of capricious, potentially destructive energy.
The lungta flags in this case are to restore vitality, and protect from further mishap. A
vertical windhorse banner, called a Dar-chok, mounted on a flagpole adorns the roof
of nearly all Tibetan households, as a constant conduit of windhorse to the
household. Divination is also sometimes requested from a lama to determine which
type of lungta (there are many), or prayer flags, should be raised to address a
particular situation, and where best they should be raised, sacred sites especially
being of particular potency for raising lungta. People will also put up prayer flags at
sacred sites of pilgrimage as an essential offering and supplication, and to connect
with the power and blessings of the place.
The dar-chok, the vertical pole adorned with a lungta banner, is also said to join
humans with their divine origins in the wide open sky and space, or perhaps the wide
open space of human nature and awareness. Tibetan mythology recounts that early
humans were born with a mu cord, a shaft of light extending from their head to their
origins in the sky. At some point in time, due to acts violating this primal sanctity, this
vital connection was severed, and the mu cord disappeared. But the raising of darchok reestablishes this connection, and thus invokes the treasury of windhorse
implicit in it. The same connection was reignited in marriage ceremonies by the
placing of colored threads on the shoulders of the couple, or placing a brightly colored
arrow in the back of the blouse of the bride, extending up over her head. This same
gesture was then rendered into the placing of white scarves over the shoulders of
others, the omnipresent Tibetan manner of honorifically greeting someone.
There is a whole class of practices in Tibetan culture known as sang, which is the ritual
offering of juniper smoke or sage from a fire, accompanied by a liturgical invocation.
These practices have an intimate connection with windhorse. The sweet, pleasing
smell of the smoke billows up to the heavens, which is the abode of various divinities
(Tibetan lha) who are embodiments of abundant atmospheric lungta, and from whom
lungta is invited down onto the earth and its recipient inhabitants. For instance,
Tibetan villages, towns, and communities are in proximity to an associated local
sacred mountain or hill, from the upper reaches of which a sizable sang smoke
offering is made annually during New Year celebrations. At the conclusion of the
liturgical invocation, everyone present will let go with a shout at the top of their lungs,
in unison, "Ki Ki So So, Lha Gyal Lo", or "May the gods be victorious!" This very voicing
of this "warrior cry" is also a way of rousing windhorse.
Most Tibetan households have a sang bum or smoke offering pot on the roof of the
house, often in front of or near the Dar-chok vertical prayer banner. Sang is offered
daily, in the early morning, to make offerings to the lha (deities) and invoke windhorse
into the household. On the inner household level, a small, portable sang bum is used
to burn juniper on coals, creating the invocational smoke. The pot is then taken
around the house to both purify the various rooms of disruptive influence and
magnetize propitious circumstances. Individuals, at that time, use their hands to waft
smoke over their bodies, for the sake of clearing personal obstacles and inviting
windhorse into one's body and mind.
The notion of "goodness" is that the fundamental nature of the world and its
inhabitants, and the entire scope of phenomena, is without conflict and replete with
nurturing qualities. It is characterized in various contexts as "basic intelligence",
"awakened nature", "the fundamental inseparability of wisdom and compassion", "the
natural state", and in many other ways, all meant to indicate this only seemingly
elusive yet perpetually present and available bottom line of life and being.
From good windhorse, then, come many other boons and qualities of value to human
existence and the environment: good health, prosperity, powerful personal presence,
successful crops, absence of hail and pestilence, just leaders, harmonious relations in
society, good business and so on. But equally, windhorse evokes the bravery,
strength, and fortitude to deal well with bad health, scarcity, downturns in
circumstance, corruption, calamity, drought, pestilence, hail, invasions, and so forth.
The bottom line, though, is that for windhorse to be harnessed, the intention must be
that it is for the benefit of all beings, not just oneself or one's immediate companions.
Windhorse, like basic goodness, is not something solid (wind), so can never be
captured, domesticated or privatized, but can always be harnessed and ridden
(horse).