Nightigale. in 1820 He Breaks Up With Fanny, After He Finds Out He Has Pulmonary Tuberculosis. His
Nightigale. in 1820 He Breaks Up With Fanny, After He Finds Out He Has Pulmonary Tuberculosis. His
Nightigale. in 1820 He Breaks Up With Fanny, After He Finds Out He Has Pulmonary Tuberculosis. His
accident.
His father's death had a profond effect on the yong boy's life. !n a more abstract sense, it shaped
Keats' nderstanding for the hman condition, both its sffering and its loss. "his tragedy and others
helped grond Keats' later poetry#one that fond its beaty and grander from the hman e$perience.
%ring this period, Keats fond solace and comfort in art and literatre. &t 'nfield &cademy, where he
started shortly before his father's passing, Keats pro(ed to be a (oracios reader.
%ring his school years, Keats became friends with )harles )owden )lar*e, he himself a ftre writer,
who was son of a cltred family. )lar*e was the one who inflenced him on lo(ing boo*s, and
especially poerty. Keats himself recalls in one of his letters the powerfl impression he had while
reading 'dmnd +penser and Homer.
His first boo* of poems ,-oems, 1.17/ was passed o(er in silence by the critics. &fter the pblishing of
the poem Endymion ,1.1./, Keats becomes the target of certain attac*s in a conser(ati(e maga0ine.
Keats, who arond this time fell in lo(e with a woman named 1anny 2rawne, contined to write. He'd
pro(en prolific for mch of the past year. His wor* inclded his first +ha*espearean sonnet, 34hen !
ha(e fears that ! may cease to be,3 which was pblished in Janary 1.1..
!n the meanwhile, he wrotes his most beatifl poems5 Ode to Psyche, Ode on a Grecian Urn, Ode to a
Nightigale. !n 1.67 he brea*s p with 1anny, after he finds ot he has plmonary tberclosis. His
friends helped him to go in !taly, bt not e(en the fa(orable climate cold stop the e(oltion of the
disease. Keats died in 1.61 in 8ome, before he e(en trned 69.
:nappreciated by the ma;ority of his contemporans and almost n*own dring his life, Keats was
recogni0ed after fi(e decades after his death as being one of the biggest poets 'ngland e(er had, a
remarcable master of lyricism.
He lo(ed the colors of flowers, sea, s*y, and the perfmes of plants. &t Keats is present a clt of the
aniti<ity, of its profondly hman's ideals. !n the poem Endymion ,1.1./, he tal*s abot the myth of
the lo(e of the =oon >oddess, +elene, for the shepherd 'ndymion. ¬her poem with a mythological
theme, Hyperion, one of the titans which o(ertrned the :rans' domination, was left nfinished. Keats
also approached medie(al sb;ects, too. "hey ser(ed as a basement for the poems Isabella ,1.1./ and
The Eve of St. Agnes ,1.19/.
His aesthetic ideal fond the most complete embodiment in the lyrical poetry. 8emar*able models are
the poems Ode to a Nightingale, To Atmn, Ode on a Grecian Urn. !n these were manifested the
characteristic featres of the poet5 the sen0orial perception of natre, the force of imagination, the
nsal gift of bringing to life the whole world arond.
Keats also payed attention to the forms of the poetry and left a great nmber of splendid sonatas,
bringing new e$pressi(e means to the poetic langage. He managed to transform in words the colors of
natre and the otside appearance of ob;ects, in a special way. He had an ama0ing capacity of bringing
the fenomens and ob;ects of the real world p to the stage of tre beaty.