Change Your Image
mishahaynie
I have significant experience operating broadcast quality HD video cameras, 4K cameras, DSLR cameras, camcorders, VR Cameras, and remote cameras in both a studio setting and in the field. Jobs I have performed include studio lighting, floor direction, camera operation, technical directing, audio, electronic graphics, field production, and editing. I have considerable experience directing camera positions and performing talent in a studio, in the field, and at home, where I direct films for my home production company. I am well-versed in proper lighting techniques, sound design, audio mixing, and in all the latest non-linear editing systems available and commonly in use in the industry for standard, HD, and 4K workflows.
Reviews
Cursed (2005)
A Wild Take on a Modern Werewolf Flick
Wes Craven directed a werewolf movie? I had no idea until recently that the man behind Scream helmed Cursed. What's even wilder is that Jesse Eisenberg stars in it, long before he became the household name we know today. I'd heard about Cursed over the years, but I had no clue about the cursed production it went through-almost as much a horror story as the film itself.
It turns out Harvey and Bob Weinstein were behind a lot of the chaos. Which isn't surprising, looking back on it now. They pressured not only Wes Craven into directing this, but also Rick Baker, the legendary special effects artist, into working on it. The Weinsteins were notorious for strong-arming talent into projects they didn't want to be a part of, and this movie was no exception. Skeet Ulrich, a returning cast member from Scream, was even set to star but got cut due to reshoots.
What was initially meant to be a six-month production dragged on for almost four years-practically a record in the film industry. You can find the second draft of the movie online, which shows the original plotline and characters that were supposed to be in it. It's fascinating to see what could have been, considering the film's murder-mystery angle gives it a real Scream-like vibe. The reshoots chopped it all up, and the movie we got is just a shadow of its original potential.
The cast changes alone are mind-boggling. So many actors were cut out or replaced or rewritten throughout the years, and even Shannon Elizabeth who was supposed to have a lot more screen time but instead is killed off instantly. Not only that but Christina Ricci, who shines in most roles, also feels a bit awkward here. She's definitely a redeemable part of the movie, but her character feels off at times, likely due to the constant rewrites and re-edits. The one person who seemed to weather the storm was screenwriter Kevin Williamson, Craven's frequent collaborator, who returned to pen the script and was likely the least affected by all the changes.
Despite its chopped-up feel, Cursed screams early 2000s horror in all the best-and worst-ways. The effects, the vibe, the teen horror mystery... it's all here. Sure, the movie feels a bit uneven, but I still enjoyed what we got, even if it's not what it could have been.
Terrifier 3 (2024)
Blinding Guts and Gore to Infinity!
Let me just start by saying: they aren't kidding when they say this movie pushes violence to its absolute limit! Terrifier 3 is without a doubt the most gruesome film I've ever seen-no exaggeration here! Several scenes left me genuinely amazed they even made it past the censors.
Even David Howard Thornton, who returns as the horrifying Art the Clown, admitted he felt physically nauseous after filming the most intense scenes. Director Damien Leone designed these moments to push even the cast to their limits, aiming for a level of realism that definitely shows on screen. This one isn't for the faint-hearted; if excessive gore isn't your thing, you'll want to skip this one. Honestly, even I felt the aftereffects, and I think most of the audience did too.
By the end of the two-hour gore fest, you'll leave the theater appalled, shocked, or maybe even in awe-depending on your tolerance. Leone even pays homage to Alfred Hitchcock's Psycho with a tribute to the infamous shower scene, but of course, it's taken to the extreme. Blood and body parts everywhere, all set to a chainsaw's buzzing symphony. It's unforgettable and, quite honestly, something I'd never thought I'd see.
Special mention goes to the practical effects-they're astounding! Tom Savini, the legendary special effects makeup artist, makes a cameo, and his influence on the makeup and effects work here is undeniable. They're some of the best I've seen, and fans of practical effects will be thrilled.
Once again, if gore isn't your thing, this is one you'll want to skip. But for the horror fans who can't get enough, Terrifier 3 might just be the ultimate bloodbath experience on the silver screen.
Megalopolis (2024)
A spectacle and a disaster!
Francis Ford Coppola has been dreaming of making Megalopolis for decades. This was supposed to be his magnum opus, the film to define his career-a bold, ambitious vision of an urban utopia plagued by ambition and decay. But, to put it mildly, the movie flops. While it's undeniably a spectacle, it's not the kind you'll be eager to behold twice. Even after two hours in the theater, I found myself searching online to understand what exactly I'd just witnessed.
For those who don't know, Megalopolis was meant to capture Coppola's vision of a perfect city and the inherent flaws that come with human ambition. A depiction of the fall of Rome, but set in modern New York. This theme is intriguing but sorely underwhelming in execution. Perhaps it's a metaphor for Coppola's own career, from the glory days of The Godfather to the challenges he faced after founding Zoetrope Studios, a venture that nearly bankrupted him. Megalopolis seems almost autobiographical in a sense, a cinematic metaphor of his struggles in an industry that has not always rewarded his risk-taking.
Shia LaBeouf is, without a doubt, the highlight of the movie. He brings a chaotic energy that makes his character both entertaining and memorable. He seems to revel in his role, creating one of the film's few bright spots. Following close behind is Aubrey Plaza, who plays a provocative character who schemes and manipulates her way through the film. Though her character isn't exactly likable, Plaza's performance is undoubtedly engaging.
On the other hand, Adam Driver's performance feels like a missed opportunity. His portrayal is flat, lacking the charisma and intensity that might have brought his character to life. Though Driver is known for his powerful performances, here he seems overshadowed by his more eccentric co-stars.
Jon Voight also deserves a mention as one of the film's funniest characters. His dry wit and perfectly timed one-liners add an unexpected layer of humor that keeps the movie from becoming unbearably dreary. He's the third most entertaining character, bringing a rare sense of levity to an otherwise heavy-handed narrative.
Nathalie Emmanuel's character starts off unlikable but grows on you by the end. Her arc becomes more profound as the movie progresses, adding depth to a cast mostly focused on dramatics and extravagance.
Dustin Hoffman makes a brief appearance, and although his role is small, he manages to deliver a couple of laugh-out-loud moments. Jason Schwartzman also pops up a few times, delivering a few laughs as well, though he doesn't steal the show as much as some of the others.
And then there's Laurence Fishburne, whose narration might be one of the film's few redeeming qualities. His voiceover work is compelling, grounding the film's lofty, sometimes confusing concepts with a gravitas only he could deliver. It's easily one of the best narrative performances he's given in recent years.
The viewing experience was bizarre. There were only four other people in the theater with me, and as the film progressed, it turned into a chaotic spectacle. Most of us were laughing out loud, reacting to how bad it was becoming. There were even moments of pure shock, where the absurdity of what was happening on screen left us all genuinely baffled.
Megalopolis is a film that tried to do too much and achieved too little. It's ambitious, yes, and visually stunning, but ambition without direction leads to a muddled mess.
Joker: Folie à Deux (2024)
Too much of a musical, and gruesome ending!
This might be one of the hardest movie reviews I've written. I was shocked when every review for Joker: Folie à Deux came out negative, but after seeing it, I can understand why-especially when it comes to the ending.
To start, every other part of this sequel is decent, although it's a bit of a departure, taking on the feel of a love story musical. While Joaquin Phoenix delivers a compelling performance, and Lady Gaga might just be the best Harley Quinn I've ever seen, the movie's heavy emphasis on dreamlike, musical sequences between Phoenix and Gaga caught a lot of people off guard. They spend a significant part of the film singing to each other, creating a surreal and often romantic atmosphere that's not what many fans were expecting.
But while I didn't mind the musical direction, the film's real downfall lies in its brutal ending. Without giving anything away, it's extremely graphic and feels so unnecessarily gruesome that it leaves a bad taste after an otherwise decent experience. It's uncomfortable to watch and definitely not suitable for younger viewers.
If you're planning to see Joker: Folie à Deux, go in with an open mind. There's a lot to appreciate, especially in the acting and musical approach, but prepare yourself-the ending is intense and could be off-putting for some.
Beetlejuice Beetlejuice (2024)
Chaotic, but Worth Seeing!
Beetlejuice 2 was easily the most anticipated movie of my life. I went into it completely blind, avoiding teasers, trailers, and any promotional material, and I have to say-it was totally worth it. Without giving away too many spoilers, the movie has some of the best practical effects I've ever seen. The plot, while chaotic and bursting with crossovers between old and new characters, perfectly fits the unpredictable tone of the original.
Michael Keaton returns as Beetlejuice, and though I was initially unsure how his character would hold up in the modern age, Keaton absolutely knocked it out of the park. His portrayal felt fresh and sharp, making the chaos surrounding him even more fun. And Jenna Ortega? Incredible. She brings a great new energy to the established cast, fitting right in. Catherine O'Hara was funny and witty as always!
There are some gruesome moments, much more so than in the original, but they work well with Tim Burton's signature darkly comic style. And speaking of Burton, his blend of practical effects, miniatures, and the right touch of CGI makes this movie visually outstanding.
Danny Elfman's iconic score returns, though with some subtle updates. It matches the wild energy of the film but also brings some new twists. I will say it's a bit of a bummer that Danny DeVito only appears briefly at the beginning, and while Winona Ryder is fantastic, her character does feel a bit worn out. Oh, and no, there's no post-credits scene (I was tricked into waiting!).
If you're going into *Beetlejuice 2*, embrace the chaos. The movie is packed with twists, but it's never hard to follow. Willem Dafoe makes a surprise appearance as a cop investigating Beetlejuice, which adds another layer of fun to the madness. Although Jeffrey Jones wasn't included due to his legal issues, he is still referenced through practical effects, but the film doesn't feel like it's missing much.
In the end, *Beetlejuice 2* doesn't hint at another sequel, but this one is a wild ride worth seeing for the incredible practical effects and the return of our favorite ghost with the most!
Twisters (2024)
Definitely go out and see it now! Even better than the original!
"Twisters" is an exhilarating ride from start to finish, a true masterpiece of action and suspense that has set a new standard for disaster movies. Directed by the talented Lee Isaac Chung, known for his work on "Minari," this film is a high-octane thrill-fest that not only met but exceeded my expectations.
The cast, featuring Daisy Edgar-Jones and Glen Powell, delivered stellar performances, bringing depth and relatability to their characters. Despite the absence of the original cast, the new ensemble brought fresh energy and chemistry that kept the story compelling and engaging.
One notable decision by Chung was to focus more on the action and suspense rather than a central love story. This choice allowed the narrative to remain intense and fast-paced, keeping audiences hooked from start to finish.
Visually, "Twisters" is a triumph. The CGI is top-notch, creating realistic and terrifying storm sequences that had me on the edge of my seat. The special effects team truly outdid themselves, and the result is nothing short of spectacular. The intense sound effects and surround sound audio make this film an experience best enjoyed in theaters. The immersive audio really brings the storms to life, making it a must-see on the big screen.
The plot closely mirrors the original 1996 film, with a few modern updates that enhance the story without losing the essence that made the first movie a classic. The narrative follows a group of storm chasers facing unprecedented tornado outbreaks, culminating in a heart-pounding climax that is both satisfying and emotionally charged.
What makes "Twisters" stand out is its perfect blend of nostalgia and innovation. It pays homage to its predecessor while introducing new elements that feel fresh and exciting. Fans of the original will appreciate the respectful nods, while newcomers will be captivated by the intense action and gripping storyline.
I highly recommend "Twisters" to everyone. Whether you're a fan of the original or just looking for a great action movie, this film is a must-see. Onions members and movie lovers alike should definitely go see it in theaters rather than at home to fully experience the stunning visuals and immersive audio. Grab your tickets and experience the storm for yourself-you won't be disappointed!
Still (2023)
A breathtaking watch!
I was deeply moved. Even if you're not a fan of his films or acting, it's hard to dislike Michael J. Fox. This film evokes a profound sense of sympathy for what he has endured and continues to endure, yet he neither wants nor needs our sympathy. His strength and dedication to his family are beyond impressive, and the loyalty he inspires in his co-stars is truly admirable.
For an actor known for his kinetic style to be struck by something like Parkinson's, yet he remains focused and forward-moving, despite occasional stumbles. Michael J. Fox, on behalf of everyone who grew up with your films, thank you for all you have done and continue to do. You have our love and admiration!
Inside Out 2 (2024)
Not as good as the original, but still shines!
"Inside Out 2," the much-anticipated sequel to Pixar's groundbreaking 2015 film, attempts to capture the magic of its predecessor while expanding on the emotional landscapes that resonated with audiences of all ages. While it is a commendable sequel, it doesn't quite reach the emotional heights of the original.
The film once again dives into the complex inner world of Riley, who is now navigating the tumultuous waters of adolescence. The familiar faces of Joy, Sadness, Anger, Fear, and Disgust return, bringing their unique perspectives to Riley's growing pains. This time, the story introduces new emotions that add depth to the narrative, exploring the intricate and often chaotic experience of teenage life.
Director Pete Docter, joined by a fresh team of writers, skillfully balances humor and heart. The visual creativity remains stunning, with vibrant, imaginative representations of Riley's mind that continue to amaze. However, where "Inside Out" excelled in its seamless blend of innovative storytelling and emotional depth, the sequel occasionally feels like it's treading familiar ground rather than breaking new one.
The new characters, while delightful, do not always have the same impact as the original ensemble. The charm of Joy and the poignant wisdom of Sadness are somewhat diluted by the increased cast, making the narrative occasionally feel overcrowded. Nonetheless, the voice performances are stellar, with Amy Poehler, Phyllis Smith, and the rest of the cast delivering heartfelt and humorous lines with finesse.
"Inside Out 2" shines in its moments of introspection and its portrayal of the complexity of human emotions. The film's exploration of identity and growth resonates deeply, especially with older audiences who may see reflections of their own experiences in Riley's journey. The sequel also does an excellent job of addressing contemporary issues faced by teenagers, making it relevant and thought-provoking.
Despite its minor shortcomings, "Inside Out 2" is a worthy follow-up that retains the charm and emotional intelligence of the original. It may not have the same groundbreaking impact, but it is a heartfelt and entertaining film that offers valuable insights into the human psyche. Pixar has once again crafted a visually stunning and emotionally resonant film, even if it doesn't entirely escape the shadow of its predecessor.
In conclusion, "Inside Out 2" is a decent sequel that, while not reaching the heights of the original, still offers a touching and visually captivating experience. It's a film that both children and adults can appreciate, continuing the legacy of its beloved forerunner with grace and humor. 8 out of 10 stars.
The Garfield Movie (2024)
A Major Letdown
The new fully computer-animated *Garfield* movie, based on Jim Davis's beloved comic series, aimed to reimagine the lasagna-loving cat and his friends. Chris Pratt voices the titular character, and the film seeks to explore Garfield's early days along with new misadventures. Unfortunately, despite some redeeming qualities, it falls flat in several crucial areas.
One aspect I appreciated was the film's effort to recreate segments from the original comic strips. These moments pay homage to the source material and provide a nostalgic nod to long-time fans. However, this is where the positives largely end.
Initially, I was excited to see this movie. However, as more trailers were released, my enthusiasm waned, and my apprehensions grew. Sadly, my fears were confirmed. The animation style feels like a harbinger of what bad animation might look like in the future. The film is heavily infused with modern elements like DoorDash, drones, and AI, making it feel too contemporary. This modernization clashes with the classic charm of Garfield and his world.
The most significant issue, however, is the nonsensical story. While it's understandable that the creators couldn't just have Garfield ordering takeout and lounging around for the entire film, the plot they chose is bizarre and disjointed. Samuel L. Jackson voices Vic, Garfield's neglectful father, which seems interesting at first. But then the story takes a wild turn: Vic is on the run and drags Garfield into his shady life. They must pay back a loan shark or face dire consequences from a psychotic cat named Jinx, voiced by Hannah Waddingham.
This plotline transforms the movie into an unexpected action flick, veering far from the essence of Garfield we all know and love. The heist sequence, intended to resolve Vic's debts, only adds to the confusion and convolution. The narrative feels scattered and incoherent, losing the simplicity and humor that define Garfield.
In conclusion, I cannot recommend the new *Garfield* movie. It's a disjointed, all-over-the-place adaptation that treats its audience like children. While the nostalgic nods to the comic strips are commendable, they aren't enough to salvage a film marred by a chaotic story and an ill-fitting modern setting. This reimagining of Garfield ultimately disappoints and fails to capture the spirit of the original character.
Smiling Friends (2020)
One of the Funniest and Most Creative Shows I've Seen in a Long Time!
If you haven't seen "Smiling Friends" yet, drop everything and prepare for a wild ride. This masterpiece is the brainchild of Michael Cusack and Zach Hadel, the dynamic duo who clearly decided that normal TV just wasn't chaotic enough. And boy, did they deliver!
Imagine if you took a blender, filled it with absurd humor, bizarre characters, and a dash of dark comedy, then hit 'puree.' The result is "Smiling Friends." It's like an animated fever dream where every frame is a new surprise, and trust me, you won't want to wake up.
One of the highlights? The legendary David Firth, the genius behind YouTube's cult classic "Salad Fingers," lends his wonderfully eerie voice to the shrimp character. Yes, you heard that right-a shrimp! And it's just as hilariously creepy as you'd expect.
The creativity oozes from every episode, with the creators experimenting with multiple animation styles that keep the visuals fresh and unpredictable. One moment you're watching a beautifully detailed scene, and the next, you're plunged into a chaotic doodle world. It's an artistic rollercoaster that keeps you on your toes.
I absolutely love this show. It's like the creators reached into my brain, found my weirdest, funniest thoughts, and splashed them onto the screen. The ingenuity and sheer madness of "Smiling Friends" make it a standout in a sea of generic animation.
Ten out of ten stars isn't enough to capture how much joy this show brings. "Smiling Friends" is a hilarious, twisted gem that deserves all the praise it gets. Bravo to Michael Cusack and Zach Hadel for crafting such a brilliantly bizarre experience!
Back to Black (2024)
It's like watching Amy being brought back to life!
Marisa Abela's portrayal of Amy Winehouse in *Back to Black* is nothing short of shocking. Abela embodies Winehouse with such an incredible likeness and performance that it's almost eerie. Listening to interviews with the cast and crew reveals just how much dedication and passion went into making this movie. They filmed at many of the actual locations where Winehouse performed and even enlisted Amy's original backup dancers and band to star in the film, adding an authentic touch that fans will deeply appreciate.
One of the standout aspects of *Back to Black* is its respectful handling of Winehouse's story. Unlike many biopics that focus on the tragic end of the artist's life, this film shines a light on Amy as a person, emphasizing her talent, struggles, and relationships. This approach provides a more rounded and humanizing portrait of the iconic singer.
Marisa Abela's performance is simply uncanny. She not only looks the part but also brings a raw edginess to her portrayal that captures the essence of Winehouse. It's particularly impressive considering Abela had never sung before taking on this role. Her vocal performances in the movie are jaw-dropping and lend an authentic feel to the musical sequences.
Even for those who may not be die-hard Amy Winehouse fans, *Back to Black* is a compelling watch. It's a well-crafted biopic that avoids the usual pitfalls of the genre, offering instead a heartfelt and respectful homage to a beloved artist. This is one of the best castings for a biopic in recent memory, and Abela's performance alone makes it worth the watch.
IF (2024)
A Disappointing Kid-Friendly Attempt
I went to see the movie yesterday, and I must say, I wasn't expecting it to be as much of a kids' movie as the trailer made it out to be. Unfortunately, this was one of its biggest downfalls. The film was very kid-friendly to the point where it became a little bit annoying. I was expecting something that wouldn't be so kid-friendly and would at least cater to a slightly older audience as well, but I was mistaken.
One of the huge issues I had with the movie was its incredibly vague plot and story. The filmmakers didn't provide clear attention to certain plot points, making it hard to understand what was going on, especially concerning the parents, particularly hinting at least one of them being terminally ill from cancer, but they didn't address it (obviously because it's a kids movie). Important details were either glossed over or left unclear, leaving me puzzled and disengaged.
Another perplexing aspect was the lead character's imaginary friend being a human, which didn't make much sense compared to everyone else's cartoon characters. This inconsistency made the story feel disjointed. While I appreciate the attempt at originality, these elements contributed to a confusing narrative.
On a positive note, Ryan Reynolds' performance was a refreshing change from his usual roles. He felt different in this movie, and I'm glad he wasn't giving another Deadpool-like performance. I had a theory that his character was meant to symbolize someone significant to the protagonist, adding a layer of depth that was otherwise lacking.
Overall, while the movie had potential and attempted to be original, it fell short due to its overly kid-friendly approach and vague storytelling. It wasn't a complete failure, but it left much to be desired.
The Fall Guy (2024)
A disappointing spectacle
Contrary to many of my previous movie reviews, "The Fall Guy" left me deeply disappointed, and I'm not inclined to jump on the bandwagon of praise. It's not to say that praise isn't warranted, but the film surprised me with its numerous shortcomings. While the stunts are undeniably impressive, perhaps the best in movie history, the glaring lack of well-scripted dialogue and a compelling plot significantly detract from its overall quality.
Moreover, it seemed that the movie prioritized showcasing Ryan Gosling's appearance over demonstrating any depth or range in character development. Yes, the chemistry between Gosling and Emily Blunt is believable, but ultimately, the film felt more like a drawn-out chick flick than a substantial cinematic experience.
While the ending may offer some satisfaction, it's not enough to redeem the film entirely. If your sole reason for watching "The Fall Guy" is to admire Gosling's good looks, I find it hard to believe, but even then, the movie leaves much to be desired.
American Fiction (2023)
One of the most thought-provoking movies of this day and age.
"American Fiction" is a cinematic masterpiece that delves into the complexities of modern American society with unparalleled depth and nuance. Adapted from Percival Everett's novel "Erasure" by director Cord Jefferson, this film is a testament to the power of genius writing and exceptional storytelling. Jeffrey Wright's performance as the protagonist is nothing short of masterful, captivating audiences with his raw emotion and profound portrayal.
From start to finish, "American Fiction" captivates viewers with its thought-provoking narrative and compelling characters. It explores themes of identity, race, and the pursuit of artistic integrity in a society rife with contradictions and challenges. With stunning cinematography and a hauntingly beautiful score, the film immerses audiences in its world, leaving a lasting impact long after the credits roll.
With five Oscar nominations, including Best Picture and Best Adapted Screenplay, "American Fiction" is poised to make a significant impact at the awards ceremony. It's no surprise that this film has garnered praise from critics and audiences alike, as it represents the pinnacle of cinematic excellence.
If you're looking for a movie that will challenge your perceptions and leave you pondering long after it's over, "American Fiction" is a must-see. Don't miss the opportunity to experience this extraordinary film before the Oscars this Sunday.
Bob Marley: One Love (2024)
A decent biopic that captures the essence of Bob Marley's final years, featuring standout performances and authentic dialects.
I was intrigued to see "Bob Marley: One Love" upon its release, and it didn't disappoint. Kingsley Ben-Adir's portrayal of Marley is magical, and Lashana Lynch shines as his wife Rita. The casting couldn't have been better.
One caveat is the thick Jamaican dialect, which might pose a challenge for some viewers. While it adds authenticity, subtitles would have been helpful. The movie focuses on the last years of Marley's life leading up to his iconic One Love Peace Concert amidst political turmoil in Jamaica.
The narrative takes a sideline approach, blending Marley's personal life with his political involvement, but primarily centers on the buildup to the concert. While there are flashbacks to Marley's childhood and adolescence, the film remains focused on this pivotal moment.
Overall, "Bob Marley: One Love" may not sweep awards, but it's enjoyable for fans of the legend. It's a concise biopic that stands on its own merits, offering insight into Marley's final chapter.
Resident Alien (2021)
A Quirky and Entertaining Take on Alien Encounters
If you're tired of the same old content churned out by Netflix, then "Resident Alien" might just be the refreshing change you've been waiting for. Starring the talented Alan Tudyk, known for his stellar voice work in Disney films and his remarkable physical acting, this series offers something new and intriguing.
The premise is simple yet captivating: an alien crash-lands in a small town and must assume the role of the town doctor. Tudyk's performance as the awkward alien trying to blend in as a human is nothing short of brilliant. His portrayal adds depth and humor to the character, making him both endearing and enigmatic.
While the concept may seem straightforward, the show's exploration of human interaction and society is where it shines. It's a joy to watch as the alien navigates the complexities of human behavior, providing ample opportunities for humor and reflection.
Overall, "Resident Alien" is a unique and enjoyable addition to Netflix's lineup. If you're in the mood for something fresh and offbeat, give this show a try-you won't be disappointed!
Ted (2024)
A Solid Effort with Some Quirks
Seth MacFarlane continues to shine in the Ted prequel, delivering his signature humor that fans love. Despite a genuine feel as an authentic prequel, the lack of recognizable actors and the occasional heavy focus on deep, personal issues may be off-putting for those seeking a lighthearted comedy experience. Nevertheless, it's worth giving the first episode a shot to see if it resonates with your taste in humor. Seth MacFarlane definitely did a good job recreating the same authenticity from both movies. The show is not spectacular, but it's a decent watch if you want to enjoy the same shenanigans.
I had high expectations before watching this Ted prequel. Over the years, I've truly come to appreciate Seth MacFarlane's work. While he may not be a huge hit in Hollywood, the guy knows how to make entertaining stuff fun! I genuinely believe he should venture into more live-action movies rather than sticking to cartoons because every live-action film he's made has made me crack up with excellent comedic timing. Recently, I discovered that he was only given $50,000 to make Family Guy, compared to The Simpsons, which had a budget of 1.5 million - quite impressive!
More about the show:
It feels exactly like the movies! This serves as an authentic prequel with no concerns in that regard. Despite its genuine origin story, there were some aspects I wasn't entirely sure about. While there's nothing wrong with the actors' performances, there are no real headlining names in the cast. I didn't know who any of these people were, which, in a way, makes it more believable, not featuring a ton of already-established stars. However, the lack of relatable actors is quite noticeable. My second concern about this show is its deep dive into the family's dysfunction. It's not necessarily a bad thing, but I feel the show needs more light-hearted subject matter than abusive parents and getting kicked out of the house scenarios. It's not that it's bad; it just delves a bit too deep into personal matters when I want to have a good time enjoying the comedy. The show occasionally becomes too serious with its subject matter. Other than that, it's a great watch, an excellent prequel, and I recommend anyone to at least watch the first episode to see if they like it or not!
The Hunger Games: The Ballad of Songbirds & Snakes (2023)
I'm not a Hunger Games fan, but this was bad and just uncomfortable to watch.
I'm not a Hunger Games fan, but this installment fell short for me, earning only two stars. As a newcomer to The Hunger Games movies, I found this prequel to be unnecessarily violent. Despite being rated PG-13, it showcased more violence, bloodshed, and killing compared to several R-rated movies I've seen, raising concerns about its appropriateness.
The movie was not only gruesome and brutal but also left an uncomfortable impression. The atmosphere depicted a world where everyone turns on each other, devoid of characters to genuinely root for. This lack of relatable protagonists made the entire experience cringe-worthy and depressing.
While I acknowledge that the themes align with the book series, the level of discomfort surpassed my expectations. Exiting the theater, my friends and I shared a collective feeling of unease. If the subsequent movies continue to portray such intense violence and the bleak depiction of humanity turning on itself, I may choose to skip them altogether.
Baby Driver (2017)
A high-octane thrill ride!
Buckle up, because Director Edgar Wright's 'Baby Driver' is an electrifying masterpiece. From start to finish, it's a rollercoaster of adrenaline-pumping action and a symphony of excellent storytelling. The film showcases astonishing stunt driving that will leave you on the edge of your seat-truly the best seen in years! Ansel Elgort's performance is magnificent. An instant classic, it's no wonder it secured a spot on AFI's Top 100 Best Movies list. Edgar Wright's directorial finesse shines brightly, solidifying his position among the best in the industry. 'Baby Driver' is a must-watch for any cinema enthusiast!
Extended Family (2023)
I was so excited but now I'm so disappointed.
I was so excited that Jon Cryer was starring as a lead in a new sitcom. I think he does a good enough job, but everyone else in this really brings the show down. There are shows that have more personality and enjoyability that are considered bad, which are far better than this. And it's just awkward because this show's whole premise is two people celebrating their divorce, which I hate. I'm so sick of shows that have such terrible morals. This show lashes out at marriage completely and treats divorce like an honorable thing to do. Abigail Spencer and Donald Faison really are awkward as hell in this, and that's putting it lightly. The only reason why I don't give this one star is because Jon Cryer is in it; that's not really a huge compliment. For instance, the pilot episode is about everyone hiding a dead goldfish from the daughter. That's how deep the show goes, and that's about as textual as the family gets regarding this show's fakeness. That should tell you everything you're in for: starting out their show about a dead fish. A terrible family is what you're getting into with this sitcom. Spare yourself and don't even bother watching this fake sitcom.
Wonka (2023)
Fun, wacky, fanciful, and full of heart!
This is a prequel to the original 1971 film and the 2005 Tim Burton remake. It's directed by the same director of the Paddington Bear movies. He manages to capture the love and fantasy of this Willy Wonka magically. It's not going to be anything compared to the original movies, but it's its own and it is delightful in every way. I was apprehensive about going to see this because I'm not a big Willy Wonka fan, but by the end of this movie, I think it really surpasses the previous films tenfold. I ended up loving it because it's full of heart. I think that's what a lot of movies forget nowadays. This movie was just full of passion and spirit. Roald Dahl and his family has been very apprehensive in the past about adapting his beloved books into movies, and without question, I think this is a wonderful recreation of his work. Timothée Chalamet really embodies the spirit of Wonka in his portrayal. Some essence of this performance can be a little odd, but he looks and fits the part very well. But the standout highlight performance of this movie that really knocked my socks off was Hugh Grant as an Oompa Loompa. And yes, you heard that right. They CGI'd his head onto an Oompa Loompa body. I heard from sources, the director said he wouldn't have made the movie without Hugh Grant being a part of it for some reason, and it's one of the standout moments in the film that is just absolutely delightful. It makes it even more wacky and fun-spirited. If you want to take your family out to a really endearing movie that's going to lift your heart by the end and make you feel all bubbly and cheerful inside, definitely don't miss going to see Wonka! It will make your heart flutter with amazement!
Ferrari (2023)
Really decent biopic by Michael Mann!
I was timing this movie at different parts so that people can get a feel for the pacing of the film. Except for the opener, which is in black and white, everything else is in color, and you don't see any real cars driving until about 20 minutes into the movie. It focuses a lot more on Enzo Ferrari and the spectacle of Formula 1 in crisis, particularly the themed crash that occurred in the summer of 1957.
Let me first say that this feels more like a long-winded abbreviation of a single moment in Ferrari's life rather than encapsulating his whole story. Bankruptcy threatens his factory, and his volatile marriage with his wife has been battered by Ferrari's reckless spending, secret affairs, and the loss of his previous son a year earlier. Ferrari pushes his team to the brink of insanity, and the passion to win drives them to the edge. All of this takes place during the launch into the treacherous 1,000-mile race across Italy, the Mille Miglia. One of the key moments is a deadly crash, a scene not for the faint of heart. It stands out compared to every other part, showing the severity and magnitude of this historic wreck where countless lives were lost. This doesn't happen until about an hour and 30 minutes into the movie.
Keep in mind, this is one of Michael Mann's slower movies, so don't expect to be shifted into fast-paced action and driving sequences. It's more about telling the story of the Ferrari family and the spectacular depiction of calculated insanity behind Enzo Ferrari. Going into this movie, knowing it's slow-paced rather than fast-paced like the trailers suggest, will help manage expectations. It's good, but certainly not fast-paced if that's what you're looking for, and this movie drags to the finish line.
A Dog's Journey (2019)
It's super long, and Dennis Quaid doesn't show up until the very end.
This movie has to be the longest dog movie ever made! Just like some other people who posted reviews, I truly felt exhausted after watching this marathon of a movie! They focus for about an hour on the main character as a kid growing up as a teenager, and then they reincarnate the same dog through multiple owners until the same dog meets up with the same kid who owned it. Now, he's a full-grown adult played by Dennis Quaid. It's a really good portrayal of how dogs' souls reincarnate and how they all have purposes to help different people with different problems. It's great but long! They really could have shortened it.
The Naughty Nine (2023)
A naughty Christmas movie with a Black Santa teaching kids to be naughty.
Let me begin with the positives first because there aren't too many. The sets in this movie are probably the best I've ever seen for a Christmas film, which is unfortunate because the rest of this movie is complete garbage. Not only does this movie teach kids to be naughty, but it also represents everything that Christmas shouldn't be. And Danny Glover as Santa? Really? Not that I'm opposed to it, but why him? He comes across as judgmental and unforgiving, contradicting everything Santa is known for. I simply don't understand why this movie spends almost its entire runtime teaching children to misbehave, steal, and lie, and then, in the last 5 minutes, Danny Glover appears at the very end, telling the naughty kids that he needs their help, with no explanation whatsoever. Sure, the naughty kids might learn their lesson to some extent, but to have an entire movie completely undermine the essence of Christmas and the importance of being good? I don't think this movie sends kids the right messages at all. But as I said, the set design in this movie is the best I've ever seen, and that's the only good thing about it. It seems like Disney wanted to create a naughty Christmas movie to teach kids that it's okay to misbehave.
Unaccompanied Minors (2006)
THIS SHOULD BE MENTIONED AS A CHRISTMAS CLASSIC!
I don't know why more people don't mention this movie. It's fantastic! It beats out most of the comically bad *Home Alone* sequels, and it is genuinely heartfelt, leaving you wishing for a sequel! Where do I begin? The cast is nothing short of perfection. I mean, it even has Thurman Merman from *Bad Santa*! If that's not casting perfection enough, along with Fez from *That '70s Show*, Rob Corddry as the dim-witted father figure, who is a comedic genius, and B. J. Novak, Mindy Kaling, David Koechner, and Rob Riggle, all from *The Office*, not to mention Al Roker, Kirsten Wiig, and even Mario Lopez of all people in this movie! The standout villain, Lewis Black, is just iconic as the main antagonist, keeping all these kids locked in an airport on Christmas Eve! If that's not enough to make this an instant classic, I don't know what is, with a cast like this! This movie gives *Die Hard* Christmas feels throughout and is nothing short of extra perfection with one of the creators of *Knocked Up* helming this legendary cast ensemble! The ending is Grinch-perfect, with Lewis Black's heart growing in size at the end with kindness and holiday cheer! This movie really should be mentioned more often among the Christmas classics.