Lessonplanartself Portrait
Lessonplanartself Portrait
Lessonplanartself Portrait
Grade Level*:3rd
Class Periods Required:
(please circle)
1
Lesson Objectives: (Excellent resource at http://www.teachervision.fen.com/curriculum-planning/new-teacher/48345.html?for_printing=1&detoured=1): What you want the students to do. *
1. Visual Art:
o The students will analyze the visual characteristics of works of art comparing individualized portraits with more generalized abstracted
images of human beings.
(3-4)
(http://dese.mo.gov/divimprove/curriculum/GLE/)
Identify & define common vocabulary that connect the art form with the other identified content
areas:
1. Identity-the qualities, beliefs, etc., that make a particular person or group different from
others
2. Culture-the beliefs, customs, arts, etc., of a particular society, group, place, or time
3. Representation-a painting, sculpture, etc., that is created to look like a particular thing or
person
4. Setting-he place and conditions in which something happens or exists
2.
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5.
First have the students look at the image on the right, Ask them what it looks like? Then show
them the image on the left. Ask them, what does this picture look like? What about this image
makes you identify it as a face? And Does it look like a real face?
Then have a student lead discussion about what an image needs to have for us to see it as a
human face?
Next I will print off a series of images from many different cultures that all somewhat resemble a
human face and then I will split the class into groups of 4-5 students.
I will then have each group arrange the images in a row from least like a person to the most like
a person.
When each group has an order, have them compare what they decided with the other groups.
Have them keep these questions in mind
Did everybody have the same order?
Were there some variations?
What made the images look most like a particular individual? Did they all look like
human figures? Why or Why not?
There are both 2D and 3D images, did that make a difference to their order?
What kinds of features did the most human like portraits include that the least like ones
did not?
6. After each group has compared their order introduce Jun Kanekos piece, Heads to the
students.
7. While introducing the piece try to get your students to answer the following questions in a
student lead discussion:
What do you see in this work? Is there any real object represented?
Is this object represented realistically or is it more abstract? What about the work
makes you think this?
8. Once students have discussed what they saw in the piece, tell them the scale of the piece and
have them measure it out to size in your classroom.
9. Then have them as a class discuss the following questions:
Does knowing the size make you think about these heads differently?
Would you react differently to them if they were the size of a real persons head?
What kinds of emotions do you think these faces represent?(sad, happy, mad calm,)
10. Once the class has discussed the questions, we are going to look at a couple pieces of art on the
smart board.
11. The first image is Ife Oni a bronze African sculpture of a king made around the 14th century.
12. Have the students do a brief VTS on the sculpture and have them take notes
13. Once they finish bring up the next image, Hans Holbeins Ambassadors. Do another brief VTS
on this painting and have the students take notes.
14. Once the students are done with the VTS have them create a Venn Diagram to compare and
contrast the two pieces of art they just VTSed. Have them keep in mind:
Did the artist exaggerate parts of the body to tell something? If so which parts?
Is the artist more interested in telling about what the person looked like or who and
where they were?
Can you tell if the people depicted are wealthy or poor? What their occupation is?
Did the artist include symbols or objects in the piece? If so why?
15. Have students compare their Venn Diagrams with a partner and after have a student lead class
discussion on how the two pieces were similar and different.
Closure (Reflecting Anticipatory Set):
Have students compare Venn Diagrams with a partner and then have class discussion over two very
culturally different pieces of art.
How will this lesson allow for/encourage students to solve problems in divergent ways?
1. Most of the tasks that I have planned, allows for students to interpret the information for themselves and approach it in the ways they feel appropriate.
Since the focus is on self-portraits and identity and how different cultures represent them together, I will remain open to students interpretations of
each of the tasks.
How will you engage students in routinely reflecting on their learning?
1.Throughout the 2 class periods I will refer back to the VTS and paragraph of Identity as a comparative strategy to how they are representing themselves in
their self-portraits.
How will you adapt the various aspects of the lesson to differently-abeled students?
1.Most of this lesson is student driven so there are different ways for the students to approach tasks.
What opportunities/activities will you provide for students to share their learning in this lesson?
1. VTS allows for students from the beginning of the lesson to share what they notice and why? It allows for students to get their own ideas out in a safe
space since this may have been the first time they have seen a self-portrait
2. After creating their self-portraits students are able to share them with the class.
Lesson Resources/References (please be very specific by providing links, authors, titles, etc.):
1. Judith Leyster self-portrait, Retrieved 11/29/2014, from http://www.nga.gov/content/ngaweb/Collection/highlights/highlight37003.html
2. Jacob Lawrence, Self-Portrait, retrieved 11/29/14, from http://www.artnet.com/magazineus/features/kuspit/reconfiguring-the-body9-209_detail.asp?picnum=1
3. Frida Kahlo, Self-portrait, retrieved 11/29/14, from http://www.artyfactory.com/art_appreciation/portraits/frida_kahlo.htm
4. Chuck Close, Self-Portrait, retrieved 11/29/14, from http://www.walkerart.org/collections/artworks/big-self-portrait
5. Hans Holbein The Younger, The Ambassadors, retrieved 11/29/14, from http://www.nationalgallery.org.uk/paintings/hans-holbein-the-younger-theambassadors
6. Ife Oni, unknown, retrieved 11/29/14, from http://www.country-data.com/cgi-bin/query/r-9429.html
References
Silverstein, L. B. & Layne, S. (n.d.). Defining arts integration. Retrieved from
http://www.americansforthearts.org/networks/arts_education/publications/special_publications/Defining%20Arts%20Integration.pdf