Nevada Sagebrush Archives 03/31/09
Nevada Sagebrush Archives 03/31/09
Nevada Sagebrush Archives 03/31/09
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Review
CONTINUED FROM PAGE A10
The Kid with the Replace-
able Head is a fair tribute to
the song. With unique lyrics
such as Too young to drink
and too smart to drink / At-
taches on his head with the
missing link, its a shame
the individual sounds are not
more easily discernible on the
Fucks album. But the energy
and mood of Fuckbook is
certainly appropriate.
Songs such as Shut Down
(originally by the Beach Boys)
and With a Girl Like You
(originally by the Troggs) are
fungroovy, evenwith their
basement-quality sound and
reminiscence of Yo La Tengos
heyday in the 90s shoegaze/
rock scene.
The Fucks rendition of Eng-
lish glam-rock band Slades
Gudbuy TJane closes the
album with a harder-rocking,
grittier rendition of the 1972
hit songone of the best
Fuckbook tracks of them
all.
The bands selection of art-
ists and songs to cover is ex-
ceptional, and the execution
is interesting to say the least.
The rawness of the songs that
appear to have been recorded
without much effort is actu-
ally quite endearing. The risk
taken by Yo La Tengo on this
experimental album can be
deemed a success.
Casey OLear can be reached
at colear@nevadasagebrush.
com.
ALBUM REVIEW
Houstons hero misses mark
Slim Thugs new
album lacks zest,
air, originality
By Julian Rhodes
As an expansion of Southern
hip-hop, the Houston-style of
chop-and-screw drawling has
blown up since rst entering
the mainstream with acts like
UGK, Mike Jones, Lil Flip and
Paul Wall.
Standing behind these faces
of Texas rap is Slim Thug, a real
hood cat whose rst album
received mediocre reviews and
sales, due in part to the mis-
direction of Pharrell Williams
record label, Star Trak Records.
Now, reconnecting with his
Houston roots, Slim Thug at-
tempts to take the place of his
new albums name as the Boss
of all Bosses.
A rappers work is rated on
four main categories: voice,
ow, lyrical content and pro-
duction. Slim Thugs smooth
drawl and deep bass give him
voice and ow no matter what
song he raps over. Unfortunate-
ly, like many Houston-based
rappers, his lyrical content
lacks variety and consists of the
same tedious lines about guns,
women, clubs and Houston.
So when a song on Boss of
all Bosses shines through the
usual street talk, its because of
the production. When a song
does hit the mark, it hits hard,
as if the six-foot-six rapper hit
you himself.
The title track starts the album
as a hood anthem straight out
of Texas. An epic backing choir
builds up the rst lines of the
album as Slim Thug tears into
the track like a starving animal,
yearning for the comeback
he needs. Self-assuring lyrics
and typical boasts lead up to a
catchy hook where he rhymes,
I call all shots, all wins, no
losses / Follow me, Im the boss
of all bosses. The song gives
subtle shots to other rappers
with the Boss image (ahem,
Rick Ross), but refrains from
taking any direct shots.
Thug drops his usual style
for the following track and his
second single, Im Back. In
this song, Slim Thug shows ap-
preciation for his local fans and
support while rapping about
his experience coming into
the industry. At one point he
recognizes the relative op of
his rst album when he raps, I
dropped Already Platinum but
it only sold gold. This musical
venting of sorts ows perfectly
over escalating bubble-synths
while fellow Texan Devin the
Dude sings the chorus.
Slim Thugs rst single, I
Run featuring YelaWolf follows
the trend of artists like Flo Rida
(Right Round) and Rihanna
(S.O.S.), sampling 80s new
wave by using samples from I
Ran (So Far Away) by A Flock
of Seagulls. While not quite
amazing, it has its moments as
a club-banger.
Unfortunately, from here
on out, the album levels out
into a mediocre drawl-fest.
The main problem of the
album is the overall Houston
undertone. With Houston
rappers making up 90 percent
of his guest appearances and
producer Mr. Lee making the
majority of his beats, Slim
Thug rarely exits his comfort
zone. There are some excep-
tions, however, in songs such
as Smile, Thug and As-
sociates.
In the end, Slim Thug is a
bouncer-sized rapper with
infinite potential. While its
important to stay true to your
roots to avoid losing your fans,
Slim Thug will need to experi-
ment more in order to evolve
as an artist. And while Boss
of all Bosses is great for a
Saturday night drive with the
top down, its definitely not
the pinnacle of Slim Thugs
capability.
Julian Rhodes can be reached at ju-
[email protected].
SLIM THUG
BOSS OF ALL BOSSES
Release Date: March 24
Genre:
Hip-Hop, Rap
Grade:
C+
UPCOMING
RELEASES
A10 MARCH 31, 2009
Vibe
www.nevadasagebrush.com
March 20
12 Rounds
= 40% Rotten
Goodbye Solo
= 100% Fresh
The Haunting in
Connecticut
= 19% Rotten
Monsters vs. Aliens
= 70% Fresh
ROTTEN TOMATOES WEEKLY GRADES
March 13
Condo Fucks: Fuckbook
= 69
The Decemberists: The
Hazards of Love = 73
Martina McBride: Shine
= 72
Peter Doherty: Grace/
Wastelands= 65
source: metacritic.com (rating system: 100-61 = high;
60-40 =medium; 39-0 = low)
METACRTIC WEEKLY GRADES
source: rottentomatoes.com (rating system: 100-60% = fresh; 58-0% = rotten)
Failure on a
Monster scale
FILM REVIEW
w
PARAMOUNTPICTURES/DREAMWORKS ANIMATIONSKG
Insectosaurus, The Missing Link, Dr. Cockroach Ph.D., Ginormica and B.O.B are monsters in Monsters vs. Aliens.
Reimagined Yo La Tengo nds it again
ALBUM REVIEW
CONDO FUCKS
FUCKBOOK
Release Date: March 24
Genre:
Indie/Alternative
Grade:
B
By Jay Brissenden
In its latest attempt at amus-
ing the masses with cheap
laughs and enticing visuals,
DreamWorks has created an
animated monster movie that
alienates everyone expecting
something more than a lame
knockoff of countless Saturday
morning cartoons.
Monsters vs. Aliens is set
around one unlucky soon-
to-be bride, Susan Murphy
(Reese Witherspoon, Four
Christmases), whose life and
size changes dramatically after
getting hit by a meteor hours
before her wedding. During the
ceremony, she unexpectedly
grows a few dozen feet and is
quickly captured by the gov-
ernment, which takes her to a
containment facility for beings
known only as monsters.
The monsters serve only as test
subjects until a powerful alien
force invades Earth. When the
governments attempts to destroy
the invaders fail, general W.R.
Monger (Kiefer Sutherland, Mir-
rors) calls upon Susan and her
new friends to destroy the aliens.
Its well-known that Dream-
Works animation is the im-
mature stepbrother of the
intellectual Pixar animation.
While DreamWorks has relied
on spoong pop culture and zoo
animals (Shrek and Madagas-
car) to bring home the dough
over the past decade, Pixar has
won Oscar after Oscar for creat-
ing heartwarming animated
masterpieces with stories that
stick with you (The Incredibles
and WALL-E). With the release
of Monsters vs. Aliens its all
too obvious that the immature
brother has been watching too
much Kim Possible and Dex-
ters Laboratory to realize the
importance of originality.
OK, so the purpose of the movie
may have been to spoof the classic
sci- monster movies of the 50s,
but directors Rob Letterman and
Conrad Vernon merely dumbed
down the material to entertain
todays youth. The two com-
pletely leave out any character
development and rely on juvenile
one-liners to compensate for the
characters stereotypical manner-
isms. The prime example comes
from the alien invader, Gallaxhar
(Rainn Wilson, TVs The Ofce),
who when frustrated shouts
What the agnod! or Oh
spaceballs! While it doesnt make
any sense or serve any purpose, it
sounds funny. That appears to be
the only thing that matters.
Like most other animated lms
today, Monsters vs. Aliens relies
heavily on its voice talent and
one targeted character, promoted
heavily in all the movies trailers
and advertising, to carry the lm.
For the most part, the voices
were great, with standouts includ-
ing Sutherlands gruff W.R. Mon-
ger, Hugh Lauries (TVs House)
loony British Dr. Cockroach Ph.D.
and Wilsons menacing Gallaxhar.
Most actors are cast based on
their voice recognition, but all
three of the above do a fantastic
job of altering their voices to cre-
ate amusing characters.
Unlike her castmates though,
Witherspoons interpretation of
a strong independent woman
comes off more as a whiny
schoolgirl bimbo. Her high-
pitched complaining would
make a deaf person cringe.
Then, of course, there is Seth
Rogen (Zack and Miri Make a
Porno) as B.O.B., the genetically
altered tomato that functions
without a brain. As expected,
most of the lms laughs come
from his infantile antics involving
irting with Jello and randomly
forgetting how to breathe. Be-
yond that, all other jokes, includ-
ing stabs at global warming and
other mature issues fall at.
What truly makes this lm
bearable though is the stun-
ning animation. Seen in 3-D,
Monsters vs. Aliens is by far
the most engrossing animated
lm ever made. From the ow-
ing life-like fur on Insectosaurus
to B.O.B.s bubbly blue mass, the
animators hard work is obvious.
If only as much time would have
been spent on the script, this
movie could have been not only
one of the years best blockbust-
ers, but a contender for the Best
Animated Oscar. Alas
As a means to entertain the
younglings for an hour and a
half, the lm serves its purpose.
As an animated lm in the age of
Pixar, it is an extremely pathetic
and disheartening attempt to
make a giant industry a prot.
Jay Brissenden can be reached at
jbrissenden@nevadasagebrush.
com.
By Casey OLear
Indie/alternative rock group
Yo La Tengo have, for whatever
reason, decided to take on the
identity of a band called Condo
Fucks to release an album of
cover songs entitled Fuck-
book.
This act was apparently quite
premeditated: Condo Fucks
were listed in the liner notes of
Yo La Tengos 1997 album, I Can
Hear the Heart Beating as One,
among various other made-up
bands and albums. Now, Condo
Fucks have nally made their
musical debut with Fuckbook
and its collection of covers from
well-known artists from the 60s
and 70s.
The production quality on all
of the albums songs is purpose-
fully low: The majority of the
music is fairly fuzzy and hard
to decipher, but is not really
bad to listen to. After a while,
the ruckus begins to soothe
into a calmer ambience. The
cacophonous jumble of noises
that makes up the opening
track, a cover of the Small Faces
Whatcha Gonna Do About It
actually starts to feel melodic
about halfway through.
The interpretation of the
Kinks This is Where I Belong
is pleasant, though the Fucks
have sped it up and made the
vocals pretty indistinguishable
under the rumble of the instru-
ments.
The bands take on the highly
inuential punk rock band
Richard Hell and the Voidoids
See REVIEW Page A9
MONSTERS VS.
ALIENS
Release Date:
March 27
Director:
Rob Letterman and
Conrad Vernon
Starring:
Reese Witherspoon,
Seth Rogen, Rainn
Wilson, Hugh Laurie
and Will Arnett
Genre:
Animation, Action,
Adventure, Comedy
Rating:
PG for sci- action
and some crude
humor.
Grade:
D+
MATADORRECORDS
Album artwork for Fuckbook
under Yo La Tengos new name
Condo Fucks.
TUESDAY/31
BOW WOW
NEW JACK CITY II
Genre:
Hip-Hop, R&B
Description:
This is the rappers sixth solo
album and his rst to
receive a parental advisory
warning. The CD features 11
new tracks with guest per-
formances from T-Pain and
Jermaine Dupri.
FLO RIDA
R.O.O.T.S.
Genre:
Hip-Hop, Elctro-Hop
Description:
After breaking onto the
scene with his surprise hit
album Mail on Sunday,
American rapper Flo Rida re-
turns with 14 new tracks. His
new single Right Round
broke a digital download
record with 636,000 down-
loads in its rst week.
FRIDAY/3
FAST AND FURIOUS
Starring:
Vin Diesel, Paul Walker, Jor-
dana Brewster and Michelle
Rodriguez
Description:
The original cast members
return for the fourth vehicle
in the Fast and the Furi-
ous series. When Walkers
character is released from
prison, he reteams with Die-
sel who is working with the
feds to bring down a heroin
importer.
Genre:
Action
Rating:
PG-13
ADVENTURELAND
Starring:
Jesse Eisenberg, Kristen
Stewart, Bill Hader and
Kristen Wiig
Description:
Set in the summer of 1987,
Adventureland is set
around a recent college grad
who takes a job at his local
amusement park. While its
not the job he had hoped for
after leaving college, it turns
out to be the perfect step-
ping stone to realizing what
the world has to offer.
Genre:
Comedy
Rating:
R
www.nevadasagebrush.com
InsideReno
MARCH 31, 2009 A11
Calendar
TUESDAY/31
Pigeon John with Rootbeer
and Who Cares at Tonic
Lounge
Indie hip-hop artist Pigeon
John will perform for an au-
dience of those 21 and older.
231 W. Second St.
Reno
Show starts at 8 p.m.
Tickets are $10.
THURSDAY/2
4 Women 4 Journeys at
Scenic Nevada Art Gallery
Four local artists will share
their personal stories and
discuss their artwork that
is displayed at the gallery.
Local violinists Wren and
Clio Brady will perform clas-
sical violin music for muse-
um guests starting at 6 p.m.
100 W. Liberty St.
Reno
Event starts at 4 p.m.
Swollen Members with
Goodword, BPOs and As Is
at The Underground
Canadian indie hip-hop
group Swollen Members will
perform with local hip-hop
groups Goodword, BPOs
and As Is.
555 E. Fourth St.
Reno
Show starts at 7:30 p.m.
Tickets are $18.
FRIDAY/3
The Used with The Bled at
New Oasis
Alternative rock band The
Used will perform with
post-hardcore/metalcore
group The Bled after taking
much of 2008 off to work on
recording its fourth studio
album, which is set to be re-
leased this June.
2100 Victorian Ave.
Sparks
Show starts at 8 p.m.
Tickets are $26.
Sister Carol with Truckee
Tribe and DJ One Truest at
The Underground
Sister Carol, the Jamaican
reggae queen, will perform
her lyrically-potent music
alongside local reggae/rock
group Truckee Tribe for an
audience of those 18 and
older.
555. E. Fourth St.
Reno
Show starts at 9:30 p.m.
Tickets are $15 in advance
and $20 at the door.
Blueberry Love Machine
with The Youngins of Put-
nam at Amendment 21 Grill
& Sports Bar
Reno natives Blueberry Love
Machine will perform their
blend of indie, hip-hop and
pop with indie/rockabilly/
blues group The Youngins
of Putnam for an audience of
those 21 and older.
425 S. Virginia St.
Reno
Show starts at 10 p.m.
Tickets are $3.
SATURDAY/4
The Moody Blues at The
Silver Legacy
Classic rock band The
Moody Blues, who is behind
well-known songs such
as the 1967 hit Nights in
White Satin, will perform in
the Grande Exposition Hall.
407 N. Virginia St.
Reno
Show starts at 8 p.m.
Tickets range from
$60-$80.
By Leanne Howard
On Saturday, Undergradu-
ate Students of Social Work
Association (USSWA) hosted
a charity benefit called Kids
Night Out at Se7en Tea House
and Bar.
Eight bands, including three
from out of town, played to
raise money for Safe Place,
a teen outreach program,
and RHYME (Runaway and
Homeless Youth Mentoring
and Equipping).
We took it upon ourselves
to get [the bands] together,
Christopher Beucherie,
faculty liaison for USSWA,
said. We got the city of Reno
involved and got donations
from various retailers in the
community to do a raffle to
raise money for Safe Place.
The event was in conjunc-
tion with a performance on
March 7 by local groups Key-
ser Soze and Who Cares. Both
events benefitted Safe Place
and RHYME.
The bands who performed
at the event included The
Cowbelleros, The Airplane-
Game, Pillow Fight, The Xeno-
phobes, Hyenas, The Juvinals,
Buster Blue, The Darlins and
The Phenomenauts.
We compiled a list of
bands we wanted, Beucherie
said, and we took the first
ones to respond, except for
the Phenomenauts, who are a
nationally-known act. We had
to do quite a bit of coaxing,
but they finally agreed to do
it.
According to the MySpace
page made to support the
event (www.myspace.com/
kidsnightout09), Safe place
gives youth the chance to
stop feeling scared and alone
and to get the help they need
for many situations such as:
family issues, drug/alcohol
issues, thoughts of run-
ning away, being homeless,
thoughts of suicide and any
other unsafe situations.
Safe Place works through
local businesses and retailers,
who agree to act as a neutral
space for teens to visit.
The way it is set up is that
a staff member or volunteer
are on call 24-7 to assist teens
in their community with any
kind of crisis, Beucherie said.
In Reno there are designated
areas with the Safe Place
logo, such as McDonalds
and various other establish-
ments, where kids can go and
call Safe Place and someone
will meet with them.
USSWA, a club associated
with the School of Social Work,
holds biweekly meetings to
decide how to get involved in
helping the community.
Through our classes and
meetings, we collaborate
and learn the ins and outs of
being involved in the social
work profession, Beucherie
said. Its all good to learn
the theory and history of a
chosen profession, but with-
out immersing oneself in the
actual work, it is pointless.
USSWA offers that part to the
whole School of Social Work
experience, and, believe me,
its quite a challenge.
The USSWA has helped with
the Evelyn Mount food drive
over the holidays, held char-
ity bowling events and coat
collections, and plans to help
children from Kids Kottage
color Easter eggs this year.
We are a tight-knit group,
Beucherie said, and we watch
each others backs pretty
much every step of the way.
I joined not really knowing
what to expect. It has been
quite enlightening to say the
least. Being involved with so-
cial work is so empowering.
The event went so well that
USSWA is considering hosting
it again next year.
The event went off great,
Beucherie said. Everyone
had a super fun time. We were
able to raise a very substan-
tial amount of money for Safe
Place, and the main thing was
we were able to raise aware-
ness to a cause we feel is dear
to our hearts.
Leanne Howard can be reached
at arts-entertainment@neva-
dasagebrush.com.
Students host events to
benet youth charities
By Julian Rodes
It is strange to think that the
color blue is so often associ-
ated with depression. The sky,
for instance, is a beautiful shade
of blue. The ocean is blue also, as
are the Smurfs, Cookie Monster,
Park Place and Boardwalk. The
other commonality between
these otherwise unrelated items
is that they all make people hap-
py. But these things are nothing
compared to the joy experienced
from a single slice of Blue Moon
Gourmet Pizza.
From the moment you enter
Blue Moon, a wave of artsy zest
overwhelms your every move.
Tastefully blue walls, original
paintings and yers for a dozen
local events give this pizzeria a
real Reno vibe. Music from an
employees iPod plays lightly
throughout the restaurant, a t-
ting choice given a good portion
of customers and employees alike
are college students.
The menu features a variety of
specialty pizzas, as well as a nice,
long ingredient list for customiza-
tions, including artichoke hearts,
jalapeo peppers, pine nuts,
scallions, smoked turkey and zuc-
chini. The two specialty pizzas
ingredients that stuck out most
were the Iron Man and the Tahoe
Ranch. The wait is not too long,
and the decorations alone make
for great conversation.
Once the pizzas arrived, they
were superb. The Iron Man was
topped with Italian sausage, spicy
pepperoni, roasted peppers,
sauted mushrooms and was
drizzled with hot pepper oil. For a
medium, it cost a bit more than the
everyday delivery ($19.73), but the
fresh ingredients and calculated
taste of this pie were well worth it.
The Tahoe Ranch was even
better, labeled as one of the select
gourmet pizzas, it denitely lived
up to its title. Differing from the
typical marinara, the Tahoe Ranch
is spread with ranch dressing and
topped with red onions, bacon
bits, chicken and fresh tomatoes.
One bite into this delicious,
original dish will grant taste buds
a quick glimpse of heaven. But, of
course, the upgrade to a gourmet
pizza comes at a price. A medium
Tahoe Ranch costs $21.02.
One of the staples of Blue Moons
signature pizzas is its delectable
crust. Not too crispy but not too
doughy, the crust on both the Ta-
hoe Ranch and Iron Man is a nice
medium, creating a twisting bread
to compliment the toppings.
Blue Moon Gourmet Pizza
menu also features a number of
calzones ($8.95) and salads for
those who dont want to get their
hands dirty.
The Blue Moon salad ($4.75 for
small, $6.15 for large) sticks out
from the monotony of Caesar
and house salads with cabbage,
noodles, slivered almonds, sesa-
me seeds, green onions, oriental
oil and vinegar dressing.
From the calzone selection, the
Rex Mega Chicken and the Chez
Bleu Moon are equally scrump-
tious. The Rex Mega Chicken is
fairly basic with red sauce, cheese,
pepperoni, olives, mushrooms
and garlic, but throws a curveball
in with barbecued chicken.
Conversely, the Chez Bleu Moon
is anything but clich with pro-
sciutto ham, sun-dried tomatoes,
scallions, chevre cheese, moz-
zarella, herbs and garlic.
For the most part, the service
at Blue Moon was very good,
despite some rumors I had heard
about bad experiences. I received
regular rells, the waiter/chef
consistently checked up on my
table and the experience was
quite pleasant.
Overall, Blue Moon is one of
the nest gems Reno has to offer.
Although a bit pricey, you get what
you pay for in some of the best
pizza you will ever taste.
Julian Rhodes can be reached at
julianrhodes@nevadasagebrush.
com.
Excellent pizza, once in a Blue Moon
CASEYDURKIN/NEVADASAGEBRUSH
Blue Moon Gourmet Pizza offers many specialty and gourmet pizzas, including the Iron Man and the Tahoe Ranch as show above.
Blue Moon Gourmet Pizza
190 California Ave.
Reno
(775) 324-2828
Open from 12 p.m. to 9 p.m.
daily
A12
MARCH 31, 2009
Arts&Entertainment
www.nevadasagebrush.com
Location: Lawlor Events
Center
Date: April 4
Time: 6 p.m.
Price: $25 in advance, $30
at the door.
SPEAK YOUR MIND
BREAKDOWN OF FEATURED ARTISTS:
PHOTOSFROMSPEAKYOURMIND
Sage Francis
Kidz in the Hall
U-N-I
Canto I
Mickey Factz
Hip-hop festival gives
Reno positive rap rep
By Julian Rhodes
K
nown as home to gamblers, cowboys and miners, Reno has always been
a bit more country than hip-hop. So for Reno to be hosting Nevadas
biggest hip-hop festival this Saturday is, to quote Dead Prez, bigger
than hip-hop.
STARTING FROM SCRATCH
Speak Your Mind is a ve-hour show featuring 12 live performances, three live
artists and much more. Production manager and University of Nevada, Reno
student Daniel Hubbard built the organization of the same name himself at the
age of 28.
I used to live and work out in the Bay
Area about ve years ago, Hubbard said.
Since coming to Reno, Ive seen it is a lot
like the way the Bay used to be. I wanted to
bring a major hip-hop event like the ones I
organized in California to Reno.
After seeing some major concerts come
through Lawlor Events Center, acts like
Nelly and DMX, Hubbard decided he
wanted to organize an underground event
of the same caliber, he said. After working with Lawlor Events Center and going
over an extensive list of underground hip-hop acts from around the country, he
said he settled on 12 artists he thought would be perfect for the show.
Ive been organizing events for a long time, so Ive worked with many of these
artists before, Hubbard said. It was easy to nd the acts. One thing thats great
about (socially) conscious artists is that theyre more open to campus shows.
Theyre easier than the big rock and rap stars.
NOT YOUR GRANDDADDYS RAP
Though Reno is not traditionally a hip-hop city, Hubbard could see potential
for the underground rap market.
After being here a while, I could see Reno wants more than one-dimensional
music, he said. They want more than mainstream, and hip-hop fans here seem
to develop their own taste.
Christine Lemon is one such fan.
The 20-year-old biology major said her favorite artists ranged from Lil Wayne
to the Hieroglyphics Crew, but she is disappointed with the fan base here in
Reno.
Ive seen Hieroglyphics shows both here and in Las Vegas, Lemon said. The
main difference is the audience. In Vegas, the venue will be packed with break-
dancers and hip-hop heads, but here in Reno theres just less people.
The main reason for the lack of a hip-hop following in Reno, she said, is a combi-
nation of the generation gap in the city and the radio airplay.
Reno is an old city and rap is more geared toward the youth, Lemon said. It
also doesnt help that underground gets barely any play on the radio here.
SPREADING A MESSAGE
One fear Hubbard had before following through with this project was the nega-
tive connotation often associated with hip-hop culture, he said.
Reno as a whole doesnt really like the image of hip-hop and the negativity
associated with illegal activities, so I wanted to show Reno that hip-hop can be
positive and draw large crowds, Hubbard said.
This sentiment ts right in with the message LaTosha Porter has been promot-
ing since last spring.
As the main organizer of UNR Residence Hall Associations Hip-Hoppalooza last
year, Porter wanted to create this event because there was a need for it on campus.
There are a lot of things that UNR seems to neglect because of the negativity
associated with rap and R&B, Porter said.
Last years Hip-Hoppalooza drew an audience of over 500 people throughout the
nights events, which included artists from Reno, Las Vegas and parts of California.
She said that this years event, which is set to take place April 15, looks to be even
better, as RHA hopes to make Hip-Hoppalooza an annual event.
Lemon, who went to last years Hip-Hoppalooza and plans to go to the Speak
Your Mind hip-hop festival, said she loves events like this.
The rock shows that get organized on campus arent really my scene, she
said. Events like (Hip-Hoppalooza) give me a chance to hear music I wouldnt
hear otherwise. It exposes students to music that they would neglect if it werent
handed to them on campus.
Much like Porter, Hubbard also hopes to make his concert a staple in Nevadas
music scene.
Im looking at Speak Your Mind from a long-term aspect, he said. Each year,
I want to make it a little bigger and bring the community together. Thats what
hip-hop is all about.
Julian Rhodes can be reached at [email protected].
Sage Francis is a rapper and spoken-word poet from
Providence, R.I. He owns Strange Famous Records, and has
been rapping since he was eight years old. Hes dropped two
albums under punk label Epitaph. His last album, Human
the Death Dance, is a reference to spoken-word poet Buddy
Wakeelds poem of the same name.
Pep Love is a rapper from Oakland, Calif. He is associated
with Hieroglyphics crew and Del the Funky Homosapien. He
currently practices Capoeira martial arts and is a vegan. He
made his debut on label mate Casuals 1993 album, Fear Itself.
Luckyiam is a rapper from Oakland, Calif. He is a member
of the Living Legends crew along with other famous under-
ground emcees Murs, Eligh, The Grouch, Scarub and more.
He has attained a huge following throughout the Bay Area.
Kidz in the Hall is a rap duo from Chicago and New Jersey.
They are often compared to rappers from the golden era (late
80s) of hip-hop. They have performed with acts like Estelle and
Just Blaze. Their genre is referred to as hipster-hop. They main-
tain positive messages in their songs and were endorsed by the
Barack Obama campaign for their hit track Work To Do.
2Mex is a rapper from Los Angeles. He is signed to Sage
Francis label, Strange Famous Records. He is also a member
of Songodsuns and Visionaries.
U-N-I is a rap duo from Inglewood and Seattle. The two
met on their rst day of high school in 1999. They formed
their group after having rap battles at lunch that drove the
whole school crazy.
Himself is a rapper from Los Angeles. He is a member of
the Netherworlds crew with Murs and Anacron. He is known
for being strange, tormented and the self-proclaimed friend
to some of your favorite rappers.
Metaphysical is one of the rappers from Reno who will be
performing at this concert. He is a member of the Digital Un-
derground and one of the founding fathers of Nevada hip-hop.
Canto I is the other performing rap group from Reno.
These two brothers from Las Vegas now reside in Reno. The
pair released their second album While You Were Sleeping
last July.
Tree Woodz is rapper from Robbins, Ill. As a local favorite
and regular performer, he develops style on the reality of the
world today and the meaning of hip-hop.
Mickey Factz is a rapper from Bronx who has made ve
popular mixtapes to date. An up-and-coming b-boy/artist,
he has been a featured artist in Spin and Fader magazines.
B. Dolan is a rapper, slam poet and activist from Provi-
dence, R.I. He is signed to Sage Francis label, Strange Fa-
mous Records. He is currently working on his second album
with the help of producer Alias.
For more information on any of these artists, visit www.SYMinvasion.com.
Baseball Preview
MARCH 31, 2009 B1
INSIDE
PITCHING
B2
DEFENSE
B3
HITTING
B10
DEPTH CHART
B11
WAC BREAKDOWN
B12
PACK,
WAC:
BASEBALL
IS BACK
STORIES: EMERSON MARCUS PHOTOS: AMY BECK DESIGN: EMILY STOTT
baseball preview www.nevadasagebrush.com B2 MARCH 31, 2009
By Emerson Marcus
N
evada pitcher Brock Stassi made an unconventional desicion in a dicey
situation two weeks ago against No. 10 University of California, Irvine.
With runners on second and third with two outs and a full count in the
sixth inning, Nevada was looking to stay within one run of the Anteaters,
and Stassi had the perfect pitch.
It wasnt his fastball, a safe pitch usually used in such situations: He felt more
comfortable with his curveball.
Im comfortable throwing any of my pitches in any count, said Stassi, who struck
the batter out. (Nevada still lost 1-0.)
Stassi, standing a lanky 6-foot-2, has a less than impressive fastball but makes up
for it by keeping batters off balance, changing speeds with his pitches and spotting
his locations.
With only three pitches curveball, fastball and changeup Stassis success on
the mound has landed him in the Friday slot in the weekend rotation, which matches
him against the best pitcher of opposing teams.
If you can throw all three for strikes you are
usually going to have success, said Nevada
pitching coach Stan Stolte, who is most im-
pressed with Stassis composure on the mound.
On Friday, Stassis defense committed four
errors, but the sophomores composure never
changed as he hung on for the 7-5 win against
Utah Valley University.
He doesnt get rattled, Stolte said. He is al-
ways pitching the same, no matter the situation.
Even if his defense lets him down.
While he has the lowest earned run average
among Wolf Pack starters (3.09), he also has
dominated from the plate.
Stassi, who didnt garner one at-bat in 2008, has
the teams highest batting average this year (.381).
He can hit, pitch and play defense hes
very multi-talented, said Nevada baseball
head coach Gary Powers, who recruited Stassi
as a position player but needed him more on
the mound his freshman season because of the
excess talent in the Wolf Packs 2008 lineup.
After Nevada lost 52 percent of its run produc-
tion from 2008, Powers decided he needed Stassi in the lineup just as much as he
needed him on the mound.
While Stassi has been a vital tool for the Wolf Pack in 2009 as a pitcher and a desig-
nated hitter, any position outside of catcher may seem anomalous in his family.
Stassis father, Jim, was a catcher for Nevada from 1980-81 and was named Big Sky
Conference Player of the Year in 1981, the year before Powers started coaching at
Nevada. Jim Stassi played minor league baseball for the San Francisco Giants orga-
nization. He was inducted into the Nevada Hall of Fame in 2005 and now coaches the
Yuba City High School baseball team, the same high school his son graduated from.
Stassis brother, Max, is a catcher for Yuba City High School and has committed to
play baseball at UCLA.
It wouldve been nice if Max came to play here, Stassi said. My dad never got
on us about going to a specic school. He never told us we had to go to Nevada or
anywhere else. He just sat back and let us make our decision.
The Stassi family lineage of catchers doesnt end with Max and Jim. It goes even
further back to his grandfather Sam Stassi Jr., who played catcher for the San Fran-
cisco Seals of the Pacic Coast League in the 1940s.
Stassis great-uncle, Myril Hoag, played baseball in the 1930s with the New York
Yankees.
Hoag fought baseball legend Babe Ruth in a shower, according to a Stassi family
story. During the ght, Hoag clocked Ruth in the face.
After that moment, Ruth gave my uncle respect, Stassi said.
Hoag once notched six hits in one game in 1934 and remained the last member of
the Yankees to do that until Johnny Damon had six hits June 6, 2008.
Hoag didnt play catcher, though, he was an outelder.
While Stassi isnt a catcher or a Yankee great, he likes his situation as the best
pitcher and hitter Nevadas had to offer early in the 2009 season.
I love to pitch and hit, Stassi said. I will do anything. I will do whatever my coach
needs me to do and if someone on the next level likes what they see, then I will do
anything for them as well.
Emerson Marcus can be reached at [email protected].
Stassi is Nevadas leader in
batting average and earned
run average
His great-uncle Myril Hoag
played baseball with Babe
Ruth on the New York Yan-
kees in the 1930s and was the
last Yankee player to get six
hits in a game until Johnny
Damon did it last season.
Stassis father, Jim, is a
member of the Nevada Hall
of Fame and was the Big Sky
Conference Player of the Year
in 1981 as a catcher.
His brother, Max, plays for
Yuba City High School and
has already committed to play
baseball at UCLA as a catcher.
BROCK STASSI FACTS
AMYBECK/NEVADASAGEBRUSH
Nevada pitcher Brock Stassis junk-ball throwing approach has him pegged as one of the best young pitchers the
Western Athletic Conference has to offer in 2009 season.
Stassi Ks competition, takes No. 1 spot
2009 WAC TEAM PITCHING STATS
SCHOOL ERA G R ER BB H SO SV HR IP
San Jose State 3.69 23 92 84 71 170 187 6 15 204.2
Hawaii 4.35 25 121 108 61 239 153 4 13 223.2
Fresno State 4.47 22 113 96 73 215 139 4 12 193.1
Nevada 4.80 24 140 113 113 215 146 4 19 212.0
New Mexico State 4.87 28 160 131 101 287 214 5 23 242.0
Sacramento State 5.11 23 126 111 71 230 143 5 20 195.2
Louisiana Tech 6.92 22 179 150 114 247 166 3 23 195.0
While Fresno State is the defend-
ing National Champion, its pitching
staff remains a key to its success.
Holden Sprague, Derek Benny
and Jake Floethe will give the
Bulldogs the best 1-2-3 punch in
the conference and the edge as it
vies for its third-straight Western
Athletic Conference title.
But dont count out San Jose
State and Hawaii.
San Jose State and Hawaii have
better pitching rotations than
Fresno State, Nevada head coach
Gary Powers said.
Starting with the Spartans: 19-5
with a pitching staff ranked rst
in the WAC with a 3.69 earned
run average. Of course, a cupcake
schedule hasnt hurt their hot
start, but dont belittle the Spar-
tans too much. San Jose State has
163 strikeouts with only 63 walks.
For Hawaii, which will host the
WAC Tournament May 20-23, the
key element is a strong bullpen
behind solid starting pitching. Sam
Spangler has pitched 22.2 innings
in relief and has only allowed four
runs. WAC All-Preseason Pitcher
Jared Alexander seems to still be
recovering from a sore elbow injury
that forced him to miss the second
half of last season and the rst
weekend of this season. Alexander
has struggled early for the Warriors
with a 4.68 ERA and a 0-1 record,
but Jayson Kramer has picked up
the pace in Hawaiis No. 1 spot.
Kramer is 1-3 with a 3.60 ERA.
Alexander is very important for
the Rainbows, who need him if
they can make a run through the
conference tournament.
Look for Tyler Sturdevant to also
make a splash as a competitor for
WAC Pitcher of the Year. While his
5.45 ERA in out-of-conference
games isnt very impressive, he
still has solid stuff and should be
able to turn it on in WAC play.
Nevada lost a lot of mound pres-
ence when Rod Scurry and Kyle
Howe graduated last season, but
Brock Stassi has performed well and
if Nevada can get Stephen Bautistas
hip exor 100 percent healthy then
the Wolf Pack might contend in 2009.
Two Nevada pitchers had
Tommy John reconstructive
surgery this month to repair torn
ligaments in their arms while
another surgery is scheduled
later this week.
I dont remember (coaching)
three (players with) Tommy John
surgeries in my career, said
Nevada head baseball coach
Gary Powers, who has been at
Nevada since 1982. Its just a
crazy, unfortunate situation.
Anthony Fagan and Tyler Rog-
stad had Tommy John surgery
earlier this year while Bryan
Suarez will have the procedure
later this week.
Tommy John surgery is a
procedure that replaces dam-
aged elbow (ulner collateral)
ligaments with tendons from
other parts of the body.
Suarez saw time as a reliever
in 2008 with Nevada. He was 2-1
with a 6.53 earned run average.
Fagan went 7-3 with a 1.85
ERA last year at Mesa Com-
munity College in Mesa, N.M.,
while Rogstad is an Edmonds
Community College transfer
in his junior year. Rogstad was
7-3 last year with a 2.50 ERA in
Edmonds, Wash.
Tyler was probably going
to play on the weekends (as a
starter) for us, Nevada pitching
coach Stan Stolte said. All three
were going to pitch for us.
Powers said Fagan and Suarez
came to Nevada with arm pains
that progressed as the season
approached. Fagan didnt throw
during the winter in hopes of
healing his arm with rest, but
there was still pain in his tendon
when he returned to spring
practice, Powers said.
Rogstads injury still remains a
mystery to the Nevada coaching
staff.
I dont know (what happened),
Stolte said. Tyler just had some-
thing go wrong one day.
Tommy John was a New York
Yankees pitcher in the 1970s who
had the surgery and returned to
win 164 games in his career. He
recovered and is now a member
of the Baseball Hall of Fame.
UCL injuries were considered
career-ending before John.
Im certainly optimistic
of them returning and being
stronger than they previously
were, Powers said. (The in-
jury) is happening everywhere
around the country nowadays.
Its almost a common thing.
Pitchers put more stress on
their arms than they used to be-
cause of more year-round leagues
in the country, Powers said.
Kids are also built much
stronger and that puts a lot of
tension on the muscles, he said.
In a study performed in July
2008, researchers at the American
Orthopedic Society for Sports
Medicine Annual Meeting in Or-
lando, Fl., found that 83 percent
of athletes who had the surgery
returned to the same or better
health. The estimated recovery
time is about 11 months.
Nevada starting pitcher Ste-
phen Bautista is also injured with
a torn hip exor. Bautista was
Nevadas pitcher on opening day,
but he hasnt started since March
12 when he allowed four hits and
three runs in 1.1 innings.
We got to get him healthy,
Powers said. Thats a huge key.
Hes an experienced pitcher
with some big time talent.
Bautistas hip exor injury has
nagged the right-handed pitcher
the entire year.
Bautista is considered one
of the most talented Wolf Pack
pitchers by the coaching staff,
but hes only made ve appear-
ances with a 7.63 ERA in 15.1
innings. Bautista made a 1.2
inning appearance in relief this
weekend against Utah Valley
University and didnt allow a
run.
We plan on easing him back
into the rotation, Powers said.
But this might be an injury that
nags him the rest of the sea-
son.
Three Pack pitchers undergo Tommy John surgery
High-scoring WAC has solid
pitching to boot in 2009
2009 WAC TOP-10 PITCHERS
PLAYER, SCHOOL ERA W-L G/GS BB H SO HR R ER IP
Scott Sobczak, SJSU 1.88 3-0 4/4 4 20 16 1 5 5 24.0
Holden Sprague, FS 2.02 2-0 6/5 7 34 21 3 8 8 35.2
David Berner, SJSU 2.25 5-0 6/6 8 29 47 3 15 12 48.0
Brandon Sandoval, SAC 2.56 2-2 6/5 8 27 20 0 9 9 31.2
Jake Floethe, FS 2.65 3-1 8/6 12 34 29 0 15 11 37.1
Max Peterson, SJSU 2.70 5-0 7/7 14 30 36 3 12 12 40.0
Brock Stassi, NEV 3.09 3-3 6/6 11 35 24 5 19 12 35.0
Sebastien Vendette, NMSU 3.09 4-0 7/6 24 44 24 2 19 15 43.2
Daniel Simon, NMSU 3.18 5-0 6/6 12 33 31 0 15 12 34.0
Derek Benny, FS 3.41 2-1 7/3 3 24 23 2 12 11 29.0
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FRESNOSTATE
MEDIARELATIONS
Holden Sprague
baseball preview
MARCH 31, 2009 B3 www.nevadasagebrush.com
By Emerson Marcus
I
f Kevin Rodland makes an across the body throw after backhanding a ball deep
in the hole between third base and shortstop, you can bet his work ethic had
something to do with it.
His attitude on the eld is something you have to like, Nevada assistant
coach Jay Uhlman said. The way he plays, I would go to war for that guy.
For Rodland, examples of a good work ethic were seen in sports and academics:
aspects of life strongly valued by his parents.
He was valedictorian of his senior class at Snohomish High School in Snohomish,
Wash. and was named to the Western Athletic Conference Academic Team last season.
He was also the team captain of both his high school baseball and football teams.
He has quick muscles, Barry Rodland, his father, said. He also has good feet and
he moves well.
While Rodland played quarterback for his high school football team the sport he
admits is his true love he also played shortstop on the baseball eld.
Rodland said he started playing shortstop and wearing No. 8 because of Baltimore
Orioles Hall of Fame member Calvin Cal Ripken Jr.
Cal played the right way, Rodland said. I also like shortstop because you really get to
show off your range. One play you are diving and the next play you are charging (the ball).
The workload at shortstop is em-
blematic of what Rodland expects
from himself.
He tries to model himself through
what he believes in by being positive
and doing things the way he thinks
they should be done, his father said.
Rodlands father did not let his chil-
dren play team sports until they were
at least eight years old because he felt
his kids could learn better from him in-
stead of someone else, and it worked.
Every one of Rodlands brothers
played quarterback in high school and
his older brother, Eric, played second
base for Gonzaga, becoming the
schools all-time hits leader.
Instead of playing T-ball, Rodlands
father would teach his sons himself.
They would play whife ball in the back
yard as he taught the fundamentals of
elding and hitting with a plastic bat.
Rodlands father, also the assistant
football coach at Snohomish High
School, looks back on his sons athletic youth with esteemed fondness.
His favorite moment was a 4-A playoff game two of his two sons played.
Kevin hit a guy at the goal line with us down by a touchdown and about two min-
utes to go, his father said. We stopped them and got the ball back.
With time dwindling, Jeff Rodland, Kevins older brother, marched the team down
the eld and connected on a touchdown pass to his brother Kevin to tie the game.
It was such a good feeling as a father, he said.
Snohomish High School lost to Jackson High School on the following play when its
kicker missed an extra point, but the moment still stands out in Barry Rodlands mind.
The play was an example of hard work paying off for the high school teacher/coach
who has enjoyed watching his sons succeed for years especially Kevin.
Hes the best athlete of all my kids, he said.
Rodland played one season for the University of Arizona before coming to Nevada,
but transferred because he said he didnt agree with the coaching methods of the Wild-
cat staff. Rodland started in 16 games for Arizona, hitting .170 in his freshman season.
University of California-Irvine and Texas Tech also recruited Rodland, but he chose
Nevada because of its laid-back coaching staff.
Last year, to his credit, he was in an 0-for-30 slump and he didnt make an error the
entire time during that slump, Uhlman said. To me that says what he is all about.
Rodland ended the year on an 11-game hit streak and nished as a member of the
WAC All-Tournament Team. He also led the team with 10 stolen bases.
Ive never really had to get on him for anything, his father said. It didnt matter if it was
conditioning or doing his homework. Kevin was always working hard at whatever he did.
Emerson Marcus can be reached at [email protected]
AMYBECK/NEVADASAGEBRUSH
Nevadas Kevin Rodland led the Wolf Pack with 10 stolen bases last season as the leader at shorstop.
Coach would go to war for his inelder
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