History of Quill Ing

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History Of Quilling

By Eileen Walters
History:
Quilling is also known as paper rolling, filigree, mosaic and paper scrolling. 16th and 17th
century French and Italian nuns, ladies in the
Stuart, Georgian and Regency periods and North
American settlers all practised the art of quilling
and some sources say it was even practised in
Ancient Egypt. Nuns on the continent decorated
reliquaries and pictures with quilled shapes
adding gilding and other ornamentation. The
ecclesiastical connection was maintained when
the art spread to England with the development
of paper, though vellum and parchment were
also used. Poorer churches gilded or silvered
paper and it was difficult to distinguish it from
real gold or silver filigree work.
This craft was always practised by ladies of
leisure never by the working class. Work
panels, coats of arms and later tea caddies, work
boxes, screens, cabinets and frames were all
decorated with quilling. After falling out of
fashion for a while an attempt to re-introduce
the craft was made by Wm. Bemrose and in 1875,
a kit called Mosaicon was produced together
with a handbook and later a reference in an
Edwardian book of household management
entitled Floral Mosaicon was also found.
Many museums around the country and
abroad have examples of antique work either on
display or stored behind the scenes. With the
introduction of modern papers and techniques,
quilling is currently enjoying a well deserved
revival. Most of the basic shapes used in the
art of quilling are made from either tight or
closed loose coils. Below is an introduction for
beginners to the techniques of the basic shapes.

Techniques:
Tight Coils:
Peg: Roll a strip of paper on the
quilling tool and glue the end
before taking it off.
Bell or Cup: Roll a strip of
paper onto the quilling tool and
glue the end before taking it off.

Then push up into a bell shape and glue the


inside to help it keep its shape.

Closed Loose Coils


Closed Loose Coil: Roll the paper on the quilling
tool then drop it onto the work board and allow
it to uncurl for a while. Put a
small amount of glue onto the
end and hold gently for a few
seconds until dry. Its a good
idea to make several like this
before glueing.
Teardrop: Start with a closed
coil as above. After glueing,
pinch one end to form a point
and make the teardrop shape.

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Eye: Start with a closed coil.


After glueing hold between
finger and thumb of each hand
and pinch gently to form the
eye shape.
Diamond: Start with a closed
coil and pinch to form an eye
shape (as above) but when
pinching the ends, push the
shape together so as to form
a diamond.
Square: Start with a closed
coil. Lightly pinch just the
outer ring or two of the coil
at opposite ends, then lightly
pinch the other two sides to
form a square.
Triangle: Start with a closed
coil. Then make in the same
way as the square (above) but
pinch only three sides each a
third of the way round the coil.
Leaf: Start with a closed coil,
pinch the ends to make an
eye shape and when holding
between finger and thumb
gently twist to form an S
shape or leaf.
Petal: Start with a closed coil.
Pinch the top to form a teardrop
and as you pinch, twist slightly
to make a curved petal.

Holly: Start with a closed coil.


Pinch the coil around the
centre with a pair of tweezers,
then pinch and push each end
towards the tweezers to make
the six points.

Oval: Start with a closed coil


and squeeze the sides gently
without pinching to flatten
slightly into an oval.

Eccentric Coil: Start with a


closed coil, pull the centre to
one side and glue in place. This
can be done using tweezers or
placed on a board and held
with pins.

Half Moon: Start with a closed


coil and push one side in
around a pencil or quilling
tool handle. Lightly pinch each
end of the resulting curve.

The two cards shown in this article are made


from just two or three of these basic, simple
shapes with double strips of paper for the stems.

Heart: Start with a closed coil.


Pinch at one end to form a
point. Push the opposite end
around a pencil to make the
top of the heart.

Tight coils are perfect for all sorts of flower


centres while the eye shapes and teardrops (used
in these designs) are as good for many types of
petal as the more curved petal shape is.
Much of the information in this article is taken from
the Quilling Guild Members handbook.

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