This is the dialogue from the musical/opera "LIght In The Piazza."
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves around Margaret Johnson, a wealthy Southern woman and her emotionally stalled daughter, Clara, who spend a summer together in Italy. When Clara falls in love with a young Italian man, Margaret is forced to reconsider not only Clara's future, but her own deep seated hopes and regrets as well.
The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. It is also perhaps the only bilingual Broadway musical. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.
This is the dialogue from the musical/opera "LIght In The Piazza."
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves around Margaret Johnson, a wealthy Southern woman and her emotionally stalled daughter, Clara, who spend a summer together in Italy. When Clara falls in love with a young Italian man, Margaret is forced to reconsider not only Clara's future, but her own deep seated hopes and regrets as well.
The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. It is also perhaps the only bilingual Broadway musical. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.
This is the dialogue from the musical/opera "LIght In The Piazza."
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves around Margaret Johnson, a wealthy Southern woman and her emotionally stalled daughter, Clara, who spend a summer together in Italy. When Clara falls in love with a young Italian man, Margaret is forced to reconsider not only Clara's future, but her own deep seated hopes and regrets as well.
The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. It is also perhaps the only bilingual Broadway musical. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.
This is the dialogue from the musical/opera "LIght In The Piazza."
The Light in the Piazza is a musical with a book by Craig Lucas and music and lyrics by Adam Guettel. Based on a novella by Elizabeth Spencer, the story is set in the 1950s and revolves around Margaret Johnson, a wealthy Southern woman and her emotionally stalled daughter, Clara, who spend a summer together in Italy. When Clara falls in love with a young Italian man, Margaret is forced to reconsider not only Clara's future, but her own deep seated hopes and regrets as well.
The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. It is also perhaps the only bilingual Broadway musical. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.
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The Light in the Piazza
book by
CRAIG LUCAS
music and lyrics by
_ ADAM GUETTEL
directed by
BARTLETT SHER
Lincoln Center Theater
Apeil 15, 2005219105) 1
ACT ONE a
(OVERTURE)
Li. Piazza Signoria
(Florence, 1953, summer. Margaret Johnson— an elegant, self:
possessed, practical and attractive woman in middle age — views her
daughter Clara — 26, looks and acts younger, carrying a sketchpad —
across the piazza.)
CLARA
Mother? What happened here?
MARGARET (to the audience)
What did happen here? I played a tricky game ina foreign country? ... What
did I do?
CLARA
Mother? vw?
MARGARET
What happened? Wellll, let’s see ...
(She consults her Baedeker)(2/1205) 2
(STATUES AND STORIES)
MARGARET
ON A CENTRAL SQUARE
IN A CITY OF THE SUN
ROSE A PALACE
IT WAS HIGH AND HANDSOME
GLEAMING LIKE THE CROWN OF A KING
CLARA
Where would that be? Where is that?
|ARET
IN THE TOWER
A WARNING BELL WOULD RING?
CLARA
WHAT KIND OF WARNING
MARGARET
FOR A FIRE OR RIVER OVERFLOWING
CLARA
OH!
MARGARET
FIRENZE
ON A CENTRAL SQUARE
THE BEGINNING OF A KINGDOM REPUBLIC
CLARA
WAS THERE A KING WAS THERE A QUEEN?