Maiya Roman Hindi 12th Draft

1.
MAIYA
Story-Screenplay-Director
Anil Kumar
Producer
Iris Green Films

FADE IN
1. EXT. GANGES GHATS, VARANASI DAY

It's the month of January, the Ghats of Varanasi are
covered in mild mist. A tractor reaches and stops in the
crowded Bazaar.
A few passengers get down, including a less-than-ten-year
old kid, Kishan; he is carries a cloth bag (Shabnam bag)
and wears an old half pant and shirt.
He takes a shared rickshaw with a passenger and it moves
forward through the crowd towards ghats. He gets down near
a ghat, takes out a paper chit from the cloth bag and shows
it to a passerby; that man points out in a direction.
2.
Kishan heads towards the Ghats and sees some people walking
up-and-down on the steps. Others sit in front of a Pundit
and offers prayers. More people bathe in the Ganges.
In some places, food kept on leaf plates is eaten by crows
and dogs.
Kishan shows the paper chit to another passerby who points
to a Pujari sitting on one side of the Ghat. He has a small
shop with piles of old books, some Puja-material and photos
of gods and goddess.
Kishan approaches.
KISHAN
Aaj kitna khubsurat din hai..,
bas thodi si thand hai!
PUJARI
Yahan ki sardeeyan to hamesha hi
khubsurat hoti hi hai..,
(expecting a potential customer)
kya kaam hai?
KISHAN
Aap ke liye to achcha hi hoga..,
dhande ka jo time hai !
The Pujari looks at him in embrrassment, but laughs
sheepishly.
PUJARI
Parlok me aatmaon ko swarg aur
sukh-shanti mile isi kaam ke to
hum paise lete hai.., bade punya
ka kaam hai.., (expecting he
will purchase something) Bolo
tumhe kya chahiye?
Kishan hands him over the paper chit. The Pujari looks at
it without interest and reads.
PUJARI
Shreemati Parvati Kunwar Sing,
Saket Bungalow, Raja Ghat,
District Varanasi, Uttar
Pradesh.
The Pujari looks at Kishan.
3.
PUJARI
Bolo kaise jaoge?
KISHAN
Kaise matlab?
PUJARI
Wahan jaane ke do raaste hai, ek
pul se dusara naanv se, pul ka
rasta lamba hai aur naanv se to
yahin se jaa sakte hai..
KISHAN
Main naanv se jaunga..
PUJARI (IRRITETED)
To neeche jao, yahan kyon khade
ho, naanv to lagi hai..
Kishan quickly takes the paper chit and heads down the
steps. Then pauses, turns towards the Pujari then he yells.
KISHAN
Pujari jee, aatma swarg gayi ya
narak, tumhe kaise pata chalta
hai?
The Pujari looks at him in embarrassment, but by that time
Kishan has reached the bottom of the Ghat.
2. EXT. ON RIVER GANGES, VARANASI - DAY
A somewhat fair Young Man is using an oar to row the boat
down the Ganges, puffing on a cigarette.
Kishan observes him quietly. As the rower returns the
glance Kishan looks down, puts his hand in the river and
plays with water.
Kishan stares at the Young Man again. The rower raises his
eyes brows and gestures "What are you looking at?"
KISHAN
Tumhara naam Shiva hai na?
SHIVA
Kaise jaante ho?
4.
Kishan looks at him and smiles.
FLASHBACK
3. EXT. GANGES, HARIDWAR - DAY
Parvati, age sixty years, is dressed in a Saaree, looks
very elegant, an authoritative woman sitting in a big boat
with Kishan.
PARVATI
Shiva ke munh me hamesha ek
beedi rahti hai, aisa lagta hai
wah beedi pee nahi kha raha
ho.., lekin muze dekhte hi wah
use fenk dega.., bahut seedha
hai.., dhup ho ya baarish,
hamesha chappu liye taiyar rahta
hai...
FLASHBACK ENDS
4. EXT. IN GANGES, VARANASI - DAY
Kishan smiles.
KISHAN
Jaanta hoon.., Parvati Maiya ne
bataya tha.
SHIVA
Hmm, Parvati Maiya se milne jaa
rahe ho? Kya kaam hai?
KISHAN
Hai kuchh.., tum nahi samzoge.
Kishan observes his reflection in the river water. He cups
up some water in his hands.
FLASHBACK
5. EXT. GANGES, HARIDWAR - DAY
The big rowing boat is moves towards the shore. Garbage
floats in the water.
5.
PARVATI
Pahle hum Bhagirathee ka paani
pee sakte the...
KISHAN
Bhagirathee?
PARVATI
Ganga ka ek aur naam! Himaalay
ke hriday se janm lele waali
sabhi nadiyon ka paani nirmal
aur shuddh hota hai; ek nanhe
bachche ki tarah masum..
Kishan observes her face as she is looks into the distance
steadily.
PARVATI
.. Bhagirathee jaise-jaise aage
badhti hai, usme gandagi badhte
jaati hai.., waise hi bachcha
jab bada hota hai, to uske mann
par paap-punya ke sanskaar hote
hai, dheere-dheere uska mann
maleen hone lagta hai..
Kishan looks at her silent face. Parvati still looks at the
distance, leaving that sentence incomplete and holding
something inside her.
PARVATI
..kabhi lagta hai mujh me aur
ganga me koi fark nahi.., saare
dukkhon ko sametkar hum bhi
budhe ho kar mrityu ki aur
badhte hai, us athah mahasaagar
ko apnanane.., us se milne..
Hearing this, Kishan becomes sad.
FLASHBACK ENDS
6. EXT. GANGES, VARANASI
- DAY
The boat reaches nearby a ghat. Kishan comes out of his

reverie.
6.
SHIVA
Tujhe ghar pata hai?
KISHAN
Us raaste par, hai na?
Kishan points towards a big red house.
KISHAN
Wahi ghar hai na?
SHIVA
Tum yeh sab kaise jaante ho?
KISHAN
Main jaanta hoon! Babu ghat ke
baad jo pahla laal ghar hai,
wahi Parvati maiya ka Saket
bungala hai, kyon sahi hai na?
Shiva is shocked. He blows the cigarette smoke from his
mouth. Boat reaches at the ghat.
7. EXT. GATE - DAY
The bungalow is a big and old one. It seems like it has
undergone a few repairs.
Kishan looks sideways and up and down.
PARVATI (V.O.)
Yah hamare purkhon ka ghar tha,
humne is me bahut saare badlaav
kiye hai...
Kishan reaches near the gate and turns back, he sees the
Ganges flowing down.
PARVATI (V.O.)
Yahan ke baramde se ganga dikhai
deti hai.. main kai baar unke
saath kinare par baith kar bahta
paani dekha karti thi..
Kishan opens the gate.
7.
PARVATI (V O)
Is ghar ke har kone me humare
mehnat ki, pyar ki khushboo basi
hai..
8. EXT. COURTYARD / STABLE - DAY
Kishan walks up on the steps, he hears a dog's bark. He
startles, a black color dog barks at him loudly. Kishan
slowly walks towards the animal.
KISHAN
Raja ..! ch, ch, ch.. main tumhe
kuchh nahi karunga.., mujhe
Maiya ne bulaya hai, Parvati
Maiya ne..
The dog stops barking. Kishan extends his hand towards him.
Raja wags his tail and sits near his kennel. Kishan moves
his hand over his head.
KISHAN
Tum to bade mulayam ho.., pyare
Raja, bilkul vaise, jaise Maiya
ne kaha tha..
He suddenly hears the sound of a bell, he turns.
PARVATI (V O)
Raja ke ghar se thoda peechhe
humari gayon ka tabela hai.
INSERT
Parvati feeds green grass to a cow.
INSERT ENDS
Kishan sees some cows in a stable - one of the cows have a
bell around her neck. There are also many goats eating the
green grass. Kishan takes the grass and tends the feed to
one of them.
KISHAN
Aa, aa.., Nandini..
The cow with the bell around her neck looks at Kishan.
Kishan smiles and feeds her grass. Then slowly, he puts his
hand on her head.
8.
PARVATI (V O)
Pahle humare paas sirf ek gaay
thi..., aaj humare paas bahut
gaayen hai.., unme se ek badi
natkhat hai, wah chhoti wali..
Kishan moves to the young calf. The calf shakes her head
angrily. Kishan moves back.
KISHAN
Gomati... tum Maiya ne lagaye
saare ped kha jati ho.., isi
wajah se tumhe humesha daant
padti hai..
Near the stable there is a small temple, a small girl
watches Kishan.
The girl's name is Diya. She is 6-7 years old. She is
dressed nicely as if she is ready to go somewhere.
Kishan is unaware of her presence.
KISHAN
Maiya ne kaha tha, agar tum
jyada masti karogi to wah tumhe
kabhi baahar nahi jaane degi..,
gale me ek rassi latkakar yahi
khunte se baandhe rakhegi.., fir
chillate rahna.. hammba..,
hammba..
He ilitater Hallba, Hammba like a cow. Diya puts her hand
on her mouth and suppresses her laugh. She calls her Mummy.
DIYA
Mummy!
Priya, age 30-33 years old, a tall, fair but thin woman,
comes out of the temple near the Diya. She wears a Salwar
and Kurta. She looks at Kishan.
PRIYA
Who are you.. tum kon ho?
KISHAN
Main Maiya se milne aaya hoon.
9.
PRIYA
Maiya..???
KISHAN
Parvati Maiya.. wah budhi see
aurat..?
PRIYA
Oh, but., wo toh abhi U.S. me
hai.
KISHAN
Dopahar tak aa jayegi na?
Diya laughs at him. Priya looks at Diya, she stops
laughing.
DIYA
You dumb, she went to America..
mere bade-paapa ke paas. Kuchh
din baad aayegi.
Kishan is disappointed. He looks sad.
PRIYA
Kya naam hai tumhara?
KISHAN
Aap Priya chachi ho na?
PRIYA
Tumhe kaise pata?
KISHAN
Maiya ne bataya tha.
PRIYA
Tumhe ..? When?
KISHAN
Peechhale saal.., Maiya jab
Haridwar aayi thi tab..
10.
PRIYA
Oh really.., tum wahan rahte ho?
KISHAN
Haan.
PRIYA
Naam kya hai, yahan kisliye aaye
ho?
KISHAN
Kirham, Maiya ne bulaya tha!
He takes out a piece of paper from his bag and gives it to
Priya to read. They take a walk while reading.
PRIYA
Okay, Thik hai (She thinks
something)
KISHAN
Maiya aur main Haridwar me saath
hi ghumte the.., main Maiya ka
boy friend tha..
DIYA (LAUGHS)
Boy Friend???
KISHAN
Haan, hum dono achche dost ban
gye the.. kabhi naav me, kabhi
riksha me, to kabhi paidal..,
hum Haridwar ki sab jagah ghumne
jaate the..
Kishan indicates his half pants and Shabnam bag.
KISHAN
Yah zola, ye pant usi ne dilwai
hai..
9. INT. BUNGALOW - DAY
Vishnu a 11-12 years old boy comes there running.
11.
VISHNU
Hey come fast, car is ready..
He takes his bag and taps on Diya's head. He asks her.
VISHNU
Who is this guy?
He looks at Kishan.
VISHNU
Will see you later boy... come
Diya our Hindi teacher will get
angry if we arrive late..
10.
EXT. HOUSE ENTRANCE - DAY
Both the children sit inside the car. Priya and Kishan
watch as it exits the gate. Their home servant, Bhawani,
aged 45-50 years, comes out.
BHAWANI
Memaab.., yeh Chandrakant aaj
fir tiffin box le jana bhul
gaya..,
PRIYA
Oh my God!
She takes up the Tiffin boxes from Bhawani.
PRIYA (WORRIED)
Madhav.., children forget the
Tiffin boxes..
Realizing Madhav will not come she runs down the steps. But
the car is gone. Priya puts her hand on her head.
KISHAN
Chachi, mujhe do.., main dekar
aata hoon..
Priya looks at him.
PRIYA
How will you go? Tumhe pata hai
Hindi class kahan par hai..?
12.
KISHAN
Nahi.., lekin Car ke peechhe
jaunga, to panhuch jaunga.
Kishan takes the Tiffin boxes and runs down the steps
following the car. A smile of satisfaction appears on
Priya's face; she walks inside.
11.
EXT. A PATHWAY / ALLEY DAY
Kishan runs hurriedly holding both the Tiffin boxes in his

hands. The car takes a turn and goes behind the houses in
the alley.
Kishan watches it but the car is going to disappear so he
starts running fast. The car moves steadily, inside it the
children are laughing - and suddenly Kishan comes in front of the Car.
The car driver, Chandrakant, aged 55, breaks fast. He looks
angrily at Kishan but he smiles when he sees the Tiffin
boxes.
CHANDRAKANT
Arey tu yahan bhi panhuch
gaya???
12.
INT. STUDY ROOM - DAY
Madhav is a 35-40 year old man, he is reading a book,

wearing a spectacle. Priya suddenly takes his book from his
hand and puts it on the table, smiling at him.
PRIYA
This child is good! He come to
see our Mamma.. let him stay
here till Mumma comes home.
Madhav tries to take the book. But Priya prevents him. He
loses and sits back in his chair.
13.
PRIYA
We came here to spend our
holidays but suddenly all the
responsibility has fallen on
me.., Mumma went to U.S. and I
have to look after this place..,
now who will play with kids?
During vacation they also have
to go to their studies.
Madhav, seeing her concerned, gets up and holds her from
the back, he kisses on her neck. She strugglesMADHAV
I am ready to play with them but
you are sending then to learn
Hindi.., put some responsibility
on me too.., at least I will get
a chance to get off from my
research..
PRIYA
You will never change..,
Madhav holds Priya.
MADHAV
Remember those days at
Cambridge..? You still look the
same.
Priya looks into his eyes-
PRIYA
Madhav, if that kid stays here
our kids will have a company.
MADHAV
So, let him be here (He takes
the book) Now let me study a
bit.
He sits on the chair. Priya looks at him puzzled and rolls
her eyes.
14.
13.
EXT. KITCHENS VERANDAH - DAY
Kishan sits in a verandah next to the kitchen, eating daal

& roti. He gulps down big bites.
The home servant Bhawani places a Lota filled with water
near him.
The old driver Chandrakant comes and stands near the door,
chewing something. He looks with dismay at Kishan's
gobbling.
CHANDRAKANT
Ch, Ch, Ch.. yah aise kyon
bhukkad ki tarah kha raha hai..
Bhawani is at mirror and mending her hair. She gives
Chandrakant a look - he is taken aback. Kishan too looks at
him but continues eating.
BHAWANI
Ae Chandu, tu apna kaam kar,
kyon bachche ko tokta hai..,
apni marjee se khane de use..
CHANDRAKANT
Pata nahi Priya memsahib ne ise
kyon rakha.. lekin ise mere
neeche hi seekhna padega.., ae
Bhawani, ek cup chai lana..
BHAWANI
Abhi thodi der pahle hi to tune
chai pee thi.. jab dekho chabarchabar.., jaa pahle thuk ke aa..
Startled, Chandrakant looks at Bhawani. She stares back
angrily at him.
Bhawani puts some clothes in front of Kishan.
BHAWANI
Yeh tere liye kuchh kapde hai,
Priya madam ne diye hai..
Kishan nods while eating. Chandrakant looks at Kishan, he
puts the plate to his lips and drinks all the daal.
Chandrakant gives a disgusted look.
15.
CHANDRAKANT
Dekh bte, kaam seekhna hai to
meri baat maan ni padgi.., jaisa
main kahu waisa hi karna,
samjhe..
BHAWANI
Huh..
Bhawani gets busy with other chores in kitchen. Kishan
drinks water with the small mug holding it up from his
mouth.
KISHAN
Kya kaha Chandukaka..?
Chandrakant is annoyed.
CHANDRAKANT
Kyon, sunai nahi diya kya?
KISHAN
Maiya ne kaha tha ghar me ek
mariyal bail bhi hai..
Chandrakant raises his eyebrows and looks at him, he is
about to say something but doesn't speak.
FADE TO BLACK
14.
The telephone rings loudly. Madhav sits there taking notes

from the open books in front of him.
He looks at the ringing telephone very calmly, then puts
his pen to his lips and waits. As the phone goes dead he
continues his work.
15.
INT. KITCHEN - DAY
Kishan washes utensils. Bhawani cuts vegetables. Suddenly

he hears another ring of the telephone.
PRIYA (V.O.)
Madhav! Answer the phone. It
might be Mumma.
16.
Hearing the word 'Mumma', Kishan leaves his work and runs
towards the study room. Seeing Madhav inside, he stops and
stands outside.
16.
Madhav picks up the phone MADHAV

Hello..
PARVATI (O S)
Kon Madhav.., bte kaise ho..
ghar me sab adjust ho gaye kya?
MADHAV
Maa, main to adjust kar lunga
lekin Priya aur bacchon ko thoda
time lagega.., ek mahine se
jyada nahi rah payenge yahan..
PARVATI (O S)
Tumse phone karna nahi hota
kya..? Humesha mujhe hi lagana
padta hai?
MADAHV
Maa, nothing interesting happens
here.., fir phone lagakar kya
karun?
PARVATI (O S)
Arey budbak, ghar me gaay-bhais,
bakariyan nahi hai kya..
Priya comes in and takes the phone from Madhav. Kishan
stands at the door and observes them talking on the phone.
PRIYA
Mumma, itr le Pqia..
Kishan tries hard to listen to the words of Parvati.
PARVATI (O.S.)
Oh Priya, Raja ki tabiyat kaisi
hai, use samay par dawaiyan
khilana warna..
17.
PRIYA
Yeah Mumma.. lekin..
Parvati goes on talking.
PARVATI (O S)
Nandini aur Gomati ko roj hari
ghas khilana, Chandu ko bolkar
murgeeyon ke liye daana mangwa
lena..
Priya has no interest in Parvati's words, she is waiting
for her turn to talk.
Kishan looks at the telephone receiver very eagerly as if
he could hear her.
Priya can't tolerate it anymore, she suddenly speaksPRIYA
Madhuri... Mumma! How is
Madhsqir heakth? What did
doctors say??
PARVATI (O S)
Arey wah batana to bhool hi
gayi, mujhe kuchh din aur rukna
hoga....
Pqiar face becnler cnmcerned.
PRIYA
Whatr the evoected date??
PARVATI (O S)
Is satrah ko Caesrean karna
hoga, bechari darri hui hai....
Madan bhi apne kaam me vyast
hai..
Standing at the door Kishan gestures to Priya - 'tell Maiya
I have arrived'. But Priya ignores him.
PRIYA
I had two Caesarean. Tell her to
be strong..
18.
PARVATI (O S)
Haan, ek baar yah sab nipat jaye
to main bhi jaldi se ghar aa
jaun.., ghar ki chinta satati
ranti hai.., poudhon ko paani
dalna mat bhulana...
Kishan again tries to attract Priya's attention. She turns
her back towards him while talking.
PRIYA
Okay Mumma, Bye!
Hearing this Kishan steps inside but stops at the door.
Priya puts down the receiver, gives a look to Madhav who is
still reading and goes out of the room.
Madhav is busy. Kishan gathers some courage and moves to
the table, picks up the receiver and puts it to his ear.
He closes his eyes and takes a deep breath as if he is able
to hear Maiya's voice and feel her presence.
KISHAN (WHISPERS)
Maiya.. Maiya..
Kishan looks up, sees Madhav is looking at him. He feels
guilty, he puts the receiver back. Madhav slowly raises his
book in between him and Kishan and goes on reading. Kishan
hears Priya's voice
PRIYA (V.O.)
Kishan....
Kishan runs towards the kitchen.
17.
INT. KITCHEN - DAY
Priya makes tea.

KISHAN
Priya chachi, Chacha ki pariksha
hai kya?
PRIYA
Try to ask him.. unhe poochkar
dekho..
Kishan smiles at her.
19.
18.
EXT. HOUSE BACKSIDE - DAY
An Auto stops at the down steps. Kishan runs out. Vishnu

gets down the Auto, behind him Diya follows, sobbing. The
Auto drives off, Vishnu waves at it.
VISHNU
Bye Chiku, bye Bunty..
Kishan looks at the crying Diya. He walks up to Vishnu and
takes their bags.
KISHAN
Wah kyon ro rahi hai? Kya hua
use?
VISHNU
How do I know? Will you solve
her problem if you know?
Vishnu walks away. Kishan follows the crying Diya inside
the house.
19.
INT. DINING HALL - DAY
Priya sees that Diya is crying.

PRIYA
Oh God...these kids are always
fighting...Diya...did you do
something?
DIYA (SOBS)
I didmt do anything........
PRIYA
You sit here, eat this teabiscuit..
DIYA (SOBS)
Nn.., I dnmt uamt tn eat
anything..
Priya gestures Kishan to feed her and she rushes behind
Vishnu. Diya sits on a chair at the dining table.
Kishan brings tea & a biscuit to the table.
20.
KISHAN
Lo, kha lo..
DIYA
No, I dnmt uamt.
She gets up and goes out to the frontside of the house.
20.
EXT. GHAT - DAY
Kishan takes the biscuit and follows Diya. She stands

silently facing away from him.
KISHAN
Biscuit kha logi to main tumhe
ek cheej bana kar dunga!
DIYA
No, first you make it, then I
will eat.
Kishan smiles. He takes a paper, folds it, makes a round
toy. Diya is fascinated by the sight of it.
Kishan puts the toy in his mouth and blows. It makes a
'Poe' sound. Diya is excited by the toy and the sound made
by it.
DIYA
Give me.. Muze do, muze do...
Kishan gives the paper toy to Diya. She tries but can't
make the sound. Kishan explains the technique to her.
DIYA
Give me, give me.. muze do..
Now, Diya finally makes the sound 'Poe' with that paper
toy. Happy, she plays with it, making the sound again and
again.
Vishnu hides behind a wall, looking on. He runs and
snatches the toy from her and runs away. Diya starts
crying.
DIYA
Hey Bro.., itr l tn, okeare
give it to me.
21.
Kishan puts his hand on her shoulders.
KISHAN
Jaane do use.., main tumhe aise
sou aur bana dunga.
DIYA
Sau?
Diya is surprised to hear 'Sau' from Kishan, rhe dnermt
understand it. He makes hundred in air with his gestures.
She stares in disbelief at him. He smiles at her.
MONTAGE
21.
EXT. TERRACE - DAY
Diya runs, spinning a paper wheel toy. Kishan finishes

making another paper wheel and joins her.
22.
EXT. COURTYARD - DAY
Diya and Kishan fly paper planes in the courtyard.

23.
EXT. RIVER SIDE/SHIVAS BOAT/RICKSHAW - DAY
Kishan shan puts a paper-boat in the river flow, it moves

forward. Both chase it along the shore.
They ride on Shiva's boat. They take a ride on rickshaw.
24.
EXT. UNDER A TREE - DAY
Both sits on a swing and blowing a whistle.

MONTAGE ENDS
25.
EXT. UNDER A TREE - DAY

DIYA
Who taught you this.. kisne
shikhayii?
KISHAN
Sikhayii nahi Sikhayaa..., mere
Dadaji ne.
DIYA
Dadaji? (Kishan nods)
22.
DIYA
How do you know my Grandma?
KISHAN
Grandma??? Maiya?? (She Nods)
DIYA
You..(gestures) Grandma..
Boyfrriend.., how?
FLASHBACK
26.
EXT. A GHAT, HARIDWAR - DAY
Down at the ghat, some Pundits perform sacred Puja. People

and Pilgrims walk up & down the steps.
It's a pleasant day. Above the ghat, near a temple, Kishan
sells paper toys along with his Friends. Kishan has a
Bamboo stand, on it his paper and plastic toys are
displayed. His friends sells garlands, coconuts and other
items.
An Ice-fruit vendor besides Kishan sells ice candies. Many
Children gathered around him.
Kishan carries his Bamboo stand and walks behind a Small
Girl and her Mother, asking them to purchase the toys. Her
mother pays Kishan with a 5 Rs note and a 5 Rs coin.
GIRLS MOTHER
Yeh kharab to nahi hoga na?
KISHAN
Bade-bade hawai jahaj kharab ho
jate hai, yeh to sirf dus
qsoae ki cheej hai, khaqab tn
hogi hee.
The girl's mom is shocked on hearing Kishan's answer. He
rests his Bamboo stand to a wall and puts the money in his
pocket. One 5 Rs. coin slips out.
KISHAN (IRRITATED)
Tang aa gaya main is fati jeb
re
The coin bumps down each step towards the bottom of the
Ghat. Kishan tries to catch it. The coin gets stuck to the
23.
shoe of a man and again rolls down. Kishan is almost near
it. The coin stops at the feet of an old woman wearing a
white saaree.
Kishan goes to take the coin. She takes back her feet. She
is Parvati.
PARVATI
Arey, arey, mere pair mat pakdo!
Kishan raises his head up. The old woman looks so elegant
standing before him holding a Puja thali.
KISHAN
Maine kab aap ke pair pakde,
main to apne paise utha raha
hoon.
Kishan takes his 5 Rs. coin and shows it to Parvati.
KISHAN
Main kisi ke pair nahi pakadta..
He turns back and climbs step. ThenPARVATI
Bachche suno...
Kishan stops, turns and looks at her.
KISHAN
Main bachcha nahi, Kishan hoon!
Parvati likes his answer, she looks at him admiringly.
PARVATI
Oh, Kishan! Suno, tum kisi ke
pair nahi pakadte, lekin mera
haath pakdoge? Thodi madad
chahiye.
Kishan looks at her with some doubts.
KISHAN
Kaisi madad?
24.
PARVATI
Is thaali ko bhagwan ke dwar tak
pahuchne me meri madad karoge?
KISHAN
Main madad kaunga to mujhe kya
milega?
PARVATI
Kya chahiye tumhe?
KISHAN
Panch rupaye.
PARVATI
Panch rupaye! Main tumhe pachas
dungi, bolo manjur?
KISHAN
Nahi, mere Dadaji kahte hai,
jitna kaam karo utne hi paise
lo, humein kisi ki madad nahi
chahiye.
PARVATI (SMILES)
Theek hai, panch hi lena.., ab
aao pakdo mera haath.
Kishan goes to Parvati to hold her hand. Both the hands
reach out towards each other. His little finger touches her
pointing finger. They smile at each other.
Kishan helps her climb up the stairs.
27.
EXT. ABOVE THE GHAT, HARIDWAR - DAY
Kishan, holding Parvati's hand, helps her up the stairs; he

smiles as he sees A Lady helping her Little Child to climb
up.
PARVATI
Kya hua?
25.
KISHAN
Yahan main tumhari madad kar
raha hoon , waha wo uski madad
kar rahi hai.
Seeing them, Parvati also smiles.
PARVATI
Pahle maa-baap bachchon ki madad
karte hai, fir bachche unki
madad karte hai.. lekin aajkal
aisa nahi hota..
KISHAN
Kyon?
PARVATI
Yahi jag ki reet hai.., buddhe
logo ko koi pasand nahi karta.
KISHAN
Mere Dadaji humesha aisi hi
batein karte hai.., mujhe yeh
sab achha nahi lagta.
PARVATI
Yeh Dadaji kon hai?
KISHAN
Wah bahut bade aadmi hai.
PARVATI
To tumhe school kyon nahi
bhejte?
KISHAN
School jaunga to khiloune kon
bechega? Dadaji ke daaru ka,
khane ka jugaad kaise karunga?
PARVATI
Chhee, Chhee, tumhare maa-baap
use kuchh nahi bolte?
26.
KISHAN
Mere maa-baap nahi hai.
Parvati stops suddenly. She is sad. But Kishan pulls her
up. They reach the temple.
KISHAN
Lao mere panch rupaye!
PARVATI
Ek minute, tum yahi ruko main
mandir jaa kar aati hoon.
KISHAN
Nahi, pahle paanch rupaye...
PARVATI
Arey, mujhe abhi hotel bhi jaana
hai, tumhari fir jaroorat
padegi.
KISHAN
Us ke alag se panch rupaye
lagenge.
PARVATI (SMILING)
Haan, theek hai.
Parvati goes inside the temple Kishan takes hold of his
Bamboo stand. He counts on his fingers.
KISHAN
Panch aur Panch Dus!
28.
EXT. ON WAY TO HOTEL, HARIDWAR - DAY
Kishan carrying his Bamboo stand heads down the stairs

along with Parvati.
PARVATI
Main yahan dus din ke puja-paath
ke liye aayi hoon, neeche ek
hotel me ruki hoon.
27.
KISHAN
Tum akeli aayi ho?
PARVATI
Nahi, mera driver saath aaya
tha, lekin maine use wapas bhej
diya.
KISHAN
Kyon ?
PARVATI
Woh thoda mariyal sa hai, waise
bhi ghar me jaanwaron ki
dekhbhal koun karta?
KISHAN
Hsl
PARVATI
Ab batao, tum roj seedhiyan
chadhne-utarne me meri madad
karoge?
KISHAN
Paisa milega?
PARVATI
Haan, kyon nahi? Lekin thoda
saaf-suthra hokar aana hoga!
KISHAN
Humm, abhi kuch udhaar milega?
PARVATI
Udhaar? Kal ko tum nahi aaye to?
KISHAN
Mujh par bharosa hai to do....
PARVATI
Kisliye chahiye tumhe udhaar?
Kishan puts his finger through the hole in his pocket.
28.
KISHAN
Humesha mere paise girte rahte
hai, mskraam hnta hai, mai
pant khareedni hai.
Parvati gives him a 100 rupees note. He is overwhelmed.
KISHAN
Aa.. haa.. Sou rupaye!
He takes the note from Parvati's hand gently puts it in his
pocket and smiles.
PARVATI
Kal naha kar aana.
KISHAN
Agar main roj nahane lag gaya to
koi mere se khiloune nahi
kharidega.
PARVATI
Kyon?
KISHAN
Unhe lagna chahiye ki main
gareeb hoon.
Parvati admires on his skill.
KISHAN
Ab main jau?
PARVATI
Sambhal kar jana.
Kishan jumps on happily and walks on. Parvati continues
observing him, her smile changes into a sad depressed face.
29.
EXT. ROAD TO KISHAN'S HUT - DAY
A few Children plays cricket on the way to a slum. Kishan

carries his Bamboo stand on his shoulder with the support
of left hand whereas he swings a plastic bag in his right
hand as he walks down the narrow street.
29.
A BOY
Kishan, khelne nahi aayega?
KISHAN
Nahi, aaj mahi, kak mahi,
oaqrnm mahi, dsr dim tak mahi
aaunga...
He walks on. The other children go back to their cricket.
Kishan enters a small hut.
30.
INT. KISHAN'S HUT - NIGHT
Kishan rests his Bamboo stand to a wall. He is excited. He

takes out a new pant from the plastic cover. Infront of
him, there is an old handicapped man, age 65 years, sitting
on a wheel chair.
He is Kishan's Dadaji. He has long hair. His beard and
moustache are grey. There are many colorful toys inside the
house.
KISHAN
Dadaji, dekho nayi pant!
Dadaji is irritated.
DADAJI
Kahan se mili?
KISHAN
Maine khareedi hai, abhi.
DADAJI
Itne paise kahan se aaye tere
oaar? Tsme fiq bheek lamgi leqe
mana karne ke bawajud....
KISHAN
Nahi, nahi, Dadaji, maine kisi
se bheek nahi mangi, ek budhiya
ne diye, maine unki madad ki..
30.
DADAJI (HOPELESSLY)
Kitni baar samjhaya hai, kisi
ajnabiyon se paise mat liya
karo.., yah jo itne saare
khiloune bana rakhe hai, usme
apana gujara ho jayega, hsleim
kisi ki madadad ki jaroorat
nahi.
KISHAN
Wo Maiya badi achhi hai, usne
mujhe sau rupaye diye.
Dadaji fumes. He pushes the wheelchair forward, pulls the
pant from Kishan's hand and throws it into a corner. Kishan
is scared.
DADAJI
Achhi hai, Achhi hai, tslhe
kaise pata achhi hai..? aise log
tumhe bahala-fusalakar kuchh
paise de denge.., to ve tumhe
mujhase jyada bhane lagenge? fir
ek din tum unke saath chale
jaooge...
KISHAN
Muze nahi batana aur kuchh..,
aap ko mujh se koi pyar nahi
hai.
Dadaji turns his wheel chair and goes towards tin trunks
stacked on one another, there is a bottle of alcohol, he
starts drinking.
KISHAN
Paani daal kar piyo warna dil
jal jayega...
DADAJI
Kyon, badi fikr hai meri? Abhi
to tune kaha, mere paas koi dil
nahi hai.. bewkuf kahin ka..!
Kishan lifts the pant from the ground.
31.
KISHAN
Muze bhook lagi hai, roti
banunga.. aap khaoge?
DADAJI
Mera kutta aakar khayega teri
roti.
Kishan slips into his room to avoid any more quarrels.
31.
INT. KISHANS ROOM - NIGHT
Kishan puts his pant in the plastic bag.

DADAJI (V O)
Roti bana lena Kishan...
KISHAN
Kyon, aapke kutte ke liye?
Dada and Kishan laughs together.
32.
Kishan makes rotis on the stove. Dadaji mixes water and

drink in a glass. He takes a sip and moves the wheelchair,
singing a song from an old Hindi film in his loud voiceDADAJI
Kasme wade pyar wafa sab batein
hai baton ka kya, koi kisi ka
nahi yahan ye jhoothe nate hai
naton ka kya.. kasme wade..
Kishan brings a plate of rotis and curry and puts it on the
stool before him. Dadaji wipes away his tears with one hand
and smiles. They both eat from that one plate.
33.
EXT. SLUMS, HARIDWAR - NIGHT
An aerial view of a spread of slums at the banks of the

river Ganges.
FADE TO BLACK
34.
Morning scenery of Ganges Ghats. Many Old and Young People

take a dip in the river.
32.
Kishan comes running down the steps, he takes off his
shirt, pushes some Children and jumps in the water.
A BOY
Arey.., Kishan!
Kishan comes out of the water.
KISHAN
Kya hai?
A BOY
Nahane ki yaad kaise aayi?
Kishan takes his soap and rubs it on his body.
KISHAN
Aaj mandir jaana hai.
The other child looks at him surprised, Kishan jumps
hurriedly in the water.
35.
EXT. A HOTEL, HARIDWAR - DAY
Parvati sits on a bench, observing a cow feeding her calf.

Her Puja thali is kept besides her. She watches the calf is
suck milk from the cow. Her face becomes sad.
She turns to see Kishan running towards her carrying his
Bamboo stand. Today he has put hair oil on his hairs and
dressed it. He has also put a Tilak on his forehead. A
smile slowly appears on her face.
He holds the same plastic bag from yesterday. He stands in
front of her. Parvati looks at him, but he is silent.
PARVATI
Achhe lag rahe ho.
Kishan looks down and scratches the ground with his feet.
PARVATI
Achhe bachche tumhari tarah hi
dikhte hai...
Kishan takes a long peacock feather from his bag and gives
it to her.
33.
PARVATI
Yeh kya hai?
KISHAN
Ise tum rakh lo.
PARVATI
Kya hua Kishan?
KISHAN
Bus, le lo na.
PARVATI
Kyon?
KISHAN
Main is kaam se isteefa de raha
hoon.
Smiling, Parvati takes that Peacock feather from Kishan.
Kishan moves the bag towards her.
KISHAN
Ab ise bhi rakh lo.
PARVATI
Le lungi, pahle batao kya hua?
KISHAN
Mere Dadaji nahi chahte ki main
yeh kaam karu.
PARVATI
Oh..
34.
KISHAN
Kal Dadaji ne mujhe bahut danta,
pant mitti me fenk di, aaj subah
bhi bhala-bura kaha, gaaliyan
di.. main pant wapas karne gaya,
to dukandar ne bhi ise wapas
nahi liya.. kabhi-kabhi yeh bade
log bhi bachchon jaise karte
hai, cheej bech sakte hai lekin
uaoar mahi kete ras le re mabbe
ki to pant hui, baaki bache dus
rupayon se maine tumhare liye
yeh tohfa khareeda..!
He again bends down his head. Parvati thinks, looking at
him.
PARVATI
Tum wah pant rakh lo, main yah
mor-pankh apne paas sambhalkar
rakhungi.
KISHAN
To main jaun?
He turns and starts walking.
PARVATI
To tum meri madad nahi karoge?
KISHAN (TURNS)
Main chahta to hoon, lekin
Dadaji nahi maanege.
PARVATI
Yeh to fareb hua na mere bte!
KISHAN
Kya kaha.. fir se kaho?
Kishan is touched by the word Meqe Bete.
PARVATI
Mere bte, yeh to fareb hua na!
Kishan repeats the word.
35.
KISHAN
Aisa pahle kisi ne nahi kaha..
Dadaji ne bhi kabhi nahi kaha..
Parvati looks at Kishan. He is poised. His words touch
Parvati.
PARVATI
Ek kaam karte hai, apne Dadaji
ko mat batana ki tum mere saath
kaam kar rahe ho.
KISHAN
Main unse zooth nahi bol sakta.
PARVATI
Humm, to thik hai, kya tum mujhe
unke paas le chaloge? Main khud
unse baat karungi, tab tumhe
zooth bolne ki jaroorat nahi
padegi!
KISHAN
Main le kar nahi jaunga.., woh
to bahut bade sher hai!
Parvati laughs.
PARVATI
Tab to mujhe tumhare sher se
milna hai!
She brushes his face with the peacock feather.
PARVATI
Thik hai na?
Kishan smiles.
36.
INT. KISHAN'S HUT - DAY
Dadaji is a simple but a straightforward man. He sits in

his wheelchair with a blanket around him, looking at
Parvati seriously.
36.
DADAJI
Kya chahiye tumhe? Kishan ko
mujhse chheen lena chahti ho?
He moves his wheelchair back and forth. Parvati, standing,
looks at Dadaji calmly. Kishan prepares tea on stove.
DADAJI
Main jaanta hoo, tum use apne
saath le jaakar apne ghar me
naukar banaogi, naukar..!
PARVATI
Jis umr me bachchon ko school
jaana chahiye wahan tum us se
kaam karwa rahe ho, majaduri
karwa rahe ho.., kya hoga is ke
bhavishya ka, aage chalkar yeh
kya banega, tumne kuchh socha hi
nahi.. main use naukar nahi
banana chahti.
DADAJI
Duniya ke saare gande kaam yeh
seekhe-sanwre log hi karte hai,
tum mujhe mat samjhao. Tumhe
lagta hai, main yahan ghar baith
kar uski kamai par aish kar raha
hnn, laim tn, laim tn ek laqa
hua insaan hoon.., kisi ke kuchh
kaam na aane wala insaan.
Dadaji removes his blanket. Parvati is shocked on seeing
this. He doesn't have both the legs. Dadaji rewraps the
blanket around him, Kishan helps him. He holds Dadaji's
hands. He calms down. Parvati watches them silently.
37.
DADAJI
Miletri me tha main, ek shell
bombing me meri aisi haalat
hui.., mujhe gharwalon ne baahar
nikal diya.., main bhatakte hue
idhar aa gaya..., koi nahi
jaanta ki main jinda hoon ya mar
gaya.., log mujh par daya
dikhate, paise fenkte.., mujhe
jindagi se nafrat hone lagi aur
main ganga me aatmhatya kar ne
gaya, paani me reng raha tha tab
mujhe ek bachche ke rone ki awaj
sunai di. Mere paas jaane par
wah bachcha muskurane laga,
maine use gale se laga liya, koi
majaboor use chhod gaya tha..,
uski muskurahat ne mujh me jeene
ki nayi umeed jagayi.. wahi
muskurahat ab bhi us ke hontho
par hai.
Kishan brings tea in a glass. He smiles at Parvati. Dadaji
is happy seeing his smile. Kishan gives tea to both of
them. Parvati takes a sip.
PARVATI
Maaf karna, mujhe yeh sab pata
nahi tha. Mere do bte hai, bada
beta Madan America me rahta hai
to chhota beta Madhav England
me, us ke do bachche hai, shayad
Kishan jitney bade.. lekin bade
bte Madan ko ek bhi bachcha
mahi hai srki biui Madhsqi oet
se thi lekin dono bar kuch
complications ke chalte unhe
bachcha girana pada. Us ke
bachchon ke liye main bhagwan se
mannat mangne yahan aayi hoon.
Mujhe pata nahi tha yahan chalne
me itani dikkat hogi.., kal thak
kar baithi thi ki meri mulakat
Kishan se hui, wah mujhe mere
pote jaisa laga. Maine socha
agar iski madad mujhe mil jaye
to meri yahan ki pareshani dur
ho jayegi. Main aapse Kishan ko
chheen nahi rahi hoon, main
jaanti hoon apno se dur hone ka
dskh baaki aao khsd ta kaq
sakte hai.
38.
Dadaji looks at Parvati for a second, holding the empty
glass. She has kept her glass aside and is about to go out.
DADAJI
Suno,,, tumhe kitne din ke liye
Kishan chahiye?
PARVATI (TURNS)
Sirf dus din ke liye...
DADAJI
Thik hai, wah tumhari madad
karne aa sakta hai.., main use
nahi dantunga.
The faces of Kishan and Parvati shine with smiles and
happiness.
FADE TO BLACK
37.
EXT. TEMPLE, HARIDWAR DAY
Parvati rings the bell inside the temple. Kishan carries

the Puja thali, Parvati closes her eyes and prays. She
opens her eyes, now her face is full of joy. She smiles at
Kishan.
Kishan and Parvati runs down the temple steps in slow
motion - they are very happy. Kishan dances and throws
flower petals and gives some prasad to the Beggars outside.
38.
EXT. MARKET PLACE, HARIDWAR - DAY
Happy Kishan with huge bags in his hands. Parvati follows

him. He stops and turns back to look at her. She comes near
to him.
PARVATI
Kya hua, kisliye ruke?
39.
KISHAN
Aaj tak main yahan khiloune
bechta tha, maine bahut se logon
ko dekha.. kuchh sirf keemat
poochhte lekin khareedte nahi
the; kuchh sirf dekhkar aage
nikal jaate the; kabhi koi
gaali-galoch karta to kabhi koi
maarta.. saala, kabhi kisi ne
pyar se baat nahi ki.., tum ho
jisne pahli baar mujhse pyar se
baat ki.., ek baat puchhoon,
kya tum sach me mujh se pyar
karti ho? Main tumhe sach me
achha lagta hoon?
PARVATI
Arey..! achanak tumhare mann me
yah sab baatein kahan se aayi?
Tumhe koi shaq hai kya?
KISHAN
Pahle batao, tum mujhe kyon
pasand karti ho?
PARVATI
Nahi jaanti.
She slowly walks forward, Kishan walks with her silently.
PARVATI
Kishan ko kabhi kisi par gussa
aaya hai?
KISHAN
Aaya hai na..
PARVATI
Kis par?
KISHAN
Mere bagal me ek ladka kabikabhi cycle par ice-fruit bechta
hai, wah mujhe achha nai lagata.
40.
PARVATI
Kyon achha nahi lagta?
KISHAN
Pata nahi.
Parvati stops and looks at him.
PARVATI
Humein kab koun achha ya bura
lage iska sahi karan hum nahi
bata sakte. Ise samjhana thodi
tedhi kheer hai.
KISHAN
Matlab?
PARVATI
Matlab, yah jeevan ek
Dharmashala hai, jahan par
musafir aakar rukte hai fir
chale jaate hai.., jab hum
Dharmashala me hote hai tab hume
kisi par pyar aata hai to kisi
par gussa ataa hai...
KISHAN
Fir maa-baap yeh kya hai?
PARVATI
Wah bhi musaafir hai, tumne
kabhi apani maa ka chehra dekha
hai? Kaise dikhti thi wah?
KISHAN
Nahi.., nahi pata.
Parvati realises that she has made a mistake by asking
Kishan about his mother. She puts her hand on his shoulder.
Kishan comes near her. The love in that silence speaks more
than any words.
PARVATI
Koi baat nahi, chalo, hum bhi
musaafir hai.
41.
Parvati walks by, resting her hand on Kishan's shoulders.
She looks to the front. But, Kishan observes her closely.
After some time, Parvati notices this. She signals with her
eyes: 'What is it?' Kishan nods sideways signaling
'nothing' and turns his head to the front.
PARVATI
Maine kabhi mere poton ko nahi
dekha, dekha to sirf photo me..,
main unke saath khelna chahti
hoon, unhe apne haathon se
khilana chahti hoon.., unse
Daadi, daadi rsmma chahti
hoon..,
Kishan looks at her for a moment.
KISHAN
Kya main tumhe Maiya bula
sakta hoon?
Parvati stops.
PARVATI
Kya poochha tumne?
Kishan looks into her eyes KISHAN
Main.., waisa kahoon to tumhe
bura lagega?
Parvati hugs him and brushes his hairs.
PARVATI
Kirham, leqe bachche!
Her eyes is filled up with tears. Background song starts.
39.
MONTAGE SONG AT VARIOUS LOCATIONS IN HARIDWAR.
Kishan and Parvati travel all around Haridwar, happy,

eating, drinking, and climbing up the stairs.
40.
INT. A HOTEL, HARIDWAR - DAY
The song ends. Parvati feeds Kishan. Kishan keeps his hand
on his belly.
42.
KISHAN
Bus Maiya, mera pet bhar gaya.
PARVATI
Itne se pet bhar gaya tera? Yeh
sara khana khana padega, warna
bada kaise hoga?
KISHAN
Maiya, tum ne to kuchh khaya hi
nahi?
PARVATI
Tuze khana khate dekh mera bhi
pet bhar gaya.
Parvati is happy. Kishan drinks water. She wipes her tears
in her Saaqeer emd. Kishan puts the glass down, she smiles
at at him.
PARVATI
Us din tumne muzse puchha tha
na, ki main kyon tum se pyar
karti hoon? Ab tum muze batao ki
tum muzse kyon pyar karte ho?
KISHAN
Main nahi jaanta.
PARVATI
Tumhe batana padega.
Kishan thinks. He finishes eating.
KISHAN
Main akela hoon na, isliye.
PARVATI
Tere paas to Dadaji hai naa.
43.
KISHAN
Lekin mere baki doston ki maa
hai, nani hai, wah un par gussa
karti hai.., dantati hai,
peetati hai, aur pyar se sulati
bhi hai.., mujhe pyar se koi
nahi sulata...
PARVATI
Tu muze Maiya bulata hai na?
Kishan nods his head er.
PARVATI
To fir kyon kahta hai mera
duniya ne koi nahi?
Kishan stands and goes to a corner. Parvati lifts the
plates.
KISHAN
Kal to tum jaa rahi ho na.. kal
se meri Maiya nahi rahegi..
Parvati puts the plates on the stool.
PARVATI
Mujhe lagta hai, tu peechhle
janam me mera koi saga tha aur
yahan mujhe aise mila. Isliye,
kal main jaungi to rona mat..
When she turns back to see Kishan, he is resting his mouth
on the bed.
PARVATI
Tu sun raha hai na kishan?
She goes near him and sits on the bed and slowly shakes
him. Kishan's eyes are filled with tears. He starts crying
more after seeing Maiya.
Parvati wipes his tears and hugs him, brushing his hair.
Parvati hums a lullaby. Kishan sleeps on her laps
listening. Then she bursts out, let her tears come rolling
down her cheeks and again she hugs Kishan.
44.
41.
EXT. A HOTEL, HARIDWAR - DAY
A car stands outside the hotel, the driver Chandrakant puts

Parvati's luggage inside the boot space.
From the hotel, Kishan comes out with his shabnam bag along
with Parvati and stops near the car. Chandrakant goes
behind the car, spits and comes back.
Chandrakant opens the car door. Parvati sits inside. She
looks at Kishan.
KISHAN
Maiya, tum fir kab aaogi?
PARVATI
Ab shayad hi aana ho..
KISHAN
Irka latkab, tsl kabhi Haqiduaq
nahi aaogi.
PARVATI
Aaungi, Ganga Maiya bulaegi to
aana hi hoga.
Kishan looks sad.
PARVATI
Maine jo pata likhkar diya hai
uspar khat jaroor likhna; agar
likhna nahi aata to kisi se
likhwa lena; kabhi aane ka man
hua to aa jana, lekin apne
Dadaji ko kabhi akele mat
chhodna...
Chandrakant hears them from the driver's seat. He gets a
little irritated because they are taking so much time. He
turns his head and gives a look from the corner of his eye.
CHANDRAKANT
Didi, der ho rahi hai.
Paqtati ostr heq hamd nm caqr uimdnu. Kirham ostr hir hamd
over hers.
45.
PARVATI
Aau main.. chalo.
The car starts and moves slowly away. Kishan follows the
car for some distance.
Parvati waves through the window. Kishan stands and looks
at the car until it disappears from his sight.
42.
EXT. PLAYGROUND, HARIDWAR - DAY
A few children play cricket. Holding his shabnam bag,

Kishan passes the ground.
A BOY
Aaja Kishan, fielding kar le.
Kishan walks on silently.
OTHER BOY
Arey wo nahi aayega, aaj nahi,
kal nahi, parson bhi nahi..
humesha usi budhiya ke saath
ghumta hai...
At the same moment, a boy hits the ball high in the air
towards Kishan, who catches the ball and throws it back at
stumps.
The ball hits the stumps and all the three wickets fall
down. All the children stop playing and look at Kishan with
a surprise. Kishan walks away.
43.
Kishan opens the door and goes inside the house. Dadaji is
happy to see him. He teases Kishan.
DADAJI
Kya baat hai! Aaj jaldi chhutti
ho gayi?
KISHAN
Who chali gayi.
46.
DADAJI
Waah! Badi khushi ki baat hai..,
kya thaat tha tera uske rahte
hue.., usne kuchh diya, sona,
chaandi?
KISHAN
Haan diya na.
DADAJI
Hmm, dikha.., dikha muze.
Kishan puts his hand on his heart.
KISHAN
Wo yahan hai.
Dadaji laughs laudly.
44.
INT. KISHANS ROOM - NIGHT
Kishan goes towards his cot and sits.

DADAJI
Tu uski baatein seekh gaya hai,
philosophy zadne lag gaya, kyon?
Dadaji lnter uheek chaiq tnuaqdr Kirhamr cot.
DADAJI
Sun Kishan, uske aane se pahle
tere aur mere beech koi nahi
tha. Tum mere liye aur main
tumhare liye bass.., yahi apna
jeevan tha. Hum dobara ise shuru
kar sakte hai..
KISHAN
Muze kuchh nahi sun naa.
DADAJI
Chal uth, roti bana.. muze bhook
lag rahi hai.
47.
KISHAN
Aaj main kuchh nahi banaunga.
DADAJI
To kya main bhookha rahunga?
KISHAN
Mere jhole me dekho.., tumhare
liye kuchh rakha hai.
Kirhamr shabnam bag hangs on a peg. Dadaji puts his hand
in the bag. He takes out a parcel. He smells it then looks
towards Kishan's room with all the love in his eyes filled
with tears.
FLASHBACK ENDS
45.
EXT. IN GANGES, VARANASI - DAY
Shiva's boat is laden with green vegetables. A cigarette is

still stuck in his lips as he rows the boat. Kishan rests
his back on a vegetable sack.
He looks at the smoke blowing through Shiva's mouth.
SHIVA
Aajkal kaam badh gaya hai tera,
din raath khatate dekh raha hoon
tujhe...
KISHAN
Hmm, Bhawani mujhe chota Chandu
bulane lagi hai..
Shiva whirls smoke from his mouth.
SHIVA
Maiya kab aane wali hai?
KISHAN
Nahi pata.
SHIVA
Kisi ne bataya nahi?
48.
KISHAN
Chachi to humesha bahar ghumne
ka plan banate rahti hai.. aur
Madhav chacha ko kitabon se
fursat nahi.. wah ek din usi me
laqega
SHIVA
Tu wahan ghul-mil gaya hai,
kyon? Tere ko ghar ki yaad nahi
aati?
Kishan looks sad.
SHIVA
Tere Dada ki dekhbhaal, khanepeena ka intajaam kaise hota
hai?
Kishan calmly looks at the river. He disturbs water with
his hand.
SHIVA
Unko kaun sambhaal raha hai?
FLASHBACK
46.
Kishan sits on his cot and counts money. He puts coins and
notes one by one in a box.
Dadaji comes in and sees Kishan counting money. He gets
angry.
DADAJI
Tu paise kyon gin raha hai?
KISHAN
Mujhe har ek paise ka hisab
chahiye, aap hi ne kaha tha na..
DADAJI
Haan, lekin tu abhi is waqt kyon
hisab kar raha hai?
49.
KISHAN
Aise hi.
DADAJI (ANGRILY)
Tu kisi cheej ki taiyari kar
raha hai.., mujhe bina bataye..
KISHAN
Kya karunga main? Saara paisa to
daaru aur khane me jaata hai..
bachta hai kuchh?
DADAJI
Main jaanta hoon, tu us Parvati
se milne ke liye paise jama kar
raha hai...
Kishan looks at Dadaji for a moment and turns his head.
KISHAN
Mujhe pata tha, tum aise hi
sochoge, to soch lo.
DADAJI
Tu mujhe chhod ke to nahi jaa
raha na Kishan?
KISHAN (LOUDLY)
Tum yahan ho isiliye to nahi jaa
raha naa..
DADAJI (SADLY)
Main nahi rahunga to tum chale
jaoge?
They both look into each other's eyes. Kishan lowers his
sight.
DADAJI (SADLY)
Ek din sab ko ganga maiya ki god
me jaana hai.
KISHAN
Dadaji aisa mat kaho.
50.
DADAJI
Kya fark padta hai, mere apne
bachchon ne to kabhi meri
dekhbhak mahi ki haam kekim
tune mujhe khilya, pilaya, mera
khayal rakha.. main to sirf ek
maans ka lothada ban kar rah
gaya hoon...
Kishan closes the door from inside.
KISHAN
Mujhe kuchh nahi sun naa..
DADAJI
Kishan darwaja kholo....
Dada knocks on the door.
KISHAN
Main nahi kholunga..
DADAJI
Kishan, darwaja khol..
KISHAN
Nahi, tum jao yahan se.
DADAJI
KirhamKirham
Dada coughs. He turns the wheelchair and goes outside. His
eyes are filled with tears.
Inside, Kishan stands near a window and looks outside with
tearful eyes.
47.
EXT. SLUMS, HARIDWAR - NIGHT
Heavy rain falls in the slum areas.

FADE TO BLACK
48.
EXT. GANGES, HARIDWAR - DAY
Morning view of river Ganges. Because of yesterday's rain,

the river has a heavy flow of water.
51.
49.
INT. KISHAN'S HUT - DAY
There is a teapot on the stove. Kishan pours tea in a

glass cup. He takes the tea to Dadaji who is still
sleeping.
His wheelchair is empty except for white paper bird.
KISHAN
Dadaji, chai..
He keeps the tea on the tin trunks and pats Dadaji.
KISHAN
Utho, chai pee lo.., thandi ho
jayegi.
Dadaji doesn't respond. Kishan removes the blanket, thinks
Dadaji is asleep. He shakes him but Dadaji's head hangs on
one side.
Kishan steps back, he senses something bad happened and
stumbles on the wheelchair. The white bird drops at his
side. He understands that his Dadaji is no more.
He starts biting his fingers, tries to stand up with the
support of the wall but slowly sits down.
FLASHBACK ENDS
50.
EXT. GHAT - DAY
Diya cries. Kishan sits in front of her.

KISHAN
Tumhe kya hua, kyon ro rahi ho?
Diya wipes her tears sobbing in between.
DIYA
Yns dnmt hate amnme mnu.. tum
akele ho?
52.
KISHAN
Dekho, ab yahan mera sab kuchh
hai.., tum ho , chachi hai,
chacha hai aur Raja bhi hai..
main duniya me sabse khush
hoon.. hume to khush hona
chahiye, to hanso.. ha ha ha..
hanso, ha ha ha..
Diya looks at Kishan. He is laughing. They hear Priya's
voice.
PRIYA (V O)
Diya... Diya...??
Diya runs. Kishan's eyes are filled with tears.
51.
INT. MADHAV'S ROOM - DAY
Priya packs her bag. Madhav rests on the bed reading a

book. There are two more bags near the bed.
PRIYA
I am really happy with you...
Madhav suddenly looks at Priya, she corrects her words
PRIYA
I mean... you agreed for this
tour. I had planned for seven
days but three days are fine. At
least kids will have a change...
I am restless here..
She looks at Madhav as she finishes her packing. She lifts
the other bag by the bed.
PRIYA
My god! Why is it so heavy?
She quickly unzips the bag, which is filled with books. WAR
& PEACE has been placed on top.
PRIYA
What is this, Madhav? You are
bringing books on tour?
WAR & PEACE falls out in front of Madhav. He looks at it
with sadness and anger.
53.
MADHAV (LOUDLY)
Hey, what are you doing? It will
tear off.
PRIYA
At least ten times you have read
this.. I wonder, what is left in
it? Exactly the same is
happening in this house, day &
night I am on the WAR and you
are making PEACE with these
books?!?
Madhav looks at her innocently; he takes out ear plugs from
his ears.
MADHAV
Can we have Rice and Curd in
Lunch..?
Priya looks at him awkwardly.
52.
INT. KITCHEN - DAY
Kishan buttons up a new shirt over his old shirt. Diya

stands before him.
KISHAN
Chachi sach me mujhe apne saath
le jaana chahti hai?
DIYA
Yes, god promise!
KISHAN
Msjhe mahi kagta, laim Haqiduaq
se bhaaga to seedha yahan
pahuncha, kahi aur gaya hi
nahi..
DIYA
You know there we will have a
big swing hammock, (gestures)
giant wheel! and roller coaster
and water kingdom bhi.
54.
Listening to Diya's words, Kishan does the last button on
the shirt.
DIYA
Wow! You looking so good (She
gestures) This shirt absolutely
fits you better than Vishnu.
Kishan feels happy with her words. He smiles. Priya comes
in.
PRIYA
Where is your Cap Diya? Put it
into your bag now, and what are
you doing here?
DIYA
Vishnu's shirt! For Kishan.., he
dnermt hate meu rhiqt to wear
on tour..
PRIYA
For Tour? Diya, who told you he
is coming with us? Kisne kaha wo
humare saath aa raha hai?
Kishan and Diya both get angry at her words. Kishan stands
silently.
DIYA
Why not Mom? Please!!!
PRIYA
Dear Diya, How can we take him
on tour? Who will take care of
animals, your Dad?
Kishan slowly opens his shirt buttons.
DIYA
Please Mummy!
55.
PRIYA
I am sorry Kishan, tum jaante ho
no one is at home.., Chandrakant
aur Bhawani dono apne ganv gaye
hai. Tumhare liye kitchen khula
rakha hai.., every other door
will be locked.
Kishan concentrates on her words. Diya sees Kishan, undoing
his shirt buttons.
PRIYA
Raja aur tumhara khana fridge me
rakha hai; Pedigree us almari me
rakha hai and give Raja only hot
milk.
Priya sees Diya watching Kishan remove his shirt. Priya
looks at Kishan and leaves.
PRIYA
Chalo baby, we are getting late!
Kirham giter rhiqt im Diar hamdDIYA
Sorry...
KISHAN
Tum jao, mujhe yahan Maiya ke
bachchon ka khyal rakna hai..
He watches Diya leave.
FADE TO BLACK
53.
EXT. COURTYARD / STABLE - DAY
Raja and Kishan sits next to each other in the yard. Raja
eats Pedigree from one of Kishan's hand; Kishan feeds
himself with the other hand. Both keep their eyes on the
gate.
KISHAN
Raja, aaj choutha din hai..,
teen din me wapas aaungi, aisa
kaha tha chachi ne..
56.
Raja eats whole Pedigree and leaves. Nothing is for Kishan
in his hands.
KISHAN
Abe, tu jara dheere kha, mera
khana khatm ho gaya hai, isliye
tera khana khana pad raha hai...
Raja makes a sound.
KISHAN
Tera khana mere khane se achha
hai!
Kishan chews Pedigree. The phone rings inside the house.
Kishan becomes alert.
KISHAN
Raja, Maiya ka phone ho sakta
hai!
He runs towards the door with Raja following him. The door
is locked. Kishan kicks the door, but it doesn't open.
He tries to open the side window pane. But then, to his
embarrassement, the other window opens on its own. He sees
the phone on the table, ringing. He puts his hands inside
but he is too short to reach it - and the phone stops
ringing.
He looks to the side. There is a stick near him. The phone
rings again. He pokes the stick through the window and
carefully lifts the receiver.
He slowly brings the stick towards him. But the receiver
overbalances, falls off the stick and hangs from the wire.
Kishan throws the stick in anger and looks at the receiver
through the window grille.
54.
EXT. GATE - DAY
A boat stops near the steps. Parvati gets down and walks
towards the gate.
Kishan sees her, he runs down and hugs her, Parvati puts
her hand on his shoulder.
57.
PARVATI
Tum bahut duble ho gaye ho
Kishan. Bahar kyon baithe the?
Ghar me koi nahi hai kya?
KISHAN
Sab log tour par gaye hai.
PARVATI
Tumhe akela chhodkar..? Hmm, koi
baat nahi, mere paas dusari
chabi hai.
KISHAN
Mujhe yahan akele darr lag raha
tha Maiya..
PARVATI
Main aa gayi hoon na, ab kisi se
darne ki jaroorat nahi.. ab se
main jahan bhi jaungi tumhe
saath le jaungi.
Kishan hugs her again. She moves her hand over his head.
55.
INT. KITCHEN - DAY
Kishan sleeps on the kitchen floor. Someone's hand wakes

him.
PRIYA
Kishan.. Kishan..
Kishan wakes up suddenly.
PRIYA
Get up.., if someone robs this
house, then also you will be
sleeping..,
Kishan looks outside through the window. Some People stand
on the verandah.
PRIYA
In Verandah.., peetal ke lambe
diye rakhe hai, clean it and
andar le aao.
58.
Priya goes inside the house. Kishan walks through the
corridooor, few people stands there.
56.
INT. CORRIDOOR - DAY
In one corner there are two lamps, he walks past the

Madhav's room.
In a room Madhav sits on bed, looking very sad. Diya is
asleep beside him. People come and go out of the room.
Vishnu stands in front of Madhav. Madhav hugs him and looks
away as if looking at Kishan.
Kishan picks up the lamp kept at the corner and wipes them
with a cloth, then takes the lamps down the living room.
57.
INT. LIVING ROOM -DAY
Many people stands there. Kishan looks around. A man,

Ramkrishna, takes the lamps from Kishan. Kishan looks at
him as the man talks on a phone.
RAMKRISHNA (ON PHONE)
Yeh sab neend me hi hua..
Kishan's attention moves through the crowd to a photo of
Parvati. His heart starts beating loudly.
RAMKRISHNA (ON PHONE)
Mujhe aaj subah pata chala.. we
came immediately here..
Kishan walks through the crowd. Parvati's photo is adorned
with a garland.
A woman, Rajani, lights lamps and incense sticks in front
of photo. Kishan starts biting his nails, he turns and runs
through the crowd. The crowd parts before him.
58.
EXT. GANGES SHORE, VARANASI - DAY
Kishan runs directly to the river shore. He cryies

helplessly. There is no one around, only flowing water of
the river. Kishan stands there alone.
INTERVAL
59.
INTERVAL
59.
INT. PARVATIS ROOM - DAY
Madhav opens the door into Parvati's room and slowly places
his foot inside.
Parvati sits on a relaxing chair and reading Mahabharat.
Madhav suddenly feels a hand on his shoulder, he turns to
find Priya standing there in Salwar Kurta. Priya sees tears
in Madhav's eyes.
PRIYA
Madhav..??
Madhav removes his spectacles and wipes his tears. Priya
has never seen Madhav crying.
PRIYA
Don't you lose hope Madhav, be
strong! Whatever has to happen,
had happened.., relatives are
coming here.., this room needs
to be cleaned and we have to
make an arrangement for them
too, be positive.., come, ketr
move.., Kishan will clean it
soon.., Kishan ise saaf kar
de...Kishan..
They leave the room, passing Kishan cleaning the floor. He
works hard and is sweating heavily. He looks up. They walk
out without noticing him.
Kishan enters the room. He smells the aroma and takes a
deep breath.
FLASHBACK
60.
INT. HOTEL ROOM, HARIDWAR DAY

KISHAN
Maiya ke kamre me hamesha mandir
ki khushboo hoti hai!
60.
PARVATI
Hmm, main to abhi mandir me hi
hoon aur tum mere Krishna ho.
FLASHBACK ENDS
61.
This is the first time Kishan has entered Parvati's room.

It is very neat and elegant.
Kishan opens his eyes and sees photos of gods - Geeta,
Ramayan, Mahabharat etc. There is her empty chair. On a
table, he sees a flower pot holding a peacock feather.
PARVATI (V.O.)
Tum yeh pant rakh lo, main yeh
Mor Pankh apne paas sambhalkar
rakhungi.
He walks towards the table, picks up the Peacock feather
and kisses it. Tear rolls down over his cheeks.
62.
INT. KITCHEN - DAY
Kishan makes rotis. Bhawani pours tea into a great many tea
cups.
BHAWANI
Kishan abhi ise le kar jaa..
jaldi aana, yahaan aur bhi bahut
kaam hai.. itney logon ka khana
banana mujh akeli se naa hoga..
Kishan stops his work and puts each cup on a tray. He lifts
the tray and goes to serve the people with tea.
63.
EXT. GHAT - DAY
Kishan supplies the tea cups to the people sitting in the

hall. Ramakrishna chats with Harimama.
HARIMAMA
Paanch saal badi
mujhse.., wo sab
baad Sharda, aur
chhota.., Sharda
chal basi..
thi wah
se badi, us ke
main sab se
bachpan me hi
61.
RAMKRISHNA
Usne apne aap ko is ghar aur
jaanvaron ke saath bandh liya
tha.. achha hi hua wo US me thi,
warna yahan akeli mar jaati to
kisi ko pata bhi nahi chalta..
These faces are unknown to Kishan. He gives a tea cup to
Harimama. Behind them Rajani wipes her tears with Saaree
pallu. She is with A Woman and Priya.
Diya enters with a group of Small Children.
DIYA
Can you make a toy?
KISHAN
Abhi nahi, baad me...
DIYA
Abhi do.., I want to show it to
my friends.
KISHAN
Diya, main kaam kar raha hoon..
DIYA
Please or I will tell it to
Mummy.
KISHAN
Jao bata do..
He is in too much hurry and works fast. Diya starts crying
and Priya calls to Kishan.
PRIYA (V.O.)
Kyon rula raha hai use Kishan,
make one toy and give it to
her.. de na ek toy.
Kishan stops working.
64.
EXT. GHAT - DAY
Kishan is busy making a paper toy. His hands work fast, he

looks at Diya.
62.
KISHAN
Kyon zid karti ho Diya.. tum
jaanti ho na aaj kya hua?
DIYA
Yes? Kyon..?
KISHAN
Main kaise abhi khiloune bana
sakta hoon.., tumhe Maiya ki
yaad nahi aati?
DIYA
Yes, I remember her.. lekin wah
to mar gayee..
KISHAN
Tumhe kuchh nahi lagta?
He looks at her and tries to smileKISHAN
Yahi to dikkat hai.., Dadaji ke
baad Maiya hi mera sabkuchh
thi.., main yahan Maiya se milne
aaya tha..,
ab kaise milunga use.., kaise
baat karoonga us se, kaise
khelunga..,., ab.. ab..
Dia uatcher Kirhamr face as he is about to cry. He wipes
his tears and walks away.
65.
INT. MADHAVS ROOM - DAY
Priya sits with Vishnu on the bed, stroking him.

Ramakrishna enters. He looks worried.
PRIYA
What happned Dad?
RAMKRISHNA
Priya, there is some problem..,
Madan is not coming with the
body.
63.
PRIYA
Why?
RAMKRISHNA
Madhuri got labour pains. He has
to be with her.
PRIYA
Oh god, how much time will it
take to get the body here?
RAMKRISHNA
There are a few legal
formalities pending in USA. So,
it takes some time to send them
the body to Dubai..
Priya is annoyed she gets up from the bed.
PRIYA
What will we do till then?
Whats the use of bringing the
body here? They can....
RAMKRISHNA
Priya, it was Parvati's last
wish to be cremated at Ganga.
Priya is still irritated, she looks at Vishnu.
PRIYA (SOBS)
Papa, I am fed up over here...
how can I manage all this...(she
holds Vishnu).. my children are
getting bored... it was all fine
when Mamma was here, now who
will take care of all these
animals?
Ramkrishna pats on her back and strokes her then speaks
reassuringly-
64.
RAMKRISHNA
You don't worry about
anything..., you just take care
of your children and Madhav....
rest everything, this house and
all the animals here, I will
take care of it....
FADE TO BLACK
66.
EXT. IN GANGES, VARANASI DAY
Shiva rows the boat. Kishan sits silently near a big bundle
of green grass.
SHIVA
Kuchh pata chala, body kab aane
wali hai?
Kishan looks at him and slowly turns his head: NO. Shiva
takes a last draw on the beedi and throws it in the river.
SHIVA
Musibat me hamesha Maiya ne meri
madad ki hai.., wahi ek ghar tha
jahan se main kabhi khaali haath
nahi gaya.., Maiya ke baad
shayad us ghar se naata hi toot
jaye..
The boat reaches at the shore, Kishan takes the grass
bundle on his head and walks towards house.
67.
EXT. COURTYARD / STABLE - DAY
As Kishan walks through the gate carrying the grass bundle,

he sees some people taking away the cows. Hurriedly he
walks into the stable.
The stable is empty; there is not a single cow and a goat.
He drops the bundle there and goes into the kitchen.
68.
INT. KITCHEN DAY
Chandrakant cuts vegetables and Bhawani is fries something.

Kishan comes hastily and asks ChandrakantKISHAN
Wo.., wo.., Chandukaka..,
Nandini, Gomati.. kidhar gayi..
65.
Chandrakant stops cutting vegetablesCHANDRAKANT
Dekh nahi raha pichale do din se
ghaq le ka chak qaha hai
Kishan looks at Chandrakant, shocked.
CHANDRAKANT
Ab yahaan kuchh nahi
bachnewala..
Kirhamr eer fikkr with tears, he looks at Bhawani.
BHAWANI
Usko koi fark nahi padata..
kitney saalon se main yahan
hoon.. ek gaay nahi di mujhe..
She puts the cut vegetables inside pan and starts mixing.
Chandrakant washes his hands. The dog, Raja comes close to
Kishan.
CHANDRAKANT
Yeh kaise bach gaya..
Then he looks at Kishan and asks him CHANDRAKANT
Tu ise le ja apne saath.., lekin
tu kahaan jayega?
Kishan goes into a deep thought, he walks out of the
kitchen.
FLASHBACK
69.
INT. HOTEL ROOM, HARIDWAR - DAY
Parvati's hand writes in a diary. She tears the page off

and gives it to Kishan. Kishan looks at it but doesn't
understand anything.
PARVATI
Isiliye school jana chahiye..,
lao.
Kishan gives that paper chit to her.
66.
PARVATI
Shreemati Parvati Kunwar Singh,
Saket, Bangla No. 7, Gaon
Madhopur, Sultaneshwar ghat ke
paas, Zila Varanasi, Uttar
Pradesh.
She gives it to Kishan and he puts it in his Shabnam bag.
PARVATI
Jab bhi tumhara mann kare,
turant chale aana.. jyada
sochana mat.
KISHAN
Jab main aaoonga, to tum rahogi
waha?
PARVATI
Main kahaan jaoongi.., har subah
kisi khat ya phone ke intajaar
me pura din jaanvaron ke saath
kat jata hai.., raat ko akele
hone ka ahasaas hota hai.., tum
aaoge to mujhe khushi hogi..,
waise bhi na mujhe pressure hai
na sugar.. kam-se-kam pachchees
saal aur jiyungi.
Kishan looks at her sad face then to please her he starts
laughing.
KISHAN
Ha, lekin tum seedheyaan nahi
chadh sakti..
PARVATI (SMILING)
Us ke liye to tum ho naa.
Kishan keeps smiling.
67.
PARVATI
Jab tum bade ho jaooge, waha
chale aana.. use apna ghar
samajhna.. samajhna kya, wah
tumhara hi ghar hai, maine soch
liya hai.. wah ghar main tumhe
de doongi... mere jane key baad
tumhe mere sare jaanwaron ki
dekhbaal karni hogi, tum us ghar
ke maalik hogey, bolo manjoor.
KISHAN (SMILING)
Ha, manjoor!
PARVATI
Mere liye saare jaanwar mere
bachchon ki tarah hai.
FLASHBACK ENDS
70.
EXT. STABLE - DAY
Kishan along with dog Raja sits alone in the completely

empty stable. The pegs look like big thorns, the ropes lie
on the ground, food utensils half filled, green grass
untouched.
All the pegs are open and silent. Kishan looks at the
bungalow where people are still walking in and out.
71.
Ramakrishna chats with his friends sitting on the bed.

Kishan carries a bundle of Saaree.
RAMAKRISHAN
Who would like to stay in
village these days.., my child
is suffering here..
Kishan follows Priya, she wears Chudidaar and Kurta and
holds a bundle of Saarees in her hand.
RAMAKRISHNA
Did you finish your shopping?
PRIYA
Dad, I bought some saris for
me..
68.
Priya tells Kishan.
PRIYA
Keep those there, oopar.. us
almari main..
Kishan climbs on a stool and keeps the sarees in almirah.
PRIYA
After returning from U.K.
cnskdmt get am noonqtsmit tn
wear the saris.., marriage or
some ceremony like this gives us
a chance..
Priya looks at Ramakrishna and smilesRAMAKRISHNA

I bought some jewelries of my
mother.. if you wish you can
wear it with sari..
Kishan listens to all this standing on the stool.
RAMKRISHNA
Priya, actually I was waiting
for you, Madanr fatheq-in-law
GK wants to talk with you..
PRIYA
One sec Dad..
RAMKRISHNA
He will not give rest to his
tongue.
Priya turns to see Kishan is still listening their
conversation.
PRIYA
What is it? Kya hai, tu apna
kaam kar... dnmt qsm behimd
me..
Priya walks out, Kishan gets down from the stool and runs
out.
69.
72.
INT. HALL - DAY
Kishan stands near the window in the hall. GK, Harimama and
his wife Rajani talks togheter.
GK
Lo Hari, munh meetha karo..
RAJNI/HARIMAMA
Badhai ho! Congratulations!!!
RAJNI
Aapki barson ki ichchha poori ho
gayee..
GK along with his wife Radha walks upto Ramkrishna and
warmly hugs him, Ramakrishna too acts with decency.
PRIYA
GK uncle, how is Madhuri now?
GK
She gave birth to a baby girl..
caught up in this situation,
itr haqtertimg rearnm rn gnt
late.., Radha give her some
sweet..
Radha serves Jalebis to Ramakrishna and Priya. GK takes out
his Vicks inhaler, he inhales itRAMKRISHNA
Priya, call all our relatives
here..
GK
Arrey Ramkrishna, Madan said
that the body has reached Dubai,
it will start from there the day
after tomorrow.
RAMKRISHNA
Oh, again two more days.. but
when Madan will come?
GK tries not to answer this; at that moment Chandrakant
brings water on a tray for GK and Radha.
70.
GK
Arey Chandu.., ab bhi waise hi
ho.., kaise chal raha hai sab?
CHANDRAKANT
Bas sahab, aap ki krupa hai.
GK
Lo, Jalebi khao, beti hui
hai...baki logon me baant dena..
Radha gives the box of Jalebis to Chandrakant. Chandrakant
takes the empty glasses and Jalebi box and leaves. Kishan
approaches Chandrakant.
CHANDRAKANT
Kitne achhe log hai...
jalebiyaan bant rahe hai..
KISHAN
Chandukaka, wo Maiya ke bare me
kya kah rahe the..
CHANDRAKANT
Main unki baaton par dhyan nahi
deta, woh hamesha angreji me
baat karte hai.. le jalebi kha..
Kishan looks at it worridly.
KISHAN
Mujhe nahi chahiye..
Chandrakant leaves. Kishan tries to find Diya.
73.
EXT. TERRACE - DAY
Diya plays with some children on the terrace.

KISHAN
Diya, Diya..
DIYA
Kya hai?
71.
KISHAN
Idhar aaoo na.., thodi madad
chahiye..
DIYA
No.. I am playing.
KISHAN
Woh Maiya key bare me kuchh bol
raha hai... tum mujhe bataogi?
DIYA
No, when I asked you to make a
toy, you behaved rudely.. ab
kyon aaye mere paas.
KISHAN
Diya, main pichle teen din se
nahi soya.., mujhe yahaan-wahaan
Maiya dikhayee deti hai, uski
khushboo is ghar me hai..
DIYA
No! I don't want to listen to
anything. First, you make toys
for me; (she gestures in air)
100 toys..
Kishan looks at Diya as she give him a look and walks out.
Kishan starts making toys using some colourful papers. He
tries to make the toys as fast as possible. There are a few
children playing with toys in front of Kishan.
After a moment, Diya reaches there.
DIYA
Wow... I like that!
Kishan is engrossed in making toys, his hands are working
rapidly; Diya looks at the heap of toys thereDIYA
Kishan.., Kishan.,
72.
Diya holds his shoulder and gives him a shake, Kishan looks
at her, his face persping, he dnermt roeak amthimg jsrt
look at her; Diya speaks slowlyDIYA
Kishan..! They were saying
that.., Grandma ki body Dubai se
aa rahi hai.. Grandma is coming
Kishan!
Diya leaves with all the other children. Kishan sits there
alone.
74.
EXT. GATE - DAY
Chandrakant chews something. He sees Kishan standing near

the gate watching the aeroplanes in the sky. He spits and
goes over to him.
CHANDRAKANT
Pichle do din se tu hawai-jahaaj
dekh raha hai.. body Varanasi
airport me kab ki aa chuki..,
kuchh der me aa jayegi yahan..
chal, kuchh kaam kar le..
Chandrakant holds his hand and pulls him along.
KISHAN
Meri Maiya aa rahi hai... mujhe
jana hoga..
Kishan jerks out of Chandrakant's grip and runs out of the
gate.
75.
EXT. ROAD - DAY
Kishan runs down on the road. He sees an ambulance and runs

behind it. He almost reaches it but then ambulance moves
far from him. He runs even faster.
Suddenly, he slips and falls. His knee is injured. The
ambulance turns and drives off. Kishan stands up with great
difficulty.
73.
76.
People have gathered in the courtyard. Kishan arrives, his

clothes soaked in sweat. He tries to pass through the
crowd, but the people block his way.
He sees Bhawani is crying, Shiva standing there with a
cloth tied around his head. He has no cigar in his mouth
now. Parvati's body is kept in the box of a mobile
mortuary.
Shiva comes to Kishan throug the crowd and takes him to
her. Kishan looks at Parvati's body.
We see some QUICK FLASHBACKS here.
77.
INT. LIVING ROOM - DAY
Parvati's body is kept inside now. Ramakrishna, GK, Priya,

Harimama, Madhav and few other people have a serious
discussion. Priya is in Saaree.
MADHAV
Whem....? Afteq Madamr aqqitak?
GK
He is the Eldest son.., there is
no other way... we have to wait!
Priya is irritated and worried and she sternly saysPRIYA
Then we cannot keep the body
here..., we will have to
immediately shift it to a
mortuary.......
Madhav looks at her is surprise. Everyone is silently
watching this. Kishan and Chandrakant observes from a
distance.
HARIMAMA
Why? This is a mobile mortuary
and you can keep the body here
itself!
74.
RAMKRISHNA
Hari, it isnt a good idea,
there are children & elders at
home... If the body is kept here
then they will not be able to
take food here.... it will be a
trouble for all of them.
Madhav stares at him seriously.
GK
You are absolutely correct Sir!
We will have to keep the body in
a hospitalr mortuary.
Priya heaves a deep sigh, Madhav looks at her. Kishan looks
at them.
78.
EXT. GHAT - DAY
Kishan and Diya sit together.

KISHAN
Tumne Maiya ko dekha hai?
DIYA
No, I am afraid to see dead
boady.
Kishan silently watches Diya.
KISHAN
Maine dekha, uske hontho par ab
bhi hansi hai.
DIYA
What rubbish.., dead body hansti
hai kya.. she is sent to
Mortury.
KISHAN
Diya, martari matlab kya?
DIYA
Itr a okace.. uaha dead body ko
rakte hai, ek box ke andar.
75.
KISHAN
Waha garmi hoti hai?
DIYA
Nahi, thandi, ekdum chilled!
Kishan stares at her, worriedDIYA
Fridge ke Freezer se bhi thanda!
If I put you there then you will
become stiff, like this!
She acts as if she is frozen and Kishan starts thinking
something.
FLASHBACK
79.
Parvati sits on one of the steps. Kishan cleans his face

with Ganga water.
KISHAN
Maiya, paani to bahut thanda
hai!
PARVATI
Achha?
KISHAN
Ha!
PARVATI
Mujhe thand se sakht nafrat
hai.. garmi se mujhe koi
pareshani nahi, lekin thand se
meri jaan nikal jaati hai..
KISHAN
Tab tum to ice cream bhi nahi
khati hogi?
76.
PARVATI
Na baba na! Mere Madan ko duniya
ki saari thandi cheeje pasand
hai.., Uski shirt me barf dal
do, Use achcha lagega! Sardiyon
me akela ganga ke thande paani
me nahaya kartha tha..
KISHAN
Fir sardee se kaise bachti ho?
PARVATI (LAUGHS)
Sardeeyon me sweater aur rajaai
odhkar murgee ki tarah dat kar
baith jaati hoon.. sochti hoon
kab khtm hogi yeh thand..
FLASHBACK ENDS
80.
EXT. GHAT - DAY
Kishan sits in front of Parvati's photo and the adjacent

lamp. Rajani and a few elderly women sit and reading Geeta.
Some old women sings Bhajan.
81.
EXT. HOUSE BACKSIDE - DAY
It's evening. Bhajan's sound overlap. Chandrakant's car

stops down the steps. Chandrakant opens the door. A tall,
old but respected man (Advocate Banerjee) carrying a bag
gets out of the car. Chandrakant holds his bag and walks
behind him.
82.
INT. HALL - DAY
They enter the hall. Kishan watches them. He stands up in

respect, Chandrakant comes close to him.
CHANDRAKANT
Kishan, ja jaldi se ek chai bana
la..
KISHAN
Kya hua Chandukaka, yeh kon hai?
CHANDRAKANT (SOTTO VOCE)
Bahut bade vakeel hai, Advocate
Bameqjee Ja jaldi kar..
77.
83.
INT. KITCHEN - DAY
Bhawani prepares dinner in the kichen. The tea is boiling

on the gas.
BHAWANI
Kaha tha tu.. do ghante se khoj
rahi hun...
KISHAN
Yahi to tha.. kya hua?
BHAWANI
Bahut gadbad hai upar.., kuchh
to bada ho raha hai.., sab log
ikkattha hue hai.. wah Parvati
ka sandook kholne ja rahe hai..
suna hai usme adhbuth cheeje
hai..
KISHAN
Samdnnk?
FLASHBACK
84.
EXT. SOMEWHERE IN, HARIDWAR - DAY
Kishan and Parvati sits somewhere in Haridwar.

KISHAN
Us me kya kya hai?
PARVATI
Purani cheeje hai meri.. ek
safed sadi, dono kaan ki boonde,
naak ki ek nath..
KISHAN
Safed radi, bnnmde, math,
kisliye..?
PARVATI
Meri mrityu ke baad mujhe pehana
ne ke liye.. aur bhi hai.. thodi
si kapaas aur dhaga..
78.
KISHAN
Wah kisliye?
PARVATI
Kapaas nathuno main dalne ke
liye aur dhaga anguthe bandhne
ke liye.. us ke alava sindoor,
lal kapada aur kalash..
KISHAN
Asthiyon ke liye..
PARVATI
Ha, theek samjhe...
KISHAN
Maiya, is sab ki kya zaroorath
hai..?
PARVATI
Ho sakta hai, shayad us samay
mere bachhe mere saath na ho..
to maranoparant jo bhi mera
antim sanskar kare, us ko kisi
cheez ki takleef na ho isliye..
Kishan looks at Parvati sadly.
PARVATI
Tum kyon dukhi ho.. main janti
hu us waqt tum waha rahoge..
Kishan holds her hands and rests his head on her shoulder.
FLASHBACK ENDS
85.
INT. LIVING ROOM ROOM DAY/NIGHT
Kishan carries a tray of water and tea upstairs. He enters

the room, where everyone stands in front of Advocate
Banerjee and Chandrakant - Priya, Madhav, Vishnu, Diya,
Ramakrishna, GK, Radha, Harimama and a few others including
children.
79.
ADVOCATE BANERJEE
Marne ke baad bhi wah apne
bachhon ko koi takleef nahi dena
chahti thi...
Kishan sees that on the table a big wooden box is kept
open, the contents of the box are dispalyed on the table
white saree, ear-rings, nose-ring, cotton swab, thread,
sindoor, red cloth and a small clay pot.
Advocate Banerjee reads Paqtatir uikk amd eteqnme aqnsmd
listenes attentively.
ADVOCATE BANERJEE
This 'Will' has been changed
many times.. it goes like thisiss purane ghar ke alawa, mere
sabhi dhaan ke kheth Krishn
Mandhir ko daan swaroop diye
jay.., now this is important..
Ghar ke sare janvar purane
naukaron me barabar bante jaye
lekin..
Hearing this everyone is shocked, Chandrakant looks at the
advocate excitedlyCHANDRAKANT
Wo to paraso hi bech diye.. ab
main kya karu, mera kya hoga..
mujhe abhi mera hissa chahiye..
ADVOCATE BANERJEE
Bech diye..? Kisne?
Everyone stares at Chandrakant, he however stands boldly.
Advocate Banerjee signals someone to pacify him.
RAMKRISHNA
Maine hi beche hai.., tab mujhe
is will ke baaren me pata nahi
tha.
GK scolds Chandrakant-
80.
GK
Shant ho jao Chandu, tumhara
hissa mil jayega, chinta mat
karo.. abhi aur kya karna hai
suno..
Advocate Banerjee looks at Ramkrishna and with a gesture of
his finger tekkr hil tn gite Chamdqakamtr rhaqe.
Ralkqirhma mndr im er.
Suddenly Harimama speaksHARIMAMA
Mujhe iss me ek aaptti hai..
Everyone looks at Harimama.
ADVOCATE BANERJEE
Hari, what objection do you have
on this Will? Is ghar ki
property se tumhara kya
smambandh hai? As a brother have
you ever maintained the
relationship??
HARIMAMA
Banerjee Sahab, mujhe lagta hai
ki will ko thik se padha nahi
gaya.. I mean jameen naukron me
baanti jaani chahiye aur gaayon
ko mandir me denaa chahiye..,
kyon ki gaayen to Krishn ko
pyare hai naa?
GK rolls his eyes.
GK
Nonsense! This is not a problem
at all..
Ramkrishna tries to make Hari understandRAMKRISHNA
Hari, jameen ko aise hi kisi me
baant nahi sakte.., Parvati ke
do bte hai.., aur unke bhi
bachche hai.., jameen par pura
adhikar unka hi hai..
81.
Listening this Adv. Banerjee gets annoyedADVOCATE BANERJEE
Ek minit Ramkrishna jee, main
Parvati ka mrityupatra padh raha
hoon.., yah kisi chunaav ka
prachar patra nahi hai jo ghadighadi badalta rahe.., usne apne
jeete jee ise likhwaya hai, isme
na hum kuchh jod sakte hai na
ghata sakte hai.., yah jaisa hai
waisa hi rahega.
GK gets angryGK
Lekin hum sab to usi ke
rishtedaar hai, kya humara koi
hap mahi bamta?
This gives a chance to Adv. Banerjee to take out his long
lasting anger.
ADVOCATE BANERJEE
Rishtedaar??? Ab rishtedaari
yaad aayi?? Aaj tak kahan the
tum log? Tum sab logon ne use
budhape me akela chhod diya..,
akelapan us ko til-til maarta
raha.
Apne bachhon ke liye wah U.S.
tak akele gayi.. lekin tum me se
koi yahan uska haalchal puchhne
tak nahi aaya.
Uska vishal hriday andhere se
bhare kisi purane ghar ki tarah
khali pada raha.., tadapta
raha..
At least, Madan aur Madhav to
aur kuchh nahi mangenge, main
jaanta hoon... lekin unhe bhi
kabhi apni maa ka khayal nahi
aaya...
Chandrakant bites his lips and looks at them raising his
eye brows.
82.
ADVOCATE BANERJEE
Maa-baap din-raat mehnat-majduri
kar ke apne bachhon ko padhate
hai, bada karte hai, lekin ant
me unhe kya milta hai.. akele
rahne ki saja??? Yeh kya ho raha
hai humare samaj ko?
Bahar deshon me to social
security hai.., our culture is
so rich, our social security is
our own kids...
Tum samajhdar logon ko aise
ladte dekh mujhe bahut sharm
mahsus ho rahi hai.., yahan par
tumhari daal nahi galne waali
kyon ki yah Will maine yaani
retired judicial Adv. Banerjee
ne banayee hai.
Aur yahan khade kisi ko bhi is
Will ke baren me koi aaptti ya
shanka hai to saamne aaye!
Come on You..!
After talking this much Adv. Banerjee runs out of breath.
Everyone stands there with some fear and respect to him;
Madhav tries to suppress his laughter, he lowers his head.
Kishan gives Ad. Banerjjee a glass of water.
Adv. Banerjee drinks a sip, his anger lowers down a little,
he looks at all of them then at Kishan and smilesADVOCATE BANERJEE
Thank You! Mujhe nahi lagta
Paarvati ko is tarah kabhi kisi
ne paani pilaya hoga.., arey,
marte waqt kisi ne use gangajal
tak nahi puchha hoga.., I am
sorry, mujhe yeh sab bolne ka
koi haq nahi, lekin main Parvati
ka apman nahi sahan kar sakta.
Saying this he gives the glass back to Kishan, pats him and
goes out.
Chandrakant rushes towards him, then-
83.
GK
Chandu, wo sandook uthakar
Parvati ke kamre me rakh do..
CHANDRAKANT
Usme mera kya Fayda.. Kishan..
ja, sandook utha aur maaji ke
kamre me rakh do..
Chandrakant goes down, Kishan keeps all the things in the
box and walks down the stairs.
86.
INT. PARVATIS ROOM - NIGHT
Kishan puts the box in a corner of Parvati's room. He sits

and rests his head on it and lies down. After a moment he
hears a voicePARVATI
Kishan.. Kishan..
He lifts up his head and sees that Parvati is sitting on
the bed wrapped in a shawl.
PARVATI
Darwaja laga do...
He closes the door, Parvati signals him to come close, he
walks to herPARVATI
Kar dia batvara.., khush to hai
na sab log?
KISHAN
Mujhe nahi lagta.. wah aur jyada
chahate hai..
PARVATI
Maine
pyar,
kuchh
jyada
bhi bahut kuchh chaha..

saath..., lekin kya mila..
nahi..,fir unhe kaise
mil sakta hai?
Marne ke baad meri raakh ganga

ki ret ban jay aisi meri aakhri
ichha thi.. dard ke siva mujhe
kuchh nahi mila.
84.
She hnkdr Kirhamr hamd amd laker hil rit nm the bed
KISHAN
Maiya, tumhara haath to thanda
hai...
PARVATI
Pata nahi aur kitne din mujhe
thand me rahna hoga..
Kirham knnkr at Paqtatir face, it har tsqmed ekknu.
PARVATI
Kyun atyachar kar rahe hai mujh
par.. maine unka kya bigada
hai.. mujhse thand sahan nahi
hoti Kishan..
Paqtati nbreqter that Kirhamr face knnkr tiqed
PARVATI
Tumhari tabiyat kuchh theek nahi
lagti..
Kishan is looking at Parvati
PARVATI
Subah se kuchh khaya hai? So bhi
nahi pa rahe.. aao, yaha let
jao...
Kishan keeps his head on her lap, Parvati pats him and hums
the same earlier song.
FADE TO BLACK
87.
INT. HALL - DAY
A few people read 'Bhagvad geeta' in front of Parvati's

photo. The older women of the house also sit there.
88.

PRIYA (V.O.)
Kishan.. Kishan...
Searching for Kishan, Priya arrives outside the room, she

reer that the dnnq nf Paqtatir qnnl ir ajaq amd Kirham ir
sleeping on the bed
85.
She angrily enters and shakes Kishan very hard
PRIYA
Get up.., get up from here..,
you moron.
She pushes him and drops him on the floor. Kishan looks at
Priya not knowing what is happening.
PRIYA
How dare you to sleep on Mumlar
bed..
Kishan stands up, she hold him by his ear and pushes him
out of the room.
89.
Priya brings Kishan to the hall. Few old women, Radha,

Rajni etc. are reading Geeta. Radha looks at herRADHA
What happened Priya?
PRIYA
He was sleeping on Mumlar bed.
RADHA
It happens.. you gave him a lot
of freedom..
RAJNI
Priya, use Hari ke paas bhejna
to zara.., kuchh kaam hai use...
PRIYA
Ja.. dekh kya kaam hai..
Kirham gner tn Haqilalar qnnl
90.
INT. GUESTS ROOM - DAY
Harimama wears a coat and is covered with a towel. Kishan

walks in.
86.
HARIMAMA
Wo pant utha aur fatafat press
kar de...
Kishan picks up the pant and starts ironing it. Ramkrishna
comes there at that moment and seeing Harimama in that
condition saysRAMAKRISHNA
Aur Hari, tu abhi tak taiyar
nahi hua.. 10 bajne ke pahle
Mortuary me pahuchna hai..
Kishan hears the word Mortuary and looks at them
HARIMAMA
Bas ek minute bhaisaab, pahle
cake kaat lu.. panch minute ka
kaam hai..
RAMKRISHNA
Cake..? Kis Khushi me?
HARIMAMA
Wo hamari shadi ki Anniversary
hai.., main janta hu, yah sahi
nahi hai lekin, har saal manate
hai.., nahi manayenge to Rajni
bura maan jayegi.. sre rekfi
lekar facebook pe daalna hai..
They hears Rajmir tnice fqnl nstride at that lnlemt
RAJNI (V O)
Kya ji, taiyyar nahi hue.. sab
wait kar rahe yaha..
HARIMAMA
Ha bas.. aa raha hun.. Kishan,
ho gayi press..
KISHAN
Abhi ho jayegi..
Kishan continues pressing then GK walks in-
87.
GK
Kya ho raha hai Hari..? Hum abhi
cake kaise kaat sakte hai..
Kishan looks at GK. Harimama does not want to lose this
opportunity HARIMAMA
Aap bhi kamal karte hai.. us din
aapne jalebiya bati aur mujhe...
GK gets irritated GK
Ok, Ok.., theek hai.. jao kaat
lo, lekin body ko jaldi le aana
HARIMAMA
Aise shub avsar par kyon deadbody ka naam le rahe ho.. Cake
kaatne tak koi body ke bare main
kuchh nahi kahega..
Kishan looks at Harimama, he was staring at GK, GK looks at
RamakrishnaGK
Ramakrishna.., Madan bhi airport
pahunch gaya hai.., kuchh hi der
main wo bhi yaha aa jayega..
HARIMAMA
Hum us se pahale yaha aa
jayenge.. ab chale..
Kishan gives the pant to Harimama, he wears the pant and
everyone go to the hall.
91.
Rajani, Priya, Madhav, Radha and everyone else stand near

the cake on the table.
Rajani gives a knife to Harimama and they cut the cake
together. Everyone wishes them "Happy Anniversary!!!"
Harimama and Rajani feed the cake to each other and they
take a 'selfie'. Kishan stands in a corner watching this.
88.
MADHAV
Happy Anniversary Mama!
HARIMAMA
Thank you, Thank you all..
Madhav walks up to Priya and in sotto voice he says in her
earMADHAV
You see, when he dies my mother
will screw him up there.
Pqiar face becnler oh raising her eyebrows. Ramkrishna
waves Harimama to finish it fastHARIMAMA
Haan, haan bhaisaab.. ho gaya..
chaliye..
Harimama walks out with Ramakrishna. Kishan and Chandrakant
also walks out to hall.
Kishan looks at Parvati's photo, a lamp shimmers and goes
off. No one notices it. Kishan walks upto Parvati's photo
and with the match lights the lamp.
When he turns Vishnu is watching him with a friendly smile.
92.
INT. KITCHEN - DAY
Bhawani gives a plate of chapatti and daal to Chandrakant.

He eats very fast.
CHANDRAKANT
Tuze nahi mila cake?
Kishan looks at Chandrakant silently. Bhawani takes a look
into the mirror and saysBHAWANI
Yeh sab modern log hai, kuchh
bhi kar sakte hai..
CHANDRAKANT
Ha, lekin hume humara hissa nahi
de sakte..
89.
BHAWANI
Gaayon ka kya hua Chandu, tune
GK se puchha nahi.., kam se kam,
hume paise hi de de..
CHANDRAKANT
Us se maangenge to wah is ghar
ko sar pe utha lega..
Kishan is listening to them keeping his head down CHANDRAKANT
Ae, kya hua tuze... khana kha
le, body aane ke badh kuchh kha
nahi payega..
Listening to the word body Kishan gets emotional, he looks
at him.
93.
INT. HALL - DAY
Parvati's body is decorated as per her wish; she wears the

white Saaree, earrings, nose ring etc. She is surrounded by
a crowd of relatives. Kishan is also there.
94.
EXT. GHAT DAY
A boat stops at the downside ghat steps. Madan gets down

from the boat. GK is waiting there.
GK
How are you Madan? Everything is
ready. We are just waiting for
you.
Madan smiles and touches his feet. GK takes him inside
95.
INT. HALL - DAY
It is the first time Kishan sees him; he is tall, fair,

wearing a suit, he looks like a very influential person.
He goes and stands near the body and observes it silently.
His mobile vibrates. Madhav stands behind him, he smiles at
Madan.
MADAN
Hey Bro, youre looking older!!
90.
MADHAV
Yup....its been more than five
years dude....
Madan hugs him, he smiles at Priya who is standing behind MADAN
Hi Priya, how are you? Howz it
been? Where is our next
gen..Vishnu and Diya??
PRIYA
Doing good bro, great to see you
after such a long gap.... Vishnu
and Diya see who is here... your
bade papa is calling
you'll......
Harimama comes there, Madan walks towards him and touches
his feetMADAN
Are Harimama, kaise ho aap..?
Harimama hugs Madan, just then Vishnu and Diya comesVISHNU/DIYA
Hello Bade-papa!
MADAN
Hello beta, how are you doin?
VISHNU/DIYA
We are doin good..
Madan lifts Diya upMADAN
Tum bilkul ma jaise dhikhti ho..
He kisses Diya, Kishan is carefully watching Madan, he is
standing with Chandrakant and Bhawani-
91.
CHANDRAKANT (SOFTLY)
Yeah bade maalik hai, bahut
hoshiyaar aur smart hai.., inhe
khush rakhoge to tum bhi khush
rahoge..
GK hnkdr Madamr hamd amd take imride.
96.
INT. MADANS ROOM DAY
GK puts his bag in a corner.

MADAN
Dad, I don't have any time for
all this... Madhuri is still not
discharged from the hospital...
I am dead stuck with all the
financial matters of the
company... but hadn't I come, I
would be guilty for rest of the
my life......
GK
Madan, it is okay beta..., first
you change your dress ..., it is
kept there......
Madan changes clothes. Gk goes out side.
97.
INT. HALL - DAY
Harimama is calling a guy. He is a barber.

HARIMAMA
Arey suno, ustra ready hai na?
The barber shows his hand with Ustra. Madan comes out in
white dress.
HARIMAMA
Madan, aao, mundane kar lo.
Listening this Madan goes weird, he surprisingly looks at
Harimama. Harimama keeps his hand on his shoulder and saysHARIMAMA
Bete, yeh sab ko karna padta
hai, tum ghar ke bade ho..
92.
MADAN
Mama, main mundan nahi karunga..
itne se baal hai mere.., office
kaise jaunga.., Madhav ko bolo..
Harimama, Madhav, GK, Kishan all look at him surprised.
Madhav comes forward MADHAV
Theek hai, main kar leta hu..
Priya immediately stops himPRIYA
How can you do Madhav..? He is
the eldest son, he should do
it.., I don't want to see you
bald..
Madhav looks at Priya surprised, with great difficulty he
controls his laugh, he looks at Madan again.
MADAN
I am sorry Madhav.. I can't..
please..
PRIYA
Vishnu, come here!
Virhms heaqr Pqiar tnice amd hider behimd Ralkqishna.
Madhav keeps his hand on his head, he signals Vishnu to
comeMADHAV
Vishnu ja bete, baith ja waha..
Vishu starts crying, Kishan and Diya looks at the crying
Vishnu.
PRIYA
Why are you crying? If you shave
your head now, you will get more
hairs in few days. Come on..
VISHNU
I don't want to cut my hair..
Nanaji bolo na..
93.
Vishnu looks at Ramkrishna and then at Madan. The barber
flangs his Ustara & starts walking towards Vishnu. Kishan
and Chandrakant both are looking at VishnuRAMKRISHNA
Bas, bas.. rahane do..
The Pundit who is standing there come forwardPUNDIT
Kisi ki iccha nahi hai to rahane
dijiye.. us Naayee ko dakshina
de kar vida kijiye.. hum aage ki
karwahi karte hai.. chaliye
arthi uthaiye der ho rahi hai..
98.
We hear Pundit chanting the mantra. Close of Parvati's face

placed in pyre.
Paqtatir bnd ready for funeral, Harimama hands over the
burning Mashaal to Madan.
Madan, Madhav and Vishnu all three are circumambulating the
body and puts the fire.
Fiqe emgskfr Paqtatir bnd cnloketek. Kishan is watching
blazing fire. He rtaqtr heaqimg Paqtatir tnice imride hil.
FLASHBACK
PARVATI (V O)
Aag hamesha ek paheli rahi
hai..., wah oonche-neeche,
achhe-gande sab cheejon ko apne
andar sama leti hai, lekin phir
bhi wah khud unse dooshit nahi
hoti.. aag sab cheejon ko shuddh
kaq deti hai Halaqa rhaqeeq
jeevan me paap punya, sahigalat karm karne me vyast hota
hai.., ant me use bhi aag ko
arpan karna padta hai.., bachti
hai to sirf mutthi bhar rakh...
94.
Jeevan ki shuruat paani se hoti
hai, tab ant bhi paani me hi
hona chahiye.. tabhi jeevan ka
chakra pura hota hai, yahi
humari sanskruti hai.. Mere
jaane ke baad agar koi mere liye
naa aye to shayad tumhe hi meri
raakh ko ganga me bahana hoga..
FLASH ENDS
The body is burnt to ashes. Kishan is standing there alone
and watching smoke. Chandrakant comes there he is carrying
his bag.
Chandrakant looks at himCHANDRAKANT
Kishan, kabhi-kabhi hum kya kar
rahein hai, kyon kar rahein hai,
rab bhnnk jate hai laim bhi
bhool gaya tha, ki tum to ek
chotte bachche ho.. mujhe
tumhare saath aisa nahin karna
chahiye tha..
Kishan looks at Chandrakant.
CHANDRAKANT
..16 saal ka tha main, jab
Parvati ne mujhe is ghar me
oamaah di yahaan mujhe sab
mila.., kaam, maan, sanmaan, aur
badi beham ki lalta kekim tsl
jab yahaan aaye to main darr
gaya, mujhe laga, mujhe laga..
yeh sab ab mujhse chheem jaega
kyon ki tum Parvati ke laadle
the..
Kishan keeps looking at him.
CHANDRAKANT
Ab mujhe ahsaas ho raha hai, jo
kuchh maine tumhare saath kiya
bahut galat kiya.. main tumhara
doshi hoon Kishan, mujhe maaf
kar do.. ab yahaan meri koi
zaroorat nahi..
95.
Shitar bnat qeacher the rhnqe. Shita ir rittimg nm the
boat and watching both of them from there.
CHANDRAKANT
.. pata nahin phir mulakaat ho
na ho..
Chandrakant gets on the boat and looks at Kishan. The boat
starts moving ahead as Shiva starts rowing the boat, he
starts singing a song.
99.
INT. MADHAVS ROOM - NIGHT
Diya sits on her bed, hodling a teddy bear. Kishan sits

down. They can hear Shitar rnmg.
DIYA
I am missing Grandma.. yaad aa
rahi hai..
Kishan looks at herKISHAN
Mujhe bhi..
DIYA
Tell me.., tum aur Grandma,
Haridwar me kya kia..
Kishan looks at herKISHAN
Maiya aur main hamesha saath
ghumte..
FLASHBACK
100.
EXT. HILL - DAY
Kishan and Parvati were racing on a small hill, Parvati

stops suddenly, looks like she got a catch in her leg.
Kishan who had gone ahead returns back to her, Parvati
holds her leg until he reaches her, as soon as he comes
near, she starts running ahed of him-
96.
KISHAN (V O)
Use humesha mujh se aage jaane
ki jaldi rahti... badi nautanki
karti.. lekin jeetne ke baad
itna khush hoti, ki main samajh
nahi pata ki wah chhoti hai ya
main..
Parvati is jumping and clapping, Kishan is looking at her
and smiling.
FLASHBACK ENDS
101.
Diya is smiling listening to KishanKISHAN

Ek din to wah ped par bhi chadh
gayi thi.. waha khade sab log
use dekh rahe the.. wah niche
kood nahi sakti thi.. ek aadmi
ne use seedhi se neeche utara.
FLASHBACK
102.
INT. PHOTO-STUDIO - DAY
Parvati, in police uniform, holds a stick. She turns

towards Kishan, who bursts out laughingKISHAN (V O)
Usne badi munchhe lagayi thi..
wah use apni ungaliyon se ghuma
rahi thi.. meri to hansi chhoot
gayi.. achhi dikh rahi thi..
Parvati puts her hand on Kishan's shoulder - a photo gets
clicked. She then poses like she is hitting Kishan with the
stick - another photo clicked; the next photo gets clicked
with both of them laughing.
FLASHBACK ENDS
103.
Diya who is lying on the bed is laughing loudly-
97.
KISHAN
Maiya ke saath bada maza aata
tha.. wah hamesha muskurati
thi..
At that moment he hears voices from outsideAAVAZE (V O)
Kishan.. kidhar mar gaya.. upar
aa..
Kishan immediately stands upKISHAN
Main dekhar aata hu..tum aankhen
bandh kar lo..
DIYA
Kishan, I never spent time with
Grandma, phir bhi mujhe yaad aa
rahi hai.., I want to listen
more... come back soon..
Kishan looks at her, he then goes outside towards the
terrace.
104.
EXT. TERRACE - NIGHT
The party has begun on the terrace of the bungalow. All the
relatives are present, Kishan sees some of them eating, few
drinking and talking. Kishan goes to get water.
GK, Ramakrishna, Harimama, Madan, Madhav and few others
drink alcohol RAMAKRISHNA
Aisa mouka fir kab milta? After
all, we are meeting after so
many years.
GK
Madan brought two bottles of
Whisky from US, isiliye peene ko
mil rahi hai...
Madan laughs. Kishan get water and chips, then he quietly
slips away.
98.
Madhav sits alone on a chair, Madan looks at him, he picks
up two glasses of alcohol and goes to himMADAN
Why so sad Madhav? Your Mother
was my mother too.. Why to lose
heart?? Come on, take this.
Madhav looks at him.
MADHAV
After college, I went to UK,
cnskdmt ree heq oqnoeqk.., mnu
my children could never spend a
time with her. That feeling
makes me so sad.
MADAN
During her last few days she was
with me in US, still I couldnt
spend time with her...., I was
too busy..., I am also feeling
sad, but this is life! You have
to be practical; we have to move
forward, right?? Come on pick it
up... uhats left here now..
Madhav looks at him, picks up the whisky, they both clinks
glassesMADHAV/MADAN
Cheers!!!
Kishan does not understand what is going on there, why all
of them are happy.
He watches as GK gulps down a full glass and bangs it on
the table. Even Ramakrishna finishes it in one breath and
bangs it down. Then Madan and Madhav bang their glasses on
the table.
Everyone starts looking at them, they all start laughing
and then banging the glasses musically on the table.
Kishan cannot tolerate the sounds of banging, he feels
their laughter is dirty, everything around him starts
blurring; he wipes his eyes, closes his ears and runs away.
99.
105.
Kishan rushes into the room. Diya is asleep on her bed. He

sits in a corner closing his ears. After a moment, when he
opens his eyes, he sees Parvati sitting on the bed next to
Diya. He removes his hands from his ears.
PARVATI
Diya yaha akeli thi.., mujhe
laga wah niche gir jayegi..
KISHAN
Maiya..? Woh aawaje sunai de
rahi hai?
PARVATI (SMILING)
Ha Kishan.
KISHAN
To tum use rokti kyun nahi.. ve
sab log maje kar rahe hai,
khushiya mana rahe hai..
PARVATI
Yeh to achha hai na Kishan..!
Kishan looks at Parvati surprised.
PARVATI
Tum nahi jante mujhe yeh sab
kitna pasand hai.. mere sare log
yaha par hai, mera bada beta
Madan, mera pota Vishnu, Diya,
us ke nana-nani.. aur mera chota
bhai Hari, kitne din hue use
dekhe.. saari zindagi main unhe
yaha bulati rahi, koi nahi
aaya.., par aaj.., aaj sab yahan
hai.. mujhe aur kya chahiye?
Main is ka karan bani, iska
mujhe garv hai.. main khush hu
Kishan!
Madan comes in. He opens the fridge and takes out a water
bottle. He sees Diya asleep and Kishan sitting near her.
MADAN
Hey, tum kon ho?
100.
KISHAN
Kishan.
MADAN
Kishan... oh, you are my Mom's
Boyfriend! Maa ne tumhare
baarein me mujhe bataya tha..
Kishan looks at him silently.
MADAN
Lekin tum yahan kya karr rahe
ho?
KISHAN
Use darr lag raha tha...
MADAN
Oh !?! you are a good boy
Kishan..., jao jaa kar so jao..
Good night Kishan!
Madan walks out of the room.
FADE TO BLACK
106.
The Ganges flows calmly. On a brick stove, rice is cooking.

Kishan and Diya observe the boiling rice. Behind them at
some distance everyone stands around dressed in white.
Madan talks on his phone.
MADAN
..hey hey, look here man....it's
impossible for me to handle
these things from here.....my
advice is, you get in touch with
the Mexican office or please
contact the bank.......
Kishan and Diya talksDIYA
Why we are doing all this? Yeh
kya hai?
101.
FLASHBACK
107.
On the Ganges shore there are leaf plates with pind lying
on the sand; few people gathered at a distance are watching
the crows.
Kishan and Parvati are observing the crows pecking the
food.
PARVATI
Pind daan mritak ke sabse
kareebi vyakti dwara kiya jata
hai.. jaise patni, beta ya
beti.. tabhi wah kauva aakar ann
grahan karta hai, iska matlab
parlok main wah khush hai..
FLASHBACK ENDS
108.
Only Kishan and Diya remain sitting on the sand, all the
other people have gone back. They watch the Pind: not a
single crow is eating itDIYA
Not a single crow is eating
it..? Kyon..?
KISHAN
Mujhe kya pata.
DIYA
What uikk haooem if cqnu dnermt
eat it? Will she be hungry? Use
bhook lagagi?
Kishan looks at her.
KISHAN
Mere Daadaji jaane ke baad ek
baat mujhe samajh aayi, jinhe
hum sach me pyar karte hai we
humin kabhi chhodkar nahi
jaate.. (smiles) us waqt kouvo
ne pind kha liya tha.
102.
Diya nods her headDIYA
What do you think, no one likes
Grandma here? Kal raat, she came
to my dream.
Diya looks at Kishan, Kishan smiles, he wants to say so
many things but gets up and walks away. Diya watches him.
109.
INT. KITCHEN - DAY
Bhawani packs her cloths in a long cloth. Kishan sits

watching her.
BHAWANI
Tum ab kya karoge Kishan? Meri
bachchi kab se bula rahi hai..
lekin tujhe akele chhod jane ka
mann bhi nahi kar raha hai..
Kishan looks at her.
KISHAN
Fir kyon jaa rahi ho?
BHAWANI
Log kah rahe ki Parvati ke itne
acche karmo ke bawajud uske pind
ko kisi kauve ne chua tak nahi..
tu tha na waha.. kya hua bata..
KISHAN
Baat to sahi hai..
BHAWANI
Mujhe darr hai ke kahi uski
aatma is ghar main bhatakti na
rahe.. vaise bhi ve log ise
bechkar jane wale hai..
KISHAN
Kaun bech raha hai..?
103.
BHAWANI
Madhav.. wah England vapas jane
wala hai.. Chandu pahle nikal
gaya, maine kal hi Priya madam
se baat ki.. usne gaayon ke
paise diye hai.. usme guzara ho
jayega mera..
Bhawani puts the mirror in her cloth bag and lifts it up.
Raja turns up while she is coming out of the kitchen.
Kishan and Raja follows Bhawani to the gate.
110.
EXT. GATE - DAY
Raja walks near them. Bhawani tier a qnoe aqnsmd Rajar

neck.
BHAWANI
Main ise apne saath le ja rahi
hu.. Priya madam se pooch liya
tha kal..
Kishan looks at Raja, he puts his hand forward, Raja keeps
hir oau nm Kirhamr hamd. Kishan hugs Raja and then leaves.
Bhawani pampers Kishan, she give him Rs. 50 in his handBHAWANI
Rakh ise.. tu ruk mat yaha..
vapas chala ja.. ab yeh jagah
theek nahi tere liye..
With the money in his hand Kishan watches her and Raja
leaving.
111.
Madhav sits on the bed. Priya, wearing a Saaree, looks at

the documents.
PRIYA
I am not waiting here for the
money anymore....you tell them
to send it to your bank account.
Let us go back from Dev - Prayag
itself..
104.
MADHAV
Oh Come on Priya...., don't be
stupid ! How can I leave from
here like this? What will
everyone say? It's too early to
go now......
PRIYA
Ok... very well then, you stay
here ..... I will go with Vishnu
and Diya.... I need to put them
in a new school.
Madhav keeps staring at Priya.
112.
INT. MADANS ROOM DAY
GK is talking with MadanGK

Asthivisarjan ke liye tumhare
aane ki kya jarurat hai bte..,
we can go naa?
MADAN
No Dad.., that will not look
good, I will fly to US from Dev
- Prayag itself.., Madhuri is
all alone there.....
GK keeps his hand on his shoulder and pats it as if his
decision is right.
113.
INT. GUESTS ROOM DAY
Harimama, Rajani is talking with Ramkrishna HARIMAMAS

Maine kabhi Dev-Prayag nahi
dekha..,
RAJANI
Wh camt ue akk gn tngetheq..,
it will be a family trip.
Ramkrishna nods his head-
105.
RAMKRISHNA
Wonderful, let me do some
jugaad.., umm.., first book an
A.C. bus and then make other
arrangements there.., tum chinta
mat karo!
114.
INT. KITCHEN DAY
Diya carries a box towards Kishan. She opens it and shows it

nt him, it has a lot of small-small toys in it.
DIYA
These are all for you, tumhare
liye.
KISHAN
Mujhe kuchh nahin chahiye.
DIYA
I am giving it to you, isse ley
lo...
KISHAN
Nahi..
Diya keeps the box on his lap and walks upto the door and
stands there.
DIYA
Tomorrow, we are going away from
here.. hum ja rahe hai..
Kishan looks towards Diya, somewhat thoughtful.
DIYA
Tum kya karoge?
She ir knnkimg at Kirhamr face.
DIYA
Kahaan jaooge?
Kishan looks for an answer to this question. Diya feels sad
staring at him.
106.
To please her, Kishan tries to smile. Diya notices that his
smile is not like before and she walks and sits near him.
Kishan closes his eyes.
115.
EXT. GATE DAY
A big row boat stops down at the ghat steps. Everyone

waiting there gets inside the boat.
116.
Kishan looks at the Peacock feather kept in the flower pot.

He picks it up & keeps it in his Shabnam bag and walks out
of the room.
117.
INT. HALL - DAY
Few workers are packing the inside furnitures, few men

carries the house belonging outside
Kishan notices that Parvatir ohntn ir fakkem nff the table
and the lamp kept there is also put off.
Kishan picks up the photo. Broken glass pieces are
scattered on the ground.
He takes out Parvatir ohntn fqnl the ohntn-frame. He rolls
it and ties it with a thread.
118.
Two Workers walks past Priya carrying the packed belogings.

Diya watch it silently holding the ash-pot. One worker
walks up to them.
PRIYA
You packed everything, sure?
Andar kuchh bachaa to nahi?
WORKER
Na madam, yeh ghar ki chaabi.
Priya takes the key and goes to the main entrance of the
house. Diya is standing behind her.
As she is about to close the main door Kishan comes out
running from inside. She suddenly gets scared.
PRIYA
Kishan.. . what were you doing
inside?
107.
Kishan silently walks out and stands there.
Priya closes the door, puts the latch, places the lock and
starts turning the key.
Kishan watches all this with a heavy heart. The house is
now locked. Priya holds Diya's hand and walks down the
courtyard.
Diya turns and looks at Kishan and he sees them going away.
Diya again turns and looks at Kishan. As they reach the
gate Priya stops there and looks at Kishan. Diya stares at
Priya and she understands something
PRIYA
Tu kahaan jayega Kishan?
Kishan does not have any answer to this question. He looks
at them, his eyes have become still and motionless.
PRIYA
Do one thing, abhi tu boat me
baith.. hum tujhe Dev-Prayaag me
chhod denge.. from there you can
go to Haridwar..
Pqia oskkr Diar hamd amd bnth nf thel tsqm amd uakk
towards the gate.
119.
EXT. GATE - DAY
Kishan walks out of the gate. He stands there and looks at

the empty house.
PARVATI (V.O.)
Yah hamare purkhon ka ghar tha,
humne is me bahut saare badlaav
kiye hai... Iss ghar ke har kone
me hamare mehnat ki, pyaar ki
khushbo basi hai.
Kishan stands there and looks at the house for one last time
then suddenly he hears a voice from inside the boat.
GK
Ae, jaldi se andar baith..
Priya is waiting near the boat holding the ash-pot. Kishan
runs and gets into the boat. Priya hands over the ash-pot
108.
to Kishan. Kishan goes and sits at the back seat. Priya
makes Diya climb-up in the boat and then she follows her.
Here a pathetic version of the first song begins
.
120.
EXT. VARIOUS PLACES DAY/NIGHT
They are inside the A.C. bus. Kishan still holding the ashpot, keeps looking at it. The bus travels through cities,
villages and towns and moves towards the destination, DevPrayaag.
FLASHBACK
121.
EXT. IN GANGES, HARIDWAR - DAY
Song stops. Parvati sits somewhere on the riverside,

Haridwar.
PARVATI
Teen nadiyon ka sangam matlab
Prayaag! Main waheen ghul jana
chahti hoon.
FLASHBACK ENDS
122.
INT./EXT. BUS - DAY
Kishan feels that this voice is coming from very close to

him.
PARVATI
Aankhen kholo Kishan...
Kishan opens his eyes only to see Parvati sitting in front
of him.
PARVATI
Sab tumhe chhodh kar chale
gaye.. akele.. hmm, tum paida hi
anaath hue lekin mere paas sab
kuchh hote hue bhi main anaath
hoon.., hum dono ek jaise hai..
yahaan Alaknanda aur Bhagirathee
milkar saagar ki aur jaati hai..
utho!
109.
Kishan gets down with ash-pot. The Driver cleans the
windshield. He watches Kishan gets down from the bus and
walks in one direction.
123.
EXT. A GHAT, DEV-PRAYAG - DAY
A Barber shaves a man's head, as soon as he is done Kishan

goes and sits in front of the barber.
KISHAN
Mundan karna hai..
BARBAR
Paisey hai? 50 rupaye lagenge..
KISHAN
Ha hai, kar do na..
The barber starts shaving his head.
124.
INT. HOTELS ROOM, DEV-PRAYAG - DAY
Priya and Madhav have their luggage in the room.

MADHAV
Where is that ashthikalash?
PRIYA
I gave it to Kishan.
MADHAV
Hlll.amd where is Kishan?
PRIYA
Vishnu, go and check where
Kishan is.
DIYA
Hey, I am also coming.
Diya and Vishnu leaves the room and the other children
playing in the corridor follow behind them.
125.
EXT. HOTEL, DEV-PRAYAG - DAY
The children search for Kishan near the bus and everywhere
else.
110.
DRIVER
Kya hua?
VISHNU
That kid.. bachha?
DRIVER
Udhar gaya hai, ghaat ke taraf..
Vishnu and Diya looks at each other and they start running
towards the ghaat. The other children also start following
them.
126.
Kishan meets a pundit who is walking up the stairs of the

ghat.
KISHAN
Mujhe paath karwana hai.
PUNDIT
Kal aao..
KISHAN
Abhi kar do na.
PUNDIT
Abhi samay khatam ho chuka hai.
The Pundit goes away, suddenly Kishan sees rice on a leaf
plate lying there. He starts making rice balls and keeps
two pind it on it.
He holds the ash-pot near to his chest, closes his eyes,
Paqtatir tnice echnes in his mindPARVATI (V O)
Yeh sanskar mritak ke sabse
kareebi vyakti dwara kiya jata
hai.. uske liye kisi pundit ki
zarurat nahi..
Kishan opens his eyes, he sees few crows pecking on the
rice balls. Tears start rolling out of his eyes
111.
He wipes his eyes, a smile appears on his face, the same
smile that we have seen many times.
He then quickly descends the stairs, his foot is now in the
water. He is looking at the flowing water.
Kishan hears a voice, he feels the voice is coming from
inside the deep water.
PARVATI (ECHO)
Mujh main aur ganga main koi
faqk mahi laim hi Akakmamda,
main hi Bhagirathee aur main hi
Ganga hu.. saare dhukhon ko
maine apane andar samet liya
hai... Main Parvati hu, ab mujhe
mahasagar se milne jana hai..
aao, mere saath chalo...
KISHAN
MAIYA...!
Kishan gets the same smile on his lips, taking the ash-pot
he slowly enters the water.
We see in SLOW MOTION.
Diya, Vishnu and other kids search for Kishan on the Ghat
stairs but they are unable to find him.
Diya sees the Shabnum bag lying on the stairs, she gives
that to Vishnu. Vishnu opens it in a hurry, he takes out
the peacock feather.
Diya sees a red cloth of ash-pot floating on the water and
she starts sobbing.
FADE TO WHITE
127.
INT. HOTEL, DEV-PRAYAG - DAY
We hear Diya's cry in Echo. Madan wakes up on his bed. He

hears Parvati's voice.
PARVATI (V.O.)
Tum logon ne use maar daala..
maar daala.
This Echner im Madamr limd. Madam rushes out of the hotel.
112.
128.
He rush towards the ghat. He finds children still searching

for Kishan near the ghat.
He finds Diya and Vishnu.
MADAN
Where is Kishan?
DIYA
We didmt fimd hil.
Madan rush towards the down steps, water flows heavily. He
sees Kishan's bag. He takes out Peacock feather.
He looks around, Kishan is sitting at the corner of the
step. Kishan is staring at the flowing water.
Madan is overwhelmed to see him, tears comes in his eyes.
MADAN
Kishan...?
Kishan looks up to him silently. He is blank, without any
emotions on his face.
Madan walks upto him and he gives his hand to him. Kishan
raises his hand. Their fingers touch each other. The hands
holds each other tightly.
A smile appears on Madan's tearful face. He pulls the
Kishan towards him and gives him a big hug.
FADE OUT
THE END

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1.

Iris Green Films

1. EXT. GANGES GHATS, VARANASI DAY

The boat reaches nearby a ghat. Kishan comes out of his

EXT. HOUSE ENTRANCE - DAY

EXT. A PATHWAY / ALLEY DAY

Kishan runs hurriedly holding both the Tiffin boxes in his

INT. STUDY ROOM - DAY

Madhav is a 35-40 year old man, he is reading a book,

EXT. KITCHENS VERANDAH - DAY

Kishan sits in a verandah next to the kitchen, eating daal

INT. STUDY ROOM - DAY

The telephone rings loudly. Madhav sits there taking notes

INT. KITCHEN - DAY

Kishan washes utensils. Bhawani cuts vegetables. Suddenly

INT. STUDY ROOM - DAY

Madhav picks up the phone MADHAV

INT. KITCHEN - DAY

Priya makes tea.

EXT. HOUSE BACKSIDE - DAY

An Auto stops at the down steps. Kishan runs out. Vishnu

INT. DINING HALL - DAY

Priya sees that Diya is crying.

EXT. GHAT - DAY

Kishan takes the biscuit and follows Diya. She stands

EXT. TERRACE - DAY

Diya runs, spinning a paper wheel toy. Kishan finishes

EXT. COURTYARD - DAY

Diya and Kishan fly paper planes in the courtyard.

EXT. RIVER SIDE/SHIVAS BOAT/RICKSHAW - DAY

Kishan shan puts a paper-boat in the river flow, it moves

EXT. UNDER A TREE - DAY

Both sits on a swing and blowing a whistle.

EXT. UNDER A TREE - DAY

EXT. A GHAT, HARIDWAR - DAY

Down at the ghat, some Pundits perform sacred Puja. People

EXT. ABOVE THE GHAT, HARIDWAR - DAY

Kishan, holding Parvati's hand, helps her up the stairs; he

EXT. ON WAY TO HOTEL, HARIDWAR - DAY

Kishan carrying his Bamboo stand heads down the stairs

EXT. ROAD TO KISHAN'S HUT - DAY

A few Children plays cricket on the way to a slum. Kishan

INT. KISHAN'S HUT - NIGHT

Kishan rests his Bamboo stand to a wall. He is excited. He

INT. KISHANS ROOM - NIGHT

Kishan puts his pant in the plastic bag.

INT. KISHAN'S HUT - NIGHT

Kishan makes rotis on the stove. Dadaji mixes water and

EXT. SLUMS, HARIDWAR - NIGHT

An aerial view of a spread of slums at the banks of the

EXT. A GHAT, HARIDWAR - DAY

Morning scenery of Ganges Ghats. Many Old and Young People

EXT. A HOTEL, HARIDWAR - DAY

Parvati sits on a bench, observing a cow feeding her calf.

INT. KISHAN'S HUT - DAY

Dadaji is a simple but a straightforward man. He sits in

EXT. TEMPLE, HARIDWAR DAY

Parvati rings the bell inside the temple. Kishan carries

EXT. MARKET PLACE, HARIDWAR - DAY