Change Your Image
DarthWalker-34381
Ratings
Most Recently Rated
Lists
An error has ocurred. Please try again
Actors and Actresses with surprisingly few credits
However, if we exclude child actors whose careers ended due to aging out, or stars who passed away before reaching their prime, such as James Dean, here is a list of actors and actresses who have accumulated surprisingly few TV/movie titles (45 or less) throughout their acting career, according to IMDB.
Reviews
Moon (2009)
A Hidden Gem That Captures the Heart of Sci-Fi
I discovered this hidden gem on the recommendation of ChatGPT... yes, ChatGPT can keep track of your tastes and recommend movies! Moon stands out in the sci-fi genre, not for action or effects, but for its layers, twists, and thought-provoking themes. It's what originally drew me to sci-fi in the first place-the endless story possibilities, the 'holy crap, didn't see that coming' factor that leaves you thinking. I'm not usually a Sam Rockwell fan, but his performance here is nothing short of stellar. With a smart plot and fresh twists, Moon proves that good storytelling with heart is always worth the time.
Heels (2021)
A stunner!
I don't have Starz...we can't all have every streaming service, right? Thankfully, Netflix, the undisputed champ of streaming, picked up Heels, and I couldn't be more pumped to have found it there.
The show's title, Heels, comes from the wrestling term for a villain-it's not a reference to shoes. Set in Georgia, this all-American series follows the Duffy Wrestling League (DWL), a small-town wrestling promotion that's financially struggling and fighting to stay afloat.
The cast delivers in spades, but what truly makes this show shine is its top-tier storytelling, well-crafted characters, and a script that knows how to hit hard.
Some episodes tug at the heartstrings, particularly the ones exploring King Spade's suicide through flashbacks and the impact it had on the family. Yet, at its core, Heels is about family, loyalty, and hope, with plenty of camaraderie both inside and outside the ring. While Heels is inherently manly, it avoids the trap of over-the-top macho posturing.
This show is criminally underrated and deserves more recognition-and a third season. Now that it's on Netflix, I'm just as optimistic as Jack Spade about what's next for the DWL.
Monsters (2022)
Monsters: The Lyle and Erik Menendez Story
I have no interest in Jeffrey Dahmer, so I didn't watch Monster: The Jeffrey Dahmer Story. A series about the Menendez brothers, on the other hand, is something that I want to check out. Thus, this review is focused on Monsters: The Lyle and Erik Menendez Story, and I'm approaching it as if it's a completely separate series-because it should be treated that way, much like The Haunting of Hill House and The Haunting of Bly Manor.
This series was tantalizing, irresistible, and highly entertaining. Ryan Murphy clearly knows how to craft a dynamic story, and he didn't hold back in this well-constructed dramatized account. His intent was to show multiple perspectives and let viewers interpret the crime and its causes for themselves, and he does this beautifully.
Murphy's story-telling approach effectively channeled the sensationalism of the media spectacle surrounding the Menendez trial. The downside, of course, is that this sensationalism often comes at the expense of the real-life tragedy-the victims and their family.
Murphy aside, the cast were the real stars, beginning with Nicholas Alexander Chavez and Cooper Koch, who delivered chilling and mesmerizing performances as Lyle and Erik Menendez. However, for me, the standout was Ari Graynor as defense attorney Leslie Abramson. Her portrayal was solid, sharp, and hard-hitting.
All in all, as a piece of entertainment, this series works because of its stellar cast and fascinating storytelling. It's impossible to look away.
The Last Ship (2014)
The Last Ship - A Strong Start That Lost Its Way
The Last Ship kicked off with a fresh and intriguing concept that immediately hooked me. The first season delivered something that felt both unique and familiar, reminiscent of shows like Battlestar Galactica or Star Trek, but set on the seas instead of in space. The naval setting provided a refreshing backdrop for a post-apocalyptic story, and the characters, led by Eric Dane's Captain Tom Chandler, engaged in a high-stakes battle for survival.
The show worked in the first season because it balanced the immediate, high-stakes action with the looming global catastrophe of a deadly pandemic. Focused on a simple and compelling mission to find a cure and save the world, the show didn't need to be particularly believable or realistic. The drama was effective because the stakes were clear and urgent, even if the events themselves stretched credibility. Season two kept that momentum going, delivering more of the same tension and emotional weight. The characters made tough choices that still felt impactful, despite the obvious fictional nature of their circumstances.
Chandler stood out as a strong and bold leader, unafraid to make difficult decisions when the situation demanded it. Fully capable of killing or maiming anyone that stood against his crew and mission, and ability to ruthlessly act on it without apology, made him a bad-ass leader in tough situations. At the same time, his loyalty to his crew and genuine care for their well-being made him their rock. His charm and subtle displays of pride, like a well-timed wink, added layers to his character. This balance of emotional strength and unflinching resolve made Chandler a compelling character to watch throughout.
However, as the show entered seasons three and four, it started to drift off course. The storylines became increasingly exaggerated, and the grounded focus on survival shifted toward overly complex military operations and convoluted plot lines.
The first two seasons are definitely worth watching, but the later seasons strayed too far from the show's initial strengths, losing the focus and energy that made it stand out in the first place.
The Perfect Couple (2024)
A good watch
The Perfect Couple earns a solid 7 stars from me. Based on Elin Hilderbrand's novel of the same name, the show features a well-written storyline, a picturesque Nantucket setting, and a stellar cast that includes Nicole Kidman, Liev Schreiber, Jack Reynor, and Dakota Fanning, all of whom bring their characters to life beautifully.
As someone from Connecticut, I particularly appreciated the New England references, which added an extra layer of authenticity. The show is an easy watch overall, with a mix of drama and intrigue surrounding an ultra-wealthy family that keeps things interesting.
Though not naturally suited to my taste, it's a whodunit meets a romance novel. At times, it felt like nearly everyone was having an affair or suspected of murder, which made the plot feel a bit exaggerated. Despite that, The Perfect Couple is fun, stylish, well-paced, and worth checking out.
The Fall Guy (2024)
Bad decisions - Yes. Spicy margaritas - eh, not so much.
I had high hopes for "The Fall Guy." It had a decent concept, a solid 80's TV show as its foundation, and the potential to be something special, but it unfortunately fell flat. Despite the undeniable charm of Ryan Gosling and Emily Blunt, even they couldn't salvage this movie. The issues start with the writing-disjointed and nonsensical, leaving the story incoherent, bland, and frankly, dumb. While there were a few clever scenes and well-choreographed action sequences, they were overshadowed by dialogue that dragged on far too long, cartoonish characters, and thinly crafted plotlines, leaving me bored and disappointed. Being a stunt double himself, it felt like David Leitch (Bullet Train and Deadpool) banked on his star leads, explosions, and over-the-top stunts to distract from a bad script that he couldn't direct. Thus, what could have been a sharp and fun action-comedy ultimately turned out to be a dud. Colt Seavers deserved a better script and director.
Time Bandits (2024)
Kudrow is the best part of the show
I couldn't get into this show. I never saw Time Bandits the movie, so I have nothing to compare it to. It's not clear if it's supposed to be a comedy or a kids show. Either way, I didn't find it very funny and my kids had no interest in it. Nothing really landed and it just fell flat. The one bright spot was Lisa Kudrow-she brought her usual charm which was nice to see, and I was glad she didn't attempt an accent. Nearly everyone else seemed to have a foreign accent. I'm not a fan of shows with foreign accents because I struggle with the heavy accents some actors have, which makes it too hard to follow the dialogue. When I can't follow what's being said, it becomes nearly impossible to immerse myself in the story, and unfortunately, that was the case here. Overall, the show just didn't keep my attention, and it's not something I'd recommend.
Kingdom of the Planet of the Apes (2024)
A worthy installment
Now available on Hulu and Disney+, the long-awaited Kingdom of the Planet of the Apes makes its mark in the POTA franchise. Set hundreds of years after Caesar's death, his legacy has become a distant, fragmented, or even forgotten memory. With the planet now dominated by apes, Caesar's true teachings have been twisted and obscured by rulers like our main antagonist Proximus Caesar, who uses them to justify his harsh regime. Only a select few scholars and kings understand Caesar's original message, while humans have seemingly regressed to a primitive state, culminating in a new world rich in lore and ripe for exploration.
This movie is not without its flaws and it seems all too easy to compare it to its predecessors. Could they have given us more substance? Sure, especially with the ape-human dynamic which seems to have been thrown in as an afterthought that really just rephrases what we've heard before. Could they have deepened our main antagonist's character development? Absolutely! We don't know much about him beyond what's on the surface, and I wanted to see him more brutally passionate about destroying mankind. Has the franchise been Disney-tized? 100%, even at a 2hr and 25-minute run time, this movie feels stripped-down, surface-level., and perhaps overly simplified.
On the positive side, Kingdom of the Planet of the Apes is undeniably a visual masterpiece. It starts off strong with intriguing world-building and a focus on ape society. It's also a good story that's fresh, appealing, and easy to watch, filled with some beautifully executed moments. I also thought that Owen Teague did an exceptional job as Noa. But, for me, Peter Macon stole the show as Raka.
Bottom line, the film manages to carve out its own identity, and it's one that's easy to follow along and get behind. It works well both as a stand-alone entry and as the first in Disney's planned trilogy, offering viewers a complete story with the potential for more, suggesting hints of promise for what's to come. With top-tier production values, good writing, and clean execution, Kingdom of the Planet of the Apes is still a worthy addition to the franchise. As for where Disney takes it from here, I remain cautiously optimistic.
Guardians of the Galaxy Vol. 3 (2023)
I've got mixed feelings about this installment
Guardians of the Galaxy Vol. 3 brings back all the beloved Guardians for one last cosmic escapade. This final installment of the trilogy focuses on saving Rocket's life and includes flashbacks to his origin story. However, like its predecessors, the film features very one-dimensional characters, with clear-cut distinctions between good and bad and no real grey areas. The dialogue and themes often come off as juvenile, much like in Volumes 1 and 2, which can make it challenging to connect with the characters and their plight during these repetitive moments. On the bright side, the music selections are fantastic-fun, always welcome, and very fitting for each scene. As for the storyline, it quickly becomes stale and fails to hold interest, leading to a sense of boredom as the film progresses, at least in the first act. At the same time, the visuals were so spectacular, I couldn't keep my eyes off the screen during the bigger climactic scenes. And it ended on a memorable, bittersweet note. So, a bit of a mixed bag, indeed.
Predestination (2014)
ehhh...not great.
"Predestination," starring Ethan Hawke and Sarah Snook, aims for a mind-bending time-travel experience but ultimately falls flat. Adapted from Heinlein's "-All You Zombies-," the film centers on a temporal agent's mission to stop a terrorist, with a twisty storyline designed to shock.
However, the twists are preceded by a sluggish origin story that takes up what feels like half the movie. The second half, while intricate and fast-paced, lacks emotional depth and believability, making the characters feel more like wooden pieces in a puzzle than real people.
The twists aren't mind-bending, nor are they entirely predictable. Instead, they land somewhere in between overshadowed by a sense of "why?" and "so what?"
Ultimately, "Predestination" offers a clever concept but fails to deliver, leaving viewers with more of a shrug than a sense of awe.
Once Upon a Time in... Hollywood (2019)
A pointless Tarantino bomb of a movie
This movie was a 2-hour and 40-minute self-indulgent slog that was incredibly painful to watch from beginning to end. Rife with erratic pacing and meaningless conversations that dragged on endlessly, it left me wondering when we'd actually get somewhere. The bizarro versions of icons like Bruce Lee and Steve McQueen were completely unnecessary. Sure, the movie has some nostalgic value, recreating 1960s Hollywood nicely, but it too often feels as if Tarantino got lost in style over any real substance that matters to anyone besides him and his die-hard fans. Despite the all-star cast, some characters, like Margot Robbie's Sharon Tate, were noticeably underutilized, leaving me wanting some semblance of character development. Then there's the climax-where things took a sharp turn into utter historical fantasy. By that point, I was completely baffled by the inclusion of the Sharon Tate/Manson family subplot at all. If the climax aimed to offer a cathartic twist on the real murders, it missed the mark. Instead, it was a startling gore-fest that made a distasteful mockery of the tragedy. At the end of the day, the entire movie was a shameful waste of time.
No Time to Die (2021)
The quintessential bond film
No Time to Die is the best Daniel Craig Bond film to date. Introducing the amazing Rami Malek as the fiendish Bond villain, this entry delivers everything a Bond film should be-thrilling, stylish, and, with three Bond beauties in the cast, full of sex appeal. Unlike the more experimental entries earlier in Craig's tenure, where the series tested the waters with grittier themes and more realistic storytelling, this film embraces the classic elements of the franchise. Who wants real in a Bond film anyway? We want to be entertained and escape from reality. This film does just that. Craig infuses his final Bond performance with added suaveness, sharp one-liners, and a touch of humor. Simultaneously, he delivers a commanding portrayal, revealing glimpses of a simmering temper, a callous edge, and a hopeless romanticism as he embarks on his quest to save the world, further accentuating 007's many layers. There may be some continuity issues and problems with character development for anyone besides Bond himself, but I just loved how Craig stayed true to the character in this film. His portrayal is spot-on, and it stood out in comparison to Craig's previous Bond films. Overall, the film left me in awe with its fantastic blend of classic Bond flair and modern camera action, making it a fitting send-off for Daniel Craig.
Your Honor (2020)
Great first season
The first season is absolutely thrilling, with Bryan Cranston bringing his A-game. The writing is excellent, and the mafia family is ridiculously menacing. I thought Hunter Doohan, playing Cranston's on-screen teenage son, did an excellent job in this convincing drama.
Sadly, the second season is lackluster, with Cranston, who was superb in Season 1, seeming to sleepwalk through it. For most of the second season, it was unclear if it was a slow burn or just plain slow, but the verdict is in: it's just plain slow.
I highly recommend watching the first season, but the second season seemed unnecessary; everything you need to see is packed into the first season.
Presumed Innocent (2024)
Best new show of the summer!
I've been waiting for a great new show that my wife and I could watch this summer, and Presumed Innocent on Apple TV was it. Based on Scott Turrow's 1987 novel of the same name, and a remake of the 1990 film starring Harrison Ford, the brilliant David E. Kelly delivers a powerful script that's absolutely addictive. The storyline was mesmerizing, and Jake Gyllenhaal gave a stand-out performance as a prosecutor accused of the murder of his co-worker, with whom he was having an affair. All of the actors gave strong performances in this courtroom drama. The show will keep you guessing until the very end. I highly recommend it.
Joe Pickett (2021)
A fine, upstanding show
I really liked watching Joe Pickett. The characters had a certain quirkiness to them, which added a unique charm to the show. They were painted in broad strokes, often fitting neatly into categories of being either very good or downright bad. This straightforward characterization gave the series a classic, almost nostalgic feel. The concept itself felt fresh and original, bringing something new to the table among other dramas. Unfortunately, Paramount Plus decided to cancel the series after just two seasons. It's a shame because I genuinely believe Joe Pickett had the potential to appeal to a much broader audience. It was one of the rare shows that my wife and I could both agree on and watch together, making its cancellation feel like a real loss. I would definitely recommend it to others looking for a good show to watch, despite its untimely end.
Little Fires Everywhere (2020)
A guilty pleasure
This series hooked me from the start. It had soapy nuances and family drama, but the writing and acting was as good as you can get. The tension between Kerry Washington and Reese Witherspoon's characters was as juicy as a quality filet mignon and a fine glass of red wine. Themes centered around inequality, bad parenting, complicated family dynamics, racial relationships, and teen sex. While the storyline grabbed me, I found the motivations for setting fire to the house at the end incredibly weak. So, don't watch it for that. Watch it for the delicious story-telling, strong characters, great writing, and exceptional acting.
Silver Linings Playbook (2012)
A stark portrayal of mental illness with a silver lining
If a friend asked me what watching Silver Linings Playbook is like, I might say, 'It's a bit like watching a train wreck, filled with crazy people and served up as a dark rom-com slash drama.' However, for the purposes of this review, I'll be more politically correct and describe it as a film about people who care for each other while managing their respective mental illnesses. Bradley Cooper and Jennifer Lawrence both come off as a bit over-the-top angry and frantic, Robert DeNiro's character struggles with OCD, and others with smaller roles seem to struggle with mental health as well.
With most of the movie shot with a Steadicam, the resulting camera work gives the movie a low-budget feel. The shaky, unsteady shots add to the sense of chaos and frenetic instability, making it hard to look away even when it feels uncomfortable.
In terms of music, a great selection of licensed recordings are used, such as "Girl from the North Country" by Bob Dylan with Johnny Cash. However, the sparse use of an original non-diegetic score creates a quiet that makes each scene feel stark and somber.
The film's blend of dark humor, raw emotion, and intense portrayals of mental illness create a film that's hard to sit through. But, the biggest problem with this movie is the story which is generally weak and unsatisfying. That said, there is a silver lining: unlike many films in this category, this one does improve as it nears the end. So not a bad watch, after all.
Man of Steel (2013)
Far better than the 7.1 rating on IMDB
I see what people mean now by this movie being underrated. With 7.1 stars, It's underrated in terms of IMDB reviews and potentially elsewhere. This movie should have at least 7.9 stars. I understand people didn't like the CGI, and I think that's understanable but at the same time I think it's being picky and too "left-brained" for me. But at the same time, Henry Cavill is highly regarded on social media as the best Superman ever.
Personally, I think "Man of Steel" is an incredible Superman movie and one of DC's best along with the Dark Knight trilogy. I'm still sad this was Henry Cavill's only solo Superman movie. Really wishing they never made Superman vs. Batman, and just came out with a second solo movie for Cavill. It's unfortunate, because the set-up at the end of the movie was perfect for a sequel.
Watching back in 2024 on MAX, it's still just as good as it was in 2013. I found it interesting that Kal-El was too often referred to as simply Kal. It makes sense, as he is from the house of El, thus it's treated as a surname. That said, then why isn't Jor-El just called "Jor"? I also don't love Amy Adams portrayal of Lois Lane. Adams did portray her as smart, definitely fiercely determined as she follows Clark Kent in the beginning of the movie, and brave as she steps into an escape pod without hesitation, but she didn't quite capture her moxie, wit and spirited energy. Cavill did well with his ongoing struggle between humanity and being Kryptonian, often embracing his love for humanity and peace as Superman always does.
Overall, this movie was like a non-stop super train of out-of-this-world action, with so many great little moments sprinkled throughout (especially with Kevin Costner as Jonathan Kent). Great editing, soundtrack, and special effects. It captured the essence of the classic Superman story so incredibly well. With some tweaks to special effects and characterization, Man of Steel could have been a timeless treasure. Not bad for a stand-alone solo superman movie.
Dark Matter (2024)
Are you happy with your life?
Blake Crouch's book Dark Matter comes to life in this Apple TV series. I bought the book last summer but only read it after seeing the show's preview. Thanks to Blake Crouch's multiple roles as producer, writer, and creator, the series is well done and stays faithful to the novel's tone, storyline, places, themes, and even some dialogue was lifted straight from the pages of the book. Having read the book, I worried the TV series might be predictable, but Crouch made enough changes to keep it fresh and riveting. For example, the book barely touches on Jason 2's life after taking over Jason 1's, so the show's exploration of this was a welcome addition. Although there's some questionable casting choices made that differ from the characters in the book, the cast performed beautifully.
For those who got bored after a couple of episodes, I disagree with the advice to stick with it because it gets better. I thought the series was exceptional from the start and the overarching tonality of the show stayed pretty consistent throughout. So, if you didn't like the first two episodes, you probably won't like the rest. I loved it. But maybe, just maybe, somewhere in the multiverse, another version of me is writing a very different review. And I'm OK with that.
Wayward Pines (2015)
Clear rules, severe punishment
I never watched this series when it first aired on Fox. I came across it while searching for a new show to stream, and the name sounded familiar. Currently available on Hulu, the pilot episode didn't immediately grab me, but I found it intriguing and thought the show had the potential to explore many interesting directions, so I continued watching. Based on Blake Crouch's novel, the writing was exceptional. Although there were some plot holes, I don't base my decision to watch a series on analytical thinking. I'm much more interested in the emotional reaction to the story. And, I can tell you that I fell in love with Wayward Pines.
The story is filled with twists and turns, continually going in unexpected directions. I found it to be a multi-layered tale about humanity, oppression, survival, and mob mentality on an epic scale. Some of the acting is mediocre, particularly with the casting of Jason, who became the main antagonist in season 2, along with some of his cohorts. This is unfortunate, as the villains in season 1 (played by Toby Jones and Melissa Leo) added complexity, depth, and richness to the characters. However, I loved Matt Dillon as the town sheriff in season 1 and Jason Patric as the town doctor in season 2. Supporting actors Hope Davis, Carla Gugino, Tim Griffin, Reed Diamond, and Terrence Howard also gave strong performances.
Since the series originally premiered on Fox in 2015, it doesn't have the modern, edgy, and R-rated feel that many streaming shows have in 2024. The production doesn't seem to have as high a budget as many other shows either. Nonetheless, they've done a commendable job with what they had.
I'm still watching season 2 on Hulu. It's not as interesting and fresh as season 1, but it's still a pretty good watch so far.
Upload (2020)
Better than expected
When I saw the promo for season 1 of Upload, it didn't appeal to me. I thought it was another show like The Good Place, a show I could not get into. But on my recent quest to find new content, this sci-fi, single-cam comedy surfaced again, now in its third season. So I had to try it. And I'm so glad I did. I'm not sure if it's because of the dark sci-fi overtones, or the larger-than-life characters that's played so well by its amazing cast, but it's one of the best single-cam comedies that I've seen.
A huge kudos to the casting directors. The chemistry between Robbie Amell and Andy Allo sizzle. Owen Daniels as the A. I. Guy is hilarious. Allegra Edwards kills it as Ingrid - the obsessive on-again off-again girlfriend. And, William B. Davis as the villainous David Choak is inspired. The cast is also provided with brilliant material and a fresh, original storyline that is nothing like The Good Place.
I can't wait to see what they do with the fourth and final season.
George Lopez (2002)
The rating doesn't make sense
George Lopez is one of those TV shows where the IMDB rating (currently at 6.9) doesn't make sense. Lopez's comedic chops and timing shine in this show, making every episode amusing, and fun to watch. The character development is as good as you can get with a multi-cam sitcom. And the numbers don't lie: 6 seasons, 120 episodes, and leading in the Nielsons Ratings, this was one of the best sitcoms on during its time...with the one exception of King of Queens. Alone, the cast isn't the best. But in their interactions with George Lopez, they are brilliant. Available for streaming on Peacock, I highly recommend giving this show a try.
Russian Doll (2019)
8-stars for Season 1 only!
Season 1 of Russian Doll, a sort of comedy-drama meets sci-fi, reinvents the time loop plot device (made famous by the movie Groundhog Day) with a fresh storyline. It stars Natasha Lyonne as Nadia who repeatedly dies and relives the same night...the night of her birthday party. As she tries to solve the mystery throughout each time loop, she runs into Alan, played by Charlie Barnett, who is experiencing the same thing. If you can get past Natasha Lyonne's husky voice, strong Brooklyn accent, and tough demeanor, then season 1 delivers a dark, smokey, and incredibly fun watch. Season 2 on the other hand, involving time travel, was a bit of a mess and not nearly as fun to watch. Thus "8-stars" for season 1 only!
Crazy, Stupid, Love. (2011)
The perfect combination of sexy and cute
I think I watched Crazy, Stupid, Love years ago when it first came out, and thought it was just OK. Watching it back now, it's even better. Starring Steve Carell, Ryan Gosling, Emma Stone, Julianne Moore, Marissa Tomei and Kevin Bacon, every actor brought their A-game comedic chops. The movie can be at times a little messy, a little mopey, a little silly, a little sexy, but the overarching story is irresistibly charming. It's a fun watch that intertwines all of the characters in a really creative way, and is all about finding oneself and going after your one true love. All wrapped up in a package of humor and heart.
Argylle (2024)
If your going to go out with a bang, then go out with a bang
Argylle, a spy flick, oozes imaginative storytelling with its campy, messy style, dishing out fun like chewing on cotton candy at a circus. It lacked any semblance of real-world logic or realism and made no effort to take itself seriously. In fact, the movie seemed to laugh at its own silliness.
This movie had a number of things going for it. For one, it boasted a powerhouse cast including Henry Cavill in a small supporting role, alongside Bryan Cranston, John Cena, and the brilliant Catherine O'Hara. Bryce Dallas Howard was perfectly cast as the positively adorable and likable lead character, while Sam Rockwell seemed content to fill the role as Howard's quirky sidekick. With the romantic connection that develops between the two protagonists, Argylle feels a bit like watching a little girl's fantastical daydream of her adult self and her offbeat prince charming.
Unlike some other spy spoofs, it kept the entertainment value high with squeaky-clean content, a colorful style, and intentionally over-embellished CGI. Not to mention some really neat music choices. Since Argylle arguably isn't as dirty as Austin Powers, as bloody as Bullet Train, or as witty as Monty Python, audiences and critics have rejected it. From my point of view however, it maintained a brisk pace, was fun to watch, and never made me sigh, wince in disgust, or feel my intelligence was insulted. I even chuckled a few times until the very end. And, I keep thinking about the movie and wanting to watch it again..or at least some of the cooler scenes again. That's a win in my book.