Spiral Fifths Tuning

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SpiralFifthsTuningErnestG.

McClainApril22,2008

Nature(God?)offersmankindtheratioof2:3asalmostpreciselythetwelfthrootof2.Averyslight
cyclicexcessin2:3producesanoverlapofacommaaftertwelveintervals(i.e.,onthe13
th
pitchclass).
(Thereisnothingprivatebutthebody,meaningthenumberitselfasapointofnodimensions.)A
correspondingcomplementarydefectin3:4producesthe
identicaldefect(gap)ofacomma.Inmodernlogarithmiccents
values,100perequaltemperedsemitone,thefifthof2:3is702
centsandthefourthof3:4is498.Theratioof1730:1731=
1.0005755approximatesonecent.(EllisinHelmholtz,Onthe
SensationofTone,p.453.)Theresultantsemitonesarenot
equalbutalternatebetweentheleimmaof90centsandapotome
of114cents,displayedhereinacomputerprintout.The
differencebetweenthemisbarelyapparenttoearandeyebut
requirescarefulattentionfromstringinstrumentplayersata
professionallevelofperformance.

WhenthemodeloctaveisrepresentedasastraightlinetoourGod(2:1)weseethisvariabilityin
anotherwaythathelpstounderstandwhysuppressingthecommainthemiddle(bystoppingshortof
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Spiral Fifths tuning naturally approximates Equal Temperament.
Series1

the13thpitchclass)ishighlydesirable:thefirstandthirteenthtonesliesoclosetogetherthatacompromiseis
encouragedhereinthemiddlesurroundingthesquarerootof2atsixoclock(600cents.)Theseremarkable
coincidencesgroundanewscienceofquantification.Thecosmicoctavecycle(circle)istwelvenotbe
computationbutbyculturalassumptionasagiftfromHeaven,andthegodsenjoymantlesofradiancein
definingthescale.Physicsandmetaphysicsarebestfriends.Therubric,asAbove,soBelowisliterallytrueas
octaveidentity,studiedfromthemiddle,fromthesquarerootof2:1.
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