Horror comics manipulate vulnerable characters and expose children to corruption to demonstrate innocence lost. Protagonists are often relatable ordinary people whose lives are intruded upon by strange events. While males are most common, female protagonists are increasing and shown as strong and independent in contrast to older comics where women were merely romantic interests or victims. Art styles are sketchy with elongated features and dark colors to further evoke fear and match the evil in storylines, which range from supernatural themes like possession to zombies.
Horror comics manipulate vulnerable characters and expose children to corruption to demonstrate innocence lost. Protagonists are often relatable ordinary people whose lives are intruded upon by strange events. While males are most common, female protagonists are increasing and shown as strong and independent in contrast to older comics where women were merely romantic interests or victims. Art styles are sketchy with elongated features and dark colors to further evoke fear and match the evil in storylines, which range from supernatural themes like possession to zombies.
Horror comics manipulate vulnerable characters and expose children to corruption to demonstrate innocence lost. Protagonists are often relatable ordinary people whose lives are intruded upon by strange events. While males are most common, female protagonists are increasing and shown as strong and independent in contrast to older comics where women were merely romantic interests or victims. Art styles are sketchy with elongated features and dark colors to further evoke fear and match the evil in storylines, which range from supernatural themes like possession to zombies.
Horror comics manipulate vulnerable characters and expose children to corruption to demonstrate innocence lost. Protagonists are often relatable ordinary people whose lives are intruded upon by strange events. While males are most common, female protagonists are increasing and shown as strong and independent in contrast to older comics where women were merely romantic interests or victims. Art styles are sketchy with elongated features and dark colors to further evoke fear and match the evil in storylines, which range from supernatural themes like possession to zombies.
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Horror often preys on the manipulation and weaknesses of vulnerable
characters, with the storylines ranging from possession and exorcism in
Outcast to zombies and the psychological degradation of members of humanity in The Walking Dead. Children are frequently featured as a demonstration of innocence before they are corrupted, or exposed to extreme sources, i.e. in Wraith youths are kidnapped and taken to Christmasland before becoming grinning, and maniacal, versions of themselves. The protagonists are largely relatable as if to show that these events can inject themselves into the lives of anyone. For example in Wytches, the family appears to be very conventional until we recognise the strange occurrences that they have experienced. Whilst males are the most common protagonist, females are becoming more frequent with characters such as Sharon Crane and Alice in Nailbiter. The women are often shown as being strong and independent, most evidently in The Walking Dead, with hints of their vulnerability and former selves. This is a stark contrast to older comics where the lady would serve only as a romantic interest or damsel in distress, i.e. Gwen Stacy in Spiderman. The art style is often very sketchy with elongated features and dark colourings. This helps to further the fears created by the narrative and make a scene which is as evil and terrifying as the storyline itself. The content can range from supernatural with comics such as Outcast with possession being the central theme, to the occult with Neonomicon to zombies.