John Cage Freeman Etudes

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John Cage

Freeman Etudes

Freeman Etudes was written for violin solo in 1977 for violinist Paul
Zukofsky, a series of almost impossible pieces to play, composed using
chance methods as was common for John Cage at the time.
I think that this is an important group of pieces for the twentieth century
as its stretching ledger lines and incredibly complicated score; notated to
the smallest detail, show John Cages attention to detail and fascination
with composing almost impossible pieces using I ching and other eastern
ideas. The idea of the etudes was to make each one exactly the same
length: around three minutes long, and therefore, they all needed to be
played incredibly fast. This, for me, demonstrates a birds flying and
chirping, their bustling existence and natural beauty, and traces the path
of their flight as they fly through treetops and over rivers and streams; the
bubbling can be heard underneath, and the nerve-wracking encounter of
prey on the endless journey.
Of course, for John Cage, none of the pieces had any particular meaning,
he just wrote them and they turned out as they did. He believed that
music didnt need to have a meaning to be music, but that didnt stop
people from interpreting it in their different ways.
I think that John Cages beliefs about relationships with noise are really
important; music shouldnt have to mean something in order for it to be
music, it should be allowed to fly free, to crawl through brambles, to
sweep as low as the ant scuttles, to dream
But John Cage didnt want to stop anyone else from interpreting his music
as they did, and by just writing music without expecting us to imagine

certain things or picture a particular event, he left us free to believe what


we wanted

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