Georg Stanford Brown Interview
Georg Stanford Brown Interview
Georg Stanford Brown Interview
IE SCENES
say, a very exciting energy." Brown's voice is a rich, easy baritoDe. "I set out to be an actor," he says, "and there is a
"The Rookies"
(1972-76),,
call myself a director. But I've found it satisfying, and it feeds me emotionally and artistical-
ly; I
would hate
"Hill Street Blues," "Miami purpos-e if I were not permitVice," "Dynasty" and "Lou ted to act." Brown still gets the chance Grant," winning two Emmy nominations and becoming one to act occasionally, most reof TV's top directors.
to think I
year-old Brown, who studied at the American Musical and Shakespeare Festival and eventual success in episodic
graduating to Nep t'ork City's
people of color has not been great. "It's frustrating," he continues, "to be any kind of minority in this country, because every day you're constantly reminded that you do not fit the picture. It's easier for me
"Parting Shots," this week's cliffhanging episode of "Cagney & Lacey," will mark Brown's fifth time directing that series. Even though his wife, Tyne Daly, is one of the
stars, and even though Brown has long since proven himself, he admits he still is "nervous about directing. As soon as you say 'cut,' you have all sorts of
questions: Should I this or that? That kind of ener-
that takes place in Los Angeles that does not include, even in
the backgmund, a sample of the 51 percent Latino population there! When you exclude
them," he adds, "you're giving a lie.
blessings of directing," he gy is a nervous energy, but," says, "is that I've gotten to do he adds, "it's also, I'm happy to some of those good shows."
can always question this, and there is a concerted effort on the part of some producer to have done change this attitude. One of the