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Selma (2014)
Selma: The Courageous March for Civil Rights - why it is still relevant today.)
I went away from the screening feeling empowered to write an inspiring review of, "Selma." I was deeply moved by the image of marchers from diverse religions, black and white, standing together against injustice and inhumanity. These people risked their lives for the rights we enjoy today. And the themes are still so relevant in this time of racial discord and disillusionment with those in power.
Then there was the controversy around the accuracy of the film's depiction of President Lyndon Johnson as a deterrent to the march at Selma. Director Ava DuVernay explained that it was her artistic vision. She suggested that people research it for themselves. After doing my own research, I found that President Johnson's involvement was not black and white. He was first and foremost a Southern politician. I believe that, "Selma," is DuVernay's honest take on the events. Her vision is to invite the audience into the spirit of the movement from the point of view of its black protagonists. It was greater than just one man. It was a community coming together to figure out the best way to accomplish their civil rights objectives.
The movie shows how African-Americans were humiliated, threatened with losing their jobs, beaten or even killed for attempting to vote in the South. A group of civil rights activists, including Martin Luther King (David Oyelowo), decide that the best course of action is to fight for the unobstructed right to vote. King meets with President Johnson (Tom Wilkinson) to request that he pass the Voting Rights Act. But the president's goal is to keep a handle on the civil rights movement and he is only interested in uncovering King's next course of action. He claims that there is too much on his plate, including fighting poverty, to pass a Voting Rights Act.
The activists decide to bring attention to the issue by holding a non-violent demonstration in Selma, Alabama. As the protesters kneel down before Sheriff Jim Clark, a police officer strikes an elderly man who has difficulty kneeling. When two protesters intervene to protect the man, the police respond with a vicious attack. The protesters flee, but the policemen are unrelenting in their pursuit. One young man helps his family escape into a restaurant, where they pretend to be eating. The policemen track them down and shoot the young man in cold blood. Spurred on by this tragedy, the community rallies together. They organize a non-violent march from Selma.
When the peaceful marchers reach the end of a bridge, Sheriff Jim Clark is waiting for them. He sics his armed state troopers on the marchers. The nation watches, horrified, as the marchers are savagely beaten as white citizens cheer. Martian Luther King sends out a call to his fellow clergy to stand with him as they march again. Moved by the inhumanity, they come to show their support. It is inspiring to see black and white people from all religions joining arms and standing together.
The reason I wanted to include the excerpt from his Montgomery speech is that it still rings true today. Martin Luther King educates the nation on how after the emancipation, the Southern aristocracy was afraid of the freed slaves organizing with the poor whites for better working conditions, so they passed the Jim Crow segregation laws to separate them. The inherent message was no matter how low the white man was, the blacks were lower. (Not unlike how our current politicians use undocumented immigrants as scapegoats, blaming them for causing the recession by taking the poor man's jobs.)
Witnessing the inhumane treatment of the blacks at the march in Selma created more understanding of the plight of African Americans - which allowed President Lyndon Johnson to finally pass the Voting Rights Act in 1965. I hope witnessing these events will remind us of the difficult battle that was waged to achieve these rights, so we won't allow them to be taken away.
Movie blessings! Reel Inspiration dot blogspot dot com
I will be writing about Director Ava DuVernay in an upcoming Reel Inspiration post on "Women Directors."
Precious (2009)
PRECIOUS: miraculously moves from despair to hope.
The synopsis of PRECIOUS couldn't be more depressing. Precious, (Gabourey "Gabby" Sidibe) an obese thirteen year old, is pregnant for the second time with her father's child. Her mother (Mo'Nique) treats her as less than a servant, beating her and constantly reminding her that she is nothing. We get a glimpse of the girl's spirit as Precious escapes into her dreams of being a glamorous star. At school Precious is pretty much invisible aside from being teased for her weight. But there is one teacher who recognizes her potential in math. When Precious is kicked out of school, he recommends that she be placed in a alternative school. Her new teacher (Paula Patton) asks Precious how she felt about introducing herself to the class and Precious says she feels, "Here." The teacher assigns her a journal where she expresses herself for the first time. Precious finds the strength to get an education and keep her baby even as the abuse intensifies at home.
It is a minor miracle and a credit to director Lee Daniels, screenwriter Geoffrey Fletcher, and actress Gabby Sidibe that you leave the theater actually feeling hopeful. The film demonstrates the transforming power of having one person - in this case a teacher - who believes in you. Precious illustrates the strength of the human spirit to survive extreme abuse and find hope.
Movie blessings! Jana Segal, Reel Inspiration
Paris (2008)
Paris: a story around every corner
In "Paris," there is a story around every corner. A young heart transplant candidate, Pierre, looks down from his balcony to the busy streets of Paris. He finds comfort in observing the everyday details of other peoples lives as his own may be slipping away. A history professor begins to regret the sacrifices he made for his career after his father passes away. In a clumsy, urgent attempt to find love, he sends a text message to an unobtainable coed. An open air market vendor must learn to live again after losing his wife. When Pierre's sister Elise (Juliette Binoche) puts her life on hold to take care of him, they both realize that she has just been going through the motions since her husband left. Pierre convinces her that her life isn't over - it is just beginning.
"Paris" is full of so many things that make Paris great: the history, inspiration, life, and love!
Movie blessings! Jana Segal Reel Inspiration
Invictus (2009)
INVICTUS: Mandela inspires a nation
INVICTUS opens with the image of a road dividing the well groomed, green rugby field for the white African team and the rough, dirt lot where black African children play. Coming down the road is the motorcade of newly elected President Nelson Mandela.
This is a movie about inspiration. President Mandela's (Morgan Freeman) resolve to unite the nation without punishing his suppressors after serving twenty-seven years as a political prisoner is indeed inspiring. Through his example, he teaches his country how to forgive.
Knowing that his county is still racially divided in the wake of apartheid, the President enlists the help of the national rugby Team Captain (Matt Damon in his most buff and tan) to unite the country with the universal language of sports. Africa is hosting the Rugby World Cup Championship and he knows that the eyes of the world are on them. His first task is to inspire the team to overcome their losing streak and win the championship. But the bigger challenge is to inspire his hostile countrymen to rally around the mostly white team.
Unfortunately, the sports section of the movie isn't as moving as it could have been and therefore less inspiring. President Mandela gives the Team Captain the poem, "Invictus" for inspiration. (Mandela got strength from this poem to survive those hard years in prison.) The Team Captain surprises his players with a visit to Mandela's tiny prison cell. But an opportunity is lost when he doesn't share the poem with his team. The audience hears the poem as a voice over. (My frustration increased when I couldn't make out a few of the words.)
Perhaps the screenwriter was trying to keep to the true story. In sports stories there is always the problem of creating suspense when we know who will win. And this definitely is a problem here. Apparently, the game was not an emotional roller coaster.
I'm not saying there are no inspiring moments. There are several. It's just not as moving as it could have been. (I wonder if director Clint Eastwood was trying to avoid having the movie called sappy...?) It is still a three, maybe three and a half, star movie. Who wouldn't root for Morgan Freeman in a strong (however tall) portrayal of Nelson Mandela?
Movie blessings! Jana Segal, Reel Inspiration
Up in the Air (2009)
UP IN THE AIR: more than a flighty comedy
ZIP up the carry-on bag, SNAP up the handle, ROLL up to the gate, and V.I.P. through the automatic check-in machine. ZIP. SNAP. ROLL. VIP. "It's a pleasure to see you again Mr. Bigham." In V.I.P. time, Ryan Bigham is "Up in the Air."
This is the structured, comfortable life of Corporate Downsizing Expert and elite frequent flyer Ryan Bigham (brilliantly played by George Clooney.) Bigham happily travels 322 days a year. He is on the verge of achieving his ultimate goal - to win a golden card for earning ten million frequent flyer hours. And he has just met the frequent flyer woman of his dreams, Alex Goran (Vera Farmiga) - a sexually adventurous woman with no excess baggage.
I was delighted to discover that "Up in the Air" was a charming, witty, and ultimately poignant film in the tradition of Prestin Sturge's smart comedies. Kudos to director/co-writer Jason Reitman ("Juno," "Thank You for Smoking,"), co-writer Sheldon Turner, and an award winning ensemble cast.
Brigham flies from city to city firing unsuspecting corporate employees. He handles his job with the necessary objectivity while treating his victims with as much dignity as he can muster. He gives them a package that includes their severance benefits and a plan for reclaiming their unrealized dreams. No doubt it is a great comfort to get "up and away" from it all.
Brigham is in danger of being grounded when an Ivy League graduate Natalie Keener (Anna Kendrick) develops a plan to save travel costs by firing people via video conferencing. Brigham's comfortable routine is challenged when he is forced to take Natalie on the road to show her the ropes. She observes, "You have set up a way of life that makes it impossible for you to have any kind of human connection." I found myself routing for this self-centered man to finally grow and learn how to connect with other people.
"Up in the Air" reminds us that in these difficult times, we need the strength we get from our connections with others. I loved it.
Movie Blessings! Jana Segal, Reel Inspiration
A Single Man (2009)
A SINGLE MAN is about appearances.
"You must get through this goddamn day."
With this affirmation George begins his day.
College professor George (Colin Firth) lives a tidy, orderly life of silent desperation since the death of his partner of sixteen years. Today George plans to put a tidy, orderly end to it all. He puts his affairs in order and packs his brief case for his last day of work - gun in tow.
A SINGLE MAN is a singularly beautiful film. Several reviewers have commented on how fashion icon-turned-director Tom Ford's use of style distracts from the film. But style and beauty are really the point. It's all about appearances.
Keeping up appearances was vital to a gay man in the early sixties. The restraints of society didn't allow men to express deep sentiments. George must contain his emotions even when he is told that his life partner has died in a car accident and that he isn't invited to the funeral because it's "only for the family." Actor Colin Firth gives a glimpse of his pain while struggling to keep it at a socially acceptable level. Director Tom Ford cues us in on the depth of his feelings through music.
But today George has nothing to lose, so we see hints of his true sentiments. He lingers on the scent while petting a stranger's pup. He raves about the secretary's beauty. For the first time, he shares his thoughts with his students about how people are afraid of those who are invisible to them - like the Jews. George is invisible in his own life. But he is still too guarded to share that with his students.
I'm afraid Tom Ford made George a bit too guarded. I think I would have felt more for George if I had seen a deeper connection between George and his lover. But George's memories are shallow. That's really a shame because this is a film about the importance of human connections. Throughout the film, I hoped that George would find the connection he needed to make life worth living.
A SINGLE MAN is a deep film about appearances and our need for connection. It is an important film because it is still sadly relevant. Hopefully, it will help us connect with the beauty in all of us.
Movie Blessings! Jana Segal, Reel Inspiration
La Mission (2009)
Cruise "slow and low" through LA MISSION
"La Mission" is a project of love about the barrio neighborhood the Bratt brothers grew up in. Writer/Director Peter Bratt takes time and care to set up a strong sense of cultural pride with Aztec dancers, Catholic rituals, "slow and low" cruising in shiny low riders through the family oriented Mission District of San Francisco.
Che Rivera (Benjamin Bratt) an ex-con and recovering alcoholic, has worked hard to earn the respect of his community by going straight and being a good father to his college bound son (Jeremy Ray Valdez.) Benjamin Bratt portrays Che as the embodiment of Mexican machismo. The director presents him as a sympathetic character who was brought up to use his fists to survive on the hard streets. Che finds strength for his quest for redemption in his culture and religion. But when he discovers that his beloved son is gay, that homophobic culture drives his negative response.
Enhancing the theme is a multi-racial relationship with Che's black, culturally diverse, social-worker neighbor Lena (Erika Alexander.) Lena sees through Che's violent, macho exterior. Experience has taught her that this kind of man is incapable of changing, but she can't help but be moved by the wounded boy inside.
There is an odd visual metaphor which I believe is meant to show the contrast between past and present Chicano culture: colorful Aztec dancers perform at the shine of a murdered teen with a sign, "No more violence." I found it odd because the Aztec's practiced human sacrifice. Whether intentional or not, the Aztec dancers are a good metaphor for the theme: We need to keep what is healthy from our culture or religion and let go of what is destructive.
"La Mission" isn't perfect. A few scenes were just left hanging - especially in the romantic subplot. I didn't feel the chemistry between Che and Lena. But Benjamin Bratt delivers one of his strongest performances. The brothers have given us an authentic, loving depiction of the culture in the Mission barrio with an important theme for our times.
Movie Blessings! Jana Segal,Reel Inspiration
Pranzo di ferragosto (2008)
MID-AUGUST LUNCH dishes up "slice of life" humor.
The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.
The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.
This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."
"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.
Movie Blessings! Jana Segal, Reel Inspiration
Mother and Child (2009)
MOTHER AND CHILD has some authentic, truthful moments.
"Mother and Child" is a drama about three women connected by their roles in an adoption. Adoption has had a deep impact on each of their lives.
Karen (Annette Bening) is a bitter, fifty-year-old, health care professional who takes care of her distant, defeatist mother. Karen has never gotten over the loss of the baby girl that her mother forced her give up when she was a teen. Karen's heart has been closed off for so long that she doesn't know how to respond to the attention from the new physical therapist (Jimmy Smits) at work.
Elizabeth (Naomi Watts) was adopted by an uncaring couple. Shrouded in protective armer, she has grown up to be a cold, steely lawyer in complete control of her life. When she is hired at a new firm, she uses sex to control her boss and keep him at safe distance.
Lucy, (Kerry Washington) a successful baker and loving wife, has failed to conceive with her husband. She is bound and determined to adopt a baby - even if that includes anxiously jumping through hoops created by the baby's birth mother (Shareeka Epps.)
This film shows the filial longing and loss caused by breaking the natural bond between mother and child.
While there is some TV movie dialogue, there are also silent, authentic moments where the action does the talking. It is in these silences that the audience ponders the meaning. It is those silences that make this a powerful work that leaves you thinking as the credits roll.
Some viewers may complain that the fathers are conspicuously absent. The male characters are relegated to supporting roles in the world of, "Mother and Child." It is film for single mothers who made the difficult decision to put their baby up for adoption, the children they lost, and the people who love them.
Movie Blessings! Jana Segal, Reel Inspiration
Happy-Go-Lucky (2008)
Happy-Go-Lucky-Go-Deep
I left the screening of "Happy-Go-Lucky" not sure what to think. At times like this I tend to lean on greater minds in the lady's restroom.
We mulled over the movie we had just seen. Agreed that it was a bit slow getting started as director Mike Leigh set up Poppy's (Sally Hawkins) happy-go-lucky lifestyle with her affectionate girlfriends. But what was the director trying to say? A voice from the next stall suggested that Poppy chose to be happy. (Wasn't that a great lesson for these hard times?) But was there a darker motive? Was this character manic or a desperate people pleaser? Was her optimistic outlook making her life any better?
To be honest, sometimes her giddy, self deprecating laughter and banter got on my nerves. Director Mike Leigh brought out the maddening aspects of her buoyant personality by pitting her (brilliantly) against more pessimistic characters such as her control freak driving instructor, Scott (the hilarious Eddie Marsan).
Scott is driven to distraction by her attention deficit, high heeled boots, and constant cheerful chatter. He instructs her to always expect the worse. He can't conceive that she could be a teacher when she is so immature.
Polly actually has an inspiring rapport with her students. She demonstrates focused insight and empathy when dealing with a bully in her class. Actress Sally Hawkins took what could have been a one note character and shows us her deep empathy and resulting sadness. She can't make everyone happy. And her own optimistic outlook is tested by a controlling sister, a hurt back, an angry dance instructor, and an odd run in with a homeless man. It's not easy to be happy. You have to work at it.
Poppy has chosen to be happy - even if it takes a bit of work. But is her happiness dependent on making others happy? Can she make her own luck?
I always find it helpful to go back to the opening image of the film to illuminate the theme... Poppy blissfully rides her new bike to a bookstore where she babbles cheerfully to herself and then to a disinterested bystander. Exiting the bookstore, she finds that her bike is gone. Oh, well. She quips, "I didn't even get to say good-bye." Lalala.
So it seems that she has chosen to be happy even when there's no one else around. But she's happiest surrounded by those who love and accept her.
Movie blessings! Jana Segal, Reel Inspiration
The Secret Life of Bees (2008)
Welcome to the family!
Writer/Director Gina Prince-Bythewood, winner of the Independent Spirit Award for Sundance hit, "Love & Basketball," has now brought the beloved, acclaimed best-seller, "The Secret Life of Bees" to the screen.
1964, South Carolina. Lily Owens (played with open-eyed honestly by Dakota Fanning) is raised in a loveless home by her cruel, distant father. Fourteen year old Lily longs for a mother she never knew. When her only friend, their black maid Rosaleen, is assaulted in a racist incident, the girls are forced to go on the run.
Lily and Rosaleen end up on the doorstep of the Boatwrights, the black sisters who own a successful honey farm. Lily concocts an elaborate lie to persuade the maternal August Boatwright (played with warm dignity by Queen Latifah) to temporarily take them in. They are met with some resistance from the guarded June (Alicia Keys), a classical cellist and civil rights activist. But they are welcomed enthusiastically by the open-hearted May (played with touching vulnerability by Sophie Okonedo). They soon find that hyper-sensitive May is moved to tears by the mention of anything sad.
August teaches Lily how to tend the bees, and May whole heartedly embraces both girls. They are soon accepted as part of the family. But Lily still needs to find the truth of why her mother left her.
This is a coming of age story and parable about how to cope with the painful truth and find forgiveness. As Lily's young love interest puts it, "It's not just about the truth. It's about what you do with it." The two sisters illustrate different ways to deal with the hard truths of life. June has closed her heart and built a protective wall to keep out hurtful emotions. While May has completely opened her heart and feels everyone's pain. Her heart is open to joy but it is also an open wound.
I loved being in this world and a part of this loving family - so much that I stayed for a second screening. This is due in part to Gina Prince-Bythewood's excellent adaptation and the wonderful acting of Dakota Fanning, Queen Latifah, and especially Sophie Okonedo - who is literally the heart of the film.
If you're looking for a sweet way to spend the afternoon, "The Secret Life of Bees" will supply the honey.
Movie blessings! Jana Segal reel inspiration dot blogspot dot com
Fireproof (2008)
Fireproof: Finally an openly Christian Film
I was enjoying previews of long awaited Fall dramas when up popped what appeared to be a teaser for the 70's TV show Emergency. It turned out to be trailer for the low budget independent film, "Fireproof" about a firefighter who is a hero to everyone but his own wife. His father explains, "You can't give her what you don't have." His friend suggests, "You gotta beg God to teach you how to be a good husband." The next shot is a man bowed in prayer. There was an audible GASP in the theater. As a society, have we become more comfortable with sex and violence portrayed on the big screen than religion? Maybe we just don't want to be preached at in the movie theater.
This is an openly Christian movie. Two recent Christian movies, "Bella" and "Noelle," were more subtle about their Christian motives - perhaps in an attempt to get non-believers into the theater before imparting the Christian theme. I admired these two films because their non-judgemental message came out of the action. In "Fireproof," the message comes out of the action and preachy speeches - even referencing bible verses. Dad comes off more like a benevolent pastor than a concerned parent. (Oh, he was played by Pastor Malcom. That explains it.) When Caleb (Kirk Cameron) announces that he is getting a divorce, his father challenges him to wait 40 days to perform a "love dare" by following assignments his father has jotted down. This is similar to the device used in the "Bucket List" but it actually works much better here. At first Caleb does the least he can do. His heart isn't in it. His firefighter friend suggests, "You don't just follow your heart. You lead your heart." Skilled actor Ken Bevel does an admirable job spouting some pretty corny firefighting inspired figures-of-speech.
I liked entering the world of firefighters and getting a glimpse at what it's like to come so close to losing your life. Witnessing this side of Caleb's life allows the audience to like him after the unsympathetic way he treats his wife. Unfortunately, their fights come across as somewhat clichéd and stilted. This is partially do to some amateurish acting and partially because many of us have heard these angry words come out of own mouths.
One of the reason's that I went to this film was to learn how to make my marriage stronger. The "Love Dare" has some really good ideas on how to "fireproof your marriage." (One of those corny figures of speech.) And the film inspires you to make the effort.
Despite some stilted acting, corny dialogue, and preachy speeches, I was genuinely moved by "Fireproof." I could relate to the characters' struggle. I would definitely recommend it to a couple who was having problems with their marriage. Well, as long as their spouse isn't a die hard atheist - like mine.
Movie blessings! Jana Segal
The Wackness (2008)
A Different Kind of Meaningful
Since I started writing reviews of inspiring, meaningful films for Reel Inspiration, I've struggled with whether to review films with sex, drugs and violence. I realize this content puts some people off and I don't like to do that. However, these issues are a real part of many people's life journeys. And people find inspiration in many different places.
"The Wackness" is a perfect example of this dilemma. On the one hand, it is a sweet coming of age story dealing with being disappointed with your parents and with love. On the other hand, the main character, Luke Shapiro, is (gasp!) a drug dealer. The original twist, is that Luke's psychiatrist is one of his best costumers. (Audible gasp!)
As the film started, I shuffled uneasily in my seat. This is the kind of film that makes parents (like me) uncomfortable as they contemplate their own teen getting high and having sex. However, the teens in the audience seemed to relate to it. It occurred to me that it must be life affirming to see your experiences reflected on the screen - especially those your parents don't accept.
Josh Peck portrays the drug dealer as a sympathetic character. The film subtly shows the negative ramifications of being a teenage drug dealer. His customers appreciate the drugs, but they never accept the supplier into their party crowd. He is always on the outside. Sex and drugs play an important part of the theme. It seems that the characters can't cope with everyday stress and frustration without self medicating with booze, drugs, or sex. His psychologist (Ben Kingsley living the role) encourages Luke not to numb his pain with prescription drugs, but, "Embrace your pain. Make it a part of you." This is reminiscent of "Garden State" where the excessive drug use reflected the same theme.
The drug use and casual sex may make some people uncomfortable, but this is an important theme for our time. If viewed with a open mind, this may be a good opportunity for parents to discuss these issues with their teens.
Movie blessings! Jana Segal reelinspiration dot blogspot dot com
Kenny (2006)
"Hey, I'm decent here!"
OK. I had my misgivings about seeing, "Kenny." This mockumentary, set in the world of waste management, had the potential to be the grossest of gross out flicks. My stomach wasn't up for it. I was pleasantly surprised by his sweet natured, hilarious film. Certainly, there are plenty of ripe Australian euphemisms for poop. But filmmakers Clayton and Shane Jacobson wisely chose to steer clear of the big chunks and focus on the human aspects.
OK. I have a crush on Kenny. (Shane Jacobson) What's not to like about a brawny Australian bloke who philosophizes and cracks wise about the trials of maintaining porta potties during festival season.
"It takes a certain kind of person to do what I do... No-one's ever impressed, no-one's ever fascinated.... If you're fireman, all of the kids will want to jump in back of the truck and follow you to a fire. There's going to be no kids willing to do that with me. So, I don't do it to impress people. It's a job, it's my trade, and I actually think I'm pretty good at it. " Kenny is just a decent bloke with a real camaraderie with his him co-workers on the splash down crew. He takes pride in doing a good job. And somehow manages to keep his dignify in the most undignified situations. He treats others with kindness and respect even when it isn't reciprocated. After he retrieves a wedding ring from the toilet, the relieved women doesn't even acknowledge her knight with slimy plunger. Kenny is sorely in need of a little respect.
Unfortunately, there is no respite at home. He is separated from his domineering wife and she has custody of their son. She shows open disdain for Kenny's chosen profession - even though it allows him to be close to his son. Still, Kenny awkwardly encourages his pre-teen to speak respectably to his mother.
Kenny does his best to gain his family's respect. He spends his whole day off taking his son to see his grandfather. Grandpa then spends the entire visit berating Kenny for being a "glorified turd burglar" in ear shot of the boy. But the true test of character comes when Kenny is forced to bring his son to work with him on one of the busiest days of the year.
This premise may be a little thin for a feature length film, but there are always strange new festivals and sewage dilemmas to keep it interesting - if not fresh. For instance, the splash down crew must deal with drunken car rally enthusiasts tipping over potties.
Kenny is finally rewarded for his hard work with a trip to Nashville for a fancy Porta Potty Convention. It came as no surprise to me when a pretty stewardess gets a crush on our boy. (Of course, he is too naive to see it.) Director Clayton Jacobson puts it best, " He's the Dalai-Lama of waste management - eternally optimistic and always ready to put others before himself. Kenny represents the humbling nature of common decency." Hey, if you still believe in human decency, please, check out "Kenny." Movie blessings! Jana Segal
Henry Poole Is Here (2008)
I believe in "Henry Poole Is Here."
On a marque crammed with tired summer offerings of over-the-top comedies and action films, I spotted the sweet, small film, "Henry Poole is Here." Like a name sprawled under an aqueduct bridge, it was barely noticeable.
"Henry Poole is Here" is a quiet little film with a big premise. What do you do when you're an atheist and you learn you have six weeks to live? If you're Henry Poole, (Luke Wilson), you buy a house in a neighborhood where nobody knows you, numb yourself with booze, and wait around to die - alone. Henry's plan to fade away unnoticed is disrupted when his neighbor, Esperanza, (Adrianna Barrazza) starts worshiping a water-stained image of Christ she sees on his stucco wall.
To make matters worse, Esperanza is moved to share this miracle with her church and friends. A silent little girl tape records Henry's pleas to be left alone. But Henry never gets his wish. The little girl and her luminescent mother (Radha Mitchell) enter his life to show him that we are all here for a reason. In fact, the whole neighborhood is there for him - whether he likes it or not.
The director, Mark Pellington, leaves it for us to decide whether we believe it's a miracle or not. At first, we don't even get to see what Esperanza is looking at. Later, we see the stain, but the face is kind of illusive - sometimes it's there, sometimes it's not. The film doesn't tell you what to believe. But it shows the strength in believing and especially our belief in others.
Hopefully, this film doesn't fade away unnoticed amidst the jungle of summer releases. Hopefully, it finds a community that believes in it. This is a movie about hope, after all. I, for one, believe.
Movie blessings! Jana Segal reelinspiration dot blogspot dot com
Swing Vote (2008)
Sweet "Political Satire?"
What if the election of our next president came down to the vote of one ignorant, apathetic American? This is the premise of "Swing Vote" a film starring Kevin Costner at his sloppy, likable best.
If you can go with the contrivances that set this story in motion, there is a sweet subplot about this flaky father and his empathetic, politically adept daughter (played admirably by Molly Johnson.) Madeline realizes that her father, Bud, has become the voice of Americans. She takes this responsibility to heart, while he is too busy enjoying the perks of his new found power. Spineless politicians try everything to sway him to their side - even altering their positions on the issues to match his. Unfortunately, he doesn't have a position. He doesn't even know what the issues are. The media portrays him as the embodiment of America. And America has become a big joke.
The movie tries to go for our patriotic heartstrings, but there's not much at stake for our country. There doesn't seem to be any pressing issues the newly elected president needs to resolve. And since the politicians have no convictions or vision, it doesn't matter who wins. But there is something important at stake for our hero - the respect of his daughter who still believes it's not only our right to vote - but our privilege and responsibility.
The premise feels dated - the residue from the 2000 Bush/Gore election and all the dirty politicking that left many Americans apathetic. What may have been a good political satire had it bared some teeth, flashes a sweet tooth instead.
Movie blessings! Jana Segal reelinspiration dot blogspot dot com
Brick Lane (2007)
Rich Performances and Gorgeous Cinematography in Brick Lane
Everyday Nazneen scrubs her foggy window pane trying to peer out of her dingy Brick Lane flat. She longs to return to her childhood home of Bangladeshi where she and her sister ran free through the lush woods before her father forced her to marry an older man living abroad.
Nazneen has been raised not to question her fate, so she does her best to fulfill her duty to her husband and family.Her husband, Chanu, (Satish Kaushik) does not come off as a stereotypical tyrant but a chubby optimist who prides himself in being a western "educated man." He has instructed his daughters to assimilate into Western culture, yet expects to be treated as undisputed ruler of the household. This irony is not lost on their teenage daughter, Shahana, who disrupts the household by challenging her father. (Naeema Begum is pitch perfect as the average "mouthy" teen.) Nasneen does her best to shield (literally) her daughter from her father's retaliation. But the girls have no role model in their submissive mother. Nasneen's only connection with the outside world is what her husband shares with her. Unfortunately, he has absolutely no insight into the needs of his wife or daughters.
Nazneen finally decides to facilitate their trip back to her homeland herself by taking in sewing. The handsome young man (Christopher Simpson) who delivers the garments cracks open a window to the world. Director Sarah Gavron shows Nazneen's awakening through the subtle complexity of Tannishtha Chatterjee's performance.
When 9/11 ignites racial tension in the diverse neighborhoods of Britain, Nazneen must ask herself, "What is my true home?" Nazneen finds that home is where you find your strength.
Don't miss the gorgeous cinematography while it's still on the big screen. BRICK LANE is one of the best films of the summer.
Movie Blessings! Jana Segal reelinspiration dot blogspot dot com
And When Did You Last See Your Father? (2007)
Ignores Hollywood Standards
Reel Inspiration Review: When Did You Last See Your Father.
When Did You Last See Your Father ignores standard Hollywood wisdom: Keep the title short and catchy. Avoid flashbacks. The action should be external, not internal. Make films that appeal to teenage boys. And most of all, don't do stories about old, dying people.
In an article about what sells in Hollywood, an agent moans that she just can't read one more story about coping with aging, dying parents. The market was glutted with them. I couldn't help but think that this must be a very timely and heartfelt theme since it was popping up in so many scripts. Is it possible that there's an adult audience hungry for stories that help them deal with the hard issues in their lives?
When Did You Last See Your Father is based on Blake Morrison's heart wrenchingly honest autobiographical bestseller. It is the story of the forty year old writer's attempts to resolve his troubled relationship with his father as he deals with his immanent death. Collin Firth courageously portrays the estranged son's sometimes unlikable sentiments of resentment, frustration, confusion, and disappointment tinged with compassion for his fading father. Being home brings back memories of coming of age in his charismatic father's shadow and discovering some hard realities about the man. Thanks to Jim Broadbent's dynamic performance, we can see why the son was once proud of him - even though he never felt his father's approval. Blake goes on an internal journey where he finds that he has some of his father's weaknesses. He must decide what kind of man he is to become. At first, the film's lengthy title seems to accuse the grown son of neglecting his father. But by the end, we discover that the title actually asks, "When was the last time you really saw your father - without your own feelings of inadequacy and resentment getting in the picture? When was the last time you saw love?"
Movie Blessings! Jana Segal reelinspiration dot blogspot dot com
The Visitor (2007)
Kindness Is It's Own Reward
The Visitor is about how an act of kindness can enrich the life of the giver. This is a quiet film about a quiet man. Sixty-two year old economics professor Walter Vale (Richard Jenkins) sleep walks through life. He discovers a couple living in his usually vacant apartment. Walter reluctantly lets them stay until they can find another place. This unplanned act of kindness changes his life in ways he never expected. His guest introduces Walter to African drumming. Their shared passion bridges cultural gaps connecting the two men. When Tarak is unfairly arrested as an undocumented citizen and held for deportation, Walter is compelled to help this near stranger. Walter finds a purpose and passion in his life.
Then She Found Me (2007)
Good Films, Like Life and Love, Can be Flawed.
The director rushes through some life altering events without allowing her character to learn the inherit lessons. Before April has time to digest that her husband has left her, she meets a possible soul mate - the father of one of her students. The film seems to say that love doesn't come in a neat little package or even at a good time. Love is messy - full of human weakness and flaws. In this case, the package comes with extra baggage. Colin Firth is vulnerable and sexy as the recently dumped father. Helen Hunt gives an honest, nuanced performance. This is one of most romantic relationships I've seen in a very long time. April's birth mother (typical Bette Midler) turns up to show how really flawed love can be.
The Bucket List (2007)
Jack and Morgan are a pleasure to watch.
OK. I'll admit I have my guilty pleasures. These are films I see not because they are great art or original storytelling but because they make me feel good. The Bucket List falls into this category. It's a feel good movie with some laughs. You can pretty much figure out the whole story from the trailer - yet you still want to be in that world. Jack Nicholson plays a gruff businessman who is treated for cancer. He eventually connects with his trivia spouting, family man roommate (Morgan Freeman) because of their shared condition. When they discover that they both have less than a year to live, they make a list of things they would like to do before they "kick the bucket." The problem I have with the script is that everything comes so easily to them. First, they have unlimited financial resources to travel the world because one of them is rich. I could live with this contrivance if the filmmaker used that screen time to develop the relationship of the two characters. But their relationship comes easily too. There are no real obstacles to overcome that would allow them to fully bond. But luckily, Jack Nicholson and Morgan Freeman give such lived-in performances that we feel like we know them. While gazing at the pyramids, they touch on universal themes such as the importance of faith and share some regrets. They challenge each other to discover the true joy in life. It is certainly a joy to watch Jack Nicholson and Morgan Freedman at the top of their game (and the top of the world!) If this movie inspires you to find the joy in life or contemplate it's meaning, I'd say that was worth the price of admission. Jana Segal, Reelinspiration dot blogspot
The Great Debaters (2007)
The Great Debaters Named Best Inspiring Film of the Year by Reel Inspiration
The Great Debaters is easily the the most inspiring, empowering movie of the year. In fact, I chose it as the number one movie on my "Best Films" list on the Reel Inspiration blog at Blogspot.
The Great Debaters, directed by Denzel Washington and produced by Oprah, is Hollywood all the way. It is an empowering underdog tale inspired by the true story of how the debating team from the small African American institution of Wiley College won the 1935 National Debating Championship. Outstanding performances by Denzel Washington and Forest Whitaker make the picture.
After a hectic montage to introduce the setting, we're in the classroom studying revolutionary ideas from the writers of the Harlem Renaissance with Professor Tolson. Denzel's passionate delivery is reminiscent of Robin William's in "Dead Poets Society. I suspect that Professor Tolson was much more interesting, controversial, and radical than the man presented here. However, it is so moving to hear these important ideas spoken by a African American teacher to African American students at a time when there was still lynching in their part of the country.
The film doesn't back down from the racism of the time. In fact, its an ongoing theme. The film asks if the power of words can really make any difference in the face of violent acts of racism.
Through his example, Professor Tolson inspires his students to speak up for what is right despite how it might conflict with their personal lives or the dangerous world around them. Debate all you want about it, but don't miss this important story.
Jana Segal Reel Inspiration
Juno (2007)
Why is Juno one of the Best Films of 2007?
Once you get past the "clever" over previewed dialog, you'll find a very honest and original story in Juno. It has one of the truest portrayals of ordinary teens in years. What could have been another morality tale is handled with matter of fact honesty and humor. If only we could all have such supportive (and funny) family and friends! The acting sets exactly the right tone. Ellen Page is right on as the sarcastic (or is it honest) Juno. She was the one member of the cast to be nominated for an Independent Spirit Award. But the rest of the ensemble is equally good. Michael Cara's naturalistic and effortlessly funny performance also deserves a nod. Not to mention Juno's parents played by Allison Janney and J.K. Simmons. Jennifer Garner and Jason Batemen are fun to watch as the potential adoptive parents.
Don't let the over played trailer or all the hype discourage you from seeing this movie. There's much more there than what's shown in the trailer. (Isn't that a refreshing change!) I chose Juno to be on my "Best Films of 2007" list at: Reelinspiration dot Blogspot
Movie blessings! Jana Segal, Reel Inspiration
Greasewood Flat (2003)
Heartfelt storytelling, beautiful cinematography, fine acting
Director/writer/editor Susan Brigham has the courage to create a heartfelt film where the story comes from real life and well developed, genuine characters. The actors rise to the occasion with fine performances all around. Mark Boone Junior especially stands out as Fred the off beat, tag along drummer providing the needed comic relief. It's also great to see Irene Bedard (from Smoke Signals) strut her stuff. Greasewood Flat was beautifully shot in Arizona. The music also accentuates the theme of the film. Ms. Brigham is a gifted storyteller and filmmaker. She touches the heart and soul in this moving story of a family trying to reconnect.