Diy Recycled Jewelry Tutorials

PRESENTS
DIY Recycled
Jewelry:
4 Free Tutorials
DIY RECYCLED JEWELRY: 4 FREE TUTORIALS
VINTAGE ILLUSTRATION PENDANT
FOUND OBJECT PENDANT
A confection from recycled ephemera
A vintage ruler and typewriter key mark a milestone
BY ELEANORE MACNISH
BY ELEANORE MACNISH
14
FLORAL CANTASY
HIDDEN GEM
Upcycle an empty can into a flowery pin
Utilize a found shell accented with wire waves
BY CLAIRE S. LARRABEE
BY BETH ULLMAN
Free and unusual jewelry supplies are all around you when
you use recycled materials and found objects. They cost
little or nothing, are better off in your supply bin than a
landfill, and will make your jewelry anything but standard
jewelry store fare. Find yourself moving in new creative
directions as you think about how to transform your trash
into treasure.
The challenge and the promise of making recycled
jewelry or found object jewelry is in seeing how special or
interesting a piece of scrap could be, and then in devising
ways to put it into jewelry that will look great and be
comfortable and durable enough to wear. Here are four
fabulous projects to help you get started.
Pull out your favorite flea market finds and whip them up
into a one-of-a-kind pendant, following the example that
preserves a vintage cupcake illustration as the jewels central
element. Find out how to cut up a particularly pretty iced

tea can and put some of the pieces back together into a
lovely floral pin: now what will you do with the can that
really appeals to you?
Or start with the piece of jewelry you want to make and
find objects for it just as a personalized birthday present
for a friend includes a piece of an old ruler to mark the year,
while an old typewriter key adds the friends initial. Discover
an innovative project that utilizes the organic feel of a found
shell, accented with wire waves to imitate the ocean.
Merle White
Content Strategist, Interweave Jewelry Group
F+W Media grants permission for any or all pages in this issue to be copied for personal use.
www.JewelryMakingDaily.com 2
A confection from recycled ephemera
Project by
Vintage Illustration Pendant
Eleanore MacNish
Opening Photo: JIM LAWSON
Project Photos: ELEANORE MACNISH
o make this pendant, you

need to go on a scavenger hunt.
Gather all sorts of earrings,
vintage illustrations of cakes, and
whatever you think might look good
hanging from the bottom of your
pendant. Good places to start hunting are a flea market or tag and
yard sales. I gathered orphaned earrings, vintage jewelry, coins, tokens,
and game pieces for my pendant.
S K ILLS YOU NEED
fabrication
bezel setting
soldering
M ATER IAL s AND TOOLS YOU N EE D

Materials
Vintage pastry image
Vintage rhinestone earring
Vintage pearl drop
22-gauge sterling sheet
22-gauge sterling sheet:
2 12" 12" for bail
Fine silver bezel wire deep enough
to hold image and resin
Fine silver bezel wire tall enough to Clear packing tape

clear edges of earring
White craft glue
16-gauge wire for jump ring
Tools
Ammonia, water, and liquid dish
Layout tools: permanent marker,
soap solution
graph paper, tracing paper, spray
Toothbrush
adhesive, pencil
Oxidizer or liver of sulfur
UV cure resin
Methyl alcohol or nail polish
remover
(larger than pendant and deeper

than length of bail) filled with rice
Soldering: torch and tips, third
hand, solder (hard and extra EZ,
low temp paste solder), flux
Finishing tools: flex shaft, chamois
buffing wheel, polishing compound
Hand tools: saw frame, 2-0 saw

Additional tools: drill bit for
blades, carbide tip scribe (or punch 16-gauge wire
for dots), round nosed pliers, setting tools, hand shears, respirator
mask, small hammer, container
Originally published in Lapidary Journal Jewelry Artist, August 2008

{Photo 1} Lay out objects and play

around with composition.
{Photo 2} Choose an earring for top of
piece and remove back finding. Choose a
focal cake illustration. Choose an object
to hang from the bottom.
{Photo 3} On graph paper, outline edges

of all components and design overall
shape of pendant.
From here, you need to decide where

any areas of stress might be and how to
compensate for them. I make a pendant
plan for each metal piece, indicating
where I will solder, and in what order.
My pendant is made up of 3 pieces of

metal. I soldered the bezels onto the frontfacing silver sheet with EZ solder, and then
soldered the bail and the back curlicue with
low temperature paste solder.
{Photo 6} Trace design for each metal

piece on a half sheet of tracing paper. Spray
22ga sterling sheet with adhesive, apply
tracing paper drawing to adhesive, let dry.
ring and cake illustration. Use pliers to

conform bezel to outlines. Make bezels a
bit larger than components.
{Photo 7} Rip overhanging tracing paper

from edge of sheet and saw out shapes. On
soldering block, burn off paper and adhesive (fumes are toxic wear a respirator
mask). Pickle, rinse, file, sand smooth.
{Photo 5} Solder bezels together with
{Photo 8} Solder bezels to front of cut-
pallions of hard solder.
out with easy. Pickle, rinse. On back of

cutout, lightly flux bail and curlicue panel.
Apply small amount of low temperature
paste solder. Support piece as needed.
Solder, pickle, rinse, dry.
{Photo 4} Fit bezels for rhinestone ear-
Make adjustments as needed to sketches

after laying soldered bezels back on
graph paper.
I fabricated a bezel-set clasp from

a vintage button.
t
My pendant plan and notes.
10
Soldering Setups
You will probably need to use
solder supports to get everything
to set up correctly. I use nickels
and a third hand to support the
different levels of my pieces
before I solder.
{Photo 9} Using a marker, dot where you

want a border. Punch dots using a carbide
tip and small hammer. Remove marker
with methyl alcohol or nail polish remover. Oxidize piece as desired. Polish with
chamois buffing wheel and compound.
Soak in ammonia solution and scrub with
soft bristled toothbrush. Rinse and dry
completely. Set earring in bezel.
{Photo 10} Seal paper illustration by

sandwiching between 2 pieces of packing tape. Trim to fit in bezel. Dip finger in
small amount of white craft glue and run
along edge of sealed cake illustration to
encase edges. Set aside to dry. Glue illustration into bezel. Let dry.
11
12
illustration to desired depth. After a few

minutes, look for bubbles at surface. Wave
a lighter flame over top of resin to burst
bubbles.
{Photo 12} Set container holding pendant

in sunlight for about 5 minutes to cure.
Make a jump ring from 16ga wire and
attach bottom charm to pendant. Support
bail and bend tab over a support to make
a hook. Attach pendant to neck wire or
chain.
ELEANORE MACNISH is a glass beadmaker and silversmith living in Albuquerque, New Mexico. She has been making
glass beads for 9 years and doing silverwork for 1 12 years. Visit www.emacnish.
com to see more of her work.
On the back,
I added a sprinklefilled surprise.
Paper and Resin

n
When you prepare paper for resin, it is very important to seal the
paper including the edges! If you do not seal the paper the resin will
turn the paper translucent. If you miss a couple of spots, the paper
will act like a wick and pull resin into its fibers. Sometimes, I like the
effect of a little bit of resin bleeding into the image because it adds to
the aged look, however, if its important that the image be consistent,
you must seal it completely!
When I seal paper for resin, I sandwich it between 2 pieces of clear

packing tape, cut the image out of the tape and spread glue around the
edges. If the image is too large to be covered by the tape, I brush both
sides with white glue, let it dry, and then cut out the image and seal the
edges with glue. It is necessary to seal any paper product vintage or
contemporary.
{Photo 11} Lay pendant in rice and adjust

till level. Squeeze UV resin onto surface of
Here, the left side of

the sheet music was
sealed and the right
side was not sealed.
It makes a gigantic
difference!
A vintage ruler and typewriter

key mark a milestone
Project by
FOUND OBJECT PENDANT
ELEANORE MACNISH
Opening Photo: JIM LAWSON
Project Photos: ELEANORE MACNISH
y friend Lucille wears

four pieces of jewelry
90% of the time. The
same pieces every day
when youre standing behind
her, you know its her just by
looking at the clasp on her
necklace. She loves those four
pieces and they look fabulous
on her so more power to
her! However, having this
kind of friend makes the
whole gift-giving thing rather
difficult when making jewelry
is what you do.
My solution? I made her
a pendant and put it on a key
ring to disguise its true
nature. I also stamped a
bunch of wrong information
on the silver card purely
by accident (if you knew
me, youd know thats
not uncommon), which I
discovered when another
friend was looking at the piece
with a befuddled look on her
face. The accident made the
whole situation really funny.
Shut up! You are not 50!!!
the message says and shes
not, because the gift was for
her 53rd birthday. Id even
been at her 50th birthday
party and all of the ones
after it! I did have the best
of intentions, though and
luckily, Lucille loves the piece,
so I consider it a success.
SK I LLS YOU N EED
fabrication
soldering
fabrication
MATERI ALs AN D T O O L S Y O U NEED

MATERIALS
Flux
Carbide tip scribe
Vintage ruler
Ammonia, water, and

liquid soap solution
Setting tools
Vintage typewriter key

(preferably with tabs on the
back)
22-gauge sterling sheet
Small scrap of 20-gauge
sterling sheet
Silver bezel wire tall enough
to clear surface of ruler and
typewriter key
Toothbrush
Hand shears for cutting bezel

wire and gallery wire
Oxidizer or liver of sulfur
Chamois buffing wheel
TOOLS
Polishing compound
Drill bit for 14-gauge sterling

wire
Third hand
Drill bit to countersink hole for

14-gauge wire
Vise; rawhide mallet or flat

jawed pliers
14-gauge sterling dead soft wire;

approximately 1 12" long
2-0 saw blades
Small woodcarving chisel or razor

blade mounted in a handle
Saw frame
Permanent marker
14-gauge sterling jump ring
Letter stamps for message tag
Rectangular joint-edge file
22-gauge sterling sheet, 1" 2"
Torch
22-gauge sterling disk, 4"
Round nosed pliers
Files and sandpaper for smoothing metal before polishing
Solder Hard, EZ, and Extra EZ
Originally published in Lapidary Journal Jewelry Artist, march 2008

{Photo 1} Cut length of ruler. With perma-
{Photo 4} Place bent arrow on ruler and

slide along edge until you arrive at place
you want arrow to point. With permanent
marker, outline tab on back and mark
where shaft lies on edge of ruler.
nent marker, mark edges of ruler on 22ga

sheet.
{Photo 2} With permanent marker, draw

outline of pendant around traced ruler
lines. Saw pendant out of sheet.
Make optional message tag if desired.
Measure ruler edge. Measure distance
between bottom edge of ruler and where
on ruler you want arrow to point. For my
pendant, arrow point is halfway up length
of numerals. Arrow should look like a
capital T with a triangle on bottom. The
vertical line of T is the shaft, and horizontal top of T is the tab. Transfer arrow
measurements to 20ga sheet and saw
arrow out.
{Photo 3} Bend tab at 90 angle to

arrow.
Message Tag
Cut the tag out of 22ga sheet.
Ensure it is a little bit smaller than
the pendant. Use letter stamps for
the message, annealing the metal prior to stamping it if necessary. Stamp
on a steel block for the cleanest
impression and to keep the tag flat.
Chisel out tab outline. Carve a little at a

time and verify fit often by setting tab into
niche. Tab should be flush with surface of
ruler.
{Photo 5} File groove for shaft of arrow

on edge of ruler, using marker lines as
guide. Groove must be deep enough for
arrow to sit flush in ruler, so it doesnt distort bezel fitting around ruler.
Bend tabs of typewriter key back, to create
legs like a little table.
{Photo 6} Using cushioned plier handle,

tap on key letter to remove it and all interior parts. File or sand steel bezel of key so
it is shallow enough for bezel wire to clear
curved edge.
Make silver bezels for ruler and typewriter key using hard solder.
7
Clean Corners
I use a vise and rawhide mallet
to hammer the shaft of the arrow
down for a clean corner, but you
can also use flat jawed or
conforming pliers.
Keyring Option
{Photo 7} Solder ruler bezel to cut out

sheet with EZ solder.
8
{Photo 8} Solder typewriter key bezel to
disk with EZ.
Pickle, rinse, and dry both bezel assemblies.
{Photo 9} Solder 14ga wire to back of

disk with Extra EZ solder.
{Photo 10} Using carbide tip, make an

indention on each end of pendant for hole
placement. Drill holes in indents. Use larger
drill bit by hand to remove burrs from
drilled holes much like making a countersink for a screw.
10
Assemble piece by attaching 14ga jump

ring to drilled hole in top of pendant (and
message card if you made one). Solder
jump ring with Extra EZ solder using a
third hand to hold jump ring.
File and smooth all silver cutouts and 14ga
components, oxidize, rinse, and polish
using chamois buff and compound. Rinse
in ammonia/water/soap solution and scrub
with soft toothbrush. Fit arrow into filed
notch on ruler. Lay arrow and ruler into
bezel; set. Lay letter, plastic lens, and steel
rim of typewriter key into bezel. Verify letter is in proper position related to soldered
wire on back of disk. Set key into bezel.

Using round nosed pliers, bend 14ga wire
on back of disk into a hairpin loop: curved
loop on top where it hangs on the pendant,
and straight from there on. Slide type key
charm into hole at bottom of pendant.
ELEANORE MACNISH is a glass

beadmaker and silversmith living in
Albuquerque, New Mexico. She has been
making glass beads for 9 years and
doing silverwork for 1 12 years. Visit www.
emacnish.com to see more of her work.
LET US INSPIRE
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jewelryartistmagazine.com
skill level
jewelry projects
| Tools & Supplies

Arizona Green Tea can
10mm glass leaves, 2
5mm beads or pearls, 3
24-gauge silver plate wire, 21"
1" pin back
1" flower paper punch
Metal-cutting scissors
Utility knife
Round-nose pliers
Wide and narrow flat-nose pliers
Bent chain-nose pliers
Wire cutters
400-grit sandpaper
Awl
Hammer
Bench pin
floral cantasy
By Claire S. Larrabee
While drinking a soda one day, I realized how pretty the

can was, with its bright colors and novel graphics. Recycling cans
as jewelry seemed like a fun idea, so with a scrapbooking punch
and simple wirework techniques, I started turning cans into colorful earrings, pins, and necklaces. This pin is made from one of my
favorite cans, Arizona Green Tea.
Resources: Wire: Parawire, parawire.com.

Glass leaves and pearls: Rings & Things,
rings-things.com. Pin back: JoAnn Fabric &
Crafts, joann.com. Flower punch: Scrapbook
Supercenter, scrapbooksupercenter.com.
Originally published in step by step wire jewelry, August-September 2011

1a
1b
1. Wash and dry the can. Carefully pierce
the edge of the can with the knife, just

below the rim that curves in. Cut around
the rim to remove the top. Cut down the
side of the can and around the bottom.
Flatten the can and cut off any sharp edges.
2. Slot the flower punch onto the can
with the punch side facing up. Position it

over the section you want. Turn the punch
upside down and press firmly to make a
clean cut.
3. Lightly sand the edges to remove sharp
2a
2b
3a
3b
spots. Center the awl over the middle of

each flower and punch a hole large enough
to accommodate a doubled piece of the
24-gauge wire. Repeat Steps 2 and 3 to
make 5 more flowers, for a total of 6.
4. To make the flower stems, cut 7" of 24g wire

and center a bead or pearl on the wire. Hold the
wire about 1/4" away from the bead. Using flatnose pliers, twist the wire until it is tight against
the bead. Be careful not to over-twist so you do
not break the wire.
5. Move the pliers down the wire and continue
twisting until you have 11/2" of twisted wire. Repeat

Steps 4 and 5 to make 2 more flower stems.
4a
6. String 2 flowers onto 1 twisted bead wire.
Cut 5" of 28g wire. Place the middle of the wire

about 1/16" from the base of the flower. Wrap half
the wire down the stem and trim the excess.
7. Point the flower down and wrap the other half

of the 28g wire up towards the base 34 times,
snugging it to the base. Wrap the remaining wire
back down the stem and trim the excess. With
your fingers, curve the inner flower petals up.
4b
6a
6b
7a
7b
10a
10b
11
8. Repeat Steps 6 and 7 to make the remaining 2 flowers.

9. To make the leaf stems, center a leaf bead on 7" of
26g wire. Use the same technique as when making the

flower stems, twisting the wire until it is tight against the
leaf and down the length of the 26g wire for 11/2" of stem.
Repeat with other leaf bead.
10. To assemble, position two of the flowers and twist
the bases together to the point where the wire is no longer

twisted. Twist the leaf stems together, position them under
the flowers and wrap them around the main stem.
12a
11. Position the third flower lower down on the main

stem and wrap it around the stem.
12. Separate 5 of the 24g loose wires and push 2 to the
left and 3 to the right. Wrap the top-most wire of the 3

around the base of the pin. Reserve the remaining 4 wires
and cut all the rest close to the end of the stem.
12b
13
14
13. Using flat-nose pliers, lightly press the main stem to

slightly flatten for the pin back.
14. Cut a 10" piece of 28g wire. Open the pin back and
position it on the back of the flower stem so that the open

end is just above the end of the stem. Place the 28g wire
against the edge of the pin back, leaving a 6" tail. Wrap the
short end of the wire around the pin back 3 times, down
toward the end of the pin and back up. Trim the excess.
15
15. Wrap the longer piece of wire up the pin, keeping the
pin centered on the stem and weaving between the stems
as necessary. Trim the excess.
16. Cut the 4 wires pushed to each side to the same
length, approximately 11/4" each, depending on how much

wire is left. Use round-nose and flat-nose pliers to create
spirals going toward the stem. Adjust the spirals, flower
petals and stems to a position you like, pin it on and enjoy
the compliments!
16a
16b
Claire S. Larrabee has been
making jewelry for five years. She
loves discovering how wire and
metal can change form, texture,
and color. Between her garden in
Chester, NH, and her love of diving,
she finds many ideas to inspire her
work and tries to capture the varied
colors, shapes, and uniqueness of
life forms in her jewelry. Claire can
be contacted through her website
seafiredesign.com.
jewelry PROJECTS
skill level
| Tools & Supplies

Pearl, or other bead
hidden gem
BY Beth Ullman
When visiting Israel in 2010, I was entranced by the huge

number of perfect, or almost perfect, shells on the beaches of
Tel Aviv and Netanya. In my design, I wanted to imitate the ocean
waves in the wire, and keep the rough, organic feel of the shell.
I used the heavy outer-wrap wire for the bail and kept the overall
design asymmetric. This wrapping style can be used on sea glass,
coral, stones, or any other found treasure.
Shell
21-gauge dead soft square craft wire,
36"
24-gauge non-tarnish silver half-round
craft wire, 12"
24-gauge head pin (or largest size that
will fit your bead)
Chain-nose pliers
Round-nose pliers
Stepped or bail-making pliers
Nylon-jaw pliers
Flush cutters
Permanent marker
Ruler
Ribbon or measuring tape
Painters tape
Pocketknife or other thin blade
Clear nail polish, Renaissance Wax or
other polishing material
RESOURCES: Wire: Beadalon, beadalon.com.
Pearl drop: Local bead store.
ORIGINALLY PUBLISHED IN STEP BY STEP WIRE JEWELRY, AUGUST-SEPTEMBER 2013

1. Loosely wrap a piece of ribbon, paper, or measuring tape
around your shell to measure the circumference, then add 56"

(longer will give you more to curl at the end). Cut 3 pieces
of square wire to that length. With nylon-jaw pliers, gently
smooth the wires, making sure the square lines stay straight.
2. Tape the 3 wires together in a stack, in several places other
than where you plan to wrap them. Locate the middle point
and mark it with a permanent marker or put tape on either side
of it. Make a slightly angled 180 bend near the end of the
24g half-round wire and place the bend over the center mark
on the 3 taped wires. Keeping the square wires aligned, wrap
the long end of the half-round wire 4 times to show on the
front. Trim the 2 ends on the back and gently press into place
with nylon-jaw pliers.
Tip: Experienced wrappers often start with just enough wire on

the bent end to cover most of the width of the 3 square wires, but
I find having more wire on the short side of the bend a faster way
to wrap and easier to do with just my fingers, keeping tool marks
to a minimum.
3. Make 2 more wraps with the 24g half-round wire, about
" on either side of the first wrap, wrapping 3 times to show.

Keeping the stack of wires aligned, wrap the bundle around the
shell firmly enough that it stays in shape. Slide the half-round
wraps into the best position for your shell and design. Without
the shell, press the wraps more firmly into place with nylonjaw pliers.
4a
4b
4. Gently slide a pocketknife or other thin blade between
the bundled wires, opening them slightly between the wrap

locations. Widen the openings enough that the shell sits in
between the top and bottom wires. The top wire will be used
on top of your shell, the middle will wrap its edge (obscuring
any minor imperfections in the shell) and the bottom wire will
lock the wires into place on the underside, or back. For the
backside you can make small bends on the bottom wire at this
point. Place the bundle around the shell again, positioning it as
snugly as possible, and press the back wires into position.
4c
7a
7b
7c
7d
5. Turn the shell over. Make sure the
wraps are positioned correctly and adjust

if needed. Using round-nose pliers, curl a
wave into the wire on the left side of the
center wrap, pressing against the shell.
Whichever direction you twist your pliers
will be the direction the waves seem to go.
An interesting effect is to have them either
crashing toward or away from each other.
Make 2 or more waves the same way on the
other side of the center wrap.
6. Again place the bundled wires around
the shell and gently press the wires back into

position with nylon-jaw pliers. At this point
the front and back designs should be tight
enough to hold the shell firmly in position.
7. Make 90 bends in the two center wires
where they meet at the top of the shell,

making sure they dont overlap. Make
90 bends in the 2 back side wires with a
little overlapthat extra will be used to lock
the shell in position. (If youre lucky enough
to have a hole in the top of your shell, as
some of mine do, you can put the two back
wires through the hole at this point for
added security.) Slope one of the front side
wires to the center and bend 90. Making
sure the bent wires dont overlap, and
keeping front and back wires over the shell,
make 1 or 2 complete wraps around all the
bent wires using the last (front) wire.
For added color depth or shine,

gently remove the shell from the
wires and apply 1 or more thin coats
of clear nail polish, or wax. Allow
to dry before proceeding. (Applying
before creating your waves will
cause scrapes in the polish.)
8a
8b
8. With nylon-jaw pliers, smooth and
align the 2 center wires and the 1 front wire

that was bent, making sure the front wire
is in the middle. Tape them together about
1" from the shell if you have trouble keeping
them aligned. Using the medium section
of stepped or bail-making pliers, bend the
3 bundled wires over it toward the back
of the shell. This will be your bail. Using
the narrow barrel of the pliers, bend the
bundled wires in at the base, just on the
top of the shell. Make 1 complete wrap
using the same front wire as used in the
previous wrap.
8c
8d
10a
10b
10c
9. Bend the other long wires down on
either side of the bail. Make 1 or 2 complete

wraps around all 5 wires with the same wire
as before. Tighten the wraps, preferably
using small-headed nylon-jaw pliers.
(Regular chain-nose pliers can be used, but
caution is needed since they can leave very
visible tool marks, especially on the plated
craft wire.) Trim and tuck in the end.
10. Use nylon-jaw pliers to twist 1 of the
2 free wires. Curl it using round-nose pliers.

Using your fingers or the largest section of
stepped or bail-making pliers, add a curve
and bring the end of it back to the bail. With
round-nose pliers, make a loop at the tip
and close it over the second wire just in
front of the bail.
39_Ullman_Gems.indd 42
6/5/13 10:55 AM
11
12a
11. Wrap the center bail wire twice around
the bail snugly. Trim and tuck in the end. (Or

make a spiral or other pattern and arrange
in a location that fits with your overall
design.) Wrap each of the remaining bail
wires around the front and bring them to the
back of the shell. Do not cross them over
each other. Reposition or bend the wires as
needed to keep the shell secure and the bail
centered over the top of the shell. Tighten
the wires around the bail with small nylonjaw pliers or chain-nose pliers.
12. Curl both bail wires on the backside of

the shell. Make a simple loop on the tip of
the longer one. Hook the end of the shorter
wire around the longer. Adjust positions
as neededthe wires curls should be
above and below the shells edge, allowing
the finished pendant to lie flat when worn.
Curve and curl the last wire as in Step 10,
with or without making a twist in the wire.
Hook the end to the underside of the shell.
13. String the pearl onto the head pin and
make a wrapped loop. (See Basics, page

62.) Hang it from the loop on the longer
back wire. Adjust the wire curls so the pearl
hangs in the centerthat may require either
pulling them to be more open or squeezing
them closer.
13
12b
Design variations: If you have a perfectly
edged shell, or want to show off an interesting imperfection, use just 2 main wires,
or use both top and middle wires in your
wave design. To cover a major flaw in the
edge or just add interest, add beads to
the center or top wire. Top and/or center
wires in a different color can pick up the
shell color or simulate the ocean. Dangles
of beads or pearls from the center wire
can add both interest and movement to
the front of the pendant. You have an
ocean of possibilities!
BETH ULLMAN
shares her home
and workshop in
Northridge, CA, with
her husband and their
three cats, making jewelry and kippot from
wire, metal clay, beads,
found objects and antiquities. She has been selling
her creations through shows and stores since 2001,
and teaching crafts since 1997. Beth can be reached
at [email protected].
14. Use nylon-jaw pliers to tighten the
wires into position, if needed, and align or

curve the bail loops. Spread the bail wires
slightly apart if desired. Attach a chain and
enjoy your ocean memento!
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Diy Recycled Jewelry Tutorials

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PRESENTS

DIY RECYCLED JEWELRY: 4 FREE TUTORIALS

VINTAGE ILLUSTRATION PENDANT

FOUND OBJECT PENDANT

A confection from recycled ephemera

A vintage ruler and typewriter key mark a milestone

Upcycle an empty can into a flowery pin

Utilize a found shell accented with wire waves

element. Find out how to cut up a particularly pretty iced

A confection from recycled ephemera

Vintage Illustration Pendant

o make this pendant, you

S K ILLS YOU NEED

M ATER IAL s AND TOOLS YOU N EE D

Fine silver bezel wire tall enough to Clear packing tape

(larger than pendant and deeper

Hand tools: saw frame, 2-0 saw

Originally published in Lapidary Journal Jewelry Artist, August 2008

{Photo 1} Lay out objects and play

{Photo 3} On graph paper, outline edges

From here, you need to decide where

My pendant is made up of 3 pieces of

{Photo 6} Trace design for each metal

ring and cake illustration. Use pliers to

{Photo 7} Rip overhanging tracing paper

{Photo 5} Solder bezels together with

{Photo 8} Solder bezels to front of cut-

pallions of hard solder.

out with easy. Pickle, rinse. On back of

{Photo 4} Fit bezels for rhinestone ear-

Make adjustments as needed to sketches

I fabricated a bezel-set clasp from

My pendant plan and notes.

{Photo 9} Using a marker, dot where you

{Photo 10} Seal paper illustration by

illustration to desired depth. After a few

{Photo 12} Set container holding pendant

Paper and Resin

When I seal paper for resin, I sandwich it between 2 pieces of clear

{Photo 11} Lay pendant in rice and adjust

Here, the left side of

A vintage ruler and typewriter

FOUND OBJECT PENDANT

y friend Lucille wears

SK I LLS YOU N EED

MATERI ALs AN D T O O L S Y O U NEED

Carbide tip scribe

Ammonia, water, and

Vintage typewriter key

Hand shears for cutting bezel

Oxidizer or liver of sulfur

Chamois buffing wheel

Drill bit for 14-gauge sterling

Drill bit to countersink hole for

Vise; rawhide mallet or flat

14-gauge sterling dead soft wire;

2-0 saw blades

Small woodcarving chisel or razor

14-gauge sterling jump ring

Letter stamps for message tag

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