Ayurveda Nadivijnanam
Ayurveda Nadivijnanam
Ayurveda Nadivijnanam
INTRODUCTION
No physical
sign - more basic or important than the arterial pulse . The most fundamental sign of life . Even today under emergency clinical conditions the modern physician frequently records the pulse .
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Sucessful pulse reading involves touching, feeling, observing and experiencing the rate, rhythm, and volume of the pulse. Also its movement, amplitude, temperature, force, and consistency in the body.
ASHTASTHANA PAREEKSHA
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WHY ?
It is sign of life Illustrates all types of disease progression . Helps to detect -Ongoing physiological changes Imbalances in human body , Inhance digestion , Verify levels of Aama in pulse ,Imbalance in Agni.
of Nadis Upanishada in which Prashnaupanishada mentioned Seventy two crore Nadis Similarly in Kathoupnishada that from heart hundred Nadis are originated. Charaka in the Indryiasthana - cessation of pulsation of ever pulsating Manya (carotid artery) ,is the indicative of death. In Sushrut Samhita Sharirsthana Nadis are called as Sarvadoshavaha .
, 4th chapter of second section describes normal pulse rate of the body which is Trishadvaram (thirty). But the first time it was Sharangadhara who introduced the Nadi Pareeksha as a another branch in Ayurveda. Acharyas Bhavaprakasha(15th century AD.) Yogaratnakara (16th century AD.) Vasavarajeeyam (17th century AD.) Kanada and Ravana.
Harit-samhita
REVIEW OF LITERATURE
Egyptian pulse lore Greek pulse lore
knowledge of the pulse is limited only to know the condition of heart, but there is no information available about procedure of pulse examination signs of pulse with reference to diagnosis and prognosis.
pulse according to their length , breadth, depth . Pulse has been described only in qualitative form there is no where reference to its counting.
Their entire superstructure of practice is built upon the theory of pulse. Pulse is based on Yang Yin and Superficial Deep principle. They also observed pulse variations under the influence of seasons, age, sex of the patient
belonging to the school of Shaiva Agama Tantrism developed medicine including pulse lore From review of Tantrik literature - some are of opinion of theoretical knowledge of Indian pulse lore has been derived from pre-existing pulse lore of Tantrik literature of India
should be in state of mental stability and peace of soul and mind. Should examine by his right hand the pulse lying one finger in breadth below from the root of the thumb. The elbow(Kurpar) of the patient should be slightly flexed to the left The wrist slightly bent to the left with the fingers distended and dispersed. In female pulse of left hand and left leg
In male pulse of right hand and right leg should be examined. The physician should press the artery lightly with his three fingers for three times by giving and releasing the pressure alternately over it
Finger
Dosa
Vatika Pulse
Snake movement Rate of the pulse should be fast
Leech movement
Volume - Smallest Character - Curvillinear
Paittika Pulse
Character bounding in nature Rate relatively slower than Vatika
Kaphaja Pulse
Amplitude intermediate between Vatika & Paittika pulse
Kaphaja Pulse
Rate would be slowest.
Sannipattika Pulse
Rate would be rapid.
Vatika
Jaloka-Sarpa gati (snake-leech like movement) Kulinga-Kaka-Manduka (sparowcrow-frog like movement) Hansa Paravat gati (swan-pigeon like movement) Kadachitmandagamana kadachitvegavahini (alternately slow and fast) Lava Titir-Varti(lark-quailpatridge like movement) Slips from its normal postion Aatikshina (slow) & sheeta(cold)
Paittika
Kaphaja
Death
DVIDOSHAJA PRAKOPA
Dosa prakopa Fingers
Vata-pitta prakopa
Vata-kapha prakopa
hungry or thirsty states, just from the sun , tired due to exercise , during sleep & just after awakening, patient has anointed with oil, when patient has taken his meals, after intercourse
8 NADIS
FOR EXAMINATION Nasamulagata nadiindicate life, death, eye disorders, headache, ear disorders thorat Akshinadi Karnamula nadi Jihvanadi Medhranadi
Karangaushtamula nadi - indigestion, Aamdosha and vitiated Vata,Pitta , Kapha Padagulpha nadi Kathanadi- Aagantuka jwara, Bhaya, shoka , krodha
SHARANGADHARA SAMHITA
the first authoritative physician implanted
knowledge of pulse examination in third chapter a)physiological b) mental c)pathological , states of the body
Types of pulse in different condition Healthy pulse(Swasthawastha) Good hunger and appetite(Deeptagni) Lust(Kama) & anger(Krodha) Anxiety(Chinta) & fear(Bhaya) Poor apetite(Mandagni) & cachexia(Kshina dhatu) Intoxification (amadosha)
Characterstic of pulse Sthira (steady) and Balawati (strong) Laghwi (light to touch) Chapal & Vegawati (tremulous & fast) Vegavaha(rapid) Kshina (feeble) Mandatara (slow) Gurvi (heavy)
BHAVAPRAKASHA SAMHITA
6th subdivision of
the first part. According to Jolly this samhita flourished in 16th century A.D. relation between the specification of fingers and Doshas sides for pulse examination pulse inphysiological , indication of three mental , fingers pathologiacal states unfavourable conditions when it is not examined ,
YOGARATNAKARA
According to P.K. Gode its period lies between 1650 A. D. & 1725 A. D. According to Jolly, not later than 1746. In the opinion of Singh its period is 1676. First chapter of the book describes pulse examination addition of pulse indicating bad prognosis, quantitative form of the pulse instruction to physician to wash his hand after examining patient
NADIVIJANANA BY KANAD
(a)
general consideration of origin of Nadi and its examination (b)pulse characteristics after different foodstuffs
Different foods Mansa (meat) Pulse characterstic Lagudakriti (like rod steady)
Banana , molasses cake prepared from pulses etc .dry foods & meat
Parched grain , flattened rice Kushmanda (gourd) Mulak (radish) Shaka- Kanda (green leaves & stem roots Molasses , cakes , milk
Sthira & Mandatatra (steady &slow) Manda (slow) Resembles the movement pulse filled with blood Sthira & Manda(steady & slow)
Salt
Sthira(steady) Laghvi Vegawati (light & fast) Chapala (tremulous) Hot like flame Snigdha (smooth) Hot Fast Less prominent than day
Types of pulse
Pulse characteristics
Kama- Krodha (lust & anger) Chinta Bhaya (anxiety & fear)
Vegawati (fast)
Kshina (feeble)
Types of pulse Anga-graha (slight pain in the body when fever is to occur ) If fever is about to increase Sannipata jwara
Pulse characteristics Manthara & Plava (slow & jumping) Jumping forcibly Miscellaneous movement
PATHOLOGICAL CONDITIONS Types of pulse Pulse characterstics Fever Very hot and fast Indigestion (aajirna) Kathina & Jada (heavy & tight) Toxication (aamadosha ) Heavy Grahani (malabsorption) In leg moves like Hansa(swan) but in hand like Manduka(frog) Prameha (diabetic condition) Granthirupa (beaded) Bhagandara (fistula in ano) Hot & curvilinear Pulse in poison Jumping
f)pulse of
bad prognosis at the time of death, death in one day upto death within one month (g)good prognostic pulse ( h)characterstic of pulse appearing apparntly of bad prognosis but really not so.
RAVANKRUTA NADIPARIKSHA
The whole work is attributed to pulse written in the same form as the work of Kanada with some additional work like
Pulse in pregnancy
Puise in infants
(Arsha)Piles
Grahani Swasa (asthma) Shleshma Kasa Rajyakshama (tuberculosis) Pandu (anaemia) Kushta (leprosy)
Manda kvacidavakrakvachidaruju(slow sometimes curvilinear and straight Mrutasarpopama (like dead snake) Tivragati (fast) Sthira Manda (steady & slow) Naga gati (slow) Fast sometimes visible sometimes not Kathina & sthira (hard & steady)
for tachycardia Druta, Twarita, Tivra, Shighra, Vaykul, Vikala . Similarly for bradycardia Manda , Manthara Rhythm to explain regular rhythm - Sarala (not crooked) Samya (regular) for irregular pulse Trutita, Vakra, Kautilya Volume for high volume Atyuchchaka
Sukshma
(fine, thin), Atisukshma(very thin), Shithil (weak feeble) signify that pulse is of low tension and low volume. Pushtihina can be coined as a single word for low tension Force Vegavati, Vegadhara, Balwati, Prabal, Uttanabhedin these words also tell about high tension of the pulse Condition of arterial wall Karkasha , Kahara , Kathina for hardening of wall Temperature of skin over pulse Koshna , Soshma and Shita
RESEARCH SCOPE
In recent
times researchers worked on Ayurvedic Nadi through modern parameters like Sphygmography , Pulse meter etc. A beginning has been made by researchers like Dr. Sarva Deva Upadhyaya & Dr.Eknath Ghosh who published series of articles in Journal of Ayurveda of Calcutta it is necessary to plan and conduct research on Nadi pariksha so that an acceptable model may be constructed for universal application.
CONCLUSION
The art and
science of examination of pulse was well developed in ancient India. Fortunately some of the ancient Ayurvedic literature is still available to us . A humble attempt is made here to present most of the literature in systemic manner An attempt has been made to corelate terminology of pulse examination in Ayurveda with modern science
Systematic and
comprehensive training of Nadi pariksha in Ayurveda colleges can be ray of hope. Finally, Experience alone can make one perfect.
THANK YOU
THANK YOU
Pulse , like a lamp , throws light on all the physiological and pathological states encountered in man.