Worship Musician! Magazine - NovemberDecember 2010

Product Review
Schenk Ophirio Model

NOVEMBER/DECEMBER 2010 Acoustic Guitar
Volume 8, Issue 6
11
Record Reviews
Aaron Keyes • Bebo Norman • Charlie Hall
0 74470 58440 7 Chris Tomlin • Jeremy Camp • Generation Unleashed
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Editor’s Corner
NOVEMBER/DECEMBER 2010 vol. 8, issue 6
A Shepherd
Practicing in the Fields? Features 48 Product Review
By Doug Doppler
I was hanging out in the Old Testament and came across a VB Amp and Speaker
revealing scripture verse; paraphrased, it reads, “David led (shep- 8 Product Review
Enclosures –
herded) his people with integrity of heart and skillfulness of hands.” By Bruce Adolph
Schenk Ophirio Model Acoustic Isolation Done Right
These are two great directives for those who live and serve on
worship teams, and inspiring words for those of us who want to Guitar 49 Camera
grow in Him and improve on the musical gift we’ve been given,
whether it’s with a guitar, trumpet or bongos (preferably not all at 10 From the Drummer’s By Craig Kelly
once, however). Perspective So You Volunteered
By Carl Albrecht as a Camera
I started thinking about how David most likely “wood-shedded” Operator At Church
for many hours each day, on his stringed instrument of choice, while Worship Drumming Trends
2010 – Uh Oh, Now
he was hanging out with the sheep at night; he may also very
well have been honing his songwriting skills. What a concert those What? Part 3
sheep got! We know David could play well from his time spent try- 12 Keyboard
ing to calm down his troubled leader Saul with his beautiful music. By Ed Kerr 50 Tips for Tight
Was it smooth jazz? Who knows? But one thing we can deduct The Right Tempo, The Right Part Teams
was that for its time, and in whatever unique tuning it might have By Sandy
been in, it was excellent music played by skillful hands. I guess the 15 Bass Hoffman
fact that Saul once picked up a spear and hurled it at him while Are You
David was playing shows us that there were music critics even back By Gary Lunn
then. Ha! Earning a Living Playing Bass- Lifting
Part 2: Reading Music and up EN-
I do believe that David’s practice honored him back with a real Understanding Intervals CO-MI-
level of musicianship. I like that a lot. Other folks’ excellence should UMS?
spur us on and inspire us. Yes, I have heard many fellow guitarists 16 Vocals
after hearing Phil Keaggy or Doyle Dykes perform live say some- By Sheri Gould 52 Mandolin
thing like, “That’s it, I am breaking my guitar in two.” Or utter the By Martin
classic, “Why even pick up my guitar?” In a way, we certainly can Creating an Effective Vocal
Warm-Up/Work-Out Routine Stillion
be intimidated by another musician’s excellence. But the bottom line
is that when you encounter music of such a high level of artistry, it I Wonder as I Wander
is more of out of a sense of wonder and amazement that you state 32 Record Reviews
such things. When you come face to face with excellence, I believe By Heidi Todd 59 Lighter Side
that deep down in your heart you desire to emulate that gifting. You Aaron Keyes By Manuel Luz
want to dig deeper into your own playing style and polish up your Bebo Norman Church Shopping Exposed
own gifting.
Charlie Hall
Chris Tomlin 60 A Few Moments With…
Personal integrity combined with the joy of being whatever type By Brian Weaver
or level of musician you find yourself to be, will naturally propel you Jeremy Camp
forward. Be yourselves, be grateful to the Giver of Life for your life Generation Unleashed [False] Humility - How to
(which includes your gift-ings) and play like all of heaven is listening! Shine Your Light
36 FOH Engineer
Remember, we need to be genuine people and be who the By John Mills 62 Lighting
Lord has called us to be. We may not be shepherds in the field at Rule #1 - Don’t Mess with It. By Greg Sisley
night, but we are shepherding someone, whether it be your family, Elation E Spot LED
workplace colleagues or local church body. Let’s wrap up the year
purposefully doing it with integrity of heart and skillfulness of hands! 38 Ministry + Artistry =
Profitability? Creating your Interviews
Merry Christmas! MAP™
Bruce & Judy By Scott A. Shuford Lincoln Brewster 20
God’s Growth Strategy The Real Life
40 Authentic Worship
By Michael
Gonzales
Stage Presence
4227 S. Meridian. Suite C PMB #275
Puyallup, Washington 98373-5963 may not be His
Phone: 253.445.1973 Fax: 253.770.0659 Presence
Email: [email protected]
Website: www.worshipmusicianmagazine.com 42 Guitar Grab Bag
Publisher/Editor: Bruce Adolph By Doug Doppler
Vice President: Judy Adolph
Customer Service: Brian Felix
Practice This
[email protected]
Design: Matt Kees Proof: Toddie Downs 44 The Band
Production: Scot Herring / J&D Printing By Tom Lane
Advertising Sales: Bruce Adolph Under Pressure
[email protected] • 253-445-1973
Worship Musician! is published bi-monthly
by The Adolph Agency, Inc.
WORSHIPMUSICIANMAGAZINE.COM NOVEMBER/DECEMBER 2010 7

Product Review
By Bruce Adolph a trade secret. It guitars a year. This allows us to use the finest
Schenk Ophirio Model

is machined from materials and the option to reject materials
solid billet steel and that are not up to our high standards - and
provides micro-ad- don’t forget the trussrod.”
Acoustic Guitar
justability that is un-
matched. He hand- I was hitting some first position chords and
ed me one to hold when I hit an “A” chord with some force…
and we compared it there was so much air moving that it felt
I first heard about Rod Schenk to the other conventional trussrods out like I had plugged into an amp and hit an
back in 2008 when Acoustic Guitar there. Schenk’s was more like a over-drive pedal. It rang from now until next
magazine gave Schenk Guitars finely tuned machine with its rac- Tuesday. Open chords up and down the
its coveted Players’ Choice Gold ing design and aerospace feel. fretboard are a blast on this guitar. Wow! I
Award. I personally knew sev- noticed that the nuanced dynamics allowed
eral of the other luthiers that had Next, for bracing he incorpo- me to strum at different levels and that I had
won that year and I knew that rated more technology. gotten a little sloppy playing guitars that
those folks made some wonderful don’t respond with such a wide bandwidth
handcrafted acoustics. At this point, He used “Finite Element Analy- of touch. A guitar that makes me get better
I was intrigued and it turns out Rod sis” computer modeling programs as a musician just to play it? By now I was
Schenk lives and builds his guitars within for stress and deflection analysis. To really falling for this Ophirio.
an hours drive from my home. Now I was on quote Rod here, “The accuracy of this type
a quest to meet him. I got the courage to call of analysis was able to minimize bracing Playability:
him and it resulted in an invitation for Judy weight and provide a map of optimum brac- Well Rod’s handcrafting abilities certainly
and I to come over for dinner with his family. ing location for the most efficient structure carry over to the ebony fretboard. Man, the
Our friendship started that evening and he for resisting the string forces; less guess and neck is so stable with that advanced trussrod
gave us a tour of his quite impressive work- more facts”. system that it feels sturdy as a rock. Great
shop. It turns out he is also a believer and fretwork and a fine-art feel to the neck shap-
his goal of excellence in building guitars is OK “smarty pants”. Lets look at the materi- ing (more thin than thick) makes this one re-
easily apparent. Now, two years later, als used. The guitar is built completely from ally comfortable and easy to play.
he is offering a new Ophirio model to all solid woods (not even plastic binding).
his award winning line and I just had to The back and sides tone woods are Sapele I like the ducktail volute on the back of
play one. Am I ever glad I did! and the top is Engelmann Spruce. More qual- the headstock too. Again, attention to detail
ity ingredients placed in the mix are bone and bringing in the best design elements do
What’s in a Name? nut and saddles and custom make a difference.
This guitar is named after the ancient city Gotoh 510 machine tuners
of Ophir. This was the famous city that sup- with an 18:1 ratio. Other As for the smaller body
plied vast riches including gold, silver, ivory, available wood choices shape, it fits very easily up
precious stones and algumwood which was include Western Red Ce- against your body and the
used to make harps and lyres for musicians. dar, Adirondack Spruce, “Micro Bevel®” adds that ex-
Ophir is most known for supplying King East Indian Rosewood and tra touch of class and playing
Solomon exotic materials during his reign. even Koa! comfort. What is a “Micro
Ophirio is synonomous with luxury, beauty Bevel®” you ask? Good ques-
and quality. Well that is a pretty cool back- The Sound: tion. On the top part of the body where
story. Therefore, the Ophirio concept was to The round tones and overall volume of your strumming/picking arm lays across the
provide a guitar that is clearly more luxuri- this instrument belie the fact that it is more wood Rod has shaped a small bevel right
ous, higher quality and superior to anything close to a smaller OM size guitar than the where the top and side meets… this softens
else in its price range. Pretty lofty goals I larger dreadnaught size. It has the voice the edge.
might add. of a cannon when you jump on it and a
pronounced articulation when you want to The Look:
Structurally Speaking: play softly. I was just floored by the Ophirio’s The high-grade tone woods and their
Rod is a professional licensed sound quality. I started strumming a rather grains are just gorgeous! Add to that a Ma-
engineer. When he ap- robust tune and it got so loud I thought, “Oh cassar Ebony headstock backplate and an
proached building guitars he my gosh, I wonder if my neighbors can hear understated Abalone inlay rosette and you
looked at the basic design me playing?” I asked Rod how is there such have that touch of elegance Rod was aspir-
and saw that there were a large voice out of a smaller body shape? ing towards.
inherent weaknesses in the “This model has the most radical back-arch
“doing it as usual” build in the industry. The extreme dish shape helps Conclusion:
practices. project both sound waves and air move- I can truly say that in the $3,990.00 price
ment through the sound hole. Flat backed range, this Ophiro is one of the best guitars I
He realized that an ultra guitars trap sound inside but a radical back- have ever played. The fact that it is from the
stiff neck would provide less arch redirects the sound in a direction to hands of a luthier and not a mass produced
dampening and more expedite its exit before the sound energy is American factory, makes it that much more
string energy directed to- dissipated”. special. Schenk hits the mark on superior
ward the soundboard. tonal quality and handcrafted beauty!
The problem was that You see why I like this guy? A simple “the
traditional trussrods arch back” would have been all I needed to Schenk also offers several options includ-
lacked sufficient stiff- hear, but now I actually learned something. ing a cutaway version and pick-up systems.
ness capacity, so he Rod had more to say, “The tight and meticu- All models come with a very nice hardshell
designed his own. His lous assembly and construction of a non- case.
“Super-Rod” trussrod is factory guitar is a contributing factor. Also re-
proprietary and very much member we are producing fewer than 100 www.schenkguitars.com
8 NOVEMBER/DECEMBER 2010 WORSHIPMUSICIANMAGAZINE.COM

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From the Drummer’s Perspective
By Carl Albrecht and see what your God is doing in the
Worship Drumming Trends 2010

earth. (*Note: I just jumped over to my
“itunes store” and sampled Randy Travis
singing a country version of Open the
Eyes of My Heart. Very cool!)
When studying the trends of modern

worship, be sure to listen to the flavor of
There are NO new things on the ho- technical tricks going on as well? Listen the drum sounds. Are they big, fat, rock-
rizon for worship drummers. And there’s intensely to the music as if you could hear in’ drums or do they sound tighter, higher
nothing you can do about it…….. OK, in 3-D. pitched, and snappy?? The trend or chal-
I’m kidding. I just wanted to get your at- lenge for us as drummers is to be more
tention. Modern worship encompasses so of a “musical parrot.” (*Drummer wanna’
many musical forms that you can virtually cracker? Awwk! J ) Absolutely listen to the
Music and worship is ever changing! find God in any kind of music you like. latest from all the modern worship icons.
Probably because God is “covering the From rock to jazz… from country to clas- Just don’t get stuck there. It’s OK to have
earth with HIS glory,” and worship is part sical it’s ALL there. And that is amazing! your favorites, but be sure to work your
of the plan. He is a very creative God. Now, for sure, the marketing of worship other musical muscles.
We just have to stay open to what the has only focused on the pop rock styles
Lord is revealing about music, arts, and we are all familiar with… But, just so A good way to challenge yourself is
the worship that is unfolding in these you know… I like it all! This is not about to change your drum set up each week.
times. slamming the industry that has promoted Play a stripped down kit for a week –
contemporary Christian music and got- Kick, snare, hi-hat, one tom, ride cymbal,
For drummers and other musicians the ten on the worship bandwagon. I know and a crash cymbal. Next week, add
key is not to allow complacency to infect the industry gets wrapped up in working one tom; next week move your cymbals
your creative life. That has happened to popular formulas, but the art still keeps around. Later even try setting up a huge
me before and I do everything I can to evolving. Even if it does feel slow to some drum set. And so on… Yes, I really do
“push back” against that enemy. I do all I people. this. On this current tour I’m playing a ba-
can to stay fresh and hungry for the Lord sic 5 piece kit right now, with and addi-
and for what He has called me to. This For the sake of the art of drumming tion of a brass piccolo snare to the left of
applies especially to my musical journey. and all other musical expressions keep the hi-hat because the music calls for it. (A
your ears and your mind open. If you ride, and 2 crashes are all the cymbals
Sometimes it’s a matter of studying new feel stale and uninspired listen to some I’m using./ 22” kick, 10”, 12”, & 16”
worship songs or styles. Yes, studying! It’s country gospel. Yep, that too! ;-) …Then toms/ 14”x 5” Maple snare)
foundational to experience the music for listen to some big band worship and play
the sake of worshipping, but along… work on your swing feel. Maybe My studio kit uses four toms and tons
it is also vital to analyze the also try some Latin-salsa worship. Definite- more cymbals, but they’re set up in an
technical side of songs. Lis- ly work on the modern worship stuff that is unusual configuration. I keep mixing
ten to music and take notes. popular right now. But also work on that things up just so I have to think about
How do the drums sound and slammin’ urban gospel vibe too. And so it what I’m doing. Yes, I am careful to keep
feel? How do they fit into the goes on, & on, & on, & on. everything placed comfortably so I can
mix with everything else on play smoothly, but there are many pos-
the recording? Is there a lot In the past couple of months I have re- sibilities.
of percussion in the track? corded drum and percussion tracks for a
Are there drum loops and huge variety of worship styles. Classical, Be creative and try new types of drum-
s p e c i a l classic rock, jazz, and country just to list heads; new sticks; new… ??? OK, you
a few. If I wasn’t listening and working got the idea. Now run with it…
on these musical flavors I could not do
the work. So drummers get back in the Send me an email and let me know
“woodshed” and sweat your way through what happens to your playing as you
some fresh music. stretch your creative muscle. Keep those
“cards & letters” comin’!
What are the trends? There is NOT
only one! Many musical expressions are Blessings from Dr. Drum Trendsetter. J
exploding around the world. Some- Carl
times it’s just easy to get
trapped in a
musical whirl- Carl Albrecht has been a
pool where professional drummer & per-
you can’t cussionist for over 25 years.
see what He has played on over 70
else is Integrity Music projects;
h a p - Maranatha Praise Band recordings &
pening. numerous other Christian, Pop, Country,
Thanks to Jazz & commercial projects. He currently
digital musi- lives in Nashville doing recording ses-
cal servers sions, producing, writing and continuing
it’s easier to to do various tours & seminar events. Visit
find the obscure his website: www.carlalbrecht.com or
artistic expressions. So dive in send an e-mail to: [email protected].

Keyboard
By Ed Kerr
The Right Tempo, The Right Part

Time is an essential component of the worship song. Without exception, I am part of every chord in the verse above
music you and I make as we lead our certain that something about the parts except for the E and E/G#. Why is
congregations in worship. Have you being played by each instrument will this important? Because that A can be
ever had someone on your team give change as the various sections of the placed in the top voice of your pad part
a count off for a song to begin and, song are heard. There will be a certain and lend a very nice element to what
once you’re singing it, realize that the level of activity for the intro, a change ofthe rest of your band is playing. Try this
tempo that was counted off was REALLY some sort when the first verse or chorus yourself playing the chord chart above,
wrong? Either the crowd is trying to spit is sung after it, and then further changes starting with the 5th finger of your right
out words faster than humanly possible as the arrangement continues. hand on the A above middle C. Keep
or every syllable seems to take three sec- your finger on that note throughout the
onds because the tempo is just wrong. Of course every instrument might not progression.
Not a good feeling. It’s unlikely you’ll play during the intro. Several may lay
look at your congregation and say, out until the first chorus or, perhaps, You might be wondering why I’m sug-
“Oops; Could we have a do over?” not enter until the reintro after the first gesting that you keep the note A on top,
chorus. The bottom line is that each considering that the A is not part of the
Because all of us want to present instrument’s part evolves as the song is E or E/G#. This is a great example of
our songs with as few musical prob- heard. Broadly stated, something is be- letting our musicianship take us some-
lems as possible, do what you can to ing done within the rhythm section to set where the chart doesn’t spell out for us.
make sure the songs you present are each section apart from the others. One of the most popular voicings be-
played at the right tempo. We’ll jump ing used on modern worship recordings
into some keyboard-specific concepts in Let’s say your team is playing “Mighty is the add4 chord. It is most effective
a moment, but let me challenge you to To Save”, one of the most popular wor- when the 5 chord in the key is being
think about how you can involve some ship songs today. You’ve decided to use played. The 5 chord is built on the 5th
sort of tempo reference in your worship a pad sound. A pad sound is a great note of the scale. In the key of A, that’s
teams. I’m enjoying using an app called complement to the activity that are typi- an E chord. So, you can play an Eadd4
“Tempo” on my iPad for this. Whether cally played by acoustic and electric when the E chord appears in the chart.
you use an iPad, a loop from your lap- guitarists on your worship team. If you’re
top or have your drummer store tempi not exactly sure what I mean when I say What you do with the other notes of
in a Yamaha ClickStation, ask yourself “pad” sound, visit my website to hear the chord below the droning note is up
what’s keeping you from taking this step some examples. to you. Keep in mind when creating
to guarantee you find the right tempo your pad part that the pad police will
for your songs. I’m travelling with In- When using a pad, the sound you’ll not be monitoring your performance to
tegrity Music’s seminars4worship this play will not have much definition to its be sure that you have a root, 3rd and
fall, and Carl Albrecht, the drummer for attack. So, to play rhythmic parts with 5th in every chord you play. Let your ear
the events, always plays along with a lots of 16th or 8ths would not work well. be the guide. For the first chord of the
click. This brings great musical stability Your main contribution to the arrange- verse, for example, consider leaving out
to what we’re playing as a band, and ment will be playing long note values, the 3rd, F#, and only play the D and
there’s no reason you can’t find a way mostly whole notes and half notes. A the A. Remember that the A will be the
to bring that stability to your teams as well-constructed pad part can contrib- top note you’re playing. Then, when the
well. ute significantly to the sense of “payoff” chart goes to A, keep the note A held
when you move from verse to chorus down on top and move to an E below
On my website, kerrtunes.com, I’ll be and other sections along the way. it. It’s right next door to the D you were
listing some options you could consider playing. When the F#m7 chord follows,
for providing a click for your worship Here are the chords for the verse: you can continue playing the A and E.
sets. Besides the various hardware op-
tions, I’ll upload a few loops you could
use as well. Once you incorporate a
click into your worship times and feel
the confidence it brings to everyone on
the team, you’ll want to make it a con-
sistent part of your ministry times.
So, you’ve got the right tempo go-

ing for the song you’re playing. Here’s One of the most important things you When you reach the E chord in mea-
when each player on the team has a de- should try and do when playing a pad sure 4, think of it as the Eadd4 and add
cision to make: how much activity will sound is to use droning notes. A droning a G# to your voicing. You’ll play A,
they play in a given section. A very im- note is a note that is heard over several G# and E. This a beautiful voicing with
portant consideration in what you and changing chords. This note is often a lots of dissonant energy, giving great
every other member of your rhythm sec- part of the chords that are being played forward momentum to the musical mo-
tion will play is what the part will do to but sometimes is not. Without jumping ment. For the D chord in bar 5, head
delineate the sections of the song. Listen too deeply into chord spellings and back to your first voicing of the verse,
intently to a recording of your favorite theory, I’ll point out that the note A is Continued on page 56

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Bass
By Gary Lunn
Earning a Living Playing Bass-Part 2:

Reading Music and Understanding Intervals
At a fairly early age, I learned how to To clarify things
play the bass by ear, learned how to read so that you can be-
chord charts by playing with the youth come familiar
choir while also teaching myself how to with all of the
play acoustic guitar. Through all of that available
I was never able to learn how to read inter vals,
music. I had tried to learn by playing in here’s a list
a church orchestra. I even tried to play in for you. I
a jazz rehearsal band – that didn’t work will order
out (they kicked me out). Later when I was them in
a freshman in college there was an ear half steps, (or in
training class called “Sight Singing” that measurements of o n e
I signed up for. The concepts taught in fret increments) and all in the that you’ll find as they pertain to
that class were simple, but it opened up a key of C. the kind of music that you
locked portion of my brain that had need- listen to. You can
ed to open up for years. I could immedi- Minor 2nd always find familiar
ately identify notes as they were played, – 1 semi- parts of bass lines
but what I didn’t understand was that it tone – C or melodies that re-
was the relationship between notes that to C#, mind you of certain
would help me to understand so much M a j o r intervals. It’s all a
more about reading music. 2nd – 2 part of the reading-music
s e m i - experience.
What’s an Interval? tones - C to D,
The number of half steps, or “semi- Minor 3rd – 3 Shapes
tones” between two notes make up an in- semitones The discovery of
terval. For example, starting from “C” on - C to Eb intervals was ma-
the bass (A-string, 3rd fret), if you played – Major jor revelation in
an “E” (D-string, 2nd fret) at the same 3rd – 4 my trek of learning
time, you will have just played a major semitones music and reading nota-
3rd interval. Why? Because, in the key of - C to E – tion. Another connection that I have
C, E is the 3rd of the scale. So you have Perfect 4th – 5 found is that many people, particularly
played the “1” and the “3” in the key of semitones – C to F. stringed instrumentalists, often see
C, which is actually the first 2 notes in a shapes in their fingering patterns
C triad (we talked about triads a while Reminders and finger positions on the neck. I
back). You are probably asking yourself, While familiarizing yourself with inter- often see squares, vertical lines, and
“What’s the big deal?” The importance is vals, something that will definitely help triangles in the patterns that I
that on a bass-clef staff, the first note you is to find familiar melodies and/or bass play. Understanding chord
played is a C, which is the 2nd space lines that are the same as the interval that spelling and how intervals
from the bottom. The 2nd note is the E you are trying to memorize. For example, pertain to that has opened
and it’s the 3rd space from the bottom. the thematic bass line that starts the old up a relationship between
Therefore, whenever you see any 2 notes 60’s soul song; “My Girl” is a perfect shapes of chords on the
that are only separated by one line or 5th (C-C, G-C-C). The interval between staff and how you might
space, it will always be a 3rd interval. the C and the G is the perfect 5th in this play them on the bass. I hope
This realization was of incredible impor- case. If you were to look at this line on the this information accelerates
tance to me because I now understood bass clef staff, the first 2 notes would be your learning to read music as
that the relationship between the notes on placed on the 2nd space, the 3rd on the it did for me. The sooner that you
the bass was directly related to the rela- 4th space, and last 2 on the 2nd space are on your way to broadening your
tionship of the notes in the staff. again (just like I said earlier, 5th’s are al- qualifications as a musician the better! I
ways line, skip a line, to line or space, hope this information will open up new
Another commonly used interval is the and skip a space, to space). Another ex- opportunities for you and generate more
5th. Play a G on the bass (E-string, 3rd ample would be another 60’s song called work. Be continuously blessed for every
fret). Now play a D (A-string, 5th fret). “I Heard It Through The Grapevine.” The note that you play!
You’ve just played a “perfect” 5th (all first 4 notes of the bass line in the intro
5th’s are perfect because there is no such outlines a minor 3rd (D,D-F,D). The inter-
thing as a major 5th or a minor 5th). You val between the D and the F is the minor Gary is a session player/
have also just played the “1” and the “5” 3rd. If you were to see these notes on producer/writer in Nash-
in the key of G. On the staff, the G is the bass clef staff, the first 2 notes would ville, playing recording ses-
the bottom line and the D is the middle be written on the 2nd line, the 3rd note sions and recording at his
line. All 5th intervals are line, skip a line, on the 3rd line, and the 4th note on the home studio. Find him on
to line or space, and skip a space, to 2nd line (3rd’s are always written from a face book or at www.myspace.com/
space. line to the next line or a space to the next lunnbass.
space). There are many more examples

Vocals
By Sheri Gould working on your voice and you will

reap many benefits. So put down
Creating an Effective Vocal your instrument! (just for a little

while…) After you have worked
out for awhile, without your in-
Warm-Up/Work-Out Routine strument, try singing and playing

again—in front of a mirror. This
will help you to see whether you
The most effective Warm-up/Work-out on your cords so you’d do well to avoid are able to keep in place what you
routine is one that you’ll actually DO. I’m that when possible. Always try to let the have accomplished, even while playing.
going to try to help you to be creative in phlegm stay as long as you can stand it,
designing a routine for yourself that you’ll then clear it as gently as possible—gently Recording yourself during your work-
actually be able to do on a relatively equals as little noise as possible. out can help immeasurably by giving
regular basis, but first let’s clarify the dif- you real feedback as well. If you have
ference between a warm-up and a work Take care to do a couple of exercises no one to actually watch or listen to you,
out. then rest for minute. Don’t push to the these two tools: the mirror and the record-
outer reaches of your range right away, ing will ultimately be the best friends you
A warm up for the vocal cords serves wait until the cords are warm before you have…really. They always tell the truth!
the same purpose as warming up any oth- start going to your higher note, and then
er muscle. It gets the blood flowing and go slowly and not too loudly. In this way Using a warm-up/work-out CD of some
helps the muscle to function properly and you’ll help to avoid the sudden stretches kind can be helpful, but be careful to go
helps to avoid damage. You also achieve that can cause stress to the cords. All of at your own pace and to always keep in
increased flexibility and strength. This is this can be done while you’re actually mind what you‘re supposed to be learn-
all great stuff for vocalists. Warming up doing something else, as long as you’re ing. Sometimes, try as they might, a stu-
has no downside to it, so why don’t we careful. That something else could be dent may end up misunderstanding what
do it more? cleaning up the breakfast dishes, taking a the instructor on the CD is actually trying to
shower, driving to work or church. Wait- get them to do. I have seen cases where
Time ing at the bus stop depending on how vocal damage has occurred as a result of
So, let me offer a couple of suggestions brave you are ;-) trying to copy what a vocal instructor on
of ways to help you work in a warm up! a CD was doing, but just not quite getting
I suggest to people t o try and add it to Working Out it right. Without someone in the flesh to
something you’re already doing n a regu- Now working out the vocal cords is check on you—or tell YOU what to check
lar basis such as taking a shower, driving entirely different. When you work out for—this can be easy to do.
you need to
have spe- A DVD is usually a better fit—at least
cific goals in to get started with. That way you can
mind or your not only hear the instructor but SEE the
work-out is instructor demonstrate the technique as
well. After you’ve acquired
the skill(s) then you can use
your own accompaniment
to go at your own speed
and in your own range.
This is the best way to do it
but not always feasible for
non-instrumentalists. That is
to work (church), walking your dog…etc. really nothing more than an extended when those accompaniment CDs come
There is absolutely no reason why you warm-up. If you have in mind to increase in handy.
can’t incorporate warming up into some your breath control for instance, than you
of the normal everyday life things you do. need to do an exercise that is specifically I am excited to be able to offer for the
Warming up is different from working out designed with that in mind. Then you first time my own DVD featuring a com-
and doesn’t require quite as much mental need to concentrate on what you’re do- plete “how-to” on warming up and work-
energy. Anytime you CAN devote your- ing so that you do it properly and gain ing out! It will be released by the time
self wholly to warming up can of course the benefits. If you don’t do these exercis- this article hits the press! The new DVD as
provide opportunity for a better focus and es correctly, just like any other work-out, well as my DVDs-“Basic Vocal Technique”
would be preferred, but in our world of you can end up reinforcing bad habits and “How to Be an Effective Background
the worshipping vocalist—we’ll take what and ultimately do more harm than good! Vocalist”, will all be available on my
we can get! website sherigould.com. God bless and
Tools happy singing!!
Take It Easy So make sure you are always in front
It’s important to warm up slowly so as of a mirror when you work out. If you are
not to cause the very damage you’re try- an instrumentalist who also plays when Sheri Gould has a BS in
ing to avoid. If you put too much stress you sing, you need to have some time Music Education (Vocal/
on the vocal cords before they’re warmed devoted specifically to JUST SINGING Choral) from the University
up, you can cause enough irritation to so you can concentrate on your voice of Illinois. A church music
stimulate the production of phlegm. Once without having to be cognizant of your director (Choir/Worship
you have phlegm on the cords you’ll likely instrument as well. This will help you take Leader) since 1985, she also teaches
want to get rid of it-fast-and that usually re- your voice to the next level. You have like- vocal techniques at various workshops
sults in you clearing your throat. Clearing ly spent countless hours honing your skill around the country. Send your questions
your throat can wreak some serious havoc as a musician, now spend a few hours to: [email protected]

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Lincoln Brewster is a lot of things to a lot of people.
Husband, father, son, worship arts pastor, Christian
ewster
recording artist and guitar hero. He has been
maturing into these roles as the years go by while
at the same time trying to keep it real. Let’s take a
closer look into the real life of Lincoln Brewster.
Worship Musician: The new record ahead of you, not behind you.”
“Real Life” has real meaning to you. Tell And my life verse is Philippians
us about that? 1:6, which says that God is
faithful to complete the work
Lincoln Brewster: Well, over the course that He started in me. That lyric
of making this project I started stumbling is in these songs, and they are
across a different side of my writing. I laced with real things that are
wrote with some good friends again… really applicable and relevant
with Mia Fieldes, Paul Baloche and Jason in my life. Probably the most
Ingram. As the songs started to come out obvious one of those is the
early on in the writing process, a song title cut, “Real Life.”
called “Made For More” emerged. It
was a really introspective (almost kind That one was a complete
of a Bruce Springsteen-esque) lyric, like shocker. After we had
I was singing my thoughts. I was driving the whole album written I
down the road one day and had this played all of the songs for
kind of groove in mind, and the first my wife and said, “What
thing that came out of my mouth was, do you think?” And she
“Don’t care about money, don’t care said, “I think you have
about fame.” That line really set the one more in you.” “Real
tone for the song. You know, it’s been Life” came out of that.
weird in that I have had people say to It is probably the
me, “You’re famous,” and I still don’t most personal song
believe them. It doesn’t feel that way I’ve ever written.
to me. So this project sort of opened It is different
up this other side of my writing, and as even in the way
we continued down the writing process, I produced it,
a lot of the songs were based on real and stylistically
things that have happened. a little different
too, but I just wanted to
Mia and I wrote “Whom Shall I Fear” capture the essence of
(featuring Kari Jobe) after I had a phone what that song was about.
conversation with a friend of mine It talks about me growing up
whose nephew was in intensive care in Alaska and how basically I
after having almost been killed in an still feel like a little kid. I don’t
accident. I was trying to encourage my know about you, but there are a
friend to not be afraid. She was being lot of times when I don’t feel like
driven from a place of fear and I tried a legit adult, you know? I feel like
talking to her about God’s Word. I told I’m a kid masquerading in an adult
Mia about the phone conversation and body. I look around and I have a
we started writing this song. It came beautiful wife I’ve been married to
from the perspective of, “What would for almost 17 years and two kids,
we want to encourage her to say?” a house and a job (actually more
There is a line that says, “You won’t like five jobs!), and this is real life
let me fall when all else is falling.” You but it still feels like playing house.
know, “It is because I know you live, that Mia and I were having this
I will put my faith in this, that you hear conversation and the lyrics from
my call, you hear me calling.” Really that song came out of that.
expressing “faith statements” that get
people to proclaim God’s truth. Some people don’t know about my
connection with the “Deadliest Catch”
Even the song “Best Days” was a lyrical television show, but the “Time Bandit,”
result of years of my pastor looking at one of the boats on that Discovery
me and saying, “Your best days are Channel show, was my family’s boat
photo: Jeremy Cowart
20 NOV/DEC 2010 WORSHIPMUSICIANMAGAZINE.COM

growing up. The Hillstrands are my ex-
step brothers. Their dad was my step-
dad. I grew up in an environment of
domestic violence, alcohol and drug
abuse. I had been a victim of that myself
and watched my mom go through it for
10 years, from the time I was really
young until the time I was 12 years old.
And so when I sing about the place
where I grew up being awesome and
that I kind of took it for granted – that
was true. But then I also sing about the
real pain and real tears, and it speaks of
the tough times. When I took my family photo: Jeremy Cowart
back up there last summer, it filled me
with deep nostalgia, both good and embarrassing and things that weren’t facets but it is just one picture.” It is
bad. It was neat to watch my boys play my fault. But being able to talk about my relationship with the Lord; it is my
on the same beach where I grew up, but them has been great and I’ve already family; and then ministry. And when
it was also very painful to remember the had lots of people come up to me and it comes to ministry, my priority is the
things that I was living through every say, “I had the same kind of upbringing church. I always need to make sure that
day at their age. So “Real Life” takes a and I’ve never talked about it or had the is intact and going well. My pastor has
stab at painting my past a little bit. courage to talk about it.” been great about this; we really feel like
my ministry outside of Bayside Church
WM: Well that is the significance about So there is a lot of life wrapped up in is just an extension of our church. My
it, Linc, because often times we gloss this record and it has things that are pastor likes the fact that I travel and
over the pain and put on the happy very real. We have known each other get out to minister outside of Bayside.
“church face.” So this is you pulling that a long time and I think you know that I have learned wonderful things that I
mask off a little bit. I think that is healthy I’m pretty big on just being an authentic have been able to apply at home and
to discuss. person, so this wasn’t the album that I’ve also been in an environment that
I planned on making… it just kind of has been so alive at my home church
LB: Everybody has a past, everybody came out this way. that I am able to take that out to other
has a today, and everybody wonders churches and be a blessing that way.
about tomorrow—or hopefully has WM: You have a dual identity as a So it is a very cool back and forth thing
hope for tomorrow. So I try to take touring artist and as the worship arts going on.
it in those three steps. “Real Life” is pastor at Bayside Church in Sacramento.
way more than just about my life, Both can be challenging lifestyles. I’m WM: Changing the subject here…
even though it starts off talking sure there are times were it seems like your mini-melodic guitar riffs… you like
about my past. The hope is that you are carrying a heavy load. What to tuck them in left and right. Is that to
the song gets to a place where do you tend to do when it seems like keep things more interesting for you as
it is globally accessible, and the both worlds are colliding and it isn’t a a player?
biggest message of encouragement pretty sight?
to give to other people is that LB: I like being creative and I can
even if you have had a messed LB: (Laughs) Well, you know I probably honestly come up with endless different
up past, that doesn’t mean tend to react to them differently at guitar parts for every song. I just hear
God can’t use you to do different times but I’m learning that these little parts… it’s like decorating a
something awesome. I my best reaction is leaning into God, Christmas tree you know? I can see it
am living proof that leaning into my wife, and leaning into done a bunch of different ways. I like
God can use your life friends that I can trust. Also getting creating things that are interesting to
even if your past is Godly counsel; I am a verbal processor listen to. A lot of my favorite guitar
messed up. There by nature. The main thing that helps players growing up were real riff guys.
were a lot of me is to try and remind myself of my They would have a hook in the chorus, a
things about priorities and make sure that I have vocal hook or a melodic hook, and also
my past those straight first. I’m always trying to a real cool guitar hook. And I still have
that were ask the question, “What is the wise thing a heart for guitar players. It’s almost
to do?” I’m always trying to approach like as I am making the record, when
it from as wise a point of view as I can. it comes to producing a song (once it
And when those worlds are colliding I is written), I’ll think to myself, “Alright,
think that one of the fixes is to blend worship leaders, is this something you
them. Rather than try and keep them can grab onto in church?” And then I
separate I always trying to push them always think, “What about the guitar
together because they need to work in player? What would be cool for them?”
tandem. I try not to have a dual identity. Like the opening riff to “Reaching For
I try to be one person and say, “This You.” If I were in the praise band at my
is just one big picture; it has different church and the worship leader came in
NOV/DEC 2010 WORSHIPMUSICIANMAGAZINE.COM 21

The REAL LIFE of LINCOLN BREWSTER: continued
to it and when I listen to modern worship, Jeff Beck play… I marvel at the gift that
because it is what I do, sometimes I’m God gave him. He can play the electric
listening to the production or song guitar in a way that nobody on earth
structure. It can be challenging because can, in my opinion. And when I heard
I have to purposely pull my mind out this guy Russ Freeman play, I thought,
of it and just let my soul be ministered “What a gift!” It soothes me. So I look
to. You know it is almost like if you do at it this way… that is the gift that God
roofing for a living, you probably drive gave him. If he is not using it for God,
around and notice roofs on houses all then that is his choice. But I find his
the time. So not just being a worship music beautiful.
songwriter and an artist but a producer
as well – it is hard for me to disconnect.
So the short answer is I like going back
and listening to older stuff; it has been
really nice. I feel less connected to it
from a professional vantage point and
it allows me to worship freely.
For the guitarist part of the question,

the answer is Jeff Beck for sure. The
“Live at Ronnie Scotts” album is
terrific. He did a bunch of nights in a
row at a club and recorded it… just
unbelievable. He has Vinnie Colaiuta
on drums and Tal Wilkenfeld on bass
and I can’t remember the keyboard guy
photo: Steve Batz at the moment. At the Summit we just
did with you at Bayside, it was really
and said, “We’re going to learn this neat getting to have Phil Keaggy with
new song” and I heard that riff I would us. Watching him and watching his joy
say, “Cool!” It gives me something come through…he was fantastic! I love
to go home and get excited about. I that acoustic stuff.
know how that feels—I get to learn
something new! When I was learning photo: Jeremy Cowart
A strange thing happened to me recently
songs, even back with Steve Perry, it when I was in Orlando playing at the
was fun to learn those guitar parts that Momentum Christian Radio Conference. WM: Let’s talk about your quest for
I had grown up on. I like offering things It was late at night and I walked in into tone. Where has that led you lately?
musically on every level I can. That is the convention center lobby. I really
why it is great having Norm Stockton don’t like being away from my family LB: You know I’m always trying to get
on the record. He does great things on and I walked in feeling that sense of a great sound, trying to make sure
the bass. Mike Johns does a great job loneliness and really missing my family. that the tone is pleasant to listen to - a
on drums. Steve does great things on The schedule had been really hectic and nice big, fat and sing-y tone that still
the keys. There are a lot of interesting I was feeling pretty bad and this is no has an attitude and all that. We are
things for musicians to grab onto, to joke – I walk in and I was in this huge in a neat era of equipment for guitar
make the experience more fun for both lobby all alone. There was music playing players because there are a lot of
the people doing it and for the people over the speaker system really faintly. It great amplifiers available, boutique
listening to it. was the most soothing acoustic guitar makers included. You’re not as limited
music, just by itself. It was amazing! So as you used to be if you want to go
WM: What are you listening to lately I put my iPhone up and did the Shazam that route. For amp-modeling too, it just
that inspires you in the worship music thing and it worked! I couldn’t believe keeps getting better and better. A lot of
field, and who is inspiring you as a it. It barely caught any of the song and people know that I am into modeling
guitarist? I thought it would be a lost cause. It and that has to do with the fact that I
was a song called “Larry’s World” by travel. When we travel we mainly fly
LB: You know what’s funny, in the a guy named Russ Freeman, and it was and so my quest was to have tone that
modern worship field, one of the things beautiful. I don’t know anything about I don’t need excuses for and have it
I have done in recent days is actually go him as a person, but it inspired me. I be the same all the time because I’m
back. I think sometimes to go forward it would love to record an album of that taking my rig with me. So I’ve been
is good to go back a little bit first so you kind of material. Phil Keaggy has done on a mission with modeling because
can look at where we have been. I like stuff like that and it made me want to that is the only way I can do it. I can’t
some older worship music. It’s almost go buy all of Phil’s albums. He is just take a big guitar rig on the plane. I’ve
like going back before worship was a a genius musician on so many levels, been diving into the tones in modeling
hip thing to do. There was no thought vocally and guitar-wise. I get inspired and a lot of people know that I’ve used
about commercial viability. It was just by watching people who are incredible the Line 6 stuff for years and still love
songs to God. There was a neat aspect at what they do. It’s like when I listen to it. It’s funny, when I started using the
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companies. Can you list some of them

for us?
LB: Oh boy, yes I have. Shure, Fender

Guitars, DiMarzio, PreSonus, Grundorf,
Line 6, Fractal Audio, Boss, D’Addario,
Planet Waves, Yamaha Commercial
Audio, McPherson Guitars (fantastic
guitar), Avid, Universal Audio and ADK
microphones. They make amazing
mics – I did all of the lead vocals with
their CS67J. For the money it can’t be
photo: Great Plains Photography touched.
Fractal Audio Axe FX there were many go-to electric guitar? WM: We know you are a committed
people saying, “Oh he’s jumping ship,” family man with a lovely wife and
but I wasn’t jumping ship. I needed LB: There are a lot of reasons. One, two young sons. What do you do to
a couple more features that my POD I just like Strats. There is something safeguard those relationships as you
didn’t have in a live situation. And so I that I have liked about them ever try to strike that balance between
switched and started using the Fractal, since I started playing guitar as a kid; relationship and career?
but I did use both the Line 6 POD Farm something very classic. It’s funny being
software and the Axe FX on this latest somebody who is into all of the modern LB: You know what? I feel like God
record. I still love the Line 6 stuff and technologies because the modeled amp spoke this to me; “Use your creativity to
both are great companies. Line 6 has I used the most on the Line 6 is a 1966 find great moments with your family.”
got some fantastic new gear coming Plexi Marshall. All of the amps I use I’ve had to learn to get creative with
out. They’ve sent me some things to try in modeling are all the ones that are my schedule. Sometimes time is about
out and they’ve definitely been doing “vintage.” The one I use on the Fractal quantity; your kids need time. But I’ve
their homework and aren’t resting on is again an old Plexi Marshall with also found that you can have a short
what they’ve accomplished. I know that Greenback 25 speakers in it. So it’s the amount of time that has a very high
Fractal Audio is doing the same thing. same with guitars. I just feel like that by impact and those times are priceless as
So it’s really nice seeing that there are 1957 Leo Fender got it right. And by well. Sometimes I have to be creative
people out there who are passionate 1959, I feel like Gibson got it right. I in that.
about doing top-notch modeling of know we are talking specifically about
really top-notch vintage amps. So I’m a Strats because that guitar has so much As an example of that, the house that
tube amp guy all the way, whether it be flexibility and variety. we moved into had a swimming pool
a modeled tube amp or a real one. I already in the backyard. The folks
love those old tube amps. If you see us play live I can go from before us had installed a heater for the
a clean, glassy tone to a bluesy tone pool. We typically never use the heater
WM: Now both you and I are die- to a more of an ethereal tone to full because it is really expensive. Laura
hard Fender Stratocaster guys. Without on humbucker-esque (almost Les was having her mom and dad and aunt
distressing our friends who play other Paul-ish) rich tone - all on one guitar and uncle come up so we heated up
types of guitars, why is the Strat your without having to do a bunch of pedal the pool. And then I went out of town
dancing. and was gone for a week. Well, I left
the pool heater on by accident. The
The Strat is able to go so many places temperature outside had heated up
tone-wise and I think for worship music, too while I was gone. I got back from
for me at least, if I need to clean the the airport late at night and I hadn’t
guitar up, I can turn the volume knob seen the boys yet. They were in their
down and pick with my fingers while pajamas and they had to go to bed. I
I’m talking. If I need to go full-on blues had a bunch of stuff I still needed to do
in a Stevie Ray style, I can do that. If I and Laura said to me, “I think you left
want to go old Van Halen-esque, I can the pool heater on.” So I went outside
do that. I can keep rolling my tone pot and the whole pool felt like a hot tub.
backwards and get more of an Eric I was just going to turn the heater off
Johnson kind of thing or I can do the Jeff and be done with it and I thought to
Beck thing. There are so many options myself, “Oh you just can’t let this go to
right there at your finger’s control that waste.” So I went inside and purposely
you don’t have to constantly change said, “I’ve got to go back outside and
presets on your pedal board. I just can’t check the pool.” My boys said, “Hey
get that kind of variety out of any other Dad, can we come? Can we come?”
kind of electric guitar. And I was like, “No.” Then they said,
“Please, please, please,” so I said,
WM: You have been blessed with “Oh ok, I guess so.” We walked out by
photo: Jeremy Cowart several endorsements from equipment the pool and I got them right next to
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the edge (I was holding Liam because of my time. So I try to be good about my own home and being able to
he couldn’t swim yet) and Levi was that and I think if you asked my family actually do something about what
standing next to me. I said, “What’s they would unanimously say that they my surrounding is like, I’ve just found
that there in the bottom of the pool myself increasingly less tolerant of
know they are the top priority in my life,
Levi?” He was like, “What? Where?” I outside of my relationship with God. settling for dysfunction and things that
said, “Look, look right down there in the are not God-honoring in the way that
middle.” And as he bent down to look, WM: Good stuff Linc. I have a question they operate. So relationally that is just
I pushed him in the pool, and in my full about your new album, Real Life. You a big thing to me. I really believe that
clothes, I jumped in the pool with Liam. have a piano ballad called “More Than relational dysfunction is a very harmful
They thought it was the craziest thing Amazing” that showcases your singing thing that the enemy uses to keep God’s
ever! Just because of the fact that we all voice. Can you tell us about that song? kingdom from expanding.
jumped in the pool with our clothes on.
You know what? We were only out in LB: You know, what’s funny is that song I can go into all kinds of “leadership this
the pool for about 20 minutes and they wasn’t supposed to be a vocally-driven and that” about the ins and outs of how
thought it was the greatest. That was song on purpose. I had wanted to write I’ve seen that happen. But at the end of
one of those short amounts of times that a piano ballad for a long time. I’ve the day, when we haven’t forgiven each
had high impact. always wanted to write a song that felt a other, when we are harboring bitterness
little throw back-ish, but had that classic and anger and when we don’t have the
When we are in that “on the go” mode piano hook to it. I can play enough conversations that we really need to
we have to find those special moments. piano to write some parts out and I was have or when we don’t have them in
Tomorrow the new album comes out and really excited when Mia Fieldes and I love... One of the first things that we
I’m going to take them out to lunch and wrote that song. It is a neat change for teach in that class is that you have to
do something special with them. And me. We just led worship with that song be committed to conflict resolution! It’s
then other times when we vacation— at church the other weekend and man not if you have conflict. You are going
and you know this about me—I turn it just felt great - a special moment. I to have conflict. The question is, are
my phone off! I really protect that time. hope it is the kind of song that a lot of you willing to stick it out and resolve it?
And so when we have a vacation on churches can use. We had the church Are you willing to admit that you are
the books and we are going through a choir come over to my house and we wrong? Are you willing to look at your
busy season, both Laura and the boys put them on the record. The choir was own life and go, “Yea, I need to change
know that they will get 110 percent actually standing in my master bedroom this?”
when we were recording that song. It
was pretty cool. You know, I don’t want to be critical
of the church and just say, “Oh, it’s
WM Right on. It’s interesting because rampant in the church.” It is rampant
you don’t even pull out a guitar part in humanity; not just the church. But
until the last third of the song. for me, I want to encourage people
whenever I get a chance and do my
LB: I tried to give it a little bit of a Journey- part to say, “It’s not God’s plan for us
ish flavor. Obviously I’m no Steve Perry to be in a dysfunctional relationship.”
but I always liked that quality a song We should be God-honoring in the
has when it is produced small and it way that we function. And I am a
grows as the song goes. It gets bigger really big proponent of honoring
and bigger and just goes “boom” at spiritual authority. I fear that some of
the end! It is a constant crescendo. So I this generation has lost that. I took a
was trying to accomplish that with this class when I first got into ministry called
particular song. Leadership Principles. Laura and I both
took it. It was like God branded that
WM: At our Christian Musician Summit stuff on my heart and it never left me.
conferences we always ask you to Some of the things I was taught are hard
teach a workshop on the relationships and they go against worldly wisdom.
between pastors, worship leaders and But at the end of the day, I want to be
worship team members. It’s always a in alignment with my pastor. I am loyal
very popular class. Can you try to boil to him. I have his back and we have a
down for us the gist of your message in great relationship - a great friendship -
that workshop? and that means that sometimes I have to
say things that he doesn’t want to hear.
LB: You know, the fact that God sent His But that is what you do with a friend.
only Son to restore a broken relationship And so I get to be a part of the process
should tell us something about how figuring out what we do and how we
God feels about relationships and how do it. At the end of the day though,
important they are. somebody has to say, “OK, I have
heard all of the suggestions... now this
Growing up in a dysfunctional home is what we are doing.” Then it is my job
environment, and now today having to go out of those doors and execute
26 SEP/OCT 2010 WORSHIPMUSICIANMAGAZINE.COM continued on page 56

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Songchart
120
More Than Amazing (1 of 2)

Lincoln Brewster & Mia Fieldes
INTRO
A D2 E F #m7 D2
VERSE 1
A D2
You're the One Who walked on water, and You calmed the raging seas
F #m7 D2
You command the highest mountains to fall upon their knees
A D2
You're the One Who welcomed sinners and You opened blinded eyes
F #m7 D2
You re- stored the brokenhearted, and You brought the dead to life
E F #m7 D E F #m7 D
Forgetting all our sins, You remembered all Your prom- ises
CHORUS 1
Asus A Asus A
You are amazing,
Asus/F # F #m7 Asus/F #
More than amazing
F #m7 Esus D2
For- ever our God, You're more than enough
A D2 E F #m7 D2
You are amazing
VERSE 2
A D2
With authority You've spoken, and You've set the captive free
F #m7 D2
You're the King Who came to serve and You're the God Who washed our feet
A D2
You're the One Who took our burdens and You bled upon the cross
F #m7 D2
In Your kindness and Your mercy, You became the way for us
E F #m7 D E F #m7 D
Forgetting all our sins, You remembered all Your prom- ises
A D2 E F #m7 D
Asus Asus/F # A/E Esus
© 2010 Integrity's Praise! Music and Mia Fieldes/Shout! Publishing

F m7 Esus D2
Asus A 121 Asus A
More Than Amazing (2 of 2)

You are amazing,
Asus/F # Songchart
F #m7 Asus/F #
More than amazing
F #m7 Esus D
CHORUS 1 CHORUS 2
Asus A Asus A A F #m7
You are amazing, Oh, how marvelous, Oh, how wonderful
Asus/F # F #m7 Asus/F # A/E D
More than amazing Oh, how glorious, You are amazing
F #m7 Esus D2 A F #m7
For- ever our God, You're more than enough Oh, how marvelous, Oh, how wonderful
Asus A Asus A A/E D
You are amazing, Oh, how glorious You are
Asus/F # F #m7 Asus/F # (Repeat twice)
More than amazing
F #m7 Esus D CHORUS 1
For- ever our God, You're more than enough Asus A Asus A
You are amazing,
CHORUS 2 Asus/F # F #m7 Asus/F #
A F #m7 More than amazing
Oh, how marvelous, Oh, how wonderful F #m7 Esus D2
A/E D For- ever our God, You're more than enough
Oh, how glorious, You are amazing
A F #m7
Oh, how marvelous, Oh, how wonderful
A/E D
Oh, how glorious You are
(Repeat twice)
CHORUS 1
Asus A Asus A
You are amazing,
Asus/F # F #m7 Asus/F #
More than amazing
F #m7 Esus D2
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Record Reviews By Heidi Todd
Aaron Keyes God’s sovereignty in the middle of a ing, repetitive, something you can imagine
Not Guilty Anymore plaintive cry. And Aaron’s writing lends hundreds of joyous kids getting totally into.
great to his voice; he has a strength com- And they do (check out the DVD).
TRACKS (personal picks bolded) bined with a soft tone, much like an-
1 You Never Cease To Amaze Me other worship leader, Mike Hohnholz. One of the tendencies in most wor-
2 Forever Worthy They share a similar writing and ship releases of late is to repeat,
3 Psalm 62 singing style when it comes repeat, repeat. I get this, to
4 Blessing And Honour to the slower tunes, but as I some degree in a live setting,
5 I Am Yours said, Aaron has an approach which this album is so it’s un-
6 Like Jesus unique to him on some of the derstandable to a point. But
7 Not Guilty Anymore faster songs. even though I sound like a bro-
8 Nothing Less Than Beautiful ken record on this (pun intended)
9 Help Me Lord Don’t wait – add this CD to your it bears stating that repeating the same
10 Where Are You Now collection both for personal edification thing in a song too many times has di-
11 Not What My Hands as well as applicable minishing returns and you can start to tune
songs for your congre- out words that are meant to impact and
I first heard Aaron Keyes at this year’s gation. change your heart.
Annual Foursquare Convention. He was a
guest worship leader in a long line-up of Generation That aside, this group exudes quality in
gifted leaders and afterward I sought him Unleashed everything they do – especially where it
out to inquire about reviewing his CD for Saving Power counts the most – in their clear priority on
WMM. One of the things that stands out worshiping and endeavoring to touch the
about Aaron is his raw approachability TRACKS (personal picks bolded) Father’s heart. There are multiple writers
(he’s a regular Joe) but surprises await. For 1 Intro and leaders on the album, which keeps the
instance, Track One is the first worship song 2 Sing songs refreshing and not lacking variety.
I’ve ever heard with an accompaniment 3 Standard You can hear the nods to Cold Play and U2
that would be right at home on that old 4 Our God Reigns by GU’s very capable guitar players. The
show The Munsters. With a kind of border- 5 I Am Alive band members and vocalists blend well
line spooky bass line running throughout the 6 I Will Praise You and you can tell this
song with weird digitized lead lines in the 7 By The Cross isn’t their first rodeo;
background, he manages to make it work! 8 Never Looking Back they’ve released sev-
The title of the song “You Never Cease To 9 He Lives eral CD’s before now.
Amaze Me” perfectly captures what you 10 Anthem
should expect out of this album. 11 Holding On Bebo Norman
12 Saving Power Ocean
That song doesn’t have him pegged
though, because he drifts in and out of TRACKS (personal picks bolded)
loose, melodic expressions toward the Lord As the Generation Unleashed road man- 1 Everything I Hoped You’d Be
with simple accompaniment and straight- ager told me, this group is first and foremost 2 Here Goes
forward lyrics. Then he digs his heals in a youth ministry. They’re based out of Port- 3 God Of My Everything
creatively and produces a beautiful hymn, land, Oregon and put on an annual youth 4 Could You Ever Look At Me
“Psalm 62”. Prepare to be impacted by conference as well as make visits to other 5 We Fall Apart
the song “Not Guilty Anymore”, a song churches and events. They are not a band, 6 Ocean
sung from the heart of God toward us that rather a youth group worship team sharing 7 Sing Over Me
illustrates His redemptive love in a highly whenever and wherever possible. This is 8 The Middle
personal way. As a worship leader, I got evidenced by their ability to relax on stage 9 I Hope You See Jesus
to witness as this song ministered deeply as and settle into their roles as worship lead- 10 Remember Us
we sang this song over our congregation. ers, which I got to see very recently. 11 God Of My Everything (Radio
They received God’s message for them in Version)
the way it was intended and there was a Their latest CD/DVD combo released
real sense of freedom that day in people this October and features songs that you The first time I saw Bebo Norman live
as a result. may have already heard circulating in a was when he was opening for a well
youth group or adult church service near known Christian band in a very large ven-
“Where Are You Now” is an honest plea you. Anthems such as “He Lives” and ironi- ue. Aside from his velvet voice the thing I
for his need to perceive God in a time of cally “Anthem” are songs you should expect remember most is how often he expressed
distance. You can easily imagine David to hear soon if you haven’t yet. “He Lives” how amazed and blessed he was to be
writing this as a psalm – acknowledging is pure youth worship genre; upbeat, driv- there. He was nearly overwhelmed by the
opportunity to share his heart and music
Overall impression with all of us in the audience. In his reflec-
Average person could learn/participate on the first hear tions as a Christian, he’s always been a
Can be learned/adapted by a band of average skill grateful son.
Lyrical creativity and integrity This is yet again, another great release
Aaron Keyes Not Guilty Anymore by Bebo and if you’re already a fan, you’ll
want to have it. Many of the songs would
Generation Unleashed Saving Power fit well in a worship service and some of
Bebo Norman Ocean them would be great to use in other venues.
One of the things I notice in his music is
Jeremy Camp Jesus Saves the fact a band could utilize them as-is or
Charlie Hall The Rising have a lot of fun messing with the arrange-
Chris Tomlin And If Our God Is For Us ments. They’re great on their own but if you
Continued on page 34
highest marks

Record Reviews
wanted to add a little nitro to them, many of 6 You Are The Lord the new spin on older tunes just wasn’t there
them would work that way too. 7 Everlasting God like I hoped.
8 Overcome
His song “God Of My Everything” which 9 You Never Let Go All of that said, you have to appreciate
has already had some radio play is listed 10 Unrestrained and admire Jeremy; he is walking in the
here as a favorite because of his expression 11 King Jesus call on his life and giving his utmost for the
of the Lordship of God over the elements of Lord. His skills as a writer of songs that are
our lives. Being able to vocalize in an atmo- Okay, let’s face it, Jeremy Camp isn’t congregational friendly and his skills as a
sphere of honoring God, our struggles, is known for being edgy, so it’s not something vocalist and musician deserve high marks.
something that is so reassuring. Bebo’s de- that’s fair to expect. That’s why it’s such a I extend my thanks to
meanor is one of wonder and honor. With welcome addition to a couple of these him for being so faith-
clean and simple accompaniment his lyrics tracks. The backing vocals on “The Way” ful to give us so many
have to bear up and they do. are reminiscent of the Delirious song “Our songs over the years.
God Reigns”. For the most part, however,
I’ve appreciated Bebo for a long time Jeremy Camp parks right in the middle of Charlie Hall
for his ability to bring comfort and sooth- the road for reaching a wide audience. His The Rising
ing to a hurting heart. So while you won’t music and style are right at home on any
be rocking out to this, it has its place. Christian radio station or in the average TRACKS (personal picks bolded)
Where it’s lacking in diversity and won’t church in America. And this is the primary 1 The Rising (A Song Of Ascent)
keep you on the issue I have a hard time liking it more. It’s 2 Let The Earth Awake
edge of your seat, it too clean, too note perfect, too dry. 3 Ransom
compensates in sin- 4 Constant
cerity. While I enjoy every other aspect of hav- 5 King Of Heaven
ing the opportunity to enjoy and review 6 God Ablaze
Jeremy Camp so many worship cd’s, the one thing that’s 7 Lamp
Jesus Saves not enjoyable is to bring a critical tone to 8 Yesterday Is Gone
any artist. Jeremy Camp reaches count- 9 Deeper In Love
TRACKS (personal picks bolded) less people with his music; he’s telling the 10 Breathe
1 Jesus Saves Truth for goodness sake so who am I? Re- 11 Make Me Alive
2 Not Ashamed ally and truly it’s just a personal preference 12 Sleep And Dreams
3 The Way thing. And because this is a cd with many
4 Mighty To Save songs that have been released previously, Charlie Hall shows his years as a crafts-
5 We Cry Out man in this latest endeavor. He has been a
introducing the new

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By Heidi Todd
master at being inventive and exploratory Chris Tomlin is the bread and butter of
for a long time and has taken some notable modern worship music. He has released
risks here as well. Because he is so commit- song after song that have been enjoyed
ted to being true to himself, he doesn’t nec- the world over. This latest offering is bust-
essarily fit into the usual molds of worship ing with songs that will make their way
music. Even in the softest of songs Charlie into just as many churches, homes and
always sounds like he’s leaning forward. I cars. You can’t help but feel encouraged
don’t know him personally but can picture and nudged toward the Lord when you
that he can wear out a pair of shoes pretty hear songs Chris Tomlin writes.
fast; he doesn’t sounds like someone who He is constant-
sits around. ly pointing
to-
This album is in that same vein of stir-
ring things up, like “Let The Earth Awake”.
Throughout the album there is a theme of
“hey you!” His instrumentation has an inten-
sity and forcefulness that comes from
confident, accomplished
musicians. Even though the
album is produced well and
finished well, it maintains a
raw quality like it’s the first
time these songs have
come shooting out of
Charlie’s heart.
The reason I’m not

sure a band of aver-
age skill could adapt it with total ease is ward heaven and I’m
because the instrumentalists keep their parts pretty sure he
interesting. They do that without playing doesn’t have a dark
over each other or leaving gaping holes, side (at least one we’re
which a band of average skill can often going to see any time
struggle with. soon). Ha ha.
Songs like “Deeper In Love” and “Sleep If you’ve been a Christian for a long
And Dreams” caught my attention because time, you’ve heard quite a few worship
of the daring of the arrangements. They’re songs and likely a hymn here and there.
so personal and come from such a unique The songs “Faithful” and “All To Us” take
angle that you have to shake off your con- me back to years and years as a believer.
cept of the typical. He isn’t. The idea of this A couple of the songs share a quality that is
shaved-headed long-bearded ear-pierced classic and timeless.
man singing sweet lullaby is a juxtaposition
that can catch you off guard. There’s so much to choose from
on this album is you’re looking for
It’s an interesting album with a big dose new songs to add to your lineup of
of intensity and yet you’ll be able to include songs. The song that has to be my
most of these songs with your congrega- top pick, particularly in an age where
tion. This is very well done. the church is turning more toward a social
Gospel, is “Awakening”. It’s an invitation
Chris Tomlin for the Lord to charge His people to do
And If Our God Is what He would want done, which isn’t al-
For Us ways the thing on the top of our lists, let’s
be honest. But God is good to receive us
TRACKS (personal to Himself and stir us up to good works
picks bolded) again.
1 Our God
2 I Will Follow Which brings me to sum everything up. I
3 Majesty Of Heaven think a good reflection of this album can be
4 No Chains On Me found in the passage Hebrews 10:19-24.
5 I Lift My Hands To me, this passage really says that if God
6 Lovely has, by His grace, created a new way for
7 The Name Of Jesus us to live through Him and in Him, let’s get
8 Faithful to it!
9 All To Us
10 Jesus, My Redeemer
11 Awakening Heidi’s background is primarily in worship
12 Our God (Acoustic Version) ministry, joining her first team at age twelve.
13 I Will Follow (Acoustic Version) She’s been a part of the Puyallup Foursquare staff
14 Majesty Of Heaven (Acoustic Version) since 2001, with an emphasis on team building
15 Where The Spirit Of The Lord Is and live production. She enjoys and makes time
(Acoustic Version) for the ongoing learning process as well as presenting and
speaking. You can email her at [email protected].

FOH Engineer
By John Mills easy song so the vocalists don’t feel so
Rule #1 - Don’t Mess with It.

silly singing all alone.
Once we have made it through most

of the inputs to my system, I will have the
band play a short chorus of a song that
includes everyone playing and singing.
This is often the exact same song every
So this month I offer a little encourage- when we did the “Line Check”, but week… once you find one that has every-
ment with a dose of admonishment. It if the band just starts a song, it’s likely one playing and harmonizing, it’s a good
comes in the form of some do’s that the sound board is out of tune. idea to just use it all the time because then
and don’ts for pre/post sound Even from week to week things everyone gets used to it. Keep in mind we
check. Some of this will be for do change and we need to have not really adjusted monitors yet. This
the worship leader, band di- double-check everything. I section is to verify that I get a chance to
rector, and yes you too o’le promise if the band gives see all inputs and make any quick final
sound engineer… everyone the engineer 10 minutes of adjustments to gain levels.
buckle up and let me rant the hour long “rehearsal”
for a minute. slot, at the very beginning I will then ask who needs what in their
of “Sound Check” to let monitors if we are on wedges and make
On a recent date with Paul the them hear and adjust just those adjustments. If your band is on per-
Baloche, he questioned me about a small sample of everything, we sonal mixers, now is the time they should
how and why his mix often chang- will all have a much more profitable make any adjustments. Band guys… If
es from sound check to perfor- 50 minute “Rehearsal.” you make adjustments to your mix before
mance. He said “with the advent I have had a chance to settle in on gain
of all this digital “save my mix” Did you notice those last few structure, your mix will change. So FOH
stuff you would think my monitor mix BOLD words? Line Check, Sound guys, let’s be clear about when we are
would be the same during the concert Check, and Rehearsal. They are finished with this portion and tell them
as it was in sound check.” 3 very distinct portions of our you are set and ready for them to work
time together at what is often ge- on their mixes. FOH guys… when set-
I hope to debunk a few thoughts nerically called a Sound Check. ting gain and rough eq during this Sound
here as well as offer some tips Check time, take no more than 10-15
about how to keep your musi- Line Check is when the engi- seconds per input. Have this discussion,
cians happy and consistent with neer and a friend verify that all and expect they will give you a reason-
their monitor mixes. Because, at the things are plugged in correctly able level, set the gain quickly, and grab
end of the day, our most impor- and each wireless mic, personal a quick listen to the eq and then MOVE
tant job as sound engineers is monitor, monitor wedge, main ON. The band loves it when we move
amplify what is happening on the speaker, subwoofer, etc. is work- fast. You can always come back during
stage… and if our worship leader ing. Engineers, we should do this the next section and make more tweaks.
is frustrated at the tech or technol- every Sunday, and we should be
ogy, we can make the music louder, but done with it (as well as fixing any- Rehersal. Tell the band “I’m finished
I really would rather amplify the worship thing we find wrong) BEFORE the band adjusting major components, so does any-
leaders heart than his frustrated attitude, arrives. See my website www.TechTrain- one need any adjustments to their mix?”
in101.com for an article titled “Check/ If yes, make the adjustments and have
I’ll speak a little more toward the lo- Re-Check” for a “preflight” checklist. them do another short chorus, ask again,
cal church worship band sound check, and if everyone seems somewhat happy,
instead of a professional band coming in Sound Check, this is where it’s all say the following. “Thanks guys for this
to your facility for a concert. about the engineer. Band we need you to time, I’m now in tune and can confidently
play a small sample of what you are play- respond not only to the house mix, but
Let us start with what a sound check ing or singing that morning… no 50% vol- any needs you may have.” What we just
is. If you have ever heard me speak on ume here, or timid “check 1, 2, check did by taking a few minutes (FOH guys, I
the subject, you will know I’m passionate 1,2”… we really need a descent version mean a few minutes… like less than 10)
about getting to tune my instrument, the of what you’ll be doing. This is where we is we have tuned our instrument and can
soundboard that is. It amazes me how set things like gain and eq… the two most confidently hit the first chord. Now there
often I walk into a situation where I see important things you need as a musician. may still be a bunch of little adjustments to
the sound engineer just starting with what If you check too quietly, then most likely the mix, but for the most part you should
ever the band decides to do when they we will turn you up, but then when you be in the ballpark. Band guys, during re-
walk in. Ladies and Gentlemen I say no. give it your all in the service, we will have hearsal, the sound engineer reserves the
Worship leaders and band directors, you to turn you down… and there in lies the right to really mess with the house sound.
must give the sound engineer a few min- problem with most monitor mixes. If you Sound guys, please take the time to mute
utes to check levels and eq BEFORE you give me quality input level checks at this the mains and see how loud stage sound
start into a song. If we are going to be time, it is highly likely that your mix will is, turn up the harmonies a little to loud
part of a team, and I mean a well-oiled not change. Stay with me though there so you can get the right blend and then
machine that can function properly, we are other pitfalls to this issue. For instance set them back down in the mix. Turn the
need to all act like a team. Much like the a lot of times I will ask the drummer to drums on and off, turn the subwoofers on
band director expects the guitar player to just play all his drums for a minute. Most and off. Take some time to see how your
tune his guitar before they start the song, drummers will unconsciously play softer if instrument is responding. But do this all
we cannot tune our instrument while the you just ask for a kick, then a snare, etc. very quickly too as it is messing with the
song is playing. We can make sure our When it comes to vocalists, I will have al- “mix” on the stage and we want them to
strings are on our guitar by verifying all the ready checked the acoustic or keyboard be able to rehearse. Also of note would
inputs work and are plugged in correctly and will have them start the chorus of an Continued on page 55

FOCUS ON
WHAT MATTERS
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pattern condenser e965 capsules for all of our vocals. These mics sound so great, you
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Ministry + Artistry = Profitability? Creating your MAP™
By Scott A. Shuford benefits continue to build in you. Every-
God’s Growth Strategy

thing you are learning and everyone
with whom you are connecting can
lead to an increasingly deeper im-
pact and influence, and set you up for
deeper impact in the future.
In contrast, you could be doing a gig

So…. I’m going to layout God’s growth God knows that most of us need to grow three states over with great success, but
strategy based on 20+ years of observing into what He has for us. God’s growth strat- what if you get invited to another church
artists, ministries, the music industry, church- egy is a set of concentric circles. The red there? What does that mean to your family
es, and life. Take it for what it is worth. dot in the middle is you. The circles are your time, your logistics and your peace of mind?
Nothing that we say about God is always expanding reach of influence and impact. Well, if it’s Joel Osteen’s church, then GO!
true, except when we re-say what God says I’m not saying to avoid great opportunities.
about Himself. This is a Paul moment where The first area of influence and impact is What I am saying is to plan a growth strat-
I say this is not what God says, but here’s your local church. If you are called to wor- egy that is not based on faraway places or
what I think. ship ministry, is your local church, the church that runs ahead of your experience. If God
to which you belong as an active member, decides He wants to, He can scatter you
God can do things any way He wants to using you in worship ministry? BTW - if you among the nations at any time.
do them. Who are we to argue with how are not plugged in at a local church, you are
He decides to rollout our lifework? not ready for worship ministry. If your own So far in the MAP, we’ve talked about
I guess we are Job or maybe church is not using you, why in the world your Mission, Fan Development, the Non-
worse Jonah… two guys would someone in Peoria want to bring you Profit option, and God’s Growth Strategy.
that I have more in into their church? Start at home: volunteer Next time we’ll cover Marketing 101: The
common with than I and serve. When you’ve grown in a season Four P’s. Until then… J
had hoped. there, get a letter of endorsement from your
pastor, then move to the next circle: your
For many city. Be sure you do data capture of your Scott has led classes
years, most fan base in your church! Get emails and tell for us at NAMM and the
ar tists people how to find you on Twitter and Face- Christian Musician Summit.
thought “If book. The experience you gain with the He has been featured in
I could very understanding people at your church Adweek and is the CEO of
just get in terms of stage time, technological issues, FrontGate Media, the #1 culture-engage
signed rapport with audiences, coordinating with media group reaching the Christian audi-
by a teams, and more, will be invaluable as you ence (www.FrontGateMedia.com) and
label, move further out in the circle rings. is the co-founder of Creator Worship:
then I online radio for worship leaders (www.
would So you are consistently serving in your CreatorWorship.com). Email your com-
be ‘fa- home church, now let’s move into your city. ments or questions to Scott@CreatorLead-
mous’ or Are you playing at city events like Indepen- ershipNetwork.com.
successful dence Day or Concerts in the Park? Are you
. I’d be on playing at other local churches? Tim Tim-
the radio mons from Mariners Church plays at least
and touring a few times a year at Saddleback. Good
the world, im- idea! It’s easy to move into your city, par-
pacting many, ticularly if your church body and your pas-
many people.” tor are behind you. It’s also close to home!
This was just as With a couple of cars, you can probably Tune in Creator Worship Online
true in worship as it load up all your gear and be there in 10-20 Radio:
was in pop music. minutes. No van or trailer rental. No mas- Teaching & Training
sive gas expense. No hotel stays. That sure Hear it today… Use it tomorrow.
That CAN happen, but are beats trying to figure out the logistics of fly-
you really ready for that TO happen? ing or driving two states away for a gig. It Programming includes:
Are you ready to tour the world, most likely takes less time out of your life. As you move
leaving your family behind at home? Are to your city, you also get to expand your WorshipTeamTraining.com
your songs truly good enough to be on the fan base with more data capture. These Tom Jackson
radio? Do you realize that you don’t have new fans are easy for you to stay in contact
to do any of that to fulfill God’s mission for with. They may even end up coming to your News from HearItFirst.com
you? church! All the while, you are gaining that Rick Muchow (Saddleback Church)
personal experience and letting God mold Richie Fike (Indie Extreme)
To go from “zero to hero” can easily de- you and your team, band, family, etc.
stroy just about anyone. Look at how the Tech Talk with Wade Odum
biggest secular pop sensations implode So your church and your city are using NewReleaseTuesday.com
time after time with drug addictions, men- you, now let’s move to the two surrounding and more…
tal breakdowns, and suicides. That is often cities or the county. Nailed the county, then Twitter: @CLNetwork
what happens when your world changes move wider into the state. Nailed the state,
overnight from success. Even in the Christian then what about the 3 state region? Facebook.com/CLNetwork
world, it’s very tough. I think most people Tune in now at
could not hold to the schedule Paul Baloche As you spend the time to gain the experi-
lives on. ence of going through all this growth, all the www.CreatorWorship.com

MAY
13 & 14
2011
at the Chapel at Crosspoint
Buffalo, NY
Paul Baloche * Kari Jobe * Gungor

John Mark McMillan * Norm Stockton Group
and others...
workshops for:
leaders audio
A conference for
vocals video
Christian musicians, leaders guitar lighting
and technicians bass songwriters
to improve skill and inspire drums indie artists
talent, all to God’s glory! keys
for info & to register...

www.ChristianMusicianSummit.com/thechapel
Authentic Worship
By Michael Gonzales
Stage Presence may not be His Presence

“Keys, pads, pads!” You hear the talk- Remind the people at the sound rather take a B+ player with a
back mic from the musical director. The board, the video board, and the great attitude and a servant’s
song starts. Verse, chorus, verse, verse. person operating the slides for the heart any day.
Oops! What happened to the second computer, we are all on the same
chorus. The worship leader took a diver- worship team and God requires our Finally, what if there was a
sion. The inexperienced musician gets best. Be alert. There are plenty of Worship Musician’s Creed,
lost. He isn’t feeling the tune. He is look- times to relax a little but not when something that we could mem-
ing on his sheet music for a new starting it requires all hands on deck during orize or at least look at before
point. “Where is everybody at?” At the worship. service starts each Sunday. If
same time, the lead singers are doing the I were commissioned to write
first cardinal sin—looking at each other. Band members don’t start talking it, it would look something
That look can be a tell tale sign and amongst yourselves between songs. like this:
speak louder then words, “He missed the If the worship leader likes to share be-
chorus!” Sometimes that look can say, tween songs don’t ask, “Hey, is that a Worship Musician’s Creed
“He missed the chorus, that bonehead!” new amp?” Not appropriate. As a worship leader representing
God’s kingdom
The second cardinal sin is sticking to Don’t be jealous if you are a volunteer on earth until He returns,
the sheet music hoping it will force the and others are paid musicians. I know I promise to serve others as if
worship leader back to the chorus. That some churches have a policy like that. my hands and heart were fashioned
seldom happens. You volunteered so consider that your from The Father,
tithe of time and talent. delivered by the Son, and manifested
The third cardinal sin is gossiping You don’t know through me
about it. Now talking about it as what other by His Holy Spirit.
a group is one thing but if there people’s I recognize that I am engaged in a
is one sure way to start to build needs battle for people’s lives
up bullet points against some- are. and my weapon is not only the Word
one it is to keep talking about of God
that person’s lack of musical- but the time and talents given to me.
ity behind their back. So whether on stage, or in my personal
life,
If I could call this a real- my purpose is to help change the
ity show I’d call it, “When world
Worship Goes Bad.” Be- one concert at a time, one praise
lieve me, I am an expert song at a time,
at this subject. I even broke and one note at a time.
my leg after leading wor- And whatever I do with what I
ship from the stage once. have, I do it with great joy
It was a portable stage
and someone forgot to lash And what I represent is for
down the rear side steps. My something unseen from now and
body went forward but when throughout eternity.
I looked down my foot was fac-
ing the opposite direction! Honestly! S o Even as I write this, I am struck by
What was worse is the paramedics when the great challenge and responsibility
worked on me near the front of the you are on- I have as a worship leader. When my
stage—while the next worship team stage don’t son was growing up, I told him, “I don’t
continued with their set. wear that bitter have a lot of money to give you, but I
mood on your have a good name, so don’t mess it up!”
So here’s some things I’d recom- face. Do you
mend should things go wrong. If the think God is Instead of thinking about ourselves, or
person doing the slides is asleep saying, “Look the one who messed up on stage, or the
and one step behind you, don’t at my servant, parts that we missed, I think about God’s
yell out, “Wake up, O sleeper, what a great good name. He’s all we have and we
arise from the dead.” But I know of player and should represent His kingdom and righ-
a worship leader who uses thumb great at- teousness in all we do.
signals, thumb up for advance the titude he
slide to locked fist when to stop. has.” If you
Thumb sticking out left to go back ARE a great Michael Gonzales, Ph.D.
one slide, clenched fist to stop. I’m not player and have Professor, Biola University
sure this is the right answer for every- a bad disposi- [email protected]
body but I do know people in the audi- tion on stage, I’d
ence who are lost get frustrated.

Guitar Grab Bag
By Doug Doppler once the team starts playing. I make sure
Practice This
to bring my clipboard and pencil so I can
document dynamics, hits, and any chang-
es in the arrangements. Before rehearsal
ends our sound team records the entire set
to CD, which promptly replaces the one
in my car. The ride home is the perfect
place to see how well my parts and tones
Hello friends – welcome Software like Planning Center Online translated to the full band environment in
back to the Guitar Grab has become an invaluable tool in my the framework of the front of house mix.
Bag! This issue’s topic is preparation process. Once the MP3s
inspired by an eMail and charts have posted I download them Fine Tuning
I received from my ASAP. I usually go to iTunes to pick up On Friday morning I import the re-
Worship Pastor MP3s for songs that only had charts. hearsal CD into iTunes and create a new
about prepping playlist on my iPod. Our Church has mul-
parts and tones for Living with It tiple services; one on Saturday night and
rehearsals and ser- Once I’ve printed the charts I attach two on Sunday morning, all with identi-
vices. Not every- them to my ever-present clipboard. I also cal sets. Prior to Saturday rehearsal I like
thing may apply create a new playlist with the Church to spend an hour or so fine tuning parts
to you and your name and date on iTunes which I burn to that didn’t work, adjusting patch levels,
team, but this CD and export to my iPod. The CD lives and then running the set in order without
approach has in the car, while my iPod and clipboard breaks.
delivered make their way with me to the gym. Both
consistent- environments are great for getting to Dress Rehearsal
ly ex- know songs by ear - huge if your team is Arriving early to rehearsal gives me
cel- working on getting music stands {a.k.a. time to work with the sound team to in-
“black curtains”} off the worship platform. sure that any patch changes I’ve made
I also use my time on the treadmill to write are working FOH. I’ve started using the
the form of each song across the top of Line 6 G50 wireless reviewed in this is-
the chart. sue, and that has been a huge help in
terms of knowing how my guitar actually
Tones and Parts sounds front of house. During rehearsal I
I spend a couple of hours before Thurs- keep a music stand on the platform with
day night rehearsal working on parts me, but retire it before the service starts. If
and tones. Multi-effects units like the Boss I don’t know the songs a music stand only
GT-10 and the Line 6 POD really shine confirms that for all the congregation to
when it comes to stamping out tones see. I try to assemble a checklist of things
for an entire service. A great way to remember about each song before I
to start this process is to create a start playing it, and this rehearsal I make
bank of four presets for the most sure that I’ve got that list dialed in.
common tones you use (dirty
rhythm, dirty rhythm with beat- Recap
synched delay, compressed On the way home I listen to the rehears-
clean, solo with boost and deal CD and recap any mistakes I made to
lay etc.), assigning one bank to add them to my mental checklist for the
each song. Once you’ve got the next service. Even if you don’t do multiple
first bank set up, simply copy services a recap is a great tool for find-
each preset over into the ing common problems you can root out in
same slot in the next bank. your prep time.
In this fashion each
bank will feature the Rinse and Repeat
same kind of sound As I mentioned at the top of this article,
on the same preset this is a process I’ve fallen into as a series
number. With the of measures to insure that I’m as prepared
charts in order of as I can reasonably be for each rehearsal
the set list, I play and service. The more prepared I can
through each be, the more prepared I can be to serve
song fine-tuning God and the rest of the team. God Bless
presets and parts – [email protected].
as I go, making sure
to program each bank
to the tempo on the corre-
sponding chart. This takes the user Doug Doppler is signed
error out of beat synched delay parts. to Steve Vai’s Favored Na-
lent results, and may tions label and is currently in
expose a few “white Rehearsal production on the Get Killer
elephants”! Having the CD in the car on the way to Tone DVD series. He and
rehearsal allows me to hit the refresh but- his wife Melissa live to serve the Kingdom
Hunting and ton on the entire set, and better prepares and are members of Cornerstone Fellow-
Gathering me to listen for vocal and dynamic cues ship in the San Francisco Bay Area.

YES VIRGINIA,
THERE IS A DEAN MARKLEY.
© Ramirez Advertising 2010
HEARING IS BELIEVING.Dean Markley.com e 800 800 1008

DEAN MARKLEY INC. 3350 SCOTT BLVD. #45, SANTA CLARA, CA 95054 800 800 1008
The Band
By Tom Lane Freedom is hindered when a spirit of con- of time together off stage but to a large de-
Under Pressure
trol is at the helm of any ship. That manage- gree, you’re only as strong and healthy as
ment style sends a message that ministry can your relationships are.
only be accomplished if “I” do it, If “I’m” in
charge, etc. The Church is not a kingdom 2. When’s the last time you took
to be ruled by anyone other than The Lord; the person you have a problem
who loves, keeps, guards, and leads her with with for coffee to find out what’s
complete and total authority! So the rest of us really happening in their life? If you
microscopic: adjective- so small as to be are what? Just servants, and we either serve don’t know, then what you don’t know may
visible only with a microscope : micro- or we get in the way! A Leader is not a bad have much to do with why they do the things
scopic algae. or wrong thing, it’s God’s idea without a ? that drive you crazy. Mercy always wins!
• informal extremely small • concerned I do however question some leaders under-
with minute detail: such a vision is as standing of Godly leadership. There is a vast 3. How important is for you to be
microscopic as his is panoramic. difference between leaders who lead with in the team and on the stage and
“absolute power and authority, taking no ac- does it matter (a lot) when you’re
Most of us are trying hard just to “get free” count of other people’s wishes or opinions,” not asked, overlooked, or even left
enough to worship as it is and don’t need and ones who build up and serve. Domineer- out? We’re human so of course it matters
to feel judged or under the micro scope, yet ing in my mind is the antithesis of serving and but it really shouldn’t affect our attitude and
many of our leaders feel that way-under pres- I don’t meet many happy people under that desire to engage with God and His people.
sure! The environment in some Churches is not type of leadership. Unfortunately it’s one of And we should be able to get over it without
too much different than that of many corpora- the reasons we have a wake of former church becoming bitter people.
tions. There’s an expectation (in the name of goers who’ve decided they’d rather not be
excellence usually) to perform the program as subject to it-so they just don’t go period any- 4. Can you worship in spite of
scripted (normally by a select few!) without more. who’s leading or not, on the team
variance. That makes freedom hard to come or not, if it’s your style or not? You
by for both leaders and parishioners. I realize I hear the same things over and over. On should be able to and if you’re taking things
we can’t parse out all the problems of church one side from Church Leadership; they’re too personally it’s likely a sign that you have
life here nor do I think I have all the solutions. working hard to steward their posts faithfully your own problems to deal with.
It’s full of humans so it’s messy like everything because they feel responsible (good shep-
else. But to be and grow with God, we have herds do!), they’re trying to meet the needs of 5. Can we lay it down as easily
to start being honest and admit when we many not just a few, they get all the scathing as we pick it up? If you find yourself
have it wrong. emails, and they’re annoyed or uncomfort- guarding and protecting your spot and need-
able with too much space in in a service. ing it in order to feel good about yourself, you
Part of the problem we’re up against in the On the other side the Creative Leadership; may want to take a season of rest just to keep
Church stems from building on and perpetuat- are bored with the routine, feel stifled and un- from becoming too attached to position.
ing an autocratic versus Jesus model. Read trusted to really lead people anywhere, and
this definition of Autocratic! fear being watched constantly from the pow- Good stewardship is honoring our leaders
ers that be. even if they do stifle somewhat. We’re not
autocratic: adjective - of or relating to a ruler responsible for what they do or don’t do well!
who has absolute power: the constitu- So let’s look at what we can effectively If we’ve said YES to a position of leadership
tional reforms threatened his autocratic change. Each of us bears the responsibility of and are sure God led us there to begin with
power. stewardship. Unity is not agreement on every then we’re there for a reason. Guess what, it
• taking no account of other people’s issue-it’s proceeding together in love as one comes with the beautiful-painful reality of iron
wishes or opinions; domineering: an family, undivided. If we want the blessing of sharpening iron just like any other relation-
autocratic management style. God then we have to prioritize and strive for ship. So if we fail our tests we may have to
unity as we come to worship. Whatever the take them over another time and season.
(Though it may describe someone you chasm or conflict in our particular case, the
know or work with, please resist the urge to way forward starts with being focused on get- The point of worship is not to get through
run call them an Autocrat! Won’t make many ting it right ourselves not pointing out where a program without derailing or allowing a
friends that way for sure.) everyone else is wrong. lull to occur. God’s not impressed with perfor-
mances, proud of His kids but not impressed.
I’m honored to hear from some of you at A good leader doesn’t have to dictate! He connects with hearts longing and will-
events/conferences/seminars etc. about Ever been in a band (or ministry) with a Diva ing to connect with Him honestly. All we do
what you’re struggling with in your churches or control freak? Their own insecurities and should serve to facilitate the real purpose of
and don’t take lightly expressing any thoughts issues make them blind to healthy relation- gathering, if it doesn’t we need to part with it.
and opinions. I hope only to help remind us ship, maybe relating in general; so it’s only Sometimes feeling under pressure is our own
all; why we do what we do! I try to look at good when they’re happy. Dealing with our deal but it’s also reflective of the need for Air
these issues from both sides, something I’ve own unreal expectations, sins, and issues in The Church, that would be The Spirit of The
learned from being married a while. There’s is something we do have control over and Living God-let’s make room!
never only one side to a relationship or prob- can change. Just like a marriage, two people
lem. bring stuff into the union and the healthier
they are from the start, the better chance they
Nashville, TN is home
So let’s bring it down to the foundation, re- stand of sticking together through the certain for Tom Lane though he is
lationship. Worship is connecting! If we don’t and impending conflict and struggle. God
involved in ministry and mu-
connect and commune with God when we meets and helps the sincerely humble and sic around the world. As
gather then what’s the point? For us to con- teachable too.
a singer, songwriter and
nect with God we have to, at the very least, guitar player, Tom has been teamed with
feel free to be who we are. If we’re trying to Here are some questions I ask
be who we are but keep bumping into man teams: many worship leaders and artists. He
made traditions and styles that don’t allow it, 1. How much time do you spend continues to record his own work, lead
we’ll only do it for so long before we either aside from the practical music and worship, and writes regularly for various
blow up or move on. Hence, most church technical part of the worship ser- worship publications worldwide.
growth is transfer growth not new life. vice? I know not every team has the benefit

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Product Review
By Doug Doppler
VB Amp and Speaker Enclosures –

Isolation Done Right
Removing amps and cabinets from the reduces noise and helps prevent stand-
worship platform is great for taming sound ing waves.
wars, and has the arguable benefit of be-
ing more visually pleasing. But if you’ve Although the “Large
invested hundreds if not thousands of VB AMP Box” sent for
dollars into an amp that loves to be testing arrived in a mas-
turned up, a VB Amp Enclosure sive crate, it took less
may be the solution your Church than a half hour to set
(or studio) has been looking for. up. With exterior dimen-
sions of 49”H x 48”W
VocalBooth has been designing x 48”D I had more than
and manufacturing isolation enclo- enough room to stack
sures for over a decade. As the name a 1x12 combo on top
implies the company got its start building of a 2x12 cab, along
vocal booths, initially for home studios with two mic stands. All
like that of founder Calvin Mann. VB units feature a cable
port so you can get ca-
In addition to a robust line of modular bling and power in and
vocal and drum isolation booths (including out of the booth without
the 53’ VB Mobile Studio), VocalBooth compromising isolation.
has four sizes available for amps or cabi- Not a big issue for most
nets. VocalBooth can build custom sized services, but if you’re
amp enclosures as well that can handle doing any live record-
various size Leslie speaker cabinets for ex- ings isolating your amp
ample. The VB Amp Enclosure is available or cabinet from exterior
with or without ventilation, something one noise is nearly as impor-
may need to consider for combo amps. tant as isolating other
All enclosures include VB’s proprietary Iso sounds sources from
Pad to help prevent cabinets from cou- blaring guitars. “standing waves” bouncing off of parallel
pling with stages, and to keep mics vibra- reflective surfaces like floors and ceilings.
tion-free from outside disturbances. The in- In addition to worship services, VB Amp
terior is lined with acoustic treatment that Enclosures are particularly useful in home Just like at Church, keeping your speak-
ers isolated from the listening environment
makes mixing much easier – with
the added benefit of being
able to easily use your mains to
test mic placement. The unit VB
sent sports a front facing door, which
or project stu- makes for super easy mic adjustments. I
dios, which are set the enclosure up 180 degrees behind
rarely equipped my control surface so I could easily listen
with a separate to the sound with the door off and then
tracking room. flip around to compare it with what was
Isolating your coming out of the mains once the door
amp from play- was closed. If you’ve got a really loud
back monitors amp in the room, it can easily overpower
and click tracks headphones and will trash your ears as
is but one of you try to find some sort of balance.
the many luxu-
ries afforded. If you’ve been looking to get some
The biggest speaker volume back into your mix, visit
challenge most VocalBooth.com.
home studios
face is bad
acoustics in Doug Doppler is signed
rooms that to Steve Vai’s Favored Na-
were never tions label and is currently in
designed to production on the Get Killer
track much Tone DVD series. He and
less monitor in. his wife Melissa live to serve the Kingdom
Not the least of and are members of Cornerstone Fellow-
these issues are ship in the San Francisco Bay Area.

Camera
By Craig Kelly
So You Volunteered as a Camera Operator

At Church – Uh Oh, Now What? Part 3
In the previous two articles we’ve taken a show any laundry at all. A large segment • Always know what the other camera
look at some fundamental aspects of running of the audience believes that the crew is di- shots are. Listen and know what their
a camera on your chrurch’s Technical Arts rectly connected with the presenter, artist or duties are too
Team. Here are a few more tips and things performer. And it would be a bad thing if we Practice; Practice drills for camera
to think about. adversely affect someone’s worship experi- Studio camera motion relief – Use 2
ence. Remember, the Technical aspect of the platforms. One for the camera and
A few Television truisms that always ap- service is to support the presentation – not to one for the operator to stand on
ply to any show, event, service, program, command the attention of and it would be a Dissolves/tally – make sure you’re
project, etc and to any position on the crew; bad thing if we adversely affect someone’s clear before you change shots
worship experience. – unless your director is into
The Show Must Go On the whip-pan look
We are in show business – even when it’s Previously we gave you some insider’s If your tally light flashes that
for the glory of God. Not often with smoke tips for better camera operating, here’s some mean somebody’s calling you.
and mirrors, but with good, quality produc- more – some may be repeated; Check your headsets.
tion values that are important and necessary Watch return video to see how
in communicating the Message and to en- Here are 25 bonus tips; your shot fits into the program –
hance everyone’s attending experience. Do Show up on-time and ready to work as long as it doesn’t interfere with
what you gotta do. Work hard for the director – events are usu- your assignment
ally pretty short Be careful about talking around headsets
Never show your dirty laundry Let the director know about your experience and open mics. Many people have
Video should never impact the event in level been embarrassed by this.
an adverse way or disrupt or cause any at- Be on headsets before the required time - Assume you’re always on – somewhere.
tention to be diverted from the featured pre- Getting on camera early has benefits, Even if you’re not on the screen you
senter or performance - and nobody outside such as; might be isolated in a record machine or
of the TV crew should know about any prob- • lets audience know what they’re in for being sent out via the web
lems with the presentation during the event. – be their best friend and they might Assume there are outsiders watching – from
Never show your dirty laundry. In fact, never even help you the control room, or a monitor or in a
• gets your cable puller ready tape machine/recorder or across the
• lets director see shots world or behind you in a pew.
• lets house crew know where you are Never let anyone lean on or set anything
• lets production manager / stage on your camera platform. It’s perfectly
manager know where you are OK to ask them politely to move.
• Hand Held – your shoulder will start to
relax the longer you have the camera Next we’ll give you a list of some com-
on mon position titles so you know who the
Always let TD or director know where you players are.
are. Sometimes there are problems or
pre-recordings that need to be done Remember, keep practicing.
Set up your camera for comfort and visibility
Your left arm/hand has all the control for
panning and tilting Television director Craig
Hardware / Cable – should look good/ Kelly’s career has included
neat over 3,500 live shows,
Hand Held - Confirm you have enough events and concerts in
cable broadcasting, corporate
Hand Held - Work with your cable puller – television, events and sports production
you’re a team since 1977. He is also involved in min-
Hand Held - Get your cable ready istry based events and concerts, and has
Hand Held - Cable routing – plan your produced or directed internationally dis-
escape path for when you need to move tributed DVDs.
Hand Held – Never sell a shot that you With a background as an international
can’t hold on to steadily for a long time free-lance cameraman, he has shot na-
Cable strain relief – protect those connec- tional and local level sports and corpo-
tors rate video for over twenty years. These
When you zoom, know what your final days he is often involved in speaking,
frame will look like workshops, writing and talking about
What to do when your tally is off; Television camera operators and di-
• Look for shots / Know what your next recting. He recently launched the blog
shot will be ZoomIT.cam at craigjkelly.wordpress.
• Sell shot ideas to the director by show- com for new camera operators and has a
ing them training DVD in the works. You can reach
• Get into position for the next shot Craig at [email protected]

Tips for Tight Teams
By Sandy Hoffman to the Lord. They are “glowing” and day AM for 30 to 45 minutes at the be-
“warmly enthusiastic” according to ginning of each service. It’s a lifestyle,
Are You Lifting up

Merriam-Webster. They are ac- a response to spiritual stimuli,
colades, commendations, hom- and just like our musical skills, re-
ages and tributes in all sizes, quires practice. Encomiums need
shapes, forms, configurations, to become an almost involuntary
EN-CO-MI-UMS? intensities and eccentricities.

Throughout our lives they can
come from the valleys or the
response in ALL our life situations.
But how do we program our-
selves for the kind of responses we
mountain tops, the skies over L.A. or saw in King David or Jonah?
1 Is it possible to lift up encomiums from the depths of the sea. Encomiums
without ever singing or saying a are ALWAYS appropriate: any time, any Three Ways To Instant Praise
word? place and from anyone. They express our Just what does it take to become an
deepest, least inhibited heartfelt desire to “I.E.L.” (instant encomium lifter)? How do
2 Is it possible to lift up encomiums bring glory to God. we develop the habit of high praises? As
just by playing your instrument, hum- in the acquiring of any other worthwhile
ming, dancing or even strumming a Praising God With Bubbles trait, we practice, practice, practice!
rhythm on the venetian blinds in the I love to scuba dive. Underwater caves,
dining room? peaceful and awe inspiring, have often 1-Practice meditating on the scrip-
been my dive destinations! Imagine div- tures. This one’s from David himself, as in-
(Dust first!) ing to 60 feet, swimming into a gaping, spired by the Holy Spirit. “But his delight
pitch black hole, and with only the nar- is in the law of the Lord. And in His law
3 Is it possible that you have NO row beam of your dive light, making your he meditates day and night. (Psalm 1:2,
earthly idea what encomiums are?! way into the flooded bowels of the earth. NKJV) What a beautiful picture. Just imag-
There, you turn out all the lights (absolute ine “chewing on” the Word all day and
From the Top darkness surrounds), set your bouancy all night. Spontaneous praises in multiple
Alrighty then, from the top. Encomiums vest to neutral bouancy, and like an un- forms most certainly begin to flow from
are limitless. They span space and time. born baby still safe in his mother’s womb, your lips and life when you do!
They can exist in any state, any medium you hang weightless in inner space. You
and probably even in a vacuum. They rise slightly with each inhale and move in 2-Practice being thankful for every-
are always in fashion (and never need the opposite direction as you breathe it thing that comes your way. One of my
ironing!). They can be sung, hummed or out. Ahhhh, sweet peace and total immer- all time favorite worship songs (“Come
pounded out on the most primitive of per- sion in the presence of God! You’re in His Fall On Us” by Ben & Robin Pasley, 100
cussion. They will exist forever. arms now, and as He gently rocks you Portraits) has a bridge which begins with
in this mysterious subterranean version of “A thankful heart prepares the way for
To better understand their nature, let’s Sea World, you spontaneously begin to You, my God.” Only the Lord Himself
begin by reading selections from 2 Sam- hum His praises. With every breath you could have said it better. And when He
uel 6, starting with verse 5. Here’s the take you can hear the hiss of compressed did, He coupled it with “always rejoice,”
scene: David and the “choice men“ of air passing from your second stage regu- and “don’t stop praying.” We are then
Israel have just brought the ark out of the lator into your lungs. But the worship-pay- instructed to “give thanks in everything
house of Abinadab. Apparently, a spon- off comes as you exhale. You become because it’s God’s will for US!”
taneous praise-jam session erupts among acutely aware of the sound of your own
them (how cool is that?). humming-bubbles lifting up encomiums (1 Thessalonians 5:16-18)
to the Lord in the most unlikely place on
Then David and all the house of Is- earth! You’re offering glowing, warmly 3-Practice being a living sacrifice to
rael played music before the Lord on all enthusiastic “scuba diving praise!” the Lord, which Romans 12:1 says is our
kinds of instruments made of fir wood, on “reasonable act of worship.” We praise
harps, on stringed instruments, on tam- The Jonah Factor Him then, lifting up encomiums, for every
bourines, on sistrums [metal shakers], and Scuba-praise? Sound a bit far fetched chance to decrease so that He may in-
on cymbals. (NKJV) or unbelievable? “No Biblical precedent,” crease. (In everything give thanks.)
you say? Think again. “When my soul
They were probably just “gettin’ their fainted within me, I remembered the Lord; Today you’ve learned a new word,
groove on” when in a moment of fatal and my prayer went up to You, into Your and it’s many, many expressions. It’s my
reaction, poor Uzzah put out his hand holy temple. (Jonah 2:7 NKJV) These prayer that this new word, encomiums,
and touched the ark. God was greatly words from Jonah weren’t exactly offered will inspire you now to new acts of wor-
angered by this and zap: EXIT UZZAH! from the comfort of his favorite easy chair ship never even dreamed of!! As believ-
Needless to say, David was quite shak- in front of the wide-screen at the “Jonah ers, worship is our forever-life, and the
en with the sudden unexpected turn of household.” On the contrary, as we say worship life is all about—you guessed it!
events, but on the rebound, the ark was in scuba lingo, he was “at depth.” Way
eventually brought to the City. That’s when under water, and to complicate matters, in- Practicing praise!
the King himself was inspired to “bust a side the belly of a very large fish! And yet Sandy
move!” He “danced before the Lord with his thoughts and prayers were of and to the
all his might,” and it says that he was Lord. Anywhere, any time, from anyone!
“leaping and whirling before the Lord!” Sandy Hoffman serves
(vv 14 & 16) This has EVERYTHING to Encomiumatic Responses The Grace Community
do with encomiums! OK, I admit it. I made up the term “en- Church in Santa Fe, NM,
comiumatic responses.” But I think you get where he is the Minister of
Encomiums where I’m coming from when I make the Worship Arts. Check out
So what ARE encomiums? Encomiums reference. Worship, led by team or other- his new instrumental acoustic guitar CD,
are high praises offered and expressed wise, is more than what we “do” on Sun- “Sereno,” at: www.EssentialWorship.com

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Mandolin
By Martin Stillion
I Wonder as I Wander Multi-instrumentalist Mar-

tin Stillion, a 15-year vet-
eran of worship bands,
plays at Seattle’s Bethany
Presbyterian Church. In his
I freely admit I’m a sucker for Christmas P.S. There are several collections of other lives he’s a husband, father, writer,
music. I’ve been working on arrange- Christmas tunes for mandolin; one of the editor, Webmaster, composer, and mu-
ments for a Christmas gig with my band, better ones I’ve seen is Roland White’s sician. Learn more than you wanted to
the Coolerheads, when I wasn’t busy Mandolin Christmas, available at www. know about Martin at www.stillion.com/
helping to plan the annual Classical Man- rolandwhite.com. martin or www.emando.com.
dolin Society of America
convention (which was   
tons of fun, by the way).   
  
       
Out of those efforts came
bluesified version of a            
 
              

 
this solo “chord melody” 

          

                            
     
 

folk carol by John Jacob
Niles, based on materi-
 
al he collected in 1933 







in North Carolina. 






 


              
     
            
I’ve reharmonized
             
 
     
                          
the tune and changed 
              
one of the notes: the

D# in bar 16 is a D
natural in Niles’ com-

       
position, but because 












     


this is the blues I want-         
ed a dominant seven           
                         
                 
 
chord in there some-

 
  
                   


         
where. I also changed
    
 


the meter, at least in the
first part. The customary
6/8 meter returns at the

key change in bar 24, 





















although the other altera- 












 
  







tions remain.
  
     
    
                            

  
              
 
Chord melody style is 
          

   
one way of playing lead



   
 
and backup at the same

time. The bigger note-

     
heads are the melody      
        
throughout the piece; you          
  
should try to “pop” these
                                      
notes out of the chords 
                                               

and de-emphasize the
                       
smaller notes. The “x”
noteheads indicate where  
I’m muting the chord with  

my left hand. 






  


            
     
You can practice this 


  
                      
slowly, of course, but it 

won’t make a lot of musi-

  
    
 
cal sense until you’re able
to play it at the marked 

tempo. Make sure you  
establish the rhythm and   
 

 


    
 

 


    
  

keep it going throughout  
 
  
                   

part 1—that’s more im-
          
  

 
           
portant than hitting all of
              

   

             
the smaller notes. Have

 
 
fun, and I’ll look forward
to seeing you at the Chris-

tian Musician Summit at 










Overlake.    








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FOH Engineer
Continued from page 36 or show. I recommend always running above this point. You run the risk of not
be to always finish rehearsals with the sound check a little louder than you will only feedback, but also splash back on
house sound on. Many of their moni- run the service. It will honestly seem the stage that will overtake the bands
tor mix adjustments will be very just a little louder with out bodies monitors. You know you hit this mark if
different if they do not hear the in the room even with no chang- your band is on wedges and they all start
house sound blending with their es to any faders or gain knobs. asking for monitor changes.
wedge or ear monitor sound. This is because the human body
is made up mostly of water… And last but not least. If you have had
Now back to Paul’s topic. Once and one of the best sound absorb- (and especially if you have not had) a
you get gain structure set do not ing materials is big bags of water. So good rehearsal, never make any changes
change it, especially after sound check know that it is normal for sound-check / based on what you remember you want-
and especially not after rehearsal. Unless rehearsal to sound louder naturally. It is for ed to change. Meaning if the band has
something is about to explode, do not this reason that I encourage you to make left the stage, do not think, “Oh, I needed
mix with the gain knobs; doing so will it just a tad louder than you think, be- some gain on the acoustic guitar and I
adjust everything down stream including cause most likely you will turn it up a little didn’t want to mess him up in rehears-
the bands monitors. Let me say it again. anyway. Making it a bit louder will also al…. I’ll add it now.” Stop right there…
Unless a signal is about to pop the top off help you establish any feedback issues back to rule 1.
the little red clip LED, then leave it alone.that may flare up in the service. When
This is why it is so important that we got the people come in they suck up some of Till next time.
the gain right, and that they gave us real the sound so if you have audience mics John
world test signals, back in sound check. If that the ear monitor folks are relying on
you constantly adjust the gain during the or if you band is mostly on wedges, then
service you are changing their mix, espe- the change in sound when an audience John is an 20-year vet-
cially if they are on ear monitors. There fills the room will change the performers eran of the road and has
are these little slider things closer to yourperspective on their mix. been blessed to work
hands that we should be using now to for many of the top level
balance the mix. (Sorry for the sarcasm, Now that you have ran sound-check / Christian worship leaders
but some of us need to be reminded.) rehearsal a bit loud, back that main fader including Chris Tomlin, Lincoln Brew-
back where it belongs. You have estab- ster, Shane and Shane, Paul Baloche,
What else can change a musician’s lished a max volume as well as know you and many more, Check out www.Tech-
mix? The room and the audience. Sound are stable feedback wise. Do not “gain Training101.com for more about what
check is always different than the service up” any inputs, or push the main fader John is up to.
REHEARSE.
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The REAL LIFE of LINCOLN BREWSTER: continued from page 26
when God has placed with the way that I’m wired, if it isn’t
a guy in a role, He has about relationships, I won’t be able to
placed him in that role. sustain it. I think a lot of people forget
You can choose to honor that in ministry. They think it is a sprint
that or you can choose and they forget that it is about finishing
to dishonor that. To me, the race. To me, so much effective
before I would want to ministry happens over the long term
dishonor that I would and it is about healthy sustainability.
rather just go on to a I try to be mindful about that and that
different place where I is why relationships are at the core of
could get in alignment the way that I choose to lead our team.
with the vision. I don’t always do a good job. But I
photo: Jeremy Cowart can say that I never forget that. I never
WM: Well people really forget the core of it. I never forget that it
my pastor’s plan as if it is my own
like that workshop because you are so is about relationships. So when I make
idea. I can’t walk out to the team with
transparent in your presentation. That is mistakes and when I don’t do a good
a long face and go, “You’re not going
what they respond to. job, it is fixable, because I haven’t
to believe what he’s going to make us
In that class and in your new album, forgotten what we’re about at the core
do,” but really go out and be honest
folks can see that you do have real or let dysfunctional relationships destroy
and say, “Hey, I’m excited because the
problems and that is the real life that people along the way. We serve a God
guy who is supposed to hear from God
you sing about. who is all about relationship. That is the
in this church, heard from God and this
point of Christ coming. Remembering to
is what we are doing.”
LB: I feel passionate about it, I really do. always be about relationship - that’s the
I’m passionate about doing ministry in key.
That is a hard concept for some people
a healthy fashion. I want to be doing
but I really respect and believe that
ministry 20 years from now. But I know visit www.lincolnbrewster.com
Keyboard
Continued from page 12 ent approach to creating your pad part chorus feel like a payoff? Does the en-
the droning A on top with a D below. for the chorus. Rather than play a dron- ergy diminish a bit when a later verse
Continue creating your part with these ing note that doesn’t change for several is heard? Does the return of the chorus
concepts in mind. If you’re practicing measures, why not create some melodic feel significant?
this alone, with only your pad sound, movement within your part? This move-
you may think it’s way too sparse a part ment is a strong contrast to that droning Listen to a recording of your worship
for the song. Don’t chisel that conclusion A heard so long in the verse. team playing a well-known worship
in stone, though, until you’re able to song. If what you hear is music played
play your pad part with your full rhythm Here’s a chord chart for the chorus with the same instrumental activity and
section. showing a possible melody for you to dynamic level throughout, step back
use on top and some voicing sugges- a bit. Compare the recording of your
tions for the notes team to popular recordings of the song
below that mel- you’re playing. How were sections set
ody. apart in the more well-known record-
ing? See if you don’t agree that creating
There are as clearly delineated song sections merits
many possibilities your attention. Do your homework here,
for the pad part and you’ll be more musically engaged
you choose here as you play and your congregation will
and the voicings engage more intently as you worship
you might use as together.
As I suggested earlier, each member there are keyboard players. You might
of a rhythm section can play some- opt for the verse’s droning top note to
thing that sets a new section apart from continue; you might use a new keyboard As a songwriter Ed has
what’s just been heard. When the cho- sound for the section; or, you might written over 100 songs with
rus of “Mighty To Save” comes around, choose some other option. The most Integrity Music. He has a
you could do this by no longer droning important thing for you (and everyone
on the A as the top of your voicing. You else on your worship team) to consider Masters Degree in piano
could certainly go to a higher note, per- is how the part your playing contributes performance. Ed and his family live in
haps the E, above the A you’d played, to the linear flow of your song. Does Washington State. Ed plays a Yamaha’s
as a new droning note for the chorus, the verse establish the energy and mood Motif XS8. www.kerrtunes.com
but I might suggest that you take a differ- of the lyric that will be sung? Does the

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Lighter Side
By Manuel Luz
Church Shopping Exposed

We’re here this Sunday morn- Note: This is code for: “I listen to a have teenagers who desire a more cutting-
ing in the lobby of What’s Happening lot of Christian talk radio, and I edge program. It’s a coin toss, really.
Community Church, located in the sub- want my sermons to sound just
urbs of Caucasian Falls, USA. A couple like my favorite Christian radio Pastor: Uh, the answer is…Yes?
new to the church has just exited the personality.”
service and approached the pastor. Let’s Joe: Oh good.
listen in… Pastor: Well, you’ll find that we just
preach from “The Word” here. Pastor: Yeah! In your face, First Baptist!
Pastor: Good morning! You’re new,
right? Note: This is the typical response that Jill: Excuse me?
pastors have to these kinds of questions. I
Joe: Hi. Yes, I’m Joe and this is my wife, think there’s a seminary class that coaches Pastor: Uh, I said,
Jill. them on these answers. lovely place,
First Baptist.
Jill: Yes, first time here. Really loved the Joe: Do your sermons always run that
service. long though? Jill: Oh.
Pastor: Well, great to have you here! Note: This is code for: “It will be foot- Pastor: Do you
ball season soon, and I don’t want the have any
Joe: Do you have a moment? We were sermon to eat into the pre-game show.” other ques-
just wondering if we could ask a tions?
few questions. Pastor: Well, you’ll find that we just
preach from “The Word” here. Joe: No, I think
Pastor: Sure. Fire away. that’s it. Thanks so much for your
Jill: I take it that you have a children’s time.
Joe: How many services do you have ministry?
here? Pastor: So, will we be seeing you next
Pastor: Yes, we have an excellent chil- week?
Note: This is code for: “I like to sleep in dren’s ministry. We have programs
late on Sundays.” up to sixth grade on Sundays. Jill: Yes, we think so. Thanks so much.
Pastor: Oh, we have three services on Note: Jill is secretly relieved at this state- Pastor: Well that’s great! Just wonderful!
Sunday mornings. ment, since she goes to church in part to Make sure you visit our coffee bar
get away from her kids. on the way out. Tell them the mocha
Joe: Great. I really liked the sermon to- frappuccinos are on me!
day. It is so good to hear a sermon Jill: Do they have an indoor jungle gym?
with meat, not the kind Because First Baptist down the street Jill: Oh, golly. You know, Joe is lactose
that’s, well, has one and the kids just love it. intolerant.
you know,
milk. Pastor: No, sorry, we don’t have one. Joe: Yeah, well, I’m afraid we won’t be
coming back after all.
Note: Wrong answer. The pastor
makes a mental note to talk to Note: Joe and Jill leave, disappointed,
the facilities director about but ready to go shopping again next Sun-
installing that zip line and day. The pastor chases after them…
climbing wall next to the
snack bar. Pastor: But…but…did I tell you about our
free gym membership?
Jill: Oh. That’s really too
bad. How about your
youth program? Is it very Manuel Luz is a creative
big? Do they play loud arts pastor in Folsom, Cali-
rock music there? fornia. Which means he
always misses the morning
Note: At this point, the NFL games. We highly
pastor must make a critical recommend his book, Imagine That: Dis-
decision. On one hand, covering Your Unique Role as a Christian
they could be the kind of Artist from Moody Publishers, imaginethat-
couple who don’t want rock luz.com.
music influencing their teenage
children. Or they could be a couple who

A Few Moments With…
By Brian Weaver
[False] Humility - How to Shine Your Light

I remember the first time I realized God in beauty.” This must have been the most so many people now struggle with humility
had given me a gift of discernment with beautiful, sparkling angel! and false humility issues: we don’t want to
musicians, of knowing where their heart make the same mistake Lucifer did.
was with their music, and where God was (cont.) “...the workmanship of thy tabrets
among that. I was helping lead worship (tambourines) and of thy pipes was Now, where is the balance between
for an event with another individual back prepared in thee in the day that thou being up front, leading others in worship,
in 2004, and something just didn’t feel wast created.” yet pointing to God and not to ourselves?
right about this person. Instead of using my Ezekiel 28:13 - KJV When I first began leading worship,
discernment to love on this person, I used it I would never take credit for anything; I
to judge. And when the story came out of God continues to describe Lucifer, ex- stayed as conservative as possible be-
what was really going on in this person’s plaining that he had tambourines and cause I didn’t want others to think I was
life, I said to myself, “I knew it!” This hap- pipes built into him. He didn’t just lead the prideful. When someone would say,
pened a number of times in the next few music, he was music. This also shows us “Great job with worship this morning,” I
years, until I heard God tell me that He that whatever God creates someone to would blow it off and say it wasn’t me,
had given me this gift not to judge, but to be, He builds it into him or her. With such but it was God. After going through this
help build people up and work with them beauty, splendor, and power, it’s no won- process for years and wondering what the
through their weaknesses. der why everything went to Lucifer’s head, balance was, I finally went to His Word
leading to his downfall. and sought the answer.
As I have continued on in my journey
of leading worship, performing my own “You were blameless in your ways from “You are the light of the world. A city on a
songs, and meeting fellow musicians who the day you were created till wicked- hill cannot be hidden...let your light
do the same, I’ve noticed that the topic of ness (iniquity) was found in shine before men, that they may see
humility and false humility has been the you...Your heart became proud on your good deeds and praise your
number one thing to arise. Why is it that account of your beauty, and you Father in heaven.”
pride seems to be the biggest downfall for corrupted your wisdom because of Matthew 5:14-16 - NIV
musicians and worship leaders? How do your splendor...”
we get on stage, play music, and allow Ezekiel 28:15, 17 - NIV In this verse, Jesus is saying to go out
God to be seen through that and not us? and be a “light” in the world; to let it “shine
Well, as my pastor likes to say, “The se- Lucifer was created to direct the music, before men”. I spent years worrying that
crets of God are hidden for us, not from yet when he saw how great, beautiful, people were going to see me and not see
us.” What does that mean, exactly? That and splendid he was, he began to think God, but after reading this, I realized my
means that if we want to get the answers, too highly of himself. This thought was the mind frame was all wrong. A light is vis-
we need to draw close to God (James iniquity that was found in his heart. Iniquity ible to everyone around it, especially the
4:8), and He’ll draw close to us and re- is simply a quality of sin; it deals with the light that is placed on a hill (or stage).
veal things to us. sins that cannot be seen (except by God). When that light shines, people will see
Some examples of this are pride, jealousy, what you’re doing (and appreciate you for
I think the first place to start is the issue deceit, envy, and covetousness. While sin it), but ultimately, the praise will go to our
of pride amongst musicians. Where did and iniquity both deal with falling short, sin Father.
this all start? Simply put – with Lucifer. In is the visible action we do that separates
Ezekiel 28, we find a detailed description us from God and iniquity is the hidden In this next passage, we see that the
of who Lucifer was and what he was in thought or intention that separates us. In queen of Sheba was hearing incredible
charge of. Jesus’ message in Matthew, He shares the stories about Solomon. She heard reports
difference between iniquity and sin: about Solomon that she didn’t even be-
“Son of man, take up a lament concern- lieve herself, so she decided to make a
ing the king of Tyre...” “You have heard that it was said, ‘Do not trip to visit Solomon and see these things
Ezekiel 28:12 - NIV commit adultery.’ But I tell you that for herself.
anyone who looks at a woman lust-
In this verse, God is telling the prophet fully has already committed adultery “When the queen of Sheba saw all the
Ezekiel to speak to the demon, the chief with her in his heart.” wisdom of Solomon and the pal-
spirit, that is influencing the king of Tyre; Matthew 5:27-28 - NIV ace he had built...she was
God is talking directly to Lucifer/Satan, overwhelmed...She said to the
who is controlling the king. The visible action of adultery is consid- king...‘Praise be to the Lord
ered sin, but the lustful look is the non-vis- your God, who has delighted in
“You were the model of perfection, full of ible act of iniquity. Iniquity wants to mani- you...’ ”
wisdom and perfect in beauty. You fest itself; it is only waiting on opportunity. 1 Kings 10:4-9 - NIV
were in Eden, the garden of God;
every precious stone adorned you...” Going back to the question of why it is I found that through everything Solomon
Ezekiel 28:13 - NIV that pride seems to be the biggest down- was doing and everything he had, the
fall for musicians and worship leaders, we queen of Sheba did not see him; she saw
God is saying that Lucifer was the see that it is because Lucifer first gave into the God he served! If Solomon had put
“model of perfection”; that he was “perfect pride and thinking he was better than God on this idea of “false humility” and hidden
Himself. I believe this is the reason why Continued on page 62

effective. New Lighting Solutions for Worship
Experience Elation Lighting

at Christian Musician Summit
Kirkland, WA Nov. 11-13
Mover
Bright, small and energy-efficient
Zoomer
LED wash zooms from narrow
moving-head light to wide in an instant
• Nearly twice the brightness and • Remotely controlled motorized
lamp life of comparable fixtures zoom adjusts from 10˚ to 60˚
• Smooth wash or sharp spot • 24 super-bright 3 watt LEDs
• Rich dichroic colors • Smooth RGB color mixing
• Light-weight and quite • Flicker-free light for video
Elation
PLATINUM SPOT 5R
applications Elation
LED PAR RGB ZOOM
Get your liGhts riGht the first tiMe
• Worship lighting experts - call us

• Church discount pricing everyday
www.ccisolutions.com - 800.426.8664
SOUND | VIDEO | LIGHTING
Lighting A Few Moments With…
Continued from page 60
who he was and what God had given
him, then the queen of Sheba wouldn’t
By Greg Sisley have been drawn to God. If anything, he
Elation E Spot LED

would have been drawing more attention
to himself.
As worship leaders and musicians, we

need to begin operating through the light
God has put inside of us from the day we
were born. We are told to go out and be
Lighting is a field that’s constantly The E Spot uses ground-breaking tech- a light, to stand on a hill and be seen.
changing. It’s one of the things I like best nology for its light source - a CBT 90W Through all of this, if our hearts and inten-
about it. The creativity God put into us white 6500°K LED. Though the LED lamp tions are right and set on the Lord, we
constantly devises new and better ways consumes less than half the power of a won’t need to be concerned about ‘get-
to get things done. During the next few similar sized fixture’s 150W discharge ting the glory’; it will automatically point
articles we will look at several new tech- lamp, the 45 W LED has greater light to God.
nologies that are changing the lighting output and very little heat is generated.
world forever. The E Spot LED produces 960 lux at 16 A friend once told me something I will
feet. Compare that to a Mac250 Entour never forget: “People are most attracted to
The Elation E Spot LED from Elation which produces 911 lux at 16 feet with a you when you’re operating in your anoint-
Professional Lighting is an innovative leap similar 15 degree beam angle. A typical ing.” This attraction should not cause you
into the future of automated lighting. This discharge lamp is rated at 3000 hours, to hide your light, but it should cause you
deceptively small, full-featured moving while the LED lamp in the E Spot is rated to live it out. Solomon was living out the
yoke spot not only competes favorably at 50,000 hours! light God had given him, and through that,
with existing moving lights, but also packs everyone saw the source of the light: God.
some revolutionary features. The E Spot has another feature not usu-
ally found on units of this size or price. As long as we continue to seek first His
The engineering and design team at Elation’s RDMX (Remote DMX Addressing) kingdom and His righteousness (Matthew
Elation is really hitting on all cylinders allows DMX values to be set remotely 6:33), we don’t have to worry about any-
right now and turning out some fantastic from your controller, eliminating the need thing else. The next time someone thanks
gear. Their E Spot weighs about 25 lbs for hands-on access to the fixture once you for the great job you did, don’t brush
and measures only 8” by 11.8” and just installed. Combined with long lamp life, it off, but say, “Thank you.” Humility allows
17.2” high. The E Spot LED features a the E Spot becomes a great option for other to appreciate you; even the word
color wheel with 8 rich dichroic colors those hard to reach locations. appreciate simply means “to increase in
and color scrolling with variable speed. value.” People’s value should increase
A single gobo wheel holds seven rotat- Here’s what I like about the E Spot. It’s after a worship experience, because they
ing/indexing replaceable gobos. The a rugged, high-quality, full-featured light have just drawn even closer to the pres-
unit also features gobo scrolling and a with a super efficient light source and ex- ence of God.
gobo shake effect. A really nice feature is tremely long life. It produces sharp beam
the fixture’s three rotating, indexing prisms edges and an exceptionally flat beam Going back to Ezekiel 28:14, Lucifer
- a 3-facet, 5-facet and 3D, which allow field. It’s very affordable. The E Spot’s was described as the “cherub that cov-
for a whole new palette capability and features belong to fixtures ers.” As a worship leader, you’re not only
of effects. The E Spot that are bigger and more expensive. responsible to lead others in worship, but
LED has a fixed 15° The E Spot LED is a reasonably quiet fix- also to protect it. The presence of God
beam angle and ture, and is appropriate for use at clubs, should be protected from distractions. I’ve
can pan/ theaters, concerts, stage productions, noticed that a dull light draws more atten-
tilt 540°/ churches, and other applications where tion to it than a bright light. When a light is
630° by total throw is not greater than twenty-five dull, it pulls all the attention and focus onto
2 6 5 ° . feet. Elation has pioneered the way with itself and away from the things around it.
Shutter/ the E Spot and opened a door to a whole However, when a light is extremely bright,
s t r o b e , new realm of creative possibilities. The it shines on everything around it, revealing
0-100% advantages of LED - lamped fixtures are the dark places. Let’s be the bright lights in
d i m - driving other manufacturers to develop this world and shine on the dark places of
m i n g , similar models. Soon we will see larger our hearts.
and mo- moving lights with greater throws, CMY
torized color mixing, and moving washes, all lit Don’t worry about telling others it’s not
f o c u s by LED lamps. you; just show them:
can be
c o n - At about $1500, the Elation E Spot “For what they were not told, they will
t r o l l e d LED from Elation Professional Lighting is a see, and what they have not heard, they
with a lot of bang for the buck, and would make will understand.”
standard an excellent choice for your lighting rig.
DMX con- Isaiah 52:15 - NIV
troller in
a12 or 14 Greg Sisley is on the
c h a n n e l pastoral staff at Faith in Brian Weaver is a sing-
mode. Kent, WA, where he leads er, songwriter, and wor-
production and men’s minis- ship leader from Phoenix,
tries. He is also a member AZ, signed with VSR Music
of the Lift Worship Team, specializing in Group & EMI/CMG Distri-
lighting design and production. bution

BREAK
THE SILENCE
Yamaha Silent Violins have served musicians admirably for
years. Never complacent, Yamaha has improved the tone, feel
and form to meet the specific needs of performing artists.
Introducing the Yamaha SV-250 and SV-255 professional
violins. Designed to thrive in the spotlight of live events, these
4- and 5-string instruments feature spruce and maple bodies,
direct PA connections and a pickup system enhanced for
premium sound quality. For details, visit the website below,
scan the QR code, or play the SV-250/255 out loud at a
Yamaha Strings dealer today. yamahastrings.com/wm
> with its legendary Martin tone, striking aesthetic features and
onboard intelligence, the Performing Artist Series
will take your body, mind and soul to new heights.
Experience all three great cutaway models on

performingartistseries.com or at your local
authorized Martin dealer. Each specifically
designed to inspire great performances.
Expect excitement!
©2010 C. F. Martin & Co. martinguitar.com

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Product Review

Schenk Ophirio Model

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The Right Tempo, The Right Part

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For the guitarist part of the question,

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More Than Amazing (2 of 2)

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