For Sephora - Complete
For Sephora - Complete
For Sephora
4
1
2
intro
4
1
2
7
4
5
7
4
5
7
4
5
7
4
5
1
1
2
7
4
5
7
4
5
12
12
12
12
12
12
12
12
12
0
3
3
3
13
12
12
12
12
12
12
11
12
12
4
4
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11
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11
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12
0
5
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5
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11
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11
12
12
0
4
2
3
5
4
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5
2
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2
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5
2
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5
2
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4
1
2
2
4
5
2
4
5
10
12
12
10
12
12
11
12
12
10
12
12
0
5
2
4
2
4
5
9
12
12
10
12
12
9
12
12
9
12
12
9
12
12
0
1
4
3
10
12
12
5
2
4
5
2
4
0
1
4
3
2
4
5
1
4
3
10
12
12
2
4
5
1
2
3
11
12
12
5
4
5
1
4
3
5
4
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4
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5
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4
5
0
1
3
2
4
4
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4
1
2
1
2
3
12
12
12
4
4
5
4
4
5
4
4
5
1
3
2
4
2
3
play intro without pick, use fingers
3
3
3
1
1
2
9
12
12
9
12
12
theme
17
10
4
2
3
1
78
21
25
8
7
8
7
78
10
4
2
3
1
29
33
10
10
8
7
8
7
9 7
10
11
8
7
8
7
10
10
9 7
8 10 8 7
8
7
8
7
10
8
9
3
3
3
10
10
1 3
79
8 10 8
10
11
10
8
9
10
10
9 10 9
10
8 10 8
37
8
9
8
9
8
9
8
9
7
8
8
9
3 3
6
7
7
8
45
10
7
8
7
8
8
9
7
8
10
11
7
8
10 8
10
10
10
9 10 9
10
8 10 8
10
E-
1
2
1
2
9 8 7
10
8 10 8 7
10
11
10
11
A-7
1
1 2
10
3
7 9 7
10
11
10
11
10
11
10
11
10
11
10
11
8
9
8
9
8
9
8
9
8
9
nice melodic phrase built around an E-add9 arpeggio
49
7
8
10
41
1
2
2
3
melodic phrase with a flat 9 on B7
78
10
10
12
12
12
12
12
B7
53
E-
1
2
1
2
11 11 11 11
3
7 8 7
E-
57
16
17
8 10 8 7
7
8
10 10 10 10
11 11 11 11
8
9
another Stochelo signature
10
11
8
9
19 18 17 16
16 17 16
15 16
A-7
make sure to vibrate the alternating "c" and "e" in bar 59 and 60 slightly
for the right sound, but keep both fingers down!
17
lick from B7 to E-
15
10
one of Stochelo's signature licks
B7
1
2
16
14
16
17
16
17
17
12
15
14
13
13
13
14
14
13
13
14
14
14
12
E7
61
B7
E-
1
3
1
3
1
3
the pull-offs are essential for the lyrical sound
of this lick
13 12
14
12 13 12
14
12 13 12
14
12 13 12
same lick as bar 54/55 but on
different strings
melodic phrase on E7
14 12 11 11 14 14
13 16 16
12
14 14 14 14 12 12
16 16 16 16 14 14
15 14 13 14 13 12
15 13 12
13
D7
65
A-7
a mandoline like phrase with melodic tremolo, it works well here
but don't overdo this effect: that may end up sounding cheesy
14
14
14
13
14
13
G^
12
13
67
13
12
12
15
15
15
15
14
14
14
14
12
12
12
12
10
10
10
10
C^
12
A descending G major arpeggio in bar 67 followed by a fast but easy to play lick
10
F#
B7
69
Mute the string with the left first finger on the ghost notes (the x-noteheads).
Playing the ghost notes gives extra flavour and helps the timing.
10
10
E-
11
Sliding with the third finger helps legato
10
11
12
12
12
10
12
10
10
12
10
E7
71
Ascending dim arpeggio. Practice exercise 3 (lesson 8) from
the "Technique Course" daily to get the necessary speed for this one
10
10
10
6 A-7
D7
73
(4)
3
(4)
(2
4)
Often used A minor lick
10
10
C^
G^
75
Stochelo's fingerings for major scales (G major here),
you can play these fingerings fast and with ease
Same lick as in bar 68, it fits both on Gmaj7 and
Cmaj7 chords
10
10
10
F#
77
B7
Practice this long fast lick S-L-O-W-L-Y with metronome before you try to impress your significant other playing it
at full speed
10
10
10
10
11
10
14
12
11
13 12
14
12 11
B7
79
3
E3
Notice that Stochelo is not really following the chords, just a mixture of B7b9 and E-.
15
13
14
13
16
14
17
16
14
17
15
14
15
16
17
18
19
15
17
16
17
14
14
15
14 15 14 12
14
13
A-7
81
3
3
E-
11 12 14
14
14
11 12
85 B7
1 1
12
10
10
1 1
1
2
8 10 8 7
8 8 8
10 10 10
8 8 8 8
10 10 10 10
8 10 8
B7
8
10
E-
3 1
This is a more recent Stochelo signature lick with moving
sixths on a dominant b9 chord.
10
8 10 8 7
11
11
14
17
11 14
15 17 15 12
14 17
E-
19 18 17 16
16 17 16
15 16
89
A-7
The exact same licks as the ones starting in bar 56. The phrase in bar 90 is played one beat earlier and to make up for
this the sixth pattern starting in bar 91 is extended with one beat.
15
17
16
17
16
14
16
16
17
17
17
12
15
14
13
13
14
B7
13
14
13
14
13
14
13
14
93
1
3
1
3
E-
E7
1
3
1 2
1 3
1 3
13
14
14
14
12
Another fast dim arpeggio. Keep the "e" on
the low E-string as your orientation point
13 12
14
12 13 12
14
12 13 12
14
12 13 12
14 12 11 11 14 14
13 16 16
14 14 14 14 12 12
16 16 16 16 14 14
11 12
13
11 14
12 15
13 16
15
13 15 13 12
11 12
97
8 A-7
D7
10
12
Another one of Stochelo's fingerings for a major scale. This one
is more suited to playing descending.
15
12
13
12
15
13
15
13
12
12
14
14
12
11
14
12
10
12
10
12
10
10
C^
G^
99
A G major scale on Cmaj7 is a lydian sound
(#11). This is a good trick to remember
if you have to play on Autumn Leaves type of
chord progressions.
Based around a Gmaj.7 arpeggio
12 10
10
11 14
12
11
12
12
10
14
12
15
12
12
14 12 14 12 11 12 14
11
12
12
14
13
15 13
12
14
B7
101
F#
1
14 13
15 13 14
13 16
Stochelo anticipates the B7 chord
with a dim arpeggio
12 11
16
14 17
14 17 15 17 15
14
16 14 13 15 13 12
Anticipating E7 (so skipping
E-).
14 12
11 12 13 12
15 13 12
14 13
15
3
E7
103
E2
14
12
15
14
12
14 12
11
14
11
12
13
11
14
12
15
13
16
Dim arpeggio for E7b9
15
13 15
13 12
15
13
12
13
14
A-7
105
1 2
A-7 arpeggio
with leadtone
12
13 14
13
1 3
G^
1 3
1 3
1 2
C^
1 3
1 2
12 15
14 15
14
12 14
12
10 12
10
810
B7
F#
1 2 4
Again C lydian
78
10 12
10
8 10
78
3
7 10 8 10 8
7
8 9 7 8 10
E-
B7
to Theme
109
1
2
1
2
1
2
10
Where have we heard this one before? (still sounds good though)
8 10 8 7
7
8
10
11
10 10 10 10 10 10 10 10
11 11 11 11 11 11 11 11
G-major scale with embellishments
13
D7
Simple but effective lick on B7
leading to the "9" on E-minor
8
9
8
9
8
9
8
9
8
9
3
8 10 8
10
8
9
10
F#
113
CODA
10
B7
10
10
E-
4
1
115
Stochelo's right hand keeps moving even during rests. This helps the timing and feel.
12
12
12
12
12
4
1
2
11
11
11
8
11
10
10
10
10
10
9
6
9
6
1
1
2
7
4
5
7
4
5
7
4
5
7
4
5
7
4
5
4
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5
4
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5
4
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5
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5
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5
4
1
2
1
2
3
4
2
3
5
4
5
5
4
5
5
4
5
5
4
5
5
4
5
2
4
5
5
2
4
5
2
4
5
2
4
5
2
4
3
3
3
1
2
3
123
11
12
12
12
12 12 12 12
12 12 12 12
12 12 12 12
11
12
12
11
12
12
1
4
3
1
4
3
11
12
12
11
12
12
10
12
12
10 10 10 10
12 12 12 12
12 12 12 12
9
12
12
3
1
1
1
11
9
12
12
9
12
12
9
12
12
119
9
12
12
14
12
12
12
E-7(9)
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