Postscripts Maguindanao Jan 13

Download as doc, pdf, or txt
Download as doc, pdf, or txt
You are on page 1of 6

Postscripts, Maguindanao

I. Unheimlich / Photo

Something surpasses –
To find a way in

To get in hours after one has to be one of them –

shot from the hip – on the sly –

this is how events are secreted


covered
gut to hand is as ground to leaf
or was it newsprint?
memory fades fast, covered
fades fast a prayer:

he who is known to us does it he it he is known to us


may earth swallow him.

uncanny: demonic: he is apart from us

To conquer the languid visage he yawns


behind bars in court

angle of camera phone

out of this land BIZAARE STARK ANIMAL/S

CAUTION NOTE: chain of evidence breaking

discrete elements & what binds us?

Discrete elements in a critical state


A single disturbance influences the mass
A small excavation bringing down
A whole mountainside

- You are here for territory. You are bleeding.

- You are here for the breaking.


II. Contingencies

in which their last words must roam, and so


can those in safer places keep them please

in which there is no calling sorrow


in which sorrow, acknowledged, has little to go for

but in medias res. right here and now, pray for me


you go in the name of peace and serve

the warlord, tithe and obey, behold


the,war,lord,tithe,the,warlord

– the highway is ours


go in peace,

if our situation is critical. if the fruits of administration


our peace, our order. so this is the order

in which what happened, happens.

***************************************************

if bodies amassed trigger suspension of laws,


if the road went on and on,
if detours existed, if checkpoints
came out springing
if it were our eyes on the road
if friends went ahead

if they were on our side


if murder, en masse or singly, double, treble
if suspension of earlier patterns.
if one must hold the pieces

broken
body parts, bracelets, this week’s print run, crocs, papers,
papers

if the counterpoint of enactment was a meltdown


if intrusion of text into your (story) –

I must make no demand upon the bereaved

– if void if levitation if they fell

if they who sprawl –

lifted caught in the metal claw

cannot return
how easy to dismiss
i want my air back
as aberrations of the landscape
the singularity of the event

(photo)(still)

a wide shot of blue skimming clouds

cerulean moon night time morning

the grotesque pageantry of


the grotesque geography of there is no sense
is vegetative

how to approach the singularity of the event, ask


an unrelated question

michael meiring?

if we are to approach the singularity of this event


the texture of a lived thing, because all we can do
is approximate. we were not there, because

the panting last seconds of

by all accounts forensics of the said so and


the raptures of throbbing sun, eardrums,
numbed, the – news – was meant to be secreted.
the perpetrators to be spirited away and
blamed – on – what? the people of the town have eyes,
yes, they were too far away. first question:
whose territory it was again?

we were not there. the panting last seconds of

the panting last seconds of we were not there

caution caution caution caution caution caution caution


a plea & thin air don’t

local & death don’t

this is the body made public.


this is the body politic.

pipi ang ulo sabog ang mata luwa ang mata

of families, this is business

what a way to enter the national consciousness!

a cleft in the earth


a hole in the ground
a cleft in the brain
a hole in your head

the plot tended to, the plot prepared


to receive the fruits of
his father’s will.

of families, this is business

To manipulate/ to knead the earth

and what names can be had for the humidity?

meeting point of foliage and noon

i don’t have a name for every leaf

enough that they are there, incidental

enough that they exist, they are alive

and/or retrievable we had


happy times, the last

yes he came home

there is nothing to see


III. Re-enactment

Looking for a cleft in the earth


stepping over it all this time

Covering the distance of [define death]


[define murder]

What hour was it? It was high noon


What hour was it? It was the hour
of great mercy

Posit: I will not recoil / I will not recoil in the way I do


from the sight of a dead dog as I pass it by on the road.

And there is perhaps no answer to that hand


But to hold it in the mind, keep breathing,
You holding the dead

converging
resolutions:

Or as the sky is my witness.

Angle of camera upon impact

History. What sort of relief is it to be told this script


has been run before

To impose upon the landscape (to escape all ties)

We are sticking to the story

We filled in the dialog


As it happens, people recovering their silences

Filling in the gaps

Bloated not in the manner of the living

These words violate the body, the picture does not unsay
cannot unsay anything nothing

That is the case


This is a matter of bullets
annual budgets
This is a matter of pigs

A rendition of the exacted, a push towards – a what?


But of course it was That for days
They were not to be seen There
Was no time for backhoes In the case
Of the corpse in the picture Of the picture

Posit it has changed – never mind the land


of the corpse spared the backhoe a tongue swelling
through the window of the mouth upstairs, the attic blown apart,
shutters are up on the window that’s left the force that impels
all has left the building There is no animating this

-----------------------------------------------------------------------

Notes/Acknowledgements:

Italics in I. Unheimlich/Photo taken from Wikipedia article on


Remotely Triggered Earthquakes
(http://en.wikipedia.org/wiki/Remotely_triggered_earthqu
akes)

chain of evidence breaking: adapted from Philippine Daily


Inquirer news article.
(http://newsinfo.inquirer.net/inquirerheadlines/nation/vie
w/20091226-243993/Evidence-vs-Ampatuans-breaking)

Pipi ang ulo, sabog ang mata, luwa ang mata: quoted from
interview. Under One Sky. Directed and edited by Kiri
Dalena. Written and produced by Patricia Evangelista. Voiced
by Cheche Lazaro and aired over ANC.
(http://www.youtube.com/watch?v=VkxfR6EfQDE)

we had/happy times,/yes he came home/there is nothing to see:


adapted from interviews.Under One Sky.

(Pray for me here because we are now here in Ampatuan).Our


situation is critical: “I-ampo ko diri kay naa na mi diri sa
Ampatuan. Kritikal amo sitwasyon diri.” SMS by Noel
Decena in the morning of November 23, 2009.
(http://services.inquirer.net/mobile/09/12/06/html_output/x
mlhtml/20091205-240358-xml.html)

You might also like