The Seven Wonders of the Ancient World

Listed chronologically

A gigantic stone structure near the ancient city of Memphis, serving as a tomb for the Egyptian Pharaoh Khufu The Great Pyramid of Giza

A palace with legendary gardens built on the banks of the Euphrates river by King Nebuchadnezzar II The Hanging Gardens of Babylon

An enormous statue of the Greek father of gods, carved by the great sculptor Pheidias The Statue of Zeus at Olympia

A beautiful temple in Asia Minor erected in honor of the Greek goddess of hunting and wild nature The Temple of Artemis at Ephesus

A fascinating tomb constructed for King Maussollos, Persian satrap of Caria The Mausoleum at Halicarnassus

A colossus of Helios the sun-god, erected by the Greeks near the harbor of a Mediterranean Island The Colossus of Rhodes

A lighthouse built by the Ptolemies on the island of Pharos off the coast of their capital city The Lighthouse of Alexandria

Man fears Time, yet Time fears the Pyramids

Arab proverb

It is the one and only Wonder which does not require a description by early historians and poets. It is the one and only Wonder that does not need speculations concerning its appearance, size, and shape. It is the oldest, yet it is the only surviving of the Seven Ancient Wonders. It is the Great Pyramid of Giza.

Location
At the city of Giza, a necropolis of ancient Memphis, and today part of Greater Cairo, Egypt.

History
Contrary to the common belief, only the Great Pyramid of Khufu (Cheops), not all three Great Pyramids, is on top of the list of Wonders. The monument was built by the Egyptian pharaoh Khufu of the Fourth Dynasty around the year 2560 BC to serve as a tomb when he dies. The tradition of pyramid building started in Ancient Egypt as a sophistication of the idea of a mastaba or "platform" covering the royal tomb. Later, several stacked mastabas were used. Early pyramids, such as the Step Pyramid of King Zoser (Djoser) at Saqqara by the famous Egyptian architect, Imhotep, illustrate this connection. The great pyramid is believed to have been built over a 20 year period. The site was first prepared, and blocks of stone were transported and placed. An outer casing (which disappeared over the years) was then used to smooth the surface. Although it is not known how the blocks were put in place, several theories have been proposed. One theory involves the construction of a straight or spiral ramp that was raised as the construction proceeded. This ramp, coated with mud and water, eased the displacement of the blocks which were pushed (or pulled) into place. A second theory suggests that the blocks were placed using long levers with a short angled foot. Throughout their history, the pyramids of Giza have stimulated human imagination. They were referred to as "The Granaries of Joseph" and "The Mountains of Pharaoh". When Napoleon invaded Egypt in 1798, his pride was expressed through his famous quote: "Soldats! Du haut de ces Pyramides, 40 sicles nous contemplent". (Soldiers! From the top of these Pyramids, 40 centuries are looking at us) Today, the Great Pyramid is enclosed, together with the other pyramids and the Sphinx, in the touristic region of the Giza Plateau. Also in the area is the museum housing the mysterious Sun Boat,

only discovered in 1954 near the south side of the pyramid. The boat is believed to have been used to carry the body of Khufu in his last journey on earth before being buried inside the pyramid. It may also serve him as a means of transportation in his afterlife journey according to Ancient Egyptian beliefs.

Description
When it was built, the Great pyramid was 145.75 m (481 ft) high. Over the years, it lost 10 m (30 ft) off its top. It ranked as the tallest structure on Earth for more than 43 centuries, only to be surpassed in height in the nineteenth century AD. It was covered with a casing of stones to smooth its surface (some of the casing can still be seen near the top of Khefre's pyramid). The sloping angle of its sides is 51 degrees and 51 minutes. Each side is carefully oriented with one of the cardinal points of the compass, that is, north, south, east, and west. The horizontal cross section of the pyramid is square at any level, with each side measuring 229 m (751 ft) in length. The maximum error between side lengths is astonishingly less than 0.1%. The structure consists of approximately 2 million blocks of stone, each weighing more than two tons. It has been suggested that there are enough blocks in the three pyramids to build a 3 m (10 ft) high, 0.3 m (1 ft) thick wall around France. The area covered by the Great pyramid can accommodate St Peter's in Rome, the cathedrals of Florence and Milan, and Westminster and St Paul's in London combined. On the north face, is the pyramid's entrance. A number of corridors, galleries, and escape shafts either lead to the King's burial chamber, or were intended to serve other functions. The King's chamber is located at the heart of the pyramid, only accessible through the Great Gallery and an ascending corridor. The King's sarcophagus is made of red granite, as are the interior walls of the King's Chamber. Most impressive is the sharp-edged stone over the doorway which is over 3 m (10 ft) long, 2.4 m (8 feet) high and 1.3 m (4 ft) thick. All of the interior stones fit so well, a card won't fit between them. The sarcophagus is oriented in accordance with the compass directions, and is only about 1 cm smaller in dimensions than the chamber entrance. It might have been introduced as the structure was progressing. New theories concerning the origin and purpose of the Pyramids of Giza have been proposed... Astronomic observatories... Places of cult worship... Geometric structures constructed by a long-gone civilization... Even extraterrestrial-related theories have been proposed with little evidence in support... The overwhelming scientific and historic evidence still supports the conclusion that, like many smaller pyramids in the region, the Great Pyramids were built by the great Ancient Egyptian civilization off the West bank of the Nile as tombs for their magnificent Kings... Tombs where Khufu, Khefre, and Menkaure could start their mystic journey to the afterlife.

Painting M. Larrinaga

The approach to the Garden sloped like a hillside and the several parts of the structure rose from one another tier on tier... On all this, the earth had been piled... and was thickly planted with trees of every kind that, by their great size and other charm, gave pleasure to the beholder... The water machines [raised] the water in great abundance from the river, although no one outside could see it.
Diodorus Siculus

Fruits and flowers... Waterfalls... Gardens hanging from the palace terraces... Exotic animals... This is the picture of the Hanging Gardens of Babylon in most people's minds. It may be surprising to know that they might have never existed except in the minds of Greek poets and historians!

Location
On the east bank of the River Euphrates, about 50 km south of Baghdad, Iraq.

History
The Babylonian kingdom flourished under the rule of the famous King, Hammurabi (1792-1750 BC). It was not until the reign of Naboplashar (625-605 BC) of the Neo-Babylonian dynasty that the Mesopotamian civilization reached its ultimate glory. His son, Nebuchadnezzar II (604-562 BC) is credited for building the legendary Hanging Gardens. It is said that the Gardens were built by Nebuchadnezzar to please his wife or concubine who had been "brought up in Media and had a passion for mountain surroundings". While the most descriptive accounts of the Gardens come from Greek historians such as Berossus and Diodorus Siculus, Babylonian records stay silent on the matter. Tablets from the time of Nebuchadnezzar do not have a single reference to the Hanging Gardens, although descriptions of his palace, the city of Babylon, and the walls are found. Even the historians who give detailed descriptions of the Hanging Gardens never saw them. Modern historians argue that when Alexander's soldiers reached the fertile land of Mesopotamia and saw Babylon, they were impressed. When they later returned to their rugged homeland, they had stories to tell about the amazing gardens and palm trees at Mesopotamia.. About the palace of Nebuchadnezzar.. About the Tower of Babel and the ziggurats. And it was the imagination of poets and ancient historians that blended all these elements together to produce one of the World Wonders. It wasn't until the twentieth century that some of the mysteries surrounding the Hanging Gardens were revealed. Archaeologists are still struggling to gather enough evidence before reaching the final conclusions about the location of the Gardens, their irrigation system, and their true appearance.

Some recent researchers even suggest that the Hanging Gardens were built by Senaherib, not by Nebuchadnezzar II (ca. 100 years earlier).

Description
Detailed descriptions of the Gardens come from ancient Greek sources, including the writings of Strabo and Philo of Byzantium. Here are some excerpts from their accounts: "The Garden is quadrangular, and each side is four plethra long. It consists of arched vaults which are located on checkered cube-like foundations.. The ascent of the uppermost terrace-roofs is made by a stairway..." "The Hanging Garden has plants cultivated above ground level, and the roots of the trees are embedded in an upper terrace rather than in the earth. The whole mass is supported on stone columns... Streams of water emerging from elevated sources flow down sloping channels... These waters irrigate the whole garden saturating the roots of plants and keeping the whole area moist. Hence the grass is permanently green and the leaves of trees grow firmly attached to supple branches... This is a work of art of royal luxury and its most striking feature is that the labor of cultivation is suspended above the heads of the spectators". More recent archaeological excavations at the ancient city of Babylon in Iraq uncovered the foundation of the palace. Other findings include the Vaulted Building with thick walls and an irrigation well near the southern palace. A group of archaeologists surveyed the area of the southern palace and reconstructed the Vaulted Building as the Hanging Gardens. However, the Greek historian Strabo had stated that the gardens were situated by the River Euphrates. So others argue that the site is too far from the Euphrates to support the theory since the Vaulted Building is several hundreds of meters away. They reconstructed the site of the palace and located the Gardens in the area stretching from the River to the Palace. On the river banks, recently discovered massive walls 25 m thick may have been stepped to form terraces... the ones described in Greek references.

Painting M. Larrinaga

In his right hand a figure of Victory made from ivory and gold. In his left hand, his scepter inlaid with all metals, and an eagle perched on the sceptre. The sandals of the god are made of gold, as is his robe.
Pausanias the Greek (2nd century AD)

This is the statue of the god in whose honor the Ancient Olympic games were held. It was located on the land that gave its very name to the Olympics. At the time of the games, wars stopped, and athletes came from Asia Minor, Syria, Egypt, and Sicily to celebrate the Olympics and to worship their king of gods: Zeus.

Location
At the ancient town of Olympia, on the west coast of modern Greece, about 150 km west of Athens.

History
The ancient Greek calendar starts in 776 BC, for the Olympic games are believed to have started that year. The magnificent temple of Zeus was designed by the architect Libon and was built around 450 BC. Under the growing power of ancient Greece, the simple Doric-style temple seemed too mundane, and modifications were needed. The solution: A majestic statue. The Athenian sculptor Pheidias was assigned for the "sacred" task, reminiscent of Michelangelo's paintings at the Sistine Chapel. For the years that followed, the temple attracted visitors and worshippers from all over the world. In the second century BC repairs were skillfully made to the aging statue. In the first century AD, the Roman emperor Caligula attempted to transport the statue to Rome. However, his attempt failed when the scaffolding built by Caligula's workmen collapsed. After the Olympic games were banned in AD 391 by the emperor Theodosius I as Pagan practices, the temple of Zeus was ordered closed. Olympia was further struck by earthquakes, landslides and floods, and the temple was damaged by fire in the fifth century AD. Earlier, the statue had been transported by wealthy Greeks to a palace in Constantinople. There, it survived until it was destroyed by a severe fire in AD 462. Today nothing remains at the site of the old temple except rocks and debris, the foundation of the buildings, and fallen columns.

Description
Pheidias began working on the statue around 440 BC. Years earlier, he had developed a technique to build enormous gold and ivory statues. This was done by erecting a wooden frame on which sheets of metal and ivory were placed to provide the outer covering. Pheidias' workshop in Olympia still exists, and is coincidentally -- or may be not -- identical in size and orientation to the temple of Zeus. There, he sculpted and carved the different pieces of the statue before they were assembled in the temple. When the statue was completed, it barely fitted in the temple. Strabo wrote: ".. although the temple itself is very large, the sculptor is criticized for not having appreciated the correct proportions. He has shown Zeus seated, but with the head almost touching the ceiling, so that we have the impression that if Zeus moved to stand up he would unroof the temple."

Strabo was right, except that the sculptor is to be commended, not criticized. It is this size impression that made the statue so wonderful. It is the idea that the king of gods is capable of unroofing the temple if he stood up that fascinated poets and historians alike. The base of the statue was about 6.5 m (20 ft) wide and 1.0 meter (3 ft) high. The height of the statue itself was 13 m (40 ft), equivalent to a modern 4-story building. The statue was so high that visitors described the throne more than Zeus body and features. The legs of the throne were decorated with sphinxes and winged figures of Victory. Greek gods and mythical figures also adorned the scene: Apollo, Artemis, and Niobe's children. The Greek Pausanias wrote: On his head is a sculpted wreath of olive sprays. In his right hand he holds a figure of Victory made from ivory and gold... In his left hand, he holds a sceptre inlaid with every kind of metal, with an eagle perched on the sceptre. His sandals are made of gold, as is his robe. His garments are carved with animals and with lilies. The throne is decorated with gold, precious stones, ebony, and ivory. The statue was occasionally decorated with gifts from kings and rulers. the most notable of these gifts was a woollen curtain "adorned with Assyrian woven patterns and Pheonician dye" which was dedicated by the Syrian king Antiochus IV. Copies of the statue were made, including a large prototype at Cyrene (Libya). None of them, however, survived to the present day. Early reconstructions such as the one by von Erlach are now believed to be rather inaccurate. For us, we can only wonder about the true appearance of the statue -- the greatest work in Greek sculpture.

Painting M. Larrinaga

But when I saw the sacred house of Artemis that towers to the clouds, the [other Wonders] were placed in the shade, for the Sun himself has never looked upon its equal outside Olympus.
Antipater of Sidon

Is it simply a temple? How could it take its place among other unique structures such as the Pyramid, the Hanging Gardens, and the Colossus of Rhodes? For the people who actually visited it, the answer was simple. It was not just a temple... It was the most beautiful structure on earth... It was built in honor of the Greek goddess of hunting, wild nature, and fertility. That was the Temple of Artemis at Ephesus.

Location
The ancient city of Ephesus near the modern town of Selcuk, about 50 km south of Izmir (Smyrna) in Turkey.

History
Although the foundation of the temple dates back to the seventh century BC, the structure that earned a spot in the list of Wonders was built around 550 BC. Referred to as the great marble temple, or temple D, it was sponsored by the Lydian king Croesus and was designed by the Greek architect Chersiphron. The Temple was decorated with bronze statues sculpted by the most skilled artists of their time: Pheidias, Polycleitus, Kresilas, and Phradmon. The temple served as both a marketplace and a religious institution. For years, the sanctuary was visited by merchants, tourists, artisans, and kings who paid homage to the goddess by sharing their profits with her. Recent archeological excavations at the site revealed gifts from pilgrims including statuettes of Artemis made of gold and ivory... earrings, bracelets, and necklaces... artifacts from as far as Persia and India. On the night of 21 July 356 BC, a man named Herostratus burned the temple to ground in an attempt to immortalize his name, which he did indeed. Oddly enough, Alexander the Great was born the same night. The historian Plutarch later wrote that the goddess was "too busy taking care of the birth of Alexander to send help to her threatened temple". And when Alexander the Great conquered Asia Minor, he offered to rebuild the destroyed temple, but the Temple was not restored until after his death in 323 BC. The temple was eventually restored and is labeled "Temple E" by archeologists. When St Paul visited Ephesus to preach Christianity in the first century AD, he was confronted by the Artemis' cult who had no plans to abandon their goddess. And when the temple was again destroyed by the Goths in AD 262, the Ephesians vowed to rebuild. By the fourth century AD, most Ephesians had converted to Christianity and the temple lost its religious glamor. The final chapter came when in AD 401 the Temple of Artemis was torn down by St John Chrysostom. Ephesus was later deserted, and only in the late nineteenth century has the site been excavated. The digging revealed the temple's foundation and the road to the now swampy site. Attempts were recently made to rebuilt the temple, but only a few columns have been re-erected.

Description
The foundation of the temple was rectangular in form, similar to most temples at the time. Unlike other sanctuaries, however, the building was made of marble, with a decorated faade overlooking a spacious courtyard. Marble steps surrounding the building platform led to the high terrace which was approximately 80 m (260 ft) by 130 m (430 ft) in plan. The columns were 20 m (60 ft) high with Ionic capitals and carved circular sides. There were 127 columns in total, aligned orthogonally over the whole platform area, except for the central cella or house of the goddess. The temple housed many works of art, including four ancient bronze statues of Amazons sculpted by the finest artists at the time. When St Paul visited the city, the temple was adorned with golden pillars and silver statuettes, and was decorated with paintings. There is no evidence that a statue of the goddess herself was placed at the center of the sanctuary, but there is no reason not to believe so.

The early detailed descriptions of the temple helped archeologists reconstruct the building. Many reconstructions such as that by H.F. von Erlach depicted the faade with a four-column porch which never existed. More accurate reconstructions may give us an idea about the general layout of the temple. However, its true beauty lies in the architectural and artistic details which will forever remain unknown.

Painting M. Larrinaga

I have lying, over me in Halicarnassus, a gigantic monument such as no other dead person has, adorned in the finest way with statues of horses and men carved most realistically from the best quality marble.
King Maussollos in Lucian's "Dialogues of the Dead"

Similar to the Great Pyramid, we are now visiting the burial place of an ancient king. Yet the Mausoleum is different - so different from the Pyramid that it earned its reputation - and a spot within the list - for other reasons. Geographically, it is closer to the Temple of Artemis... And it was the beauty of the tomb rather than its size that fascinated its visitors for years.

Location
In the city of Bodrum (f.k.a. Halicarnassus) on the Aegean Sea, in south-west Turkey.

History
When the Persians expanded their ancient kingdom to include Mesopotamia, Northern India, Syria, Egypt, and Asia Minor, the king could not control his vast empire without the help of local governors or rulers -- the Satraps. Like many other provinces, the kingdom of Caria in the western part of Asia Minor (Turkey) was so far from the Persian capital that it was practically autonomous. From 377 to 353 BC, king Mausollos of Caria reigned and moved his capital to Halicarnassus. Nothing is exciting

about Maussollos life except the construction of his tomb. The project was conceived by his wife and sister Artemisia, and the construction might have started during the king's lifetime. The Mausoleum was completed around 350 BC, three years after Maussollos death, and one year after Artemisia's. For 16 centuries, the Mausoleum remained in good condition until an earthquake caused some damage to the roof and colonnade. In the early fifteenth century, the Knights of St John of Malta invaded the region and built a massive crusader castle. When they decided to fortify it in 1494, they used the stones of the Mausoleum. By 1522, almost every block of the Mausoleum had been disassembled and used for construction. Today, the massive castle still stands in Bodrum, and the polished stone and marble blocks of the Mausoleum can be spotted within the walls of the structure. Some of the sculptures survived and are today on display at the British Museum in London. These include fragment of statues and many slabs of the frieze showing the battle between the Greeks and the Amazons. At the site of the Mausoleum itself, only the foundation remains of the once magnificent Wonder.

Description
The structure was rectangular in plan, with base dimensions of about 40 m (120 ft) by 30 m (100 ft). Overlying the foundation was a stepped podium which sides were decorated with statues. The burial chamber and the sarcophagus of white alabaster decorated with gold were located on the podium and surrounded by Ionic columns. The colonnade supported a pyramid roof which was in turn decorated with statues. A statue of a chariot pulled by four horses adorned the top of the tomb. The total height of the Mausoleum was 45 m (140 ft). This is broken down into 20 m (60 ft) for the stepped podium, 12 m (38 ft) for the colonnade, 7 m (22 ft) for the pyramid, and 6 m (20 ft) for the chariot statue at the top. The beauty of the Mausoleum is not only in the structure itself, but in the decorations and statues that adorned the outside at different levels on the podium and the roof. These were tens of life-size as well as under and over life-size free-standing statues of people, lions, horses, and other animals. The statues were carved by four Greek sculptors: Bryaxis, Leochares, Scopas, and Timotheus, each responsible for one side. Because the statues were of people and animals, the Mausoleum holds a special place in history as it was not dedicated to the gods of Ancient Greece. Since the nineteenth century, archeological excavations have been undertaken at the Mausoleum site. These excavations together with detailed descriptions by ancient historians give us a fairly good idea about the shape and appearance of the Mausoleum. A modern reconstruction of the shorter side of the Mausoleum illustrates the lavish nature of the art and architecture of the building... a building for a King whose name is celebrated in all large tombs today -- mausoleums.

Painting M. Larrinaga

To you, O Sun, the people of Dorian Rhodes set up this bronze statue reaching to Olympus when they had pacified the waves of war and crowned their city with the spoils taken from the enemy. Not only over the seas but also on land did they kindle the lovely torch of freedom.
Dedicatory inscription of the Colossus

From its building to its destruction lies a time span of merely 56 years. Yet the colossus earned a place in the famous list of Wonders. "But even lying on the ground, it is a marvel", said Pliny the Elder. The Colossus of Rhodes was not only a gigantic statue. It was rather a symbol of unity of the people who inhabited that beautiful Mediterranean island -- Rhodes.

Location
At the entrance of the harbor of the Mediterranean island of Rhodes in Greece.

History
Throughout most of its history, ancient Greece was comprised of city-states which had limited power beyond their boundary. On the small island of Rhodes were three of these: Ialysos, Kamiros, and Lindos. In 408 BC, the cities united to form one territory, with a unified capital, Rhodes. The city thrived commercially and had strong economic ties with their main ally, Ptolemy I Soter of Egypt. In 305 BC, the Antigonids of Macedonia who were also rivals of the Ptolemies, besieged Rhodes in an attempt to break the Rhodo-Egyptian alliance. They could never penetrate the city. When a peace agreement was reached in 304 BC, the Antagonids lifted the siege, leaving a wealth of military equipment behind. To celebrate their unity, the Rhodians sold the equipment and used the money to erect an enormous statue of their sun god, Helios. The construction of the Colossus took 12 years and was finished in 282 BC. For years, the statue stood at the harbor entrance, until a strong earthquake hit Rhodes about 226 BC. The city was badly damaged, and the Colossus was broken at its weakest point -- the knee. The Rhodians received an immediate offer from Ptolemy III Eurgetes of Egypt to cover all restoration costs for the toppled monument. However, an oracle was consulted and forbade the re-erection. Ptolemy's offer was declined. For almost a millennium, the statue lay broken in ruins. In AD 654, the Arabs invaded Rhodes. They disassembled the remains of the broken Colossus and sold them to a Jew from Syria. It is said that the fragments had to be transported to Syria on the backs of 900 camels.

Description
Let us first clear a misconception about the appearance of the Colossus. It has long been believed that the Colossus stood in front of the Mandraki harbor, one of many in the city of Rhodes, straddling its entrance. Given the height of the statue and the width of the harbor mouth, this picture is rather impossible than improbable. Moreover, the fallen Colossus would have blocked the harbor entrance. Recent studies suggest that it was erected either on the eastern promontory of the Mandraki harbor, or even further inland. Anyway, it did never straddle the harbor entrance. The project was commissioned by the Rhodian sculptor Chares of Lindos. To build the statue, his workers cast the outer bronze skin parts. The base was made of white marble, and the feet and ankle of the statue were first fixed. The structure was gradually erected as the bronze form was fortified with an iron and stone framework. To reach the higher parts, an earth ramp was built around the statue and was later removed. When the colossus was finished, it stood about 33 m (110 ft) high. And when it fell, "few people can make their arms meet round the thumb", wrote Pliny. Although we do not know the true shape and appearance of the Colossus, modern reconstructions with the statue standing upright are more accurate than older drawings. Although it disappeared from existence, the ancient World Wonder inspired modern artists such as French sculptor Auguste Bartholdi best known by his famous work: The Statue of Liberty.

Painting M. Larrinaga

Sostratus, the son of Dexiphanes, the Cnidian, dedicated this to the Saviour Gods, on behalf of those who sail the seas.
Dedicatory inscription of the Lighthouse

Of the Seven Wonders of the Ancient World, only one had a practical use in addition to its architectural elegance: The Lighthouse of Alexandria. For sailors, it ensured a safe return to the Great Harbor. For architects, it meant even more: it was the tallest building on Earth. And for

scientists, it was the mysterious mirror that fascinated them most... The mirror which reflection could be seen more than 50 km (35 miles) off-shore.

Location
On the ancient island of Pharos, now a promontory within the city of Alexandria in Egypt.

History
Shortly after the death of Alexander the Great, his commander Ptolemy Soter assumed power in Egypt. He had witnessed the founding of Alexandria, and established his capital there. Off of the city's coast lies a small island: Pharos. Its name, legend says, is a variation of Pharaoh's Island, but it is more likely that the name is Greek in origin. The island was connected to the mainland by means of a dike - the Heptastadion - which gave the city a double harbor. And because of dangerous sailing conditions and flat coastline in the region, the construction of a lighthouse was necessary. The project was conceived and initiated by Ptolemy Soter around 290 BC, but was completed after his death, during the reign of his son Ptolemy Philadelphus. Sostratus, a contemporary of Euclid, was the architect, but detailed calculations for the structure and its accessories were carried out at the Alexandria Library/Mouseion. The monument was dedicated to the Savior Gods: Ptolemy Soter (lit. savior) and his wife Berenice. For centuries, the Lighthouse of Alexandria (occasionally referred to as the Pharos Lighthouse) was used to mark the harbor, using fire at night and reflecting sun rays during the day. It was even shown on Roman coins, just as famous monuments are depicted on currency today. When the Arabs conquered Egypt, they admired Alexandria and its wealth. The Lighthouse continues to be mentioned in their writings and travelers accounts. But the new rulers moved their capital to Cairo since they had no ties to the Mediterranean. When the mirror was brought down mistakenly, they did not restore it back into place. In AD 956, an earthquake shook Alexandria, and caused little damage to the Lighthouse. It was later in 1303 and in 1323 that two stronger earthquakes left a significant impression on the structure. When the famous Arab traveler Ibn Battuta visited Alexandria in 1349, he could not enter the ruinous monument or even climb to its doorway. The final chapter in the history of the Lighthouse came in AD 1480 when the Egyptian Mamelouk Sultan, Qaitbay, decided to fortify Alexandria's defense. He built a medieval fort on the same spot where the Lighthouse once stood, using the fallen stone and marble.

Description
Of the six vanished Wonders, the Lighthouse of Alexandria was the last to disappear. Therefore we have adequately accurate knowledge of its location and appearance. Ancient accounts such as those by Strabo and Pliny the Elder give us a brief description of the "tower" and the magnificent white marble cover. They tell us how the mysterious mirror could reflect the light tens of kilometers away. Legend says the mirror was also used to detect and burn enemy ships before they could reach the shore. In 1166, an Arab traveler, Abou-Haggag Al-Andaloussi visited the Lighthouse. He documented a wealth of information and gave an accurate description of the structure which helped modern archeologists reconstruct the monument. It was composed of three stages: The lowest square, 55.9 m (183.4 ft) high with a cylindrical core; the middle octagonal with a side length of 18.30 m (60.0 ft) and a height of 27.45 m (90.1 ft); and the third circular 7.30 m (24.0 ft) high. The total height of the building including the foundation base was about 117 m (384 ft), equivalent to a 40-story modern building. The internal core was used as a shaft to lift the fuel needed for the fire. At the top stage, the

mirror reflected sunlight during the day while fire was used during the night. In ancient times, a statue of Poseidon adorned the summit of the building. Although the Lighthouse of Alexandria did not survive to the present day, it left its influence in various respects. From an architectural standpoint, the monument has been used as a model for many prototypes along the Mediterranean, as far away as Spain. And from a linguistic standpoint, it gave its name -- Pharos -- to all the lighthouses in the world... Just look up the dictionary for the French, Italian, or Spanish word for lighthouse.

Forgotten Wonders
The Temple of Abu Simbel

Location: South of Aswan, Egypt

Angkor Wat

Picture courtesy of Kolsam Mel Keo

Located in Northwestern Cambodia, Angkor, the Capital of the Ancient Khmer Empire was possibly founded around the Ninth Century AD by King Jayavarman II. However, the city reached its peak glory in the 12th Century under Kings Suryavarman II and Jayavarman VII. The most beautiful and most famous monument in the city, Angkor Wat, lies about one kilometer south of the Royal town of Angkor Thom which was founded by Jayavarman VII. The Temple of Angkor Wat was dedicated to the Hindu God Vishnu by King Suryavarman II, who reigned between AD 1131 and 1150. The Temple was constructed over a period of 30 years, and illustrates some of the most beautiful examples of Khmer and Hindu art. Covering an area of about 81 hectares, the complex consists of five towers, which are presently shown on the Cambodian national flag. These towers are believed to represent the five peaks of Mount Meru, the Home of Gods and Center of the Hindu Universe. Angkor Wat features the longest continuous bas-relief in the world, which runs along the outer gallery walls, narrating stories from Hindu Mythology. With the decline of the Ancient Khmer Empire, Angkor Wat was turned into a Buddhist Temple and was continuously maintained, which helped its preservation. In 1992, the UNESCO World Heritage Committee declared the monument, and the whole city of Angkor, a World Heritage Site.

The Great Aztec Temple

location: Mexico City, Mexico

The Banaue Rice Terraces

Picture courtesy of Journeys to the Philippines

Location: Luzon Island, the Philippines

Borobudur Temple

Picture courtesy of BuddhaNet

Location: Java Island, Indonesia

The Colosseum

Picture courtesy of Comune di Roma

Location: Rome, Italy

The Great Wall of China

Text by: Marilyn Shea

Picture courtesy of Marilyn Shea

The Great Wall started as earth works thrown up for protection by different States. The individual sections weren't connected until the Qin dynasty (221-206 B.C.). Qin Shihuangdi, First Emperor of Qin began conscripting peasants, enemies, and anyone else who wasn't tied to the land to go to work on the wall. He garrisoned armies at the Wall to stand guard over the workers as well as to defend the northern boundaries. The tradition lasted for centuries. Each dynasty added to the height, breadth, length, and elaborated the design mostly through forced labor. It was during the Ming dynasty (1368-1644) that the Wall took on its present form. The brick and granite work was enlarged and sophisticated designs were added. The watch towers were redesigned and modern canon were mounted in strategic areas. The Portuguese had found a ready market for guns and canon in China, one of the few items of trade that China didn't already have in abundance. The Ming Emperors, having overthrown the Hun dominance and expelled their Mongol rulers of the North devoted large portions of available material and manpower to making sure that they didn't return. Throughout the centuries, armies were garrisoned along the length of the Wall to provide early warning of invasion and a first line of defense. Great piles of straw and dung used to build signal fires have been found during excavations. There must have been small garrison towns spotted along the length. There weren't many farms or trade towns to provide ease, relaxation and food. The supply trails were over mountains along narrow paths. To bring supplies to the top, ropes were slung over posts set in the Chinese side of the wall and baskets were hauled up hand over hand. Supplies must have always been short and chancy, particularly in the winter. The Wall served well. Only when a dynasty had weakened from within were invaders from the north able to advance and conquer. Both the Mongols (Yuan Dynasty, 1271-1368) and the Manchurians (Qing Dynasty,1644-1911) were able take power, not because of weakness in the Wall but because of weakness in the government and the poverty of the people. They took advantage of rebellion from within and stepped into the void of power without extended wars. Over the past few centuries, the Great Wall has served as a source of building materials for local farms and villages. Aerial photos show that in sections, only the top battlements show -- the center of

the wall has filled with sand and silt. The same brutal isolated conditions which made the Great Wall a triumph of engineering and determined planning make restoration problematic and slow.

Machu Picchu

Picture courtesy of Red Cientifica Peruana

Location: The Andes Mountains of Peru

The Leaning Tower of Pisa

Location: Pisa, Italy

The Mayan Temples at Tikal

Picture courtesy of GB Online

Location: Tikal, Northern Guatemala

The Moai Statues

Picture courtesy of Easter Island home Page

Location: Rapa Nui (Easter Island), Chile

Mont Saint-Michel

Picture courtesy of Twiga Travel

Location: Normandy, France

The Throne Hall of Persepolis (Takht-e-Jamshid)

Picture courtesy of Iranian Cultural and Information Center

Founded in the Sixth Century BC by the Kings of the First Persian Empire (the Achaemenids), Persepolis is located 60 km northeast of Shiraz in Iran. The present-day Persian name, Takht-eJamshid, means "Throne of Jamshid", a legendary Iranian King. However, the ancient name of the city was Parsa, or Pars' City, hence the Greek name Persepolis. Construction of the city began under Kings Cyrus the Great (ca. 550 BC) and Darius I (ca. 520 BC) to possibly serve as a ceremonial and spiritual Capital of the Persian Empire. Susa, the administrative Capital, was located 500 km north of Persepolis. The growth of the city continued under later Kings such as Artaxerxes I (ca. 450 BC) who finished the Hall of 100 Columns and Artaxerxes II (ca. 350

BC) who built the Unfinished Palace. However, the most glorious monuments in Persepolis were commissioned by Xerxes I (ca. 470 BC): the Gate of All Nations, and the Throne Hall. Persepolis continued to flourish under the later Achaemenian Kings, until it was burned and destroyed by Alexander the Great in 330 BC. It is not known whether the burning of the city was accidental, or an act of revenge for the destruction of Temples in Athens in 480 BC by the Persians. Modern excavations in Persepolis began in the early 19th Century. The Gate of All Nations is located at the end of two monumental staircases. Between the staircase ramps are symbols of the Zarathustrian God Ahura Mazda, and carvings representing the different Nations of the World, from Egyptians and Armenians, to Babylonians, Assyrians, and Medians. The Gate leads to the Throne Hall, or the Hundred-Column Hall. The Hall contains several doorways adorned with carvings showing the King in military combat. It is believed that the Gate of All Nations and the Throne Hall were used in New Year's celebrations when delegates presented the annual tribute to the Persian King. The city of Persepolis was declared a World Heritage Site by the UNESCO in 1979.

The Parthenon

Picture courtesy of The Hellenic Association at Stanford

Location: Athens, Greece

Petra

Picture courtesy of The Hashemite Kingdom of Jordan

Petra (lit. Rock) was the capital city of the Nabataeans, a tribe of pre-Roman Arabs who dominated the region around the Sixth century BC. Located at the crossroads of ancient trade routes, the city survived on toll and taxes collected from traders. Despite several attempts to conquer their capital, the Nabataeans remained practically independent until the defeat of Antony and Cleopatra and the reunification of the Roman Empire by Octavian in 31 BC. In 106, the Romans under Trajan finally captured Petra to mark the beginning of the decline of the city. The city remained unknown to the Western World for hundreds of years until a Swiss explorer, J.L. Burckhardt, heard about its existence from the local Bedouins in 1812. The Nabataeans carved their Capital in the canyons and hills of sandstone of Wadi Araba in Jordan. The entrance to the city is through The Alley (Al-Siq), a winding trail at the bottom of the canyon. Most famous is The Treasury (Al Khazneh), which fascinating faade was featured in many movies. Carved in the pink sandstone, the structure is 40 m high and about 30x30 m wide. Its architecture has been certainly strongly influenced by the Romans, which suggests it was built around the First century AD. The city includes other fascinating monuments and structures, such as Urn Tomb and the Royal Tombs, the Colonnade Street, the Temples of Dushara and Al-Uzza, and the High Place of Sacrifice.

The Shwedagon Pagoda

Picture courtesy of Buddha Net

Location: Yangon (Rangoon), Myanmar

Stonehenge

Location: Southern England

Taj Mahal

Picture courtesy of The Majestic Mahal

Located at the city of Agra in the State of Uttar Pradesh, the Taj Mahal is one of the most beautiful masterpieces of architecture in the world. Agra, situated about 200 km south of New Delhi, was the Capital of the Mughals (Moguls), the Muslim Emperors who ruled Northern India between the sixteenth and nineteenth centuries. The Mughals were the descendents of two of the most skilled

warriors in history: the Turks and the Mongols. The Mughal dynasty reached its highest strength and fame during the reign of their early Emperors, Akbar, Jehangir, and Shah Jehan. It was Shah Jehan who ordered the building of the Taj, in honor of his wife, Arjumand Banu who later became known as Mumtaz Mahal, the Distinguished of the Palace. Mumtaz and Shah Jehan were married in 1612 and, over the next 18 years, had 14 children together. The Empress used to accompany her husband in his military campaigns, and it was in 1630, in Burhanpur, that she gave birth to her last child, for she died in childbirth. So great was the Emperor love to his wife that he ordered the building of the most beautiful mausoleum on Earth for her. Although it is not known for sure who planned the Taj, the name of an Indian architect of Persian descent, Ustad Ahmad Lahori, has been cited in many sources. As soon as construction began in 1630, masons, craftsmen, sculptors, and calligraphers were summoned from Persia, the Ottoman Empire, and Europe to work on the masterpiece. The site was chosen near the Capital, Agra on the southwest bank of the River Yamuna. The architectural complex is comprised of five main elements: the Darwaza or main gateway, the Bageecha or garden, the Masjid or mosque, the Naqqar Khana or rest house, and the Rauza or the Taj Mahal mausoleum. The actual Tomb is situated inside the Taj. The unique mughal style combines elements of Persian, Central Asian, and Islamic architecture. Most impressive are the black and white chessboard marble floor, the four tall minarets (40 m high) at the corners of the structure, and the majestic dome in the middle. On closer look, the lettering of the Quran verses around the archways appears to be uniform, regardless of their height. The lettering spacing and density has been customized to give this impression to the beholder. Other illusionary effects have been accounted for in the geometry of the tomb and the tall minarets. The impressive pietra dura artwork includes geometric elements, plants and flowers, mostly common in Islamic architecture. The level of sophistication in artwork becomes obvious when one realizes that a 3 cm decorative element contains more than 50 inlaid gemstones.

The Temple of the Inscriptions

Picture courtesy of GB Online

Location: Palenque, Mexico

The Great Wall of China, the Colosseum in Rome and Peru's Machu Picchu are leading contenders to be among the new seven wonders of the world, as a massive poll draws to a close with votes already cast by more than 90 million people, organizers say. As today's voting deadline approaches, the rankings can still change. Also in the top 10 are the Acropolis in Greece; Chichen Itza pyramid in Mexico; Eiffel Tower in Paris; Easter Island; Christ the Redeemer statue in Rio de Janeiro, Brazil; Taj Mahal in India; and Jordan's ancient city of Petra. The winners will be announced Saturday in Lisbon, Portugal. The Great Pyramids of Giza are the only surviving structures from the traditional list of seven wonders of the ancient world. That list was derived from lists of marvels compiled by ancient Greek observers. Egyptian officials said it was a disgrace they had to compete for a spot, so the pyramids have been assured of keeping their status in addition to the new seven wonders, making a total of eight world wonders once polls close. The final round of the competition narrowed the field to 20 candidates, and people from every country in the world voted by Internet or phone, said the group organizing the ballot. "There are not many things that could bring the world together like global culture," said Tia Viering, spokeswoman for the "New 7 Wonders of the World" campaign. "This is really something that every single person in the world can be interested in." The Colosseum, the Great Wall, Machu Picchu, the Taj Mahal and Petra have been among the leaders since January, while the Acropolis and Christ the Redeemer statue made their way up from the middle of the field to the top level. The Statue of Liberty and Sydney Opera House have been sitting in the bottom 10 since the start. Also faring poorly are Cambodia's Angkor Wat temple complex, Russia's Kremlin building and St. Basil's Cathedral, Britain's Stonehenge and the city of Timbuktu in Mali. The ancient city of Petra in southwestern Jordan famous for its water tunnels and carved-stone structures jumped from the middle of the pack to the top seven in January. That was largely thanks to campaigning by the Jordanian royal family, Viering said. The campaign was begun in 1999 by Swiss adventurer Bernard Weber, with almost 200 nominations from around the world. There is no foolproof way to prevent people from voting more than once for their favorite wonder, but most of the votes are cast via the Internet in a system that registers each participant's e-mail address to discourage people from voting twice, Viering said. The original wonders were concentrated in the Mediterranean and Middle East. Aside from the Great Pyramids, the rest no longer exist: the Hanging Gardens of Babylon, the Statue of Zeus at Olympia, the Temple of Artemis at Ephesus, the Mausoleum of Halicarnassus, the Colossus of Rhodes and the Pharos lighthouse off Alexandria. Seven world wonders set to be unveiled July 06 2007 at 02:14AM

Lisbon - Two millennia after the Greeks listed the seven wonders of the ancient world, a foundation created by a Swiss millionaire is about to announce seven sites elected as the modern world wonders in a global Internet vote. A glamourous gala event will be held at a huge Lisbon stadium on Saturday to make public the winners of a competition which has generated enthusiasm outside the Western world, but come under criticism from art experts and the United Nations. India's Taj Mahal, the Christ statue of Rio de Janeiro in Brazil, the Inca city of Machu Pichu in Peru, the Great Wall of China, the stone city of Petra in Jordan and Timbuktu in Mali are among the 20 candidates vying to be included among the seven wonders. Other proposed sites are located in Western countries, such as the Statue of Liberty in New York, the Eiffel Tower in Paris, the Colosseum in Rome or Spain's Alhambra palace. The ancient wonders were all in or near the Mediterranean area The ancient world wonders listed by Greek scholars included the hanging gardens of Babylon in Iraq, a statue of Zeus and the Colossus of Rhodes in Greece, a temple of Artemis and the Halicarnassus mausoleum in Turkey as well as the Alexandria lighthouse in Egypt. Only one of the ancient wonders, the great pyramid of Giza in Egypt, still stands. The ancient wonders were all in or near the Mediterranean area, and the project launched in 2000 by Swiss adventurer and millionaire Bernard Weber has aroused interest in economically less developed countries critical of a eurocentric view of world history. When the Greeks compiled their list, new world wonder enthusiasts point out, they were not even aware of the existence of the Great Wall of China. "Putting the Machu Pichu in the same category as the Eiffel Tower and the Colosseum is very exciting," said Tia Viering of the New Seven Wonders Foundation. "For the first time in history, we are creating a global memory," Weber said. A panel of experts headed by Federico Mayor Zaragoza, former director of the United Nations Educational, Scientific and Cultural Organisation (Unesco), selected 20 candidates from among 77 initial ones. More than 70 million votes have come in over the Internet and SMS messages in what is being billed as the first global democratic vote. Brazilian President Luiz Inacio Lula da Silva urged citizens to vote for Rio's statue of Christ the Redeemer, the Jordanian royal family campaigned in favour of Petra, and the Peruvian government set up Internet terminals to encourage votes for Machu Pichu. Companies and celebrities have joined in, with Brazilian telephone companies waiving the cost of SMS votes and Indian singers crooning about the beauty of the Taj Mahal. Spain's King Juan Carlos and Prime Minister Jose Luis Rodriguez Zapatero voted for the Moorish palace-fortress of the Alhambra in Granada, but generally there has been little enthusiasm in Western countries. In the United States, for instance, the candidacy of the Statue of Liberty does not appear to have mobilised voters.

The most critical country, however, has been Egypt, which houses the only remaining ancient world wonder and where officials described Weber's project as unscientific and "absurd". The New Seven Wonders Foundation finally removed the Giza pyramid from the list of candidates, giving it a special status as an honorary world wonder. Weber has also been accused of self-promotion and of seeking financial gain. The organisers of the competition claim that publicity will help to protect endangered monuments. They pledge to use half of the funds raised through sponsorship, media rights and marketing schemes to restore monuments such as the Bamyan Buddha statues destroyed by the Taliban in Afghanistan in 2001. The Unesco, however, distanced itself from the new world wonders project, stressing it had no relation with the UN World Heritage Sites. It was not sufficient to recognise the emotional value of certain sites, but they had to be evaluated with scientific criteria and protected with legal measures, Unesco said on its website. Weber's project only reflected the opinion of a public with access to the Internet, Unesco pointed out. Voting was often based on nationalism rather than objective criteria, and there was no control to prevent the same people from voting many times, observers said. "You cannot measure artistic quality with a popular vote," Spanish art historian Francisco Calvo Serraller said. With such a method, he added, Madrid's Santiago Bernabeu football stadium - the seat of Real Madrid - could also be included on a list of world wonders. - Sapa-dpa

7 new wonders of the world chosen

LISBON, Portugal - The Great Wall of China, Rome's Colosseum, India's Taj Mahal and three architectural marvels from Latin America were among the new seven wonders of the world chosen in a global poll released on Saturday. ADVERTISEMENT Jordan's Petra was the seventh winner. Peru's Machu Picchu, Brazil's Statue of Christ Redeemer and Mexico's Chichen Itza pyramid also made the cut. About 100 million votes were cast by the Internet and cellphone text messages, said New7Wonders, the nonprofit organization that conducted the poll. The seven beat out 14 other nominated landmarks, including the Eiffel Tower, Easter Island in the Pacific, the Statue of Liberty, the Acropolis, Russia's Kremlin and Australia's Sydney Opera House. The pyramids of Giza, the only surviving structures from the original seven wonders of the ancient world, were assured of retaining their status in addition to the new seven after indignant Egyptian officials said it was a disgrace they had to compete.

The campaign to name new wonders was launched in 1999 by the Swiss adventurer Bernard Weber. Almost 200 nominations came in, and the list was narrowed to the 21 most-voted by the start of 2006. Organizers admit there was no foolproof way to prevent people from voting more than once for their favorite. A Peruvian in national costume held up Macchu Piccu's award to the sky and bowed to the crowd with his hands clasped, eliciting one of the biggest cheers from the audience of 50,000 people at a soccer stadium in Portugal's capital, Lisbon. Many jeered when the Statue of Liberty was announced as one of the candidates. Portugal was widely opposed to the U.S.-led invasion of Iraq. Another Swiss adventurer, Bertrand Piccard, pilot of the first hot-air balloon to fly nonstop around the world, announced one of the winners then launched into an appeal for people to combat climate change and stand up for human rights before being ushered off the stage. The Colosseum, the Great Wall, Machu Picchu, the Taj Mahal and Petra had been among the leading candidates since January, while the Statue of Christ Redeemer received a surge in votes more recently. The Statue of Liberty and Australia's Sydney Opera House were near the bottom of the list from the start. Also among the losing candidates were Cambodia's Angkor, Spain's Alhambra, Turkey's Hagia Sophia, Japan's Kiyomizu Temple, Russia's Kremlin and St. Basil's Cathedral, Germany's Neuschwanstein Castle, Britain's Stonehenge and Mali's Timbuktu. Weber's Switzerland-based foundation aims to promote cultural diversity by supporting, preserving and restoring monuments. It relies on private donations and revenue from selling broadcasting rights. The U.N. Educational, Scientific and Cultural Organization, or UNESCO, keeps a list of World Heritage Sites, which now totals 851 monument. But the agency was not involved in Weber's project. The traditional seven wonders were concentrated in the Mediterranean and Middle East. That list was derived from lists of marvels compiled by ancient Greek observers, the best known being Antipater of Sidon, a writer in the 2nd century B.C. The Hanging Gardens of Babylon, the Statue of Zeus at Olympia, the Temple of Artemis at Ephesus, the Mausoleum of Halicarnassus, the Colossus of Rhodes and the Pharos lighthouse off Alexandria have all vanished.