The Power of Music Mind Control by Rhythmic Sound

The Power of Music: Mind Control by Rhythmic Sound
New Orleans, October 16,

2012 You walk into a bar
and music is thumping. All
heads are bobbing and feet
tapping in synchrony.
Somehow the rhythmic
sound grabs control of the
brains of everyone in the
room forcing them to
operate simultaneously and
perform
the
same
behaviors in synchrony.
How is this possible? Is
this unconscious mind
control by rhythmic sound
only driving our bodily
motions, or could it be
affecting deeper mental
processes?
The mystery runs deeper
than previously thought,
according to psychologist
Annett Schirmer reporting
new findings today at the
Society for Neuroscience
meeting in New Orleans.
Rhythmic sound not only
coordinates the behavior of
people in a group, it also
coordinates their thinking
the mental processes of
individuals in the group
become synchronized.
This finding extends the

well-known power of
music to tap into brain
circuits
controlling
emotion and movement, to
actually control the brain
circuitry
of
sensory
perception. This discovery
helps explain how drums
unite tribes in ceremony,
why armies march to bugle
and drum into battle, why
worship and ceremonies
are infused by song, why
speech
is
rhythmic,
punctuated by rhythms of
emphasis on particular
syllables and words, and
perhaps why we dance.
Schirmer and her graduate
student Nicolas Escoffier
from the University of
Singapore
first tested
subjects by flashing a
series of images on a video
monitor and asked them to
quickly identify when an
image was flipped upside
down. While participants
focused on this task, a
synthetic drumbeat gently
tapped out a simple fourbeat rhythm in the
background, syncopated by
skipping the fourth beat of
each measure.
The results showed that
when the image was
flashed on that missed
beat, the subjects identified
the inverted image much
faster than when the image
was flashed at times out of
synch with the beat or
when the images were
presented
in
silence.
Somehow, the brains
decision
making
was
accelerated by the external
auditory
rhythm
and
heightened
at
precise
points in synchrony with
the beat. Since the power
of rhythm in boosting
cognitive performance was
evident on the missing beat
when no sound was
presented, the effect could
not have had anything to
do with the sound of the
drumbeat acting as a
stimulus.
Mental
processing must have
fallen into a rhythm of
heightened expectation and
superior performance on
the anticipated beat.
Next
the
researchers
attached electrodes to the
scalp of such subjects to
determine if the brains
electrical activity was
somehow affected by the
rhythm of the sound. The
EEG recording detects the
combined
electrical
activity of thousands of
neurons working together
in the cerebral cortex. Just
like the roar of a crowd at
a baseball game, waves of
electrical activity in the
brain are generated when
individual neurons in the
cerebral
cortex
are
combined in action. The
EEG recordings showed
that the waves of brain
activity (alpha and beta
waves)
became
synchronized around the
auditory rhythm. That is,
the ongoing oscillations of
brain waves became phase
shifted so that the peak of
the wave always occurred
at a precise point relative
to the next beat in the drum
rhythm. Rhythmic sound
synchronizes brain waves.
The brain wave recordings

also revealed a more
surprising
effect
of
rhythmic sound on brain
function. Any sensory
stimulus, such as seeing a
picture or hearing a sound,
will generate a brief brain
wave in the region of
cerebral cortex where such
information is received and
processed, much like the
crack of a bat at home
plate causes an eruption of
cheers in a stadium. The
researchers found that the
sensory-evoked brain wave
measured at the back of the
skull over the region where
vision is processed, peak
each time the image was
presented, but when the
image
was
presented
simultaneously with the
missing drumbeat, the
electrical response evoked
by the picture was bigger
than when the image was
presented out of rhythm or
flashed on the screen in
silence.
These
visual
circuits
are
more
responsive when the image
appears in synch with the
auditory rhythm.
This region of the brain

processes the earliest steps
in vision, the circuits that
detect visual input. This
means that our perception
of the external world
entering our mind through
our eyes is affected by the
rhythm of what we hear.
Something seen at a point
precisely in beat with an
auditory rhythm is more
likely to be perceived than
if it appears out of synch
with the rhythm. This
gating of visual input by
auditory rhythm does not
require
a
prolonged
meditation on the rhythm
to cause the person to enter
into some sort of a trancelike state; the effects are
nearly
instantaneous.
Within a few measures of
music your brain waves
start to get in synch with
the rhythm, Schirmer
says.
Steven Pinker has said that
music
is
auditory
cheesecake,
with
no
particular advantage in the
evolution of our species.
Schirmer feels their new
results do not support that

view. Rhythm facilitates
our
interpersonal
interactions in term of not
only how we move, but
how we talk and think,
she concludes. Rhythm
facilitates
people
interacting
by
synchronizing brain waves
and boosting performance
of perception of what the
other person is saying and
doing at a particular point
in time. Rhythm, whether
the lyrics to a song or the
meter of a poem facilitates
language processing, she
concludes, and she is now
undertaking
new
experiments to further test
this idea. When people
move in synchrony they
are more likely to perceive
the world in synchrony, so
that would facilitate their
ability to interact.
only for San Vitores. Political and

religious turmoil, however, delayed
and eventually killed the process. In
1981, when Agaa was preparing for
its 20th anniversary as a diocese, the
1673 beatification cause of Padre
Diego Lus de San Vitores was
rediscovered in the old manuscripts
and taken up anew until Padre Diego
was finally beatified on October 6,
1985. It was his beatification that
brought the memory of Pedro to our
day.
Beatification is the act by which the
Church, through papal decree,
permits a specified diocese, region,
nation, or religious institute to honor
with public cult under the title
Blessed a Christian person who
has died with a reputation for
holiness.
In 1994, then Cebu Archbishop
Ricardo Cardinal Vidal asked
permission from the Vatican to
initiate a cause for beatification and
canonization of Pedro Calungsod. In
March
1997,
the
Sacred
Congregation for the Causes of
Saints approved the Acta of the
Diocesan
Process
for
the
Beatification of Pedro Calungsod.
That same year, Cardinal Vidal
appointed Fr. Ildebrando Jesus A.
Leyson as vice-postulator for the
cause and was tasked with the
compilation of a Positio Super
Martyrio to be scrutinized by the
Sacred Congregation for the Causes
of Saints in Rome. The position,
which relied heavily on the

documentation of San Vitoress
beatification, was completed in 1999.
Blessed John Paul II, wanting to
include young Asian laypersons in
his first beatification for the Jubilee
Year 2000, paid particular attention
to the cause of Calungsod. In
January 2000, he approved the
decree super martyrio (concerning
the martyrdom) of Calungsod,
setting his beatification on March 5,
2000 at Saint Peters Square in
Rome.
SAINTHOOD
On December 19, 2011, the Holy See
officially approved the miracle
qualifying Calungsod for sainthood
by the Roman Catholic Church. The
recognized miracle dates from 2002,
when a Leyte woman who was
pronounced clinically dead by
accredited physicians two hours after
a heart attack was revived when a
doctor prayed for Calungsods
intercession.
Cardinal Angelo Amato presided
over the declaration ceremony on
behalf of the Congregation for the
Causes of Saints. He later revealed
that Pope Benedict XVI approved
and signed the official promulgation
decrees recognizing the miracles as
authentic and worthy of belief. The
College of Cardinals was then sent a
dossier on the new saints, and they
were asked to indicate their approval.
On 18 February 2012, after the
Consistory for the Creation of

Cardinals, Cardinal Amato formally
petitioned Pope Benedict XVI to
announce the canonization of the
new saints. The Pope set the date for
21 October 2012 (World Mission
Sunday).
After Saint Lorenzo Ruiz, Calungsod

will be the second Filipino declared a
saint by the Roman Catholic Church.
The Roman Catholic calendar of
Martyrology celebrates Calungsods
feast along with Blessed Diego Luis
de San Vitores every 2 April.

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The Power of Music: Mind Control by Rhythmic Sound

New Orleans, October 16,

This finding extends the

The brain wave recordings

This region of the brain

results do not support that

only for San Vitores. Political and

which relied heavily on the

Consistory for the Creation of

After Saint Lorenzo Ruiz, Calungsod

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