The Cuttlefish’s Play
Richard Powers’s Playground does for oceans what his 2018 novel The Overstory did for trees: it implores us to open ourselves to the ingenuity of life beyond the human.
December 19, 2024 issue
Acts of Self-Erasure
A new exhibition of the conceptual artist Christine Kozlov shows how she worked by concealing her own tracks.
December 13, 2024
The Reunited
The Biden administration has spent years reunifying families separated during Trump’s first term—but as his second approaches, they find themselves vulnerable again.
December 11, 2024
A Very Quiet Symphony
Eliza Barry Callahan’s The Hearing Test seems to be about a temporary loss of hearing but is actually one woman’s rehearsal for the losses that come, unbidden, for us all.
December 19, 2024 issue
The Import of Exports
Free trade once aligned with America’s economic and security interests, but in recent years experts have suggested pulling back from globalism and rebuilding the domestic economy.
December 19, 2024 issue
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John Thompson: Last Testament“Berryman knew the depths and knew how it would end. Life, friends, is boring. We must not say so. But he rendered also as who else ever has the wrong and outrageous heights—the ‘highs’ as they say now with the proper note of cheapness—mere fun and wrong, wrong.”
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