Gattegno's Legacy - Young and Messum (2013)
Gattegno's Legacy - Young and Messum (2013)
Gattegno's Legacy - Young and Messum (2013)
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LiNKiNg, DEVEloPiNg aND SUPPoRtiNg ENgliSH laNgUagE tEacHiNg PRoFESSioNalS woRlDwiDE
http://www.pronunciationscience.com
Roslyn Young and Piers Messum explore the thinking behind the Silent Way.
The year 2013 is both the 50th annithat awarenesses could be as big as an aha moment or very much smaller, and that they take place at all instants of our versary of Caleb Gattegnos book, lives. If we choose to attend to them as such then we can Teaching Foreign Languages in be aware of very many of them, but in the normal course Schools: the Silent Way, and the of events the fact that our lives are a succession of discrete 25th anniversary of his death. Most awarenesses goes unnoticed. We are concerned with the teachers will associate the Silent Way result, and the process escapes us; we dont notice how our with Cuisenaire rods, wall charts and minds are functioning. the silence of the teacher, but GatIm visiting an old aunt and decide to make a cup of tea. tegnos contribution is of much wider Piers Messum relevance. She doesnt have a kettle, so I fill a saucepan, turn to the lives in stove and become aware that I dont know which knob goes Gattegno developed a theory of London. He with which burner. I look at the diagrams on the front panel, learning that leads directly into practidivides his become aware that one in four of the circles in each diagram cal teaching, for all subjects, not just time between is filled in, link the diagrams to the arrangement of the burnlanguages. He made his name in Britcreating materials, ain in the 1950s as a maths educator ers, turn the knob Ive chosen, press the lighter button and teaching English and research on at the Institute of Education, and in become aware that it was the right knob. child speech. He has taught in France he is best known for his work During these few seconds, I attended to my awarenesses the UK, France and Japan. on teaching literacy. The materials as well as to the task itself. I took the time to observe and and pedagogy associated with the Silent Way are thus just distinguish both what information my experience furnished one application of his learning model. Indeed, for me and what new awarenesses were necessary the reasons why any successful language teacher to light the gas; I could find six of these. he showed how succeeds can be understood and explained using Gattegno realised that awarenesses are the his theory of learning. stuff of human learning. Clearly, then, teachers to subordinate must attend to awarenesses, both in themselves teaching to How people learn (to learn to observe the process of learning) and learning: how in their students (to be able to recognise learning Gattegnos model covers all aspects of learning, to teach so that as it happens and to see when it doesnt happen). from languages to riding a bicycle to cooking. Teachers then appreciate that they have to conOutside classrooms, we are all natural, life-long one constantly tinuously adjust their teaching in response to their learners. As small children we learn to stand, to mobilises peoples students learning. This transforms the classroom. walk and to talk; later on we learn to live in our aptitude for Because he attended, above all, to peoples society and perhaps a new one, to work, to be learning rather learning, Gattegno used to say, Im not a lana grandparent, to cope with disability, and so than inhibiting it guage teacher. Im a people teacher, and the on. Gattegno identified and described what is people are learning a language. going on in all these learning situations: the role of awareness, of the will, of other powers of the mind; the role of analysis and synthesis, of action and perception, of intuition and acquaintance; the role of the minds retention system and the limited role that memorisation usually plays in spontaneous (non-classroom) learning. With this understanding at his disposal, he showed how to subordinate teaching to learning: how to teach so that one constantly mobilises peoples aptitude for learning rather than inhibiting it. A teacher who is able to do this systematically creates a classroom in which spontaneous learning happens all the time.
Feature articles
thing to say before the words to say it present themselves and have many things to say whether or not we utter them and whether or not we have listeners. For Gattegno, the strongest motivation to learn a language, including L1, is to express ourselves. He took this into account in his language classes. For example, for tenses, Gattegno insisted on the importance of developing our students sensitivity to the way particular forms express inner climates related to time and mood in the speaker, rather than develTeachers then oping an understanding of formal appreciate that propositions about events on a they have to time line or, worse still, learning continuously adjust rules. The teacher must make sure their teaching in that students are in contact with response to their an inner climate when they use students learning. a tense. This is why Silent Way This transforms the students, whatever the level, are asked to speak from experience: classroom for beginners, to describe things that they do and see; then, to talk about their lives; and then, as advanced students, to express the opinions they genuinely hold. If we teach students to express inner climates, when they are moved to speak outside the classroom their inner climate will trigger the appropriate verb form, as happens with native speakers.
The idea of a teacher not providing a model while teaching pronunciation is counterintuitive when first met, but quickly becomes the only way to teach once one has tried it out. 2 Error correction as it was understood by Gattegno is entirely based on awarenesses. Common to all mistakes, large or small, is the need for the student to become aware of some aspect of the language which he needs to work on. A mistake is an opportunity for change that the teacher should not waste. If she just gives the student the answer, the creative tension of the moment is dissipated. Instead, the student needs to effect a change on himself, within himself and by himself, and he can only do this through his own awarenesses. The teacher can help by provoking the specific awarenesses she sees are needed. Among the techniques that Gattegno developed to provoke thoughtful self-correction were various uses of fingers which inform the student of a problem without solving it for him. For example, as the student repeats the problematic part of his sentence the teacher places the words on her fingers, one word per finger. Too many or too few fingers make him aware that his sentence has too few or too many words; wiggling a finger shows him exactly where his problem lies but does not provide the answer; wiggling several fingers makes him aware of a larger area for him to work on; changing the way that fingers are grouped brings to his awareness that his sentence is not properly coherent; and so on. Finger correction is an elegant way of starting the self-correction process in students: it launches the process quickly, the teacher does not intervene excessively and the whole class can see the fingers so that everyone can work on the problem.
Communication or expression?
In his thinking about language, Gattegno was careful to distinguish expression from communication and realised that expression is the more fundamental. We have some-