Volatile Bodies: Toward A Corporeal Feminism (Theories of Representation and Difference)

Non-dance books required as per programme specs.
Most from Amazon, except two books published by Acta Scenica, to be ordered directly from them, see their website _______________________________________________________ Broadhurst, S. (2000) Liminal Acts. A Critical Overview of Contemporary Performance and Theory. London: Cassell Academics. Birringer, J. (1998) Media and Performance: Along the Border. New York: Performing Arts Journals Carlson, M. (1996) Performance: A Critical Introduction, London: Routledge Chapple F. & C Kattenbelt, eds., (2006) Intermediality in Theatre & Performance, Amsterdam & New York NY: Rodopi. Cox, Christoph & Warner, Daniel (ed. 2004) Audio Culture: Readings in Modern Music, London: Continuum Books, pp. 67-72, 76-81. deLahunta, Scott, ed., (2007) Capturing Intention: Documentation, Analysis and Notation Spies, Walter & De Joete, Beryl. (1938) Dance and Drama in Bali, reprint 2002, Hong Kong: Periplus, pp. 26-28 Garner, B.S. (1994) Bodied Spaces: Phenomenology and Performance in Contemporary Drama, London, New York: Cornell University Press Geisekam, G. (2007) Staging The Screen The Use of Film & Video in Theatre, China: Palgrave Macmillan Gholson, E. (2004) Image of the Singing Air: Presence and Conscience in Dance and Music Collaboration, University Press of America Grosz, E (1994) Volatile Bodies: Toward a Corporeal Feminism (Theories of Representation and Difference) Jones, A. (1998) Body Art: Performing the Subject, Minneapolis: University of Minnesota. Jordan, S and D. Allen, eds., (1994) Parallel Lines, London: Routledge Kaye, N ed., (1996) Art into Theatre: Performance Interviews and Documentation, Amsterdam: Harwood Academic Press. Kaye, N (2000) Site-specific Art: Performance, Place and Documentation, London: Routledge. Moran, J. (2002) Interdisciplinarity, London: Routledge Rieser, M. and A. Zapp eds., (2002) New Screen Media: Cinema/Art/Narrative, London: The British Film Institute. Cage, J. (1968) Silence: Lectures and Writings, Middletown: Wesleyan University Press
Grosz, E. (2001) Architecture from the Outside: Essays on Virtual and Real Space (writing architecture), Cambridge, MA: MIT Press. Huxley, M and Noel Witts, eds. (1996) The Twentieth Century Performance Reader, London: Routledge Kaye, N. (1994) Postmodernism and Performance, London: MacMillan. Keefe, J & Simon Murray eds. (2008) Physical Theatres: A Reader, Routledge: London Rush, M. (1999) New Media in Late 20th Century Art, London: Thames & Hudson. Stravinsky, I. (2007). Poetics of Music in the Form of Six Lectures, Read Books (1st edition 1974) s., Tschumi ,B. (1994) Architecture & Disjunction, Cambridge Massachusetts, London England, MIT Press. Rosemary Butcher: Choreography, Collisions and Collaborations, Middlesex University. Lepecki, A. (2006) Exhausting Dance, London: Routledge Rouhiainen, L. (2003) Living Transformative Lives, Finnish Freelance Dance Artists Brought into Dialogue with Merleau-Pontys Phenomenology, Helsinki: Acta Scenica 13. Snchez-Colberg, A. (2004) An(n)a Annotated: A Critical Journey in Rouhiainen L., et al eds. The Same Difference? Ethical and Political Perspectives on Dance, Helsinki Theatre Academy: Acta Scenica 17 Shapiro, S. ed., (2008) Dance in a World of Change, Human Kinetics Allsopp, R and S. dela Hunta (1999) Performance Research: On line, London: Routledge Bannerman, C., J. Sofaer, and J. Watt, eds. (2006) Navigating the Unknown: The Creative Process in the Performing Arts, London: Middlesex University Press. Bolt, B. (2004) The Exegesis and the Shock of the New Text: Special Issue: Illuminating the Exegesis. (Peer reviewed e-journal), http://www.griffith.edu.au/school/art/text/speciss/issue3/bolt.htm Bolton, G. (2002) Reflective Practice: Writing and Professional Development, London, Sage Publications Silverman, D. (2004) Doing Qualitative Research: a Practical Handbook , London, Sage Publications Ltd Atkinson, T. and G Claxton, (2003) The Intuitive Practitioner: On the Value of not Always Knowing What One is Doing, Milton Keynes, Open University Press Bolt, G. (1998) Writing as a Reflective Practitioner With Wisdom, available from http://www.shef.ac.uk
Graham, M. (1973) The Notebooks of Martha Graham, New York: Harcourt Brace Jovanovich Jarman, D (2001) Smiling in Slow Motion: Diaries 1991-1994, London: Vintage Books Schlemmer, O (1972). The Letters and Diaries of Oskar Schlemmer, ed.Tut Schlemmer, trans. Krishma Winston, Evanston: Northwestern Press Viola, B. (1995) Bill Viola: Reasons for Knocking at an Empty House: Writings 19731994, London: Thames & Hudson.
Grotowsky, Jerzy. (1975) Towards a Poor Theatre, London: Methuen Press, pp. 211-218. Tarkovsky, Andrei. (1986) Sculpting in Time: Reflections on the Cinema, trans. by Kitty Hunter-Blair, Austin: University of Texas Press, pp.36-56. (HANDOUT)
Research Based on the Work of Emio Greco|PC, London: Dance Books Garner,

Volatile Bodies: Toward A Corporeal Feminism (Theories of Representation and Difference)

Uploaded by

Copyright:

Available Formats

Volatile Bodies: Toward A Corporeal Feminism (Theories of Representation and Difference)

Uploaded by

Document Information

Original Description:

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Volatile Bodies: Toward A Corporeal Feminism (Theories of Representation and Difference)

Uploaded by

Copyright:

Available Formats

Non-dance books required as per programme specs.

You might also like