Forgotten in Time - The Ancient Solfeggio Frequencies PDF

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The key takeaways are that the Solfeggio frequencies are ancient musical scales that are thought to have spiritual/healing properties. Specific frequencies like 528Hz are believed to help repair DNA and aid transformation/miracles. Modern music is limited by the 12-tone scale.

The six Solfeggio frequencies are: UT 396 Hz, RE 417 Hz, MI 528 Hz, FA 639 Hz, SOL 741 Hz, LA 852 Hz. They were originally used in Gregorian chants.

Potential health benefits mentioned include easier problem solving, stimulating expanded creativity, and holistic health. Specific frequencies like 528Hz are believed to help repair DNA and aid transformation/miracles.

21/6/2015

Forgotten In Time: The Ancient Solfeggio Frequencies

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WhatAreTheAncientSolfeggioFrequencies?
TheseoriginalsoundfrequencieswereapparentlyusedinAncientGregorianChants,
suchasthegreathymntoSt.JohntheBaptist,alongwithothersthatchurch
authoritiessaywerelostcenturiesago.Thechantsandtheirspecialtoneswere
believedtoimparttremendousspiritualblessingswhensunginharmonyduring
religiousmasses.ThesepowerfulfrequencieswererediscoveredbyDr.JosephPuleoas
describedinthebookHealingCodesfortheBiologicalApocalypsebyDr.Leonard
Horowitz.Igivehonortobothofthesegentlemanfortheparttheyveplayedin
helpingreturntheselostfrequenciesbacktohumanity.
TheSixSolfeggioFrequenciesinclude:
UT396HzLiberatingGuiltandFear
RE417HzUndoingSituationsandFacilitatingChange
MI528HzTransformationandMiracles(DNARepair)
FA639HzConnecting/Relationships
SOL741HzAwakeningIntuition
LA852HzReturningtoSpiritualOrder
Forexample,thethirdnote,frequency
528,relatestothenoteMIonthescale
andderivesfromthephrase"MIra
gestorum"inLatinmeaning"miracle."
Stunningly,thisistheexactfrequency
usedbygeneticbiochemiststorepair
brokenDNAthegeneticblueprint
uponwhichlifeisbased!
ALittleHistory
Attheturnofthecenturytheawareness
ofDNAenteredthecollective
consciousnessoftheworld.Wehave
incarnatedintothishumanexperience
asdivinebeingswithablueprint,aset
ofinstructions.Weknowthataverysmallpercentage(3%)ofthoseinstructionsmake
upourphysiology.
CarlSaganwritesthatmostofourgeneticinformation(about97%)isunusedDNA.He
referstothisas"geneticgibberish."Isitpossiblethatmostofwhowearestilllies
dormantasourhumanpotential?

http://www.redicecreations.com/specialreports/2006/01jan/solfeggio.html

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Intheoldparadigmofreligion,"potential"remainedamysterytothehumanmind,
thereforewecoinedamysticaltermcalled"SPIRIT.""Spirit"wassomethingthatwas
detachedfromwhowewere,somethingwedidnthaveandcouldonlybegained
throughthesystemsofmostreligions.

JimElvidge

Theoldparadigmanditspremisestatedthatwebeganasbiologyinthewombofour
mothers.TelliarddeChardintellsusthatwearenotahumanbeingtryingtoattain
aspiritualexperience,but,rather,wearespiritualbeingshavingahuman
experience.Thisshiftinperceptioncausesatremendousdifferenceinthewaywe
perceiveourselvesinthisthird/fourthtimespacecontinuum.

MediaMonarchy

Beingastudentof"ACourseInMiracles"inthelate80s,Iwasfacedwithadichotomy
intheideathatwearenotabody.IneverunderstoodthisstatementfullyuntilIread
aquotationbyAlbertEinsteinwhichstated:"Concerningmatter,wehavebeenall
wrong.Whatwehavecalledmatterisenergy,whosevibrationhasbeenso
loweredastobeperceptibletothesenses.Thereisnomatter."Ibelievewhat
isbeingstatedisthatatthedeepestlevelwearenotseparate,asabody,asaspirit,
asasoulwearejustenergybeings.Thisisthelevelofconsciousnessbeingopened
tousfromwhichanewparadigmisemergingforthepurposeofhealingallseparation.
Thepopularterm,"TheDivine,isinme"makes"me"separatefromtheDivine.MayI
suggestashiftinthesayingto:"TheDivine,ASme"toremovetheseparation.

LawfulRebellion

AswemovefromgeneticsandconceptslikeSoul,"SoulMates"and"Soulwork,"we
movebeyondphysicaldiagnosis,intoanewfieldofquantumphysics.Inthisnewfield,
whereconsciousnessisseenasaunifiedfieldwhereeverythingiseverythingelse,
(T.O.E.TheoryTheTheoryofEverything)therearenoboundaries.Thereisno
"this"or"that"noyouorme.Itisapurefieldofawarenessconsciousness.Isolved
thedichotomyabout"wearenotourbody"bychangingmyperceptionofgeneticsto
energeticsrealizingthatwearenotmeanttoignoreourphysiology,butrecognize
thebodyasenergy,vibratingataverydensefrequency.

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RepairingDNA
IwasfirstintroducedtoDNAin1988whenIwasgoingthroughatransitionalperiod,
duringwhichIfeltthatIhadcometotheendofeverythingthatIbelieved.Atapewas
giventomeofagentlemanspeakinginanaccent,(whichIthoughtatthetime,was
ratherboring),andIdidntunderstandwhathewastalkingabout.Thenallofa
sudden,asIwasreadytoturnitoff,hesaid:"Quantumphysicshasfoundthat
thereisnoemptyspaceinthehumancell,butitisateeming,electric
magneticfieldofpossibilityorpotential."Thatsallhesaid!Butwhatever
frequencywascontainedinthosewords,RESONATEDsomethinginsidetheCOREof
myBEINGandIhadaKNOWINGinmethattheNOTHINGIthoughtIwaslooking
atwastheEVERYTHING.MuchlikeinZen,andtheideaofbecoming"asanempty
bowl."EasternReligions(includingtheBible)refertoitastheVOIDTheNothingthat
isEVERYTHINGTheWombofCreation.IknewthatIwasexperiencingarebirth!
ThepersononthattapewasDr.DeepakChopra.
IhadneverheardofDeepakChoprain1988,ashewasjustcomingonthescene
aboutthattime.Icredithimforaveryimportanttransitioninmylife,justfromthe
statementhemadeonthattape.Today,inretrospect,Iwouldcallmyresponsetothat
statementa"cellularmemoryexperience."Weknowthatintelligenceisstoredwithin
thecellsofthebody,andwhentherightresonancecomesandreleasesthat
informationtobecomeinherentinformationorinherentKNOWLEDGEthatcomes
fromthetrueSelf.Thatiswhysomanyofusseemtojumpformonestimulito
anotherlookingforwhatwillresonateinus.
Theworkbeingdonetodaywithenergyatthecellularlevelreallyexcitesme,sinceI
hadbeenveryinterestedinDNAbeforeitbecameahouseholdword.Infact,Ithinkit
tookmetwoyearsjusttolearnhowtopronounceit(deoxyribonucleicaciddidnotroll
offmytonguequickly).But,Iwasdeterminedtounderstandthistremendously
powerfulenergeticblueprintforlife,asweknowit,atthecellularlevelonthisplanet.
DNAbecameapartofthecollectiveconsciousnesswhenCNNproducedaspecialon
theGenomeProjectin2000.
AsIpursuedmypassionforthestudyofDNA,IattendedaworkshopbyDr.Robert
GirardfromCaliforniaonDNAActivation.Hisworkfocusedonusingcertainsoundsand
frequenciestoactivateDNAandIstarteddoingDNAActivationworkshops.Through
thoseworkshops,anarticlewasgiventomethatreportedhowbiochemistsareusing
thefrequency528HztorepairhumanDNA.Thearticlestatedthatitwasa"C."WhenI
readthatIthought,"AllIwouldneedtodoisgotoapianoorotherinstrumentand
playa"C"andthen,intheDNAworkshopswewouldbeabletorepairDNA."
Well,itwasntthatsimple,becauseIdiscoveredthattheregular"C"thatweallknow
ofinthisculture(whichisfromthediatonicscaleofdo,re,mi,fa,so,la,ti,do)was
notthe528Hzfrequency"C",asdescribedinthearticle.Instead,Idiscoveredthata
regular"C"vibratestoafrequencyofonly512Hz,andthatthe"C"of528Hzusedin
DNArepairhadbeenapartofanancientscalecalledtheSolfeggioScale.Moreover,
thedifferenceinthescalesexistedbecauseofdifferenttuningmethodsthatwere
utilizedinancienttimes,vs.thoseingeneralusetoday.Later,wewillexplorethat
differencebetweenhowwecreatemusictodayvs.howweusedtocreateit,andhow
thatsimplechangehasmadeallofthedifferenceintheworld.
HowIfoundoutabouttheAncientSolfeggioFrequencies
Ifoundthisancientscaletobepartofa6tonescalesequenceofelectromagnetic
frequenciescalledtheOriginalSolfeggioScalethroughthebook"TheHealingCodesof
BiologicalApocalypse"byDr.LeonardHorowitz.Theseparticularfrequencieswere
rediscoveredbyDr.JosephPuleo,whoreceivedtheminawonderfulexperiencethat
somewouldsuggestwasmystical.Thesefrequenciesarenotsomethingnew,butthey
aresomethingveryold.
Isharedtheinformationaboutthesefrequencieswithamusicianfriendwhohada
studioinherhome.Afterreviewingtheinformation,shedecidedthatshewouldliketo
experimentwiththesefrequenciesintheformofmeditationmusic.Shewasalsoin
touchwithJonathanGoldman(authorofthebook,"HealingSounds")andheknewof

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thesefrequencies,andwasusingtheminsomeofhismusicsuchas"TheLostChord"
CD.Aryianarequestedthathehavethetuningforksmadeforhertoresearchthe
frequencies.Iaskedifshecouldalsohaveasetmadeforme.
AfterIreceivedthetuningforksandbegantalkingaboutthemaroundthecountry,I
noticedthatpeoplewereresonatingwiththeinformationaboutthesepowerful
frequencies.Itfeltasthoughsomethingwasgoingoninamuchlargerpicture.We
wereconnectingenergeticallytothisinformation,andyetIdidntknowwhatIwas
goingtodowiththetuningforks.ThenpeoplebegantoaskifIcouldusethetuning
forksonthem.Fromthoseexperiences,andwithinformationIhadgathered,amethod
andtechniquebegantodevelop.IcalledthetechniqueSomaEnergeticsTM,whichis
designedtoutilizetheoptimumenergyoftheSolfeggiofrequenciesusingtuningforks.
Soma,meaning"body"intheGreek,combinesthewholisticideaofthebodyasan
energyfieldSomaEnergeticsTM.
Whenstartingthesefirsttunings,themainfrequencythatIknewthemostaboutwas
528HzthatbiochemistsareusingforDNArepair.Irealizedthattherightsideofthe
bodyiscontrolledbytheleftbrain,andtheleftsidebytherightbrainandthatthese
correspondwithourinnermaleandfemaleenergies.AsItooktheforkdowneachside
ofthebody,IcouldgetintouchwiththedominateancestralDNAthatcomesthruthe
MotherssideorFatherssideofthechromosomes.Iwouldmanytimesgeta
tremendousimbalanceinthesoundbetweenthetwosides.Thepurposeofenergy
work,asmanyofyouknow,istoattainbalance.Forexample,ifeverythingisin
balance,suchasthephlevel,thephysicalbodycanhealmorenaturally.Itsthesame
wayinourenergybodies.Ifwecanfindthatenergybalance,thatequilibrium,where
everythingalignsoreverythingcomesintosynchronizationintotherhythmofthe
danceoflifethenhealingbecomesthenaturalstate.Itsnothingsupernatural,or
miraculous.Ithinkalotofspiritualtextshavereferredtothisideawhentheydescribe,
"goinghometoheaven."Heaven,tome,isthecompletesynchronizationwithhigher
frequenciesandvibrationsofcreationbeingtotallyentrained.Inotherwords,beingin
astateofatonement.
WhenIwouldcontinuetodothetechnique,thesoundwouldbegintoevenout
betweenthemaleandfemalesidesofthebody,andtheclientwouldindicatethey
were"feeling"ashift.Asthatwouldoccur,Iwastotallyamazed,andaskedmyself,
"Whatishappeninghere?"AlthoughIvebeenaspeakerofspiritualthingsforover40
years,IcanttellyouthatIvebeenthemostintuitivepersonintheworld.Allofa
suddenIstartedhavingcertainfeelingsaboutwhattodowiththeforks.Ifoundthat
atsomepointinworkingwiththeclient,Istopped"doing"thetuningforks(beingthe
initiatorofthetechnique),andtheystarted"doingme"seemingtodirectthe
movementoftheForks!Afterhundredsoftuningsandpositivetestimonies,Ihave
learnedtotrusttheAncientSolfeggioScalefrequenciesintheformofTuningForksas
alegitimatemodality.
EnergyandRelationship
Everythingisrelationship.IrememberDr.FredWolf,whoisaphysiciststatingona
tape"Everythingisconsciousness."Hefurthernoted,"Whenyouareobservingan
object,onsomeleveltheobjectisobservingyou."AsIlistenedtothatstatement,I
thoughtitwasstrange.Ithenrealizedthatbecausesomethingdoesnthaveahuman
consciousness,asIdo,thatdoesntmeanitdoesnthaveitsownconsciousness.
Apparently,observingsomethingchangesitonsomelevelthattheobserver,andthe
observedareone.
ItreattheSolfeggiotuningforksasaconscious"entity."Theyareenergy,theyre
vibration,theyrefrequencytheclientisvibration,frequencyandenergyIam
vibration,frequencyandenergy.Allofthatcomingtogetherbeginstoproducea
synergeticexperiencethattakesplaceonmanylevels.Theenergybodiesthatwe
focusonusingtheSolfeggioFrequenciesarethephysical,theetheric,the
mental/emotional,andtheastral.
Sound,VibrationandForm
Formorethan200years,researchershavebeenvalidatingtheconnectionsofSound
andVibrationsonphysicalform.ThefirsttomakethatconnectionwasGerman
scientistErnstChladni,who,in1787,detailedhisresearchinhisbook"Discoveries
ConcerningtheTheoryofMusic."Inthatpioneeringwork,heexplainedwaystomake
soundwavesgeneratevisiblestructures.Hedetailedhowaviolinbow,drawnataright
angleacrossaflatplatecoveredwithsand,producespatternsandshapes.Today,
thosepatternsandshapesarecalledChaldnifigures.(Coincidentally,Chaldnidiedin
1829,thesameyearasBeethoven.Mozart,aFreeMason,heavilyinfluenced
Beethovenaboutthemathematicsofmusic,andlikelyinfluencedChaldniaswell).1
In1815,MathematicianNathanielBowditchfolloweduponChaldisdiscoveries.He
concludedthattheconditionsforthesedesignstoarisewerebecausethefrequencies,
oroscillationspersecond,wereinwholenumberratiostoeachothersuchas1:1,
1:2,1:3andsoon.2
Thestudyofwavephenomena,theabilityofsoundtoorganizeandrepatternmatter,
iscalledCymatics.AccordingtoJohnBeaulieu,inMusicandSoundintheHealing
Arts,"Formisthemoreelusivecomponentofsound.Soundformscanbeseenby
subjectingmediumssuchassand,water,orclaytoacontinuoussoundvibration."The
followingpicturestakenbyDr.HansJennyaresoundforms.Theywereobtainedby
placingvariousmediumsonasteelplatewithacrystalsoundoscillatorattachedtothe
bottom.TheOscillatorcreatesapulse,whichvibratesthesteelplate.Theformsonthe
plateareexamplesofsoundorganizingmatter."Jennyalso"noticedthatwhenthe
vowelsofancientlanguageslikeHebrewandSanskritwerepronounced,thesandtook
theshapeofthewrittensymbolsforthosevowels."Modernlanguages,including
English,failedtogeneratethosepatterns."
"Spaceisnotempty.Itisfull,aplenumasopposedtoavacuum,andis
thegroundfortheexistenceofeverything,includingourselves.The
universeisnotseparatefromthiscosmicseaofenergy."DavidBohm

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Jennyconcludedthatwereexamplesofcymaticelementseverywhere"vibrations,
oscillations,pulses,wavemotions,pendulummotions,rhythmiccoursesofevents,
serialsequences,andtheireffectsandactions"andtheyeffectedeverythingincluding
biologicalevolution.Theevidenceconvincinglydemonstratedthatallnatural
phenomenawereultimatelydependenton,ifnotentirelydeterminedbythe
frequenciesofvibration.Hearguedthatphysicalhealingcouldbeaidedorhinderedby
tones.Differentfrequenciesinfluencedgenes,cells,andvariousstructuresinthebody,
heclaimed.
VibrationofMusicoftheSpheres:"Everycellpulsates,reflectsandinteractswith
acousticoscillationsofthemedium.Eventheearthandsunvibrateinunisonbasedon
amainrhythmof160minutes.Eachmusicalnoteisthereforeunitedtononaudible
notesofhigheroctaves,andeachsymphonytoothersymphoniesthatwedonothear,
andalthoughtheymakeourcellsoscillateandpossiblyresonate.EvenDNAhasits
ownmelody.Themusicalnatureofnuclearmatterfromatomstogalaxiesisnow
recognizedbyofficialscience."3In"MoleculesofEmotion,"byCandicePert,
Ph.D.,shewrites,"basically,receptorsfunctionasscanners(sensingmolecules,on
acellularlevel).Theyclusterincellularmembranes,waitingfortherightligand(much
smallermoleculesthanreceptors),tocomedancingalong(diffusing)throughthefluid
surroundingeachcell,andmountthembindingwiththemand(tickling)themto
turnthemonandgetthemmotivatedtovibrateamessageintothecell.Bindingofthe
ligandtothereceptorislikenedtotwovoices,strikingthesamenoteandproducinga
vibrationthatringsadoorbelltoopenthedoorwaytothecell."
PoetCathieGuzettasummarizedthissciencebestwhenshewrote:
"Theformsofsnowflakesandfacesofflowersmaytakeontheirshape
becausetheyarerespondingtosomesoundinnature.Likewise,itis
possiblethatcrystals,plants,andhumanbeingsmaybe,insomeway,
musicthathastakenonvisibleform."
HowDidTheSolfeggioFrequenciesGetLost?
Idiscoveredthatthesepowerfulfrequencieshadbeengiventothechurchmanyyears
agoforaveryspiritualpurpose.Thiswasbackwhenthechurchwasawonderfulplace
forthepeopleinthevillagestogathertogether.Thechurchservedasasocial,
political,andspiritualplace.PeoplecametoMass,whichatthattime,wasdonein
Latin(untilVaticanIIcamealong).WhenpeoplesinginLatinormusicaltones,itis
verypowerful,becauseitgetsthroughallofthelimitedthoughtforms,andintodeeper
levelsofthesubconsciousaccessinginsightsbeyondbeliefsystems.
AsdescribedabovebyDr.CandicePert,PhD,energyandvibrationgoallthewayto
themolecularlevel.Shestatesthatwehave70differentreceptorsonthemolecules
andwhenvibrationandfrequencyreachesthatfartheybegintovibrate.Moreover,
sheobserved,"astheybegintovibratetheysortoftoucheachother,andtickleeach
other,andtheyplayandmounteachother."Itsthiswholeenergeticdanceritual,at
thecellularlevel,thatopensthechromosomesandexposestheDNAtothe
frequencies.Whenwedotoning,drumming,chanting,ortuningforksitcanbeaway
todirectenergyfortransformationalpurposes.
Vibrationandsoundcanbeused,likemostthings,eitherwithpositiveintentionor
negativeintention.Usednegatively,itsnothingmorethancontrolandmanipulation.
Mostoftheworldhasbeenbuiltuponcontrolandmanipulationbythewaywe
communicatethrulanguage.Alotofdifferenttexts,suchastheBible,talkaboutthe
importanceofjustmakingSoundwhetheritschants,drumming,orspeakingin
tongues(suchasthecharismaticfundamentalistsdo),theyarejustdifferentwaysthat
peopleareaccessingdeeperlevelsofthemselves.IsuggesttoyouthattheSolfeggio
TuningForksareanevenpurerwaysofdoingthatwithpositiveintention.
WhenDr.JosephPuleowasresearchingthetones,hewasdirectedtoaMonsignorata
universityinSpokaneWA,whowasheadofthemediaevaldepartment.Followinga20
minuteconversation,the
"CanyoudecipherMediaevalLatin?
Absolutely!
Andyouknowthemusicalscaleandeverything?
Absolutely!
Wellthen,couldyoutellmewhatUTqueantlaxismeans?
Afterabriefpause,theMonsignorquipped,Itsnoneofyourbusiness
Thenhehungup."1
Additionally,asDr.Puleoresearchedthetonesfurther,hecameacrossabookon
GregorianchantsbyProfessorEmeritusWilliApelwho"arguedthatthechantsbeing
usedtodayweretotallyincorrect,andunderminedthespiritoftheCatholicfaith."1
Moreover,ProfessorApelreportedthat"onehundredfiftytwochantswereapparently
missing.TheCatholicChurchpresumably"lost"theseoriginalchants.Thechantswere
basedontheancientoriginalscaleofsixmusicalnotescalledtheSolfeggio."1Trust
me,nothingislost,itsjustneatlyputawayhowever,theycannothidefromthe
masseswhatisenergeticallyplacedwithintheSoul.
AccordingtoProfessorWilliApel,1"TheorginofwhatisnowcalledSolfeggio...arose
fromaMediaevalhymntoJohntheBaptistwhichhasthispeculiaritythatthefirstsix
linesofthemusiccommencedrespectivelyonthefirstsixsuccessivenotesofthe

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scale,andthusthefirstsyllableofeachlinewassungtoanoteonedegreehigherthat
thefirstsyllableofthelinethatprecededit.Bydegreesthesesyllablesbecame
associatedandidentifiedwiththeirrespectivenotesandaseachsyllableendedina
vowel,theywerefoundtobepeculiatlyadaptedforvocaluse.Hence"Ut"was
artificiallyreplacedby"Do."GuidoofArezzowasthefirsttoadopttheminthe11th
century,andLeMarie,aFrenchmusicianofthe17thcenturyadded"Si"forthe
seventhnoteofthescale,inordertocompletetheseries."
Furtherresearchstatesthat,"PopeJohanneslaterbecameasaintSaintIohannes
andthenthescalewaschanged.Theseventhnote"Si"wasaddedfromhisname."Si"
laterbecame"Ti."Thesechangessignificantlyalteredthefrequenciessungbythe
masses.ThealterationsalsoweakenedthespiritualimpactoftheChurchshymns.
Becausethemusicheldmathmaticresonance,frequenciescapableofspiritually
inspiringmankindtobemore"Godlike,"thechangesaffectedalterationsinconceptual
thoughtaswell,furtherdistancinghumanityfromGod."Inotherwords,wheneveryou
singaPsalm,itismusictotheears.Butitwasoriginallyintendedtobemusicforthe
soulaswellorthe"secretear."Thusbychangingthenotes,highmatricesofthought
andtoagreatextentwellbeing,wassquelched.Nowitistimetorecoverthese
missingnotes."1
Idheardofdo,re,me,fa,so,la,ti,do.IparticularlyrespondedtoitwheneverIhear
thatsongbyJulieAndrewsfrom"TheSoundofMusic."Iliterallyhavea"braincell
firing"asitisengravedintomybrain,andIseehercomingoverthemountaininthe
movie.Ididntrealizethiswasactuallyasecond,modifiedscale.TheoriginalSolfeggio
scalewasactually:UT,RE,MI,FA,SO,LA.
Lookingatthedefinitionsofeachoftheoriginalsyllables,usinghiddenentriesfrom
WebstersDictionaryandtheOriginalGreekApocrypha,Ihavedeterminedthatthese
originalfrequenciescanbeusedfor:Turninggrieftojoy,helpingthepersonconnect
withtheirSourcetobringforthmiracles,DNArepair,connectingwithspiritualfamily,
solvingsituations&becomingmoreintuitive,and,finally,returningtospiritualorder.2
Throughmusicthesetonescanassistallthechannelsinstayingopenandkeepthelife
force(theChi)literallyflowingthrutheChakraSystemquitefreely.Isthisiswhatthe
sixelectromagneticfrequenciesweretoaccomplishthatwereputinto"lost"hymns
andGregorianchants?
Ithinkwearelivinginatremendouslywonderfultime,andratherthanseeingthe
glassas"halfempty,"Iseeitas"halffull."Ratherthanaccepting"CNNsperspective"
oftheworldview,itsaboutfindingperspectivethruthevisionofyourownheart.Itis
aboutchangeandtransformationofmankindtothenextlevelofevolution.We,as
SpiritualLightWorkers,havemadeourselvesaccessibleatthistime,byDivine
Appointment,tobeheretohelpthoseinhumanitywhochoose(itsallbasedupon
irrevocablechoice)tostay,ortogo.Thosewhohavechosentostaywillcomeintoour
lives,andwehavealreadyagreedtoassistthem.
Itsallaboutassistingotherpeople.Itsnottobetheir"Healer,"buttoassistthemin
knowingwhotheyareandconnectingwiththeirtrueSource.Itisaboutprovidingan
atmosphereofnonjudgement,aSacredSpace,forthepurposeofhealingthemselves.
Weshouldbecontinuouslyteachingwhileassistingpeople.Theoldparadigmteaches
ustokeeptheinformationamongtheprofessionals.Thenewparadigmistosharethe
information,andempowertheclient.EveryoneyouworkwithwhetheritsReiki,
Massage,TuningForksorothermodalitiesyouareusing,youshouldfeelthatyouve
empoweredthatperson,sotheycanextendthisinformationtosomeoneelse.Healing
hasbecomeaboutourevolutionbyreconnectingouradditionalstrandsofDNA.Healing
isalsoaboutassistingthepersoninrestoringthemselvestoastateof"Spiritual
Wholeness."
1"HealingCodesfortheBiologicalApocalypse"byDr.LeonardHorowitz,p.3456
2Ibid.
3From"MansCosmicGame"byGuilianaConforto
The3,6,and9
AswelookatthesixoriginalSolfeggiofrequencies,usingthePythagoreanmethod,we
findthebaseorrootvibrationalnumbersare3,6,&9.NicolaTeslatellsus,andI
quote:"Ifyouonlyknewthemagnificenceofthe3,6and9,thenyouwouldhavea
keytotheuniverse."
JohnKeely,anexpertinelectromagnetictechnologies,wrotethatthevibrationsof
"thirds,sixths,andninths,wereextraordinarilypowerful."Infact,heprovedthe
"vibratoryantagonisticthirdswasthousandsoftimesmoreforcefulinseparating
hydrogenfromoxygeninwaterthanheat."Inhis"FormulaofAqueousDisintegration"
hewrotethat,"moleculardissociationordisintegrationofbothsimpleandcompound
elements,whethergaseousorsolid,astreamofvibratoryantagonisticthirds,sixths,
orninths,ontheirchordmasswillcompelprogressivesubdivisions.Inthe
disintegrationofwatertheinstrumentissetonthirds,sixths,andninths,togetthe
besteffects."
InthebookofGenesisitstatesthattherearesixdaysofcreation.Yetmanytalkabout
thecreationweekorsevendays,andtheChristianBibleviewsthenumbersevenas
thenumberofcompleteness.WhySeven?ItisduetotheinfluenceoftheNearEastern
cultureatthetimeinwhichJesuslived,whenitwasbelievedthattherewereonly
sevenplanets.
Whenwrestlingwithaddinga7thnumber,Iwasmysticallydrawntoanarticlein
DiscoverMagazine.Inhisnewestbook,JustSixNumbers,Reesarguesthatsix
numbersunderliethefundamentalphysicalpropertiesoftheuniverse,andthateachis
theprecisevalueneededtopermitlifetoflourish.Inlayingoutthispremise,hejoinsa
long,intellectuallydaringlineofcosmologistsandastrophysicists(nottomention
philosophers,theologians,andlogicians)stretchingallthewaybacktoGalileo,who
presumetoask:Whyarewehere?AsReesputsit,"Thesesixnumbersconstitute
arecipefortheuniverse."Headdsthatifanyoneofthenumberswere
different"eventothetiniestdegree,therewouldbenostars,nocomplex
elements,nolife."(FromDiscoveryMagazine).Assomeauthorshavespeculated,
couldthesetoneshaveplayedaroleinthemiraculousshatteringofJerichosgreatwall

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Forgotten In Time: The Ancient Solfeggio Frequencies


insixdaysbeforefallingontheseventhday?Somescientistsarenowstatingthat
ifwehavebeencreated,wemostlikelywouldhavebeensungintoexistence.
IsitpossiblethatthesixdaysofcreationmentionedinGenesisrepresentsix
fundamentalfrequenciesthatunderlietheuniverse?Religiousscholarsbelieve
botheventsoccurredasaresultofsoundsbeingspokenorplayed.
Otherscientists,includingthegeniusesNikolaTesla,RaymondRife,aswellasMozart,
Haydn,Beethoven,andChladni,allmusthaveknownabout,andusedtheconceptof,
theinherentpowerofthrees,sixes,andnines.Sowearedealingwiththreepowerful
numbers:369.EveryoneofthesixSolfeggioTuningForksalladdup,individuallyto
thePythagoreanschemeof369.Infact,becausetherearetwosetsof369
(anagrams)inthesolfeggio,theyareevenmorepowerfulasthesecombinationsserve
as"portals"tootherdimensions!
JustIntonation12ToneEqualTemperament
AsIobservedearlier,anotherreasontheseAncientSolfeggiofrequenciesbecame
"lost"wasbecauseofthechangeintuningpracticesthroughouthistory.Thestandard
tuningmethodforthepast200yearsisquitedifferentfromthetuningpracticesdating
fromantiquitythroughaboutthe16thcenturyA.D.Theseancienttuningpractices
usedasystemoftuningknownasJustIntonation.Thetuningpracticeadoptedfor
westernculturesduringthe16th,17th,and18thcenturies,andusedtoday,isknown
asTwelveToneEqualTemperament.Theexplanationofthefundamentalsofthese
tuningsystemsisfartoocomplexforthisagenda,butthefollowingquotefromabook
writtenbyDavidB.Doty,titledTheJustIntonationPrimer,shouldgiveanideaofthe
confinementthatmusichasbeenrelegatedto."Essentially,musichasbeenplaced
inaboxoflimitations"astheresultoftherigidityimposedbytheTwelveTone
EqualTemperamenttuningstandardsinusetoday.
"AlthoughitisdifficulttodescribethespecialqualitiesofJust(Intonation)
intervalstothosewhohaveneverheardthem,wordssuchasclarity,purity,
smoothness,andstabilitycomereadilytomind.Thesupposedlyconsonant
intervalsandchordsof(12Tone)EqualTemperament,whichdeviatefrom
simplerationstovaryingdegrees,soundrough,restless,ormuddyin
comparison."
JustIntonationcanbefoundinmanyofthegreatFathersofClassicalMusic
BeethovenandHyden,justtonameafew.Theydidnotusethis12tonetemperament
andIthinkthatiswhywehavearicherexperiencewhenwehearmusicthatwas
composedseveralhundredyearsago.ClassicalMusicbasedonJustIntonationgivesus
adifferentrapportwithtimeandspaceandbringsusintoourhigherchakras.
NativeAmericanchantingismanytimesbasedonJustIntonation.Thechantingseems
tosoundmonotone,butwearefindingoutthatwithinthemonotonesoundismulti
dimensionalharmonics.
Howthesedifferenttypesoftonesaffectourhealth
Consequently,sinceallmusicinourcontemporaryworld(fromcommercials,to
modernhymnsandsymphonies)hasbeencomposedutilizingthe12ToneEqual
TemperamentScale,theyallhavevibrationallimits.Asaresult,vibrationalfrequency
ofthetonesofmodernmusiccancreatesituationssuchas"boxedinthinking,"stuffed
andsuppressedemotionsandfearbased"lack"consciousnessallofwhichthentend
tomanifestintophysicalsymptomsof"disease."
ThisisincontrasttomusiccreatedfromtheAncientSolfeggioScale,whichstimulates
thevibrationofexpandedcreativity,easierproblemsolvingandholistichealth.
Again,itshouldbenotedthatalthoughtherearecontemporarynotesthatapproximate
theSolfeggiotones,theyarenotthesamefrequenciesastheancienttones.Example:
TheSolfeggiotone,Mi.vibratesto528Hz.Theclosest,comparable,contemporary
toneisC,aboveMiddleC,whichvibratesat512Hz.Ourresearchindicatesthatthe
vibrationalfrequenciescontainedintheSolfeggiotonesholdtheseoriginal
healingpotentials.
1ProfessorApelsandDr.Puleosremarksasreportedin"HealingCodesforthe
BiologicalApocalypse"byDr.LeonardHorowitz.Pages5861
2HiddenEntryMeaningsfromthebook,"HealingCodesfortheBiologicalApocalypse"
byDr.LeonardHorowitz.Pgs.16667
TransformationalTuningForksandCD'sbasedontheancientSolfeggioFrequencies.
Chakras,Elements,ColorsandtheSolfeggioFrequencies(pdf)
OtherResources:
JohnBeaulieu,"MusicandSoundintheHealingArts."StationHillPress,1987
GiulianaConforto,"MansCosmicGame,"EdizioniNowsis,1998
DavidB.Doty,"JustIntonationPrimer"
JonathanGoldman,"HealingSounds:ThePowerofHarmonics,"ElementBooks,1992
LeonardHorowitzandJosephPuleo,"HealingCodesfortheBiologicalApocalypse,"Tetrahedron
PublishingGroup,1999
CandicePert,PhD,"MoleculesofEmotion"
MichaelTalbot,"TheHolographicUniverse"
Dr.Rees,"JustSixNumbers"

Articlefrom:lightwithin.com
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WaterBalancingSymbolExperiment

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Forgotten In Time: The Ancient Solfeggio Frequencies


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