N.

KATHERINE HAYLES Address Literature Program Friedl Building, Box 90670 Duke University Durham NC 27708 2219 Running Pine Court Hillsborough NC 27278 919-732-7235 [email protected]

Professional Experience Professor of Literature and Director of Graduate Studies, Literature Program, Duke University, 2008present Distinguished Professor Emerita, University of California, Los Angeles, 2008-present John Charles Hillis Professor of Literature University of California, Los Angeles 2002-2008 Distinguished Professor of English, University of California, Los Angeles, 2003-2008 Distinguished Professor, Design/Media Arts, University of California, Los Angeles, 2003-2008 Professor of English, University of California, Los Angeles, 1992-2003 Professor of English, University of Iowa, 1990-92 Associate Professor of English, University of Iowa, 1985-1989 Visiting Associate Professor of Literature, Caltech, Fall 1988 Assistant Professor of English, University of Missouri-Rolla, 1982-85 Visiting Associate, California Institute of Technology, 1979-80 Assistant Professor of English, Dartmouth College, 1976-82 Instructor, Dartmouth College, 1975-76 Chemical Research Consultant, Beckman Instrument Company, 1968-70 Research Chemist, Xerox Corporation, 1966 Fields Literature, Science and Technology of the 20th and 21st Century Electronic Textuality Modern and Postmodern American and British Fiction Critical Theory; Science Fiction Academic Honors and Fellowships Digital Publishing Grant, $10,000, Franklin Humanities Institute, Duke University GreaterThanGames Humanities Laboratory, Co-Director, $225000 grant for 2011-2014 Honorary Doctorate, Art College of Design, Pasadena CA 2010 Inductee, Innovation Hall of Fame, Rochester Institute of Technology, Rochester NY, 2010 Honorary Doctorate, Umea University, Sweden, 2007 Presidential Research Fellowship, University of California, 2006-7 ASC Fellowship, National Humanities Center, 2006 Phi Beta Kappa Visiting Scholar, 2005-6 Fulbright Senior Specialist, Moscow University, 2005 Susanne E. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form, awarded by the Media Ecology Association to Writing Machines, 2002. Honorary Phi Beta Kappa Membership, 2001. Ren Wellek Prize for Best Book in Literary Theory for 1998-99, awarded by the American Comparative Literature Association to How We Became Posthuman

N. K. Hayles

Eaton Award for the Best Book in Science Fiction Theory and Criticism for 1998-99, awarded to How We Became Posthuman Council of the Humanities Fellowship, Princeton University, 2000 Eby Award for Distinction in Undergraduate Teaching, UCLA, 1999 Luckman Distinguished Teaching Award, UCLA, 1999 National Endowment for the Humanities Fellowship, 1999 Bellagio Residential Fellowship, Rockefeller Foundation, 1999 Distinguished Scholar Award, University of Rochester, 1998 Medal of Honor, University of Helsinki, 1997 Distinguished Scholar Award, International Association of Fantastic in the Arts, 1997 National Endowment for the Humanities Summer Seminar Director, 1995, 1998, 2001 Presidential Research Fellowship, UCLA, 1995-96 Mellon Distinguished Visiting Professor, Tulane University, 1994 Marta Sutton Weeks Fellow, Stanford Humanities Center, 1991-92 Guggenheim Fellowship, 1991-92 Millington F. Carpenter Professor of English, University of Iowa, 1989-92 Faculty Scholar Award, University of Iowa, 1986-89 Fellowship to the Society for the Humanities, Cornell University, 1986-87 (declined) Old Gold Fellowship, University of Iowa, Summer 1986 Wilson Center Fellow, Woodrow Wilson International Center for Scholars, May-August, 1985 Weldon Spring Research Grant, UMR, Summer 1983 National Endowment for the Humanities Fellow, 1979-80 Dartmouth Faculty Fellow, Fall 1979 New York State Science Teaching Fellow, Caltech, 1966-68 Graduated with Highest Honors, RIT, 1966 Education Ph.D. in English Literature, University of Rochester, February 1977 M.A. in English Literature, Michigan State University, June 1970 M.S. in Chemistry, California Institute of Technology, June 1969 B.S. in Chemistry, Rochester Institute of Technology, May 1966 PUBLICATIONS Books, CD, Website, Computer Game A New Paradigm for the Humanities: Comparative Textual Media (co-authored with Jessica Pressman), forthcoming University of Minnesota Press, 2013.. Alterenate Reality Game Speculation (co-authored with Patrick Jagoda and Patrick LeMieux), www.speculat1on.net. How We Think: A Digital Companion, www.howwethink.info. How We Think: Digital Media and Contemporary Technogenesis, University of Chicago Press, 2012.

N. K. Hayles

Electronic Literature: New Horizons for the Literary. Notre Dame: University of Notre Dame Press, 2008. Accompanying website at http://newhorizons.eliterature.org. Winner of the Crystal Book Award of Excellence, Scholarly Reference, Chicago Book Clinic and Media Show 2008.. N. Katherine Hayles, Nick Montfort, Scott Rettberg, and Stephanie Strickland, editors, Electronic Literature Collection, Vol. 1, CD-ROM, Electronic Literature Organization, 2006. Also available at <http://collection.eliterature.org>. My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago: University of Chicago Press, 2005. Cover selected for Print Magazines 2006 Design Annual from over 20,000 entries. Nanoculture: Implications of the New Technoscience. Bristol: Intellect Books, 2004. Essay collection edited by Hayles, with introduction. Cybernetic Readings. A special issue of Comparative Literature Studies 41.3 (2004), guest-edited by Hayles, with introduction. Writing Machines.. Cambridge: MIT Press, 2002. Susanne E. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form. Official Selection, California Design Biennial, Pasadena Museum of California Art 2003. Bronze Medal (to Anne Burdick), Interactive Media Design Review for Writing Machines and Web Supplement, http://mitpress.mit.edu/mediawork. How We Became Posthuman: Virtual Bodies in Cybernetics ,Literature and Informatics . Chicago: University of Chicago Press, 1999. Ren Wellek Prize for Best Book in Literary Theory for 1998-1999. Eaton Award for the Best Book in Science Fiction Theory and Criticism for 1998-99. Named as one of the best 25 books of 1999 by Village Voice. Translated into Russian, Macedonian, and Bulgarian. Technocriticism and Hypernarrative. A special issue of Modern Fiction Studies 43, no. 3 (Fall 1997) guest-edited by Hayles, with introduction and article. Chaos and Order: Complex Dynamics in Literature and Science. Chicago: University of Chicago Press, 1991. An essay collection edited by Hayles. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. Ithaca: Cornell University Press, 1990. Translated into Spanish as La Evolucion del Caos: El Orden dentro del desorden en las ciencias contemporaneas (Barcelona: Gedisa, 1993). The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. Ithaca: Cornell University Press, 1984. Book Chapters

N. K. Hayles

N. Katherine Hayles and Nick Montfort, Interactive Fiction, The Routledge Companion to Experimental Literature, eds. Joe Bray, Allison Gibson and Brian McHale. New York: Routledge, 2012, pp. 452-466. N. Katherine Hayles and Todd Gannon, Virtual Architecture, Actual Media, The Sage Handbook of Architectural Theory, edited G. Greig Crysler, Stephan Cairns and Hilde Heynen. Thousand Oaks CA: Sage Publishers, 2012: 484-500. . Navigating the Cognisphere: Meditations on Visualization, Memory, Database and Memory, Euphoria Dystopia, edited Sarah Cook and Sarah Diamond, Banff Centre Press, 2011, pp. 72-83. Annotations, The Exegesis of Philip K. Dick, edited by Pamela Jackson and Jonathan Lethem; annotations editor, Erik David. New Your: Houghton Millin Harcourt, 2011, passim. N. Katherine Hayles with Stephen B. Crofts Wiley, Media, Materiality and the Human: A Conversation with N. Katherine Hayles. Communication Matters: Materialist Approaches to Media, Mobility and Networks, edited by Jeremy Packer and Stephen B. Crofts Wiley. London and New York: Routledge, 2012. Pp. 17-34. Complex Temporalities in Living and Technical Beings, (Komplexe Zeitstrukturen lebender und technischer Wesen), The Technical Condition ( Die Technologische Bedingung: Beitrge zur Beschreibung der technischen Welt) edited by Erich Hrl. Berlin: Suhrkamp Verlag Berlin, 2011. Pp. 193-228. What Does It Mean to be Posthuman, in The New Media and Cybercultures Anthology, ed. Pramod K. Nayar (Chicester, West Sussex, UK: 2010), pp. 19-28. Reprint. Cybernetics, Critical Terms for Media Studies, edited W. J. T. Mitchell and Mark B. N. Hansen (Chicago: University of Chicago Press, 2010), pp. 145-156. Mapping Time, Charting Data: The Spatial Asethetic of Mark Z. Danielewskis Only Revolutions, in Essays on Mark Z. Danielewski, ed. Alison Gibbons and Joe Bray Manchester: Manchester University Press, 2011: 159-177. RFID: Human Agency and Meaning in Information-Intensive Environments, Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, ed. Jrgen Schaefer and Peter Gendolla . Bielefeld, Germany: Transcript Verlag 2010: 95-122. Reprint. RFID: Human Agency and Meaning in Information-Intensive Environments, Throughout, ed. Ulrik Ekman. Cambridge: MIT Press, forthcoming. Reprint. Strickland and Lawson Jaramillos Slippingglimpse: Distributed Cognition at/in Work, Literary Art and Digital Performance, ed. Francisco Ricardo. London: Continuum, 2009: 38-47. Todd Gannon and N. Katherine Hayles, Mood Swings: The Aesthetics of Ambient Emergence, The Mourning After: Attending the Wake of Postmodernism, edited by Neil Brooks and Josh Toth. Amsterdam: Rodopi Press, 2007: 99-142.

N. K. Hayles

(Un)masking the Agent: Stanislaw Lems The Mask, The Art and Science of Stanislaw Lem, edited by Peter Swirski. Montreal and Kingston: McGill-Queens University Press, 2007: 22-46. The Time of Digital Poetry: From Object to Event, New Media Poetics: Contexts, Technotexts, and Theories, edited by Adalaide Morris and Thomas Swiss. Cambridge: MIT Press, 2006: 181-210. Metaphoric Networks in Lexia to Perplexia, First Person: New Media as Story, Performance, and Game,edited by Noah Wardrip-Fruin and Pat Harrigan. Cambridge: MIT Press, 2004: 291-295. Bodies of Texts, Bodies of Subjects: Metaphoric Networks in New Media, Memory Bytes: History, Technology, and Digital Culture, edited by Lauren Rabinovitz and Abraham Geil. Duke University Press 2004: 257-282. Performative Code and Figurative Language: Neal Stephensons Cryptonomicon, Science, Technology, and the Humanities in Recent American Fiction, edited by Peter Freese and Charles B. Harris. Essen, Germany: Verlag, 2004: 279-316. Reprinted in The Holodeck in the Garden: Science and Technology in Contemporary American Fiction, edited by Peter Freese and Charles B. Harris. New York: Dalkey Archive Press, 2004: 2-27. From Utopia to Mutopia: Recursive Complexity and the Nanospatiality of The Diamond Age, World Weavers: Globalization, Science Fiction, and the Cybernetic Revolution, edited by,Wong Kin Yuen, Gary Westfahl and Amy Chant Kit Sze. Hong Kong: Hong Kong University Press, 2004, Timely Art: Hybridity in New Cinema and Electronic Poetry, Future Cinema: The Cinematic Imaginary After Film, edited by Jeffrey Shaw and Peter Weibel. Cambridge: MIT Press, 2003: 16-321. Supersensual Chaos and Catherine Richards Excitable Tissues, Catherine Richards: Excitable Tissues, editor and curator, Sylvie Fortin. Ottawa: The Ottawa Art Gallery, 2003: 924. Computing the Human (in German), Fuelle der Combination: Literaturforschung und Wissenschaftsgeschitchte, edited by Bernhard J. Dotzler and Sigrid Weigel. Munich: Fink, 2004. Reprinted in 2003: Cyber, Virtual, and Bio Literature, The New Korean Association of English Language and Literature. Pusan, South Korea: 2003: 1-25. Reprinted in Turbulente Krper, soziale Maschinen: Feministische Studien zur Technowissenschaftskultur, edited by Jutta Weber and Corinna Bathr. Leske: Oplanden, 2003: 99-198. Who Is in Control Here? Meditating on Eduardo Kacs Transgenic Art, The Eighth Day: The TransgenicArt of Eduardo Kac, edited by Sheilah Britton and Dan Collins .Tempe AZ: Institute of Studies in the Arts, Arizona State University, 2003: 79-86.

N. K. Hayles

Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments, in Semiotic Flesh Information and the Human Body, edited by Phillip Thurtle and Robert Mitchell. Walter Chapin Simpson Center for the Humanities, University of Washington, 2002: 52-68. Published in Configurations 10 (2002): 297-320. Published in German in SingularittenAllianzen, Interventions 11, edited by Jrg Huber. Springer, Vienna and New York, 2002: 289-304. "Escape and Constraint: Three Fictions Dream of Moving from Energy To Information," in From Energy to Information, edited by Linda Henderson and Bruce Clarke. Stanford: Stanford University Press, 2002: 235-254. "Artificial Life and Literary Culture," in Cyberspace Textuality: Computer Culture and Literary Theory, edited by Marie-Laure Ryan. Indiana University Press, 1999: 205-223 "The Condition of Virtuality," Language Machines: Technologies of Literary and Cultural Production, edited by Jeffrey Masten, Peter Stallybrass and Nancy Vickers. London and New York: Routledge, 1997: 183-208. Reprinted in The Digital Dialectic: New Essays on New Media, edited by Peter Lunenfeld . Cambridge: MIT Press, 1999: 68-95. Reprinted in Spanish translation, Literatura y Cibercultura, edited by Domingo Snchez-Meza. Madrid: Archo/Libros, S. L., 2004: 37-72. "Consolidating the Canon," The Science Wars, edited by Andrew Ross Durham: Duke University Press, 1996: 226-237. "How Cyberspace Signifies: Taking Immortality Literally," in Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy, edited by George Slusser, Gary Westfahl, and Eric S. Rabkin. Athens: University of Georgia Press, 1996: 111-124. "Voices Out of Bodies and Bodies Out of Voices: Audiotape and the Production of Subjectivity," Sound States: Innovative Poetics and Acoustical Technologies, edited by Adalaide Morris. Chapel Hill: University of North Carolina Press, 1997: 74-96. "From Self-Organization to Emergence: Aesthetic Implications of Shifting Ideas of Organization," in Chaos and the Changing Nature of Science and Medicine, edited by Donald Herbert . Woodbury, NY: American Institute of Physics:133-157. "Narratives of Artificial Life" in Futurenatural: Nature, Science, Culture, edited by George Robertson, Melinda Mash, Lisa Tickner, Jon Bird, Barry Curtis and Tim Putnam . New York and London: Routledge, 1996: 146-164. Reprinted in Images from Afar: Theories of Remote Sensing and Scientific Visualization. Copenhagen: Cultural City, 1996. "Simulated Nature and Natural Simulations: Rethinking the Relation between The Beholder and the World," in Uncommon Ground: Toward the Reinvention of Nature, edited by William Cronon. New York: Norton,

N. K. Hayles

1995: 409-425. "Embodied Virtuality: Or How to Put Bodies Back into the Picture," in Immersed in Technology: Art and Virtual Environments, edited by Diana Augaitis, Douglas MacLeod, and Mary Anne Moser. Cambridge: MIT Press, 1995: 1-28. "Searching for Common Ground," in Reinventing Nature?: Responses to Postmodern Deconstruction, edited by Michael E. Soule and Gary Lease . Washington, D.C.: Island Press, 1995: 45-60. "Deciphering the Rules of Unruly Disciplines: A Modest Proposal for Literature and Science," in Literature and Science, edited by Anthony Purdy. Amsterdam and Atlanta: Rodopi, 1994: 25-48. "Narratives of Evolution and the Evolution of Narratives," in Cooperation and Conflict in General Evolutionary Processes, ed. John L. Casti and Anders Karlqvist . New York: John Wiley and Sons, 1994: 113-132. "The Paradoxes of John Cage: Chaos, Time, and Irreversible Art" in Permission Granted: Composed in America, ed. Marjorie Perloff and Charles Junkerman. Chicago: University of Chicago Press, 1994: 226-241. "The Seductions of Cyberspace," in Rethinking Technologies, ed. Verena Conley. Minneapolis: University of Minnesota Press, 1993: 173-190. Reprinted in Everyday Theory, edited by Becky McLaughlin and Bob Coleman. London: Longman, 2004. "The Life Cycle of Cyborgs: Writing the Posthuman," in A Question of Identity: Women, Science, and Literature, ed. Marina Benjamin . New Brunswick: Rutgers University Press, 1993: 152-172. Reprinted in The Cyborg Handbook, ed. Chris Hables Gray . New York and London: Routlege, 1995: 321-335. Reprinted in Cybersexualities: A Reader on Feminist Theory, Cyborgs and Cyberspace, edited by Jenny Wolmark. Edinburgh: Edinburgh University Press, 1999: 157-173. "Turbulence in Literature and Science: Questions of Influence," in Science and the American Imagination, ed. Robert Scholnick. Lexington: University of Kentucky Press, 1992: 229-250. "'A metaphor of God Knew How Many Parts': The Engine That Drives The Crying of Lot 49," in The Crying of Lot 49: A Collection of New Essays, ed. Patrick O'Donnell. Cambridge: Cambridge University Press, 1991: 197-213. "Literature and Science," in Literature and Criticism: A New Century Guide, eds. Malcolm Kelsall et al. London: Routledge, 1990: 1068-81. "Self-Reflexive Metaphors in Maxwell's Demon and Shannon's Choice:

N. K. Hayles

Finding the Passages," in Literature and Science: Theory and Practice, ed. Stuart Peterfreund. Boston: Northeastern University Press, 1990: 209-38. "Information or Noise? Economy of Explanation in Barthes's S/Z and Shannon's Information Theory," in One Culture: Essays in Science and Literature, ed. George Levine. Madison: University of Wisconsin Press, 1988: 119-142. "Metaphysics and Metafiction in The Man in the High Castle, in Philip K. Dick, Writers of the 21st Century Series. New York: Taplinger, 1983: 53-72. "Androgyny, Ambivalence and Assimilation in The Left Hand of Darkness", in Ursula K. Le Guin, Writers of the 21st Century Series. New York: Taplinger, 1979: 97-115. Articles Speculative Aesthetics and Object Oriented Inquiry (OOI), Speculations: A Journal of Speculative Realism, http://www.speculations-journal.org/?page_id=5. Is Tree of Codes Still a Novel? PMLA (forthcoming). How We Read: Close, Hyper, Machine, ADE Bulletin 150 (2011) <http://www.ade.org/bulletin/>. Material Entanglements: Steven Halls The Raw Shark Texts as Slipstream Novel, Science-Fiction Studies #113 (38.1, March 2011):115-133. How We Became Posthuman: Ten Years On (interviewed by Arthur Piper), Paragraph 33.3 (September 2010): 318-323. After Shocks: Posthuman Ambivalence, Postmedieval: A Journal of Medieval Cultural Studies (April 2010): 262-271. N. Katherine Hayles and James J. Pulizzi, Narrating Consciousness, History of the Human Sciences 21.3 ( 2010): 131-148. Sleepwalking into the Surveillance Society, Surveillance and Society 6.3 (29): http://www.surveillance-and-society.org/ojs/index.php/journal RFID: Human Agency and Meaning in Information-Intensive Environments, Theory, Culture and Society, 26.2/3 (2009): 1-24. Reprinted in Throughout, edited by Ulrik Eckman (forthcoming MIT Press, 2011). Reprinted in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres. Edited by Jrgen Schafer and Peter Gendolla (Bielefed, Germany: Transcript Publishers, 2010). Wrestling with Transhumanism, The Global Spiral (June 5, 2008)

N. K. Hayles

www.metanexus.net/magazine/tabid/68/id/10543/Default.aspx. Hyper and Deep Attention: The Generational Divide in Cognitive Modes, Profession 2007 (2007): 187-199. Narrative and Database: Natural Symbionts, PMLA 122.5 ( October 2007): 1603-1608. Intermediation: The Pursuit of a Vision, New Literary History 38.1 (Winter 2007): 99-125.. The Future of Literature, Collection Management (forthcoming fall 2007). Revealing and Transforming: How Electronic Literature Re-Values Computational Practice, Performance Research 11.4 (December 2006): 5-16. Traumas of Code, Critical Inquiry 33.1 (Autumn 2006): 136-157. Reprinted, Digital and Other Virtualities: Renegotiating the Image, ed. Anthony Bryant and Griselda Pollock. London; I. B. Truris, 2010: 23-41. Unfinished Work: From Cyborg to Cognisphere, Theory, Culture and Society 23 (2006): 159-166. Commentary: The Search for the Human, New Literary History 36, no. 2 (Spring 2005): 327-333. Electronic Literature: What Is It? Electronic Literature Organization, http://elit.org. Translated into Korean by Jiyeon Kim, Text@Media , 2010: 18-37. Narrating Bits: Encounters between Humans and Intelligent Machines, [etext version] Vectors 1 (March 2005); [print version] Comparative Critical Studies 2.2 (2005):165-90. Nathan Brown and N. Katherine Hayles, Science and Representation, Oxford Encyclopedia Of Science and Society. 2005. Refiguring the Posthuman, Comparative Literature Studies 41.3 (2004): 311-316. Print is Flat, Code is Deep: The Importance of Media-Specific Analysis, Poetics Today 25.1 (Spring 2004): 67-90. N. Katherine Hayles and Nicholas Gessler, The Slipstream of Mixed Reality: Unstable Ontologies and Semiotic Markers in The Thirteenth Floor, Dark City, and Mulholland Drive, PMLA (April 2004). Translating Media: Why We Should Rethink Textuality, Yale Journal of Criticism, vol. 6, no. 3 (2003): 263-290. Afterword: The Human in the Posthuman, Cultural Critique 53 (Winter 2003): 134-137. Deeper into the Machine: Learning to Speak Digital, Computers and Composition 19 (2002): 371-386. Reprinted in revised form with images in Culture Machine 5 (Feb. 2003) http://culturemachine.tees.ac.uk/frm_f1.htm and in State of the Arts: The

N. K. Hayles

10

Proceedings of the Electronic Literature Organizations 2002 State of the Arts Symposium, edited by Scott Rettberg (Los Angeles: Electronic Literature Organizaton), 13-38. Saving the Subject: Mediation in House of Leaves, American Literature 74, no. 4 (December 2002): 779-807. Is Utopia Obsolete? Peace Review 14, no. 2 (June 2002): 133-140. Metaphoric Networks in Lexia to Perplexia, Electronic Art and Animation Catalog, SIGGRAPH 2001 (ACM 2001):31-34. Reprinted in Digital Creativity 12:3 (2001): 133-139. The Complexities of Seriation, PMLA 117:1 (2002):117-121. Desiring Agency: Enabling Constraints in Dawkins and Deleuze/Guattari, SubStance 30.1,2 (January 2001): 144-160. The Materiality of the Medium: Hypertext Narrative in Print and New Media, Narrative 9.1 (January 2001): 21-39. Visualizing the Posthuman, Art Journal 59, no. 3 ( Fall 2000): 50-54. "Adam Ross: Paranoid Utopias," Art/Text 70 (August-October 2000): 62-65. "The Invention of Copyright and the Birth of Monsters: Flickering Connectivities in Shelley Jackson's Patchwork Girl," Journal of Postmodern Culture 10.2 (January 2000): http://www.iath.virginia.edu/pmc/ "Simulated Narratives: What Virtual Creatures Can Teach Us," Critical Inquiry 26, no. 1 (Autumn 1999): 1-26. "The Illusion of Autonomy and the Fact of Recursivity: Virtual Ecologies, Entertainment, and Virtual Jest," New Literary History 30, no. 3 (Summer 1999): 675-697. "Schizoid Android: Cybernetics and the Mid-Sixties Novels of Philip K. Dick," Journal of the Fantastic in the Arts, 8 (1998): 22-45. Reprinted in Spanish in Revista de Communicao e linguagens, edited by Francisco Rui Cdima and Jorge Martins Rosa. Reglgio Dgua Editores (2001: 107-142. "The Posthuman Body: Inscription and Incorporation in Galatea 2.2 and Snow Crash," Configurations 2 (1997): 241-266. "Corporeal Anxiety in Dictionary of the Khazars: What Books Talk about in the Late Age of Print When They Talk About Losing Their Bodies," Modern Fiction Studies 43 (Fall 1997): 800-820.

N. K. Hayles

11

"Boundary Work with a Vengeance," Arachne , 2, no. 1 (Spring 1995): 3-15. "Making the Cut: The Interplay of Narrative and System, or What System Theory Can't See," Cultural Critique No. 30 (Spring 1995): 71-100. Reprinted in Observing Complexity: Systems Theory and Postmodernity, edited by William Rasch and Cary Wolfe. Chicago: University of Chicago Press, 2000:: 137-162. "Theory of a Different Order: A Conversation with Niklas Luhmann and Katherine Hayles," Cultural Critique 31 ( Fall 1995): 7-37. Reprinted in Observing Complexity: Systems Theory and Postmodernity, edited by William Rasch and Cary Wolfe. Chicago: University of Chicago Press, 2000: 111-136. "Boundary Disputes: Homeostasis, Reflexivity, and the Foundations of Cybernetics," Configurations: A Journal For Literature, Science, and Technology 3 ( 1994): 441-467. Reprinted in Virtual Realities and Their Discontents, edited by Robert Markley. Baltimore: Johns Hopkins University Press, 1995. "Virtual Bodies and Flickering Signifiers," October 66 (Fall 1993): 66-92. Reprinted in Electronic Culture: Technology and Visual Representation, edited by Timothy Druckrey (New York: Aperture, 1996), pp. 259-278; in The Feminism and Visual Culture Reader, edited by Amelia Jones (London: Routledge, 2003): 497-506 in Visual Culture Reader, 2nd edition, edited by Nicholas Mirzoeff. London and New York: Routledge, 2003: 152-160; and in French in Connexions: Art, Reseaux, Media, edited by Annick Burgeaud and Nathalie Magnan,. Paris: cole Nationale Suprieure des Beaux-Arts, 2002: 507-544. "Chaotics: Culture and Chaos," Louisiana Revy 33, no. 2 (February 1993): 6-9. "The Materiality of Informatics," Configurations: A Journal of Literature, Science and Technology 1 (Winter 1993): 147-70. Reprinted in Issues In Integrative Studies 10 (1992): 121-144. "Gender Encoding in Fluid Mechanics: Masculine Channels and Feminine Flows," differences 4 (Summer 1992): 16-44. "Constrained Constructivism: Locating Scientific Inquiry in the Theater of Representation," New Orleans Review, 18 (1991): 76-85. Reprinted in Realism and Representation,: Essays on the Problem of Realism in Relation to Science, Literature, and Culture ed. George Levine (Madison: University of Wisconsin Press, 1993), 27-43. "'Who Was Saved?': Families, Snitches, and Recuperation in Pynchon's Vineland," Critique, 32 (1990): 77-92. Reprinted in The Vineland Papers: Critical Takes on Pynchon's Novel, edited by Geoffrey Green, Donald J. Greiner, and Larry McCaffery (Normal, IL: Dalkey Archive Press, 1993).

N. K. Hayles

12

"Postmodern Parataxis: Embodied Texts, Weightless Information," American Literary History, 2 ( 1990): 394-421. "Designs on the Body: Cybernetics, Norbert Wiener, and the Play of Metaphor," History of the Human Sciences, 3 (1990): 212-228. "Two Voices, One Channel: Equivocation in Michel Serres," SubStance 57 (1988): 3-11. "Chaos as Orderly Disorder: Shifting Ground in Literature and Science," New Literary History 2 (Winter 1989): 305-322. Reprinted in Twentieth Century Literary Criticism, vol. 90 (New York: Gale Publishing Company, 2002). "Text Out of Context: Situating Postmodernism in an Information Society," Discourse 9 (Spring-Summer 1987): 24-36. "Space for Writing: Stanislaw Lem and the Dialectic 'That Guides My Pen,'" Science-Fiction Studies 13 (November, 1986): 292-312. Anthologized in Jerzy Jarzebski, ed., Teksty Drugie 3 (1992): 5-29. "Anger In Different Voices: Carol Gilligan and The Mill on the Floss," Signs 12 (Autumn, 1986): 23-39. N. K. Hayles and Mary Eiser, "Coloring Gravity's Rainbow," Pynchon Notes, 16 (Spring, 1985): 3-24. "Cosmology and the Point of (No) Return in Gravity's Rainbow," Markham Review, 12 (1983): 73-77. "The Ambivalent Approach: D. H. Lawrence and the New Physics," Mosaic, 15 (September, 1982): 89-108. "Making a Virtue of Necessity: Pattern and Freedom in Nabokov's Ada", Contemporary Literature, 23 (Winter, 1982): 32-51. "An Imperfect Art: Competing Patterns in More Than Human", Extrapolation, 22 (Spring, 1981): 13-24. N. K. Hayles and Kathryn Rindskoff, "The Shadow of Violence," The Journal of Popular Film, 8 (1981): 2-8. "Sexual Disguise in Cymbeline", Modern Language Quarterly, 41 (September, 1980): 231-247. "Sexual Disguise in As You Like It and Twelfth Night", Shakespeare Survey 32, ed. Kenneth Muir (Cambridge: Cambridge University Press, 1979) 63-72. F. C. Anson, N. K. Hayles and R. D. Frisbee, "The Absence of a

N. K. Hayles

13

Detectable Potential-Dependence of the Transfer of Coefficient in the Cr+2/Cr+3 Reaction," Journal of the Electrochemical Society, 117 (April, 1970): 477-82. Reviews and Miscellaneous Review of The Techno-human Condition, Technology and Culture, Technology and Culture, 53 (October 2012), 920-921. Remixed Up (review of Mark Amerika, Remix the Book and Lax Goody, Technology, Literature and Culture, Times Literary Supplement, No. 5698 (June 15, 2012), 22. N. Katherine Hayles, Philosophy of Technology: Five Questions, edited by Jan-Kyrre Berg Olsen and Evan Selinger (London: Automatic Press/VIP, 2007), 101-106. Preparing the Humanities for the Posthuman: N. Katherine Hayles at the National Humanities Center, (interview) News of the National Humanities Center (Fall/Winter 2007), 1, 14-15. Attacking the Borg of Corporate Knowledge Work: The Achievement of Alan Lius The Laws of Cool, Criticism 47.2 (2005): 235-40. Is It Literatureor Art?, Second Natures (exhibition catalogue for exhibit of the same name) (Los Angeles: UCLA Department of Design/Media Arts, 2006), 23-30. Afterword, Crowds, edited by Jeffrey T. Schnapp and Matthew Tiews (Stanford: Stanford University Press, 2006), 377-378. Visiting Wonderland: A Riposte to Diana Lobbs The Emperors New Clothes or Whos Afraid of N. Katherine Hayles http://www.electronicbookreview.com/v3/servlet/ebr?command=view_essay&essay_i d=haylescerp Afterword, Crowds, Jeffrey T. Schnapp and Matthew Tiews. Stanford University Press, 2005. Beyond Productivity: Information, Innovation, and Creativity, edited by William J. Mitchell, Alan . S. Inouye and Marjory S. Blumenthal. Member of Committee that produced report for National Research Council of the National Academies of Science (Washington, DC: National Academies Press, 2003). Material Girl, Interview with Roy Christopher, Front Wheel Drive (Feb. 2003) www.frontwheeldrive.com, Foreword, Prefiguring Cyberspace, edited by Darren Tofts. Cambridge: MIT Press, 2003. Prognosticating the Present, a review of Edging into the Future: Science Fi9ction and

N. K. Hayles

14

Contemporary Cultural Transformation, edited by Veronica Hollinger and Joan Gordon, Science Fiction Studies 29 (2002): 500-503. Review of Silicon Second Nature by Stefan Helmreich, Artificial Life 7.4 (2001): 425-428.. "Cognition on a Desert Island," Commentary on Edwin Hutchins, Cognition in the Wild, Genre 23, no. 3-4 (Fall-Winter 2000): 331-338. "Commentary," Progressive Dinner Party, Riding the Meridian, Spring 2000. http://www.heelstone.com/meridian/templates/Dinner/haylesfr.htm "Preface," Embodying Technesis: Technology Beyond Writing in Mark Hansen (Ann Arbor: University of Michigan Press, 2000). "Auto-Projection: Fuchs' Evolutionary Tale," exhibition catalogue, Landmark Gallery, Texas Tech University, December 1999. "Enlightened Chaos," in Disrupted Patterns: On Chaos and Order in the Enlightenment, edited by Theodore E. D. Braun and John A. McCarthy (Amsterdam, Vienna, Atlanta: Rodopi, 2000), pp. 1-5. Review of Unlikely Stories: Causality and the Nature of Modern Narrative, South Atlantic Review (Spring 1999), 140-141. "Hot.List," Artforum (October 1998), 33. "Interrogating the Posthuman Body" (review of Anne Balsamo's Technologies of the Gendered Body and Judith Halberstam and Ira Livingston's Posthuman Bodies), Contemporary Literature 38, no. 4 (1997): 171-78. "Engineering Cyborg Ideology" (review of Diane Greco's Cyborg: Engineering the Body Electric), Electronic Book Review, And American Book Review 17, no. 2 (December-January 1995-6), 3. "Walking in Water" (review of Michael Joyce's Of Two Minds: Hypertext Poetics and Pedagogy), Scientific American, 274, No. 1 (January 1996), 104-5. "Hypertext Hamlet," Humanities 16, no. 5 (Sept./Oct. 1995): 23-27. "From Transylvania to Transgender," review of The War Between Desire and Technology at the Close of the Mechanical Age, Allucquere Roseanne Stone (Cambridge: MIT Press, 1995), Art + Text, 52 (1995), 31-32. Review of Culture and Cognition: The Boundaries of Literary and Scientific Inquiry, Ronald Schleifer, Robert Con Davis, and Nancy Mergler, Isis: An International Review Devoted to the History of Science and its Cultural Influences, 85, no. 4 (1994): 743-44.

N. K. Hayles

15

"The Embodiment of Meaning," Response to Herbert Simon, Stanford Humanities Review, 4 (1994): 62-64. "Particles and Paste," review of Kathryn Hume's Calvino's Fictions: Cogito Cosmos," London Times Higher Education Supplement (April 30, 1993), 21. "World Without Ground," review of The Embodied Mind: Cognitive Science and Human Experience by Francisco Valera, Evan Thompson, and Eleanor Rosch, The American Book Review 14, no. 1 (April/May 1992) 13. "Trusting the Material," review of The Cybernetics Group by Steve Heims, History of the Human Sciences 5, no. 2 (1992), 92. "The Rip Van Winkle Syndrome," review of Lorelei Cederstrom's Fine-Tuning the Feminine Psyche: Jungian Patterns in the Novels of Doris Lessing, Science-Fiction Studies, 19 (1992): 96-98. "The Borders of Madness," Response to Jean Baudrillard, Science-Fiction Studies 18 (1991): 321-323. "Fractured Mandala: The Inescapable Ambiguities of Gravity's Rainbow," review of Steven Weisenberg's Companion to Gravity's Rainbow, Pynchon Notes, 24-25 (Spring-Fall 1989), 129-32. "The Nature of Women," Review of Linda Woodbridge's Women and the English Renaissance, Modern Language Quarterly 46 (December 1985): 378-380. "Women, Literature and a Small-Town Library," Show-Me Libraries 36 (April 1985): 15-18. "The Perils of Theory," Review of Robert Nadeau's Readings from the New Book on Nature, Science, Technology and Human Values, 8 (1983): 52-54. N. K. Hayles and Kathryn Rindskoff, "Cruising the Shadows," Psychological Perspectives, 11 (1980): 227-231. "Science Fiction: Contemporary Mythology," Galileo (September, 1978): 90-91. Selected Presentations "Linking Bodies: Hypertext Narrative in Print and New Media," Ropes Distinguished Lecture, University of Cincinnati, February 2000. "The Importance of Embodiment: Gender and Cognitive Science," Modern Language Association, December 1999.

N. K. Hayles

16

Keynote Address, "Deconstructing Time in Hypertext Fiction," Digital Arts Conference, Atlanta GA, October 1999. "The Specificity of Media," Invited lecture, Y2K Conference, Brown University, November 1999. "Embodiment and the Posthuman," Invited lecture, Harvard University, November 1999. "Posthuman Ideology: Technophobia, Technoecstacy, and the Subversion of the Liberal Subject," American Studies Association, October 1999. "Hypertext and the Merging of Image and Text," Landmark Gallery Lecture Series, Texas Tech University, October 1999. "Hypertext and the Spiral of Time," Rockefeller Center, Bellagio Italy, September 1999. "The Schizoid Android in Philip K. Dick's Novels of the Mid-Sixties," Distinguished Guest Lecture, International Association of Fantastic in the Arts, March 1997. "How We Became Posthuman," The Rector's Distinguished Guest Lecture, University of Helsinki, October 1997. Keynote Address, "Narratives in Science: How Scientists Create Meaning," Society for Literature and Science, October 1997.

Editorial Boards, Executive Positions, Service to Profession Co-Editor, Electronic Mediation Series, University of Minnesota Press, 2000-present.. Editor, Literature and Science Series, University of Michigan Press, 1995-2000. Board of Literary Advisors, Electronic Literature Organization Editorial Board, Iowa Review (on the Web) President, Society for Literature and Science, 1991-93; First Vice-President, 1989-91; Second Vice-President 1987-89. Advisory Board, PMLA, 1996-99. Executive Committee, Association for Computers in the Humanities, 200-2003. Executive Committee, Literary Criticism Division, Modern Language Association, 2004-2009. Executive Committee, Literature and Science Division, Modern

N. K. Hayles

17

Language Association, 1988-92. Modern Language Association Prize Committee, 1994-97; chair 1997. Editorial Board, Iowa Review on the Web Editorial Board, Postmodern Culture. Editorial Board, Modern Fiction Studies Editorial Board, Contemporary Literature Board of Consultants, Science-Fiction Studies. Editorial Board, Configurations: A Journal for Literature, Science, and Technology. Editorial Board, Para.doxa Editorial Board, Nonlinear Dynamics in Psychology and the Life Sciences, 1995-97.